#omg i love this man so much

[golbrocklovely]

birthday boy ❤️‍🔥

[soahbee]

OK GIRLS???! I tried to boldly flirt with him, but I didn't think that I would die more from the answer....SIR WHAT? U FLIRT BACK???😭

[noahmullariii]

the rage I feel when reading Blood of Olympus chapters 45-56 is almost equivalent in magnitude to the absolute joy I experience when reading The Last Olympian chapters 1-23.

remember when percabeth was good? when they meant the world to each other but had other people they cared about (nico, for one. both of them. so much), other worries and other storylines aside from their romantic plot? and when nico's completed arc wasn't repeated for no reason other than to dump more trauma on the youngest character in the series? when background characters were included in the story not for all the unnecessary last minute romantic subplots but because they were fun and fascinating to learn more about? and were actually friends with main characters? remember when grover was percy and annabeth's best friend forever? and antagonists were actually interesting and intimidating and had compelling goals? and the story revolved around friendship and family and loyalty? and death was definite and loss was palpable and battles were thrilling?

yeah. good times.

[daikilledtheb]

🦑PEPITO PEPITO PEPITO PEPITO 🦑

[vamprnce]

I must always draw them silly and cute together 💘🫶

based off of that one petermj panel + also bonus unmasked Pete version under the cut :)

[leyyvi]

im trying way too hard designing packaging stuff LMAO

[saznny]

Fuck man im obsessed

[frissy]

Earth42! Miles Morales x fem!spider/1610!Reader

(Part 1) Part 2

MAJOR ATSV SPOILERS

• Earth 1610 Miles Morales

• You are also a spider person on Earth 1610 with Earth 42 spider DNA like Miles

• Takes place right before, and when Miles (and you) are sent to Earth 42

• possessive Earth 42 Miles

• You and Earth 1610 Miles are not in a romantic relationship

• mentions of death, guns, and blood

• violence

• angst and fluff

• some OOC Earth 42 Miles

• not proofread

Let’s do this.. one more time. Hey, I’m [name] from Earth 1610. You’ve heard the story before, I was bitten by a radioactive spider. And for over a year, I’ve been one of Brooklyn’s spider-people, along with my best friend, Miles Morales.

We keep the peace in the city, and we protect it. but.. sometimes it’s hard. Keeping our normal lives balanced with our crime fighting lives… but somehow, we still find time for each other. . End of introduction….

.

.

.

.

.

“DON’T LET THEM LEAVE. THEY CAN’T LEAVE.” Miguel O’Hara was shouting out at every other spider person trying to get to you and Miles.

It turns out, you guys were anomalies. You weren’t supposed to be spider-people.

But the chasing was no use, you two already made it to the machine that could send you home.

Somehow, you two managed to get inside as the almost mechanic-looking-spider began to crawl from the celling and read your DNA and build a web around you two to send you home.

But Miguel lunged over, clawing at the web, almost breaking it. He was trying to get to you and Miles. But it was no use. The avatar, who responsible for the machine looked at you and Miles with sympathy. And she pressed the ‘yes’ button to send you home. .

.

.

.

You both were shot onto a roof of an apartment complex. The one that Miles lived in. However he was lucky, and ended up near his room. .

Meanwhile you were shot out onto the roof, hitting your head. On concrete, which knocked you out. .

.

with miles…

.

“Miles?” A familiar voice echoed. Entering his room. It was his mom! .

“Mom!” He walked over to her. “what did you do to your hair?”

“nothing? Mom. I have to tell you something. But you have to promise me you won’t get mad.”

“Of course Miles. What is it?”

“you’ll still love me, right?”

“yes of course. Now what is it?”

Miles took a deep breath.

“Mom.. I’m Spider-Man.”

… “who’s Spider-Man?”

his stomach dropped. He tried explaining to her.. but she was brushing him off.

“So, you shoot webs out your butt?” She laughed. “No.. but I did have a nightmare about that once—“

He heard the apartment door open. He felt sick. Even more sick when he heard his voice.

it was his uncle Aaron… but how.

He couldn’t understand what his mom and uncle Aaron were talking about. He was in shock. But Aaron noticed him.

“Miles. Lets go.”

“oh.. okay.” Miles left his room. Walking with his.. uncle out of the apartment onto the roof.

.

.

.

Meanwhile…

.

“ah.. fuck.” You groaned, standing up. You couldn’t believe you got knocked out like that. You rubbed your head.. then you looked up.

Brooklyn was in shambles. .

Then it all clicked. This, this was not your earth.

You remembered Miguel’s words. .

“BECAUSE OF YOU TWO, THERE’S AN EARTH OUT THERE WITH NO SPIDER-MAN TO PROTECT IT.” .

How stupid could you and Miles have been? The machine reads the spider DNA.

the spider was from Earth 42… not 1610. You were mortified by this Earth’s Brooklyn. .

But it got worse. So much worse. You turned around.. facing a giant brick wall. Miles’s dad was staring right back at you. .

But your own face was looking right back at you too. .

You felt like passing out again. .

You were dead, you were dead in this universe. .

The door to the roof open. Put came Miles… and Aaron. He looked just as mortified as you. Seeing Brooklyn, and the mural.

That’s when you felt a sharp ping in your neck, and the last thing you heard was,

“I TOLD YOU TO WAIT!”

Your body didn’t hit the ground.. someone had caught you in their arms.

.

.

“I told you to wait for my signal.” Aaron said looking at his nephew, who held you as if you were as delicate as porcelain.

Who held you how he would always do.

Aaron had Miles slumped over his shoulder.

“I know. Unc.. but couldn’t help it.” .

Aaron sighed, and looked at his nephew who’s looked at your unconscious, breathing figure as if he had just found something that had been lost for a long time.

he looked at you, barely whispering, putting a hand on your cheek. “Mi querida..”

Aaron sighed at his behavior.

“That’s not your girl.” Aaron told his nephew, “Remember that.” He said, pointing at the mural behind him.

.

Miles didn’t reply. Instead he brought your body closer to him, and held you tighter.

He wanted to feel the ride and fall of your chest.

He wanted to hear your breathing.

And doing that, he felt something he hasn’t felt in so long. .

“I know she’s not my girl.” Miles replied. His voice was shaky and he didn’t take his eyes off you. .

But I can make her my girl.

He thought to himself.

.

.

.

.

.

TO BE CONTINUED….

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[itsstilltru]

I honestly want to see what non slug Ted looks like in your art style! :D

Now that you mention it I wondered the same thing so here we are! :D He has no idea the horrors he’s about to witness.

While I was drawing this lovely guy I had a thought… What if, years later, AM turned him back into a human?

what then?

…

[part 2]

[daddytonysgirl17]

❤️‍🔥 Superhusbands ❤️‍🔥

[sdrose93]

He's so beautiful 😍😍

[andyacklesspn]

« HIS HOBBIES »

[ricksanchezbignaturals]

his mastery of multigenerational linguistics <3 <3 <3

[tacagen]

one of the things that fascinate me about thawne: yes, he CAN be normal with kids! surprisingly normal!

((not at all times, though. his mental illness still spills through and as usual he, in trying to manipulate or hurt others, spits out at them the exact stuff that would hurt him (or have in his childhood/barry's rejection interpretation) the most in the first place lmao))

but at the same time. his like second instinct when doing his bullshit is FUCK THEM (as) KIDS

(and, well. whatever this classifies as)

[noemilivv]

hi! could I request Noah x "intimidating" looking reader?

like, RBF, punk/alt clothes, tall and quiet, but actually lowkey pining for him?

btw I like your name, Mio sounds rly nice lol

- Toxic Milk (i don't wanna ask with my main tumblr blog hence the anon ask)

Ofc you can! Also on that note abt my name, thank you lol!

Warnings: Use of (Y/N), kinda short, cheesy(?), barely proof read

Noah TDI x Male!Intimidating!Reader

You and Noah met on the first season of Total Drama, at first, you guys don’t necessarily speak, Noah didn’t have anything against you, but you weren’t the kind of person he was familiar being around

He would never admit it, but yes, like to some of the others, you were intimidating. The way you towered over him, and how you didn’t really talk, it almost felt like a monster towering over him from behind (Not that he ever thought of you as a monster)

But you and Noah got paired up for a challenge, and all of a sudden, things just fell into place.

Noah thought you were a chill guy, he enjoyed talking to you, even if he did most of the talking. And besides, he thought your fits were hot cool.

Over the course of the show, you and Noah had your fun, but eventually, he got voted off.

In the process of goodbyes, Noah stays silent, thinking to himself, he was in awe, he couldn’t believe he’d be off of the show for good. But before he could stop he blurts out…

“(Y/N), I really like you!”

…

“Uh… I just wanted to let ya know..! Like, uhm. Before I left. Heh. Yeah?”

Safe to say that elimination did not go as ANYONE expected.

REBLOGS AND LIKES ARE APPRECIATED !!