#omg right in the feels

[luckydragon10]

*chasing @jeffsatyr* GET BACK HERE AND SAY YOU'RE SORRY RIGHT NOW 😭😭😭

submissive and beheadable

[bellaciao-ciao-ciao]

[kagihirapotato]

my favourite found family <3

omg happy link click day 30.04.2025

[dizzybizz]

hes all bundled up n cozy. good for him

[what-am-i-doing-in-this-fandom]

Fic Idea where Fiddleford helps Stan rebuild the portal, but Stan finds out that Fiddleford has a wife and he's like

"You have a WIFE?? That DIDN'T marry you to steal your car and money???? What are you DOING here???"

"Yeah, well.... She's better off thinking I'm dead somewhere....."

"A WIFE. That LOVES you. Get outta here and go explain yourself, Idiot!!"

"She and our son shouldn't have to deal with--"

"YOUR SON???!!?!!??"

Anyways, so Stan helps Fiddleford reach out and explain himself to his wife, but expresses that he wants to keep being in Gravity Falls, so his wife and kid go to live with them in The Shack instead.

Blah blah blah, bonding happens, Stan bags Fiddleford AND his wife and becomes a step dad, God bless 🙏

[hobipowers]

250407 Hobi Weverse Live → "Don't be sad, my ARMY! I will be back!"

[soldierandawar]

Eddie is such a good father. It takes a good parent to give their child the space they need but still invite someone in who can be a safe space so that Christopher is talking to someone. Giving your child that time speaks volumes of who he is as a person and a father.

He doesn’t want to bust the door down he wants Christopher to open it. He wants the privilege of being allowed back in and he recognizes that he needs to earn it. That he cannot force it upon him. Until then he’s going to do what he can to provide Christopher the support and trust that he probably feels like he’s missing from his dad right now.

[keferon]

Two Peas in a Pod: part 2/?

*slips another piece into your mailbox*

_____________________

Jazz was still feeling a little woozy from his donation in the dark hours of the morning. Blaster had breakfast changed from the usual to something that felt more like a treat, probably a reward for his good behaviour, and to help his body recover. Fish heavy in proteins, fat, all that healthy stuff. Something that normally he would have tried to savour, but he wolfed it down from excitement. Too many questions ran through his head, and most he couldn't bring himself to voice.

The mer, the mer would pull through. Blaster told him about how he had saved their life with his blood. Praised him high and low. Because Blaster knew how Jazz felt about seeing blood, about how hard blood tests were for him, and that was only a tiny vial. Not three big bags of it. Jazz hadn't seen how much they had taken – because he had kept his eye closed until they left in a hurry –, and hearing about it made him dizzy for other reasons, but he honestly felt real proud of himself.

It was a new feeling, different from other moments of pride – like when he figured out the lock codes. Yeah, this gave him butterflies and the drive to help more.

Blaster laughed when Jazz offered that the vets could take more if the other mer needed it. His handler didn't think it would be, but he would pass it on to the vet team.

Jazz's morning checks were a little off, expected with having a little less fluids and feeling off-balance, but it was kept short and quick. Blaster told him that if he learned anything more, he'd tell him next time he came by and then hurried back down to the staff area. Blaster was needed elsewhere, understandably as there weren't many mer experts here, though he did leave Jazz his waterproof stereo if he wanted to play some of his favourites.

But, the orca mer was far too busy causing a whirlpool from the laps he was swimming. He was too excited to sit still, and embarrassment be damned he started practising old vocals. He didn't remember much of his mother tongue, and he was pretty sure that his pronunciation was off, that or had one hell of an accent. Echo-speech was even more rusty. And once he had gone over and over what he could recall, Jazz began to really worry. A few sentences and handful or so of words was all he had? Gods, I hope I can at least make a decent first impression. Blaster said they were just like me, so hopefully, that will give me some starting points.

More than he cared to count, Jazz would swim into the shallow waters of the medical bay and hope to see something through that window. But no one ever came close enough for him to hear any news of the mer. He couldn't even see anything on his radar, wherever they had done treatment, it wasn't in the hospital ward. It almost felt like he was being purposely kept in the dark.

And just when Jazz was starting to worry that things had taken a bad turn, a group of staff turned up around four pm. He wasn't able to ask any questions, or rather they refused to answer. Shooing him away as they got to work. Starting with closing the gate to the bay to 'keep him out'. Jazz could easily climb those walls, but that wasn't the point. Even if the gate window was closed, he could pick up that they were setting up the water hammock. But it wasn't until he heard the cautionary beeping of the hoist lift approaching that it dawned on him – the mer was coming. Now.

"Jazz," Blaster called, "… Jazz," he blew the training whistle and finally got his mer's attention. "Stop pacing and get over here."

"But–" Jazz looked back longingly up the wall.

"Jazz," his tone dropped to a firm one, and Jazz begrudgingly swam over to the pier. The human crouched and made sure that they held eye contact before he spoke. "I need you to promise me that you will stay in your enclosure."

He sunk a little, trying to play into his cuteness, but being far too anxious to really pull it off. "What do you mean?"

"Jazz," now warning him. Blaster knew full well that he was more than capable of getting into or out of places he shouldn't, bloody Houdini mermaid, "this is serious. Things are going well, we want to keep it that way. Which means keeping things calm and feeling safe. You're excited, I get it, we all are. But in about an hour, they'll be waking up and – from past experience seen with wild Mers – they will likely freak out. And the last thing we need is you hauling your tail over that wall and making things worse. Understand?"

The beeping was louder how and the hiss of hydraulics caused Jazz to look up. The arm of the lift was visible over the wall. They're here!

"Jazz," Blaster hopelessly called for his attention once more.

Within moments, a massive bundle was carefully raised, the staff calling out and coordinating. Jazz's gaze was fixed on the black and white fluke poking out, it was the only part of them he could see, and his heart began to race. Once they became hidden by the wall again, Jazz moved back to pacing by the gate without even thinking. Listening to people hopping into the water to unstrap the mer and call back n' forth. "Careful, careful! – Watch the head! – Someone give me a hand over here! – We're clear on this side! – Keep the head up!"

Really starting to sound like a broken record, Blaster chirped the whistle and called out to him again. The expression he wore must have been pretty pitiful because the look on Blaster's face dropped. "If I open the view port… will you promise me that you will wait, that you will stay in your enclosure?"

"I promise," he answered hastily, placing his hands on the gate, over the panel that would slide open.

"And that you will wait until everything is in the clear, till the staff come to oversee the integration. There will be no rushing things and no asking staff when we will open the gate."

"I promise," he repeated, trying not to beg.

Satisfied, Blaster pulled out his radio, "Blaster to Control; when the team is out of the Mer enclosure's medical bay, open the view port. Jazz's stress is mounting without a visual."

"Can do," came a quick reply.

Though, opening the panel was not. Several minutes went by, the hoist had cleared out, and much of the staff had returned to their other duties. Only two remained double-checking the mer's breathing and pulse. The moment that the last of them left, Jazz heard the lock disengage, and he retracted his hands as the panel shifted and began to slide open. The window was too small to get more than his hand – maybe up to his elbow if he wanted to push it – through, and sat just at water level– any movement sending water hopping to either side. But it gave him a clear view of the surface area inside.

Oh.

Oh. Jazz stopped breathing. While the mer's body was mostly supported by the fabric of the hammock, cradling them on their side, effectively hiding most of them from Jazz's angle. Propped up on a soft floating platform was the mer's head, face towards the gate. Sharp features and elegantly shaped finials, with flattering lines of their markings complimenting the peaceful expression as they slept. The butterflies from earlier came back stronger than ever, his heart thundering as words fumbled from Jazz's lips, "he's beautiful…"

_____________________

-GLC

Orca Prowl really is just-- too fucking pretty, omg, I'm living through Jazz in this moment like when I first saw your designs of him.

I'm more than happy to continue writing for you, you bring me so much joy. I screamed when I saw how much you liked it. If you have any requests you would like me to add to the story, leave it in the tags or comments ♡ I now plan to continue until the tsunami and a bit afterwards, maybe more, we'll see~

Upd: There is a next part!

Previous

Oh. MY GOD. OKAY ALRIGHT OKAY ALRIGHT OKA

I'M ABOUT TO START PACING IN CIRCLES JUST LIKE JAZZ OVER HERE KDLCNFJFLFB PL E A S E THIS IS SO GOOD. The tension?? You can fucking TASTE it IT'S SO GREAT GLC I LOVE YOU

The way it all starts at night and then you (as a reader) have all this additional time to boil in your anticipation?? So fucking great. Like you can really feel how little power Jazz has over the wholse situation. The plot is moving but he doesn't have any saying in it. Well. Yet heheh

Anyway haha. Im normal and I made some art>:D

[casscainmainly]

WHAT IF your name was Bruce Wayne and you were forced to go on a road trip with 2 people, a boy you've recently taken under your wing and a man you met when you were a kid. The boy is wonderful and you adore him, and a tiny part of you wants to fold him into your family but you know he wouldn't want that so you don't say it. The man is your childhood friend turned half-friend half-enemy, and you're homoerotically flirting the WHOLE trip so maybe you love him but you don't say it. And they are both Gotham to you, both manifestations of the city's potential to save and destroy; the boy is a beacon of hope, the man a symbol of corruption. The boy refuses to give up on you, you refuse to give up on the man. You are trying to keep them but also trying so hard not to be selfish. You're in a car with a boy who is not your son and a man who is not your lover and they both HATE each other. Also they are the only two people in the world right now who aren't actively trying to kill you. Anyway I read All-Star Batman #1-5 last night 😭😭

[scramratz]

I keep having weird dreams and intrusive thoughts about dying lately. Y’all think I’m gonna kick the bucket soon?

[huniipum]

[sleepyicon]

ok this is my hyperfixation for the next 15 years

[alukaforyou]

ooh i wonder wat hes doing heh :3c wip

[ruvi-muffin]

IS it weird that it happened twise, or just the natural progression of the paladin class?? (The tusk thing feels like an odd coincidence tho)

[heyimkana]

Omg, idk how to start this ask, but this was basically kick started by a comment I just recently made on your post-

S/O meeting the in-laws (can be set post reincarnation cup or not-) and Kyunghye and Ilhwan absolutely adore her, like, to the point that kunghye would nah Jinwoo to marry s/o even when they're just 2 months dating or something and Ilhwan giving tips on "how to please the wife 😌" (I mean, happy wife happy life right? 😂😂😂)

I would include the s/o's family, but I don't really know if you'd mentioned any of that...? But if you did, you can add!

THEM MEETING THEIR IN-LAWS IS SO CUTE OKAY OKAY LISTEN

(if you want to read jinwoo meeting S/O's parents for the first time, go here)

so this is set before jinwoo used the reincarnation cup okay so they've been dating for only 2 months like you said, a little after he brought her to the shadow realm to have a little picnic date there

so jinwoo introduced her to his family next, and from the second they saw jinwoo walking through the front door with his face looking like 🥰 THEY KNEW she was the one for him LMFAO

kyunghye was already like tearing up a bit cause jinwoo had never shown any interest in dating before and she thought he was always too busy to actually find some time to socialize so she was lowkey worried for him and suddenly jinwoo walked in like that??? with a girl holding his hand??? kyunghye could see it in his eyes just how in love he was with her and it was the cutest thing ever

kyunghye, giggling softly in ilhwan's ear: "he looks just like you when you first told me you loved me"

ilhwan: *manly blushing noises*

and his parents LOVE her OMG like they think she's the cutest thing in the world. S/O was so shy and nervous the first time they talked and she kept fumbling with her words, and she was SO polite and humble, and she was just the SWEETEST girl, immediately helping kyunghye in the kitchen to help her prepare dinner and they bonded immediately over cakes and pastries LIKE THEY'RE SO CUTE

lhwan had a serious talk with jinwoo as they waited for dinner to get ready. he took him to the balcony and they were like two cool, manly guys drinking their cool, manly beers and with their cool, manly hair swayed by the wind,

ilhwan: "she hasn't been awakened, has she?"

jinwoo: "no. and i'm hoping she never will."

and ilhwan could tell that one of the reasons why his son loved her was because she made him feel... normal. just a normal boy meeting a normal girl by accident, falling in love so naturally, and doing just the most mundane things together. ilhwan thought jinwoo must have found comfort in her, like he could forget all his burden and responsibilities when he was with her. it reminded ilhwan of kyunghye too in a way, she made him feel like he was at home whenever he was with her and ilhwan was glad to see his son finding someone like that in his life, seeing how much jinwoo needed it.

ilhwan's expression was solemn but soft when he said "try not to worry her so much, okay? i know you can't escape your duty as a hunter but now you have more people waiting for you to come home. she's a sweet girl. so innocent. i bet she gets worried easily when you're not there with her. don't make the same mistake I did with your mother. don't put her through the same situation. don't make her cry, jinwoo, that's all i ask of you."

and jinwoo looked at his dad and he saw the pain and the regret written on his face. "i won't. i promise" and jinwoo meant his words. he intended to keep it forever but ofc the war with the monarchs happened. this was the reason why he used the cup, like i said before. to make her forget about all of these. to erase the tears that she's shed for him.

(ANYWAY I DIDN'T MEAN TO MAKE THIS SO ANGSTY LET'S GO BACK TO FLUFF)

maybe jinah came home from campus after the dinner was over, she was like "OH UNNIE YOU'RE HERE YAAYY MAKE ME SOME CAKE PLEASEEEE" and jinwoo pinched her cheek and was like "don't order my girlfriend around" and jinah was like "oooooohhh your girlfriend~~~ 😚 so when are you gonna wife her up big bro" and he blushed and he pinched her harder "s-shut up"

but kyunghye joined in, giggling like "oh, we would love to have you in our family. isn't that right, ilhwan?"

ilhwan: *manly approval noises*

and S/O and jinwoo were just looking briefly at each other before they turned away, blushing (this is so cute in my head HELP like jinwoo was pushing his hand into his pocket, looking away, rubbing the back of his head, cheeks flaming red)

ilhwan, chuckling: "i'm sorry if we sound too excited. our little boy has never brought a girl home before."

S/O: "omg really? 🥺 i'm your first? 🥺"

jinwoo, lowkey screaming gaaaah she's so cute: "m-maybe"

S/O: "jin 🥺🥺🥺🥺🥺"

jinwoo:

[kestrel-of-herran]

my thoughts on peterrose in season two + predictions for season three

i want to preface this by saying that i ended up enjoying season two wayyy more than season one, and i think it came down to the bigger complexity of the storyline, the unpredictable alliance switches and twists, and the depth with which the afterglow of peter and rose's experiences and relationship in season one was handled. this season's focus on angst and exploration of the psychological impact of the work on both of them and what it means for their relationship really elevated the love story for me from a pretty clean-cut "us against the world" vibe to the messiness of both of them being used to blackmail the other and their relationship straining because of the secrecy around the missions and the contradictions of rose feeling safe with peter but being constantly endangered by his work and peter needing rose around for his peace of mind but rose suffering psychologically from her proximity to the morally grey aspects of his work. chef's fucking kiss where's the next course

peterrose things i loved in season two + development from season one

rose having the option to leave anytime

while in the first season both of them had little actual choice about whether to stick together or not, circumstances that created a kind of bubble around them and aided the romance, this time around rose could have backed out repeatedly, making every time she chose to stay a decision that had as much to do with peter as with the help she thought she could give to the investigation. not only was she there at the beginning to help him gain some trust in people back and make sure he didn't steer off the ethical path, but later she also discovered for herself that even in the thick of danger (the party, the air vents situation in the last ep) she prefers to try to help rather than back away. it's a mode of thinking that will definitely lead her to sharing some of the danger of the job longer-term if the show lets her explore it.

closeness without labels

this is one aspect that i thought was handled with so much care and delicacy in a way that felt very satisfying to watch. they haven't seen each other in ten months, but she still has scores of photos saved on her phone (the show could have easily gone with one selfie, the fact she was always showing a different photo really shows they dated for a while before his posting, and were happy enough during it to constantly take pics) and doesn't hesitate to ditch her job and track him into danger because she's worried sleepless about him. she doesn't hold not calling her back over him even though she's clearly hurt about it because she knows it's out of his control, but he still apologizes and makes it clear again and again how thankful he is that she's there and how she's helped him both emotionally and logistically, like with noticing an attacker or planning the party heist. even as he wants her to leave to be safe, he doesn't make her feel like she's intruded or endangered his mission, but follows her advice and always gives her credit when she contributes to the work. they're comfortable enough with each other to cuddle and hug and kiss spontaneously, but they never discuss exactly what kind of relationship they're in because it's obviously a closeness both of them enjoy and initiate and they care more about being together than giving their relationship a label or discussing a future together at a point when he's so involved with his work and she's still sorting out how she feels about it. she doesn't pressure him about quitting and he doesn't force her to stay, he notices whenever she's upset and talks things out with her, and gives her space to process her feelings even if it means she might realize she's better off out of his kind of life. they both try to give the other whatever they might need in terms of emotional support and space to change their mind, even if that contradicts what they each would prefer the other to do or want or if it would result in emotional pain for them personally.

domesticity

i was absolutely treated to this trope this season. sharing clothes, him casually bringing her drinks while she's working, buying her food and knowing her preferences by heart, all the little jokes and fights that just made them feel like a family throughout the season. it shows clearly that their dynamic goes beyond needing each other in dangerous situations, that they were having a swell time just teasing each other. it's a quieter dynamic than the previous season, because they're both more aware of the constant and repeatedly chosen danger of the situation that is now a way of life rather than a crazy few days before things would go back to normal, but it's also more profound in how it acknowledges the trauma while showing they're still really compatible in the little safe haven of their nights at home.

partnership

they really felt like an agent couple in this season, not only in the way their skills complement the other's, but also in how they're both on the same wavelength of thinking during high-stakes situations and are able to brainstorm through them together or understand each other without words. peter didn't hesitate to tell the guy blackmailing him with rose's life to fuck off because he has faith in her ability to evade the attacker if he warns her. rose's involvement saved several of the missions from going south, and as much as he's uncomfortable with her choosing danger over safety in the moment, he clearly admires the effectiveness of her contribution. moments like when she noticed the comms being overheard and when she ambushed markus and showed peter what she'd do just by counting with her hand really show how perfectly they work as a team, and how much smoother operations in the future would go if they're both there to have each other's backs and think through problems together.

your life for hers

fuck me uppppp i love this shit soooooo much. i think one of the main jobs a writer has when developing a plotline is to explore all likely scenarios emerging from the goals and feelings of the character until that point, and the emotional development when it comes to peter protecting rose here is spectacular. while in the first season he was focused on protecting her partly from a feeling of friendship and because he wanted to do right by her and felt responsible for her, in this season it's as clear as day that he's protecting her because he values her life more than his and he's completely aware that if something happens to her it'll wreck him completely. he spends the better part of the season processing the loss of a mission partner and blaming himself for it, and it only serves to bring into focus how much worse things will be for him if rose gets hurt. she's no longer someone he's protecting because it's the right thing to do but someone so precious to him he's fraying at the edges just imagining something happening to her. she's his priority to the point that he doesn't hesitate to throw the mission and put himself in the position of a traitor that he has so much trauma about because of his father, because her being alive and safe is worth every sacrifice to him. the look on his face every time he was blackmailed is 1000000/10.

separation parallels

i really felt the upgrade of the separation scene this season, from the neat wrap-up of the hero flying off into the sunset while his girl waits happily for his call to both characters showing their emotions with all their bitter aftertaste and just feeling through a situation they can't amend right now. i absolutely love how worried rose was whenever someone slipped that peter had done something he could be charged for and all through peter explaining his decision to her, because it's not just that he loves her but that she was used against him and as long as they love each other this can happen again. peter was just excellent here, from taking the time to tell her himself to checking his urge not to get to the bottom of his feelings and taking her hands as he told her the full truth of what he feels for her. rose just breaking down crying and him hugging her and that head kiss was just sooooooooooo perfect in capturing how much they care for each other. rose's expressions as she watches him leave in the taxi and her going towards it are particularly telling, as is her struggle to maintain her smile and carefree tone while talking to noor. her reaching out to noor in the first place speaks volumes to me already, because if she didn't want to be involved with peter's world anymore i doubt she'll want to meet with anyone from that stage in her life now that she's managed to break away from it. noor wasn't buying any of her statements, and from the scene when she sensed something was wrong with her family leaving iran from rose's facial expressions alone, i think she's pretty good at reading her, and the lingering shots on her face leave little doubt rose isn't as fine as she'd like her to think.

predictions for rose in season three and beyond

my thoughts on statements of the writers and actors

the two things that are on my mind when i'm reviewing all the interviews that have addressed rose potentially not continuing with the show are that (1) the showrunners have the right to change their mind about the focus of the show whenever and although it would be like shooting themselves in the foot if they drop her that's their (very unreasonable bc i love rose to pieces) call to make, and (2) no one involved with the show would reveal a major twist before the season has even finished shooting. let's look at some statements of the cast and crew in light of that.

"We don’t want to artificially create a situation where characters have to be part of a specific season on a regular basis. We want to tell the story that feels true in that moment. I am very aware that one of the big strengths of Season 1 — and what I think is a big strength in Season 2 — are Peter and Rose together. I think the relationship is really strong. [...] Their shared trauma from these first two seasons has built this incredible bond. But is it enough to overcome the difference in their lives and their lifestyles Is something that we spend a lot of time talking about. So, not trying to duck the question, but we’re still creatively looking into all that. This, hopefully, with the success, will be a long-running show, and the question you raise is something that we talk a lot about in the writers room." (source)

they're clearly still writing the season and figuring out where they want to place rose in the story without compromising her moral code, and i think they might have wanted to hear the audience's and critics' responses to this as well before they wrap up this season's plot. journalists keep bringing this up in interviews and i think that's very telling to how the public as a whole and not just the shipping fandom views the show as about the both of them, so i hope that interest makes a difference in how they perceive the future of the show as a successful one as well, since they do need people to stick around and characters are a huge draw (case in point i started this for the couple rather than the plot, and didn't even find the plot engaging until season two, but i'd never spend hours of my morning writing an analysis for their excellent handling of plot only). they're clearly aware of peter and rose as a huge boon to the show, but also want to make sure that either of the actors not being able to continue with the series isn't going to put the whole thing out of business. one way i see this playing out is with rose having reduced screen time in season three but coming in as a regular in season four for example, if another season of peter doing agent stuff while she develops something (a program, fighting skills) is what's required for her to fit smoothly in the events surrounding him. i can also see they're anxious not to repeat plot points and make copies of previously successful seasons, so i expect rose's future involvement in the plot to be more creative and not replicate her previous actions, e.g. her not seeking him out on her own in a similar way again, but likely coming in as a partner already in some official capacity.

"That will be a part of Season 3, him trying to emotionally and logistically deal with the unintended consequences of his actions in season 2. [...] The goal isn’t darkness but what I would say is — and I’m involved in a coalition that talks a lot about how mental health is portrayed on TV — one of the things that we wanted to do in Season 2 was model Rose’s behavior as being how you want to approach trauma and violence in your life. She’s seeking professional help, and she’s making progress. Peter, on the other hand, is approaching it in a very old fashioned, very masculine, frankly, way of burying it, ignoring it, and that doesn’t often work. I’m always adamant that I don’t want the show to become so dark and impenetrable, so I think you’re going to see a lot of sides of Peter in Season 3 in the same way that you did in Season 2. I hear your question, and no, the show isn’t about going to the abyss with Peter." (source)

kuddos to them for that honestly i absolutely loved the ptsd portrayal in season two, but the main thing i'm getting from this response is that it's very unlikely for rose to be killed off to remove her from the plot at this point, or to double down on peter's trauma, because that's how peter would define "going into the abyss" imho.

"I would say that that moment, that breakup scene, felt true to us, the writers, as we were crafting the second season. That they live in two very different worlds, that he wants to be in this world that's dangerous, that she doesn't particularly want to be in a world that's dangerous, and yet they have this incredibly strong connection forged over living through and helping each other through these traumatic events. So there's always going to be this incredible connection between the two. What that will mean for their onscreen pairing I think is something that we continue to talk about and will figure out. So, I don't know yet, because we haven't definitively decided what it means for the characters. I will just tell you that we love the character of Rose. We love the character of Peter. We love Luciane and Gabriel as actors. I think they're tremendous together. When we started to work on season 2, I came back to the writers with what I felt were strengths of the show from season 1, and the very first one I wrote down was Peter and Rose together. So we don't take that lightly. At the same time, we don't want to craft something that feels inauthentic just to be a fan service, to keep them together in ways that might feel unrealistic. So that will be the responsibility and the struggle of the writing staff and myself as we craft further seasons." (source)

i think bringing them on the same page about the work can be done with the kind of emotional development they pursued when they explored the impact of trauma and morally grey choices on both of them, so i see this mostly as a matter of narrative time and writing effort, providing they're willing to put those in, rather than the characters being naturally incompatible in terms of their life goals. case in point, rose's characterization in season one came down to happy to break the rules, threaten people with arms, steal things, and kill to protect others or to avenge her loved ones. it's only in season two that we see her struggle with threatening people and endangering lives, so that was a very conscious narrative choice and a huge pivot for her character arc from a tiny daredevil (aspects of her we still see in the party scene for example) to the voice of reason in ethically dubious situations. this kind of major change of heart can happen easily with sufficient screen time and the kind of plot points to inspire it, and is completely within the writers' abilities should they want it to take place.

"I have no idea [whether Rose will be back in season three], and I can’t spoil anything. I wish I could tell you, but Peter does say ‘No, don’t come looking for me,’ and I don’t think Rose takes well to direction; she does whatever she wants. So you never, never know." (source)

it's worth seeing the video of her answering this question, because honestly to me she seems happy to give a little hint of something bigger. it's either her character sixth sense talking (and she's right), or she already knows she'll be brought back to wrap-up the season. i think rose showing up unexpectedly, and prepared, when peter's been spending the season dealing with choosing her safety over remaining clean, is only going to contribute to that theme.

"You can have love for someone without physically expressing it. I think that’s, I don’t want to say trope, but a lazy way of showing that two people care about each other is having them hook up. Sacrificing your life for someone or putting your life at risk to save someone, I think, is a bigger testament of love than giving them a kiss or something like that. The relationship is important to both of them, and you see that through their commitment to one another and keeping one another alive, regardless if that means they’re going to be together, at least they’ll have done what they can to protect the other." (source)

turn this shit upppppppp i love this so much... but this brings me to the fact that as long as they're in love they will be used against each other, so it's time to develop some scenarios from there (and i don't mean them not being in love anymore bc that's just unrealistic at this point; it would require either of them making choices the other can't understand and the entire series becoming more dark, "you can't love anyone"-style, than the writers seem to want it to; giving peter another love interest instead also just seems like undoing a ton of hard work and audience interest just to pull a james bond, and i think they care about being original way more).

plot-realistic scenarios

i'm using this term (likely made-up by me, a writer finishing a book atm btw) here to indicate scenarios that need to be followed for the plot to feel satisfying, e.g. ignoring them would require some disbelief suspension and might make the audience doubt they're seeing the logical development of events and characters as they have been built up so far.

rose is going to continue being used to threaten peter

if part of his goal next season is to eventually turn against the guy holding rose's life over his head, peter needs to make sure she'll survive that plot point, either by protecting her again or warning her and making sure she's in a safe environment while he takes the guy down, for which we need at least a cameo, though that is the laziest way to wrap this up imho. i think the guy will absolutely keep tabs on her so he can use that if peter goes astray, so she'll be involved in this as long as peter's an agent even if she's living a normal life, and i doubt peter will be able to make anyone believe that he doesn't care about her since all it takes for the truth to come out is for someone to point a gun at her head.

rose would benefit from some combat training or security if she's going to make it through this show alive

at the very least, keeping rose out of the show without killing her means also providing her with the means to protect herself as long as peter is being blackmailed with her life, which is one of the few plot points that seems to be a given for the next season. a basic agent training course that would allow her to rebuff attackers, or security trailing her to make sure peter isn't compromised because of her, are the least catherine can do to make sure her plans for peter are successful.

catherine doesn't seem to be done trying to use rose

at multiple points throughout this season, catherine was impressed with rose's coding and recruited her help for a job, and i doubt she'll just let an asset go if she thinks she can be useful. she knows peter's a weak spot for rose that she can utilize to put pressure on her (like with the security cameras, the consequence of rose's choice not to join would have been peter being exposed to more danger, so she changed her mind), and since peter is pretty central to her plans for season three, it makes sense to keep rose closer rather than further. she knows rose can get through to peter when no one else can or take him out of the path she's set out for him, so risking her being too far out of sight to influence strikes me as unreasonable. and what better way to bring rose back into the action than with a bang, by placing her in the middle of a covert mission in later eps (preferably without warning peter to amplify the emotional climax of the reunion) with the kind of skills that would make her at least competent in avoiding capture when things go wrong.

the show has barely scratched the surface of rose as an agent

i mean this seriously, there's so much to work with when it comes to her becoming an agent or helping out with some of the jobs or even if she's joining the action as a voice on the comms while she's hacking some system. peter won't always be in the position to make sure she's safe, and she's been showing so much resilience, quick thinking, and willingness to pull a gun or stab someone during a fight. she's smart, a creative and smooth liar, and refuses to give up even when the odds of her making it are slim. she'll be an asset to any mission the show involves her in, and keeping her in a california office is a huge waste of potential.

rose's arc is far from wrapped up

the thing with rose as a character is that her arc could have been wrapped up in season one without bringing her into season two and the show would still have made sense despite the (disappointing for me the rose fan) shift in focus from romance to political intrigue. the showrunners seem keen to be making that shift anyway, but they decided to keep peter and rose's relationship as not only a subplot but the driving force behind peter's moral conflict and the starting point of him becoming a double agent in season three. rose received a great amount of screen time, agency, and emotional development, but it wasn't enough to feel that she exited the story cleanly and permanently. she clearly still has a lot of processing to do when it comes to both her feelings for peter and whether she wants to join the action and save lives (at multiple points in the show she turned back and rejoined dangerous situations not only out of love for him, but because i think she knows that without her input, chances of things fucking up increase exponentially) despite the danger to her safety, mental health, and moral integrity, and the way to conclude these plot points is to give her more screen time to get full closure or process her trauma and decide to become more involved with night action. even with new storylines and characters appearing, the show will only benefit from keeping rose and peter's relationship as a subplot and exploring the shift in their dynamic and feelings if she's cleared to join the missions on par with him or becomes an agent on other postings unbeknownst to him at first (night action picking up the phone when he has a crisis in season three or her appearing in a completely unrelated undercover mission happening in the same place he's working his target so both of them are thrown off-balance by the proximity). how will their romance develop if she's as competent a fighter as him, if she puts herself at risk as regularly, if their superiors try to use them against each other to manipulate both to their ends? now that's something i'd kill to watch.