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#on demand production
clickedge23 · 8 months
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(via Brown Leopard Leggings with pockets)
Introducing our Brown Leopard Leggings with Pockets—a perfect blend of style, comfort, and functionality!
🌟 **Key Features:** - **High-Quality Material:** Made with 74% polyester and 26% spandex, these leggings offer a soft and stretchy feel with a mild compression effect. - **UPF 50+:** Provides excellent sun protection during outdoor activities. - **Practical Pockets:** Two side pockets for convenience during workouts or everyday activities. - **Flattering Design:** The high-waisted, tight fit and flattering cut make these leggings both stylish and comfortable. - **Triangle Gusset:** Designed for flexibility and ease of movement.
**Important Information:** - **Semi-Compression:** Offers support during workouts while maintaining comfort. - **Environmentally Conscious:** Made on demand to reduce overproduction, and blank product components are sourced responsibly.
**Care Instructions:** To keep your leggings in top condition, hand wash and handle with care.
Thank you for choosing thoughtful and stylish activewear! Your order is crafted with care and consideration for both style and sustainability.
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uncanny-tranny · 1 year
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The leftism/anticapitalism leaving people's bodies the zeptosecond you imply that disabled people who aren't "productive" still matter in society and need to be treated like intrinsic equals who have a place in this world:
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squeakadeeks · 10 months
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"In this world, I'm known as...the Winter King" 🌨❄️🌬
This cosplay was so so close to never seeing the light of day, as this was the aforementioned project I rage quit to procrastinate with Nekomancer on haha. I really adored the fionna and cake special (and adventure time in general) and wanted to cosplay from it for eons...although I will admit this project was intended to be "generic blue and silver winter regal outfit for a variety of characters" and it was a toss up on whether or not the first run was going to go to the Winter King/Simon or Jack Frost...but I couldn't find my jack frost wig so here we are!
This was my first time working a lot with velvet and low key....I loved it and would love to use it more.
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ka3l · 3 days
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"raising your prices and not giving old clients the old price is kiiiiiiiinda scummy :( bad business sense".
artists are just human beings trying to make a living btw also i want you to know i personally hate you
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rhulksplaything · 3 months
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"Oh he's really close, I sure do hope I don't get kic-"
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What Is Vegan Leather Made Of? Many Plant Leathers Are Being Used (greenmatters.com)
Yes, plant leather is a great idea (not better than animal leather, in my personal opinion, but that's down to each individual's thoughts on the matter). But unfortunately much of it just can't replicate many of real leather's beneficial properties- and a lot of plant leathers heavily involve plastic in their production. (source)
Look, ALL clothing production needs to be more sustainable at this point. The chemicals involved in tanning actual leather, unless it's organic leather, aren't good for the environment either. And I will never rag on someone for their choice to avoid real leather- we're all just trying, I hope, to make the best choices according to our values and within the confines of a broken system (as long as we're not hurting anyone else). For me, the massive habitat loss and environmental destruction caused by plastics production and waste is a greater evil than the deaths of individual animals in the production of meat and/or leather. So I choose real leather and try to make each piece last as long as I can, aware that any choice I make will have environmental impacts and is not perfect. Someone else might see it differently, and I really am not in a position to judge their choices.
However.
The term "vegan leather" is blatant greenwashing, and 99% of the time it applies to plastic. If people prefer to wear plastic to avoid real leather, that's fine, but they- and moreover companies -need to be honest about that. Just like synthetic fabrics should be called plastic, so should synthetic leather. Even some of the allegedly "plant-based" stuff, it turns out.
I'm honest that my real leather is animal hide. Time for the faux-green fashion industry to display some honesty of its own.
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supermaks · 6 months
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max saying that f1 academy doesn’t do anything besides make people feel better about themselves bc the cars are too slow and there’s no investment or motivation to get them beyond that…. cook!!!!
Her kid fr
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byrdierose · 3 months
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Thanks y'all for boosting my last post. I've actually made some sales! In some lighter news...
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https://byrdierose.threadless.com/
My Threadless Store is having a sale! From now til July 1st, all T-shirts are only $14 USD, AND everything site wide is up to 35% off! Celebrate summer and proudly show off any of these one-of-a-kind apparels and homewares!
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darekshop · 3 months
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Hey people, check out our cat lover of pizza, he will do literally anything to eat it, even fly into space :) Check out my products, maybe you will like something. leave a comment and if you like it, support me on redbubble.
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clickedge23 · 8 months
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(via Cute Smiling White Ghost Character Christmas stocking)
👻 Embrace the holiday spirit with our Cute Smiling White Ghost Character Christmas Stocking! 🎄✨
This delightful stocking is not just a festive accessory but also a symbol of joy and warmth. The cute smiling white ghost character adds a touch of whimsy, making it perfect for both kids and the young at heart. The off-white color fill on the reverse side and the elegant white fold-over cuff create a balanced and charming look.
Key Features: - 👻 Cute smiling white ghost character for a festive and playful vibe. - 🎄 Generous size: 7″ × 18″ (17.8 cm × 45.7 cm). - 🌟 Off-white color fill on the other side for versatility. - ⛄ White fold-over cuff for an elegant touch. - 🎁 Comes with a loop for easy hanging on your holiday display.
Crafted with care and made on demand, this Christmas stocking is a thoughtful addition to your festive decorations. Thank you for choosing products that bring joy while minimizing environmental impact!
#####🎅👻🎁
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arielthedaydreamer · 1 year
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-I'll be productive today!
*does nothing*
-I'll REST today. I'll do absolutely nothing!
*Reads 2 books, starts a new drawing, studies, bakes a cake and writes an essay*
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sidsthekid · 1 year
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ok but his lips!! his lovely beautiful mouth!! :(
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aquaspiderart · 11 months
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an experiment new sticker sheet that's available on my shop now!
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shady-tavern · 1 year
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Vampire’s Lullaby
Warnings ahead for a child getting injured and threatened with more bodily harm and death, blood and gore, though not overly descriptive. Please take care of yourselves.
This is part one of a dark vampire story folks. I hope I could do it at least some justice. If you are concerned about the contents, drop me a message and I’ll answer you.
***
'Never look them in the eye, child,' the priests always cautioned. 'You'll only find the loss of your mind and virtue there, if they don't take your life immediately.'
There was no love left in the creatures of the night, in those ever hungry for blood and flesh, in the terrors of the dark. The sunlit hours were spent scurrying about, getting work done before the sun set and the monsters crawled out of wherever they hid.
Annabelle had been taught early on to ignore the luring calls and songs of some of the night creature, to keep the curtains drawn and to stay inside, no matter how frightening or pleading something sounded outside. She and all others could flinch and cry all they liked, so long as they remained in their homes.
Those who could afford it kept their homes safe, buying all that was necessary to ward off any and all night creature, while professional hunters prowled along the property. Those less rich could still often enough convince a less reputable hunter to guard their home, by offering them food and lodging and a bit of a salary.
Young, inexperienced hunters or older ones with lasting injuries usually took those less well-paid guarding jobs. Those families who could bear to have a set of working hands missing sent one of their children to get a basic education in hunting, hoping it was enough to protect their home.
Annabelle knew people less fortunate considered her one of the reasonably lucky ones. She had three older brothers and her parents had reliable merchants buying their wares. Her mother sold iron tools she made in the smithy, while her father sold his weaving. Her two oldest brothers had learned the craft of their parents, while her third brother, the youngest of the three, had gone and become a hunter. 
Dion was the one keeping their home safe and she hated it. She hated the howls and screams and snarls of the monsters that hunted. She loathed the crooning singing that wanted to lure her towards the barred windows, cruel in its sweetness. The shadows she could sometimes see creep past during a full moon frightened her, before Dion chased them off. 
She hated that he was out there, fighting, coming home injured and bleeding. She knew, deep down, there would be a day when he wouldn't return. None of them were lucky enough to avoid that misfortune forever. Not when it had killed her grandfather and later her uncle, while guarding the house.
Sometimes, when she came back from work, she saw her brother standing outside, hand shaking as he held his weapons. But every time he hesitated, he would look at the house, through the windows where she knew her parents and older brothers sat, still either at work or taking care of the house. 
Then he'd look at her, walking briskly towards him in the setting sun. He'd nod at her and remain where he was, unflinching and with a straight back. In front of the house, guarding it.
The thick wooden door would close behind her when she stepped inside, lined with iron and dusted with silver shavings, expensive protective measures that had cost her grandmother and grandfather all their savings when they settled down in the city.
Dion would lock it with a hard noise before his steps faded. Annabelle hated those noises, hated how final and grim they sounded. Hated that she didn't know if he'd come back at dawn to unlock the door again.
They weren't truly locked in, she knew where the spare key was after all, they all did, but her parents wanted him to be the one to unlock it every morning. They wanted to give him every reason to come back alive.
She wished she could tell Dion to just stay inside with them. To sit in front of the fire and cover his ears when some beast howled, like he had done as a little boy. Annabelle was barely a year younger than him and she remembered helping him, clapping her hands on top of his to muffle the sounds extra hard.
No matter how much the noise had scared her as well, she had put on a brave face. When her parents had decided he should go and apprentice with a hunter, she had fought with them, for the first time in her life actually shouting and screaming while her parents grew just as loud. 
They had been just as desperate and scared and helpless in their arguments as she had been, but that hadn't gentled her fearful fury one bit.
When she had offered to go in Dion's stead, they had waved her off with scoffs. She wasn't big and sturdy enough, they had said. She wasn't strong enough, not fast enough, no hunter would teach her. She'd be dead within her first night outside.
She couldn't bring herself to say it to Dion's face, but she thought he shouldn't have become a hunter. Then again, none of her brothers were suited for the task. Rudi, the eldest, was currently courting a young woman, hoping to marry her and have a family of his own. He always got up at dawn along with Annabelle, peering out the windows to check if Dion was alright.
Gerard, her second-oldest brother, kept on weaving late into the night, the sound of the loom by now a welcome background noise as they all settled down. She knew the reason he stayed up late was so he could listen for his little brother, to try and hear if anything happened to him. Even if he couldn't help, he still stayed up.
Since the two oldest were meant to inherit the business, continuing the craft of their parents, the horrid task of protecting the house fell on Dion's shoulders. 
Annabelle had gotten an apprenticeship with their neighbor Mr. Bell, an older scholar and bookbinder, who had taught her everything and then hired her at his printing and book selling store.
Mr. Bell had recently started talking about letting her take over when he retired, since he was most pleased with her work. He wouldn't hand the business to her entirely right away, but he spoke about working less over the next year or two and letting her handle things more in his stead.
It filled her with fierce hope, that once he let her take over, she could earn enough money to hire a hunter. So Dion could stop reaching for cold steel and second-hand armor made of leather and rusty iron. So he could allow his hands to do something soft and gentle.
She once or twice heard him have nightmares through the wall during her free day and he barely smiled anymore and his humor had grown dark. Sometimes he managed to make her laugh, startled and a little horrified all at once, when he joked about death with other hunters in the evening, while she stopped by them to wish them a good night.
Not every night was bad, thankfully, there were even a week or two where it was utterly quiet, but it always got rough around the new and full moon.
Her brother got injured at times, coming home with a limp or a bleeding arm that got tended to swiftly so he could return outside the next night. How her mother scrubbed blood from their worn floorboards with tears in her eyes.
One day, she had promised herself therefore, he could rest. Which was why she was working from sunrise til sunset and why she stayed sweet and polite, no matter how rude a client was. Why she made sure Mr. Bell wanted her to take over his business one day and not someone else.
Her family worried about her, since she often barely made it back home in time, the sun almost gone when she arrived. Dion always looked relieved whenever he saw her hurrying down the street, his hunter garb making him look dark and foreboding.
She left early every day ever since she had figured out at what minute the sun crested the city wall enough to shine a weak, pale light along the main road. The path of the sun was always unobstructed, for across from them, on the other side of the road, was nothing but a drop down to the lowest level of the city.
That part of the city was built at the bottom of the hill that bordered on being a mountain, made up of homesteads and farmland. Scholars still argued that the hill should be classified a mountain, while others said it only looked that big because of the ostentatious, large castle built at the very top.
The fancy castle was surrounded by high walls and equally fancy manors and smoothly cobbled streets that wound down steadily. Their part of the city was always lit and very, very well protected
Annabelle usually didn't pay the upper crust much mind, she was far too busy for that, but sometimes as she walked to work, she wondered what it must be like to live without fear. To know the night creatures could not touch her.
By the time she reached the big crossroads where Mr. Bell had his business, the sunlight touched the shop and she'd unlock the door. Slipping inside, she would set everything up for the day in peaceful, soft quiet. She got the books they were selling ready in the shop and got started on their orders, mixing inks and selecting the requested paper.
Mr. Bell certainly was delighted about that, arriving with a spring in his step and all he had to do was sit down and get started.
Of course, leaving this early meant there were still some night creatures around at this hour. The last stragglers who wanted to pick off early risers who either thought they could slip by unnoticed or who had to risk their life for their income. 
The hunters were counting on that, however. They said the monsters still out and about when the sun rose were the really stupid or inexperienced ones and usually made for easy pickings. 
Sometimes Annabelle heard the gurgling cries as something died in an alley and she made sure not to look when she passed by. Since the night creatures avoided the sun like the plague, Annabelle was safe enough so long as she stayed on the main road. 
Besides, she wasn't the only one with early working hours, the baker down the street got to work even earlier, risking her life every day to earn just enough coin to pay an older, banged up hunter to guard her and her children.
Dion unlocked the door for her after the fifth bell of the clock tower struck and today she saw that his eyes were dark and there was tension all throughout his frame. It must've been a rough night, for he barely said anything to her. Even the other hunters she passed by were quiet and grim, curtly nodding at her in greeting.
She wrapped her shawl tighter around herself to ward off the chill of the morning hour, warily glancing around. It was quiet enough and she only realized she had walked too fast, that the sun hadn't risen far enough yet, until she turned around the corner, one street away from the crossroads and found it lying in dark shadows. 
The surrounding houses stood empty as of last month, which usually meant there were no hunters immediately nearby. Only, the street lying in shadow wasn't empty, like she had expected. 
A howling snarl was cut short into a high-pitched yowl by the echoing shot of a blunderbuss. She barely got a glimpse of something big and furred crumpling to the ground, before she was nearly bowled over by a hunter running past her.
The man dragged a screaming, crying child into the sun, where it hissed and tried to cringe back, only to get gripped tighter. The hunter held the kid by their curly hair and Annabelle was about to shout at him in alarm, when she saw movement in the lingering dark.
She saw a second hunter further down the shadowed street barely dodge a beast that leapt down from above. Leathery wings nearly knocked him over as the massively oversized bat scooped up what could only be a bleeding, panting werewolf. 
Only the bat didn't quite look like a bat either, it was far uglier for one and had arms along with wings and a body that tended a bit more towards the humanoid, leaving it looking like it had jumped straight out of a nightmare.
The werewolf reached a clawed hand for the crying child with a pained groan, while the bat skittered up the side of the building, too fast for anyone to catch up, until it was safely out of range of the blunderbuss. Then both night creatures suddenly fell still, staring past Annabelle.
Annabelle turned around, only to become still and unmoving herself. The first hunter held a silver dagger to the child's throat, a thin trickle of red blood dripping down, while black veins started to slowly appear along its skin, caused by the blade's touch. 
The child was whimpering softly, a horrible, helpless sound that cut straight through her heart. Tears fell out of big, dark eyes and the boy was breathing fast and shallow in panic and he looked frozen in place, not daring to move even the tiniest bit.
For a long, heavy second, all Annabelle saw was Dion as a little boy, curly haired and terrified as he hid beneath the table, hands clasped over his ears as he sniffled. How she had crawled under the table to join him, pressing her own hands over his and how he had curled into himself with relief.
The kid didn't look too much like him when she blinked the memory away, the hair was the wrong shade, the eyes far too dark. But it was similar enough, along with the small button nose and chubby cheeks, to remind her of her brother when he had been little. It left her reeling for a moment.
"Move on," the hunter growled at her. "This doesn't concern you."
It didn't. It really didn't concern her. Annabelle held no love for night creatures, not when Dion carried scars from their claws and teeth. Not when she had nightmares about them and her parents had cried themselves to sleep for weeks after sending her brother out to guard them. But she couldn't bring herself to move, feet feeling frozen to the floor.
The child's gaze met hers and it was painfully clear the he wasn't human. He had fangs and claws and pointy ears, but in that moment he just looked like a helpless kid. The boy, six years at most, looked terrified, trembling all over and trying his hardest to reign in his panicked little gasps to keep the blade from digging in deeper.
The werewolf keened, a desperate, pleading call and the massive bat, the vampire, hissed, low and threatening.
"What are you doing?" Annabelle's voice sounded strange to her own ears. "That's a child."
"It's a monster," the hunter snapped back, keeping his eyes on the two night creatures high up on the wall that stared back at him. His friend was pacing down below, clearly trying to figure out how to kill them while they were distracted. Considering his sharp, loud cussing, he wasn't successful.
"Stab it or something," the pacing hunter shouted. "Lure them down, I don't want them to run or the sun to take my kill!"
The hunter pulled the dagger away in a fast, smooth motion, flipping it and Annabelle was moving before she was fully aware of it – because this was a child, no matter the pointy teeth and tiny claws. This was a child looking scared for its life, crying and trembling and she felt sick down to her core.
Pain burned bright and intensely sharp as the dagger sliced past the back of her hand, stretched in front of the kid protectively. The fingers of her other hand gripped the boy's collar tight, wrenching him away from the hunter's grasp.
The hunter's eyes were wide in startled, baffled surprise as she pushed the boy behind her, her own eyes wide and her breathing harsh and fast. She had half a second to watch fury take over, before the sound of crunching, crushing stone broke through the air like a miniature thunderstorm.
The hunter whirled around and Annabelle felt a scream getting caught in her throat as a large chunk of wall came flying, too fast to dodge, slamming into him and leaving a smear of blood and broken bones behind.
Everything became a little fuzzy and blurry around the edges, as she turned to see the vampire rip out another chunk of wall, tossing it after the now fleeing hunter below it, crushing the man into a pulp of red, wet flesh, broken pieces of bone poking out.
She heaved in a breath to avoid throwing up, gaze darting back to land on the vampire and the still injured werewolf it carried beneath one arm, braced against its gray, fuzzy shoulder. 
The boy's heaving, suddenly loud wail made her flinch, jolting back into her body. She took a step back until she could see him without losing sight of the monsters up on the wall.
"You're alright," she found herself whispering with a trembling voice. Hesitantly she reached out, fingers shaking as badly as the kid did and nausea was still roiling through her gut.
The moment she lightly touched his shoulder, he tipped forward, knees buckling. Annabelle just barely managed to catch him, awkwardly holding him for a second, before she took a deep breath and picked him up. He weighed as much as a regular kid did, largely looked like one too, if one discarded the obvious signs where he was not.
And yet, as she watched, the longer the sun shone on him, the more those signs faded. His ears became round and the fingers that curled into her shawl were now normal, his nails short and blunt.
The scrape of claws on stone made her flinch and when she looked up, the vampire was right there, standing where the dark ended and light began. It clearly couldn't cross over and Annabelle felt her breath caught in her lungs as she stared up.
For the first time in her life, she felt tiny and flimsy and utterly mortal. The werewolf was reaching out towards the boy, breathing labored and it clearly couldn't stand on its own two legs. The vampire's arm still around its middle was the only thing holding it up.
The boy lifted his head and sobbed, reaching back towards the werewolf. The cut on his throat wasn't bleeding anymore, but there were still black veins, even if they were slowly growing fainter. Silver poisoning, Annabelle thought faintly, remembering the books Dion had been given while training and that she had peeked at.
Annabelle carefully set the boy on his feet without looking away from the big vampire, its large ears flicking as it listened. The boy stumbled forward the moment she let him go and the second he crossed into the dark, the vampire swept him up too and after a last glance at her, took flight.
It clearly wasn't dumb enough to wing up into the sky, not with the rising sun, but it was still startling to see something so big move so swiftly and quietly down the street, maneuvering smoothly around the corner and then it was gone.
Annabelle stared after them, unmoving. She didn't dare look towards the crushed hunters, her heart racing painfully fast in her chest and her stomach still roiling. Her hand was bleeding, pulsing with pain and she reached up to numbly wrap the end of her shawl around it.
Two minutes later, the sun had risen far enough for her to walk on, stumbling away from the bodies. No one had been around to see her or what had happened, not that she had noticed at least. No one had come to check either, not when the houses along this part of the street were empty.
By the time she stood in front of the shop, she was still shaking and it took her two tries to get the door open. As soon as the door fell closed behind her with a click and the familiar scent of her workplace surrounded her, she broke down into tears.
Mr. Bell, when he arrived, made her sit down, cleaned and bandaged her hand properly and handed her a sip of brandy that burned going down.
"You will take it easy," he said in a voice that allowed no arguments and he muttered under his breath, "I should've known leaving home that early was too dangerous."
She didn't correct him, because then she didn't have to explain how she had gotten injured. Instead, she was quiet and worked as much as he let her, while trying to ignore any remarks their clients made regarding her subdued spirits. 
She was sorely tempted to throw something, however, when a particularly arrogant man told her to smile, for it made her look prettier than her current, glum expression.
When the evening bell rang, the one warning everyone to get home now or it would be too late, she felt a fierce jolt of fear race down her spine.
She was suddenly terrified to go out there, to see the night creatures again or to run into someone who had known the dead hunters. Who asked around if anyone had seen anything. Or even someone who might have seen her after all, but had been too far away and preoccupied to do anything.
But she couldn't hide here, the crossroads were filled sorely with businesses and hunters didn't protect areas where people didn't live, at least they didn't if the owners weren't rich enough. 
The rich and powerful were about the only ones who had stopped fearing the night. They had the coin to pay for all the protection they could ask for and sometimes, during particularly quiet, calm nights, Annabelle could faintly hear the music of their parties.
She knew she couldn't stay here unless she wanted to die. So she grabbed her things, wound the shawl around her neck and locked up the shop. Mr. Bell had left an hour ago after making sure she would be alright, making her promise that she would go straight home. 
The spreading shadows looked darker and more frightening than ever before and her steps grew faster and faster until she was nearly running.
No one stopped her, no one even looked at her more than usual and no monsters appeared. Not yet. 
Dion was chatting with another hunter, the woman's gear looking as banged up as his did, when Annabelle arrived at home. He glanced at her, only to pause and frown.
"Did something happen?" he asked and Annabelle plastered a smile on her face, hoping it looked convincing.
"Just a little accident at work," she answered, waving her bandaged hand around and tucking it against her side before he could get a proper look at it. "Nothing serious, but I'm tired."
His frown smoothed over a bit, even if he still looked worried. "I'll unlock the door."
He accompanied her to the front step and as she stepped inside, she couldn't help but turn around. "Please be careful."
"I always am," he answered, but she must've looked scared, as scared as she felt, because his face softened a bit. "I promise."
He never promised to come back in the morning, because they both knew there was a chance that he wouldn't. Annabelle suddenly felt fiercely angry and tired and there was a sting of self-loathing.
She had gotten two hunters killed and monsters had gotten away alive. What if those night creatures were the ones to murder her brother? What if that little boy grew up to become someone else's nightmare? 
She couldn't bring herself to regret saving him, not when she remembered that gut-wrenching fear on his face. But she couldn't help wishing the hunters had remained unharmed, no matter how nonsensical it was. Someone had to die when night creatures and hunters clashed.
She never again wanted a hand in deciding whose fate it was to be killed.
Dion locked the door and Annabelle managed to wave off the concern of her parents and older brothers and retreated to her room. She wasn't hungry and when she sat down on her bed, she could see the sinking sun.
Her room felt stuffy, so she opened the window, knowing she still had a few minutes to air out the room. Iron bars protected her window and she could still see Dion from here, waving at a hunter further down the street.
The memories of this morning resurfaced once again and would not let go. Annabelle started to tug at the bandage on her hand until a sharp pain made her wince. Glancing down she saw a bit of blood bleeding through and she took a couple of deep breaths.
What was done, was done, she reminded herself. Short of walking to the city guard and getting arrested and executed for mingling with the night creatures, there was nothing she could do.
Glancing up, she noticed that the sun had disappeared behind the city walls and while the sky wasn't entirely dark yet, she saw something big fly past. Flinching back, her heart suddenly hammering, she fumbled to slam the window closed.
She yanked the curtains shut as well, almost ripping them off, her fingers trembling as she clung to the thick fabric. It wasn't the same massive vampire bat, she told herself, there were many night creatures after all. Surely it was something else.
But Dion was out there and if he died because she hadn't been able to harden her stupid, soft heart against the face of a crying, terrified child, she'd never forgive herself.
It took a few deep breaths for her to calm herself and after long minutes of standing there while nothing happened, she got ready for bed. Tonight seemed to be a quiet night tonight and she laid in bed, listening carefully for anything horrible. When she heard Dion's rough, muffled laughter drifting up, she finally let herself relax.
Her eyes started to slip closed when a scratching sound on stone made her jolt upright so fast she briefly got dizzy. Heart racing once again she felt froze in place as a large shadow covered her window. She couldn't see anything through the curtains, but this size let her know what exactly was outside.
She didn't dare make a noise. She heard a muffled clack a moment later and then the shadow vanished with another quiet scratch of claws.
Annabelle sat in the silent darkness of her room, her breathing a little funny and when, at last, she managed to make herself move, her heart finally calmed down a little.
Pulling the curtains apart just enough to peek through, she blinked in surprise when she saw a folded page of thick paper on her windowsill, weighed down with a rock. She stared at it for a moment, then let go of the curtains again.
Annabelle wasn't dumb enough to go and open the window right now. So she backed up and sat down and stared. She didn't think herself capable of falling asleep again that night, but between one blink and the next, the sun was rising and she was lying crookedly on her bed.
Getting up and groaning at the crick in her neck, she approached the window once again. The sun was just peeking over the wall when she opened it and plucked the paper from beneath the rock. It was slightly damp from being outside and the move sent the rock tumbling down to the ground.
Unfolding the page, she blinked in surprise when the clumsy handwriting of a child greeted her first. The letters were clearly written with great care and as she read, it felt like a big hand was squeezing her heart. 
The kid was thanking her for saving his life and that of his mother and auntie. He said that he had been so scared, that he thought all humans were cruel and evil, but she clearly wasn't. He had added a sketch of her, childish and simple and cheerful.
Below that, in a neat and elegant hand, one of the night creatures had written that they owed her and she could ask for one favor. All she had to do was leave a note outside her window and if possible, it would be fulfilled.
Sitting down on the chair in front of her desk, Annabelle found herself reading the letter again. Then she slowly folded it and didn't know what to think or feel or do. In the end she hid the letter and got ready for work, mind still spinning in circles.
Dion looked tired but unharmed and he even smiled at her when he let her out of the house, going so far as to twirl the key around his finger. "Have fun," he called after her when she left with a little wave.
Nothing happened on her way to work and Mr. Bell looked happy to see that she was doing better today. He left halfway through the day, citing that he needed to take care of something, though Annabelle got the sneaking suspicion that he was looking for excuses to leave the shop in her hands for a while. To get her used to running it in his absence.
It was all going well and fine, until she heard the tinkle of the front door and when she stepped out of the backroom, she stilled mid-step. A curly haired kid with dark eyes was peeking over the counter, clearly on his very tip-toes.
A smile broke out over his face. "Hello," he said with a small lisp, as if it was entirely normal that a night creature was out and about in the middle of the day. Looking utterly human.
Oh. A cold realization washed over her. Of course night creatures looked human during the day. The hunters would have found a way to eradicate them all otherwise. There were only so many places they could hide before being found.
Then she frowned. Did that mean they could walk out into the sun too? Or only some of them?
"Did you get my letter?" the boy asked. "Mama said I shouldn't come here, but I wanted to make sure."
"Yes," she managed to answer. "I got it."
His face lit up. "Good." Then his face fell and he sank down a bit, eyes barely peeking over the counter. "Thank you. That was...that was really scary."
"I bet it was." In all honesty, his situation had probably been far scarier than having a large monster show up in front of her window for a second. She couldn't stop herself from adding, "You need to be more careful."
The kid shuffled a bit in place, looking chastised. "I wasn't supposed to go outside," he told her, fingertips tapping against the edge of the counter he clung to. "But Mama was gone longer than usual and I got worried."
"I bet she's worried now," Annabelle said and suddenly she couldn't get rid of the thought that another night creature was going to show up. A grown, dangerous one. "Unless you told her where you are?"
The kid looked caught. "Um..."
She couldn't help but huff and made a shooing motion. "Go home before she worries."
The kid was about to push away, when he suddenly looked worried. "You won't tell anyone, right?"
Annabelle knew the moment she gave a description of the kid to the hunters, they'd comb the surrounding area for him and his mother. It was forbidden to get tangled with the night creatures, always had been.
Though, now that she looked at the kid, she couldn't help but think that the hunters were just as ruthless. And they could be just as cruel as the monsters.
"I won't," she said at last. "Now off you go."
The kid stepped away with a relieved smile and hurried towards the door, only to pause. "If we can help you, we will," he said. "Mama says we owe you one."
With those words he slipped out, the bell tinkling merrily. Annabelle exhaled in a rush and leaned against the counter, watching the kid through the shop window as he left with quick steps. Rubbing a hand over her face, she shook her head and returned to work.
She didn't have time to think about the difference between monsters and hunters, not when it left her mind in a messy state. There was too much work to do.
Mr. Bell came back later than he had said, whistling when he saw how much she had gotten done. It helped keep her distracted and by the time she wrapped up the last order of the day and got a head start on the next one, the final bell was ringing.
To her misfortune, she found her usual way back home blocked by a tipped over carriage. Horses were panicking and people were shouting and crowding around, trying to fix the situation as quickly as possible. 
There was no way to get past and a nervous glance at the sky told her she couldn't wait until the situation got resolved, even if taking any other path meant a detour. Already the frazzled travelers were shouting how late it was and that they needed to get going now.
Tugging her shawl more firmly around herself, she turned to eye the nearby alley. It laid in shadow, but there was nothing else she could do. Even if she now knew that night creatures could look like ordinary humans, she was willing to risk the alley rather than stay on the main road until the sun had disappeared entirely.
Still, her heart was racing a bit and she was nervously glancing around. It got quiet as she left the hectic road behind and soon the only sounds were her shoes on rough cobblestone and occasionally voices drifting out of still open windows.
Some of the houses back here stood empty, broken windows and destroyed doors showing where night creatures had gotten through. Claw marks were visible where the monsters had crawled in and she saw bloody drag marks in front of one door, where someone or something had been hauled away.
It was dark by the time she emerged from the alley and the sight of the sun beyond the city wall made her breath catch. Home wasn't too far, however, surely she'd be fine.
She was about to rush ahead, when she heard the sound of claws on stone. For a moment she was about to just blindly start running, heart pounding, before she made herself look up. There it was, the nightmarish bat, crouched at the corner of the roof, wings folded primly.
They stared at each other for a long moment, until one of the vampire's ears flicked and it slowly moved one arm to point down the street. Towards her home. When she didn't move right away, it made a shooing motion, wings twitching.
Slowly taking a step and then another while not looking away, Annabelle started walking. The vampire followed her slowly, not even needing to leap across the alley onto the next roof. It just needed to stretch in order to reach.
Forcing herself to look away when she stumbled and nearly fell, Annabelle found herself walking faster and faster. When Dion came into view, waiting outside, visibly tense and worried, she looked up again.
The vampire was nowhere to be seen, but she heard the faint scratch of claws and realized that the night creature wanted her to hear it. She hadn't heard a damn thing until it had crouched above her, after all. It allowed her to track it.
"You're late," Dion said in greeting, checking her over for injuries while ushering her towards the house. "Get in, now."
She was pushed through the door before she could say anything and the lock clicked into place. Annabelle found herself swarmed by her family, all worried and scolding.
She ate dinner while barely tasting anything and retreated to her room as quickly as possible. The curtains were still open and when she reached for them, she saw the vampire, a few roofs away, out of view of the hunters down below.
She saw its dark eyes glint in the moonlight when it turned its head towards her, large ears perked. She found herself staring for a long moment, before she startled, remembering the warnings about getting thralled and lured outside.
But she felt fine, she realized as she was about to yank the curtains closed. Her mind was still her own. Surely she'd notice if it wasn't? She didn't feel compelled to go towards it – quite the opposite in fact. If anything, she wanted to stay right where she was, thank you very much.
Then the vampire's ears flicked and it was gone between one moment and the next, moving far, far too fast for a creature that size. Annabelle closed the curtains and took a deep breath.
She really needed to get some rest and hope that tomorrow made more sense again.
.*.*.*.
Over the next couple of days things made no more sense than previously and Annabelle resolved to just not think about it anymore. She had ended up saving a night creature child, they were grateful, no one had killed her in the process and now she'd continue living as she always did.
Sometimes she spotted the vampire, flying by or peering across the roofs towards her window. At first it frightened her worse, until she realized that it must be checking for any notes she might leave. In case she wanted to cash in that favor she was now apparently owed.
This, too, she resolved to not think about. There was nothing a night creature could give her, after all.
Right up until she waited at the door in the morning and Dion didn't open it. Her worry grew and she fidgeted, exchanging a glance with Rudi, who was peering outside the windows anxiously.
"I don't see him," her oldest brother murmured, shifting restlessly in place. After another moment he decided, "I'll go get the key."
He left and returned just as swiftly and the moment she had the door unlocked, Annabelle rushed outside. "Dion?" she called out.
"Over here," the voice of one of the other hunters answered and she ran, Rudi right behind her. Skidding to a stop at the small alley three houses down, she sucked in a sharp gasp.
Dion was lying in a pool of blood, breathing shallowly and two hunters were kneeling grimly at his side, doing their best to staunch the bleeding. 
"Get a doctor, now," one of the hunters snapped out and Annabelle was moving again, running past a worried Mr. Bell, who poked his head out of the window, looking sleep-ruffled.
Everyone knew where the nearest doctor was and how long it took to get to their clinic. Thankfully, the doctors all got up early, knowing the first thing they usually did was stitch up an injured hunter.
Dr. Under was a seasoned, experienced woman with incredibly steady hands and a cool composure and she was the doctor everyone on the street and the next ones went to. With her guidance they got Dion into her clinic and then all they could do was wait. Annabelle stared down at the blood on her hands and sleeves from where she had held Dion's legs beneath the knees.
Rudi had left reluctantly, promising to tell Mr. Bell that she wouldn't be in and to inform the rest of their family. Soon they all sat in the waiting room, silent and scared. Annabelle had to bite down on the accusations that crawled over her tongue like brambles. Her parents looked horrified and guilty enough as it was.
"He'll make it," Dr. Under said the moment she stepped out of the treatment room. "He's going to be out of commission for a couple of weeks, however. I'd recommend letting him rest and recover for a couple of months even, but he could work again sooner."
Meaning she knew their family didn't have the money to pay a hunter to replace him. Before Dion had protected them, her uncle had, who had died a few weeks before her brother had taken over.
They wouldn't be entirely unprotected, the other hunters looked out for the surrounding buildings since not everyone had a protector. Five hunters, Dion included, regularly protected the entirety of their street.
But if they had to choose between protecting their own home or Annabelle's, the hunters would choose their own families or employees. It was risky, not paying for or having someone guard the house. 
Her parents did not have the funds to pay for help, they all knew it. They would have to risk having no one and then Dion would have to go out the moment he was well enough, instead of healing up fully.
As she found herself ushered outside, Dr. Under promising that Dion would remain safe here until he could go home, she stared at her cold hands, finger knotted into her bunched up shawl.
She returned home with her family, swallowing down anger and fear with nearly every step. She hated all of this. Hated that night creatures wanted them dead, hated that her brother had to suffer, hated that they were never, ever safe when it was dark.
She had heard that the countryside was less dangerous, that night creatures preferred to flock to cities. They liked the amount of humans that lived there. She had heard rumors that someone had angered night creatures so much once upon a time, that they still sought retribution to this day. 
She just wanted it all to be over.
As soon as she was back in her room, blood cleaned off, she pulled out the letter the little boy had sent her. She hesitated for a long moment, then she pulled out a piece of paper and dipped her quill into her inkpot.
It took her a few tries to get it right, crossing out words and staring out the window to the spot where the vampire usually sat shortly before it left again. She wrangled with her thoughts, her distrust and fear.
Night creatures were dangerous, everyone knew that. They held no love for humans and most of the time not even for each other. It was foolish to trust one, to put her hopes in one.
And yet, as the sun set, she left a folded piece of paper on her windowsill, weighed down with the same rock the night creature had used previously. It had still lain where it had gotten dropped a couple of days ago.
She stared at it for a long while, then she took a deep breath and kept the window open, the curtains pulled back. If she was going to do this, she had to look the vampire in the eye. If she gave a night creature the information that their house would be unguarded, ready for reaping, she had to try to spot any possible deception before it got them all killed.
She saw the vampire appear a few minutes after sundown and how it paused, obviously spotting her and her note. It tipped its head a bit to the side and it remained still for a long moment. Then it moved. 
It arrived far too fast, nearly making her flinch back, hanging upside down from her roof. Hands the size of her head braced themselves left and right of her window and Annabelle had to force herself to not look away.
She had made precautions of course in case the vampire tried to thrall her. Her room was locked and the key dropped behind her big, heavy dresser, which would make a racket if she tried to move it. The bars in front of the window held shavings of silver and even if the vampire hypnotized her, it wouldn't get to kill anyone but her.
If that was the grim price for foolishly hoping she could trust a night creature, she'd pay it. But the vampire didn't do anything. At last it shifted its weight and pulled the note free with its clawed fingertips, thumbing it open to read it.
"Can you do it?" Annabelle found herself whispering, voice cracking and throat dry.
The vampire pulled itself up out of view and she saw its shadow on the roof across from her window, the house not built as high. She saw it change, turning from hulking and winged to something that looked human, crouching above her. She saw long hair move in the strong night breeze.
"I accept," the voice of a woman answered. "Consider it done."
Her breath escaped her in a big exhale and she had to grip the windowsill, knees suddenly trembling. "Thank you." Her voice shook a little.
The vampire hummed, then it asked, "Why did you not tell your city guards about my godson when he visited you?"
Annabelle knew what her family would have done, what Mr. Bell would have done. What the entire city would have done. But she hadn't been able to and she didn't know if that was a good or a bad thing.
"He's just a kid," she found herself answering honestly, watching the vampire's shadow. "It didn't seem...fair. To hurt him just because he's not human. Or to rob him of his family."
Nothing about this was fair. Not little boys nearly getting their throats slit open or her brother, brave and bloody, lying on dirty cobblestone. After what she had seen the hunters do to the boy, she couldn't even say anymore that only the night creatures were cruel.
"I see. You're a brave one, you know," the vampire said. "I've yet to meet a human who dared to look me in the eye when they knew what I was, not even your hunters do it."
Annabelle pressed her lips together, then she lifted her chin. She was sick and tired of being scared. She was sick and tired of fearing for her life and begging a god who might or might not be listening for her brother's safety. If a monster could do the job instead, she'd gratefully accept the help.
"You're not all that scary," she made herself say with more confidence than she felt. "You actually look kind of fluffy as a bat." And very frightening.
The vampire laughed, sounding surprised and darkly amused. "I think I like you," she said, a grin audible in her voice. "Brave, smart and sweet, you are quite something, I believe." 
The shadow shifted and it looked as though the vampire had sat down on the roof and Annabelle had no idea what to say.
"Sleep," the vampire told her, voice gentler than before. "I will not let anything happen to you and yours."
Annabelle walked away from the window on slightly unsteady legs, leaving it open. She wanted to hear it, if something happened. Even if she knew, rationally, that she couldn't do anything, she still wanted to know if the vampire would abuse her trust.
She dropped onto her bed, watching the bit of the vampire's shadow she could still see. Slowly, her pounding heart calmed down and she slipped beneath the covers, watching her curtains shift gently in the breeze.
That breeze actually felt pretty nice, even if every stray sound made her jerk upright. She only realized the vampire had started to sing softly when her eyes fell closed, lulled to sleep by a monster's soft voice.
.*.*.*.
Part Two and Three are up.
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soracities · 1 year
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Hi! So I tried not to say anything about some anti makeup posts I saw on your blog but I need to say this. I think you're very wise and I agree it's very important for us to love ourselves as we are. But some people like myself doesn't care about 'empowering' of makeup or whatever but we just have fun with it and we just love it. I say we because I know there is a lot of people like me. Yeah, we are feeding capitalism or whatever, but world is beautiful and it's also terrible so people trying make themselves feel good, have fun, ect. I see a lot of people who don't wear makeup and i'm happy for them! I didn't wear makeup until i turned 20 i think and felt good.
One thing I wanted to add is in response of post about feminine girls. I think everything needs balance and sometimes people tend to overreact in their opinion and divide everything in black and white. Personally I never cared how women around me looked and what they were wearing. But I would like to have same treatment, and not to feel silly for wearing pink or feminine clothes.
Sorry, I don't know English very well so maybe I can't translate my idea entirely. What I'm trying to say i think everyone should do what they like and leave each other in peace.
Sorry for this essay, just wanted to share my point of view.
Hi, anon! I'm sorry for the delay in getting to this, but I appreciate you writing this (and your English was fine, don't worry)
I think the main argument of those posts (and my own feelings about this) is not about makeup on its own, or even judgement about who does and doesn't choose to wear it--what they are criticizing is a particular part of the society we live in which puts a huge emphasis on women's beauty and appearance in order to fulfill an idea of what a woman "should" be, and the role that makeup plays in that as a result. Because whether we like it or not, whether we believe in them or not, whether we feel pressured by them or not, these expectations do exist. How we personally respond to them does not change that.
I personally don't have an issue with makeup or the concept of it (in almost every culture on earth, humans have been using makeup of some kind for literally thousands of years)--but what I do have a problem with is when we treat makeup, or other traditionally "feminine" forms of expression as neutral things when they are not. A comb or a hair tie is neutral--it's just a thing. Lipstick and eyeliner are also just things, but only when they exist by themselves--and in reality they don't exist by themselves: they exist in a world where we value women on their physical appearance before we value them for anything else--lipstick and eyeliner exist to emphasise parts of your appearance, to make you look a certain way--and in a society where we put so much importance on women looking a certain way, they aren't just ordinary things you toy around with for fun. You can have fun with them, but it doesn't change their role. They can't be treated as exceptions from the world they are used in.
I think sometimes people assume that being anti-makeup is the same as being anti-women-who-wear-makeup, which misses the point (and also suggests a very dangerous idea which I think, sometimes, is why people respond so angrily to these criticisms: because if we believe that being anti-makeup = being anti-women, then therefore makeup = womanhood, and this is simply not true). Whether you wear these things just for fun and to enjoy yourself isn't what is being talked about because these criticisms are not about you on a personal level: they are about looking at a society that is as image-obsessed as ours, and asking why makeup has the role that it has when 1) it is almost exclusively aimed at women--women who, as a group, have been historically marginalised, and whose value, historically, has almost always been measured in terms of their beauty before anything else and 2) the makeup that is emphasized, the trends and styles that come and go, are often not so much about self-expression (if they were, people would be freely wearing all sorts of wild colours and styles: when we talk about "makeup culture" it's not the same kind of makeup used in the goth, punk, or alt scenes for example where makeup plays a very different role) but almost always about achieving or aspiring towards a type of beauty that is valued or expected: to make you look younger, to make your eyes brighter or larger, to make your lips bigger or sexier, your cheekbones more prominent etc--again, on their own, these things may not be a big deal, but they exist in a world where having these looks means you are valued in a certain way as a woman. And when this exists in our kind of world, where the power dynamics we have automatically mean women's perceived power is through beauty, and where we insist so much on women being a particular kind of beautiful (and this starts in childhood) we have to ask and investigate WHY that is--why this type of beauty and not another? why (almost only) women? who benefits from this? who suffers as a result?
The argument of "not all women" wear makeup for empowerment misses the point of these criticism, because it is focusing on a person's individual choices in a way that suggests our choices can define the world we live in, and they can't. We are deeply social animals. Therefore, how we appear to each other and to ourselves is a socially influenced phenomenon. This applies for race, for sexuality, and for gender. How women are perceived at large, in different social structures, is a social phenomenon influenced by the societies we exist in and the values of those societies. These criticisms are about the society we make those choices in and how that can affect us. For you, makeup may be something fun and enjoyable and that's fine. I'm not saying that's untrue or that people don't feel this way or that you are wrong for feeling this way. It's also not saying that you are brain-washed or oppressing yourself for it. But it doesn't change the world we live in. Someone feeling perfectly happy to go out with makeup or without makeup, and feeling no pressure to do either, is great--but it doesn't mean there aren't a lot of women who do feel pressured into wearing it, and that pressure is a social one. It doesn't change the inequality that exists between how women's physical appearances are judged compared to men's. It doesn't change the fact that almost every childhood story most kids hear (that aren't about animals) have a "beautiful princess" (and very little else is said about her except that she is beautiful) and a "brave" knight/prince/king/whichever: the princess (or maiden or whatever young woman) is defined by how she looks; the male in the story by how he acts.
It also doesn't change the fact that so many young girls grow up hearing the women around them criticize various parts of their bodies and that they carry this into their lives. It doesn't change the fact that we expect (in Western countries at least) for women to have criticisms about their appearance and they are "stuck-up" or "full of themselves" if they don't. It doesn't change the fact that magazines photos, red carpet photos, films, tv shows etc., feature actresses who are beautiful in a way that is absolutely above and beyond exceptional (and who either have had work done cosmetically, or are wealthy enough to be able to afford to look the way they do through top-class makeup artists, personal trainers etc) but who we think are within the "normal" range of beauty because faces like theirs are all that we see--how many famous actors / entertainers can you name who look like they could be someone's random uncle, or "just some guy" (writing this, I can think of 5). Now how many actresses, equally famous, can you think of that are the same? Very, very, very few.
The point of those posts, and why I feel so strongly about this, is that we have a deeply skewed view of beauty when it comes to women, because, as a society, we place so much on how they look in such a way that it is not, and was never meant to be, achievable: therefore anything that contributes to how women look, that markets itself in the way that the makeup industry does in this day and age, needs to be questioned and looked at in relation to that. No one is saying don't wear eyeliner or blush--what they are trying to say is that we need to be aware of the kind of world eyeliner and blush exists in, what their particular functions as eyeliner and blush do in the world that they exist in, that we exist in, and how this does impact the view we have on makeup as a result. Your personal enjoyment may be true to you and others, but this doesn't change the role of female beauty in the world because, again, our personal choices don't define the world in this way. Often, it's the other way around. And we cannot deny this fact because, while it may not affect you negatively, it does affect others.
I absolutely agree with you because I don't care how other women around me choose to dress or express themselves, either--that's their freedom to wear what they want and enjoy themselves and I want them to have that freedom. But my view is not the world's view, and it's certainly not the view of a lot of other people, either. I don't care if another woman loves pink and wearing skirts and dresses--but, like makeup, pink, skirts, and dresses, are not neutral things either. They're tied to a particular image of 'femininity' which means they are tied to a particular way of "being a woman" in this world. I'm not saying, at all, that it's wrong to wear these things. But I'm saying we can't treat them as though these are choices as simple as choosing what kind of socks to wear, because they aren't. They are choices that have baggage. If a woman is seen as being silly, childish, or treated unequally because she enjoys cute tops and ribbons and sundresses, that's not because we are demonizing her choices, or because being anti-makeup is being anti-woman (again, it is absolutely not): it's because we as a society demonize women for any choice. That isn't because of anti-makeup stances--that's because of sexism.
You mentioned that you want to be treated the same as anyone else for wearing feminine clothes--but the fear that you wouldn't be isn't because of the discussions critiquing makeup and other traditionally "feminine" things--it's because we live in a society where women are constantly defined by how they appear on the outside, and no amount of our personal choices will make this untrue. Whether you are a girly-girl or a tomboy, you'll always be judged. And, in reality, when women follow certain beauty standards they do get treated better--but this doesn't mean much in a society where the standards are so high you can never reach them, and where the basic regard for women is so low to begin with (not to mention the hypocrisy that exists within those standards). This is what all those criticisms towards makeup and "empowerment" are about: it's about interrogating a society that is built on this kind of logic and asking why we should insist on leaving it as it is when it does so much damage. It's saying that that if we want everyone to truly feel free in how they choose to present themselves we have to go deeper than just defining freedom by these choices on their own, and look at the environment those choices are made in. And that involves some deeply uncomfortable but necessary conversations.
Also, and I think this important to remember, views on makeup and the social place of makeup will also depend on culture and where you are, and the beauty expectations you grew up with. And when it comes to the internet, and given American dominance online, a lot of these posts criticizing makeup and the way makeup is being used to sell an idea that wearing it is "empowering" to the woman (which is basically saying: you are MORE of a woman when you wear it; you are stronger and more powerful because, in our society, beauty is portrayed as a form of power: it tells you, you can battle the inequality women face by embracing the role beauty plays in our lives but it doesn't tell you this emphasis on beauty is part of that inequality), are based on the way makeup is portrayed in mostly English-speaking Western countries. My views are shaped by what I grew up seeing, and while a full face of makeup (concealer, primer, foundation, mascara, highlighter, contour, blush, brow tint, brow gel etc) may not be daily practice or even embraced in a place like France or maybe other places in mainland Europe (but that doesn't mean they don't have their own expectations of feminine beauty), they are daily practice in places like the US and Britain, and this is what most of those posts and criticisms are responding to.
We can argue as much as we want about makeup, but when you grow up in a society where women feel the need to put on makeup before going to the gym there is something seriously wrong. Embracing makeup and enjoying makeup is one thing, but it cannot be a neutral thing when so much of it is about looking like you're not wearing makeup at all, or when we assume a woman is better qualified for a job or more professional when she wears it. It cannot be a neutral thing when a singer like Alicia Keys goes makeup-free for a red carpet event and it causes a stir online because people think she looks sick (what she looks like is normal--I would argue above normal--but wearing makeup to cover up "flaws" is so normal now that we genuinely don't know what normal skin is supposed to look like because the beauty of these celebrities is part of their appeal: they are something to aspire to). It is absolutely very normal for me, where I am, to see young girls with fake lashes and filled in brows: it's not every girl I pass, but it is enough. I'm not saying they are miserable, or brain-washed, or should be judged. I can believe that for them it's something enjoyable--but how am I supposed to see something like that and not be aware of the kind of celebrities and makeup tutorials that are everywhere on TikTok and YouTube, and that they are seeing everyday? How am I not supposed to have doubts when people tell me "it's their choice!" when the choices being offered are so limited and focused on one thing?
I never wore makeup as a teenager and I still don't, but a lot of that is because I grew up surrounded by people who just didn't. Makeup was never portrayed as anything bad or forbidden (and I don't see it like that either)--it was just this thing that, for me growing up, was never made to be a necessity not even for special occasions. I saw airbrushed photos and magazines all around me, for sure, and I definitely felt the beauty pressure and the body pressure (for example, I definitely felt my confidence would be better if I wore concealer to deal with my uneven skintone, and I felt this for years). But I also know that, growing up, I saw both sides. No makeup was the default I saw at home, while makeup was the default I saw outside. And that does play a part, not just in the choices you make, but in the choices that you feel you are allowed to make. No makeup was an option for me because it was what I saw everyday, even with my own insecurities; but if you do not see that as an option around you (and I know for most girls my age, where I grew up, it probably wasn't) then how can we fully argue that the decision you make is a real choice?
If I wanted to wear a cute skirt outside, for example, and decided to shave my legs--that isn't a real choice. And it cannot ever be a real choice, no matter how much I say "this is for me" or "I prefer it like this" because going out in public with hairy legs and going out in public with shaved legs will cause two completely different reactions. How can I separate what I think is "my choice" from a choice I make because I want to avoid the negative looks and comments? And how can I argue that choosing to shave is a freely made choice when the alternative has such negativity? If you feel pressured into choosing one thing over another, that's not a choice. Does this make sense?
This is how I feel about makeup most of the time, and what I want more than anything else is for us to be able to have a conversation about why we make the choices we do beyond saying "it makes me feel good" and ending the conversation there. Again, I'm not saying people need to stop wearing makeup or stop finding enjoyment in wearing it, but I think we tend to get so focused on our own feelings about this and forget that there is a bigger picture and this picture is a deeply unequal one. That is what this conversation is about. I hope this explains some things, anon, and if I misinterpreted anything please feel free to message me again. x
#i think in essence what i'm trying to say is that#some things are true in a microcosm but you cannot make a universal application for them bc the microcosm isn't representative of the whole#and it is dangerous to assume that it is or that it can be bc you're erasing the bigger picture when you do that#it would be like a poc saying they never felt the pressure of skin-lightening creams which is amazing but it doesnt change the fact that a#whole industry exists selling skin-lightening products BECAUSE there is a demand for them and that demand exists BECAUSE there is an#expectation that they SHOULD be used and this is because there is a belief that lighter skin = more beautiful. regardless of how messed up#and damaging that logic is that doesn't mean it doesn't exist in the world#and therefore those industries exist to maintain that belief because that belief is what drives their purpose and their profits#and we are doing no favours to the countless poc who DO feel pressured to subject their skins to these products or who come away with#a deeply damaged sense of self-worth (not to mention the internalised racism that's behind these beliefs) bc of constantly being told they#are less than for being darker than a paper bag which is RIDICULOUS#saying its all down to choice is not far off from saying you can CHOOSE to not be affected by the pressure but like....that's just not true#you can't choose to not be the recipient of colorism any more than you can choose to not be the recipient of sexism. and its putting a huge#amount of pressure and responsibility for an individual to just not be affected by deeply ingrained societal pressures and expectations whe#what we SHOULD be doing is actually tackling those expectations and pressures instead#they are leaving these systems intact to continue the damage that they do by making everything about what you as an individual think and#believe but while we all ARE individuals we dont live in separate bubbles. we are part of and IN this world together. and it acts on us as#much as we act on it. but like.....i think i've gone on enough already#ask#anonymous
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munadyke · 2 months
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we need to stop letting shows have so few episodes per season. at LEAST 12 or more I'm so serious. 6 to 8 is not enough. 10 is not usually enough. these are not limited series!!!
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