#ooohhh I like this!!

[blackkatdraws2]

Baby I'm Home [Blank Scripts AU]

[Song: Baby I'm Home - ODETARI (feat. Kanii & 9lives)]

[ashleyslorens]

TAROT CARDS ✴ HADESTOWN [in/sp]

[fattylime]

vallyn and solas for @/Westlywheatlya2 🌱

[aka-indulgence]

Sometimes the way to support your gf is by swearing with her 😌

[socialistexan]

Perpetually annoyed that there isn't a moth emoji. It's only ever butterflies. Some of us like moths, thank you.

[poopyshitty]

i’m no film expert so i may be way off base here but seeing a lot of ppl repeating this “death of film lighting” narrative about glass onion and like … did we watch the same movie because the way they used lighting was insane!!! movies are allowed to be dark for a few scenes without it being part of this whole death of good movie lighting that suddenly everyone has decided they’re an expert on. like… hate to say it about a netflix production but the lighting was actually very important to the visual story ?? it had a lot of significance?? also the use of practical effects instead of sfx like … you ppl learned about old movie lighting and the death of art in film from tik tok and decided nothing modern can be good or something idk

[humanmorph]

"[high pitched and tinny] Let’s dive in. Let’s dive in. It’s time to dive in. Get ready to [audio distorts and slows] dive. Diiive. Diiiiie…" (The Road to PALISADE 20: City Planning Department)

so that's what i've been working on for the past 2 weeks! i wanted to draw something for this intro ever since i first listened to it (as a companion piece to my other gur drawing, though it of course ended up being way bigger in scale), but it only really gripped me about halfway through PALISADE ep 18. the next morning after that i listened to this narration on repeat for about 45 minutes and then made a big sketch on 4 sheets of paper at my desk at work.

anyways, i haven't listened to the new episode yet but i think i'm probably ready for whatever they're gonna throw at us with the next sortie. i'm gonna believe, against it all, in millennium break. for gur

(i recommend listening along while scrolling! + transcript btw. if anything is hard to read)

[luck-of-the-drawings]

POOR GABRIEL MONTEZ! YOU NEVER SAW THIS COMING DID YOU? ALL YOU WANTED WAS POWER. SECURITY. SAFETY. & THATS EXACTLY WHAT YOU GOT! JUST IN EXCHANGE FOR YOUR BODY. LETS JUST HOPE NO ONE FUCKS THIS UP. LETS JUST HOPE YOU WONT HAVE TO CLEAN UP THE MESS.

[front-facing-pokemon]

[astr-hal]

hoshiguma!

[god-has-entered-my-body]

"I am forever in alongside the boys in jumpers On bikes from schools and cars With autumn leaves fallen sparse across the mid-afternoon. She blazed about how cultural language is an operating system, A simple interface rendered feeble and listless When tested with a divinity or a true understanding of the human condition I never did understand the duality of art and reality, Living life and treating it as such but with a certain disconnect To touch that cajoles at the artist with comfort and abandon And between the spires and rolling roofs of the white city, That orange, English light cast only one, singular shadow For you are not beside but within me" - Loving Someone, the 1975

[lloydfrontera]

i also do have to wonder if part of the reason javier was so stressed about og lloyd inheriting the estate and wishing julian could take over instead was because he was worried he wouldn't be allowed to stay once og lloyd became the lord instead of arcos.

like. those two hated each other. it was mutual hatred, they literally couldn't stand to see one another. javier at least gritted his teeth and worked through it for the sake of his duty but og lloyd had no such qualms.

it probably would've been a very real possibility to javier that once og lloyd took over the estate as baron he would be dismissed as a knight. remember at the beginning he was not one of only two knights in the barony, he was one of five and the youngest one at that. he was not indispensable and much less so to someone who hated him.

yes he was genuinely worried og lloyd would lead them to ruin as lord of the estate, but i want to think there was at least a tiny part of him that was scared that when he lost the closest thing he had to a father he would lose his home along with him.

how likely it would've been for og lloyd to actually do this is,, debatable, i want to believe he had enough common sense to realize that dismissing the most talented knight the estate had was a bad idea regardless of his feelings against him but that's not really that important as much as what javier thought him capable of. and boi did javier have a low opinion of og lloyd lmao

[lethalcontracts]

Afflicted Nutcracker. The creature inside of the nutcracker can barely sustain the rootball affliction, so it aggressively hunts down anything it can consume in order to get the nutrients it needs. So if you see a Nutcracker without its gun, RUN THE OTHER WAY!

[deadbaguette]

Just like when we were young

[nitewrighter]

How we feeling about lois doing lowkey micro agressions against clark?

Like, on the one hand, it's almost like she's got amnesia with regards to how much being captured by Sam messed Clark up last season, ON THE OTHER HAND, I think she might be acting out of a combo of "It was seeing the Zero Day footage that messed Clark up and made him convinced he was a weapon" and also a fear of losing Clark as he pursues his questions about his alien heritage--there's also the factor that Clark exploring his alien shit seems to often put him in contact with The Rock That Kills Him, so she could also be protective regarding that and want to keep Clark on earth.

But also Sam is the only living parent Lois has left, and she's likely seriously overestimating how much Sam is on their side following his actions on Thanksgiving. Honestly the Sam move-in thing is making me side-eye the show, not just because of the "Sam literally tortured Clark" thing but because I feel like that's really careless with regard to Clark's secret identity. But it could also be fast-tracking Sam's redemption arc and basically setting him up to be a vital information source with regards to Task Force X. It's too early to tell. We're also getting some red flags with Jor-El describing himself as the scion of the Kryptonian Empire---Like even if the ship we saw on Thanksgiving was a 'ghost ship' it was still pretty clearly a warship, so it could be a factor of "Hmmm maybe we shouldn't crack open that can of worms until we figure out how to outmaneuver task force X right now here on earth???"

I think the fact that Lois is actually constantly deferring these discussions Clark wants to have is setting them up for a definite rift this season--maybe not a breakup, but definite drama, so they'll both be forced to take a few steps back and that way Clark can find Kara and Lois will be forced to confront Sam in some capacity. I do think Clark's point about Sam making Lois feel small is going to figure into her character arc this season.

But also *grips your shoulders* HANK HENSHAW HANK HENSHAW WE GOT HANK HENSHAW I REALLY HOPE WE GET TO SEE HANK HENSHAW GET ABSOLUTELY FUCKED UP THIS SEASON I LOVE HOW HIS DESIGN IS A CALLBACK TO MORE CLASSIC SUPERMAN LOOKS OH MY GOD WE GOT HANK HENSHAW.

[napping-sapphic]

god im going to be such a handful to someone some day @ anyone who decides to love me in the future im so sorry im like this thank u for liking me anyway oh my god