49. Mark Rylance Antony and Cleopatra
A playful explosive row at dinner," reads Mark Rylance's personally annotated working script from 1999: "Rushes skipping onto the stage".
This is one of those rare 'you really can't get this sort of thing anywhere else' lots (it actually applies to all 55 of them in this auction, but this one especially!). A historical, annotated-at-the-time working script of "The Tragedie of Anthonie, and Cleopatra" from 1999, by the Academy-, BAFTA-, Olivier- and Tony-award winning Mark Rylance, when he famously played Cleopatra.
The play Mark Rylance performed in was an Original Practices Production, directed by Giles Block at Shakespeares Globe, running 30 July-26 September 1999. ‘Original Practices’ refers to a unique and radical experiment that was generated at the Globe and used historical performance to transform modern theatre practice. The reconstruction of a Shakespearean amphitheatre was premised on the idea that it would provide the ideal context for testing out what academics knew of early modern playing conditions. This led to an exceptional partnership between research and creative practice during Mark Rylance’s Artistic Directorship (1995-2005) in an attempt to discover and recreate Shakespeare’s company’s working practice. The acting script was the property of Mark Rylance (Cleopatra) who donated the script to a benefit auction for Shakespeare's Globe following his last season (autumn 2005); since then the script has been in the hands of a Private Collection and we are now so very lucky to be able to offer it as part of this auction.
Mark Rylance's annotated script and 'plat' of Anthony and Cleopatra (1999) places a great emphasis on the motivation of his character throughout, summarising and specifing the neccessary stage-business required: "Be present, playful, infinite variety, don't cloy, connect with him" and "Let him win me, seduce me". There are contextual reminders ("Very unusual for a messenger to bust in like this, we usually ignore them") and you can almost hear the conversation in the rehearsal room, as in this comment on Anthony's Roman duty from Cleopatra's point of view, in Mark Rylance's handwriting: "His boring side. His suburban side. Mowing the lawn of Rome". The script, and additional pages of notes on his character ("What Cleopatra says about herself", "What others say about Cleopatra", "Costume plot and cues"), comes in a beautiful protective oak box.
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Here's uBlock Origin's official guide to bypassing youtube's anti-adblock popups, updated weekly. Please share widely. Don't reward google for their predatory anti-consumer bullshit
To summarize: 1. Get uBlock Origin and make sure it's updated to the latest version. 2. Click on the gear icon to get to the dashboard, go to "Filter lists", and make sure that "uBlock filters - Quick fixes" is up to date
Repeat those steps any time you get another popup (google and uBlock are having an arms race right now so it might stop working at any moment), and if you have any more problems, read the reddit thread for troubleshooting advice
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disabled phoenix hc!! he's an ambulatory wheelchair user. riffing off of this post HEHE
(more under the cut)
ANYWAYS, after phoenix suffers a spinal cord injury, he can just about use a cane for the rest of 3-5. he doesn't think he'd need a wheelchair at first, but most of his days are pretty unlivable without one (e.g. chronic pain, autonomic dysreflexia, rigidity in his legs). I think it would be something really interesting to grapple while being disbarred/getting to know Trucy.
Also I just like. Wanna hear that pre-aa4 phone call from Edgeworth. There's a whole new thing going on now isn't there. He's gonna die..
(I used these tutorials (1) (2) for the WCs. I really recommend studying it if you haven't already! ESPECIALLY if you're also able bodied but ALSO if you want to practice structure and depth to your character drawings)
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Every remake of a game should come with a copy of the game it is remaking that is compatible with modern hardware but otherwise untouched and I'm not even exaggerating this should be mandated by law. If you're going to attempt to recreate a piece of art you have to give people access to its original context otherwise it becomes the only context and makes the previous version simply a superceded product
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Today my therapist introduced me to a concept surrounding disability that she called "hLep".
Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"
And my therapist pointed out that this is not "help", it's "hLep".
Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.
At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.
So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!
Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!
Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!
Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.
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rewatching neverafter knowing gerard was never properly socialized and spent most of his life as a frog makes me feel so much. of course he’s awkward and weird! of course he’s going to say the wrong thing! he was a frog for a huge part of his life! he literally didn’t have anyone to converse with from the end of childhood until the beginning of his adulthood. he missed out on some incredibly formative years.
also “outside is scary inside is safe that is why castles are built! everything is good in here!” from a man who was only safe once he was allowed inside and suffered intense trauma for years uninterrupted while being forced outside goes so insane. it only makes sense that he added “and flies” to elody’s list of threats. flies represent the worst part of his existence. he is unsafe when surrounded by flies and forced to use them as a source for food. gerard is forced to learn that you can be unsafe anywhere. he can be a frog anywhere, even in a position of royalty that should grant him to utmost comfort.
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