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here is the spotify link to Robin and Steve's Epic Platonic Soulmate Mixtape (vol.1) I'm going to say they made this version in the early spring of 1985. fic link

track list and explanations under the cut!!

Side A--the queer side

Total Eclipse of the Heart by Bonnie Tyler: I'm gonna take a wild guess and say y'all know why this is here

Rainbow Connection by Kermit: also self explanatory. and a bop. AND about rainbows. what more could you want?

Bangkok/One Night in Bangkok by Murray Head (Original Chess Recording version): 1) a banger. 2) from a whole musical written by the Bs of ABBA 3) Steve likes to listen to musical while vacuuming his pool :) 4) queer vibes. "the queens we use would not excite you" "i get my kicks above the waistline, sunshine" also to note they DID probably shave off the first minute of instrumental, but not all of it. I used this version and not the radio edit because in my heart of hearts I believe Steve picked up the Chess concept album in the fall of 1984, vibed with it, (I've answered an ask about stobin and the musical chess where I talk more) and that's the version he has.

Good Old Fashioned Lover Boy by Queen: tbh always sounded gay to me, and it's such a fun song, I think they'd vibe with it and agreed it's a silly little nod to steve's previous rep.

Me and Julio Down by the Schoolyard by Paul Simon: GAY GAY VERY GAY SONG "it's against the law...what their mama saw/it was against the law" HMM also it's catchy and has so much potential to be an angsty queer ballad too. (also Robin's dad is 100% a Simon and Garfunkle stan that's just. a fact to me.)

I'm Coiming Out by Diana Ross: iconic song claimed by the gays. for the obvious reasons. bit on the nose but this is for THEM.

Sunshine (Go Away Today) by Jonathan Edwards: About not letting someone control your life. It's catchy and heartfelt, dreams about the future. Steve's Vecna Song for me.

You Can't Hurry Love by The Supremes: stobin are losers in the love department, and it's a great and hopeful song about not rushing into things. The Supremes Version because Robin is influenced by her former Hippie parents, and Steve by his Aunt Evelyn and her love of 50's and 60's music. They have appreciation for the Oldie Goldies.

Lady Marmalade by LaBelle: Disco baby. I also feel this was a song for us queer folk. maybe because I'm queer and I like it. it's great, and robin loves hearing women sing about having sex.

Holding Out for a Hero by Bonnie Tyler: throwback to the first song on the mixtape Steve gave Robin at the very beginning! now with the Upside Down between them it means more too. it's also SO FUN to belt in the car. frantic and with a good beat. I don't think I need to justify this one haha

Believe it or Not (theme from Greatest American Hero) by Joey Scarbury: Robin LOVES this stupid show about a cringe fail teacher with his cringe fail life getting a super suit from aliens and then losing the instruction manual. It just feels like a show she'd like even though it's so silly. The theme song is actually great tho. I think it'd really tickle the part of Robin that feels overly average and a bit trapped in Hawkins, but feels those confines lessen when she's with Steve and getting to feel like there's more out there for her. Personally, I first heard it on cassette of top 100 tv themes (along with MASH, Law and Order, Hawaii Five-oh, Andy Griffith etc) sitting in a booster seat in the front seat of my family's motor home on a long summer road trip in the early 2000's, as my dad drove and told me what show each song was from. (Steve buddy I understand your dream so much ok. There's nothing quite like being a kid and going on a roadtrip with your family. magical.)

Side B--The Besties side

You're My Best Friend by Queen: Love song for your best friend me thinks yes :)

Stuck With You by Huey Lewis and the News: the only anachronistic song on the playlist, but I couldn't NOT put it on. lavender marriage stobin REAL. They're stuck with each other :) also look at Steve. He is a guy who listens to Huey Lewis. We know this. He heard this song a year before it came out and was like robin :') it's us....I'm stuck with you...I'm so Happy about it :))

Stoned Soul Picnic by The 5th Dimension: Robin's parents are former hippies. This song is fantastic. Pure vibes. Steve and Robin are going to get rescue cats that are bonded together and name them Sassafras and Moonshine for this song.

Video Killed the Radio Star by The Buggles: Bop and a half. Sing along song.

Both Sides Now by Judy Collins: 1)gorgeous song originally by Joni Mitchel but this version is a bit faster 2) Robin's former Hippie parents influencing her taste strike AGAIN 3) she tries to convince Steve it's about being "queer like him" and he doesn't buy it but "I've looked at love from both sides now/.../I really don't know love at all" and "Oh, but now old friends they're acting strange/ And they shake their heads and they tell me that I've changed/ Well something's lost, but something's gained" hit different for him

Only the Good Die Young by Billy Joel: I chose this billy joel song because it's 1) catchy as all hell 2) about having sex 3) mentions dying and stobin are like We didn't die!! hell yeah! Steve's a pianist and tbh he loves billy joel. who doesn't. it was between this one and piano man i guess, tho i love many Billy Joel songs that are "deeper cuts" ha. and "I'd rather laugh with the sinners than cry with the saints/the sinners are much more fun" line is like. what are they gonna do. not be an emotional queer teen about it?

Raspberry Beret by Prince: it's catchy, and whilst originally I had put La La Love You By Don McLean here, I like this one better. Robin is definitely a Prince fan. and a beret fan. happy coincidink. and its a fun song! about loosing your virginity to a hot girl in a barn!

Indiana Wants Me by R. Dean Taylor: okay originally I'll admit I put this on the masterplaylist because. obviously post-s4 Eddie running away angst song even if it's more folk-rock than metal. I think Steve and Robin would listen to it and really vibe with wanting to go home but not being able to. even if it's not literally. also they live in Indiana and like. you've gotta respect a song about where you live. ALSO the cop sounds in it. so good.

Born in the USA by Bruce Springsteen: a song? about being disillusioned with the American dream after seeing the institutional failures of the government??? very Steve. the whole album is great, and I know I've reblogged a post about Steve and the album (My Hometown hits different). It's angry, frustrated, passionate. Being queer in a small town where the government covers up it's human experimentation and alternate dimensions probably makes you feel a lot of things. All with the veneer of Americana.

Where Do You Go To (My Lovely) by Peter Starstedt: purely self indulgent of me. I adore this song. I think Steve heard it, and thought of Robin. The remembering, the deep knowledge of another person, the longing. When he told Robin that it's a song he always associates with her she tears up a bit, because it's so tender and loving, and a bit silly. Like. Steve knows she'll be amazing and can't comprehend anyone not seeing it. It's sooo tender.

Thank You for Being a Friend by Andrew Gold: Golden Girls didn't air their first episode until fall 1985, and obviously when it does Stobin are loyal viewers, (Steve is in love with Bea Arthur. as is right) but this song came out in the 70's. It's fun and cute and catchy! They love each other and are so, incomprehensibly grateful that they found each other.

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Check out this listing I just added to my Poshmark closet: NWT Quintsoul Women's Tulum Swim Short - S.

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Swedish Navy Hswms Sundsvall (k24) Aloha Hawaiian Shirt

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Warhammer0k Blue Ugly Christmas Sweater

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Warhammer0k Blue Ugly Christmas Sweater

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Heracles Almelo Ugly Christmas Sweater

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By contacting directly with suppliers, we are dedicated to provide you with the latest fashion with fair price.We redefine trends, design excellence and bring exceptional quality to satisfy the needs of every aspiring fashionista.

WHAT IS OUR MISSION?

Gearbloom is established with a clear vision: to provide the very latest products with compelling designs, exceptional value and superb customer service for everyone.

We offer a select choice of millions of Unique Designs for T-shirts, Hoodies, Mugs, Posters and more to cover all your needs.

WHY SHOP WITH US?

Why do customers come to

Well we think there are a few reasons:

BEST PRICING

Fashion field involves the best minds to carefully craft the design. The t-shirt industry is a very competitive field and involves many risks. The cost per t-shirt varies proportionally to the total quantity of t-shirts. We are manufacturing exceptional-quality t-shirts at a very competitive price.

PRINT QUALITY DIFFERENCE

We use only the best DTG printers available to produce the finest-quality images possible that won’t wash out of the shirts.

DELIVERY IS VERY FAST

Estimated shipping times:

United States : 1-5 business days

Canada : 3-7 business days

International : from 1-2 weeks depending on proximity to Detroit, MI.

CUSTOM AND PERSONALIZED ORDERS

Custom orders are always welcome. We can customize all of our designs to your needs! Please feel free to contact us if you have any questions.

PAYMENT DO WE ACCEPT?

We currently accept the following forms of payment:

Credit Or Debit Cards: We accept Visa, Mastercard, American Express, Discover, Diners Club, JCB, Union Pay and Apple Pay from customers worldwide.

PayPal: PayPal allows members to have a personal account linked to any bank account or credit card for easy payment at checkout.

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In the perpetual reaction of that awful force of human passion and human will, which necessarily meets the compressive power of slavery,—in that seething, boiling tide, never disco duro externo pita wholly repressed, which rolls its volcanic stream underneath the whole frame-work of society so constituted, ready to find vent at the least rent or fissure or unguarded aperture,—there is a constant necessity which urges to severity of law and inflexibility of execution. “With my tongue.” He licked his fingers, one by one. The court ruled the IRS is not legally able to change the original law by unilaterally extending federal subsidies to states that have chosen to use the failed federal Connector rather than to have a state Connector like Hawaii Without those subsidies, most who did sign up for Obamacare will be unable to afford the higher, actual costs of the new law. Grand Maester Munkun errs. One gang only had a few children. I was thinking about a low carb 1,200 calorie diet and upping my steps to 15,000 a day but I wondering what else I can do when I can exert myself.. The old man looked at me suspiciously, and from his eyes alone one could divine that he knew all, that is that Natasha was now alone, deserted, abandoned, and by now perhaps insulted. Sale of sponsorship rights could fetch another $500 million. But our conversation was suddenly interrupted in the most unexpected way. “Another bloody bath?” said their serjeant when he saw the pails of steaming water. Originally planned to enter service in May 2008, the project experienced multiple delays. And you yourself will long for the days when what made America great is the ability to disagree, and be diverse.. “You might want to impress that on her. It just the second time they hit the century plateau since the last time they won the Stanley Cup in 1992 93 (they had 104 points in 2007 08).. 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[mysterymirrors]

Check out this listing I just added to my Poshmark closet: NWT Quintsoul Women's Tulum Swim Short - S.

[nettlestonenell]

Armie Hammer wants a sequel to The Man From U.N.C.L.E.—shouldn’t you?

This post is a long time in coming, Gentle Readers and @jammeke​, but now, though it might be here, before your very eyes, to think it will be well-laid out would be a mistake. It’s set to be just about as messy as Ilya’s misplaced loyalties and murky motivations.

How dare!

I probably first watched this film well over a year ago (courtesy @jammeke​ posting things about it). I used Sling OnDemand (I think on TNT). In the ensuing viewings I also watched it in that way, but as I was sitting down for a fourth(?) viewing, it kept coming to me that I was tired of watching it with commercials I couldn’t skip, and I had a sneaking suspicion that it had been edited for time and I was missing out on scenes. [pointless aside: I was also watching the film in chunks, and never as a whole]

Where is she now? What’s the time stamp? How far along did she get? Are you shagging the hotel hostess yet?

So, I, uh, set out to buy it on DVD—without any luck! In the sense that copies I could find cost more (w/ shipping) than buying it to stream. So, I bought it to stream on Amazon. Do I regret my choice, Gentle Readers? No, no I don’t. I do regret burden of knowledge in learning that TNT was already playing the entirety of the film. That was a hard pill to swallow.

Nope, I’ve looked. That’s absolutely everything. Nothing additional lurking around here...

So here it is, as it is, @jammeke, “My Notes on The Man from U.N.C.L.E.”

Look, I don’t know what this film is. I probably can’t fully articulate its appeal. Or maybe I can--certainly after transcribing four page I’ve tried. Number One thing to know about me and fiction/films is that a top draw for me is seeing something out of the ordinary, such as beautiful locations, a historical era, delicious costumes. There are times, frankly, this can trump weak story and undefined character for me. (The best films, of course, combine all three) Certainly, The Man... delivers in the delight of the eyes. Additionally, I must confess that growing up as a person older than @reblogginhood​ but younger than Miss Fisher, so much of what was on TV was essentially reruns of this film’s iconic Look(tm). So, when I see women dressed like Gaby I am just another three-to-seven-year-old overcome with the drop dead glamour of it all.

Darling, tell me how you really feel...

Some questions I have:

·         IS Armie Hammer a hulk of a man? Everyone in this film seems to think so, yet he always tracks to me as trim (rather than hulking)

·         Why translate via captions some Russian speaking, but not all?

·         IS Napoleon’s backstory directly cribbed from USA’s White Collar?

·         DOES Gaby have a German accent?

·         Does Ilya get preternaturally attached to all the people he’s ordered to look after? Also, what is his bonding rate with kittens?

Sorry, wrong iteration. 

 ·         If Lady Villain knows the lens is wrong—if her technical understanding is that in-depth--does she really need Gaby’s dad to make the bomb?

·         How old was Gaby during the war?

·         What happens when Ilya gets a NEW puppy assigned to him? (please let this be addressed in film #2)

Hooray for:

·         That bathroom fight! *all the Burn Notice feels!

·         Gaby is her own lady, and chooses sides as necessary—not always unilateral in her support for either male character. Case in point: she sides with Ilya over the clothes, and Napoleon over the incident of the wallet.

·         That delicious (speaking as Rusty, here) Ocean’s 11-stylized action. It’s pretty, so I’m not bored with it. Sometimes a sandwiched montage gets shown, so I’m REALLY not bored. I’ve got 18 tiny moving boxes of things to look at!

·         Pinkie rings. There, you’ve told me everything I need to know about that character.

·         Solo in a beret. English has not yet found a word for the feeling it evoked in this viewer. Somewhere between ‘precious’ and ‘oh, no’.

See, there? Now you’ve felt it too.

·         Goggles! All the accessories! Dune Buggies! (I mean, that’s what I’m calling Napoleon’s chase-scene ride)

Things I adore:

·         It seems (after some research) that more than a few folks view Gaby as a third wheel, and though she’s not exactly a Princess Leia commandeering her own rescue and exuding competence and a deserved take-charge-attitude at every corner, she IS a foci for both male characters (though romantically it would seem only for one), just as Ilya is a foci for both her and Napoleon [no one seems to worry about Napoleon, though they should--film #2, anyone?]

·         Mechanic Gaby not needing a beauty makeover, or being dragged into one. She gets some nice clothes, but it’s never suggested that she’s not attractive or acceptable before putting them on, and I respect, nay, embrace it.

Oh, my heart. She’s still not as tall as them!

·         Ilya, drab pigeon Ilya, knowing fashion

·         Oh man, don’t even get me started on the power of the statement, “it doesn’t have to match”

·         You knew it was coming on this sublist: the wrestle-fight. I mean, c’mon. Poor little Gaby, locked behind the Iron Curtain, living a life of always being watched. She’s in the swankest hotel (I mean, Napoleon chose it, so we can be sure it’s swank with an E). She’s trying to celebrate her freedom, her liberation. She’s playing verboten music, she’s drinking to excess. Girl wants—and deserves—a party. And Ilya is…not built for that (that he knows of). For some fun, just imagine if she had been given Napoleon to room with instead.

                            o   I will say that this scene, and some of their other interactions have what I would call early (non-sibling) Luke and Leia energy. Ilya seems to have moments of being struck by Gaby in a way Luke is struck by Leia in the early part of the trilogy. When Leia takes charge, and Luke accepts it. When Leia does something incredible, and Luke is left open-mouthed. *no, I don’t see OT Star Wars in everything. Shut up.

·         “He fixed the glitch.”

·         Again, shout-out to the non-action action.

·         “I left my jacket in there.”

·         The whole race to rescue Gaby I am in love with beyond words. [I have noted it as “Crazy Jeep Drive with Warhead!”] Probably b/c it comes across as totally egalitarian. Both men want her rescued. They’re no longer in competition. It’s just as important to Napoleon as it is to Ilya to catch up to her. Also, it is bonkers, like some sort of X-games version of a commercial for the vehicles they’re driving. And screaming Willie Scott does not make an appearance.

         Someone says “winkle” out.

·         Look! Another note about the screen divisions and how I love it, shout-outs to the original Steve McQueen The Thomas Crown Affair (a contemporary of when this movie is meant to be set), and TV’s 24.

Things that get a great, big NOPE:

·         Jerrod Harris: you’ve been in so much streamable content in the last decade I can’t hate you, but frankly, you’re terrible here—unless you’re supposed to be giving a mannered, not-campy-enough-to-be-enjoyable performance here. Your American English puts me in the mind of Alex Hawaii 5-0′Loughlin where it feels you’re concentrating so hard on your accent that you fail to convince anyone that you’re a harried, over-worked and exasperated spy handler. Your performance is at odds with every bit of dialogue you’re given to say.

·         That awful, mishandled title that doesn’t even connect to the film until the final moments (a sequel set-up, for sure)

·         Look, you don’t introduce Hugh Grant casually mid-way through your film in a throwaway appearance. I mean, he’s HUGH GRANT we all know something’s up now.

·         This is not exactly a great big NOPE, b/c I love a flat cap, Tommy Shelby—but I feel like a less tall man with a far rounder face in a flat cap would track more as Russian to me that AH does. To me, he just looks like he’s about to go golfing.

Over par? Unacceptable!

·         Is Victoria a British-accented Italian? A British woman who married—what? Gaby’s uncle isn’t Italian!? An Italian who went to school in Britain? My head hurts. Also, is her hair meant to be unconvincingly bleached?

Other commentary:

·         Napoleon’s adult ne’er-do-well backstory is so far from being emotionally equivalent to Ilya’s childhood trauma [and his enslavement to the USSR] it seems bestial when he calls it out on multiple occasions. Badly done, Solo.

·         Gaby is the film’s key (sorry, Buffy fans). Everyone is connected to her. Yes, she could have been given a bit more on the character front, but I don’t see her as as much of a flaw in the film as some others/reviewers seem to.

·         Look, essentially (and not very nuanced-ly), Ilya is a stalker. I think the film goes a certain distance in establishing that his early behavior toward Gaby is not normal, but concurrently it does not truly call him out on it. He’s essentially viewed as an odd-duck, sure, but not a true threat to her (should she not reciprocate or tolerate his intensity toward her). I think I might be able to cite his behavior when Gaby comes on to him (that he doesn’t jump at a chance with her) that maybe he’s given a little more nuance than a straight-on stalker, and it helps that he and Napoleon never get into a pissing match over Gaby’s person, only over her new clothes. But overall the film has to walk a fine line (and the jury is still out on how successful it is, I’d say) between playing Ilya’s laser-like attention to Gaby for its humor, and calling it out for the unsettling, threatening behavior it is.

·         Honestly, it wasn’t until I engaged the Closed Captioning that I understood Napoleon was calling Ilya the ‘Red Peril’. So, that was nearly three viewings in.

·         I give the screen credits A+, on both ends. Not to mention the end credits are actually INTERESTING with lots to see and learn! (Certainly we learn more about HG in them than we do at any time during the film)

Things I would have liked:

·         More of fish-out-of-the-Iron-Curtain Gaby moments

·         A better dichotomy shown of East vs. West Berlin/Germany. There’s nothing easy either visually or otherwise to distinguish the two.

·         HC being given a more specific American accent (from an actual locality). This, for an American viewer, works better than the flat, unlocated American accent many a British actor will bust out. *Mind you, HC does a generally good job, but he fails utterly on both “Immediate” which he pronounces at least twice as “immeedeejt” [rather than imm-E-deeot] and “Nazi” as “NAHT-zee” [rather than “NOT-zee”]. And let’s not get started on that late in the film use of ‘earnt’, a word that—well, it’s just not in the American English twentieth century lexicon.

·         C’mon. You gotta tease the Hugh Grant more.

·         Solo is a blank before the war. I’ve read thoughts on the film calling out Gaby as the blank character, but they’re wrong. Solo is the blank. He’s the ‘made’ man, his identity seemingly assembled during the war and after. For example, he doesn’t go into the war a thief, nor (it would seem) a particularly educated or urbane individual. Now THAT’s a juicy backstory I’d love to learn about, perhaps in film #2--or #3? What creates a Napoleon Solo? What would he be doing if he weren’t on the government’s leash/incarcerated? Is anyone left caring about him back wherever he calls home? I mean, who doesn’t love a gender-flipped 60s-era Holly Golightly backstory? [And yes, I would love there to be an ex-wife or even a current wife mixed up in his origins as well—Guy Ritchie, call me!]

Notes I have that I’m not sure if they still make sense to me:

·         Only mom calls me Napoleon (do he say it ‘mum’?) Is he a secret Canadian?

·         Solo’s torture, 1st view recall Napoleon’s childhood? *I think this means that after watching the first time I somehow erroneously believed that during the torture Napoleon’s childhood was a topic gone over. This was wrong. HOWEVER, this would have made far more story-sense than the backstory we’re given on an easily disposeable villain.

·         “Even the average Russian agent. You’re special.” ?

·         Uncle is Baddie (*so glad I made this note to myself)

·         Ilya’s dad IS an embarrassment. I’m not sure what genius commentary I had in my mind, here. Perhaps that Ilya himself is embarrassed of him? Not just Ilya’s handler’s? [Also, aside: Napoleon totally slut-shames Ilya’s mom, which is the doublest of double standards from ‘I got myself the biggest and most ornate suite b/c I-wanted-plenty-of-space-for-my-random-seductions’ and I really wish Ilya had thrown that back in his face] *yes, of course I know that Ilya and Napoleon would not likely equate a wife/mother’s sexual exploits with that of Solo’s, but let’s be honest, this film tweaks the nose of (I won’t say reverses, it doesn’t go that far) plenty of tropes and gender expectations, and this certainly seems like a missed opportunity to call Solo on the carpet (which I hope film #2 does far more)

Things I wrote down so long ago I don’t recall what they mean:

·         CC-save

In conclusion:

What does film #2 look like? What title does it get? Will the Peter/Neil White Collar dynamic continue to grow? *note that I have no confidence a second film will ever come to pass...

In the end, all I know is, “It didn't help when American Tom Cruise, who was slated to play U.S. spy Napoleon Solo, dropped out, prompting the casting of Cavill (who had previously read for the Russian role).“ I would not have watched that film.

[itsuki-minamy]

“TAPIOCA”

Translation: Naru-kun Raws: Ridia

There is a lot of fashion in the world, as for the trend of sweets for young people, there is plenty of room for turbulent "tricks". Quickly disseminate information through a SNS, create a new flow of assets and funds, and interact with an unspecified number of people in the form of "mobile stores popping up in urban areas and general customers who flock to them." These features can be said to be similar to the popular stirring technology used by "Jungle", or mechanically follow the same process.

That is why Fushimi Saruhiko was in the row of mobile stores for tapioca drinks.

Moving on to a line focused on young women in plain clothes, buying a drink with a fixed price of ¥ 8 and a cost rate of 10%, and sitting at a simple table in the street, Fushimi looked around with a messy look.

Fushimi hates fashionable people, processions, and young people of the same generation, but he is not stupid with his duties. Like looking for gold dust in the mud, carefully look for the secrets, intentions, and signs of malice hidden in the trash.

Currently, the target is the pastel green kitchen store vehicle, it is from the emerging sweet brand "TapitsuCHA", whose main product is tapioca milk.

For the past few weeks, it has been a hot topic for guerrilla sales, mainly in the downtown areas. In other words, "find" and "catch" this kitchen vehicle is attractive as a kind of location information game. This "incitement to play" is also one of the usual "Jungle" methods.

However, at first glance, there appears to be no conspiracy or incidentally around TapitsuCHA. A harmless fashion item that draws the interest of the masses, and is forgotten just for a moment. Seems to be calm every day. Of course, "seems" doesn't mean complete innocence, but...

(As of today, there seems to be no tail that can be grabbed.)

Fushimi stood up. He put the tapioca milk untouched on the table. Someone in charge will get rid of that. Originally he doesn't like the fresh look and texture of tapioca. He thinks it's like a fish egg.

There,

"Oh, Fushimi-kun."

Seri Awashima, Lieutenant of "Scepter 4", who called him. Today she is dressed in civilian clothes, but she has an atmosphere that is the same as always. She has an L-size tapioca milk tea on hand.

"It's weird, you're not interested in these things."

Sitting in a chair across from Awashima, Fushimi wasted time leaving.

"Lieutenant…"

Awashima picked up the drink that Fushimi had left.

“On vacation, I try to strengthen the power of girls, who tend to be thin every day. You have to keep fashion items.”

"Oh, feminine power."

"I wonder if it's okay to take a photo before drinking."

Awashima, taking a photo of the milk tea with one hand holding his PDA, wondering where she had heard that, she lifts her face and turns to Fushimi.

"What should I do to" upload photos to the internet"?"

"I don’t know."

Fushimi responded immediately. In this situation, it is doubtful that Awashima has an SNS account. If she inadvertently deals with such a thing, she will be asked "What does this mean?" After spending a day talking about the registration of personal information, security settings, lectures on methods of operation, etc.

"Do you specialize in this?"

Fushimi replied again to Awashima, which was more mysterious than saying she would eat.

"No, I do not know."

There,

"It is awkward, Fushimi-kun."

He hears a familiar voice from behind. The captain of "Scepter 4", Reisi Munakata.

"It is…"

Munakata controlled Awashima, who stood up and waved with her palm.

"No, how is... I'm also in civilian clothes today."

In fact, today's Munakata had a slightly different impression than the "Blue King" impression, which is highly revered.

Maybe it's because of the slightly rough plain clothes, or maybe it was because of the brilliant blue of Tapioca Blue Hawaii that he got... no, mostly, it's probably due to the ridiculous feeling of "drowsiness" with a cup of drink.

"I ran into you by chance while walking through the city."

"Chance?"

Awashima bowed her head at a word she was unfamiliar with, nodded.

"Maybe... Awashima, Fushimi, walking together."

"Then I took a photo. It looks good, right?”

"Eh?"

This time he didn't know. Looking at Fushimi as if to ask him, Fushimi walked away from the beginning.

"In other words, it's a "challenge"..."

"…Challenge."

Awashima saw Fushimi again. Fushimi places his elbows on the back of the chair, turns to one side, and refuses to communicate.

He still doesn’t understand the meaning. He doesn’t know, but...

Defiance or "challenge". It is a word synonymous with "Katsumi" in the Awashima Seri values.

Training, challenges to overcome. Awashima cannot turn her back on that.

"What is the challenge?"

Awashima, who corrected her spine and turned into a face that was completely on duty, asked again:

"Fufu..."

Munakata looked at Fushimi with a smile.

"Tsk..."

Fushimi made a small click with her tongue.

And…

"This is..."

"That's right, Awashima-kun. Very good. Without moving…"

Awashima put her arms and tapioca milk tea to her chest. On both sides, Munakata put a cup of drink in his hands.

Milk and Blue Hawaii on both sides of the tea with milk.

"Oh, I uploaded it!"

"I put three."

The crowd gathered around the table increased.

"Now, Fushimi-kun!"

(Do not say my name.)

Fushimi held his PDA on top, and snapped photos over and over.

++++++++++

Fushimi's photos from "Awashima's Tapioca Challenge" are known as "Three Sample Attractions" and "Unexplored Triple Challenge," and were widely shared online. Answered on multiple social networks, she was favored, and it was already a great buzz.

But that was about a week. A photo of a single non-expansive shot was replaced by the next in the next week and quickly disappeared from the network.

"However, is there a good result?"

Munakata asked Fushimi, whom he called to his office.

"Yes."

When Fushimi uploaded the sample photos to SNS, he set up an electronic tracking tag on the image data. Labeled photos circulating on the net reveal the route and speed of information transmission of current affairs on the net, like a buoy launched for current ocean research. In particular, he was able to obtain a large amount of detailed data on personal connections and information links on "TapitsuCHA".

"From the conclusion, "TapitsuCHA" is like "white to gray". Due to the nature of the operation, it can be used for "Jungle" missions, but there is no connection between the person in charge of management or practice with the core of "Jungle" or the higher clan member."

"Well then you can either continue to watch freely or use it to catch "Jungle" from here."

"We will respond appropriately."

"It's okay."

They nod while the two look at each other,

"The captain is said to have had that idea..."

Awashima, who was waiting aside, nodded.

"Fushimi too... I'm sorry, I didn't know he was part of a secret investigation and I spoke to him carelessly."

"Ah... no."

Fushimi vaguely replied to Awashima, who bowed diligently.

"Anyway, I wonder if the captain had a 'deep thought'."

As a result, although it led to the identification of online personal connections, when Munakata came out and said it was a "defiance" or a "challenge," it just seems like "he just wanted to say a keyword like that."

(In fact, what was that?)

When Fushimi looked at him, he found Munakata looking at him.

"Fufu..."

Munakata smiled. With a mysterious smile as always, Fushimi is marked with a slight sense of mischief.

"…Yuca."

Fushimi was nervous.

[fromirelandtokorea]

Lesson #118: Events That Shaped Modern Korea:

 It’s fair to say that modern day South Korea is a technological paradise, with incredibly vast buildings, booming global businesses and a magnificent culture. However, the country we all grew to love wasn’t always this way. From class differences, foreign occupation and war, grew a cultural phenomenon that we study and appreciate continuously in the 21st Century.

 So, what was South Korea before all of these things we have come to know today? Here are some breakdowns of major events in Korean history that have influenced the life, culture and society that we see today, along with some book titles that you may find interesting and insightful! This was an essay topic of mine for university, so most of this is a breakdown of that essay I wrote.

1. The Invention of the Korean Alphabet Hangul (한글) (1443/1444): For anyone who is studying Korean, you will be familiar with this beautiful writing system called Hangul. It is a syllabic writing system that was introduced by King Sejong the Great during the 15th Century Joseon Dynasty. Before the introduction of this project, Korean people (mainly the rich and upper class) primarily wrote with Classical Chinese (Hanja/한자). To improve the literacy rates in the country, Hangul was designed and introduced so that even those with little education, such as common people, could learn to read and write. A famous saying goes "a wise man can acquaint himself with them before the morning is over; even a stupid man can learn them in the space of ten days." Although this faced criticism and opposition Hangul remains the wonderful writing system for the Korean language today. October 9th, known as Hangul day, celebrates the introduction of this writing system which boosted education in Korea to include all people.

2. World War II (1939-1945): One of the most large scale events to ever touch Korean soil was the outbreak of World War II in the post colonial period. The extent of Japanese rule in Korea during the war meant that citizens were pressured to “assimilate” now more than ever. This period from the late 1930’s to 1945, showed an almost backwards approach to new ideology and social norms introduced in the 1930’s. The decade just before this international conflict had seen an elevated social position for women in terms of responsibility, education and entertainment. The “modern woman” became an everyday appearance for Korea, as Western fashion trickled into the daily wear of women across the country and the education of women was an important topic at the time. However, this new found liberation and power for women soon took a turn when the outbreak of war at the end of the colonial period saw “a full scale mobilization of the entire population into the war efforts”. As well as having a majority of its population forced into contributing to the war effort on the behalf of Japan, people of prominence such as businessmen and writers who had been mobilized were forced to turn to their own people and encourage them to join the war effort and pressure citizens into making “the ultimate sacrifice”. “They were mobilized in the name of an imperium (Japan) in which they remained, at best, second-class citizens, at worst, draft labor, cannon fodder, or sexual slaves.” Women who had once been adjusting to a new found liberation a mere decade earlier, became the victims or survivors of a cruel act and faced a stigma surrounding prostitution that still heavily remains today in modern Korea - these women became known as “comfort women”. The effects of this era are still felt especially by women in Korea today.

3. The Korean War (1950-1953): The Korean War was undeniably another major life altering event for the Korean people after enduring the woes of World War II. After thirty-six years of colonial rule under Japan, the question of Korea’s independence or lack thereof, was still a back and forth argument across the peninsula. The situation seemed to carry the bitter remnants of the previous travesties done to the Korean people, as unfortunately “Japan’s defeat in World War II did not lead to Korea’s independence but led, rather, to the arbitrary division of Korea into halves occupied by the United States and Soviet Russia”. An example of one of the most harrowing events to take place over the duration of the Korean War is the massacre on Jeju Island not even a year after the beginning of an uprising by civilians. “On January 1949, a massacre swept the village of Pukch’on on Jeju Island, nine months after the Jeju Uprising of April 3 1948. The massacre was carried out by the South Korean military in revenge for the deaths of two soldiers by armed guerillas”. (Hwang, 2016, p.26) The massacre wasn’t the only killing to take place after the uprising but “what happened in Pukch’on epitomized the pattern of  violence in Jeju that resulted in deaths of thirty-eight thousand”. This event is one of many horrific acts to take place on the Korean peninsula during the Korean War, that left hundreds of thousands of soldiers and civilians dead, as well as leaving the survivors with a trauma they would carry for the rest of their lives. The devastation caused by the Korean war destroyed cities and towns, which required massive rebuilding led to the modern buildings we see today alongside the remaining traditional buildings which create a wonderful contrast in Korea. 

4. The Gwangju Uprising (May 1980): It is evident that Korea has experienced its share of travesty and has come back with spirit. The uprisings in Korean history show how people did not settle for less than satisfactory circumstances and above all else demanded justice for its country. The Gwangju Uprising of May 1980, “was the biggest event in contemporary South Korean history after the Korean War. Its aftermath and meaning, as felt by Korean today, are immeasurably heavy”. The uprising began as “students held daily rallies from May 14 to 16 in Gwangju and issued a series of statements, in lucid language, calling for democratization. Starting on May 18, however, paratroopers were sent to the front gate of Chonnam National University, and then to the intra-city bus terminal and Geumnam Avenue. They started slaughtering people, and students, and citizens fought back, resulting in immense casualties. This extreme violence changed language a great deal”. These protests held by students were to show the leaders of the country the dissatisfaction towards authoritarian rule and the desire for democracy in the country. The removal of Chun Doo-hwan who was in power, was the aim of protesters and soon after the beginning of the uprising, emotions ran high and the question of what would happen was up in the air. This event was the start of a movement towards democratization, that claimed the lives of several hundred civilians and police, the exact number of which is unknown to this day. This event was played down by the media and press, who were under the control of the military at the time to brush it under the rug and hide it from the world. However, the impact of the Gwangju uprising is still being felt everyday by Korean citizens who lost loved ones, who were involved in this incident or who resonated with the immense emotional motivation of the people involved in the rallies and uprising. Nearly forty years on, we can see the political changes Korea has gone through since 1980, and now stands as the democratic country these people fought for years ago. However, the cruelty shown to citizens is still felt by Koreans today, some of whom struggle to find the right words to express the horror of the May uprising, but fortunately, this event has inspired a new generation of outspoken justice seekers.

Books: -Choi, Jungwoon (1999). The Gwangju Uprising: The Pivotal Democratic Movement That Changed the History of Modern Korea. Translated from to Korean (Yu, Youngnan) Korea: Pulbit Publishing Co. -Hwang, Su-young (2019). Korea's Grievous War. 1st ed. Philadelphia: University of Pennsylvania Press -Lee, Jongsoo James (2006). The Partition of Korea after World War II: A Global History. 1st ed. New York: Palgrave Macmillan -Lowe, Peter (1997). The Origins of the Korean War. 2nd ed. New York: Longman Inc. -Robinson, Michael E. (2007) Korea’s Twentieth-Century Odyssey, A Short History. 1st ed. Hawaii: University of Hawai’i Press

All of these events have shaped the Korea we know today and it is important that those of us who study the language also study its culture and the impact of the country’s history on it’s people. Thank you for reading,

Caitlín xo

[papermoonloveslucy]

GEORGE’S CHRISTMAS PRESENT

December 16, 1949

“George’s Christmas Present” (aka “The Christmas Present Switch”) is episode #67 of the radio series MY FAVORITE HUSBAND broadcast on December 16, 1949.

Synopsis ~ Liz vows to finish knitting George a sweater by Christmas. She finds George's Christmas presents for her and exchanges it too early.

This was the 16th episode of the second season of MY FAVORITE HUSBAND. There were 43 new episodes, with the season ending on June 25, 1950.

This episode has been fully animated using the original soundtrack.  The animation was created in 2010 by Wayne Wilson and is available to view on Vimeo. 

“My Favorite Husband” was based on the novels Mr. and Mrs. Cugat, the Record of a Happy Marriage (1940) and Outside Eden (1945) by Isabel Scott Rorick, which had previously been adapted into the film Are Husbands Necessary? (1942). “My Favorite Husband” was first broadcast as a one-time special on July 5, 1948. Lucille Ball and Lee Bowman played the characters of Liz and George Cugat, and a positive response to this broadcast convinced CBS to launch “My Favorite Husband” as a series. Bowman was not available Richard Denning was cast as George. On January 7, 1949, confusion with bandleader Xavier Cugat prompted a name change to Cooper. On this same episode Jell-O became its sponsor. A total of 124 episodes of the program aired from July 23, 1948 through March 31, 1951. After about ten episodes had been written, writers Fox and Davenport departed and three new writers took over – Bob Carroll, Jr., Madelyn Pugh, and head writer/producer Jess Oppenheimer. In March 1949 Gale Gordon took over the existing role of George’s boss, Rudolph Atterbury, and Bea Benaderet was added as his wife, Iris. CBS brought “My Favorite Husband” to television in 1953, starring Joan Caulfield and Barry Nelson as Liz and George Cooper. The television version ran two-and-a-half seasons, from September 1953 through December 1955, running concurrently with “I Love Lucy.” It was produced live at CBS Television City for most of its run, until switching to film for a truncated third season filmed (ironically) at Desilu and recasting Liz Cooper with Vanessa Brown.

MAIN CAST

Lucille Ball (Liz Cooper) was born on August 6, 1911 in Jamestown, New York. She began her screen career in 1933 and was known in Hollywood as ‘Queen of the B’s’ due to her many appearances in ‘B’ movies. With Richard Denning, she starred in a radio program titled “My Favorite Husband” which eventually led to the creation of “I Love Lucy,” a television situation comedy in which she co-starred with her real-life husband, Latin bandleader Desi Arnaz. The program was phenomenally successful, allowing the couple to purchase what was once RKO Studios, re-naming it Desilu. When the show ended in 1960 (in an hour-long format known as “The Lucy-Desi Comedy Hour”) so did Lucy and Desi’s marriage. In 1962, hoping to keep Desilu financially solvent, Lucy returned to the sitcom format with “The Lucy Show,” which lasted six seasons. She followed that with a similar sitcom “Here’s Lucy” co-starring with her real-life children, Lucie and Desi Jr., as well as Gale Gordon, who had joined the cast of “The Lucy Show” during season two. Before her death in 1989, Lucy made one more attempt at a sitcom with “Life With Lucy,” also with Gordon.

Richard Denning (George Cooper) was born Louis Albert Heindrich Denninger Jr., in Poughkeepsie, New York. When he was 18 months old, his family moved to Los Angeles. Plans called for him to take over his father’s garment manufacturing business, but he developed an interest in acting. Denning enlisted in the US Navy during World War II. He is best known for his  roles in various science fiction and horror films of the 1950s. Although he teamed with Lucille Ball on radio in “My Favorite Husband,” the two never acted together on screen. While “I Love Lucy” was on the air, he was seen on another CBS TV series, “Mr. & Mrs. North.” From 1968 to 1980 he played the Governor on “Hawaii 5-0″, his final role. He died in 1998 at age 84.

Ruth Perrott (Katie, the Maid) was also later seen on “I Love Lucy.” She first played Mrs. Pomerantz, a member of the surprise investigating committee for the Society Matrons League in “Pioneer Women” (ILL S1;E25), as one of the member of the Wednesday Afternoon Fine Arts League in “Lucy and Ethel Buy the Same Dress” (ILL S3;E3), and also played a nurse when “Lucy Goes to the Hospital” (ILL S2;E16). She died in 1996 at the age of 96. 

Bob LeMond (Announcer) also served as the announcer for the pilot episode of “I Love Lucy”. When the long-lost pilot was finally discovered in 1990, a few moments of the opening narration were damaged and lost, so LeMond – fifty years later – recreated the narration for the CBS special and subsequent DVD release.

Gale Gordon (Rudolph Atterbury) and Bea Benadaret (Iris Atterbury), do not appear in this episode, although their characters are mentioned. 

GUEST CAST

Frank Nelson (Miller’s Exchange Counter Clerk) was born on May 6, 1911 (three months before Lucille Ball) in Colorado Springs, Colorado. He started working as a radio announcer at the age of 15. He later appeared on such popular radio shows as “The Great Gildersleeve,” “Burns and Allen,” and “Fibber McGee & Molly”.  Aside from Lucille Ball, Nelson is perhaps most associated with Jack Benny and was a fifteen-year regular on his radio and television programs. His trademark was playing clerks and other working stiffs, suddenly turning to Benny with a drawn out “Yeeeeeeeeees?” Nelson appeared in 11 episodes of “I Love Lucy”, including three as quiz master Freddy Fillmore, and two as Ralph Ramsey, plus appearance on “The Lucy-Desi Comedy Hour” - making him the only actor to play two different recurring roles on “I Love Lucy.” Nelson returned to the role of the frazzled Train Conductor for an episode of “The Lucy Show” in 1963. This marks his final appearance on a Lucille Ball sitcom.

Eleanor Audley (Mother Cooper) would later play Eleanor Spalding, owner of the Westport home the Ricardos buy in “Lucy Wants To Move to the Country” (ILL S6;E15) in 1957, as well as one of the Garden Club judges in “Lucy Raises Tulips” (ILL S6;E26).

EPISODE

ANNOUNCER: “As we look in on the Cooper’s it’s morning and there are seven shopping days left until Christmas.”

Liz is pressing Katie the Maid about what George may have bought her for Christmas. She is knitting George a sweater, but wants a fur coat from George. Liz sings “Jingle Bells” as George comes down to breakfast. 

“Jingle Bells” by James Lord Pierpont (1822–93) was sung in the “I Love Lucy” Christmas tag, the “I Love Lucy Christmas Special” (above, colorized), as well as in “Lucy Goes to Sun Valley,” a 1958 episode of “The Lucy-Desi Comedy Hour.” Lucy says that Ricky proposed to her at Christmastime, so their ‘song’ is “Jingle Bells,” or – as Ricky pronounces it - “Yingle Bells.” The song was also sung by Lucy Carmichael and Vivian Bagley in “Together for Christmas” (TLS S1;E13) in 1962.  

Liz is acting lovey-dovey, but George is on to her games - he won’t tell her what he is getting her for Christmas. 

LIZ: “Are you getting me a mink stole?” GEORGE: “If I got you a mink, it would have to be stole!”

George tells Liz he’s already bought it and that it is in the hall closet - but warns her to leave it alone!  After George leaves for work, Liz is tempted to take a peek. She reasons she might need to go into the closet for routine reasons, and ‘clumsily’ rips the paper off the box. It is empty, except for a note that says 

I THOUGHT I TOLD YOU TO STAY OUT OF HERE, NOSY! 

Liz is adamant that George is just getting a sweater and starts knitting. Katie doesn’t even recognize it as a sweater. It has two neck holes and a sock knitted to the sleeve!  Liz laments that she can’t knit like George’s mother, who Liz calls Nosy Rosy. Katie reminds Liz that Mother Cooper is coming over for a visit. 

Mother Cooper (Eleanor Audley) waltzes in without ringing the bell. She first thinks the sweater is a dust rag, then a dog sweater. Liz tells her that it is a sweater for George and Mother laughs. 

MOTHER (laughing): “I could die!” LIZ (grimly): “Yes, but you won’t.”

Mother has come over to tell Liz that she will be spending Christmas with Aunt Bessie, instead of with her and George. Before she goes, she bluntly tells Liz to give up on knitting; she hasn’t got the talent.  Mother turns to go. 

LIZ: “Are you driving, or shall I call the Yellow Broomstick Company?” 

Liz is essentially calling her mother-in-law a witch! The Yellow Cab was a taxicab company in Chicago founded in 1907 by John D. Hertz, who later began the Hertz Rent-A-Car Company. In early 1950, Red Skelton, a frequent co-star of Ball’s, released the MGM film The Yellow Cab Man. Although it had not yet premiered, shooting was completed by October 1949 and Lucille Ball may have been short-listed for the role played by Gloria De Haven. 

Before she departs, Mother Cooper tells Liz she has knit her son a beautiful cashmere sweater for Christmas, making Liz even more intent on making hers even better and more beautiful. 

In Part Two, Katie discovers Liz asleep with the knitting needles in her hands, exhausted. After an all-nighter, Katie still sees that the sweater still has three sleeves! 

At breakfast, Liz’s eyes are so bloodshot she mistakes milk for tomato juice!  When George discovers that she’s been knitting him a sweater, he laughs. After George goes to work, Katie discovers another wrapped box in the closet.  Liz opens it to reveal a bright red dress from Miller’s Department Store. Liz is upset because she cannot wear red with her hair coloring. 

LIZ: “If I put that dress on, I’ll look like an ad for Unguentine!” 

Unguentine is a commercially available topical skin ointment that helps alleviate minor burns and irritations. It was originally introduced in 1893. It was mentioned on “I Love Lucy” in “The Fashion Show” (ILL S4;E20) in 1955. 

Liz dashes off to Miller’s to try and exchange the red dress for one in green.  While waiting on line at the exchange counter, Liz busily knits. At the head of the line, the clerk (Frank Nelson) is confused as to why Liz is exchanging a present BEFORE Christmas!  He sarcastically tells her she should exchange the red dress for a black one and give it a henna rinse!  

Miller’s Department Store is mentioned in “Husbands Are Sloppy Dressers” (S3;E1) and “The Two Mrs. Coopers” (S3;E7). 

LIZ: “Oh, I’ll bet you’re a scream when you get out your chicken inspector badge.” 

Lucille Ball started coloring her hair with Henna Rinse (an Egyptian hair dye) in 1942 for the film Du Barry Was a Lady, to set herself apart in Technicolor movies. Irma Kusely, Ball’s hairstylist, later said that Ball had a safe of it in her garage!  In “Pioneer Women” (ILL S1;E25) in 1952, Fred Mertz struts around and proudly declares “I am the chicken inspector!” This is 1920s slang for a man who has an eye for young woman. He even wears a novelty badge!

Liz rushes home to tell Katie she exchanged the red dress for one in Kelly green. George calls to tell Liz that he is bringing his mother home to give her a Christmas present before she goes to Aunt Bessie’s!  Liz realizes that this is the dress that she just exchanged.  

Liz rushes back to Miller’s to be greeted by the same sarcastic clerk, who can’t understand why she wants yet another exchange.  

Back at home, Liz tells Katie she successfully re-exchanged the green dress for the red one. Katie tells Liz that she finished knitting the sweater for her and has tucked it into the desk drawer. 

George and his mother come home and Liz gives her the present - only to find out from George that the gift she handed Mother is for her, not Mother Cooper!  While George is getting his mother’s REAL present, Mother Cooper asks Liz how the sweater is coming along. Liz opens the desk drawer and Mother Cooper accuses her of buying the sweater not making it. 

As she’s getting into the taxi, George notices a piece of yarn leading from the taxi, up the sidewalk and into the desk!  Mother Cooper has secretly taken the sweater so as not to be upstaged by Liz. Now the sweater has unraveled, leaving only two inches on the needles!  

END OF EPISODE

Announcer Bob LeMond reminds listeners to watch for Lucille Ball in the Columbia Picture Miss Grant Takes Richmond.