#oscar nominated shorts live action

[awardseasonblog]

(via Previsioni Oscar 2024: Miglior cortometraggio)

[livlaughloveluke]

𝐬𝐨𝐦𝐞𝐭𝐡𝐢𝐧’ 𝐬𝐭𝐮𝐩𝐢𝐝- 𝐣.𝐜

𝐬𝐮𝐦𝐦𝐚𝐫𝐲: jack says something stupid at an oscars afterparty

𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬: very jealous jack

𝐚/𝐧: inspired by the song “somethin’ stupid” by frank sinatra (great little oldie) also lmk if you can spot the community reference!🤭

(can we talk about how good olivia rodrigo looks in that dress?!?)

p.s - im sorry this was so short and if you requested something im working on it right now

your makeup artist finished her final details, and you slipped into your gorgeous shimmery dress. 

you were going to the oscars, for a new hit rom-com movie that you stared in had been nominated multiple times. the whole cast stayed in the same hotel, and were riding in a limo together to where it was hosted. 

jack played your love interest, and lets just say you had grown very fond of him during filming. truth was, you had a massive crush on the boy. he had ignored your many obvious hints, so you assumed he just didn’t like you back. 

however, jack was just oblivious to your signs. he had convinced himself that you just had a friendly personality, and that you would never like him like how he liked you. you could have anyone, so why would you choose him? 

you were a talented and attractive actress, so it was no surprise that you had a couple fanboys. well, a little more than a couple. millions of people worshiped you, and although you loved being popular, it could be a lot to handle. 

the sound of someone knocking interrupted your thoughts, and you went to go open your door. 

it was jack, looking as handsome as ever. he greeted you with a smile, and you mirrored his actions.

“you ready? everyone is about to leave.” jack asked, and you nodded and grabbed your purse. the car ride to the venue was filled with laughter and excitement. some rumors were spreading about you winning best actress for the movie, and you were overjoyed. 

jack was shockingly disappointed. he wanted you to win, and you deserved it for your incredible performance. however, he knew this award would only increase your fame, which meant his chances with you only lowered. 

the show went on, and not only did your movie win best romantic movie, but you also won best leading actor. it was amazing, and you felt so honored. after the whole ceremony, you and the rest of the cast headed to an afterparty that was hosted by another celebrity.

it was gorgeous, very elegant and formal. hundreds of famous actors and actresses roamed the large building. 

“care for a dance, m’lady?” jack asked, and you giggled at his expression.

“why of course, m’lord.” you respond back, and he grabs your hand, leading you to an empty spot on the tile floor. you danced together as a vintage song played in the background.

even in this ethereal situation, jack still was disappointed. he put on a smile, but in reality, he knew there was a chance you be leaving with another man. he pushed passed his dark thoughts, and tried to enjoy this dazzling moment. 

the evening only got later, and a guests starting clearing out. a few still remained, but the once lively house now seemed much more empty.

you and jack had an excellent night, and the both of you decided to start exploring around the mansion. you spotted a gorgeous isolated balcony, and hurriedly opened the glass doors to outside.

the view was unreal, and the cool crisp air added on to the spectacular sight. jack stood next to you, and was caught in a haze by your beauty.

he knew he had to confess, and soon. your perfume fills his head, and all his negative thoughts crumple as words start to spill out.

“i love you. or-uhm im in love with you.” 

you looked at him wide eyed and shocked, unsure of what to say. you try to form words but all that comes out is a stutter filled jumble of incoherent nonsense. 

“i’m sorry, oh god that was so stupid. I totally spoiled this night for you. i can ju-“ jack starts, but you cut him off.

“i’m in love with you, too. just was a little caught off guard.” you giggle, and the whole mood lightened. jack smiled, a true genuine smile, for the first time in a while. 

“you know, i’ve been practicing my confession every day for weeks now, and i totally forgot to say it.” he says, cracking a laugh.

“maybe another time. how about we head back to the hotel?” you respond. jack links arms with you, and you leave, happy jack said something stupid.

taglist-@nowitsmissing, @nikoschrissis, @lvndryyhoe, @ieattoesforbreakfqst, @sevenheavxns, @wonderstruck4llthew4yhome, @imkillmyselfxoxo, @lumaxstans-blog, @ilovejackchampionnn, @hyeyulove, @jackchampiongf13, @sebastiansallowsgf

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[elennemigo]

Wes Anderson adaptation of The wonderful story of Henry Sugar just got nominated for an Oscar, in the category Live Action Short Film!

Congratulations! 🍾🎆🎇🥂

[doyouknowthisactor]

By "roles" I mean playing a different character, and in a different piece of media; someone playing one character across a franchise only counts as one thing for the purposes of this poll, as does playing multiple characters in one franchise/piece of media

As roles only consider acting work, and not other things such as non-acting music performances

Below are some of this actor's roles. Please only check after voting!

Sound of Metal as Ruben Stone (Oscar nomination)

The Night Of as Nasir 'Naz' Khan (Emmy win)

Nightcrawler as Rick

Rogue One as Bodhi Rook

Ahmed won an Oscar in the live action short category, for The Long Goodbye

More roles

[the-monkey-ruler]

Great Sage 3036: Mech Wukong (2016) 大圣3036：机甲悟空

Country/Region of Production: Mainland China Also known as: Monkey King 3036: Mecha Wukong / 大圣3036之机甲悟空 Type: Reimanging

Summary:

Recently, at the award ceremony of the "Network Grand Ceremony" of the China International Youth Film Festival held in the South Square of the Beijing Bird's Nest, the 3D online movie "Monkey King 3036: Mecha Wukong", jointly produced by Zhenjiang Weiler Information Technology Co., Ltd. and the School of Art of Jiangsu University, stood out from more than 400 online movies and won the Best IP Adaptation Award. This film is the first 3D animated online movie in China.

At the award ceremony of the "Network Grand Ceremony" of the China International Youth Film Festival, 68 crews attended, representatives from 363 film and television companies participated, and 180 independent filmmakers came to the scene, which shows how fierce the competition is. When the film's instructor Liu Qingli and director Zhao Fei learned the news of the award, they could hardly believe it. Because they knew that the competition was too fierce, the producers did not send representatives to the scene even though they learned that the work was among the five online movies nominated for the "Best IP Adaptation Award". Zhao Fei said that from a student short film that won the Beijing Film Academy Award to the first 3D animated online movie in China, from image design to concept map to the overall environment structure, the hardship can be imagined.

In 2014, Zhao Fei, who graduated from the Animation Department of Jiangsu University School of Art, won the Beijing Film Academy Award for a 6-minute animated short play "Big Talk Wukong". This award can be said to be the "Oscar Award" for domestic 2D and 3D animated short films. Because of this, this animated short film was favored by Beijing Yixing Bona Film and Television Company, which invested money to adapt it into a 60-minute online movie, and the production party is still a team from Zhenjiang.

Since then, the 15-person production team in Zhenjiang has begun the arduous production process. From adaptation to production, it took more than a year, and the production cost alone reached more than 1 million yuan. According to the production team of "Monkey King 3036: Mecha Wukong", the cost of a live-action online movie in China is about 300,000 yuan. They spent so much effort on production mainly because investors took a fancy to the booming domestic film market. In this regard, Liu Qingli made a comparison. The 3D animation blockbuster "The Return of the Great Sage" produced in China last year took 8 years, was 90 minutes long, and was produced by 5 production companies. In comparison, "Monkey King 3036: Mecha Wukong" was completed by a 15-person production team in more than a year, which is relatively efficient. Liu Qingli said that his dream is to make a big movie in the theater like "The Return of the Great Sage", suitable for the "all-age" tastes of children and adult audiences, which is the next goal of their team.

Source: https://movie.douban.com/subject/26894695/

Link: N/A

[demifiendrsa]

Star Wars: Visions volume 2 will stream on Disney+ on May 4, 2023.

Volume 2 shorts:

Title: “Sith”

Studio: El Guiri

Writer-director: Rodrigo Blaas

Rodrigo Blaas is an Emmy Award®-winning director who has spent more than 20 years in animation. After co-founding Stromboli Animation in 1997, Blaas joined Blue Sky Studios in 2000, working on the feature film Ice Age, before transitioning to Pixar Animation Studios. There, he worked on such projects as Finding Nemo (2003), The Incredibles (2004), Ratatouille (2007), and Wall-E (2008) and on the Oscar®-nominated short film La Luna (2011). More recently, Blaas partnered with Guillermo del Toro to develop the award-winning series Trollhunters, served as creative director for Mikros Animation Paris and, in 2021, created El Guiri Studios in Madrid with his partner, Cecile Hokes. He also wrote and directed 2009’s award-winning short film Alma.

Title: “Screecher’s Reach”

Studio: Cartoon Saloon

Director: Paul Young

Paul Young is a co-founder of Cartoon Saloon, an IFTA winner and Oscar®, Emmy® and BAFTA nominee. He produced the animated features My Father’s Dragon, WolfWalkers, The Secret of Kells, Song of the Sea, and The Breadwinner as well as award-winning TV series including Puffin Rock, Dorg Van Dango, and Viking Skool.

Title: “In the Stars”

Studio: Punkrobot

Writer-director: Gabriel Osorio

Gabriel Osorio majored in Fine Arts at Universidad de Chile, later specializing in 3D animation. After working in commercials, movies and television series, he founded Punkrobot Studio. Since 2008, he has directed projects for children’s television including Flipos, Muelin y Perlita, Soccer Girls, and television spots. In 2016, his short film Bear Story became the first Latin American project to win an Oscar® in the animated short category.

Title: “I Am Your Mother”

Studio: Aardman

Director: Magdalena Osinska

Magdalena Osinska is an award-winning director who has been with Aardman for eight years. She has directed stop-motion, CGI, 2D and live-action commercials including Wallace & Gromit’s “The Great Sofa Caper” and “Share the Orange.” Osinska directed development of the children’s series Joyets and has also directed films including Spirits of the Piano and Zbigniev’s Cupboard. A graduate of the National Film and Television School in Beaconsfield, UK, as well as the Polish Film School in Lodz and Art College in Warsaw, Osinska is currently developing the feature film Jasia, based on her grandmother’s memories of WWII Poland.

Title: “Journey to the Dark Head”

Studio: Studio Mir

Director: Hyeong Geun Park

Rising star Hyeong Geun Park had already made a name for himself when he entered the Korean animation industry in 2017, thanks to his strong drawing and animation sensibilities. He has directed animation for dozens of cinematic game trailers and has since expanded into animated series, working on projects including Dota: Dragon’s Blood: Book 3 (2022) and Lookism (2022). Journey to the Dark Head is the first title he has executive produced from start to finish.

Title: “The Spy Dancer”

Studio: Studio La Cachette

Writer-director: Julien Chheng

Julien Chheng is CEO of Studio La Cachette, an Emmy Award®-winning French animation studio he co-founded in 2014 with fellow Gobelins school’s alumni Oussama Bouacheria and Ulysse Malassagne. Chheng was trained in visual development at Disney and has worked as a character animator on acclaimed 2D animated features The Rabbi’s Cat, Mune, and the Academy Award®-nominated Ernest and Celestine. In 2021, he won an Emmy Award® as animation executive producer of Genndy Tartakovsky’s Primal, for which he also served as animation supervisor. In 2022, Chheng directed with Jean-Christophe Roger the Cesar-nominated feature Ernest and Celestine: A Trip to Gibberitia.

Title: “The Bandits of Golak”

Studio: 88 Pictures

Director: Ishan Shukla

Ishan Shukla started his career as a CG artist in Singapore. For more than a decade, he spearheaded projects ranging from TV commercials to series and music videos. His 2016 animated short, "Schirkoa," was long listed for the Academy Awards® after receiving dozens of awards and playing at 120 international festivals, including SIGGRAPH Asia where it was named Best in Show. He then set up his own animation studio to work on adult-oriented animated feature films including a feature-length version of Schirkoa, set to hit festivals in summer 2023.

Title: “The Pit”

Studios: D’art Shtajio and Lucasfilm Ltd.

Writer-director-executive producer: LeAndre Thomas

Co-director: Justin Ridge

LeAndre Thomas is an award-winning writer and director from Oakland, Calif., whose most recent film won Best Director at the Pasadena International Film Festival. In addition to his independent films, Thomas is a part of the franchise studio team at Lucasfilm Ltd. where he has worked for more than 11 years being credited on recent titles such as Light & Magic, The Mandalorian, Obi-Wan Kenobi, Star Wars: Tales of the Jedi, and many more.

Justin Ridge executive produced the Emmy®-nominated series Star Wars Resistance. His credits also include Star Wars Rebels, Storks, The Cleveland Show, Star Wars: The Clone Wars, and Avatar: The Last Airbender.

Title: “Aau’s Song”

Studio: Triggerfish

Writer-directors: Nadia Darries and Daniel Clarke

Nadia Darries is a director, animator and co-founder of Goon Valley Animation, with an avocation for songwriting. Born in the Cape Flats in South Africa, Darries has worked on high-end animated film and motion design as an animator, project manager, creative director and director since 2015. Her experience includes animating at Triggerfish Animation Studios on the award-winning BBC films Stick Man, Revolting Rhymes, and Highway Rat.

Daniel Clarke is a Cape Town-based director and artist working in animation, film and illustration. He started his career in animation in 2008 at Triggerfish Animation Studios, where he has served as production designer, art director and director on projects such as the feature film Khumba, BBC’s Stick Man, and The Snail and the Whale. In 2018, along with James Clarke and Daniel Snaddon, he completed the graphic novel Kariba.

[oswlld]

oswlld's monthly wrap up: march

note: i am trying something a bit different this year, so bear with me as i figure out how i want to format this. i wanted to spend more time sharing what i consume, beyond what i rb, and put my thoughts in one place. these posts are okay to rb

--

When We Cease to Understand the World, Benjamín Labatut [started 02/24, finished 03/14] What an outstanding example of blurring the lines between fiction and reality. I am content in never knowing what’s real and imaginary in the lives of these people. May we never forget that for every new idea challenged, there is a real person with real emotions and motivations behind it. 4.25⭐️ in storygraph. — No Stopping Us Now: A History of Older Women in America, Gail Collins [started 03/03, finished 03/30] This book makes some strong points, but comes off weak in its execution. By having it be told decade by decade, it becomes hard to follow along when so many names and events are being tossed around. Without a firm thread tying all the themes together, the achievements ended up feeling lackluster when it should leave you feeling a sense of pride and hopefulness. 3.25⭐️ in storygraph (I rounded up, but it feels more like a 3.15)

23.5 Degrees, GMMTV [started: 03/08, ongoing] What a breath of fresh air!! With my busy schedule, I managed to catch the first two eps and I’ve loved every minute of it. It doesn’t take itself too seriously, while still keeping a tight grip on its sense of identity. The series soaks up every aspect of its space theme like a sponge. Content specifically made for me, tysm! As much as I have tried refraining from consuming more high school settings, I couldn’t help but be enamored by what I have seen so far. I have paused this series for now, but hopefully I’ll be caught up before the end of April. I should be able to watch it live on Fridays in May. Until then, I will miss them dearly! — Always a Witch, Netflix [started 03/28, in progress] At this time, I have only seen episodes 1-5. So far, it’s a very straight-forward series. I am restraining myself from calling it predictable, because there are one or two things that really turns some tropes/themes on its head. But all-in-all, I am still waiting for this show to grab me. For a show that checks all the boxes that really makes a core jessi show, a series with time travel, magical realism, and found family, it has yet to completely sweep me away. Time really got away from me this month, but I will finish this series sometime in the next two weeks. We shall see if the latter half gets better.

Taylor Swift: The Eras Tour (Taylor’s Version) [watched 03/15 thru 03/18] I have seen this live and did see the original film in theaters last year, so this experience was more of a rewatch. This time around, my parents wanted to watch some of it with me so we made a whole evening of it on 3/15 so that was really neat. I will be traveling a lot in April and will be taking an audio copy of this to keep me entertained. — Oscar Nomination Season [started 02/17, ended 03/24] All of my initial reactions of what I managed to cover this Oscar season is in this post. Some of the strongest categories I have had the pleasure of covering this year were the Best Documentary (feature), Best Production Design, Best Live Action Short, Best Documentary (short), and Best Animated Film. I have several more films to tackle later this year, but my overall impression this Oscar season was just alright. One or two films have hit an extremely high note for me, but no worst of the worst.

BEYONCÉ, Beyoncé [relistening] During the pandemic, I really got into waching YT reaction channels reacting to full albums. One of my favorites is HTHaze and he is only beginning his listening journey through Beyoncé’s discography (yes, for the first time!) His reaction to Beyoncé’s self-titled made me want to relisten to it in full for the first time in years. I tend to only revisit a few songs through the years, but I do love going back to albums after time has past to recontextualize everything all over again. I’ve had my longtime faves from my 20’s but in my mid-30’s, the songs that hit harder now are: Pretty Hurts, Haunted, and Jealous. — Bewitched, Laufey [first time listening] The same YT channel got me to listen to this album. I am guilty in having my first listen be through his video first before diving into her album properly. With that said, the brain rot went FULL ROT. I love LOVE her compositions. Having learned from her Tiny Desk that getting a grand piano influenced the way she wrote her songs makes the whole conception so much grander. Her voice is soooo, it’s SOOOOO !!!!!!! I read a comment somewhere that her dream is to rejuvenate jazz the same way Taylor Swift did with country for a younger generation and that really spoke to me. I truly believe she is heading in the right direction in achieving that. My favorite run of songs goes from: Haunted, Must Be Love, While You Were Sleeping, Lovesick, California and Me, Nocturne (Interlude), and Promise. Those seven songs in that succession is so GOOD, ahH! — Once the Musical [relistening] Every spring, I fall into a Once spiral and it just gets deeper and deeper. This time though, I only tackled the core faves on YT rather than committing to the full audio (w/ Arthur Darvill and Joanna Christie). Although Arthur Darvill’s Leave will forever solidify his Guy as my Guy, Declan Bennett is The Guy of Guys for me. My mandatory relistening experience always goes: Arthur’s Leave, Arthur’s Say It To Me Now, Declan’s Say It To Me Now, Declan’s When Your Mind’s Made Up, Zrinka's If You Want Me, Once’s Spotify Jam Session. And it would all be on a loop lol. — Cowboy Carter, Beyoncé [first time listening] This is still fresh in my mind, having only listened to it in its entirety once through. My first impression is that it’s one of her most cohesive albums to date. Having had the first taste of what she would eventually achieve all the way back with Lemonade and The Gift, Cowboy Carter feels like a natural progression in her discography. I don’t have a top songs list to provide at this time, as I would need more time with the album. Fav songs come with time. Although, I did listen to 16 CARRIAGES when it was released several weeks ago and I knew then it would be a spectacular album. What a phenomenal single to lead a phenomenal homecoming.

Where’d You Go Bernadette, written by Maria Semple and narrated by Kathleen Wilhoite [started 03/22, finished 03/29] I… I didn’t like this. And that’s alright. Even if I didn’t like the premise or the characters, I did enjoy the format of the narrative and the narrator (especially her singing!!). But in the end, this was just not meant for me.

—

As it is still March when I am writing this, I wanted to endcap Women’s Month with a special shoutout to two women in my life that have been working with me to improve my overall well-being: Wendy (personal trainer) and Sofia (life coach). I am in a better headspace because of the work and trust they have in me to build a life I want. I cannot wait to see what I am capable of this time next year.

[hustledimension]

The Cast of The Road to El Dorado

From here

KEVIN KLINE (Tulio) has been honored for his work on the stage and the screen. He won an Academy Award for Best Supporting Actor for his role in the comedy "A Fish Called Wanda." More recently, he was recognized with the IFP’s Gotham Award for "The Ice Storm," and a Golden Globe nomination for "In & Out." He had previously received Golden Globe nominations for his performances in "Dave," "Soapdish" and "Sophie’s Choice."

Kline is a two-time Tony Award winner for his work on Broadway in "The Pirates of Penzance" and Hal Prince’s production of "On the Twentieth Century." He also garnered Drama Desk Awards for both productions.

A graduate of the Juilliard School of Drama, Kline is a founding member of John Houseman’s The Acting Company, with which he made his Broadway debut in Chekov’s "The Three Sisters." His additional theatre credits include "Arms and the Man" and "Loose Ends," both at Circle in the Square; the title role in Chekov’s "Ivanov" at the Lincoln Center Theatre; the title role in the 1986 and 1990 productions of "Hamlet" at New York’s Public Theatre, the latter of which he also directed, both for the stage and again for PBS’ Great Performances series; and the New York Shakespeare Festival presentations of "Richard III," "Henry V," "Much Ado About Nothing" and "Measure For Measure."

Kline made an auspicious feature film debut in Alan Pakula’s "Sophie’s Choice," opposite Meryl Streep. He then joined the ensemble cast of "The Big Chill," which began his long association with writer/director Lawrence Kasdan. They have since collaborated on "Silverado," "I Love You to Death," "Grand Canyon" and "French Kiss." Kline’s other film credits include "A Midsummer Night’s Dream," "Wild Wild West," "Fierce Creatures," the voice of Captain Phoebus in the animated musical "The Hunchback of Notre Dame," "Looking for Richard," "Princess Caraboo," "Chaplin," "Cry Freedom" and the screen version of "The Pirates of Penzance."

KENNETH BRANAGH (Miguel) is an award-winning actor, director, writer and producer. He adapted, directed and starred in 1989’s "Henry V," which brought him dual Academy Award nominations for Best Actor and Best Director and for which he won BAFTA and National Board of Review Awards for Best Director. He was more recently Oscar-nominated for Best Adapted Screenplay for the 1996 release "Hamlet," which he also starred in and directed. Branagh also received a SAG Award nomination for Best Supporting Actor for his role in "Othello," and produced, adapted, directed and starred in "Much Ado About Nothing," which earned an Independent Spirit Award nomination for Best Feature. His upcoming film credits include a musical version of Shakespeare’s "Love’s Labour’s Lost," which he adapted, directed and stars in.

In addition, Branagh directed and starred in "Mary Shelley’s Frankenstein," which he also produced, "Peter’s Friends" and "Dead Again." His other credits as an actor include "Alien Love Triangle," "Wild Wild West," Robert Altman’s "The Gingerbread Man," Woody Allen’s "Celebrity," "The Theory of Flight," "Swing Kids," "A Month in the Country" and "High Season." He also narrated the Oscar-winning documentary "Anne Frank Remembered," and, in 1993, received an Oscar nomination for Best Live Action Short for "Swan Song." That same year, he was honored with the British Academy’s Michael Balcon Award for Outstanding Contribution to Cinema.

Born in Belfast, Northern Ireland, Branagh studied at England’s Royal Academy of Dramatic Arts, and made his professional stage debut in "Another Country." Joining the Royal Shakespeare Company, he was seen in such plays as "Love’s Labour’s Lost," "Hamlet" and "Henry V" before leaving to form his own successful theatre company. His other stage work includes sold-out productions of "Hamlet," "King Lear" and "A Midsummer Night’s Dream."

ROSIE PEREZ (Chel) received an Academy Award nomination and a Golden Globe nomination for her work opposite Jeff Bridges in Peter Weir’s "Fearless." She was discovered by Spike Lee, who cast her in "Do The Right Thing," and she subsequently starred in such films as Ron Shelton’s "White Men Can’t Jump," Jim Jarmusch’s "Night on Earth," Tony Bill’s "Untamed Heart," Andrew Bergman’s "It Could Happen to You," Alexandre Rockwell’s "Somebody to Love," Seth Zvi Rosenfeld’s "A Brother’s Kiss" and Nancy Savoca’s "The 24 Hour Woman," which she also co-produced. She will next be seen starring opposite John Leguizamo in Seth Zvi Rosenfeld’s "King of the Jungle."

Perez began her career as a choreographer for such artists as Bobby Brown, LL Cool J and Diana Ross. She went on to choreograph and direct the Fly Girls on Fox TV’s "In Living Color."

She made her first foray into producing with "Rosie Perez Presents Society’s Ride," which ran as three parts on HBO. She conceived and executive produced "Subway Stories," an anthology of short films by prominent and new directors, which also aired on HBO. Most recently, Perez entered into a unique deal with Artists Television Group (ATG) to develop, star in and executive produce a television comedy series.

ARMAND ASSANTE (Tzekel-Kan) has most recently been recognized for his work in a number of acclaimed network and cable projects. He won an Emmy Award and garnered Golden Globe and SAG Award nominations for his portrayal of John Gotti in the HBO movie "Gotti." He also earned a Golden Globe nomination for his performance as Odysseus in the miniseries "The Odyssey," and both Emmy and Golden Globe nominations for his work in the miniseries "Jack the Ripper." Most recently, Assante starred as the Confederate commander of the first submarine in TNT’s true-life Civil War drama "The Hunley."

On the big screen, Assante received a Golden Globe nomination for his work in Sidney Lumet’s "Q&A," and won a Special Jury Prize at the USA Film Festival for his performance in the title role of "Belizaire, The Cajun." Among his additional film credits are "Striptease," "Judge Dredd," "Trial by Jury," "The Mambo Kings," "Hoffa," "1492: Conquest for Paradise," "The Marrying Man," "I, the Jury," "Little Darlings," "Private Benjamin" and "Paradise Alley."

A native New Yorker, Assante graduated from the American Academy of Dramatic Arts. He made his professional acting debut on the stage in "Why I Went Crazy," under the direction of Joshua Logan. His subsequent stage credits include the Broadway productions of "Boccaccio," "Comedians," "Romeo and Juliet" and "Kingdoms."

EDWARD JAMES OLMOS (The Chief) has received honors for his work in films and on television. He garnered both Academy Award and Golden Globe nominations and won an Independent Spirit Award for his portrayal of inspirational teacher Jaime Escalante in "Stand and Deliver." He more recently earned acclaim for his role in Gregory Nava’s biopic "Selena," in which he starred as the Tejano singer’s father. He had previously worked with Nava in the film "My Family/Mi Familia."

On the small screen, Olmos won a Golden Globe Award and earned an Emmy nomination for his performance in the HBO drama "A Burning Season." He had earlier collected his first Golden Globe for his starring role in the series "Miami Vice." This season, Olmos appears in the recurring role of Judge Mendoza on the new series hit "The West Wing." He has also starred in such longform projects as "Bonanno: A Godfather’s Story," "The Taking of Pelham One, Two, Three," "12 Angry Men," "Hollywood Confidential," "Dead Man’s Walk" and "Menendez: A Killing in Beverly Hills."

Born and raised in Los Angeles, Olmos first gained attention for his performance in the Broadway musical "Zoot Suit," for which he received a Tony Award nomination. He later recreated his role in the film adaptation. His film credits also include "Wolfen," "Blade Runner," and five films for director Robert M. Young: "The Ballad of Gregorio Cortez," "Saving Grace," "Triumph of the Spirit," "Talent for the Game" and "Caught."

In 1992, Olmos made his feature film directorial debut with "American Me," in which he also starred. He also executive produced the award-winning documentary "Lives in Hazard," which addressed gang prevention.

[dweemeister]

Best Animated Short Film Nominees for the 96th Academy Awards (2024, listed in order of appearance in the shorts package)

This blog, since 2013, has been the site of my write-ups to the Oscar-nominated short film packages – a personal tradition for myself and for this blog. This omnibus write-up goes with my thanks to the Regency South Coast Village in Santa Ana, California for providing all three Oscar-nominated short film packages.

If you are an American or Canadian resident interested in supporting the short film filmmakers in theaters (and you should, as very few of those who work in short films are as affluent as your big-name directors and actors), check your local participating theaters here.

Without further ado, here are the nominees for the Best Animated Short Film at this year’s Academy Awards. The write-ups for the Documentary Short and Live Action Short nominees are complete. Films predominantly in a language other than English are listed with their nation(s) of origin.

Yet again, this completes this year’s omnibus write-ups for the Oscar-nominated short films for the upcoming Academy Awards:

Our Uniform (2023, Iran)

Director Yegane Moghaddam used to be a primary school teacher in Iran and often “observed the students… struggling with their uniforms and headscarves all day.” These observations informed her film and narration in Our Uniform, which won Best First Film at Annecy (the largest animation-only film festival, in the French Alpine resort town of the same name) in 2023. Only the fourth ever non-Western/European and non-Japanese nominee in this 92-year-old category – following 2014’s Bear Story (Chile; that year's winner), 2020’s Opera (South Korea) and 2021’s Bestia (Chile) – Our Uniform adopts a unique style never before seen in this category. Instead of traditional cel animation with ink and paper or computers, Moghaddam nearly single-handedly painted images directly on clothing fabrics (pants, jackets, shirts, scarves – all from her personal wardrobe) to illustrate the memories her narration shares. These memories, of attending public school in Iran, invariably intersect with Iran’s theocratic politics. There are references, never pedantic, about government propaganda as part of the school curriculum, and the segregation between boys’ and girls’ education. Most vividly, Moghaddam remarks on the restricting school uniform and compulsory hijabs for girls at school, issues which enflamed protests against such laws beginning in 2017 (and spiking after the death of Mahsa Amini in 2022).

Moghaddam, who cites graphic novelist/director Marjane Satrapi (2007’s Persepolis, 2011’s Chicken with Plums; the former I consider among the finest animated films of this young century) as her primary artistic inspiration, curiously does not contain as much messaging in her film as one might expect. As an Iranian citizen who currently has no plans to officially distribute the film within her home nation due to fear of retribution, how could she? But the film’s slightness cannot distract from its painstaking, loving artistry. Without relying on inventive camerawork, Moghaddam uses the natural pockets and folds of her clothes to suggest dimension and personality. To Moghaddam, all clothing has a personality and personal history to the wearer, even compulsory clothing, all of which she uses to wonderful effect. What originally began as a fun side project that Moghaddam had no expectations for gifts audiences a truly original viewing experience.

My rating: 7.5/10

Letter to a Pig (2022, Israel/France)

Qualifying for the Academy Awards after winning the Grand Prize for Best International Short Film at Anima, the Brussels Animation Film Festival, in early 2023, Nal Kantor’s Letter to a Pig sees a Holocaust survivor retelling a story of survival to a group of largely disinterested and scornful teenagers. As the elderly man recounts how he wrote a letter to a pig that inadvertently saved his life, a handful of students start insensitively snorting. Quietly, Letter to a Pig adopts the standpoint of one of the girls in class, half-listening at first. Here, Kantor seamlessly switches between the man’s memories and the reality of the classroom, through heavy rotoscoping to outline her figures, mixing it with live-action footage for the limbs or eyes, but only using a few ink scribbles to outline facial features and hair. Generally, the more movement either the schoolgirl or Holocaust survivor show, the more scribbles and live-action footage that appear. For all other figures, they remain mostly abstract.

As a young man, the Holocaust survivor recalls how filled with rage he was, long after his near-death encounter. Now, physically unable to exact retribution on those who harmed him, he tells the students “you are my revenge” – passing along his trauma to those not realizing what they have just received. The schoolgirl’s vision in the surrealistic final minutes is her absorption of the Holocaust survivor’s story. This masterfully drawn finale is the emotional apex of Letter to a Pig, fully justifying its black-and-white palette (with one exception: pink for the pigs, considered an impure animal in Judaism) in service for its profound sense of dread. Symbolizing memory, the pig appears throughout the film as a savior, a monster, or something worthy of mockery, depending on who is on screen. It is in these final moments Letter to a Pig leaves the audience with pressing questions. Can one impart painful memories without the trauma that gives such memories form? Most urgently, can we choose not to act on the trauma we inherit? May it be possible not only in dreams.

My rating: 8.5/10

Pachyderme (2022, France)

Stéphanie Clement’s Pachyderme, like Letter to a Pig, is an unsettling short film that delves deeply into the mind of a troubled character. In this film, a young woman named Louise (Christa Théret) recalls her days visiting her grandparents in Provence (southeastern France) during her childhood. The sun-bathed rural landscape is picturesque, the grandparents’ house gorgeously stylized. Beyond this, some of Louise’s recollections feel incomplete, with no apparent structure or chronology. That might read as a criticism, but Clement and screenwriter Marc Rius fully intend for Pachyderme to seem fragmented. The film strongly implies – and some viewers will pick this up earlier or later than others – that the grandfather sexually abused Louise. In reaction, Louise, while recounting her memories for the audience, has repressed her memories and is showing signs, in her narration and in her visual recollections, of disassociation. I do not recall ever seeing disassociation, a common symptom of those who have been sexually abused, portrayed as cinematically as seen in Pachyderme. It is best exemplified, metaphorically, in the scene where our protagonist disappears into the wallpaper (this scene was originally the first bit of test footage made for the film).

But perhaps there is no better visualization of all Pachyderme has to say than the moment where Louise’s grandfather notices her index finger bleeding. He grasps her hand, and his hands dwarf hers. The simultaneity of Pachyderme’s picture book visuals and its horrifying implications show the viewer a woman who has not fully processed what has happened to her. It is not helped by the defensiveness of Louise’s grandmother following the grandfather’s death. Family denial, too, is playing a role in how Louise is choosing, consciously and subconsciously, to remember the past. In its eleven minutes, Pachyderme passes in a dreamlike haze, its illusory moments enabling the viewer to more closely connect to Louise’s (both the young adult narrating the film and the child on-screen) feelings. Unlike many nominees in Best Live Action Short Film down the years that addressed childhood trauma (it's a long-running trend for that category), Pachyderme prioritizes healing in as cinematic a way as possible.

My rating: 8.5/10

Ninety-Five Senses (2023)

If the names Jared and Jerusha Hess are familiar, that is because this husband-and-wife directorial team also made Napoleon Dynamite (2004) and Nacho Libre (2006). Some of those same comedic sensibilities carry over to Ninety-Five Senses, which qualified for the Academy Awards by winning Best Animated Short at the Florida Film Festival in 2023. The film features an old man named Coy (Tim Blake Nelson, a Coen Brothers regular whose voice fits the narrative here) reflecting back on life – a reverie that jumps, hops, and skips across time and place. At first, Ninety-Five Senses, with its wildly shifting style changes, does not seem to have much of a point or purpose. But the film gradually reveals itself: first through the subtle shading of what appear to be prison bars and, later, the mountain of discarded food cartons sitting on the table in front of Coy. We soon realize that Coy is in the final hours or minutes of being on death row, and he is describing to the audience his internal peace before he meets his fate.

Ninety-Five Senses is not here to make a point about capital punishment, incarceration, or the terrible actions that landed Coy in prison. Foremost, this is a film that attempts to capture the last gasp of humanity of an individual before their execution. In contrast with the drab grays whenever Coy is seen in his cell, his flashbacks are intense – a fount of color, with both crude and elegant character designs, hand-drawn and computer-generated (sometimes appearing side-by-side). Not every vignette – of which there are five, one for each human sense – showcases as much aesthetic excellence as the others, such as an early instance where Coy recounts his childhood. That vignette does not evoke the respective human sense it covers as well as it thinks it does; the art style of that vignette also recalls hand-drawn television animation, but flows too smoothly to exactly replicate it. In any case, this is a promising first foray into animated film for the Hesses.

My rating: 8/10

War Is Over! Inspired by the Music of John and Yoko (2022)

War Is Over! (you cannot make me write or say the full title ever again) has the basics of a promising animated short film. Yet its simplistic take on humanity and warfare and close association with John Lennon and Yoko Ono’s “Happy Xmas (War Is Over)” condemns the film as pure hogwash. On second thought, I retract “hogwash”. That is an insult to Letter to a Pig and to porcine animals. This is self-congratulatory treacle from director Dave Mullins and co-writer Sean Ono Lennon (the son of John and Yoko). In a supposedly alternate World War I reality, a pigeon delivers messages between an Allied and a Central Power soldier on opposite sides of No Man’s Land. The messages contain chess notation, as they, somehow, began a game of chess with each other without ever meeting. One day, at presumably Christmas, the two armies inexplicably charge toward each other and, amid gunfire and a mass mêlée that should leave many more soldiers dead than shown, our two soldiers encounter each other on the battlefield in combat shorn of its gruesomeness.

Despite the film using the Unreal Engine for its animation, I admire the film’s lighting effects, character movements, pigeon animation, sound effects, and art direction for the otherwise sanitized trenches. That may be all the positives I can offer.

The contrived scenario sinks even further when our two chess-playing soldiers discover a critical message from their pigeon messenger. Cue the second-most embarrassing needle drop among this year’s fifteen short film nominees (somehow, the closing moments of The After are worse than this). Unlike The After, War Is Over! feels as if constructed around its respective song. Is this now a glorified music video? In an instant, the film reduces the tragedy of the Great War to something akin to a soft drink commercial or that “Imagine” video (could we stop disrespecting John Lennon and his fellow Beatles?). The sanitized depiction of war and farfetched resolving actions undercut the film’s message, embarrassing itself as it lurches through its excruciating final minutes. That the first credit in the end credits read “music and message by John and Yoko” rather than director Dave Mullins leaves an even more sour taste. At the heart of War Is Over!, Mullins and Sean Ono Lennon want us to know that war is bad. I never could have guessed!

My rating: 4/10

^ Based on my personal imdb rating. My interpretation of that ratings system can be found in the “Ratings system” page on my blog. Half-points are always rounded down.

From previous years:  85th Academy Awards (2013) 87th (2015) 88th (2016) 89th (2017) 90th (2018) 91st (2019) 92nd (2020) 93rd (2021) 94th (2022) 95th (2023)

Two other films played in this package as honorable mentions: Wild Summon (2023, dir. Karni Arieli and Saul Freed; 6/10) and I'm Hip (2023, dir. John Musker; 6/10).

For more of my reviews tagged “My Movie Odyssey”, check out the tag of the same name on my blog.

[iamaverysadbanana]

Oscars 2024 Nominations Thoughts (Part Two)

The Color Purple: Best Supporting Actress (Danielle Brooks)

Personally, I would have nominated Taraji P. Henson as Shug, but Danielle Brooks is a good choice. As for the film itself, I give it a solid 8/10. Also, I really need to watch the 1985 movie. (As for author Alice Walker's bigotry, we'll put a pin in that).

The Boy and the Heron: Best Animated Feature (Hayao Miyazaki and Toshio Suzuki)

Finally, some quality traditional animation! Please let this one win the Oscar. We need more 2-D animated films! I need to see this movie again so badly!

Nimona: Best Animated Feature (Nick Bruno, Troy Quane, Karen Ryan, and Julie Zackary)

Disney tried to kill Nimona and failed so spectacularly that the internet is rightfully clowning on them for it. I personally think Boy and the Heron should be the winner, but I will not be mad if Nimona gets it. (Side Note: A movie about Flamin' Hot Cheetos got a nomination for Best Original Song, and Disney Animation's 100th anniversary project got stiffed. That's fucking hilarious).

Spider-Man: Across the Spider-Verse: Best Animated Feature (Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller, and Amy Pascal)

Quick, who is the best Spider and why is it Hobie Brown? All kidding (and Spider-Punk worship) aside, this would have been my pick had it not been for Boy and the Heron's unexpected smash hit at the box office and my heart. Again, won't be mad if this one wins either.

The Wonderful Story of Henry Sugar: Best Live Action Short Film (Wes Anderson and Steven Rales)

Never has there been a more perfect pairing than Wes Anderson's directing style and Roald Dahl's witty prose. Case in point- Fantastic Mr. Fox is one of the best animated films of all time. I admit I haven't seen the other nominations in this category, so maybe take what I have to say about this particular film with a grain of salt. Still, I'll check out the other shorts on Netflix.

As for movies that got stiffed by the Oscars this year:

I am honestly so surprised that Saltburn got nothing this year. It didn't even get acting nominations! At the very least, I would have acknowledged Barry Keoghan for his brilliant performance as Oliver Quick. On the other hand, I understand why the Academy may not have wanted to touch this one with a ten-foot pole. There were times in the theater where I actually started laughing out of pure discomfort. Still, I wish Barry (and heck, Emerald Fennell for Best Director) got seats at the adult's table.

In any other year, Once Upon a Studio would have been nominated for Best Animated Short Film. Hell, it might have even won! But alas, this was Disney's annus horribilis, and the company had nobody to blame but itself. It's hubris was it's downfall in the eyes of the all-powerful Academy.

And that's all they wrote! See you at the movies!

[annislittleshopofhorrors]

They are trying to get Flite nominated for an Oscar in the Live Action Short Film category, so she might be asked to do something for it. Maybe he’ll be her date on the red carpet at the Oscar’s.

Is this a joke? (Please tell me this is a joke)

[battyaboutbooksreviews]

🗞️📖 Bookish News - February Edition

🦇 Extra, extra. Read all about it! 📖 Good evening, bookish bats! A lot happened in the publishing industry this month, but here are a few highlights you may have missed! Check below the cut for details.

Adaptations: 🗞️ Chloé Zhao will direct a film adaptation of Hamnet (Maggie O'Farrell) starring Jessie Buckley and Paul Mescal 📖 HBO is adapting Dark Places (Gillian Flynn) as a limited series. Flynn will serve as co-creator, writer, and co-showrunner 🗞️ FX has ordered a limited series adaptation of Say Nothing (Patrick Radden Keefe), directed by Michael Lennox 📖 Taika Waititi will direct an adaptation of Klara and the Sun (Kazuo Ishiguro), potentially starring Amy Adams and Jenna Ortega 🗞️ The Terror will base season 3 on The Devil in Silver (Victor LaValle) 📖 The Man in My Basement (Walter Mosley), directed by Nadia Latif, will star Anna Diop, Corey Hawkins, and Willem Dafoe 🗞️ Dark Matter (Blake Crouch) has a trailer 📖 America Ferrera's feature directorial debut for I Am Not Your Perfect Mexican Daughter (Erika Sánchez) is in development 🗞️ The adaptation of Turtles All the Way Down (John Green) will stream on MAX this year 📖 Hook’s Daughter: The Pirate Princess Chronicles (R. V. Bowman) is getting a live-action adaptation 🗞️ Interview with the Vampire (based on Anne Rice's novel) is getting a second season 📖 Percy Jackson and the Olympians is getting a second season 🗞️ Seven Days in June (Tia Williams) is being adapted for Prime Video 📖 The adaptation of A Gentleman in Moscow, (Amor Towles) will star Ewan McGregor 🗞️ The Color Purple movie musical will stream on MAX (Feb. 16) 📖 Hulu’s adaptation of A Court of Thorns and Roses was axed 🗞️ The Alex Van Helsing YA books are being adapted for a television series 📖 Ryan Reynolds and Paramount are working on an adaptation of Starter Villain (John Scalzi) 🗞️ A Short History of Nearly Everything (Bill Bryson) will be adapted as an animated TV series 📖 The trailer for the film adaptation of Wicked is up 🗞️ Netflix renewed Survival of the Thickest for season 2 📖 The cast for Marvel’s Fantastic Four has been announced (July 25, 2025) 🗞️ The trailer for the new X-Men animated series is up (Mar. 20) 📖 The Oscar-nominated animated film Nimona is now available to watch for free on YouTube! 🗞️ Reese Witherspoon is producing a film adaptation of Romantic Comedy (Curtis Sittenfeld) 📖 Photos are up for the adaptation of A Good Girl’s Guide to Murder (Holly Jackson)

Cover Reveals: 🗞️ When Haru Was Here - Dustin Thao (Sept. 3) 📖 Trick or Treat on Scary Street - Lance Bass (July 23) 🗞️ The Bletchley Riddle - Ruta Sepetys and Steve Sheinkin (Oct. 8) 📖 The Rules of Royalty - Cale Dietrich (Dec. 10) 🗞️ Colored Television - Danzy Senna (July 30) 📖 Bits and Pieces: My Mother, My Brother, and Me - Whoopie Goldberg (May 7) 🗞️ House of Bone and Rain - Gabino Iglesias (Aug. 6) 📖 Rani Choudhury Must Die - Adiba Jaigirdar (Nov. 12) 🗞️ Night Owls - A.R. Vishny (Sept. 17) 📖 The Dixon Rule - Elle Kennedy (May 14) 🗞️ A Bánh Mì for Two - Trinity Nguyen (Aug. 27) 📖 The Hitchcock Hotel - Stephanie Wrobel (Sept. 24) 🗞️ In Want of a Suspect - Tirzah Price (Nov. 12) 📖 Memorials - Richard Chizmar (Oct. 22) 🗞️ The Empusium - Olga Tokarczuk (Sept. 24) 📖 Unsinkable Cayenne - Jessica Vitalis (Oct. 29) 🗞️ Cue the Sun! - Emily Nussbaum (June 25) 📖 We're Alone - Edwidge Danticat (Sept. 3) 🗞️ The Sherlock Society - James Ponti (Sept. 3) 📖 The Enchanted Hacienda by J.C. Cervantes (May 21) 🗞️ The Baby-sitters Club: Kristy and the Walking Disaster - Ellen T. Crenshaw (Sept.) 📖 The Baby-sitters Litter Sister: Karen’s Grandmothers - DK Yingst (Oct.) 🗞️ The Millicent Quibb School of Etiquette for Young Ladies of Mad Science - Kate McKinnon (Oct. 1) 📖 The Life Impossible - Matt Haig (Sept. 3) 🗞️ Ruin Road - Lamar Giles (Sept.) 📖 Yours Truly by Katie Shepard (Sept. 3) 🗞️ Wishbone - Justine Pucella Winan (Sep. 17) 📖 Haunt Your Heart Out - Amber Roberts (Oct. 8) 🗞️ The Dividing Sky - Jill Tew (Oct. 8) 📖 Heir - Sabaa Tahir (Oct. 1) 🗞️ Beautiful Dreamers - Minrose Gwin (Aug. 27) 📖 We Solve Murders - Richard Osman (Fall) 🗞️ Till the Last Beat of My Heart - Louangie Bou-Montes (Sept. 10) 📖 Aisle Nine by Ian X (Sept. 24) 🗞️ Warrior of Legend - Kendare Blake (Sept. 17) 📖 The Ancient’s Game - Loni Crittenden (Oct. 29) 🗞️ The Witch of Wol Sin Lake - Lega Jeong (Oct. 29)

Upcoming Releases: 🗞️ Tiny Reparations Books has secured North American rights to two new books by National Book Award–longlisted author LaToya Watkins. The first book, The Book of Chuck, will be published in spring 2026. 📖 Tia Williams has sold North American rights to two new novels to Grand Central. 🗞️ LeVar Burton is releasing two new books

Other News: 🗞️ The Dylan Thomas Prize 2024 longlist is up 📖 The finalists for the 2024 National Book Critics Circle Awards were announced 🗞️ The finalists for the 2024 Audie Awards were announced 📖 Pulitzer-winning author N. Scott Momaday passed away (first Native American author to win a Pulitzer) 🗞️ OCLC has filed a lawsuit against the shadow library search engine Anna’s Archive for allegedly stealing 2.2 TB of data from WorldCat 📖 The St. Paul Public Library launched a laser-eyed loon library card 🗞️ Writers Against the War on Gaza have written an open letter to PEN/America to release an official statement about the “225 poets, playwrights, journalists, scholars, and novelists killed in Gaza” by Israeli forces 📖 Andy Weir released a series of “lost” journal entries from Mark Watney to celebrate The Martian’s 10th anniversary 🗞️ Amazon removed multiple titles about King Charles’ recent cancer diagnoses amid concerns that they were written by AI 📖 This year’s winners and finalists of the Cybils Awards were announced 🗞️ Delacorte is launching a new YA romance imprint

[elennemigo]

Welcome to the 2024 reports! Let´s hope for a year full of good news to share ! 😄

8

★ Director Jeymes Samuel talked about casting Benedict in The Book of Clarence.

11

★ The Book of Clarence released on theaters.

★ New campaign announced for Prada Re-Nylon collection.

15

★ Jodie Comer talking about working with Benedict in The End We Start From.

16

★ New photos for Prada Re-Nylon campaign.

★ New advertising clip.

20

★ Stills of Benedict scene in The End We Start From.

23

★ The Wonderful Story of Henry Sugar got a nomination for Best live action short at the Oscars 2024.

24

★ The End We Start From released on theaters.

25

★ Benedict departed James Mangold’s Bob Dylan biopic A Complete Unknown.

                 ✧ ── ⋅ FIN ⋅ ── ✧

[doyouknowthisactor]

By "roles" I mean playing a different character, and in a different piece of media; someone playing one character across a franchise only counts as one thing for the purposes of this poll, as does playing multiple characters in one franchise/piece of media

Below are some of this actor's roles. Please only check after voting!

The Karate Kid films / Cobra Kai as Johnny Lawrence

Back to School as Chas

Hot Tub Time Machine as Rick

The Equalizer 1986-89 as Scott McCall

Zabka has been nominated for an Oscar in the live-action short category, for co-writing and producing the short film Most

More roles

[msclaritea]

Wes Anderson Wins First Oscar with Live-Action Short ‘Henry Sugar’

Wes Anderson Wins First-Ever Oscar with Live Action Short ‘The Wonderful Story of Henry Sugar’

The visionary director finally won an Oscar for his first collaboration with Netflix, an ambitious adaptation of a Roald Dahl short story.

BY MARCUS JONES

MARCH 10, 2024 9:17 PM

VENICE, ITALY - SEPTEMBER 01: Director Wes Anderson attends a photocall for the Netflix movie 'The Wonderful Story Of Henry Sugar' at the 80th Venice International Film Festival on September 01, 2023 in Venice, Italy. (Photo by Kate Green/Getty Images for Netflix)

Director Wes Anderson attends a photocall for the Netflix movie 'The Wonderful Story Of Henry Sugar' at the 80th Venice International Film Festival.Kate Green/Getty Images for Netflix

After eight nominations for six different films he has made, director Wes Anderson has finally won his first Oscar.

Receiving the Academy Award for Best Live Action Short for his adaptation of Roald Dahl’s “The Wonderful Story of Henry Sugar” seems unconventional for both the category, which normally awards emerging filmmakers, and Anderson himself, who was best known till this point for directing features such as “Asteroid City” (which happened to also be in awards contention this season.)

His win was over fellow nominees “The After,” from director Misan Harriman, “Invincible,” from director Vincent René-Lortie, “Knight of Fortune,” from director Lasse Lyskjær Noer, and “Red, White and Blue” from director Nazrin Choudhury.

Another win for the director and nothing for the actor that got him there.

[lilyjigglypuff]

2024 Oscar nominees challenge

The wonderful story of Henry Sugar (2023)

Dir.: Wes Anderson

Nominations: Live action short film

My rate: ⭐⭐⭐⭐⭐

Another feast for the eye, by Wes Anderson

Vertiginous yet harmonic

It has the endless grace of a childbook

If this was a movie, it would deserve being nominated in every main category

Prediction: winner