#other than a long week

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[batbabydamian]

The Boy Wonder #1 by Juni Ba rambling about why every time i open this book, i stare in wonder...HAHA and ofc!! how cute Damian is!!

Juni Ba’s style is so absurdly effective in telling a fairy tale for the ages. It’s a stunning blend of simplicity and complexity I'M GRIPPING THE PAGES AGAINST MY EYES…

Before getting into the interiors, THE COVER!! It associates autumn leaves to Damian's Robin title through the iconic cape shape/color; and on top of that, for a Robin going through a big transition in his life...a season of change one might say...Juni Ba your brain...

Damian and the leaves being the only colored parts of this cover is nice in focusing on those elements, but i also like to think by not coloring the background it prepares you to expect impressive inkwork in this book.

On that note, the interiors!! Starting off with Ba's backgrounds of Gotham as it establishes the strange new world that our young hero has been thrust into:

We get a neat tracking shot following a champagne glass that gives us a glimpse of Gotham from the upper echelons to the downtrodden in "Underwell"

This opening sequence quickly lays out the environment Damian will be traveling through in this series! It also sets the tone for some silliness with the cute zoom on the champagne glass before it BOKs the robber lol. Along with Ba's inks, O'Halloran's colors makes every part of Gotham pop - especially love the golds of the higher society shifting into the blues of the underbelly!!

Besides Damian’s personal conflict, Gotham feels like its own entity that he has to contend with. The dialogue speaks for itself, but within the art as well!!

"This city of ours swallows and crushes everything it can" -> a gargoyle's beak over Damian, crowds of people, and walls of advertising

"You've seen it too...the way it coils around one's mind from below." -> bridges and a passing train on a rail viaduct towering over a civilian

"A dark voice calling as if to say..." -> literally, "FEED ME"

LOVELY SHOT OF MOVEMENT... and i love how Damian's venture into Gotham opens with him passing a tree - its branches and leaves are the most organic element on the page before getting into the gritty details of the city! Some yammering because the inks are. so cool: the delicate lines of the leaves in the tree to the thicker/bigger lined ones closer to the camera on the right; the background inks allowing space around Damian's form + the fine line of his grapple!! More O'Halloran praise - PRETTY, and love his coloring over Ba's bg lines, particularly here, keeping the leaves darker on the right.

It's not only a pretty page it's just a really clean layout!! Ba exhibits this throughout the book but i really enjoy it here - from Damian nyooming, we head into these last 3 panels. his cute lil "Robin" shape easily draws the eye to the tops of the panels as we take in Gotham's liveliness alongside the lettering/narration

and the "Robin" shape?? SO CUTE. it's instantly familiar to us as Robin!! bold outline and filled with yellow...it's a Robin in movement!!...AN AUTUMN LEAF IN THE WIND... yeah, still not over that 😭

Damian's inciting incident is introduced in the former panel with a gorgeous backdrop of Gotham in the distance (plus itty bitty Trinity cameo haha). The shot parallels!! beautifully!! in the final page!! Damian is now in the depths of Gotham, his objective out of reach. The colors are of note too, where the familiar yellows of Gotham are suddenly a startling green after the demon makes its appearance. The Gotham land looks even more unfamiliar, which prompts Damian to seek help.

Some speculation, but the green could also be associated with the more mythical side of demons and such (like the ghost?? of the thief), but it could even imply there's a connection to the Al Ghuls themselves as it's the only other time green is so prominently used.

Now that the land of Gotham is established, popping in other fav bgs!

More lovely mix of Ba's inks and O'Halloran's colors!! especially allowing some of the brush/marker strokes to show faintly as part of the twinkling sky...STUNNING!! 😭 i love this whole page but this panel gets me weepy, SMALL DAMIAN IN THE VAST UNIVERSE COMBINED WITH THIS LINE "He knew he could be great. How unfair of the world to make him feel so small." KICKS MY ASS... i need to lie down

YAPPING AT MORE WONDERFUL INKING: the suggestion of windows offscreen from the frames casting these thick lines over the walls and stairwell; the minute shadow details over the railing; the hatching on the suits in the portrait; the framed portrait being its own panel!! cute hooded Damian in the gutter space looking in on the portrait/panel!! CUTE HOODED DAMIANS!!

SPEAKING OF PANELS, along with general effectiveness and efficiency, there's more whimsy in others!! like this kickass page of Nightwing whipping his escrima from first panel -> afterimage lines going POWPOWPOW hitting demons from a distance to ones closer to the camera -> and back into his hand!! IT'S SO GOOD AND SO FUN!!

Ba's action employs more diagonal panels, and characters are less restrained within boxes - there's more energy and freedom across the page!

not necessarily focusing on the action for this one, but THE WHIMSY!! the border itself is goop!! Also gotta point out that looming hammer shape!!

Nightwing's critical hit spans the entire page!! from silhouettes of a flip -> flashy stomping pose/Clayface -> to a distant shot of Dick landing

and a smooth finisher page!! love the motion lines on Dick's arms and waist + his head and arc effects popping outside of the borders; then the smaller panels for quick activity, and the final WOOB WOOB WOOB LOL i can hear this sound effect just as much as i can see it

Along with O'Halloran on colors, Aditya Bidikar on lettering works seamlessly with Ba's vision!! The text boxes for the fairy tale narration are like strips of yellowing pages from an old storybook!! Had to look up the term for this lol, but also reminiscent of those storybooks, there's even a use of "drop caps" - the big fancy capital letter!

Smaller things of note, but the bit of "Weakness" text from Ra's has a kind of. grandiose feel to it. Then the cute B< Damian behind the window!! Love how the bubble and text are faded behind the glass too! The end of the bubble tail is a nice touch as it matches well with Ba's bg inking :0

Otherwise, it seems Ba has done a majority of the lettering - dropping a couple of my favs below!!

also just this whole page: the very loud AAAH! text draws both Damian's and the reader's attention to the panel below!! it's a cool transition to a new shot where you can see Damian's silhouette on the building! The final panel is cartoony violence off-page through the bold POW BOOM SLAM haha + DAMIAN'S LIL FIST!!🥺 and the guy's tooth RIP

Pure speculation - Juni Ba's concept art included Carrie Kelley, so i'm wondering if the hostage in the beginning could be her and we'll be returning to this moment in time by the end. The worn Robin colors are similar to the design + their head is conveniently covered.

In terms of story, I'm obviously heavily biased, but the initial read got me rolling in emotions with how it has you caring for Damian. Damian as a character is so fantastical in essence - it’s part of his individual charm in the batfam cast! an heir of two kingdoms, born and raised with great expectations suddenly thrust into an unfamiliar land. he has a sword. he has a dragon bat for a companion. he is haunted by the sins he has committed. he is two apples tall. he's truly fairytale material!!

LIKE...past the panels of only his silhouettes, this is our introductory appearances of Damian. It's laid out clearly in the narration, but this parallel is SO GOOD: from the powerful and ornate visuals of Damian and the Al Ghuls -> to a simple panel of Batman's shadow behind a boy littered in scars, stripped of his home and status

Damian is out of his element and proves himself in the way he knows how!!

just kick me down a flight of stairs why don't you. i don't know which messes me up more, the top 3 or bottom 3 panels. His facial expressions!! his expectations for approval dashed!! Damian's hand reaching for his father!! only to be left alone with the body. The page after this is the final nail in the coffin in feeling just how lost he is in the world before he acts on it. And you root for him the entire way!!😭

Despite Damian's fanciful background there's so much heart to be shown in his struggles and discoveries - and this classic form of a fairy tale lays it out so brilliantly!! It's shaping up to be an amazing balance of heavier elements and whimsy based on this first issue, and it leaves you wanting more!!

Besides being a thoroughly enjoyable read, it's inspiring work!! i've ordered Juni Ba's other books to consume more of his storytelling, and here's the ones i've found so far if you're interested in checking them out as well!!

Mobilis: My Life with Captain Nemo

Monkey Meat

Djeliya: A West African Fantasy Epic

The Unlikely Story of Felix and Macabber

okay shockingly, i didn't blab about how cute Damian is as much as i thought i would, but i think the collage at the top speaks for itself lol

this is all you need to know how cute Damian is in this!! his cheeks are so pinchable, it was done on page!! 🥺 these panels obliterate me

[cuubism]

emotional support part 3 of physical therapy au

--

It is not exactly a short walk to Dream's flat, but Hob drops him off at his door anyway. Dream can't remember the last time someone did something like that for him. Took so much time just to make him feel safer.

He should just thank Hob and go in, but instead he hesitates in the entryway. He can't deny how it makes him feel, Hob's kindness, and interest in Dream's art, and then him jumping to Dream's defense so viscerally and unapologetically. Hob is... good. Kind. Dream does not know if he deserves it, but for a moment he allows himself to want it.

"You going to be okay?" Hob asks. His eyes are so kind. And Dream wants. It's been so long since he's wanted.

He leans in to kiss Hob and--

--Hob catches him with a hand against his chest.

Dream jumps back, shame coiling hot in his throat. Even when he thinks someone kind might want him, he is still only misreading--

"Dream," Hob says. His expression is still kind, though his smile is a bit pained. "I can tell you're spiraling, love."

That word again. Why would Hob say it if he does not mean it?

"If I am wholly wrong and you do not feel anything then please just say so," Dream sniffs, trying and failing not to feel completely stupid.

"You're not," Hob says--which catches Dream before he can fall completely into the net of melancholy that had begun to entrap him. "I'm just--" he runs a hand through his hair with a self-deprecating laugh, his general self-assuredness slipping for the first time Dream has seen. "I'm trying to be sensible."

Dream doesn't understand. It's true that Dream is not exactly a sensible choice in partner, that's been proven, but--

"It just doesn't look very good does it?" Hob continues. "Chase off your asshole ex only to come onto you at your own home? That's real respectful, isn't it?"

"I came onto you," Dream points out. Hob wants to be respectful of Dream? The bar is currently low when it comes to respecting Dream. Dream thinks he would rather have the kindness than the respect. "And I do not mind."

"Well, that's the problem, isn't it?" Hob says. "Look, believe it or not, and you'll probably believe it, but I've been widely known to be impulsive as hell. But I still don't want to be the guy jumping on you the moment you get out of a bad relationship."

This... had not truly occurred to Dream. "I do not think you will be like him."

Hob takes his hand then, the bad one, the one he's fixed. He does it carefully. "No, I know. But I'd hazard you didn't think he'd be like that before you got together, either."

"I... suppose not." Hob is different, though. He knows it.

"Let's just finish our work with your hand first, yeah?" Hob says, squeezing his hand lightly. He seems genuine. He does not seem like he is just making up reasons to turn Dream down. "I think you need to get back to some normalcy, and then you'll know for sure if you really want this."

"I do want this," Dream says. He does not want to lose touch with that feeling. Of wanting something for himself.

"Then you'll still feel that way later on, hm?"

Dream can't find fault with his argument. Though he can't help but still feel that little curl of shame. Embarrassment.

Hob raises Dream's hand to his lips and kisses his knuckles. Dream's breath catches.

"Goodnight, Dream," Hob says, letting his hand go again. "I'll see you next week."

And with that, and a smile, he leaves Dream standing in his entryway.

Dream presses his hand to his chest. Perhaps Hob is right. Perhaps he is too... fragile... for this right now. He certainly feels fragile. But Hob makes him feel less so. Not more.

But Hob is not the one who ended up in a relationship with someone who reacted to disappointment by smashing his hand with a hammer. So perhaps Dream should heed his relationship advice, and not his own.

He retreats into his empty flat. Shuts the door, locks it, deadbolts it, and shoves a heavy box of unpacked books in front of it for good measure. Then sits on the floor where there should be a couch and takes out his paints. It still hurts his hand to hold the brush for any length of time. But even to this day, it's the only thing that soothes him.

~~

It's just typical that the time Hob really wants someone is the time he decides he needs to be responsible for once in his life. But he just... he needs time. He needs to know that Dream isn't just... fixating on him because Hob's actually treated him nicely when the last person who cared for him didn't. He doesn't want to do this if Dream is just using him as an emotional rebound from a bad relationship. He's become too enamored with him for that. And he's no king of ideal relationships himself, but he doesn't think it's the best time to be starting a relationship when Dream is still carrying the literal scars of the last one.

Damn if he doesn't regret turning him down, though. Just a little.

He hopes Dream doesn't decide to bail on their regular appointment. In fact, since dropping Dream home, he's been so fixated on the possibility that he fucked it all up that he's stress-cleaned his entire flat. Then he bought finger paints to see for himself how well it works as an exercise. All he's really succeeded in doing is proving that Dream is better at art with one and a half hands than Hob is with two, but maybe it'll make Dream feel better.

He brings his attempt at finger painting to their next appointment. And he's so relieved when Dream does show up. He looks a bit more balanced than he had the other day, too. The hurt in his expression when Hob had turned him down had been painful.

"I decided to try out your exercise," Hob tells him. "To prove to you how well you're doing, if nothing else." He shows him the painting.

And Dream bursts out laughing.

"Hey," Hob protests, but can't stop his smile at the joy on Dream's face. "Don't be mean about it or anything."

"What is this meant to be?" Dream asks, taking the painting and studying it.

"It's a landscape."

Dream turns it ninety degrees. Squints. "Ah, yes, I see that now."

"Well now you're just being a dick about it."

Dream only smiles, then puts the painting away in his bag.

"Oh, you're taking it with you, too?"

"You have mine," says Dream, pointing at the painting of cats that's still propped against the wall by Hob's desk. "So I will put yours on my fridge."

"Oh, great," Hob grumbles. But he can't be upset about the smile on Dream's face.

He's glad to see that putting a pause on things hasn't hurt their developing friendship. If anything it seems better. Perhaps Dream's had time to think things over, too.

"But you see, don't you?" Hob says. "Even while you're recovering, your skills are still way better."

"I... see, yes," Dream agrees, ducking his head. "I. I did try painting again. But it hurts."

Because you're probably overdoing it, Hob thinks. "How's your hand feel now?"

"...Sore," Dream admits.

"Can I see?"

Dream gives him his hand, and Hob feels victorious that it's with less hesitance than he had once done. He starts massaging Dream's palm where it feels the most tense, and watches Dream's wary expression--he must have thought Hob was just going to move his hand this way and that and make it hurt--melt into surprise.

"Do you do this with all of your clients, Hob?" he asks, weakly.

"Only the ones I really like," Hob says, and winks. Can't have Dream thinking he's not interested, after all.

Dream blushes, but lets Hob keep playing with his hand. He really does have such gorgeous hands. If Hob ever runs into that ex again he might have to do more than punch him.

"That helping?" Hob asks, and Dream nods, but he's still blushing so it's somewhat unclear in exactly what manner it's helping.

"Good," Hob says anyway. And finds he's truly hopeful that they'll get there. With Dream's dexterity, with... other things.

It's just going to take a bit of time.

[sysig]

“It could be that the loss of her children drove the Queen deeper into her darker desires...but, I don’t believe she was fighting against them that hard before that particular tragedy. No monster does.” (Patreon)

Bonus:

Hmm, wonder what he could cover those holes with :3c

[welcometogrouchland]

[ID: two owl house drawings based on memes. The first one shows Lilith in her season 2B design sketched over the big bang theory "love is in the air? Wrong! Gad leak" meme. She's staring at the viewer with one eyebrow raised and her glasses are opaque.

The second meme is a redraw of a king of the hill scene, split into two panels. The first panel shows Belos holding up a sack of coins with magic, saying "here's 300 snails to break up with hunter". The second panel shows willow in her s2B design pointing at him and saying "save that money for our wedding". End ID]

I did two things today, and that was really beef it while making a sandwich, and draw shitty owl house memes, and baby I'm all out of sandwiches to post (@toh-described)

[subsequentibis]

original post

[thronealigned]

no it's fine this mind flayer is totally my friend and 100% honest with me all the time it's ok it likes me everything's so normal

[drawnfamiliarfaces]

INTERRUPTED (Parts I & II)

A short two-part comic (total of 20 pages + 8 extras) by me! (for me lol)

Fandoms: Ninja Showdown (Randy Cunningham 9th Grade Ninja x Xiaolin Showdown)

Ship: My Immortal Soul (First Ninja x Chase Young)

A comic where nothing really happens! But it contains a lot of half-naked men. So like, kids avert your eyes and adults don’t open it at work or whatever. ¯\_( ͡° ͜ʖ ͡°)_/¯

thanks for checking it out <3

[luck-of-the-drawings]

my TWO FAVORITE THINGS IN THE WORLD, VAMPIRES N COWBOYS... deacon keller is SUCH a fun character, hes charming and funny but ALSO formidable and STRONG when he feels he needsta be. i hope him and arthur can get a chance to talk more and be better friends. l ike really good friend s. . like. like really good f. hangon i gotta go i think i hauve rabies.

[lorephobic]

literally nobody asked for it, but here's my list of saltburn essays that i've slowly been drafting over the course of the last week which WILL be required reading for anybody trying to engage with me about this movie. my very personal saltburn 101 syllabus just dropped

A Wolf in Deer's Clothing: Saltburn's Attempt at Innocence

an examination of party costumes and our character's last attempts to masquerade as something they're not: felix—an angel, all-forgiving and all-knowing, something to be worshiped; and oliver—a prey animal, prey to class-divide, prey to saltburn, prey to felix.

thoughts about oliver specifically are loosely organized in my #bambi tag

A Midsummer Night's Mare: Farleigh Start as the Ultimate Victim of Saltburn

a farleigh character study, about the ways he was mistreated and manipulated at saltburn, about fighting to stay alive and the scars left behind by knowing when to give in

alternatively titled "QuickStart", may be adapted into a conclusive essay specifically focusing on oliver and farleigh's relationship

The Eye of the Beholder: On Saltburn's Voyeurism & Violence [working title]

how wealth and class pushes the catton's toward the volatile reality of being able to look, but not touch. on desire and the lack thereof, and portraying yourself as an object to be desired

may end up as two separate essays on wealth and aestheticism but i'm pushing toward a conclusive essay about the intersection of the two, which i feel is at the heart of saltburn

alternatively titled "Poor Man's Pudding: A Melvillian Approach to Saltburn's Class", again, may be adapted into it's own essay

Gender-Fluid: A Study in Sexuality and Saltburn's Desire to be Dry

a deep dive into the bodily fluids of saltburn and how oliver upsets the standard of men who are just so lovely and dry. on the creative choice to lean into the messy wetness of sex and desire and the audience's instinct toward repulsion

a celebration of the grotesque and an examination of why we would label it as such

least developed of the four, heavily inspired by @charnelpit's lovely post about the fluids in saltburn

if anybody is actually interested in any of these, i can work toward something closer to a finished piece instead of just bullet points and quotes in a google doc, but mostly this is so i can share my very brief takes on a multitude of themes in saltburn that have been haunting me

edit for people seeing this in the future: all posts about my essays are being organized into my #saltburn 101 tag if you’re interested in following these through to development!

[pyro-madder]

in honor of my sudden re-binging of TRC, i finally bring out an unposted quality archive from 2017

[ebonytails]

Hey everyone! this is where the zebra is currently with the design.

It has knee braces!! I will most probably be drawing the zebra usually with them on, but it’s no requirement, for example if anyone else wants to draw the zebra :-]. I always like to make sure an animal design has official colors underneath any clothing and accessory anyway. I think this will be final! thank you everyone for your feedback!

As a reminder, aside from why the zebra was requested for this flag, this is also just a zebra with the disability pride flag on it. It’s just a deisgn to fit the flag, with input from other disabled people in our community. It doesn’t mean other animals can’t have designs with these colors, too! I don’t mean this design to be the only mascot for all disabled people. It’s just a silly series i do of pride animals, and at the time, during disability pride month, I wanted to see what everyone wanted me to start off with for this flag!

the goal with my pride animals is to take requests and make people feel happy and seen.. that’s all <:-)

[seithr]

[quietwingsinthesky]

journey’s end au where the doctor tries to kick everyone off the TARDIS and they just go, ‘???? no?’ and won’t leave. can’t be stupid and think everyone will leave you when they won’t get out of your house.

[canisalbus]

I noticed you've been making more art of Machete and Vasco after they met again as adults - is this canon? Do they get to rekindle their friendship after all, or is it still brief and bittersweet? (I love your characters and art, btw!)

Thank you! I'm glad you like them!

It's canon, I believe. After their confusing and apprehensive friends-to-lovers involvement ended in their early 20's, their paths end up crossing again unexpectedly in their mid 30's and things gradually grow from there.

[cerise-on-top]

Nikolai with a s/o who always has a hand on his chest? With consent ofc, and it’s always to feel his heartbeat. I think of this all the time and it’s always super cute in my head.

Hello! That is pretty cute!

Nikolai Always with Reader’s Hand on His Chest

Nikolai is a pretty laid back and chill sort of man, so he usually doesn’t mind you putting your hand over his heart. Maybe not while you’re walking, though, he doesn’t want you to trip. It’s very sweet to him: You wanna make sure that he’s alive? That he’s still with you? That his heart is still beating? Trust me, not even death could take him away from you. He’d dig his way out of his grave after killing the reaper with his bare hands himself. You can always put your hand over his chest while you’re at home together, though. It’s nice to feel you. After a while it would be reassuring to him as well, feeling that you’re there, that you’re with him. He thinks it’s sweet that you always want to be touching him, because if it was up to you he’d do the same thing with you. After some time, once he’s realized that you’re always touching him whenever you can, he tries to get into positions that facilitate you touching him a bit. Usually lies on his back when you’re cuddling so you have full access to him. Can and will fall asleep like that, but will also want to hold you back. Will also put his hand over your heart as well so he can “get back at you”. In reality, feeling your heartbeat is also just nice and reassuring to him. However, he sometimes might lie on your chest in order to hear it as well, something like it lulls him to sleep, after all. You can put your hand over his chest in public as well, though, he doesn’t particularly mind cuddling in public either. There’s a good chance you’ll be nicely clothed, though, so you won’t feel his heartbeat unless you slip your hand under his clothes. You can do that, he doesn’t care about strangers staring in public. However, once it’s time to continue walking around, release him. You can continue your antics once you’ve found another nice bench to sit on.