#other than that incredible images

[ahalliance]

“i may not entirely trust my assistants but… i won’t lose them” fist pounding floor s2 paranoid yet genuinely caring jon jarchivist sims my beloved you will always be famous

[proudfreakmetarusonniku]

if I had a nickel for every time c!tommy was demonised for showing blatant signs of psychosis and delusions of persecution i’d be the richest person alive. but people don’t even acknowledge that c!tommy has canonically had psychotic episodes (with delusions so frequent he genuinely couldn’t tell them from reality at times) except to say the actions of the people who hurt him must all be in his head. the ableism towards c!tommy in this fandom is sickening and it goes unnoticed because people reduce it down to his ptsd (which he has canonically had since at least the l’manberg war yet people push the date further back too) instead of including his psychotic episodes or severe self worth issues or severely disordered eating or addictive personality bc it gives them an excuse to pretend they’re in the right.

[theriverbeyond]

What are the wounds on Gideon's body from? She has a neck wound and the (infamous) chussy, which Pal says is consistent with her reported injuries. I don't remember these 😅 Help?

when Gideon died, she had 3 confimed injuries:

the fencepost speedhole (present on Kiriona; now sporting teeth)

her shattered knee (status on Kiriona unknown, we never see her without pants)

her fucked up shoulder (status on Kiriona unknown, we never see her without a shirt)

when we see her in NtN, she has 3 confirmed injuries, with only 1 overlap from what we saw in GtN:

"huge wound in the throat [that] made the neck yawn open" (cause unconfirmed)

the infamous tooth chussy (see above....)

"another wound lower down" (location/cause unknown - could be the knee injury, could be something else. my assumption was stomach/trunk area because Palamades mentions it when he's unbuttoning her shirt)

my thoughts on the wounds in NtN (considering Camilla needs to have witnessed all of them, in order to inform Palamades of their existance, therefore none of them could have happened after BOE lost her body) are:

(my favorite) Harrow chewed chunks out of her to complete the Eightfold Word. Neck and tummy. Considering Ianthe "Actual Cannibal" Tridentarius said that "just a drop of blood" would do, this might be unlikely, but I think it is the most emotionally devastating and therefore the sexiest of all options. Harrow, consumed by grief, in a panic and a hurry. chomp. parallels also to John getting on his knees and just shoveling dirt into his mouth in John 1:20.

the fence caught her in multiple parts, i.e. she was impaled by 3 spikes at once. this is a very logical explanation but seems rather underwhelming, and therefore I disbelieve it on principal. Also, her neck wound is not a puncture, and she would have had to fall like, sideways onto the fence which just seems kind of awkward

She had more injuries from the final battle in GtN than we were informed of. I can belive this for an ambiguous"lower down" wound, but not for the gaping neck one.

[therevengeoffrankenstein]

the implications....

folie a deux meaning / folie a deux album cover / pete's bear hat(s)

[hidefdoritos]

.

[aria0fgold]

Lil rambling bout how Alec was as a kid. One word, troublemaker. But, in a good way??? Like, he is also very precious, friendly, and kind that it cancels out how much of a troublemaker he can be until he does something to remind that: "Oh yeah this kid can be a headache sometimes."

During class he can be well behaved, can be, which is only sometimes. He's not the, I'm going to disrupt the class misbehaving type but it also lowkey disrupts the class anyway (He loves asking questions, at first his questions will be on topic but if you let him ask questions for too long it'll end up getting derailed.)

He's just a really curious and incredibly talkative kid. The moment Alec talks to you prepare listen for hours on several topics (cuz he jumps from topic to topic he can barely stay on track, he will try if you tell him but... dont count on it). Bubbly and cheerful too like, he's like a golden retriever combined with a samoyed.

At some point, Alec became their school's lil unofficial mascot cuz nearly everyone knows him. And it's a reputation split between "annoying" and "lovable." Also don't mistake his kindness as being really nice, he's kind, but he can be mean too if you're mean to him as well. (Which is not a good thing unless you're prepared to have an earful of angry ranting from a kid that won't shut up. he can practically insult you without using that many harsh words. also it may end up as a semi-rap he'll be talking so fast with barely any breaks in between).

Don't even try to get physical with him as well, he knows martial arts (if Ray's parents enrolled him in acting lessons, Alec's parents got him in martial arts training. In their defense, it can hopefully help spend some of Alec's seemingly unlimited supply of energy. And hey, Alec enjoys it too anyway!)

Basically, Alec is a very sporty kid! He loves doing physical activities a lot more than studying... You can see where that went for him (he only gets barely passing grades up until Ray started helping him out with it which thankfully improved that a bit!)

Ray on the other hand is like the complete opposite of Alec in that he's very shy, not at all good with groups and talking to practically everyone unless he's close to them. These two are a great combo where Alec helps Ray in terms of socializing and physical activities, while Ray helps Alec in terms of studies and keeping him in check (making sure he doesnt get into too much of a trouble).

[andthebeanstalk]

Junji Ito makeup test #1

OR

Figuring out what I need in order to create a music video parody of the song "Gloria" by Laura Branigan, but make it about Tomie. I will be playing the part of a 1980s pop disco singer in the style of Junji Ito. This is high art in progress, people! 😘😂😅

photos of first test:

additional digital notes made using Clip Studio:

main takeaways:

So first off, where the fuck did my stage makeup go??? I had no idea it was missing until today!! I ended up using the makeup from when I used to perform as a mime. (Not a joke, but in a larger, cosmic sense, kind of a joke. 😆 I'll probably do it again sometime. I was adorable as a little soft butch gay mime!)

I now remember why I stopped using the dry cake face paint and switched to wet paint in a tube BUT I CANNOT FIND THE TUBESSS

I'm out of eyeliner in general, but for this, I need some kind of extra thin/fine eyeliner and preferably more than a thimble-full of paint for it.

Maybe I can thin out some matte black face paint and also get like a really nice fine brush? I guess it depends on if the paint is water-soluble.

I should probably check to see if I already have these materials, which would be SO MUCH EASIER IF I COULD FIND MY FUCKING STAGE MAKEUP--

Either way the lines need to be super thin, straight, clean, and parallel to each other. Or I could look at the rougher cross-hatching Ito sometimes uses, but I suspect tidier lines will look best with makeup.

Luckily, I already have an entire burlesque/drag act where I make myself look like a character from a black and white film. Between that and the mime thing, I theoretically have all the white gloves I will ever need lol. I guess I'm going to need white leggings, since the light gray ones won't work for this. Junji Ito is not generally greyscale as much as literally black and white.

Do I own makeup primer? I feel like yes. It definitely sounds like a good idea.

I KNOW FOR A FACT I DIDN'T THROW OUT MY STAGE MAKEUP because I had quality skin-safe glitter in basically every color, and only a FOOL would throw that out!!!!

Gloria is a song from 1983 with disco balls in the music video. Do I want to incorporate more style choices from 1983? Should I buy a wig? Something with shoulder pads maybe?? I guess that means I can keep the thick eyebrows...

Actually upon further research, I do need a sequinned shirt for this. Possibly a sequin leotard with a shiny belt. And leg warmers. OH! And a jacket with just the biggest shoulder pads I can find! Or at least the closest thing I can find to this outfit in one trip to a thrift store

Every 1980s music videos seems to have a person with their hair and clothing flowing in the wind. Now, I could buy a fan. But much funnier and cheaper would be a shot of my hair blowing in the wind that then pans to a friend furiously fanning me with a piece of cardboard or something. (Which means I'd need either two people helping with this shot, or I just have to accept that the shot's going to look kind of blurry by doing the zoom-out in post. Oh gods, I would have to write a proper shot list ahhhhhh--)

Honestly, blurry footage seems fine in some parts. I'm probably going to add some dreamy soft filters anyway to make it look like pre-digital 35mm film from an 80s vid.

I'm going to need some fake blood to splatter at me in the middle of the video. Obviously. So I guess that bit will need to be filmed outside.

The good news is the fact that the nearest easiest filming location for me is a alley full of dumpsters is actually really appropriate for this video. XD

Should I do the distressed eyebrows that a lot of Junji Ito characters have? Note to try that in the next test along with a The Crow-like smile. (My go-to high school Halloween costume. Damn, I have been painting my already pasty-pale face even whiter for a while now! 😅)

Other progress made on this project today:

I recorded myself singing a voice memo along to the rhythm of the karaoke version of Gloria that's on YouTube, but in it, I'm singing in the key that is appropriate to my voice. (A couple half-steps down, I think.)

Next step will be to load that clip onto my computer and adjust the karaoke version to match its pitch. And then like, practice the song with my new personalized backing track.

If i actually finish this, I'll have to re-record the backup vocals to say the right name.

Also the next step will be to see if my interest in this lasts long enough to at least get me to find my frickin' stage makeup.

Additional notes:

The original music video for Holding Out for a Hero is exactly the right energy for this, and now I absolutely need shots of me in front of (badly green-screened) flames, on my knees while singing passionately and directly at the camera and presumably wearing kneepads tbh

Omg what if I included a little "photoshoot" sequence and really fucked with the photos to make them all blurry-body-horror nasty as they flash by real quick?? Get like, a glitch effect in the mix hell yeah 😎😎😎

Edit: Omg i just remembered I have these short-shorts with a reanimator quote on the ass! ("Blasphemy? Before what god?") i know what shorts to wear for this now!!

Oh! Another idea! What if the video starts with me reading Tomie and then closing the book and picking up the nearest microphone-shaped thing and using that to start singing - and every 30 seconds or so of footage, it quietly changes to a different item (one of which is absolute the black wand vibrator that I have XD)

Note: I can easily shorten the song if I only have funny shots planned for like 2/3 of the song length. No need to get too repetitive.

[castielmacleod]

A Desinatural something I have been thinking about is that anti-possession and other protective symbols can be applied in mehndi designs and it works the same as an ink tattoo

[louisshomesharry]

can I just say how much I adore you? there are so many people who just judge Louis or Harry and act as if those two are the anti-christ. I love the fact that you comment on their behaviours and still not offend them in any way, which is what I often see on other blogs. you’re one of my favs honestly

Thank you anon. I hope people know it’s mostly their image that I criticise not them and that a lot of it is because I care and think they deserve better and could be bigger and not as stuck as they are in their own image (and when I say stuck I don’t mean coming out, I mean being a bit more relaxed about who they are, what they like and their opinions on things).

I’m really glad, and feel lucky, that I can have some very interesting conversations about it all with my anons <3

[swampjawn]

Time to talk an unnecessary amount about floors!

Episode 6 of Dungeon Meshi was produced in collaboration with a smaller studio, Enishiya - and it went way harder than I expected, for being made up of two relatively simple and self contained stories focusing on one character each.

And you can really see how those extra resources meant the animators could give full focus to both halves of the episode. Let's take a look at one piece that stole the show.

The first half was handled primarily by episode director/storyboard artist Keita Nagahara and co-animation director Hirotoshi (or Hiroaki? [1]) Arai. It's actually kinda insane how much of this section can be attributed to these two.

But the real star of the show is the second half, Chilchuck vs the mimic, led by co-animation director Toya Ooshima in his first animation director role for TV anime!

And the biggest aspect that knocked my dang boots off was something that's very consistent with Ooshima's style: background animation!

By animating the backgrounds rather than using painted still images, Ooshima and the team of other similarly skilled animators are able to create these beautiful dynamic camera movements that wouldn't be possible otherwise. Like these cuts by Takeshi Maenami where the camera becomes an expressive part of the scene, zipping forward and backward, and tilting to emphasize the speed of this murderous hermit crab. (Maenami's style is also very recognizable here - snappy timing and quick camera movements)

Or this cut by the incredible Kaito Tomioka which cleverly combines a traditional background for the walls with a fully animated floor. The level of detail in these tiles is just completely insane, and used to great effect with this wide, diagonal angle, and the way the camera tentatively drifts forward before reversing direction, and the tiles blur out as it speeds up.

I don't think I'm the only one caught off guard by how much they full-assed this little side story, but it was a pleasant surprise!

I broke down the entire episode in this video here. A lot of research went into this one, and I think it's the best one of these videos I've made so far, so if you're at all interested in more of this type of analysis in video form, I would really appreciate it if you checked it out, or re-blogged this post! Thanks

[1] It's listed as Hirotoshi on Anime News Network, but Hiroaki on a key frame that Studio Trigger shared on Twitter, so I'm not sure which one is wrong.

[nunyabznsbabes]

Katniss is like Lucy Gray this, Katniss is like Sejanus that, and yes fine that's all good and true and lovely but Katniss Everdeen is also a direct parallel to Coriolanus Snow and people NEED to start talking about this because it's driving me crazy.

Think about it: they both grew up poor and deeply vulnerable, losing parents at a very young age, with a matriarchal adult (Katniss' mother and Coriolanus' Grandma'am) who fails to provide for them emotionally and physically. They intimately understand the threat of starvation, even developing with stunted growth because of it, and their narrations in the books share a fixation on food. Throughout their childhoods, both experienced constant fear and suffered a fundamental lack of control over their circumstances. Because of this, they're inherently suspicious of the people around them. They resent feeling indebted to others, especially those who have saved their lives. They're motivated almost entirely by family and deeply connected to their communities. Both are used and manipulated by the Capitol, both are forced to perform to survive and despise every inch of it, both are thrown into the Arena and made to kill. Both have a self-sacrificial, genuinely sweet sister figure acting as their conscience. Peeta and Lucy Gray - performers and love interests with a fundamental kindness and sense of hope about them - fulfill markedly similar roles in their narrative. Both contribute to the development of the future Hunger Games, Snow throughout tbosas and Katniss towards the end of Mockingjay.

It's easy to ignore these similarities because, as mirrors of each other, they are exact opposites. Katniss is from District 12, viewed and treated as less than human; Snow is the cream of the Capitol crop, given the privilege of a name with social weight, an ancestral home, and the opportunity of the Academy despite having no more money than a miner from 12. Katniss has no agency over her life, and responds by being kind whenever she's able, while Snow justifies horrendous evils in order to continue his quest for complete control. Katniss does everything she can to protect her family; Snow does everything he can to protect his family's image as an extension of his own ego. Katniss loves her District and connects with its inhabitants on a meaningful level, but Snow is indifferent at best to his peers - the apparent "superior people" - and only engages with his community for personal gain. Katniss emerges from the Arena horrified at herself and the system, but Snow takes his trauma and turns it into an excuse to perpetuate the violence with himself at the top. Katniss cares for Prim until her death and then snaps at the loss of her little sister, while Snow survives on Tigris' blood, sweat, and tears and then torments and abandons her, presumably because she calls him out on his insanity. Snow actively adds to and popularizes the Hunger Games because of his vendetta against the Districts following his childhood wartime trauma - Katniss briefly agrees to a new Hunger Games in the pursuit of vengeance, but later stops them from happening by killing Coin and choosing a life of peace and privacy. Snow is obsessed with revenge, but Katniss empathizes with the Capitolites and does what she can to keep them from suffering. He exists in a cruel system and selfishly upholds it; she exists in a cruel system and works to dismantle it for the good of her family and community, at great personal cost. And Peeta and Lucy Gray are incredibly similar, but Katniss and Peeta forge a relationship of genuine love and understanding that shines in comparison to Coriolanus' obsessive projection onto Lucy Gray.

So, yeah, Katniss is Lucy Gray haunting Coriolanus. But I bet you anything that eighty-something year old President Snow looks at her, the girl on fire, bright and young and brilliant, emerging from a childhood of starvation with a relentless hunger for success, a talented and charming performer helping her win the Games, and he sees the ghost of his own past. And that's why he's so afraid of her! Because if he sees himself in her, then he's up against his own cunning, his own talent for manipulation, his own charisma, his own genius. He's up against the version of himself that he once wished to be, with the nightmare army of his childhood at her back and her star-crossed lover at her side, spewing Sejanus' truths in his own voice. This isn't to say that Katniss ever achieved the level of power and agency that Coriolanus did during her time with the rebellion, but it is to say that Snow was taken down by what truly terrified him - his own morality, come to finish the job.

[drill-teeth-art]

Wow! Here’s something incredibly personal.

This is Good Bi Gender. A comic I made to express some feelings I have about my gender. I don’t really have that much else to say about it. Here it is.

[Image Description: A digital comic made with sharp, angular abstract lines and only the colors white, blue, pink, and black. The featured character is all white, except for facial features and hair colors, which changes from panel to panel. The comic reads: Cover Panel: The text "Good Bi Gender", the words colored with the trans flag. It shows a glitchy person's face, half pink and half blue. Panel 1: White text reads: "Hello. My name is apparently irrelevant. And my pronouns are he/him and she/her. But you can't call me she/her. And here's why." Someone with a half-pink and half-blue shirt looks to the side. One eye is covered with hair, and the other eye is pink while the iris is blue.

Panel 2: The character sits happily, imagining facial hair and a masculine voice. "I don't want top surgery. I love my chest. And I dream about being on testosterone someday soon." The character looks at a phone, frowning. The phone shows the male symbol with an "X" through it. Text next to it reads: “People don't seem to think that the features I dream of are very pretty though... Or they think even worse of them than that…”

Panel 3: The character’s features are all pink, and sits in a blank frame. The character reaches over to a blue frame, frowning. “I don't like the animosity. I really despise it.” A photo of the character shows an all-blue frame and blue hair, with pink outlines and facial features. “To be a boy... I aspire to be one. I aspire to be masculine in all its handsomeness. All its prettiness.” Panel 4: The character sits in an all blue panel, but reaches back out to the pink panel. “And I'm still a girl too. I was so excited to have both. To love both. To have handsome femininity. Beautiful masculinity.” The frames break and connect, and pink and blue swirl together. The character smiles in between the frames, with one pink eye and one blue eye. “So excited. And yet I get asked…”

Panel 5: Two hands hold out two different pills to the character, one blue and one pink. They ask “Male? or Female?” using the male and female symbols.The character, facial features an array of pink and blue, looks between the two hands, distressed. “It's both! I'm both! They're not opposites. Not narrow boxes. I say I'm both despite the insistence that I can't be. And I know what I look like. I know I look like a girl to most. I know that if I say people can call me she, that's all I will get from most. Because it's "easier". It "makes more sense". To have my masculinity, I am often forced to be unflinching in it and it alone. To never use she. Because if I don't, I will never get to have he.” [The words "she" and "he" are italicized.] Panel 6: Text reads: “I'm still very happy to be so comfortable in my identity. To know, despite all that, that I am indeed a boy and a girl and both. But you know. Telling people to only use he/him for me. Guarding my masculinity all just to have it. All at the expense of the part of me who is happily and unashamedly a girl.” The character cries from one pink eye, the other hidden. The character holds a pink girl in a sea of blue, the girl crying out. In the midst of the blue, text reads: “Well, it fucking breaks her heart.” End ID]

Edit: @starberry-skies wrote an ID for the comic, so I added it to the og post with its permission!

[imperiuswrecked]

BDS HAS CALLED FOR A TARGETED BOYCOTT OF PRO-ISRAEL PROPAGANDA CHARACTER SABRA!!!

BOYCOTT SABRA (RUTH BAT-SERAPH) IN MARVEL'S CAPTAIN AMERICA : NEW WORLD ORDER!!!

As Captain America: New World Order is released I urge all fans who are against Zionism to flood the Captain America tags with messages of Boycott Sabra. All the links provided in the graphic are publicly available from their websites, and social media.

Anti-Zionism =/= Anti-Semitism!!! We are boycotting Sabra not because she is Jewish but because she represents a Pro-Israel, Pro-Zionist message that should not be platformed in any media. Her comics have Pro-IDF propaganda.

Marvel was made aware of the fact that this character promotes a Pro-Israeli & Anti-Palestinian sentiment when the character of Sabra was announced for Captain America 4, despite fan concern, and calls for Marvel to remove this character from the movie and despite have more than enough time to respond to what type of statement this would promote, a Pro-Zionist, Pro-Israel stance and despite reshoots Marvel has still chosen to keep Sabra in the movie. Shira Haas is the actress playing Sabra, she is Israeli and has shared Pro-Israel posts online even during the genocide of the Palestinians.

Marvel claims they will be reinventing the character however a character whose very nationality and backstory relies on Pro-Israel & Pro-Zionist ideals is irredeemable especially because not once in all her comic appearances does she ever change her Anti-Palestinian stance. Israel is currently committing a Genocide against Palestinians. Since of October 7th more than 30,000 Palestinians, of which over 12,000 are children, have been murdered by Israel. Over 60,000 have been injured, more missing, and millions displaced in Israel's genocide and ethnic cleansing of the people of Palestine. This is in addition the 75 year long occupation, countless war crimes, and 16 year blockade on Palestinians.

Marvel claims to care about Jewish characters, but Marvel hasn't even cast Jewish actors for Jewish Characters like Moonknight. Marvel choosing to back a Pro-Israel, Pro-Zionist character like Sabra sends a very clear message that aligns with Marvel Comics long held Anti-Palestinian sentiment. There are other Jewish characters for Jewish representation, such as Magneto, and Kitty Pryde, who were not created with a Pro-Israel, Pro-Zionist background.

BOYCOTT SABRA!!! Send a message, write a tweet, make a post, and tag Marvel and Disney and let them know why you are Boycotting Captain America: New World Order. I love Sam Wilson as Captain America but I will never support a movie that has Sabra as a character.

For more information about the character's history here is a breakdown of her appearances in Marvel Comics.

The Incredible Hulk (1968) #256 - Sabra's Origin

On the cover of Sabra's origin issue is the image of a dead Palestinian boy.

continued...

As we read the issue, we find Bruce Banner/The Hulk has stowed away on the ship "The Star of David" to Palestine, in the comics it is called Israel, however Marvel Comics has long been erasing Palestine, calling it only Israel.

This is Marvel Atlas (2008) #2 page on Israel

Marvel Fandom Wiki states that Palestine was the name of the land before Israel. While I understand that Marvel's 616 Universe is fictional, it's important to state that they base their locations on Real Life locations, and in 1948 Palestine underwent The Nakba, in which Israeli Forces displaced over 750,000 Native Palestinians and killed countless men, women, and children, stole land and homes, and forced the remaining Palestinians into the Gaza Strip which is the world's largest concentration camp, or confined to the West Bank all of which is under Apartheid laws today, or out of Palestine with no right to return to their homes and lands.

That being said, Sabra was created in 1980, as a Mossad Agent, Mossad is the Israeli Secret Service which has done so much harm to Palestinians. In her first issue she was working as a cop in Tel Aviv.

The Editor's note states: "The word Sabra denotes a Native-Born Israeli, the name derived from an indigenous form of fruit - a prickly pear possessed of a sweet interior, and a spiny outer surface to protect it from it's enemies."

Sabr (arabic, it also means "patience") is a cactus prickly pear that is Native to and found growing in Palestine. Read more about it in this article talking about the politics of Palestinian erasure and the Sabr fruit.

The Prickly Symbolism of Cactus Fruit in Israel and Palestine.

“If you look at most Palestinian villages demolished in Israel, what’s left is cactus fruit and olive trees,” says Qattan. Since 1948, he adds, this has imbued the cactus plant with a “mythical symbolism.”

When Blum’s father started the farm, he knew that many parts of the world have cactus fruit plants, so he wanted to make theirs the best. They chose Dimona, in southern Israel, because of its intense sun and “the Zionist dream of making the desert bloom.” 

"Making the desert bloom" is a racist Zionist ideals and propaganda that has caused severe ecological damage to Palestine by destroying thousand years old Olive trees to plant non indigenous trees that are not native to Palestine in a form of ecocide. So even the character Sabra, her very name brings a connection back to the Nakba, the ethnic cleansing of Palestinians & promoting Zionism.

However Sabra's name also has another very real and very tragic memory. One I will discuss here before returning to the comics. Just two years after her appearance in comics in 1980, Israel's war crimes continue.

The Sabra & Shatila Massacre 1982

The article linked above has information of what occurred September 16-18, 1982. There were the Refugee camps of Sabra & Shatila, where Palestinians displaced from Israeli Occupation lived, and they, as well as Lebanon Civilians, were killed by the right wing Lebanese Militia working with the Israeli Military, which took the lives of 2,000 - 3,500 people in 2 days. Raped, tortured, murdered. Many Palestinians know the history of the massacre and bringing up the names of Sabra & Shatila is a constant reminder of the deaths that occurred, the war crime that was committed, and that 42 years later not one person involved in the massacre was held accountable.

The Sabra and Shatila massacre is remembered as one of the most traumatic events in Palestinian history and its memory is commemorated annually by Palestinians in Lebanon and in Palestine.

Marvel promoting a character like Sabra who's very creation ties into the Pro-Zionist Israel a statement that Marvel is promoting a Pro-Israel message. No matter what changes occur to the character in the movie, already her very creation, her very name is linked to the deaths and torture of thousands of Palestinians. It does not matter that she was created 2 years before the Sabra & Shatila massacre, her name is still connected to the ethnic cleansing of Palestinians from the 1948 Nakba and the creation of Israel.

For anyone who says "Well Marvel couldn't change her name just because of Political Controversy" let me remind you that when the American Black Panther Party gained popularity Marvel changed The Black Panther's name temporarily to the Black Leopard because they didn't want to associate the character with the American Black Panther Party.

Now that you have an understanding of why Palestinians are rightfully boycotting an Israeli Propaganda character let me return to the the comics.

Back to The Incredible Hulk (1968) #256; this comic is one of the most Anti-Palestinian, "Arab Terrorist Propaganda" comics I have ever read so I will briefly outline the plot: The Hulk meets a poor Palestinian boy who was stealing a watermelon (The watermelon is the symbol of resistance for Palestinians) and Bruce spends time with the boy, Sahad, however Sahad is killed by a bomb. Hulk is enraged and fights the Arabs, Sabra intervenes and thinks Hulk is in league with the Arabs and attacks him.

Hulk takes Sahad's body away and Sabra thinking Hulk was fighting with the Arab Terrorists goes after him in order to protect Israel. However she finds that Hulk wasn't the monster she thought he was. Hulk's angry speech about the Israel-Palestine conflict leaves Sabra shaken and for the very first time she sees a Dead Palestinian Arab Child as human.

"For an instant, Sabra prepares to give chase. She is, after all, an Israeli Super-Agent... A Soldier... A Weapon of War. But she is also a woman, capable of feeling, capable of caring. It has taken The Hulk to make her see this Dead Arab Boy as a Human Being. It has taken a monster to awaken her own sense of humanity.

Reminder this is her FIRST FULL COMIC, this is her ORIGIN, and you would think that perhaps she is more sympathetic to the plight of the Palestinians after this but she isn't. Let's continue with the rest of her comic appearances.

Marvel Super Hero Contest of Champions (1982) #1-3

Sabra is included in the contest of champions where superheroes must team up to battle their foes, she is teamed up with Iron Man, and The Arabian Knight (1st incarnation: A Saudi Bedouin with mystic artifacts/powers). Again, the Anti-Arab racist stereotype of Arab men being misogynistic towards women (misogyny is not a trait of ONLY Arab men, it is something that occurs world wide, however focusing it only on Arab men is racist) as well as the Zionist Propaganda lies that Arabs hate Jews, Arabs vs Jews, Arabs and Jews are enemies because of their religion. Not to mention that this Arabian Knight (Abdul Qamar) is from Saudi Arabia, he has no ties to Israel, so Sabra is judging him because he is Arab and has conflict with him because of their countries, it ties into the stereotype that "All Arabs are the same", Saudi Arabia is not Palestine.

Even after The Arabian Knight saves Sabra, she states her hatred and racism towards Arabs; "I would rather be dead than allied with you!"

The Incredible Hulk (1968) #279 - Sabra once again states it was the Hulk who taught her about Humanity.

Marvel Super-Heroes (1990) #6 - Sabra fights Israeli Anarchists who want to overthrow the Israeli Government and saves the American Ambassador's son, who is deaf. The main villain is a woman who Sabra saved by giving her some of her life energy, and she is upset because she did not want to be saved nor does she want to fight for Israel with the powers Sabra gave her. Sabra takes her life energy back and it kills her.

A constant running theme throughout her comics is that one of Sabra's repeated goals is the protection of Israel even above her own life.

The Incredible Hulk (1968) #386-387 - Sabra thinks the Hulk is in league with people who are trying to kill a boy, and attacks him. Later she thinks Hulk has defeated her and has this speech where she says that Israeli Soldiers are beating their wives out of frustration.

Again, how is that not the fault of the soldiers, why is it even when they are perpetrators of violence it's not their fault because they are frustrated?!

The main plot was that a Jewish man, who survived the German Nazi concentration camps, believed the boy to be the next Hitler which is why he wanted to stop him.

I never downplay the horror of the Holocaust or what Jewish people suffered from Nazis, from Anti-Semitism, throughout their history, but I am mainly focusing on how Sabra's character is in the comics and how that related to Anti-Palestinian, Anti-Arab sentiment.

The New Warriors (1990) #58-59 - Sabra reveals that her six year old son was killed by Arabs, bombed on a school bus, after she urges the New Warriors to kill Batal, a Syrian Super-Agent. Batal then states that it was the PLO (Palestinian Liberation Organization) that killed her son and to stop generalizing all Arabs.

Batal: Well Sabra? There's a Palestinian over there -- aren't you going to push him out of his seat and claim it as your own? Sabra: I don't respond to child-killers

Again, Sabra's racism against Arabs doesn't end at Palestinian Arabs, but extended to Saudi Arabia and now Syrian Arabs. LET ME BE VERY CLEAR THAT SABRA IS BEING RACIST: Batal has 2, TWO, only 2 comic appearances, he is there as security detail like Sabra is, there is nothing about his character that indicates he's anything but a Syrian Superhero, and Sabra still called him a child killer because she thinks all Arabs are child killers. Batal is written with the stereotypical racist Arab Man writing that many Arab characters suffer from, and he does insult Sabra by calling her an "Israeli Pig" after she treated Batal with disrespect, distrust, and suspicion ever since his arrival.

Sabra is then mind controlled into stopping the peace conference and killing everyone who allowed it to happen. She is stopped by the New Warriors.

Sabra's son is never once shown in a flashback, we are only ever told of him and how he died.

X-Men (1991) #67-69, 72-73

Sabra's dead son's name is revealed to be Jacob, she uses her position in Mossad to get secret information for the X-Men.

She later has plans to track down and kill Magneto, but ends up fighting with his clone, Joseph, before being told that wasn't the real Magneto and stopping.

Excalibur (1988) #120-121

Sabra teams up with Excalibur to defend "Israel" from Legion's ghosts. Then she is debriefed of her mission by Mossad.

Uncanny X-Men (1963) #366, 367, 379

Sabra takes Joseph (Magneto's clone) to an Israeli Military bunker where scientists study his DNA and state he is a clone of Magneto. Later Sabra attends Joseph's funeral.

X-Men (1991) #111

Sabra makes a statement about Magneto; Israeli Super-Agent Sabra weighed in on the looming war with her usual candor, "It is clear to me at least that Magneto has become the monster he claims to despise. There are some factions who believe this rumored son of Israel has brought much shame to his countrymen. Factions who believe he should be dealt with once and for all. Okay maybe not factions. But certainly Individuals... like me."

New X-Men (2001) #131-132

Sabra attends a funeral for Darkstar in #131. In #132 Sabra interacts with the mutants, and x-men, and says to Quicksilver (on the apparent death of Magneto), "I'm sorry Quicksilver, but good riddance. Magneto was a master-race lunatic who coherenced the entire Genoshan mutant population into a war with humanity and brought this on himself."

JLA/Avengers (2003) #4

Single panel appearance where Sabra is shown protecting the Wailing Wall in Jerusalem. Again she is called an Israeli hero.

Side Note: I don't think there's been a single comic where Sabra has a major presence that has not mentioned at least once that Sabra is an Israeli Super Hero, a Mossad Agent, or an Israeli Super-Agent at least once. It's so noticeable that they always mention it and how big of a role it plays in her character.

Excalibur (2004) #5

Flashback two panel appearance of Sabra on Genosha.

Civil War: X-Men (2006) #1-4

Sabra fights on the side of Tony Stark/Iron Man and battles Archangel, then aids an injured Micro Max.

Civil War (2006) #6

Sabra fights on the side of Tony Stark/Iron Man.

Union Jack (2006) #1-4

The Arabian Knight has changed mantles, the 2nd incarnation is portrayed by a Palestinian Hero, Navid Hashim. I make mention of this because in Union Jack (2006) #1 Navid is called a Saudi, then in Hulk (2008) #45 Navid is called a Afghani, however the Marvel Fandom Wiki stated he was a Palestinian and I wanted to confirm it, which I did in:

Marvel Encyclopedia, New Edition (2019)

In the first issue of Union Jack, right off the bat, Sabra has an issue with The Arabian Knight, and is antagonistic towards him.

Navid is written in Marvel's usual racist writing; the misogynistic Arab man stereotype. Navid tells Sabra she should embrace her role as a mother instead of a hero. Sabra snaps and chokes him while telling Navid that Palestinians killed her son. Note how now it's Palestinians and not, Arabs, and not the PLO? Because by now the PLO is no longer considered a Terrorist group, so Marvel can't blame them and instead shift the blame to all Palestinians for the loss of Sabra's son. Arabs is too general, so of course it's the Palestinians.

To this date Sabra's son, Jacob, has still never appeared in any flashbacks, never seen drawn into a comic with Sabra, no mention of who the boy's father is. Nothing except Sabra's loss and hatred of the Palestinians. Even in her first solo comic series, which I discuss further down, does not mention her son. Using the death of an Israeli child to justify villainizing the entire group of Palestinian people is Zionist Israelis do. It's Anti-Palestinian Propaganda.

Later Navid gets hurt and Sabra checks on him, he tries to apologize;

Arabian Knight: About your son... I only meant. Sabra: Don't. We are allies of the moment. Another day I would have driven the dagger home.

Later Sabra, The Arabian Knight, and others are mind controlled by the villain to attack Union Jack. Union Jack is told that he can distract them by turning them against their "natural enemies" and then Union Jack insults Sabra and uses Sabra's hatred and racism towards Arabs to turn her against The Arabian Knight. Sabra calls Navid a terrorist as she attacks him.

The mind control gets broken, and the team rallies to save the day by the last issue. The final exchange between The Arabian Knight and Sabra shows a tense acknowledgement between them meant to show begrudging respect. This is the nicest Sabra has been to any Arab character since her creation. The bar of "showing respect" is literally on the ground.

Secret Invasion #6

Cameo one panel appearance of Sabra in Israel fighting a Skrull.

Astonishing Tales (2009) #6 - Astonishing Tales: Sabra

Tagline in the comic states: Sabra: Whether as an agent of Mossad, or a superhero, the Israeli mutant Ruth Bat-Seraph has never doubted her decision to put her country above self. Fighting alongside the Avengers, X-Men, and Captain Britain, as the patriotically garbed Sabra. Ruth has proven herself a champion to all nations.

"Sabra in Flight" - is one of the most disgusting pieces of Israeli comic propaganda I have ever read thus far in Sabra's comics. For my first time reading it I was shocked at how easily they projected the narrative of Israel as something noble and worth dying for. This piece of utter trash is the very first time Sabra has her own solo comic story. Let that sink in. This is the first time in 29 years since Sabra's creation 1980 that she has her own solo comic story. Sabra's total presence in the comics is 42 years.

The only things we know of her character is that her name is Ruth Bat-Seraph, she was born and raised in a special Israeli Kibbutz (Israeli settlement), that she manifested mutant powers that include; flight, energy quills, poisoned quills, super strength, and life energy transference. Sabra had a six year old son named Jacob who died in a bombing. She has always stated or maintained her solidarity and defense of Israel even above her own life. She is racist to any Arab, especially Palestinian Arabs.

It also important to note her costume changes over the years, her Star of David has diminished greatly from being on different parts of her uniform to just barely being a necklace/neck accessory. Her roles as Israeli Hero is greater than that of her being a Jewish Hero.

This comic introduces us to Ruth at a Israeli social function in Jerusalem, where is with her mother. Her mother tells her not to spill anything on her Sabra uniform, and mentions how people want to talk to her, Their Greatest Soldier. Again the emphasis on her being an Israeli Soldier and a Mossad Agent is hammered home in the first page of this comic.

Mother: "Your dad would be so proud of you, Ruth. To see his daughter in uniform protecting the Nation." Ruth: "I just hate being put on display at these receptions. I am a Mossad Agent after all."

Then the next bit of news we learn is that Sabra has a brother. So now we know she has a mother and brother who is living, and her father is deceased. Next a old friend of Ruth's arrives with her teenage daughter, Yael, in tow, she introduces Sabra to her daughter and leaves them to talk. Sabra then mentions to Yael that she must be getting close to her mandatory military service soon. Yael mentions she is nervous because her friend was in the military and was paralyzed in Gaza.

Sabra then spends the next part of the comic reassuring Yael that it's ok to be nervous and that she was nervous too sometimes and mentions a story where she faced Hydra, and that when Yael goes into the Israeli military (IDF: Israeli Defense Force) she will learn a lot.

Sabra: "You'll learn a lot when you enter the Military. But the biggest thing you'll discover is that you have two families; your military family, and your personal family. Both will always be there for you, and perhaps even sacrifice themselves for you. A hard truth I learned the day my dad died rescuing me."

Yael mentions how her father was killed by surface to air missiles, and then goes on to say she was accepted into the air force flight academy and she always wanted to fly but that she was nervous. She mentions she might go into Military Intelligence. Sabra says that is good too but Yael then says she feels she was always meant to fly. So to convince Yael go into air force and alleviate her fears Sabra then takes her in her arms to fly her over Jerusalem and tells her that this land is what their dads died for. And she is convinced that Yael will make the right choice.

Side Note: Excuse me while I throw up, this entire comic made me feel so disgusted. I always try to write and speak about comics as professionally as I can but fuck this comic. Fuck this Pro Israel Propaganda. Fuck Sabra. Fuck this Pro-IDF comic. Fuck making an entire comic about reassuring a young teenage Israeli girl to go and join the IDF to fight in Gaza, to kill Palestinians. THIS. This is why Sabra will NEVER be able to be divorced from her origins, her character, as a Pro-Israeli Super Agent. No matter what Marvel tries to put into the movie this is who the character is at her very core.

Over 12,000 children have DIED since October 7th. Israel is committing genocide against the Palestinian people, but Marvel and the MCU, and Disney think it's ok to have a Israeli Superhero in a Captain America movie? Boycott. Scream out online to them. Tell them we do not want their Israeli Propaganda. Sabra should never ever be used for any platform, movies, shows, animation, comics, ever again. Over 30,000 Palestinians have been slaughtered by Israel in the last few months alone. Never forget.

I'm shaking with rage as I write about this comic but we move on. There's still some comics left to discuss. However in my firm opinion this character is indefensible, she literally is an Israeli Propaganda character. She is propaganda for the IDF.

History of the Marvel Universe (2012)

Cameo Appearance.

Amazing Spider-Man (1963) #685, Amazing Spider-Man: Ends of the Earth (2012) #1

Sabra teams up with Spider-Man and other heroes, she is introduced as a Israeli based mutant, she fights spider robots in Jerusalem.

X-Men (2010) #31, 34-37

In Paris, Sabra greets Storm and later she helps the X-Men using her influence as a Mossad Agent.

X-Men (2013) #9, 11, 16 + X-Men Legacy (2012) #23

Sabra aids the X-Men.

Captain America: Steve Rogers (2016) #18

One page Cameo, Sabra appears to have completed a mission and gathered files.

Avengers (2018) #11

Sabra and the Arabian Knight are at a meeting called by The Black Panther. T'Challa wants everyone to work together, they are currently discussing an issue with Namor the Sub-Mariner, King of Atlantis. Ursa Major makes fun of the situation; "Haaaa, look at Sabra and the Arabian Knight! Even the Jew and the Muslim are agreeing! How touching!

Zionist propaganda of making it seem as if the conflict between Israel and Palestine is a religious conflict between an Arab and a Jew. Making of a Jewish and Muslim character getting alone because they should be fighting is racist, Islamophobic, and anti-sematic. The conflict between Israel and Palestine is NOT a religious conflict, Israel has been occupying and murdering Palestinians for 75 years. It is a conflict between Israel being a colonizer and Palestine being colonized. Israel is committing a genocide as I create this post.

At the end of all her appearances spanning 42 years Sabra has not once changed from her palestinian, arab hating, israeli zionist roots. All we get is her trading a few words back and forth with Arabian Knight and acting like an adult at a table full of kids. There isn't even respect between them. That is all the appearances of Sabra.

Why is important to boycott Sabra? In addition to the character being Pro-Israel, Pro-IDF Propaganda, giving a large platform like the one an MCU movie provides will give the actress a larger platform.

Israeli Actress, Gal Gadot, who is Pro-Israel, Pro-Zionism, Pro-IDF, and was a former IDF soldier, was cast in a high profile role of Wonder Woman, she used her platform, power, and access to thousands of fans to further messages of Zionism and even promoted a Pro-Israel propaganda film to be aired in Hollywood. The film was used to further the Zionist agenda of continuing their genocide against the Palestinians in Gaza. Bearing Witness (2023) is a Israel IDF propaganda film that Gal Gadot endorsed as Israel continued their genocide of the Palestinians in the Gaza Strip.

Wonder Woman isn't even Israeli, however the actress used her ties to the character to promote Israel. In Wonder Woman: 1984 there is a very racist, Anti-Arab, Anti-Palestinian message including a scene where Wonder Woman, played by Gadot, saves 4 Arab boys from a missile. Article Link

Why is that scene so controversial? Because Israel murdered four young boys who were playing on a beach in Gaza back in 2014 by a drone missile strike. Article Link

Gal Gadot and now Shira Haas having roles in movies with as much exposure as DC and Marvel movies promotes Israel, and Zionism. Pro Zionist groups have already voiced their approval of Shira Haas playing Sabra.

I will boycott any piece of media that features Sabra, the Israeli Propaganda Super Agent.

Use the Captain America tags to Boycott Sabra.

If you have read this far then please support Palestine. Support Palestinians and fight against Zionism. Comics were created by Jewish Creators, do not let Zionists try to erase their contribution or use comics to promote Zionism. Comics are never created in a vacuum, they are the pulse of current pop culture, of current news. Comics are Political and always have been. Marvel choosing to keep Sabra in the MCU sends a clear message of support for Zionism & Israel.

Find a Protest near you

Donate or Join Palestine Action

Donate to Palestine , HelpGaza , Palestine Donations , Aid Palestine

Learn about Palestine

[lordsovorn]

Strange how people keep saying that "Shuro hates in Laios the same traits he supposedly loves in Falin", which is...

Seriously, look at him and his dialogue - does he hate Laios for being a monster freak? For being nerdy and weird and loving nature? For eating bugs? No, that's not it.

Shuro hates* Laios for being so profoundly socially inept (from his perspective).

The key difference between Touden siblings isn't that Falin is a pretty girl - the key difference is that Falin is caring and accommodating to other people, and Laios is awkward and unobservant, seemingly egotistic at the surface level.

(others have already written wonderful essays on why and how they grew up like that)

It has to be noted that Shuro is a sheltered noble from a land where proper etiquette is paramount - he is used to people being incredibly subtle AND incredibly observant around him. He comes from a high-context culture where everyone assumes things based on lots of social cues and shared understanding of context. That's not even a matter of being neurotypical, that's his culture (in addition to his personality and brain chemistry)

He is also rather introverted as person and doesn't have many friends. Even his attachments and emotions in childhood are expressed subtly, in a restrained and proper way. He is polite and refined, perfectly fitting into his house's expectations - even if that means repressing his childhood interests and little weird joys.

In that particular way, the opposite of Laios.

Shuro hates* Laios for being the opposite of the image HE was grown into. This strange man is so utterly insensitive and so open about it - he has no sense of shame (like Shuro), no tact and ability to shut up (like Shuro), no restraint (like Shuro). Look at him talking non-stop about things he wants to talk about and having fun (unlike Shuro) while completely overestepping Shuro's obvious boundaries!

The boundaries, I must say, that not only never before needed to be spelled out, but in Shuro's upbringing and culture would be as ridiculous to spell out as "I want to pee, so I'll go to the bathroom and remove my pants and sit on the toilet and release the sphincter holding my pee in my pee bladder"

Falin is not only awesome in his eyes for being weird and in touch with nature, but for being very delicate, observant and caring AT THE SAME TIME. She is a gem in Shuro's eyes, a miracle of his dreams.

In Falin, he not only sees a nerd-freak - he sees a hope for an introverted, polite, restrained person like himself to reconnect with that love for nature and nerdiness and freakiness.

Laios isn't like that. Laios is unobservant for subtle cues - and so a lot more loud, persistent, enthusiastic and unwittingly annoying. Yes, Falin has all that inside her too - but she restrains herself in order not to be a burden. And so does Shuro, in order to fit expectations. There's similarity between them in that regard, between two introverted and restrained weirdos. And a hope for a kindred, more open soul, from the more restrained Shuro's perspective.

* - I don't think Shuro's feelings to Laios are properly described as hate. Yeah, in his darkest moment he says that, but honestly it felt more like an accumulated stress from a continuous cultural and personal misunderstanding, rather than a profound personal hate.

...

What was the post about?.. Oh, yeah, Shuro loving Falin and disliking Laios. That's not him being too horny to think, that's him loving in Falin the defining difference between the two - they aren't gender-swapped clones, after all. Give my boy some respect and nuance.

[yandere-writer-momo]

The final part of Mommy! First part

Yandere Short Stories: Mommy

Delusional Yandere Single Father x Teacher Afab Reader x Platonic Yandere Son

Jesse wrapped his arms around (your name)‘s legs, the small boy hummed in contentment when she ran her fingers through his black curls. Why couldn’t she be his mom? She was so warm and gentle… so much better than the woman who gave birth to him.

“Jesse? I think your nanny is waiting to take you home.” (Your name) smiled down at Jesse who only burrowed himself further into her skirts. She sighed at how clingy the young boy was, but she was sympathetic to his feelings. Jesse didn’t have any warmth in his home so he sought it out from her.

“I don’t want to go home… can’t I stay with you?” Jesse glanced up at her with his blue puppy dog eyes, his lips in a pout. “Can’t you just adopt me, I’ll be good…”

“Jesse, I can’t adopt you.” (Your name) felt her heart clench when he started to cry. “Jesse-“

“But all the other kids have a mommy and I don’t! I want to be read stories and I want homemade lunches. I don’t want to be alone!” Jesse buried his face into (your name)’s skirts. His little hands clutched tightly onto the cotton fabric in a death grip. “I’ll be a good boy. I’ll be quiet and I won’t ask for much-“

(Your name)’s thumbs instantly brushed away the hot tears that dribbled down his soft cheeks to smooth the young boy. Her beautiful face now in a frown.

“Shh… you can come hang out with me when you’re lonely at school.” (Your name) warmly smiled at Jesse. She ran her fingers through his thick curls as he sniffled.

“R-really? You’ll let me spend time with you?” Jesse’s voice trembled as he tried to calm his tears. “Can I eat lunch with you everyday? I like when you cut the crust off my sandwiches…”

“Of course, Jesse.” (Your name) reassured Jesse, who buried his face in her skirts once more. This sweet boy… he deserved love.

Unbeknownst to (your name), Jesse had a wicked smile on his sweet face that was hidden in her skirts.

Jesse may have been the spit image of Liam, but he was still his birth mother’s son… and (your name) would be his mommy one way or another.

.

.

.

Jesse often hogged (your name)’s attention from the other children. He’d rush to her first whenever class would start or end to hug her, he’d raise his hand for every question so he could be praised, and he’d constantly ask for help.

Jesse was not liked by the other children but he didn’t care all that much about them.

Because Jesse wanted his mommy to only have eyes for him.

.

.

.

Liam felt nervous at the florist shop he was in. The various floral displays of affection made his stomach twist into a knot. He was so nervous… to buy apology flowers for his son’s teacher.

Liam ran a hand through his dark hair with a sigh. This was an incredibly frustrating experience for him since he’s never bought a gift for a woman before. Especially not one as lovely as (your name). Liam couldn’t get her angry expression out of his head… she haunted his dreams and lingered in the crannies in his mind.

She was an itch he couldn’t scratch and Liam disliked this alien feeling she brought out. Liam didn’t know why his heart pounded in his chest at the thought of her or why his cheeks heated up. It made him anxious.

“And what can I help you with today, sir?” The florist smiled warmly at Liam who nearly jumped out of his skin. Liam had been so lost in his thoughts, the florist had caught him off guard.

“I think I would like a bouquet of roses…” Liam’s forest green eyes glanced at the red roses in interest. “The reddest ones you have.”

(Your name) would look lovely in red… Liam couldn’t help the image of her in a red dress that surfaced in his mind. He didn’t quite understand his attraction toward her, but he hoped it would fade.

.

.

.

Liam stood before (your name) in her classroom, his cheeks rosy as he studied her expression. Her arms held the fragrant roses in confusion.

“Mister Isbert? There was no need to get me roses-“

“I’m sorry for making presumptions about your character. It was unjust of me.” Liam bowed to (your name) in apology. “Please forgive me-“

Liam gasped when she moved closer to him, which and whom snap his head up in attention. His forest green eyes wide when she gave him such a warm smile… he’s never seen a smile like that directed toward him in his entire life.

“It’s perfectly okay. I understand you may have been through some trauma but I assure you I’m not after those sorts of things with you.” (Your name) then turned her gaze toward Jesse who peaked around the corner of the classroom. It seemed the young boy was eager to enter. “I’m just concerned for Jesse is all-“

“I do not know how to be a good father…” Liam shyly admitted, his forest green eyes focused on her confused expression. “I have never been taught warmth.”

“Well I have no issue teaching you how to spend time with a child… if you’d like of course, mister Isbert.” (Your name) smiled at Liam whose cheeks went aflame.

“I’d love to…” Liam cleared his throat and gave (your name) a soft smile. “And please, call me Liam.”

The two adults smiled warmly at each other which made Jesse perk up from his spot. Maybe he’d get her to be his mommy after all…

.

.

.

(Your name) laughed when Liam tried to tie Jesse’s shoe laces. The businessman was clueless…

“Here, let me help.” (Your name) gently took the shoelaces from Liam and slowly tied them in front of him. “The dragon goes under the bridge, through the loop, and into the castle!”

Jesse giggled at the rhyme, his eyes sparkled at his dad. “See! Mommy knows how to tie shoes!”

Liam blushed in embarrassment when (your name) and Jesse shared a laugh. He never knew how simple this was… how a family should be.

“Why don’t we read a book together?”

Liam glanced over at (your name) while she picked out a fairy tale. A ray of sunlight hit her at the perfect angle that made her even more angelic.

Liam never knew someone could be so beautiful…

.

.

.

Weeks went by of Liam’s ‘lessons’ of fatherhood. The two adults would laugh together as (your name) tried to teach him how to be more affectionate with his son, unaware that the businessman started to be affectionate with her as well… Liam came to terms that he loved her.

Liam loved the young woman who was eager to help him mend his relationship with his son and teach him how to love. To not take out his trauma onto Jesse and to be more open to change.

Liam became a better person by being around (your name) and he had no interest in going back to the way his life was before he got to know her better. The two of them were truly a power couple! She’s shown him a new side of life he never knew existed… who knew Jesse would indirectly introduce Liam to his soulmate?

Liam blushed as he sat at his desk, his head filled with thoughts of (your name). The image of her holding Liam in her arms burned in his mind.

How could someone look so perfect holding his child?

Liam dug into his desk drawer and pulled out one of the many drawing Jesse had made of (your name) and him. The three of them as a happy family.

Liam lit up a cigar and took a deep inhale of the smoke. Yes… he’d ask her to be his wife. To be Jesse’s mom.

Liam held the picture close to his chest. He needed to tell her how he felt… of how he loved her.

.

.

.

Liam upped security around the school as usual since he dropped by for the lessons. Liam wanted to ensure this entire ordeal remained private, he had no desire to add more stress onto poor (your name)’s life… today, they were gong to become an official family.

Liam sighed dreamily as he thought of what was about to happen today. (Your name) would be so beautiful as his wife and future mother of more children. He wondered how many siblings Jesse would like? To add onto their perfect family.

“Is there something wrong, Liam?” Liam perked up when (your name) softly called his name, she was careful not to disturb the sleeping Jesse in her arms. “You’ve been lost in space for a while now.”

“Would you be interested in dating me?” Liam’s blunt question nearly made (your name) fall over in shock. Date him? Where on earth did he get the idea that she wanted that sort of relationship with him?

“I don’t think we should.” (Your name) smiled warmly at Liam who frowned at her gentle rejection. “You’re a CEO of a big corporation and I’m just a measly kindergarten teacher.”

“I could take care of you.” Liam whispered softly. “You’d never struggle financially and you could be with Jesse every day. Don’t you want Jesse to be happy?”

(Your name) glanced down at the young boy who remained asleep. She did care about Jesse… but not enough to date his father.

“I’m sorry but I can’t do that.” (Your name) sighed softly as she handed Jesse to Liam to take. “I hope you find someone on your level to be with, Liam.”

Liam could only sit on the floor in shock when she walked to her desk to gather her belongings. She didn’t want him? Why didn’t she want him?

Liam tried to speak but he couldn’t find the words to stop her. How could he tell her he’s never felt this way before? That he wanted her? That he-

“I love you!” (Your name) froze in the doorway when Liam blurted out his declaration of love.

“W-what-“ Liam scrambled to his feet to try to stand before her. His lithe body hovered over her like a shadow.

“I love you and I’ve never felt this way before… please give me a chance.”

“I’m sorry, Liam-“

“I won’t accept no as an answer.” Liam felt his stomach twist but he needed to get her to be his… he needed her. “I’ll ruin your life if you don’t accept my love. I’ve never wanted anything in my life as much as I want you.”

Jesse stirred awake in Liam’s arms, the young boy’s eyes wide at his father’s words. “Become Jesse’s mom. I’m serious about being with you.”

“I-“ (your name) was cut off by Jesse who excitedly reached for her.

“Mommy? You’ll be my mommy?!” Jesse began to cry when he hands grabbed hers. “Mommy. Mommy!”

“Yes, Jesse.” Liam smiled down at Jesse as he pulled (your name) close. “Miss (last name) is going to be your mommy.”

“No-“ (your name) gasped when Liam suddenly bent down to kiss her which made Jesse smile brightly.

“We should head home, right?” Liam turned to Jesse who smiled brightly at his dad. “Like a happy family should.”

[literalgrill]

Do NOT Support Hard Drive On Patreon

You might see friends today suggesting you support Hard Drive on Patreon today. You know, the funny video games version of The Onion? As a journalist, I will firmly tell you DO NOT GIVE THEM A DIME.

The CEO has pushed out all former staff that have built the site up to its current greatness and has been pushing the use of AI. The staff begged to have a Patreon before basically all being pushed out, but the idea was refused until now, when it will only line the pockets of a single person instead of hard working writers.

I know they might have provided laughs before, but Hard Drive is a shell of what it was once. Let it die and support the people who actually made those moments of joy possible. Don't believe me? Check out what former employees are saying below:

Kevin Podas: Okay you know what, I would feel bad saying nothing about this, so here goes:🚨SAVE YOUR MONEY🚨

We passionately advocated for a Patreon at Hard Drive & were aggressively shot down. The talent & people who built the site were pushed out. To see this now is beyond upsetting. For the past few years or so I put a lot of myself into this website. I pitched a ton of jokes, got over 120 articles published, & met a lot of great people. I'm sure if you've been following me for some time you could easily see this.

However, there is a lot of misinformation. I was eventually promoted to Managing Editor of the site & was ecstatic. Grateful for the opportunity. Felt like all of my hard work in the comedy mines was finally paying off. But things took a turn for the worst, & each day there were new surprises that affected our livelihoods. These were all very avoidable surprises, mind you.

A patreon was going to be our hail mary, but alas, for some reason, the power that be did not want it. Causing us to leave a dream job behind. "At least we did all we could," we consoled ourselves afterwards. I put a lot of myself into this project. I pitched all sorts of ideas that could have helped-- we all did. Merch collaborations, Patreon-integrated YouTube content, so much more. And most of them were shot down out of sheer stubbornness and nothing more. To see lie after lie spread, and multiple big publications and YouTubers that I am a fan of promote this Patreon under these pretenses is incredibly upsetting. There are so many receipts.

Please share this and consider pulling out if you've already put money into this. On Hard Drive using AI, also from Kevin Podas: I can't personally confirm that part aside from some of the recent header images for articles on both Hard Drive and Hard Times are being made with AI. As far as writing, it's been mentioned in the past, but I personally do not know. Maybe others do, maybe not. MORE From Kevin Podas suggesting the owner denying a Patreon being set up earlier cost an artist a job that was replaced by AI: We had a social media person who was awesome! He made the images until this AI implementation. He had to leave because ad revenue was low and a Patreon was aggressively refused.

Luca Fisher: at the risk of burning some bridges, i have to back up kevin here. i've only been part-time, in-and-out of hard drive since i got in last year, but i can corroborate that management doubled and tripled down about not hosting a patreon/crowdfunding and that many other suggestions and ideas, including mine (and ones much smarter than mine!), were shot down in really long, apocalyptic threads of everyone left on deck desperately trying to come up with ways to keep the lights on. managerially it has been messy and sad

i've written for multiple publications that have long since died, ones that were in the process of dying, and ones that, in this case, are soon to be put in the ground. it is sad and sucks every time. i don't know what could have been done differently, but i do know that a lot of great writers and content creators were left shorthanded and unhappy by the way things have gone. and it is sort of puzzling to see the sudden championing of patreon after we were all told plenty of times that it couldn't work and we should move on also, just to add my own personal two cents here, i was really disappointed by the shuttering of many different article sections on the site over the past 6-8 months. i understand cutting corners in a deficit, and i know it had to be done. that said…

all in all, i'm really sad to see this all happen. i don't fault anyone, if only because i don't really know enough about how this all can happen to make sense of it. games journalism is in a sad, sorry state, and will likely no longer be a thing in the next decade

VideoSealMan: I'm gonna say this because I think I deserve to. For months, MONTHS on end I was bugging Hard Drive management about a Patreon. Often I got ignored for a week+, but when I actually got a response I was encouraged to - of all things, write up a Google Doc pitching the concept I did it regardless. I wasn't the only one trying to sway management on a Patreon, but so fiercely was I fighting for it that last night, I was accused of making this comment directly by the CEO! With no evidence whatsoever! After I'd been gone for over a month.

I vouched so hard for Patreon because I wanted all the writers and creatives working with Hard Drive including myself to get paid better. When I actually got a response, the idea was often shut down. Eventually due to the state of my company, my pay was cut for a second time I confronted management alongside a couple other important figureheads at the org and told them that if we couldn't do a Patreon - I could no longer financially justify staying there. The answer was still no, so I left. Baffled at the decision, but whatever.

It is unendingly frustrating to know that myself and many other people who put their soul into Hard Drive LEFT because of management's absolute refusal to compromise on a Patreon, to then see them launch one anyway a month later and get over 1000 people pledging money. I'm seeing a lot of things float around about greed and people being fired. No one was fired. Everyone who left, left because they were sick of management's decision-making. And honestly, management is a lot of things but I would not call them greedy. (From my experience.) They did genuinely make an effort to pay people as much as possible. I found the pay very fair for a while. I am not disputing that I was paid what I was owed - yet management frequently feels the need to remind critics of that. Lmao, yes. I was paid what I was owed. No one is disputing payment. You did the bare minimum a business owner should do and paid everyone their due, very well done. I make no allegations of greed, cheating or foul play. I make allegations of poor management and incompetence that has fucked over other people.

Basically the only people left at Hard Drive have been there for about 2 months. They will reap the rewards of this successful Patreon I and so many others passionately fought for for so long. We will not see a dime.

I do not know the new people at Hard Drive, But I feel bad for them. They were haphazardly thrust into Hard Drive's workplace with little to no explanation on how anything works, or given any context on the state of the place. Even now managements feeds them half-truths and misinformation about other people's grievances. I am broke and have been for a while. I had to move out of my flat in Reading and back with my family because of how little money I was making. This has basically doomed my flatmate to moving back in with abusive parents, which is something I feel guilty about every day. If we had gone with the Patreon I worked myself hoarse over back then, this could have been avoided. Some of my other good pals could also not have been fucked over.

It was a bad judgment call, but it's not a crime. It's just management getting it wrong.

So should you give to the Hard Drive Patreon? I don't know! I don't think any of the new people working there to patch up the holes left by the recent mass exodus have any bad intentions. Maybe they deserve it! But it is not the same site you knew a year ago, or even a month ago. Myself and many people who were there far longer than me and did far more for it than I did are all gone now because we could not deal with management's terrible decision-making and dogass communication any longer. That's what you should know, imo

I had an agreement in place with management that I would receive the next 8 months of revenue from the Hard Drive YT channel from my leaving in November. This was a deal I appreciated, and thought was very fair on management's behalf. So far, the deal has been honoured for 2 months. However as of last night I was removed from the Hard Drive Slack without warning, and as an editor for the YouTube channel. This means I no longer have any way of verifying how much I am owed, I just have to take their word for it. I'm sure management will make their own statements full of half-truths and weird language on the many cases being brought against them - I'd take everything they say with a pinch of salt if some of the screenshots I've seen of them talking about me are any indication lol

To management; I do not want to talk to you. I want you to DM me a screenshot of how much I'm owed every month and then send me the money per our agreement until June, then we can go our separate ways. Do that and admit to your mistakes, and maybe you can recover your reputation! That's it from me, lol. If they pull out of the deal and fuck me over I'll have more to say, but most of what I know is other people's stories of incompetence and poor decision-making, lol. I genuinely get no pleasure out of doing this; I do not think management is evil - I just think they're really bad at what they do and it's cost other, more talented people, lol. You should believe the writers imo

One last thing I wanna say btw, management did often stress that no one should try to make Hard Drive a full time thing. They were transparent about that, and that is fair. I was working on it because at a few points, I was lead to believe we actually were doing a Patreon. Many other ppl have similar stories of being strung along by management changing their minds and stop-starting shit every 2 weeks. We all made the fatal mistake of overestimating our manager - who would tell you one thing one day and something totally opposite the next week lol

Hunter R. Thompson:

I'm not your dad, but speaking as a Hard Drive writer, I don't know that funding Hard Drive on Patreon is worth it

The driving talent on the back end—behind the kickass site I joined in 2019—have peaced out over the years as the site's been (in our view) increasingly mismanaged. Mismanagement like, not setting up crowdfunding before the ship sank and all its best crew failed; or publishing a screenshot of Andy Ngo pedojacketing a trans writer, complete with her deadname; or a disgruntled ex-writer getting falsely accused of shit-talk, by actual staff. I'm grateful for the writing I've gotten to produce for HD (and will forever be kicking myself for not writing even more, in the four years I've had to do it!! i'm a dumbass!!!) but it is very much no longer the site I signed up for.

I don't want to resign as a contributor altogether, because I'm open to the idea of the site recovering and bad practices being retired as finances level out-- it would just be dishonest for potential backers to not be Aware Of The Circumstances, I think.

Jeremy Kaplowitz: i truly don't want to start shit, but feel compelled to say: i want to see Hard Drive succeed w/o resorting to throwing former writers & editors, myself included, under the bus. surely there's a way to save the site without building it over the corpses of those who left. my $0.02 i don't blame anyone who wants to sign up for the HD patreon and i support the website, but that includes those who worked on it for years, have complaints, and don't deserve to be treated like bitter assholes like this kind of stuff is just objectively true, meanwhile there's these new writers who joined the site after i left (meaning, in the last ~3 months) claiming people are liars. decide for yourself if you care, but this is what happened! [Quotes this Tweet]

Seth Finkelstein: Writing for Hard Drive has been a privilege the past few years, and it makes me so angry to see people I looked up to get jerked around behind the scenes. The amount of grenades the editors jumped on our behalf is immense, and I don't think the way they're being treated is right.

Other Bits On AI: We do know for sure however that AI art has been used by the site. Its fucking owner confirms it here:https://twitter.com/MattSaincome/status/1743040541603123622. Seems the owner pushed AI written articles as well! TayFabe: My vaguetweet is making the rounds & these made me apoplectic. - owner regularly lobbied using ai. Once he tested it & said ai was writing better satire than 25% of the HT/HD writers. - ai images were used on the site & socials w/o consulting the team or disclosing it publicly I found the ai bit relevant to include bc 1) it illuminates a stark change in HD's current direction & leadership, 2) ai images have previously been used on the site and (since deleted) ig posts, 3) ai content fucking sucks, and repeatedly pushing to use it is a telling quality The "handful of writers who chose to leave" includes 2 editors-in-chief (both cofounders who wrote a combined total of >1,000 articles & defined the voice of HD), & at least 3 other editors. These guys put in WORK since 2017, so cool to be corrected by ppl who joined in Nov 2023 [Link to mentioned vague tweet from post.] More from TayFabe: owner continuously lobbied for using ai in every possible way. No one else wanted to do it, but he kept on, saying ai was writing better satire than 25% of the HT/HD writers. Also, ai images were used on the site & socials without public disclosure or consulting the team.

The owner has responded now multiple times in a private discord... Thank you for people sharing screenshots! First Screenshot:

Kevin's Response: He banned me from the server for speaking out, so no, I didn't see it. And he gave no indication of a timeline, it was just "we'll do one when *I* say so" and gave every inclination he was totally against it. It bred an environment that pushed our hands to have to leave. Screenshot Round Two:

Kevin's Response: "Starting one in 3 months" is an absolute lie. He denied it, I have screenshots and others who can confirm. No timeline was given. Just "this is what it is now" and like, I couldn't live off of that. I wanted to do more but he was allergic to good ideas from others around him.

Matt, owner of Hard Drive, responds publicly on Twitter.

Matt: Kevin, the patreon launch was delayed because I didn't think it would work. Everyone is happy that it did work. Everyone who left the site because we didn't have money to pay for creative content which didn't revenue is welcome to return home. But unclear why the hostility.

Hard Drive paid out literally every dollar it had, then a bunch more, to creative people who worked on the site. When we ran out of money, we couldn't pay anymore. We did our best.

Kevin: Right, and my point of this thread was that it was completely and totally avoidable. This is reasonable to be upset about. How could I have been any more clear?

Matt: If we knew with 100% certainly that the community would have supported us via patreon, we would have done that. We didn't know. We had tried 4 years ago and got no support. We were wrong this time. We did our best to figure it out. We paid all the money we could.

Kevin: So you knew with 100% certainty this time? Or you took a leap of faith?

Matt: It was a last gasp panic effort after ad rates got cut in half on january 1st due to seasonal spending changes. We didn't know it would work. We were embarrassed to ask for support. We wanted to figure it out.

Kevin: Every site has a Patreon. Every YouTuber, comedy group, etc. But you insisted that nobody cared about Hard Drive. Which is wildly untrue. I know you see that now, but again, I think you can see why I and many others are pretty upset. A last ditch panic effort was long overdue. A couple more things from Matt:

It was about the size of the hole we needed plugged budget wise, the time I had left of personal resources, and the past data I had about us trying a patreon (which turned out to be a bad indicator). I didn't think the Patreon would help us fast enough. I made a bad estimation

aka "if we make $1000 more dollars a month via patreon, which would be 10x what we got last time, we will not solve any of our problems. If instead we try to plow down path B, we might make it out in time." That was the thinking. I chose the wrong path, but didn't mean to Kevin also retweeted this comment from the user Matt was responding to: So you're saying that you're bad at running the business, didn't listen to any of your employees until after they were forced to leave their jobs, and now you're going to get more of the money from the Patreon that was their idea in the first place? Matt's Response: Respectfully, I made a mistake delaying the patreon decision. But keeping a comedy site alive for 9 years is not easy, there are lots of potential ideas, and think overall we've done a good and honorable job. Will leave this thread in peace now to allow people their space.

Sorry for linking to Elon's hellsite (derogatory), but sources need links so...