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#otherwise i might be in trouble
partialto · 2 years
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Loewe x Howl’s Moving Castle
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zuppizup · 4 months
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I always find it strange when people lament that Rayla and Callum don't have much in common (implying they're a bad ship) when, to me, they're one of the most realistic portrayal of friends and lovers I've seen across various genres.
They very clearly enjoy each other's company. They have a similar quirky style of gallows humour. They like teasing each other, and they bounce ideas off each other. They fiercely love and care for their friends and family.
I mean, Callum just randomly starts spouting poetry at her, and does Rayla make fun of him or make him feel weird or self-conscious? Nope. She not only knows what he's talking about, she engages with it.
I suppose on the surface they don't have much in common. Callum loves his books and research, and Rayla’s more action orientated, but once you dig deeper, the foundation of their relationship is built on mutual admiration and respect.
And that is what's important. That's what long-lasting relationships are built on.
Your partner may not have the same taste in books or activities as you, but do they still engage with you about your interests? Do they support you indulging in them or spending time doing them? Do they respect you and your differences?
That love and support is what stands the test of time.
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hephaestuscrew · 11 months
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The role of Pryce and Carter's Deep Space Survival Procedure Protocol Manual in the characterisation, symbolism, and themes of Wolf 359
TL;DR: The DSSPPM is used as a tool to help establish and develop Minkowski and Eiffel as characters: Minkowski as a strict Commander who clings to the certainty provided by a rigid source of authority like the DSSPPM, and Eiffel as the anti-authority slacker who strongly objects to the idea that he ought to read the manual. The way their contrasting attitudes towards the DSSPPM manifest through the show reflect their character development and changing dynamic. The DSSPPM can be directly used against the protagonists by those with power over them, and the reveal of its authorship gives a particularly sinister edge to its regular presence in the show. But it can be also be repurposed and seen through an individual interpersonal lens.
Note: There’s plenty that you could say about the DSSPPM through the lens of what it says about Goddard Futuristics as an organisation, or about Pryce and Cutter as people. Or you could talk about Lambert quoting the DSSPPM an absurd number of times in Change of Mind, and Lovelace’s reactions to this. But in this essay, I’ll be analysing on mentions of the DSSPPM with a focus on Minkowski, Eiffel, and their dynamic.
“One of those mandatory mission training things”: the DSSPPM as a tool to establish characterisation
The first mention of Pryce and Carter's Deep Space Survival Procedure Protocol Manual (the DSSPPM) in Wolf 359 is also the very first interaction we hear Eiffel and Minkowski have. In fact, the first time we hear Minkowski's voice at all is her telling Eiffel off for not having read the manual:
[Ep1 Succulent Rat-Killing Tar] MINKOWSKI Eiffel, did you read your copy of Pryce and Carter?  EIFFEL My copy of what?  MINKOWSKI Pryce and Carter's Deep Space Survival Procedure Protocol Manual.  EIFFEL Was that one of those mandatory mission training things?  MINKOWSKI Yes.  EIFFEL In that case, yes, I definitely did.  MINKOWSKI Did you now? Because I happened to find your copy of the D.S.S.P.P.M. floating in the observation deck.  EIFFEL Oh?  MINKOWSKI Still in its plastic wrapping.
This is an effective way to establish their conflicting personalities right out of the gate. Minkowski's determination to "do things by the book - this book in fact" contrasts clearly with Eiffel's professed ignorance about and clear disregard for "this... Jimmy Carter thing”. Purely through their attitudes to this one book, they slot easily into clear archetypes which inevitably clash. Everything about Eiffel in that opening episode sets him up as a slacker who doesn't care about authority, but the image of his mandatory mission training manual floating in the observation deck "still in its plastic wrapping" provides a particularly striking illustration.
By contrast, we immediately encounter Minkowski as a strict leader who cares deeply about making sure everything is done according to protocol; the intense importance she places on the DSSPPM is one of the very first things we know about her. Her insistence on the importance of the survival manual might seem somewhat understandable at first, if perhaps unhelpfully aggressive, but it starts to feel less sensible as soon as we start to hear some of the tips from this manual:
Deep Space Survival Tip Number Five: Remain positive at all times. Maintain a cheerful attitude even in the face of adversity. Remember: when you are smiling the whole world smiles with you, but when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action.
The strange, controlling, vaguely sinister tone of some of the tips we hear in the first episode is largely played for laughs, emphasised by the exaggeratedly upbeat manner in which Hera reads them. But even these first few tips give us some initial suggestions that the powers behind this mission might not care all that much about the wellbeing of their crew members.
It says something about Minkowski that she places such faith and importance in a book which says things like "Failing to remain calm, could result in your grisly, gruesome death" and "when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action." (Foreshadowing the Hephaestus Station as the home of immense emotional repression and compartmentalising...) Having those kind of pressures and demands placed on her (and those around her) by people above her in the military hierarchy doesn’t unsettle Minkowski.
Eiffel groans and sighs as he listens to the tips, but Minkowski seems to see this manual as an essential source of wisdom. The main role the manual plays in this episode is to establish Minkowski and Eiffel as contrasting characters with very different approaches to authority and therefore a potential to clash.
When Minkowski demands that Eiffel reads the DSSPPM, he decides to get Hera to read it to him, asking her to keep this as “a 'just the two of us, totally secret, never tell Commander Minkowski' thing”. Eiffel seems convinced that Minkowski won't be happy with him listening to Hera read the DSSPPM rather than reading it himself. This suggests that (at least in Eiffel's interpretation) Minkowski’s orders are not just about her wanting him to know the contents of the manual, since this could theoretically be accomplished just as well by him listening to it. But she wants him to do things in what she’s deemed to be the correct way, to put in the right amount of effort, and not to take what she might see as a shortcut. It’s not just about the contents of the manual; it’s about the commitment to protocol that reading it represents.
“When in doubt: whip it out”: Hilbert’s use of the DSSPPM
In Season 1, the DSSPPM isn't purely associated with Minkowski. Hilbert actually quotes it more than she does in the first few episodes. In Ep2 Little Revolución, Hilbert's response to Eiffel's toothpaste protest is inspired by "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.”" This tip is absurd in a more direct obvious way than those we heard in Ep1. While this absurdity is partly for humour, it also casts further doubt on the usefulness of this supposedly authoritative survival manual, and therefore on the wisdom of trusting Command.
In Ep4 Cataracts and Hurricanoes, Hilbert starts to quote Tip #4 at Eiffel, who protests "I'm not gonna have one of the last things I hear be some crap from the survival manual". These moments again place Eiffel in clear opposition to the DSSPPM, but also suggest that Hilbert's attitude towards the DSSPPM - and therefore towards Command - is closer to Minkowski's than to Eiffel's.
When Hilbert turns on the Hephaestus crew in his Christmas mutiny, his allegiance to Command is revealed as dangerous. And here the DSSPPM comes up again. As Minkowski dissolves the door between her and Hilbert, she triumphantly echoes his own words back to him: "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.” Never. Fails." This provides a callback to a previous, more comedic conflict on the Hephaestus, and reminds the listener of a time when Minkowski and Hilbert were working together against Eiffel, in contrast to the current situation of Minkowski and Eiffel versus Hilbert. But it also shows that Minkowski, like Hilbert, is capable of using some of the more absurd DSSPPM tips to defeat an adversary. And it shows Minkowski leaning on those tips in a real moment of crisis.
Once Hilbert has betrayed the crew in order to follow orders from Command, we might look back on his quoting of the DSSPPM as casting the manual in a more sinister light, and again calling into question the wisdom of Minkowski placing such trust in it.
“It's not that I don't believe it, I'm just disgusted by it”: the DSSPPM as an indicator of a changing dynamic
The next mention of the DSSPPM is in Ep17 Bach to the Future:
MINKOWSKI Eiffel's been spot-testing me, Hera. He doesn't believe that I've memorized all of the survival tips in Pryce and Carter. EIFFEL It's not that I don't believe it, I'm just disgusted by it. I keep hoping to discover it's not true. MINKOWSKI Well, believe as little as you want, doesn't change the fact that I do know them. And so should you!
I think this provides an interesting illustration of the way in which Minkowski and Eiffel’s dynamic has developed since Ep1. They still have deeply contrasting attitudes to the DSSPPM, but this contrast is now a source of entertainment between them, rather than merely of conflict.
Given that Hera wasn’t aware of Eiffel testing Minkowski on the tips, we can guess that it’s a game they came up with while Hera was offline. In the midst of all the exhaustion and uncertainty and fear they were dealing with after Hilbert’s mutiny, this was a way they found to pass the time. It must have been Eiffel who suggested it; Minkowski cites his disbelief as the reason for the spot-testing. And yet she plays along, responding each time, even though this activity has no real productive value.
Minkowski is keen to demonstrate that she does know the tips and she emphasises that Eiffel ought to know them too, but their interactions about the DSSPPM in this episode have none of the genuine irritation and frustration that they displayed in Ep1. It feels almost playful and teasing. Eiffel still thinks Minkowski is "completely insane" for learning all the tips and is "disgusted" by her commitment to memorising them, but these comments feel much closer to joking about a friend's weird traits than to insulting a hated coworker's personality. It feels like something has shifted since Eiffel responded to Minkowski’s passion for the DSSPPM by saying “I'm so glad that your shrivelled husk of a dictator's heart is as warm as a decompression chamber”.
Another thing to note here is that Minkowski's respect for the DSSPPM has clearly survived Hilbert's Christmas mutiny and Minkowski's resulting distrust of Command. From Hilbert's behaviour at Christmas, it's clear that the crew's survival is not at the top of Command's priority list. But Minkowski still trusts the book that Command told her to read. She still thinks Eiffel should read it too. The main figures of authority above her are dangerous and untrustworthy, but she still clings to the source of guidance they provided her with.
It's also worth noting that Minkowski has not just learnt the advice in each of the 1001 tips, but she has memorised (nearly) all of them by number. If it was just about the information that the manual provides to inform responses to potentially life-or-death situations, then knowing the numbers wouldn't be necessary. Nor would it be particularly useful to know them all exactly word-for-word. Minkowski's reliance on the DSSPPM is again suggested to be about more than the potential practical use of its content. It's about showing that she is committed and disciplined and up to the task of leading. She does have some awareness of the strangeness of many of the tips, but this doesn't diminish the value of her adherence to the manual for her:
EIFFEL You're insane.  MINKOWSKI I'm disciplined. Although I will admit they do get more... esoteric as you go higher up the list.
There's only one tip Minkowski doesn't seem to remember, and that's revealing too:
EIFFEL 555? Minkowski DRAWS BREATH - and STOPS SHORT. [...] MINKOWSKI Hold on a second, I know this. (beat) Dammit. EIFFEL Hey, look at that! Looks like there may be hope for you yet. MINKOWSKI Quiet, Eiffel. Hera, what's D.S.S.P.P.M. 555? HERA "Good communication habits are key to continued subsistence. Be in touch with other crew members about shipboard activities. Interfacing about possible problems or dangers is the best way to anticipate and prevent them." This hangs in the air for a second. Then – EIFFEL So you forget the one tip in the entire manual that's actually helpful? MINKOWSKI Shut up.
Communication is a key theme of this show, so it’s interesting that this is the one tip Minkowski can’t remember, perhaps indicating an aspect of leadership and teamwork that she doesn’t always prioritise or find easy.
Eiffel saying “Looks like there may be hope for you yet” seems like just a throwaway teasing line, but it’s got a profound edge to it. A lot of Minkowski’s arc is about learning how to provide her own direction and support her crew outside of the systems of authority and hierarchy that she’s grown so attached to. So perhaps Eiffel is right to see a kind of hope in her failure to remember every single DSSPPM tip – she has the potential to break free of her reliance on external authority.
“Which one was 897, what was the exact phrasing of that Deep Space Survival Tip?”: the DSSPPM in interactions with Cutter
The Wolf 359 liveshow, Deep Space Survival Procedure and Protocol, is literally named after the manual. This suggests, before we’ve even heard/watched the episode, that the DSSPPM will be a key symbol here. Which is interesting because I'd say the liveshow has two main plot points: (a) Eiffel's failure to read the DSSPPM or follow orders in general, the resulting disruption to the mission, and his crewmates' frustration with this; and (b) the looming threat of Cutter, the necessity of keeping information from Command, and the risk of fatal mission termination.
Even without the knowledge that Cutter is one of the co-authors of the DSSPPM (which neither the Hephaestus crew nor a first-time listener knows at this point), there's a kind of irony in the contrast between these two plotlines. On the one hand, Minkowski repeatedly berates Eiffel for not having read Pryce and Carter's Deep Space Survival Procedure and Protocol Manual, which was made mandatory by Command. On the other hand, she is aware that Command in general - and Cutter specifically - represents the biggest threat to the safety and survival of her crew.
Cutter uses the DSSPPM against each of the Hephaestus crew in their one-on-one conversations with him. For Minkowski, he uses it as a way of emphasising the expectations and responsibility placed on her:
MINKOWSKI There are always gaps between expectation and reality, but-- CUTTER But it's our job as leaders to close that gap, isn't it? Pryce and Carter...? MINKOWSKI 414, yes. Yes, sir, I know.
Cutter knows that Minkowski will know those tips and he knows abiding by them is important to her. She's quick to demonstrate her knowledge of the DSSPPM and agree with the tip. There's something deeply sinister to me about Cutter's use of the word 'our' here. His phrasing includes them both as leaders who should be ensuring that things are exactly as expected. It’s almost a kind of flattery at her authority, but it comes with impossibly high expectations. This way of emphasising the importance and responsibilities of her role as Commander is a targeted strategy by Cutter at manipulating Minkowski, designed to appeal to her values.
In Hera's one-on-one, Cutter uses a DSSPPM tip to interpret her behaviour and claim that he can read her motives:
CUTTER This thing you're doing. Asking questions while you get your bearings. HERA Sir, I'm just curious about-- CUTTER Pryce and Carter 588: Shows of courtesy and polite queries are an efficient way to gain time necessary to strategize.
Unlike with Minkowski (or Eiffel), Cutter doesn't prompt Hera to demonstrate her knowledge of the manual. That wouldn't work as a power play against Hera, who would be able to recall the manual (or, rather, retrieve the file, however that distinction works within her memory) but who doesn't care about the DSSPPM like Minkowski does. Instead, Cutter implies that Hera’s behaviour can be predicted - or at the very least seen through - by the DSSPPM, which seems like a cruel attempt by Cutter at belittling her.
For Eiffel, Cutter uses the manual as a weapon in a different way again. He asks Eiffel, "which one was 897, what was the exact phrasing of that Deep Space Survival Tip?", something which Eiffel clearly doesn't know, but Cutter of course does. This puts Eiffel on the back foot, trying to defend and justify himself, allowing Cutter to emphasise his position of power yet again.
The DSSPPM plays a double role in the liveshow. On the one hand, as Minkowski reminds Eiffel, proper knowledge of the manual "would've saved [the crew] from these problems with the nav computer" – some of the tips can potentially save the crew a great deal of hassle, stress, and risk. On the other hand, the same manual is used by Cutter to manipulate, unsettle, and intimidate the crew. There are these two sides to the information given to the crew by Command - two sides to the manual which Minkowski still values.
In another duality for the DSSPM, the manual is sometimes used as a symbol of the relationship between the crew members and Command, and sometimes used to indicate the dynamics between the individual crew members, usually Minkowski and Eiffel. Before Cutter’s appearance in the liveshow, Minkowski and Eiffel’s discussions of the DSSPPM reflect interpersonal disagreements between two people with fundamentally different attitudes:
MINKOWSKI Oh come on, why do you think I keep trying to get you to go over these things? Do you think I enjoy going through them? EIFFEL Yes. MINKOWSKI Well, alright, I do. But this knowledge could save your life.
Minkowski enjoys rules, regulations, and certainty, for their own sake as much as for any practical usefulness. Eiffel very much does not. This is a simple clash of individuals, in which the link between the DSSPPM and Command is implicit. Minkowski doesn't seem to question the idea that the information in the DSSPPM is potentially life-saving, even though she knows Command don't care about their lives. But Cutter’s repeated references to the DSSPPM remind us who made that book a mandatory part of mission training – it certainly wasn’t Minkowski, even if she’s often the one attempting to enforce this rule.
At the end of the liveshow, in a desperate attempt to prevent mission termination, Eiffel promises Cutter that he will read the DSSPPM (the liveshow transcript notes that him saying this is "like pulling teeth"), an instance of the manual being used in negotiations between the Hephaestus crew and Command. All Minkowski’s orders weren’t enough to get Eiffel to read that book, but a genuine life-or-death threat might just about be enough. Perhaps it's ironic that Eiffel reads the survival manual out of a desire for survival, not because he thinks the contents of the book will help him survive, but because he’s grasping anything he can offer to buy the crew’s survival from those who created that same book.
In the final scene of the liveshow, Minkowski catches Eiffel reading the DSSPPM, and he fumbles to hide that he's been reading it, a humorous reversal of all the times that he's lied to her that he has read it. Perhaps admitting that he's reading it would be like letting Minkowski win. Minkowski seems to find both surprise and amusement in seeing Eiffel finally reading the manual, but she doesn't push him to admit it. There's some slightly smug but still friendly teasing in the way Minkowski says "were you now?" when Eiffel says that he was just reading something useful. In that final scene, the manual is viewed again through the lens of Minkowski and Eiffel’s dynamic – Command’s relation to the DSSPPM becomes secondary.
“The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one”: the DSSPPM as a tool of survival
In Ep30 Mayday, when Eiffel is stranded alone on Lovelace’s shuttle, he hallucinates Minkowski to bring him out of his helpless panic and force him into action. And this hallucination also brings with it one of Minkowski’s interests:
MINKOWSKI Eiffel... I worked on this shuttle. Reprogramming that console. EIFFEL So? How does that help – MINKOWSKI Think about it. BEAT. And then he gets it. EIFFEL Oh goddammit. MINKOWSKI What's the first thing that I would do when programming a flight computer? The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one? EIFFEL Pyrce and Carter's Deep Space Survival Procedure and Protocol Manual.
Again, a conversation about the DSSPPM gives us an indication of the development of Minkowski and Eiffel’s relationship. Not only does Eiffel imagine Minkowski as a figure of (fairly aggressive) support when he’s stranded and alone, he thinks about what advice she’d give him and he follows it. Rather than dismissing the manual entirely, he looks for tips that are relevant to his situation. He’s not pleased about his hallucinated-Minkowski trying to get him to read the DSSPPM, but that was what his mind gave him in an almost hopeless situation. Some part of him now empathises with Minkowski’s priorities in a way that he definitely wasn’t doing in Ep1. He thinks that the DSSPPM might be on the shuttle because he knows the manual is important to Minkowski. It’s by imagining Minkowski that he gets himself to read the manual in order to see if it can help him survive – he certainly doesn’t think about what Cutter or anyone else from Command would tell him to do.
In the end, the tips Eiffel picks out aren’t all that helpful or informative: “Confront reality head-on”; “In an emergency, take stock of the tools at your disposal. Then take stock again. Restock. Repurpose. Reuse. Recycle."; and “"In times of trouble, an idle mind is your worst enemy”. But Eiffel does use these tips to structure his initial thinking about how to survive on Lovelace’s shuttle. In an almost entirely hopeless situation, Eiffel finds some value in the DSSPPM. But since the tips he picks out are mostly platitudes, the actual wisdom that allows him to survive all comes from his own mind; the tips, like his hallucinations, are just a tool he uses to externalise his process of figuring out what to do.
“Wasn't there something about this in the survival manual?”: Minkowski potentially moving away from the DSSPPM
Given the significance of the DSSPPM in Season 1 and 2 to Minkowski in particular, it feels notable when the manual isn’t referenced. Unless I've missed something (and please let me know if I have), Minkowski – the real one, not Eiffel’s hallucination - doesn't bring up the manual of her own accord at all in Seasons 3 or 4. This might make us wonder if she’s moved away from her trust in and reliance on that book provided by Command.
Perhaps the arrival of the SI-5, which highlights to Minkowski that the chain of command is not a good indicator of trustworthy authority, was the final straw. Or perhaps the apparent loss of Eiffel - and any subsequent questioning of her leadership approach, or realisations about the valuable perspective Eiffel provided - were what finally broke down her faith in that book.
Alternatively, perhaps Minkowski still trusts the DSSPPM as much as ever, but trying to get Eiffel or any of the other crew members to listen to it is a losing battle that she no longer sees as a priority. Either way, Minkowski’s apparent reluctance to bring up the DSSPPM feels like a shift in her approach. 
The associations between Minkowski and the DSSPPM are still there in Season 3, but they are raised by other characters, not by Minkowski herself. The manual is used to emphasise Eiffel’s difficulties when he’s put in charge of trying to get Maxwell and Hera to fill out a survey in Ep32 Controlled Demolition. Trying to force other people to be productive pushes Eiffel into some very uncharacteristic behaviour:
EIFFEL Jesus Christ, what is wrong with you? It's like you've never even read Pryce and Carter! Tip #490 very clearly states that – He trails off. After a BEAT – HERA Officer Eiffel? MAXWELL You, uh, all right there? EIFFEL (the horror) What have I become? [...] Eiffel, now wrapped up in a blanket, is next to Lovelace. He is still very clearly shaken. EIFFEL ... and... it was like an episode of the Twilight Zone. I was slowly transforming into Commander Minkowski. [...] It was a nightmare! A terrifying, bureaucratic nightmare!
This is a funny role reversal, but it shows us the strength of Eiffel’s association between Minkowski and the DSSPPM, as well his extreme aversion to finding himself in a strict bureaucratic leadership position. It also suggests that becoming extremely frustrated when trying to get other people to do what you want might make anyone resort to relying on an external source of authority, such as the manual. I don’t know whether this experience helps Eiffel empathise with Minkowski, but perhaps it might give us some insight into how her need for authority and control in the leadership role she occupied might have reinforced her deference to the DSSPPM.
In Ep34, we get a suggestion of another character having a strong association between the DSSPPM and Minkowski. After the discovery of Funzo, Hera asks Minkowski what the manual says about it:
HERA Umm... I don't know if this is a good idea. Lieutenant, wasn't there something about this in the survival manual? MINKOWSKI Pryce and Carter 792: Of all the dangers that you will face in the void of space, nothing compares to the existential terror that is Funzo.
It’s interesting to me that Hera asks Minkowski here. We know from Ep1 that “Pryce and Carter's Deep Space Survival Procedure Protocol Manual is among the files [Hera has] access to”. Two possible reasons occur to me for why Hera might ask Minkowski about the DSSPPM tip here. One possibility is that Hera thinks that retrieving the manual from her databanks and finding the correct tip would take her more time than it would take for Minkowski to just remember the tip. Which suggests interesting things about the nature of Hera’s memory, but also implies that - at least in Hera's view -Minkowski’s knowledge of the DSSPPM is more reliable than that of a supercomputer.
The other possibility is that Hera could have recalled the relevant DSSPPM tip incredibly quickly but she doesn’t want to, maybe because she resents having that manual in her head in the first place, or maybe because she wants to show respect for Minkowski’s knowledge as a Commander. Either way, we can see that Hera – like Eiffel – strongly associates Minkowski with the DSSPPM.
And Minkowski, even if she wasn’t the one to bring up the manual here, recalls the relevant tip immediately. Perhaps she is moving away from her trust in that manual, but everything that she learned as part of her old deference to the authority of Command is still there in her head. She might want to forget it by the end of the mission, but that’s not easily achieved. The way Minkowski’s friends/crewmates associate the manual with her emphasises the difficulty she’ll face if she tries to move away from it.
“One thousand and one pains in my ass”: The authorship of the DSSPPM
In Ep55 A Place for Everything, Eiffel effectively expresses his long-held dislike of the DSSPPM when he comes face-to-face with both of its authors:
EIFFEL What? What the hell are - wait a minute - Pryce? As in one thousand and one pains in my ass, Pryce? (sudden realization) Which... makes you...? MR. CUTTER (holding out his hand) W.S. Carter, pleased to meet you. 
It’s significant that the two ‘big bads’ of the whole series are the authors of the manual which Minkowski and Eiffel were bickering about all the way back in Ep1. It’s not the only way in which the message of this show positions itself firmly against just accepting externally imposed authority and hierarchy without question or evidence, but it does reinforce this ethos.
By being the authors of the manual, Cutter and Pryce have had a sinister hidden presence throughout the show. Long before we know who Pryce is and even before we hear Cutter’s name, their manual is there, occupying a prominent place in Minkowski’s motivations and priorities, and in her arguments with Eiffel. It’s not at all comparable to what Pryce put in Hera’s mind, but it is another way in which these antagonists have wormed their way into the heads of our protagonists.
Minkowski will have to come to terms with the fact that the 1001 tips she spent hours memorising and reciting were written by two people who would have killed her, her crew, and even the whole human race without hesitation if it served their purposes. We never get to hear Minkowski’s reaction to learning the identities of Pryce and Carter, but I think processing the role of their manual in her life will be a long and difficult road that’ll tie into a lot of other emotional processing she needs to do. Her assertion to Cutter that, without him, she is “Renée Minkowski... and that is more than enough to kick your ass!” feels like part of that journey. She doesn’t mention the DSSPPM at all in Season 4. She’s growing beyond it.
"Doug Eiffel's Deep Space Survival Guide": The DSSPPM as a weapon against those who wrote it
Last but not least, I couldn’t write about Eiffel and the DSSPPM without mentioning this scene from  Ep58 Quiet, Please:
EIFFEL As someone once told me: "Pryce and Carter 754: In an emergency, take stock of the tools at your disposal, then take stock again. Repurpose, reuse, recycle." And right now? You know what I got? I got this lighter from when Cutter was using me as his personal cabana boy. [...] and I've got myself this big, fat copy of the Deep Space Survival Manual, and you know what I'm gonna do with it? [...] Eiffel STRIKES THE LIGHTER. And LIGHTS THE BOOK ON FIRE, revealing Pryce just a few feet away from him! EIFFEL I am going to repurpose it... and reuse it... and recycle it into a GIANT FIREBALL OF DEATH! And he swings the flaming book forward, HITTING PRYCE ON THE SIDE OF THE HEAD. [...] EIFFEL That's right! Doug Eiffel's Deep Space Survival Guide, B-
No one other than Doug Eiffel could pull off the chaotic energy of this moment. It doesn’t get much more anti-authority than lighting the mandatory mission manual on fire and using it as a weapon against one of its malevolent authors. It might not be the wisest move safety-wise, and it certainly doesn’t improve the situation when the node gets jettisoned into space. But there is still a powerful symbolism in taking a symbol of the hierarchical forces that have tried to constrain you for years and setting it alight to fight back against those forces. Eiffel takes his own approach to survival and puts his own name into the title, an assertion of his agency and rejection of Command's authority.
The DSSPPM tip that he uses here is one of those he considers when stranded on Lovelace’s shuttle. It’s understandable that after that experience it might have stuck in his memory.
I can’t help feeling that the line “as someone once told me” has a double meaning here. The immediate implication is to interpret “someone” as being Pryce and Cutter – it’s their manual after all – which makes this line a fairly effective ‘fuck you’ gesture, emphasising how Eiffel is using Pryce’s manual against her in both an abstract and a physical sense.
But I think “someone” could also mean Minkowski. Eiffel uses a singular rather than plural term, there’s already an association established between Minkowski and the DSSPPM, and, in Mayday, it’s his hallucination of Minkowski that gets him to read this tip. She's probably also recited this tip to him at other points as well. Under this interpretation, this line is as much a gesture of solidarity with Minkowski as it is a taunt to Pryce. I like the idea that these two interpretations can run alongside each other, reflecting the duality of the use of the DSSPPM that I talked about in relation to the liveshow.
Conclusion
The DSSPPM is a symbol of external rules imposed on people by those with power over them. These rules can be strange, arbitrary, and even sinister, but for those with a desire for certainty and control, like Minkowski, they can be tempting. And they can have their uses, as well as the potential to be repurposed. Attitudes towards these rules provide an effective shorthand as part of Minkowski and Eiffel’s characterisation. And the clash between these attitudes, and how that clash manifests, can tell us something about how the dynamic between those characters develops and changes.
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Hey so I’ve mentioned this a lot of times on my main blog, but I wanted to put this out over here since it is Hallow’s Eve. I always give out little tchotchkes on Halloween along with candy. This year, I’ve completely switched over to 100% doohickeys and doodads— think mechanical pencils, shaped erasers, little notebooks, squishes, vampire teeth and spiders rings and all. It started years ago in college when I signed up for a dorm Halloween event where kids from an area that was too dangerous to really trick or treat through got bussed in to trick or treat at our dorm. I bought some candy and dollar store Halloween themed stuff with what i had. And you know what the kids went ape shit over?
Motherfucking. Mechanical. PENCILS!!
These kids could not get enough of them. They literally went “PENCILS??!” I had never seen kids get so hyped up for pencils lmao. They were the first things to go. Candy is fleeting; the little pencils you can bring to school to flex are eternal, until you inevitably lose one of the refill parts and then they aren’t but listen, in that one moment they are infinite. And its nice thinking that maybe some kids who don’t always have access to school supplies not only get them, but get them in fun shapes and designs.
Anyway. I recommend people to give out fun stuff like this not just because kids seem to genuinely enjoy them, but also because there’s this thing called the Teal Pumpkin Project here in America. You can put out a teal pumpkin to show that you are giving away non-candy items and sign your address up so parents of children with allergies know that there are houses their kids can safely and happily trick or treat at! It’s a win-win! Plus, if you accidentally bought too much, it’s not like candy— just pack it away, pencils and fidget spinners will be good next year, too! :)
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rowanisawriter · 4 months
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wip wednesday
i’m writing the thanzag priest AU (this is a threat)
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“You look good in white.”
Thanatos glances back at Zagreus as he buttons up his collar. His white cassock is stiff and starchy from the last wash. The black is much more comfortable, worn in, walked in, lived in. The white only makes it out for evening prayer. It has always sat strangely on his shoulders.
“Don’t patronize me,” Thanatos mutters, sweeping his hands down his chest, trying to flatten the creases from its folds. “White is definitely not my color.”
“Well, I like it.” Zagreus is still wearing black. The hem of his cassock is covered in dust from all their walking that day. His hair is almost standing on end. He looks like a mess but always makes it seem casual and intentional. “Brings out the color of your eyes.”
Thanatos doesn’t have a mirror in his room, a vanity he has learned to do without. But putting himself in Zagreus’s shoes, he thinks about how he must look. His gray hair clashing with the white of his vestments, the pale color of his eyes, the pallid flush to his skin, all of which need the black of his usual dress to contrast against. White washes him out. But Zagreus is smiling at him, a small smile, like he isn't aware of it.
Thanatos clears his throat, the collar suddenly restrictive. “So, are you going to hide during Vespers?”
“I might sit in the back. Do you know if my father is leading prayers tonight?”
“Not sure.” Cardinal Hades participated in every day’s prayer but rarely led, choosing to leave this duty to the priests. With their luck, however, today would be the day he decided to step up to the lectern.
Thanatos grabs his bag and slings it across his chest, feeling its familiar weight settle down at his side. When he turns to address Zagreus, he’s already there, right behind him.
Zagreus reaches up and adjusts Thanatos’s collar. His fingertips brush Thanatos’s throat as he moves. Thanatos struggles not to swallow, or move, frozen in place but twitching inside.
“There,” Zagreus says, leaning back to admire his handiwork. The sunset has started to fade from the room, orange glow giving way to the gentle blue light of evening, falling through the open window by Thanatos’s bed. In the rising moonlight, he thinks Zagreus looks a little sad. “Perfect.”
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ink-the-artist · 2 years
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That rabbit comic is brilliant because it can apply to more than just to terfs and misogyny:
During WW2 there were Jewish people of privileged status who sided with the Nazis, hoping to be spared only to be turned on. Same with homosexuals, communists and any who thought surely they would be spared if they cooperated. They met the same fate as all the others if not worse.
There have been many times in which PoC became class traitors who helped pass legislation hoping it wouldn't affect them only to be hurt by the changes as well.
The list goes on and on, in which instead of standing in solidarity, some would try to selfishly try to save themselves by throwing their brethren to the wolves only to perish along with the rest.
Sadly the cycle continues because by the time the wolves are done eating, there are few if any that survive to pass on the story.
Oh for sure, I’ve heard of the gay Nazis before they are probably one of the most extreme examples of this I can think of. I believe they justified themselves by referencing how the Greeks, who were their ideal aryan civilization or whatever, were famously gay. Didn’t work for too long they were eventually killed by the other Nazis
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chaesyoung · 6 months
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manifested a 3p away in just over a month! in the past, i've had a lot of trouble manifesting 3ps away - it'd happen eventually, but it would take several months where i'd go back and forth wavering and wondering if it'd ever happen. this time, that still happened quite a bit, but i tried my best to stay in the state of the wish fulfilled while also working on myself and my confidence. i know, we hear it all the time, but self-concept is so important! during this time, i've been looking at some of my main beliefs about myself and working on deconstructing them to become healthier.
after this 3p popped up, as a combination of that and some other factors, i was genuinely in the worst mental state i've ever been in. i'd go part of the day knowing it'd be okay somehow, then part of it stressing over the 3p, then part of it wondering if things with my sp would really be meant to be, then i'd go to sleep imagining everything was okay with my sp while wondering if i was just lying to myself. rinse and repeat over and over. "realistically," with how much i was wavering, it probably shouldn't have manifested. that's where i think self-concept work really helped me, since i was working on giving the love i want to myself the best i can while also finding other things to pursue and enjoy. for example, if i didn't feel like washing my face before bed, i'd tell myself "i'm worth the effort" and do it anyway. i still wanted to be with my sp and have the 3p go away somehow, but i was also finding ways to enjoy myself and romanticize my life on my own.
another thing that helped me during this time was handing things over to the universe, which is really hard for me because of a) my insecurity-based tendency to want to have control over things, and b) the idea i've seen in a lot of loass spaces that we have complete control over our reality. if that idea works for you, that's awesome and i have nothing against that! in my situation, though, i found it made me beat myself up if something went "wrong" and i'd be stressing over little details. instead, i'd try to take a deep breath and say "the universe is handling it, all i need to do is know it'll happen eventually." i tried to trust more in divine timing and the idea that i'm being guided to my dream future no matter what the actual path might look like.
much longer post than i originally planned to make, but i hope this might be comforting to anyone who's overthinking their desire or doubting themselves for wavering/not having it instantly! you're not less of a manifestor or less powerful if your desires take some time to show up, and it doesn't mean they'll never show up. we all have our own paths and you're going to reach the things you want. just keep your head up and keep pushing even when it's tricky <3
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parkercore-69 · 6 months
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when the unhealthy homoromantic friendship got yu that bad your therapist had to treat your separation like a bereavement and is teaching you coping mechanisms for grief
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wanderingmind867 · 7 months
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I realize there may be people who want an update on school after my many vent posts. Not much to tell beyond what I've already said recently, sadly. Although my period 1 teacher started the day downright decent, he eventually told me to stop moving my leg so much (even though this is something I think I do subconsciously and instinctively). So there went all goodwill. I swear, the man is so unpredictable. I'm just glad I'm able to text my dad in class whenever I'm stressed. That does help me manage sometimes. And I'm still nervous for today, of course. But the ability to text my dad really does help.
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helpfulbug · 10 months
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this period bringing a making me want to kill myself to the table I don't really like
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thethingything · 4 months
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catching up with missed journal entries from months ago using random shit we wrote down at the time plus stuff from our search history and tumblr posts and stuff, and we got to an entry for a day that was apparently so stressful we started shaking and getting a migraine before we'd even started writing it so that's something
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bourbonificould · 7 months
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in every TWDG season, assuming you’re on the protagonist’s side, how long do you think you’d last and how would you survive/die?
Alright so this is throwing my 20 year old self in lmao. I generally think im not dumb enough to make certain mistakes, but my luck would definitely catch up to me.
Season 1: Ep4 - Around Every Corner or Ep5 - No Time Left. I think I’d die in Crawford, the herd would probably get me or I’d die for the plot in Ep5. Probably taking one of the Kenny “deaths.”
Season 2: Ep2 - A House Divided or Ep4 - Amid The Ruins. Carver has no idea who I am. There’s probably no incentive for him and he’d pick up either me or Walter. In Ep4, The Russians prolly would’ve got me lmao.
Season 3: Ep5 - From The Gallows. In the mess of the herd and battle, I’d probably catch a bullet or maybe I’d get lucky enough to be with the group the entire time, of which I’d probably go after Gabe and David (I assumed the herd was worse in Richmond at first lol). I might survive that.
Season 4: Ep3 - Broken Toys. I think I’d get brutally beaten on the boat. Considering placement, I’d probably be in the same cell as Louis/Violet, and both of them are in the mud. Trying to get the Delta guards to stop would get me like whooped or something worse. If I made it to Ep4, I think I’d be just fine by that point, since I’d just have to get on the cart safely.
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darkestrellar · 9 months
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What would be some of Svern's recent Google searches?
I actually have no idea. He knows a lot of stuff and he has stupidly good recall so he doesn't need to double-check things most of the time, whatever he remembers will be fine as reference on its own.
Having said that, he doesn't know Everything and he likes adding to his knowledge bank so if he's been in conversation with someone and they've been talking about things he doesn't know much about, or he's curious, he'll probably have gone searching for more information on it afterwards. If he wants to learn how to do something that he isn't already familiar with, he'll probably go looking up tutorials for that, too.
If there's been any interesting developments in the general world around him, he'll go looking for that. If there's some kind of drama going on, he'll do a search on it. He likes reading different opinions just to see what people are saying, and to pick out details and nuances. But most of the stuff he has a personal interest in he probably gets new information directly from relevant sources or from circles he's part of also involved with it. He might do a search on it to cross-check it if it's something he feels the need to do that with, as well as something that you would do a general search on.
If he wants to send someone a source on something to back up something he's saying he'll search it up as well. Will look up memes, images, videos he doesn't have saved if he wants to send one of those.
I would joke stuff like "cool bug" but realistically he doesn't really search for stuff like that much, if at all. He won't search for stuff just because he's bored, he normally has a purpose to his searches.
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ljussangen · 1 year
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feeling a bit stressed
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fivenightsatcorans · 9 months
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fighting for my life in this fucking job application. actually i lied it isn't even a job application it's an application to have my professor write me a letter of rec for a job application
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Fun fact: The fairy tale flash fiction has now passed 4,000 words.
#i'm okay talking about it because i'm going to finish this thing if it kills me#it nearly has#you don't know how i've agonized over those opening scenes#writing and then rewriting and then cutting almost everything of it#i gave up months ago before finally getting inspiration or at least motivation to just push through#i've now reached roughly the halfway point#maybe 3/4#and i am embarrassed by a lot of it but also at least i have something that sort of a little bit flows#i want to finish the ask game stories before starting on the four loves challenge#the trouble is that i love tattercoats as a story so much that i'm aiming for a more detailed retelling than i might otherwise#it's still bare bones because i'm a hack who can't write description#but it's going to sit in a weird middle ground of being too long to be satisfying short fiction and too short to count as a full retelling#i've got one speech that i love#a few images or moments that i'm okay with#and the rest is just scaffolding that hopefully keeps the story from collapsing even if it isn't pretty#all duct-taped together with sentiment#i had hoped to get a first draft done tonight but since that ain't happening there's no chance it's getting done this week#but at least i'm further in than i've ever been before#and making good use of scene breaks so this section feels more doable than it ever has#if i can just get them to the palace it'll be relatively smooth sailing#here's hoping i can keep from overagonizing and just get a draft down that i can edit later#it hasn't happened yet during this draft but one can hope#(which is rather a prominent theme in the story actually)#adventures in writing
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