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Sometimes I think about the fact that the SGA writers genuinely thought that an episode where the main emotional core is "Rodney gets sick and starts losing his memory and the only thing he remembers is John while John rushes to prepare for Rodney's death, find some way to save him, and keep him calm and comforted all at the same time" was a whole ass heterosexual episode leading into a heterosexual romance with a character whose screen time in the episode is very limited in favor of the above emotional roller coaster with John and I wonder like..... how they thought that???
au where sully is the popular model controlled by his parents and caro is the punk with a bad home life who saves him??
Prom King Sully and Hurricane Caro! This was cute and also I think the second time in a week someone’s requested something similar. Not a fan of gender swaps but LOVE story and style swaps. I think I’ll draw more of these two at some point. My mind is racing with the possibilities.
♾
@snsmonth22 - Day11
「I love you in every universe」
The first one AU design belongs to @snow124-art !It's from last year's snstober day28. I still feel mentally exhausted to think about things, can't create anything new… So, thank you for letting me use your design!You saved my day!!🙏💦
He's an outlaw on the run, sought for crimes he swears he didn't commit. None of it matters to Remus, just as it hadn't in the past. His job is to track him down and bring him in, dead or alive. The bounty on his head, the next target in line, that's all that matters.
He's not supposed to look into those stormy blues, see the universe staring back at him, and drown in the depths of the cosmos.
The most beautiful Kaya Scodelario looked in "The Gentlemen". And the overall scene is something that can actually be so personal. Him seeking her out. Like ending episode 6 thinking mom and dad (mum and dad) are going to war with each other...and then this...and then still the last two episodes being a roller coaster of whether or not they are going to be the literal death of one another. I have never had so much Good Stress from a ship that was Bad Stress when I was actually going through it. I aged and greyed so much through parts of this show, my poor heart.
To me, they have this low-key Bruce Wayne x Selina Kyle dynamic (sooooo, Bobby Glass would be Carmine Falcone? I can work with that), which, given how BatCat is one of my lifelong OTPs, I am sure subconsciously pulled me in. Like posh boy that can get down and dirty (so his ski mask era would be his Batman era 😅😂 "We're not criminals, Freddy"), however much he sees himself holding a higher moral ground over the underworld he must move through. And working-class girl, street smarts, that can no less look "elegant and stylish" and navigate the upper echelons; but at the end of the day is who she is and matter-of-factly💋💋💋💋a career criminal. (Kaya honestly even works as a face claim for Selina though her eyes may be closer to blue than green. I mean, the Gunnverse has to cast a Catwoman eventually, depending on the age range of their Batman... I will just leave this here for you for free, James.)
And then Princess Roseanne, the Countess of Tournai, would be Talia Al-Ghul especially when Susie lets slip some jealous vibes towards her (made me think of Anne Hathaway's snark about Marion Cotillard in the last Nolanverse film...the characters, not the actresses). Though ultimately I do see Eddie and Princess Roseanne as Just Friends and no conflict in that direction unless further miscommunication. (So much Misunderstanding Drama in this series and between OTP. When a good romantic comedy is not a romantic comedy; or even entirely a comedy.)
But really it comes down to their having such an *easy partnership*, naturally yielding to one another when it comes to it. The way Susie has her way about things -- most notably when she invites herself to meet Stanley Johnston -- and Eddie smoothly submits to her without in any way seeming whipped. Like their actions are always in agreement, even when their words are not. Those two are more married than most married folks I have seen on screen. Should have blacked out in Nevada than on the estate.
(Also, gotta love how she has him saved in her phone as "The Duke". Like forget Bridgerton...I would watch an entire season of TheoKaya going at each other in, Bridgerton ways. As it stands with this though, I could see how the greater artistic choice might be to just make this a stand-alone, but I would be greedy for any subsequent season. This is already technically an expansion on a film -- that I have yet to see -- so Guy Ritchie does not mind a revisit. I could use any more of these 2 families who fully drive the story of this world.)
Thinking about McShep again. Thinking about the season 4 finale. Thinking about how things fall apart in season 5. Thinking about how John thought he needed to let Rodney go be with Keller because that's what future!Rodney did, completely missing the fact that it only happened because John was gone. Because one of the main pillars of John's character is his self-loathing, so of course he would interpret it as being in the way. And even though John is resolved to let Rodney go it's still so hard for him that he struggles to do it cleanly throughout all of season 5. Thinking about the sad tension in their relationship after the season 4 finale. Thinking about how they still lean on each other in important moments even with the new awkward distance between them. Thinking about McShep again.
"Cheap Wine (and Expensive Conversations)" by Jon Foreman ft. Abby Holliday // The X-Files, "Pilot" // Mission: Impossible - Rogue Nation, dir. Christopher McQuarrie // Star Trek: Voyager, "Resolutions" // The X-Files, "Squeeze" // Mission: Impossible - Fallout, dir. Christopher McQuarrie // Star Trek: Voyager, "The 37's" // The X-Files, "Tooms"