#out of scalpels

[fallout-lou-begas]

i am almost constantly thinking about the mountain of implication, characterization, and insanely fucked up unspoken and unknown stories that are packed into the single paragraph of this ending slide for arcade gannon

[brighteuphony]

@xoxo-lahh

So in this verse, Tsunade never ends up teaching Sakura- as that role is fulfilled by Chiyo. (But she DOES return to Konoha eventually).

And Chiyo's first rule (for everything lol) is: Nothing is Free.

Chiyo always demanded something in return for healing, and unlike Tsunade, she considered medical jutsu a part of her arsenal. If it could kill, then it was always an option.

So Sakura learned from that mindset, trading her services and using her rare skillet as a powerful negotiating tactic, especially during Tea Country's civil war. Her healing effectively kept her, Enji, and Saeko in relative safety and provided her a card to play when she needed.

And, while Sakura is nowhere near as jaded as Chiyo is, and often enough of a bleeding heart to help people for damn near free, (a place to stay, food for the night, a new holster for her kunai), she is also VERY pragmatic about her skillset. The civil war taught her that sometimes, letting someone die is better. This puts her at odds with Tsunade, who has a very different mindset (and was, historically, bitter enemies with Chiyo).

Another issue that arises with Tsunade, is that the Godaime is a doctor- while Chiyo is more of a healer. Their understanding of the human body comes from a different place.

Tsunade can name every bone and muscle and perform open-heart surgeries. Sakura can heal bone and stitch back together muscles and flesh on a very basic level, but she's never going to be able to open up a human body and revolutionize medical history like she does in canon. (In canon, Sakura creates a Jutsu that allows her to do a four-man surgery alone; she can't do that here.)

However, she can do some stuff that Tsunade claims is impossible—like reconstructing/altering someone's chakra network, unblocking tenketsu, sometimes turning off someone's dojutsu from a distance, and lite-healing remotely (Tsunade is very upset about this one specifically). A lot of it comes from her mastery of Genjutsu.

Genjutsu, as I reworked in my comic, requires a complete understanding of someone's chakra network to control ALL their senses. Sakura's understanding and control are so prodigious that she can almost autonomously control people's bodily functions (a skillset that is GREATLY aided by training with Chiyo's puppet mastery).

She uses Genjutsu as a tool to understand the body and employs it as both support (helping an ally maintain a sense of gravity as they're pulled underground or flung in the air, etc) and offense.

And that's it for the wall of text! Once again, thank you SO much for the amazingly kind words and all the interest in this AU! <3

[no1tolerateitfan]

this is who runs my brain

[gamelpar]

fool yourself into believing they have a medical degree and everything will be fine

[someidiotwithalaptop]

So... about the "Ironwood Was Right" thing.

I recently saw this resurface a bit, in the context of Ruby's regrets in Volume 9. Basically, taking the fact that she felt like she'd failed as the show saying that yes, actually, she was wrong to go against Ironwood's plan in Volume 7.

I feel like I went into thinking about this trying to debunk it on a logical level. Like, is it actually a good idea to fly off into the sky in one big long stalling measure when your opponent is literally immortal? What's stopping Salem from grabbing all the rest of the relics and then just waiting as many generations as it takes, until the people of Atlas forget why they came up there in the first place and return to Remnant out of curiosity?

The thing is, treating it as an argument about what's the more "rational" choice is missing the point that like. We're talking about a story. We don't know exactly how many people are in Atlas and in Mantle and where they are and how many more trips they'd have to take to finish the evacuation, because details like that would just bog things down.

This is not a trolley problem with x number of people from Mantle on one side and y number of people from Atlas on the other. This is a trolley problem with a wealthy and powerful person on one track, and a disadvantaged person an alternate track, and Ironwood choosing to pull the lever instead of trying to stop the trolley. The point is not "how many." It's not about math. The point is that there is a fundamental difference between dying in the central location while a bunch of Huntresses and Huntsmen do absolutely everything in their power to protect you, and dying abandoned in the mines you used to work while the city built off of your labor flies away to safety.

The question this conflict is asking is about whether or not other people can be sacrifices. Ironwood says yes—team RWBY disagree. That's the actual crux of this argument. Does Ironwood have the right to decide who deserves protection and who isn't worth the risk? Do we get to give up on other people before we've even tried to save them? It's about the idea of certain people being disposable. Mantle's wall isn't important, Amity is. Amity will protect all of Atlas, and that wall will only help the people in Mantle. It implies that their safety is an acceptable sacrifice for the greater good. It treats them as disposable.

There's a reason it was Nora who spoke up and pointed out that it's always Mantle being asked to bear the burden for the greater good. Nora has been a disposable person before. Hell, Cinder has been a disposable person! The way Atlas (through the madame) treated a living person as a resource to be exploited or sacrificed is the entire reason that Cinder is trying to burn the kingdom down. Thematically, Atlas cannot escape the danger she poses by sacrificing more disposable people.

One of the biggest themes of this show is cooperation. It's all about how Salem can only be defeated by working together. But working together is not possible if certain people are taking on all of the risk, all of the sacrifice. Everyone has to be willing to put some skin in the game. Like, imagine trying to do a group project if you knew half of you were guaranteed to get an A no matter what and the other half weren't.

So the idea that Volume 9 is supposed to come back around and say that actually, that plan that would have literally divided a city in half and cut loose the poorer half like fucking ballast, that was the right thing all along and Ruby Rose was wrong to challenge it... that would be an absolute disaster of a thematic statement.

This is not a show about hard military men making hard military choices. It's not going to contrive a situation where cold-blooded calculation determines that the right thing to do is to pull up the ladder. Because outside of weird philosophical experiments about trolleys, the right thing to do usually has more to do with empathy. Compassion. Cooperation. All that gay shit.

[witchinatree]

making a list of my favorite quote/ones that stuck with me from each season 1 episode because i feel like it

(i'm starting this after episode 4 but it will be a WHILE before i post it)

episode 1: "bones are a lie peddled by Big Milk" - alice

i love this one because it's a great introduction to alice i think. also it radiates spiral so i hope we get avatar alice not dead alice (isnt there a podcast called alice isnt dead?)

episode 2: "If I wanted to clear the canvas, I would have used turpentine." - statement

this one was just fucking powerful and caught me so off guard like 😶

episode 3: "What would I do without her?" - statement

the norris statement <3 it feels like martin asking what he would do without jon which makes mag200 a lot sadder and i love them

episode 4: "Perhaps you shall prove a stronger will than I, and will yet find it within yourself to destroy this hungry thing of wood and cat-gut." - statement

augustus sighting #1 and we immediately get jonah magnus expressing that it may be possible for gwen bouchard unknown family member to overcome the eye's hunger spooky violin

episode 5: "Voyeur needs to be seen to be believed." - statement

i feel like this one is pretty reflective of how the seasons gonna go? like if you explain the events of tma (mag200 specifically) no one's gonna believe you, it must be seen to be believed!! and also seen!! like the eye!!!

episode 6: "Not sca- This isn’t some poxy blood test, some little pinprick, this is hundreds, thousands of razor sharp points pushing into your flesh." - needles

i love needles so much and i thought this was really funny because it was like "you dont find me scary!! what the fuck!!!" just kind of toddler michael energy

episode 7: "It’s not like we’re wrestling with tape recorders and manila folders." - celia

STOP IT. celia you can't say that you just cannot!!!!!! you Know™ too much maam i cant with you

episode 8: "Pleasure to meet you both. I’m Gerry!"

RAGHHHHH OH MY GOD GERRY!!!! i love him so much and idk how to handle him being alive in the tmagp universe!! gertrude too but idk we got so much of her in tma and not nearly enough of gerry

episode 9: "And honestly, it’s kind of compelling by this point." - sam

they got him 😔😔 the horrors got sam 😔😔 also i found this to be an interesting contrast to jon's heavy resistance in season 1 like he was being compelled but he wasn't going to let anyone know that vs sam "its kinda compelling to trauma dump on this paperwork :]" how is he somehow even more victim material

episode 10: "Gosh you’re sexy, here’s a twenty for your trouble.” - alice

does this count as a quote if shes also quoting what she thinks sam should say? idk anyway i love her i would say that to her if given the chance and it was very silly. i will not be addressing bonzo i am scared.

episode 11: "...Thank you, Alice" - gwen

dyhard dyhard dyhard dyhard dyhard. okay also, the way she CRUMBLED at the idea of anyone doing anything nice for her please someone give her a hug and let it be ME. this series is tossing me back and forth between sam & alice (what is their ship name) and dyhard but this put me back to dyhard

episode 12: "You know it's rude to have absolutely no game?" - alice

she's so fucking funny i need her to be okay so badly!!!! i don't think even tim made me laugh as much as she makes me chuckle and this one really got me. it's hard to write such a comedic character in a podcast since you only have the voice but they really nailed it i adore her

episode 13: "Is it my fault?" - gwen

each of these episodes just reveal a little bit more about how loving and soft gwen is and idk i love her so unbelievably much so seeing that she felt guilt about the bonzo stuff just made her so much more real :(

episode 14: "Christ, they’re in the walls…" - statement

theyre in the walls!!! theyre in the goddamn walls!!!!! anyway that got me because i realized the hole before the statement said it. made more sad than scared tbh

episode 15: "Babies are cool!" - alice this entire interaction between her and sam & celia was so awkward, she is so obvious and i love her anyway

episode 16: "It’s not like I was holding doors open for Mr Bonzo or anything." - gwen my wife is so so so stupid but i adore her AND this gives room for character development. i wish she did not do that though. i love when characters are flawed and have depth but i struggled to get past THIS flaw of hers

episode 17: "Thanks, I guess. Not exactly the same, though, is it?" - celia shes talking TO JON IN THE COMPUTER. SHE KNOWS. i lost my damn mind i love her i love her. get the gay people out of the puter please queen

episode 18: "Why would I need to talk to you? Your work is satisfactory. Unless you have a work-related issue I could assist you with?" - lena solidified my opinion that lena is the best boss to ever have, i adore her and i would want to work for her if she wasn't the boss of Creepy Establishment #1

episode 19: "You’re going to throw it in the fishtank, aren’t you?" - alice colin's behavior is like really worrying BUT i'm glad he's back. i was not convinced he was still alive

episode 20: "I suppose it’s too late for remorse, isn’t it? And why should I be sorry? This is what I deserve!" - ink5oul/statement they reminded me of jon a lot, like especially his season 3/4 transformation when he doesn't quite know everything but he knows he isn't who he was in season 1 anymore, i hope we see more of their life and they can be helped :(

episode 21: [Tape Recorder Bites Ink5oul] - audio description i know it's not technically a quote but this is just so fucking funny. why does it have teeth. what does this mean for the lore. holy shit.

episode 22: "Jonathan Sims and Martin Blackwood" - celia. knawing at the walls of my enclosure i am so not okay. i'm not okay. wtf. wtf. wtf. they're real. wtf.

episode 23: "I had a favorite mug. It said “love you, bitch” and had a picture of a drunk dog on it." - alice. okay i just love this entire interaction because gwen got to open up a little bit and my dyhard heart is so full

episode 24: "I am told that children like me, and I’ve always held the opinion that the world would be a better place if everyone just thought more." - basira. once again this whole interaction was so fun but like idk i loved hearing basira somewhat happy and in a safe place :] my wife <3

episode 25: " I am trying to help, to save us from this goddamned fucking nightmare machine!" - colin. MAN I REALLY WAS ROOTING FOR YOU!!! I WAS SO CONFIDENT YOU WEREN'T GONNA DIE!!!! it's over

episode 26: "I was worrying for a moment that you were Magnussing." - alice. MAGNUSSING BEING CANON MADE ME SAY IT EVEN MORE I'VE SAID IT LIKE TWICE ALREADY

episode 27: "You didn’t tell me the room was labelled, “Archivist.”" - celia. oooooh somebody's got TRAUMAAAAA LMAO

episode 28: "So you’re telling me you know nothing about an OIAR external contract being found with the bodies of two tattooed thugs who met rather grisly ends?" - TREVOR HERBERT???? anyway. ink5oul mention!!!!! i hope they stop killing people it's really rude

episode 29: "Alice, er… we’ve got to talk. It’s important." - teddy. i knew it was over for him but i didn't think it was gonna be THIS bad??? bye babe i guess??? 😭

episode 30: how do i even pick. the whole fucking episode. i can't. i am in a state of shock. i need to lay down for 30 years.

[eyeballsoup7310]

Love me a bullshit magic system that traps people between life and death

[yoinkschief]

I'm in a real autistic mood lately,,,

ARTISTIC ****

[epickiya722]

Okay, in my Star's Rebirth AU, Kenjaku is technically still alive, but Yuji keeps their brain in a jar (just like the Death Paintings) and for whatever reason, the thought that popped in my head is Yuji telling Shoko about it but it goes like this.

Yuji: I have my mom's brain.

Shoko: What?

Yuji: Kenjaku. Have their brain. *shows a jar he's keep said brain in*

Shoko: ... can I ask why?

Yuji: They kept my brothers in jars, right? As long as they have no body, they can't do anything.

Shoko: Okay. I see your point. Where are you keeping that thing?

Yuji: In my chambers. (Note: just read the AU)

Shoko: Ah. Anyways, why are you telling me this?

Yuji: Wanna study it?

Shoko: ...

Yuji: ...

Shoko: You are a weird kid, but you speak my language.

I can see Yuji slowly getting into that area of science, more so because... well, for one... someone had to be like Kenjaku (they would be proud... probably)!

And two, I think that Yuji is "dumb" (by what he believes) because he doesn't learn due to the people who teaches him and how he is being taught. Think about how quickly he learns to use cursed energy. It's a hands on experience for him and the methods use do hold his attention (example, the movie watching and that stuck with him).

Shoko, I think she could hold Yuji's attention because she comes off as someone who uses visuals to teach. I mean, someone had to teach Yuji RCT and honestly? I say it's Shoko.

I think of how Satoru tried to teach Yuji how to use cursed energy the first time. Satoru just went straight into saying "This is cursed energy, this is a cursed technique". And Yuji didn't get it until he used the example of electricity, creating that visual.

It reminds me of how Shoko tried to teach Satoru and Suguru the opposite way about RCT. Moving her hands and making sound effects to recreate a visual for them to understand how RCT works.

[weneedatdcharacterwho]

We need a total drama character who wants to wants to find Zeke not out of being nice and wanting to put him in rehabilitation but to do evil fucked up experiments on him

.

[averlym]

" just...come here. just sit here with me" (...that one scene from princess momonoke, click for better resolution)

[alien-ally]

No but the sunbae characters acting in that final sunken place scene (in which he's wearing white). We've seen myungha, many call him the ideal protagonist. One who possesses all the characters you could want in a lead. Now imagine knowing tae myungha irl, being a friend or simply an acquaintance. Seeing how quickly yeowoon and sangwon got attached, it would probably take less than a week of knowing him, to get attached. Then, out of nowhere (from the outside at least, doesn't look like he had anyone to confide in) he passes. You get to know he walked into the sea. Gently and quietly. What kind of insurmountable inexplicable daunting grief would that invoke? Even if there wasn’t much of a ‘relationship’ in the sense of the word, how shaken up would you be? It would be hard to gauge for an outsider. The tremors will course through you, like the silent waves myungha was surrounded by, in his last moments. So, you decide to give him a happy ending. Through writing. Through art. It was that look. Senior's last look and final wish for myungha. To find happiness.

I'm sorry if this was too much cause writing it did make my heart tear itself into pieces as well edit: there was the sound of waves when mh woke in the game world? the bubbles?? i,

[somecunttookmyurl]

the liver thing isn't like a disease or a disorder or anything it's just genetic variance and can go either way. it's that guy who needs 2 paracetamol instead of 1, or that absolute bastard who only has to take half a pill

it becomes a Fucking Annoyance when you're far enough away from the bell curve that shit just doesn't work, or doesn't work enough to warrant taking. it is extra a Fucking Annoyance because you will go your whole life wondering why things simply don't affect you whilst doctors repeatedly either accuse you of lying because they don't know it can be a thing, or go through drug after drug after drug all metabolised the same way and which naturally don't work before giving up.

the fact it's considerably more common in people with chronic pain conditions (for reasons), and people with chronic pain being labelled drug seekers, are probably related.

the fact that ultra-rapid metabolisation on typically the most annoying pathway is most common in people from the middle east and... i think north africa? but very rare in white people (without chronic pain) is also for sure something ain't it (actually it's way more common in painless white people to go the other way and need less drugs. 7-10%. if you were wondering. you weren't)

[notquitedeadpod]

How do you see it work when vampires heal? And what happens with foreign bodies (bullets, surgical wire, etc)?

These things are absolutely going to crop up in Season Four so I won't get into details but this is a thing about which I've spent a lot of time thinking.

The horrors, the horrors abound!!

--- Eira xxx

[invinciblerodent]

i should not be concocting elaborate daydreams about characters i haven't even heard speak in earnest yet, huh

i am vying against the desk, nails bloodied and knuckles white, please let me make up more guys (gn) to kiss those other guys (gn)

[the-unconquered-queen]

Conducting a casual poll because why not

In your opinion, which is/are the most iconic Choices quote(s)? Not your favorites, but the ones that are such standouts that they are immediately recognizable to players as long as they've read the book (or even so legendary that they're recognizable regardless)?