#parallelisms

[gingergofastboatsmojito]

Jeremy and the minorities he loves to represent and apparently was born to

This post by @freedelusionshere cracked open a pattern that was right there in front of me for a while now and I hadn't really been paying attention to:

Jeremy Allen White's career choices

I won't go over every single role he ever played but overall his taste is quite distinctive and particular, he's into the marginalized, the anti-heroes, and the minorities.

He's not afraid of having to dive deep into his dark side to play addicts, disabled, depressed, suicidal, and traumatized human beings who struggle with mental health issues and don't always win their battles or are elegant about it.

His most famous roles are Lip Gallagher and Carmy Berzatto

Both addicts, the product of a traumatic upbringing with abusive parents and absent parental figures, with older siblings who played roles in his characters' lives that they shouldn't have due to the dysfunctional family dynamic they lived in.

He also played Kerry Von Erich, who lost his battle with addiction and a part of his leg as well and whose whole family was part of the problem, no matter how much they loved him. Kerry Von Erich was a fatal victim of his toxic environment and upbringing.

More about Carmy and Kerry's parallels here:

In Cornflower (short-film) Jeremy played the big half-brother of this little girl whose mother killed herself and he was in charge of "protecting" his baby sister from the news and sending her away

He's the Boss, the chef, the champ, the protector in his own fucked up way, but not really because he plays the shadow aspects of all those characters, otherwise, he's just not interested.

Jeremy once said (for GQ magazine) that if he played the romantic lead in a rom-com it would also have to be very sad.

And now, when he steps into The Boss' shoes leather jacket he doesn't play the idol, the icon, but one of his darkest moments.

Deliver me from nowhere

The movie tells The Boss' story during a time of his life that he described himself as dark and challenging, filled with isolation and loneliness.

I read Warren Zanes' novel a few months ago when I found out that JAW had been cast as the lead and LOVED IT. He also wrote Tom Petty's bio, which I haven't read yet (but definitely will because I love Petty) and served as VP of the Rock & Roll Hall of Fame, back when I still gave a fuck about it.

Zanes' Deliver Me from Nowhere captures that feeling completely. No wonder JAW felt compelled to play that part.

Nebraska, Springsteen's album (1982) was his 6th studio album and followed the widely successful and critically acclaimed album: The River and it was off-beat compared to its predecessors because it contained darker and more solemn lyrics but most importantly because The Boss lived up to his nickname and fought his Record label at the time (Columbia Records) refusing to tour to promote it. As a result the album only reached number 3 in both USA and the UK.

Bruce was going through a lot and having a hard time coping with fame and struggling to balance his personal life with his career, re-defining what the concept of "success" meant for him.

The book goes over that struggle and inner turmoil, it says it got to the point where the album was recorded by a Springsteen who literally couldn't get outta bed to do it. It was recorded in his bedroom.

The author says:

"Nebraska is the recording that matters the most in Bruce Springsteen's career. But not because of the hits it contains or it's renowned or because of its generation of young people played it on repeat while they searched for themselves in bedroom mirrors. It needs a different measure. Springsteen made the record when he was the object of tremendous expectations. (...) They were waiting for Born in the USA and that's not what they got, the truth was that Springsteen was a little lost."

Again, no wonder JAW got cast for this role.

I wish nothing but the best for him and I expect nothing but the best from his performance. I'm sure that it must be terrifying for him having to sing for the first time but the way I see it only 2 outcomes can come outta that: either he rocks or he's dubbed by The Boss himself who rocks even harder, so I'm cool.

This is the beast JAW has to tame (And make it relatable, moving, and hopefully award-winning):

The album's reverb-laden vocals and mood combined with dark lyrical content have been described by music critic William Ruhlmann as "one of the most challenging albums ever released by a major star on a major record label"

Source: Wikipedia.

I'm positive he can do it and I'll be there, watching and crying as he does.

Remember to follow my tag #Gingerpovs 💋

[aphrmoosun]

—. HOTD S2E2 VS S2E5 .—

Daemon & Aemond

Alys & Helaena

[koheletgirl]

timefighter/lucy dacus || chinese satellite/phoebe bridgers

[beetleandfox]

obsessed with the Helena and Irving parallel and what it says about the aspects of our identity we think are fundamental (but aren't)...

Like Outie Irving assumes his Innie is just as radically anti-Lumon as he is. He assumes his hatred of Lumon is something ingrained in his personality! That's why he stays up at night drinking coffee and making paintings, because he hopes that when his innie dreams about the testing floor, he'll say "okay bet" and start exploring. That's what Outie Irving would do, after all. But he miscalculated! His hatred of Lumon isn't inherent--- his desire for meaning and art and spirituality is inherent. That's what his hatred for Lumon is built on. But in a world where there's no meaning outside of Lumon propaganda, of COURSE his innie would become ridiculously devoted to the company.

And Helena!! She is the corporation, that's her whole identity. She presumably assumed that Helly would be just as pro-Lumon as she is. But she miscalculated too! Her devotion to the company isn't inherent, her headstrong and entitled nature is what's inherent! And in a world where she's denied any agency whatsoever, that manifests as rebellion.

It's the same dynamic flipped on its head. They both sent their innies in there with opposite intentions--- one to take down the company, one feed the company's expansion--- only to realize that rebellion and devotion aren't inherent characteristics. Their innies have become the exact opposite of their outie selves, while still being exactly the same!! Because even though your personality is inherent, the values you hold are determined circumstantially. OUGH IT'S SO GOOD.

[windwenn]

‘You were my new dream’ or however the fuck that scene went

[archi-pelago]

maybe never forgive. but things are different now. so we'll use maybe.

[boasamishipper]

sooooooooooooo many things to scream about tonight but number one on the list is the difference in the ways dylan and mark's outies talked to their innies. from the get-go mark scout is nothing but patronizing to mark s. he created mark s as an escape from his grief, and now he wants to use mark s as a means to an end to save his wife and pick up his life where he abandoned it. he gets helly's name wrong and calls her 'the person you're seeing' because he doesn't recognize mark s's humanity. he sees mark s as an extension of himself, and he only loves gemma, so of course whatever mark s feels for helly can't be real or worth fighting for. and when mark s understandably doesn't see it his way, mark scout lashes out, calling mark s a child.

but then you have the letter dylan george wrote to dylan g. in three paragraphs dylan george talks to his innie like an adult, like they are peers. he's angry at dylan g, but at the same time, he understands why dylan g did what he did. he would have done the same if he were in dylan g's place. after years of being jealous of his outie, dylan g learns that his outie thinks he (dylan g) is the one to emulate, the self-assured badass. and where helena and mark scout made their innie's decisions for them ("i am a person. you are not.") dylan george breaks the cycle: he offers his opinion, but ultimately puts the decision back in dylan g's hands.

at the end of this season, dylan g is gifted agency. and after fulfilling his purpose, mark s steals his agency back.

[jay-wasstuff]

Deadpool & Wolverine (2024)

[mejkosmos]

whichever madman pointed out that the new rift on bill's body in the theraprism is meant to parallel ford's cracked glasses after he emerges out of the portal,,,, MY SOUL IS YOURS TO TAKE ANYDAY MY GOSH

--------------------------------------------------

bonus !!

ford about bill:

bill about ford:

[stopiwanttotalkaboutcheese]

actually i love the reveal that the only reason effie got involved with the hunger games at all was because her little sister needed her.

[mioakem]

the imagery in this part of the ep was actually insane like this is genuinely beautiful

[odetokeons]

♱ Nosferatu (2024) dir. Robert Eggers ♱

+ bonus

[maiumeni]

season 3 finale leaks

Welcome back Hannigram

[mycinefilia]

Sonic and Shadow parallels in Sonic the Hedgehog 3 (2024)

[brightdeadthing]

love as recognition

anna gavalda / friedrich nietzsche / clarice lispector / jandy nelson / rebecca perry / mhairi mcfarlane