#permission to make my own projects

[likeawildthing]

my only 2023 goal is to nurture my innate creativity and curiosity

[scoobiesminyard]

Andrew Minyard by GarnYarn (not my art)

[ravencromwell]

Headcanons for either or both of the Dane twins?

Going beneath a cut, because somehow this turned into 3k of Astrid stream-of-consciousness musings on ruling her city, bracketed with Holland's disgusted dead-pan snark.

The very worst thing, Holland thinks in the bleakest moments, is that the Danes aren't the worst rulers Makt has ever had.

***

Athos alone probably would be. He is the lord of infinite, fruitless defiance, and if the city wants to give him such gifts as rebellion, who is he to say no? He will simply fight them all as entertainment between bouts of indulging his insatiable curiosity about artifacts. Emerging victorious would soothe his terror that everyone lost the throne eventually even if it left the city in ruins and more corpses than living people.

But if Athos is lord of defiance, Astrid is lady of small mercies.

From the moment the old man was dead, Astrid knows she will show none of his faux love and camaraderie to her subjects. They might love her in return, and those who love a queen want to see it reflected back, need her words of praise for their devotion no matter how they prattle simple service will suffice.

Such displays are tedious, love reserved for Athos alone.

But gratitude? Gratitude has its uses.

She and her brother want to leave their mark on this world (and its people). If her brother's little stone is as strong as they believe, one day folk privileged to suffer beneath their blades may show their scars with pride and whisper what a gift they were given by Makt's saviors.

If they do not, well. More fool them.

But in the meantime, even an Antari cannot hold off a hundred angry citizens, if they decided to mob. And sometimes, the Danes satiation requires a few missing loved ones. And inevitably, discontented souls decide there must be new blood. In especially unfortunate moments, those close to traitors have chosen to mewl about her brother's punishments and must be put down in their turn.

Her beloved Athos never understood how the body forgets pain. Men and women drink. They promise themselves the blood they saw running in the gutter was not as red as all that. Besides, it will not happen to them. To live in this city is to become deaf to screams, even your own.

Look at her brother's pretty thing. How many times has Athos made him scream? (Enough it's added a permanent, graveled edge to his voice, Antari or no.) And still she and Athos catch those glimpses of defiant hatred that are almost better than the blood for her twin.

Profound appreciation, by contrast? Thankful obligation at holding a living, breathing child, where a month ago there was dying skin and bones? That will make a man hesitate before joining a revolution.

Appreciation may even bind the Antari better than the spell of which Athos is so proud.

'Obey and protect my sister' Athos always says when he won't be close to repeat an unheeded command.

Still, she has seen how he can resist myriad precautions binding every joint and muscle and bone ! Athos's will. Seen the foolish delays, misinterpretations. Seen him dare, if Athos' words are closer to suggestions ignore them outright, force her brother to the clearest possible command. She suspects he can withstand even better as Athos' proximity fades.

Wasted breaths are risk, when blood is in the balance. Fortunately, she is no fool, wrapping herself in enough amulets calling him to her aid is rarely necessary. He rides beside her to prove that even the Dane with slightly less black in her veins can easily control their demon.

But at almost every sign of threat, he moves unprompted. Not because he fears her brother's retribution, not because the seal compels. He comes too swiftly for either of those. Holland Vosijk comes because he knows if she died, he would never throw alms to the city that hates him. No subsidized wheat; Athos would love watching the men and women he trains to ride behind them—never beside, no one is given enough knowledge to stand as equal to they two—into Arnes—divide the city into wedges and make the people under their control scrabble and beg.

When she first saw the stacks and stacks of carefully labeled payments to spell-crafters and curse-makers, she'd thought none of Athos' experiments would be needed. The old man had found a way to open the doors, and now he was dead, and they could simply ride into Arnes and snatch the glory.

But a magical payment for each farmer to feed the city as a whole, rather than their chosen hoard, wasn't the worst idea. And Astrid would happily put the dead's ideas to fine use.

She graciously allows the pretty former knight over-see it, so long as he remembers the queen is always watching.

(Though when speaking of food and goods of all kinds, it is her brother who shines in trade. His tactic is so very simple. So very effective. A merchant enters the throne room. Athos informs them what they will bring to the city. Should they complain or protest, he does not even deign to blink. Merely says: "Unbutton your shirt." And while the merchant is gawping and spluttering, the Antari bears his Seal.

"Do you know what this is?" her brother asks, gently.

By the time he has demonstrated the Seal to his satisfaction—such a thorough tutor to the less accomplished, her twin— the question of whether the merchant's trade might improve under Athos' control does not need asking.

Once, Athos slipped a request for a woman's first-born into a contract revision and she signed without even looking, so desperate to flee from the throne before she had matching runes. She even dutifully paraded the child to the castle six months later. Athos had no interest now she behaved so well, but Astrid found gratitude at keeping her child made her a most excellent spy. within the city.)

And then there are the sick. Perhaps the Antari would be allowed his little preoccupation if her brother ruled alone, assuming the family were desperate enough to contribute a person to his servants' ranks. But even mindless, there's something in his guards that hungers to live, ducking blades and attacks on instincts most would swear puppets could not have. He rarely needs replacement.

On those occasions a petitioner dares bring the ill to their attention, Astrid takes whatever their pathetic tribute is. With gloves, of course, because assassins lurk everywhere. Takes the faded, wilted flowers and oddly shaped rocks with the tiniest bit of color lurking in stone veins from the children—so many are children, young and unscarred enough to believe facing the twins and their demon is a price gladly paid even as those they keep alive will likely betray them eventually.

Adults, when they come, bring carefully knitted blankets and finely spun clothes. Once, there were even the most lovely hair combs, made of some creature's shell far from the south the woman called a tortoise. Why she would surrender them for a squalling brat who has years and years to die while she has nothing else to barter, Astrid cannot guess. But she passed the combs to Albiz, her brother's favorite among the spell-working salon, to check for curses and let Holland do his work.

There are not many such petitioners, but every one will go back into the city and whisper of the queen's mercy, how she always stood between them and the demon, and when it was done, their friend or child or lover was alive. Whispers that will still other's discontent.

She keeps almost all those talismans, unless something catches her brother's fancy. Carves spells into the stones, wraps herself in the blankets, wears the finely made trousers.

Though she has little use for wilted posies. "Keep them," she says gently, savoring Holland's second flickering of desperate relief at being handed a token not steeped in blood.

Funny, how he is even responsible for Astrid's proudest creation, though he disdains her falcons. The complement to her brother's court of favored scholars and magicians. Where her brother's is equally spread between men and women, barely any of her falcons are men. Men are so terribly squeamish about having their bodies borrowed. And all her falcons wear a possession charm, so she may see any part of the city through their eyes whenever she wishes.

She could simply force her will, toss a charm over any likely-looking neck. But she wants keen servants, who will willingly call her attention to matters of interest. Made hungry enough from being overlooked they have the grit to never utter a word of complaint when she enters them abruptly. To never fight when she raises their hands or opens their mouths. To fall upon her prey in whatever manner she requires and ask no questions.

The obedience Athos must bind, given freely.

In return, they shall never starve, never offer their measly tributes to free family from pain, never serve anyone's will but she and Athos.

Years later, the keenest ferocity of them all, her magicless, intrepid Gudrun, under the thumb of a father who craved a drudge incapable of disobedience until she went to the market and ran to rumors of Astrid's glove, nets her flower boy. Whispers the most ridiculous, delightful story about forbidden letters and a knight-turned hound's vices that sees Astrid smiling even days later as she prepares to fully possess a prince. Whispers it with the sweet conviction she must have displayed to her father before Astrid murmurred he could not touch her. To do all the things she must have dreamed. (He learned then a knife could make even a magicless woman a man's greatest terror and Gudrun snarled in delight.) Whispers until the Antari falls to her talons, while Astrid watches from half a city away.

What she wants is easy. What she will call them does not come to her until after Holland's third visit to Arnes, feeling her brother's hand squeeze hers in delight at the wonders of this red city. Both their fingers ache pleasantly from expressing such delight at the hours-long recitation, as they have each time her brother told the Antari to 'account for each moment in the Red City'.

The prey-vulnerable Red Royals must think they are predators, dawdling with their letters, letting 'Master Holland' wander the city while they mull their answers, thinking themselves so safe with their doors. She would mock them more, save their complacency makes for beautiful tales.

Later, he will learn to speak of Arnesian wonders in a monotone as though they were fool enough to believe the city left him any less awestruck than they. But in these early days, even he cannot help closing his eyes at the thought of the fat, juicy rabbits a hunting party carried with them. Or perhaps it is the juice running in rivulets across her brother's fingers and lips as he savors the last few bites of apple. So sweet, that juice, when he had pressed it to her lips for the first bite. She had laughed until her sides ached, spun him about the throne room. She would offer her brother a bite of her own pasty—what a marvelous idea, to tell his pretty thing he must fetch back two things he had enjoyed most for them—but even three trips in, she knew his tastes ran to sweet and savory, not the burn that accompanied her meat and vegetables.

"Did you like it because it burned, pretty thing? Because everything in their world should carry the burn of their betrayal?" she had asked, hours ago, and relished the hiss of breath when he forced the Seal to jerk his head in affirmation.

"Even as you could not help wanting the sweet," Athos had laughed, graciously smearing some of the juice in a lingering kiss at the corner of the Antari's mouth. She could see the red shine of it still. Will he clean it away the second he is alone, or be unable to resist the last taste of sweetness even as he hates himself for it? she wondered, and then the Antari's voice cracked, and Athos gestured that he might fill one of the glasses beside the water pitcher and she exhaled her disappointment.

"We will scry his room and see what he does another day," Athos whispered, and of course he too had wondered if his pretty thing could resist temptation.

"The leader had a bird on his arm," the Antari continued barely a moment later, setting the emptied glass on the table and before he was done explaining how such a fierce thing rested so easily for bits of meat, she was striding to Athos' scrying basin, pulling Holland behind. "Clever, pretty thing, seeing what I need. Falcons."

Such beautiful ferocities, and she tried to touch the feathers even as she knew she would only ripple the water. "As Tosal," her brother said softly, pressing against her back and she blinked.

"Mhmm?"

"He will go back tonight and bring you one with As Tosal. It will make the bird still and silent, but not turn it to stone."

"Was it your favorite, when you made him demonstrate all his mysterious tricks to the salon?"

"You know me so well. We will send him jingling with compulsion coins and they will be none the wiser."

"It isn't a fruit I can have forgotten in a pocket if something goes wrong."

"Then you will not let it go awry, Holland. Do you think a week's silence on his return would make him more or less inclined to state the obvious. It is so very dull."

"More, to spite you. It is what comes of wanting a pet who bites. Athos, come here." She held her mad, foolhardy brother, who would weave a plan in an instant and risk all his great discoveries to bring her something marvelous without her even needing to ask, close to her chest. "The pretty thing is not wrong. Besides, I do not need a falcon, love, only their design. For my court. Can he-"

"Of course. Tell us the rest of the trip later. For now-"

"Holland-" This once, for bringing her such a gift, she will grant his name, since he has so little liking for her sobriquet, "Find the best silver smith in the city. A falcon, in flight. On a chain, small enough to slip beneath a shirt. Bring a finished one for approval by lunch tomorrow."

It was midnight, he would have to roust the Shal's leader from a warm bed to find a smith he would also disturb, he was tired. If the Antari thought any of these things, he did not say them, simply turned on his heel and left.

***

In the next seven years, Holland Vosijk can count, with fingers to spare, those Astrid Dane invites to her glove who flee the invitation. (Athos always let his magicians come grovelling, but Astrid's falcons were always keen-eared for new recruits) Perhaps it is his worst delusion, thinking they, too, see how much blood runs at the margins of a people who, if not content, are at least not especially restless.

There is fountains worth from the one hundred eighty-two killed by the Danes personally, and his sixty-four. The blood of fools who ran their mouths too freely to the innocuous-looking barmaid or shopkeeper or grandmother before a little silver charm emerged. Blood of crows know how many drunk by Athos' magicians for power.

When forced to collaborate or unearth magic, he can most easily hold his control near lady Albiz, who makes the job no crueler than necessary, heeds advice, and returns her dead to their people or buries them herself. And she still snuffed out two Maktahns the day she swanned into Athos' service. He will not forget that because she grants an ounce of respect.

Two lives she'd taken, that were merely one crime, on one day of two thousand five hundred fifty-five. Still full of all that blood, she'd strolled into morning court in a ragged tunic and skirt, pupils glassy from the sudden torrent of magic into a body that knew only a trickle.

Like Alox.

Fifteen and cocksure with it like him, too.

"I heard there was a place here for those who could take it. I'll be your best magician if you'll let me take enough. I'm tired of running dry."

There had always been people not even the king's knight could stop, no matter how it choked him to admit it. He could have wandered the streets, never sleeping, and still not stopped all the blood being shed. And sometimes. Sometimes, they had something Vor needed and he turned a blind eye and Holland fled to Arnes to be in a world where kings didn't have to allow atrocities for the greater good. Until the ache to smell ash and steel and the fear Vortalis was dead in his absence swamped the rage and tugged him home.

But Vortalis would never have leaned in and inhaled the blood clinging to her like a bouquet, licked the red from the corner of her mouth, mirth echoing off the walls until Holland's head throbbed when she moved like a desperate, striking snake to try for a kiss. As though he'd let it be stolen back from his tongue. Would never have said, for all to hear: "Defiant little thing, aren't you? You're the third most beautiful person I've seen all month."

How many lives might be saved, if Albiz and worse weren't infesting the city? How many slum magicians had killed some unwitting neighbor, watching them preen and knowing Athos and Astrid Dane would never care, so long as they were not challenged as the greatest sorcerers of the land?

Deluded or no, it is those few refusals Astrid grumbled over and insisted he keep an eye on ("If they dare not serve, they must have plans of their own. Look harder, pretty thing, and you'll find the rot they're tangled in.") he seeks when he returns for kingship. Hopes their refusal meant more than a disdain for fancy jewelry. Because Athos and Astrid Dane aren't the worst rulers Makt had, but he will be better by far.

[ereborne]

Song of the Day: March 26

"Songs About Rain" by Gary Allan

[warriorsrewrite]

Would you hypothetically be okay with someone making a fan-animated series of your rewrite?

Hello! First of all, I'm flattered you'd want to anime my rewrite. I'm thrilled whenever someone decides to make fanart for this rewrite series, and normally I'm 100% open to seeing it.

However, I do have to warn you that if you make a fully animated series based on even the first book, you might run into some issues with Working Partners. A while back, they updated their policy on allowing people to make videos that were animated series of the first Warriors book series, saying that such adaptations couldn't continue.

And while an animated series of this rewrite might be all right, you should also be aware that there are still a lot of similar events and scenes from the original books in my rewrite series that could make Working Partners ask you to stop if you post a fully animated video of them.

So, before you go doing this and especially before you start posting anything, make sure to read the policy about this on the official Warriors website FAQ. As much as I'd love to see my rewrite animated, I also don't want to inadvertantly get anyone in trouble.

[iknowwhereyousleepatnight]

i had a dream last night where i was trying to put together a piece for an art final in one afternoon (because apparently i was taking an art class? i kept having lucid moments of hey i’m not even taking a real art class but i was content to still do the project) and actually i remember very clearly what i was planning and i have all the stuff for it i think i should recreate the dream art final piece

[arthur-r]

emily wilson out here translating the iliad and i am once again wishing i knew how to read and translate ancient greek

[sharkieboi]

watching How It’s Made is a mistake sometimes cause I just end up staring at the screen with longing like 🥺 if I could get paid a living wage to do this Very Specific Task all day I would

[discoreptile]

Shellycoat

[echoekhi]

I’m Declaring War Against “What If” Videos: Project Copy-Knight

What Are “What If” Videos?

These videos follow a common recipe: A narrator, given a fandom (usually anime ones like My Hero Academia and Naruto), explores an alternative timeline where something is different. Maybe the main character has extra powers, maybe a key plot point goes differently. They then go on and make up a whole new story, detailing the conflicts and romance between characters, much like an ordinary fanfic.

Except, they are fanfics. Actual fanfics, pulled off AO3, FFN and Wattpad, given a different title, with random thumbnail and background images added to them, narrated by computer text-to-speech synthesizers.

They are very easy to make: pick a fanfic, copy all the text into a text-to-speech generator, mix the resulting audio file with some generic art from the fandom as the background, give it a snappy title like “What if Deku had the Power of Ten Rings”, photoshop an attention-grabbing thumbnail, dump it onto YouTube and get thousands of views.

In fact, the process is so straightforward and requires so little effort, it’s pretty clear some of these channels have automated pipelines to pump these out en-masse. They don’t bother with asking the fic authors for permission. Sometimes they don’t even bother with putting the fic’s link in the description or crediting the author. These content-farms then monetise these videos, so they get a cut from YouTube’s ads.

In short, an industry has emerged from the systematic copyright theft of fanfiction, for profit.

Project Copy-Knight

Since the adversaries almost certainly have automated systems set up for this, the only realistic countermeasure is with another automated system. Identifying fanfics manually by listening to the videos and searching them up with tags is just too slow and impractical.

And so, I came up with a simple automated pipeline to identify the original authors of “What If” videos.

It would go download these videos, run speech recognition on it, search the text through a database full of AO3 fics, and identify which work it came from. After manual confirmation, the original authors will be notified that their works have been subject to copyright theft, and instructions provided on how to DMCA-strike the channel out of existence.

I built a prototype over the weekend, and it works surprisingly well:

On a randomly-selected YouTube channel (in this case Infinite Paradox Fanfic), the toolchain was able to identify the origin of half of the content. The raw output, after manual verification, turned out to be extremely accurate. The time taken to identify the source of a video was about 5 minutes, most of those were spent running Whisper, and the actual full-text-search query and Levenshtein analysis was less than 5 seconds.

The other videos probably came from fanfiction websites other than AO3, like fanfiction.net or Wattpad. As I do not have access to archives of those websites, I cannot identify the other ones, but they are almost certainly not original.

Armed with this fantastic proof-of-concept, I’m officially declaring war against “What If” videos. The mission statement of Project Copy-Knight will be the elimination of “What If” videos based on the theft of AO3 content on YouTube.

I Need Your Help

I am acutely aware that I cannot accomplish this on my own. There are many moving parts in this system that simply cannot be completely automated – like the selection of YouTube channels to feed into the toolchain, the manual verification step to prevent false-positives being sent to authors, the reaching-out to authors who have comments disabled, etc, etc.

So, if you are interested in helping to defend fanworks, or just want to have a chat or ask about the technical details of the toolchain, please consider joining my Discord server. I could really use your help.

------

See full blog article and acknowledgements here: https://echoekhi.com/2023/11/25/project-copy-knight/

[iicarused]

##you are so divine

alastor x reader / vox x reader

synopsis: general love interest headcanons

beware: obsession, yandere aspects , implications of manipulation

envelope from the author: i love them. man i feel like dating alastor would feel like being roommates instead of a lover💀

ALASTOR

old fashion, but something to expect from him. you sit your pretty face down and let him do everything. all you have to do is make a meal and make the house a home. it’s funny because you barely get to do that either, as he would often take over and just spoil you.

though, you are not allowed to touch him. it comes slowly and naturally, so you often have to wait for him to initiate it. even then, it’s quite rare. you catch him hovering over your shoulder so often that it became normal.

his love language is words of affirmation and gift giving — but he started to stick around you like a lost dog much more these days

while you aren’t shown off to the world, he will talk about you to anyone who would listen. you are his most prized possession after all. quite frankly, that’s all you are, a trophy to show off and not a lover. he just enjoys the sound of calling you his.

this man gives you mixed signals while being straightforward, and you tried to leave but he insists that you are a lover. a kiss on the lips and a trip to the bed is all it takes to have you melting under his eyes again

“my dear, can you bring me my coat?” my dear. alastor never forgets to add the first word while addressing you. “it’s over on the couch — i have to hurry on out in a minute.”

“are you going back to that hotel?” you asked while fetching his coat. you remember the day when he first asked you to get his coat, and it was like a goal to reach after months of dating. while being the partner alastor is quite slow, you almost appreciate that he is still by your side.

“where else, my dear?” he asked in return when you handed him his coat. “the hotel is —“

“— is your finest project, i know, al.” you shared a look of question before he nodded at what he knew you were beckoning to do; dust off his vest and fix up his tie. it was like clockwork at this point. “you have a good day.”

“not a good day — a great day.”

VOX

while his relationship was never established with valentino, everyone knew not to ask. you came to the vee’s under the wing of velvette, and my, what a catch you were! eye candy, a prize, something the public would love to see around vox’s arm

began to whisk you away from modelling for velvette, but instead brought you in for interviews and made you the face of future designs (velvette was not very keen of the idea of vox doing that without permission.) introduced you to the world of fame

your pretty face next to his was all it took for hell to go crazy. everyone was all about the new power couple that streamed on every tv and the affection he publicly shown. an overlord? in love? everyone was gossiping

you were all he needed to overshadow alastor and make the radio demons “yesterdays news.”

public affection, public pda, you were public. he showered you in front of the camera, he spoiled you in riches where every paparazzi could see! often gushed about it inside the penthouse and the fame you both were receiving. praised you for doing so good in front of the camera

“doll, you were a natural! the press were eating you up!” a hand came under your chin, his fingers squishing your cheeks so gently. “keep doing what you do and i might make it to the top.”

“our story will put lucifer and lilith’s to shame!” you chirped. oh, how delusional you were to think that it was a love story that vox was writing. “maybe we’ll even have our own castle like a proper overlord of hell.”

“yeah, maybe we’ll even be the new rulers.” the emphasis of “we” always seemed to make you happy, and maybe he used it to keep you under his arm. that’s where you belong after all.

[sarahreesbrennan]

Are all the themes in “in other lands” supposed to be a commentary on something? Or do you just like writing sex scenes between minors, age gaps, and reverse misogyny?

Genuine question.

Ohhh, my dear anon, I don't believe this is a genuine question.

But it does bring up something I've been meaning to talk about. So I'll take the bait.

Firstly. Yes, my work contains a commentary on the world around us. I wonder what I could be doing with the child soldiers being sexually active in their teens (people hook up right after battles), and the age gap relationship ending in the younger one being too mature for the elder. What could I possibly have been attempting when I said 'how absurd gender roles are, when projected onto people we haven't been accustomed by our own society to see that way'? I wasn't being subtle, that's for sure.

Secondly. Yes I do enjoy writing! I think I should, it's my life's work. Am I titillated by my own writing, no - though I think it's fine to be. The sex scenes of In Other Lands aren't especially titillating, to be honest. It is interesting to me how often people sneer at women for writing romance and sex scenes, having 'book boyfriends,' insinuating women writers fancy their own characters. Women having too much immoral fun! Whereas men clearly write about sex for high literary purposes.

… I have to say from my experience of women and men's writing, I haven't found that to be true.

I’m not in this to have an internet argument. I prefer to leave my anons open since not everyone has a tumblr, as @neil-gaiman says it’s an internet backwater, but a lovely one for those like myself who enjoy an essay about fictional characters! Still I will close my inbox to anons if I must. Mostly people use bad faith takes to poke at others from the other side of a screen for kicks. But I do know some truly internalise the attitude that writing certain things is wrong, that anyone who makes mistakes must be shunned as impure, and that is a deeply Victorian and restrictive attitude that guarantees unhappiness.

I've become increasingly troubled by the very binary and extreme ways of thinking I see arising on the internet. They come naturally from people being in echo chambers, becoming hostile to differing opinions, and the age-old conundrum of wanting to be good, fearing you aren't, and making the futile effort to be free of sin. It makes me think of Tennyson, who when travelling through Ireland at the time of the Great Famine, said nobody should talk about the 'Irish distress' to him and insisted the window shades of his carriage be shut as he went from castle to castle. So he wouldn't see the bodies. But that didn't make the bodies cease to be.

In Les Mis, Victor Hugo explores why someone might steal, what that means about them and their circumstances, and who they might be - and explores why someone else is made terribly unhappy, and endangers others, through their own too rigid adherence to judgement and condemnation without pity. The story understands both Jean Valjean the thief and Javert the policeman. Javert’s way of thinking is the one that inevitably leads to tragedy.

Depiction isn't endorsement. Depiction is discussion.

Many of my loved ones have had widely varying relationships to and experience of sex (including 'none'). They've felt all different types of ways about it. If writing about them is not permissible, I close them out. I'd much rather a dialogue be open than closed.

I do understand the urge to write what seems right to others. I've been brain-poisoned that way myself. I used to worry so much about my female characters doing the wrong things, because then they'd be justly hated! Then I noted which of my writer friends had people love their female characters the most - and it was the one who wrote their female characters as screwing up massively, making rash and sometimes wrong decisions. Who wrote them as people. Because that's what people do. That's what feels true to readers.

I want my characters to feel true to readers. I want my characters to react in messy ways to imperfect situations. I love fantasy, I love wild action and I love deep thought, and I want to engage. That's what In Other Lands is about. That's even more what Long Live Evil is about. That sexy lady who sashays in to have sexy sex with the hero - what is her deal? Someone who tricks and lies to others - why are they doing that, how did they get so skilled at it? What makes one person cruelly judgemental, and another ignore all boundaries? What makes Carmen Maria Machado describe ‘fictional queer villains’ as ‘by far the most interesting characters’? What irritates people about women having a great time? What attracts us to power, to fiction, and to transgression?

I don’t know the answers to all those questions, but I know I want to explore them. And I know one more thing.

If the moral thing to do is shut people out and shut people up? Count me among the villains.

[zhongrin]

— a short and casual genshin impact otome game.

⟣ 𝕕𝕠𝕨𝕟𝕝𝕠𝕒𝕕 𝕙𝕖𝕣𝕖 ⟢

┊ (Windows 🪟, Linux 🐧, or Mac 🍎 only!)

◇ 𝐰𝐡𝐚𝐭'𝐬 𝐭𝐡𝐢𝐬? ◇

Just a simple something I had in mind for a Genshin otome game... I have 0 attention span, 0 time, and 0 knowledge to write and build a full-fledged 3D game with intricate stories, plot, and mechanics. This is just a simple visual novel with a streamlined plot and partial voices. You should be able to complete everything in like... 30 minutes long in total. Might be less, even.

◇ 𝐜𝐨𝐧𝐭𝐞𝐧𝐭 𝐭𝐚𝐠𝐬 ◇

The game will contain the following: established relationship, FLUFF, comfort, lots of pet names, suggestive themes, lots of kissy sounds on some routes, implications of violence (not towards player), a sprinkle of protective behavior

◇ 𝐥𝐨𝐯𝐞 𝐢𝐧𝐭𝐞𝐫𝐞𝐬𝐭𝐬 ◇

Zhongli, Xiao, Childe, Diluc, Kaeya, Itto, Kazuha (Zhongli is selected by default because who doesn’t love geo daddy???)

◇ 𝐰𝐡𝐨'𝐬 𝐭𝐡𝐢𝐬 𝐟𝐨𝐫? ◇

This is a very self-indulgent project, hence the dialogues were written with fem!player in mind. It will contain suggestive themes, so please be aware of that before downloading / playing!

◇ 𝐢𝐬 𝐭𝐡𝐢𝐬 𝐟𝐫𝐞𝐞 𝐭𝐨 𝐩𝐥𝐚𝐲? ◇

Yes, it's totally free - in fact, I do not accept payment.

◇ 𝐡𝐨𝐰 𝐭𝐨 𝐩𝐥𝐚𝐲? ◇

Click the link to download the appropriate file based on your OS. Only Windows, Linux, and Mac are supported. No, I won't release it on other platforms.

Open the game, and you’ll find that it’s pretty straightforward. Customize your profile, select your love interest, then start the game.

There are no wrong answers and the love interest can be changed anytime (just go back to main menu and select the character’s picture on the right side).

◇ 𝐜𝐚𝐧 𝐢 𝐬𝐡𝐚𝐫𝐞 𝐭𝐡𝐢𝐬? ◇

You can personally send links to this post / the game’s itch.io page to your friends via DMs, but outside of that (reposting), NO. For example, posting about this on Reddit is prohibited.

◇ 𝐚𝐧𝐲𝐭𝐡𝐢𝐧𝐠 𝐞𝐥𝐬𝐞 𝐭𝐨 𝐧𝐨𝐭𝐞? ◇

This is a super casual project.

Scripts are not proofread. Probably lots of grammar mistakes.

Novel format without narration (full dialogs).

There are no actual sprites, just official art and something akin to a speech bubble to cater to the characters’ changes in ‘expression’.

There are voices, but only partial - mostly just grunts, chuckles, kisses, and stuff. I’m using JP voices EXCEPT for Itto because Max Mittelman is a gem. No, I will not add other languages' voice versions.

Sound cues and voices are quite important for this game so I recommend using headphones.

Depending on when you open the game (morning, afternoon, nighttime, midnight), your currently selected love interest might greet you differently.

To reiterate, there are no wrong answers.

Selecting all talk/act options for a character will unlock a small event where they'll give you unique gifts.

I lowkey have so many ideas on how to expand on this in terms of gameplay and options but let’s be real here it probably won’t happen lol why can’t my brain be this creative when it comes to work

◇ 𝐢𝐬 𝐭𝐡𝐢𝐬 𝐚 𝐯𝐢𝐫𝐮𝐬??? ◇

No... That said, anyone can literally say that. Please be responsible for your own actions.

I have also released other games on the same itch.io profile, so this isn't my first rodeo. Feel free to check the reviews on those before making your decision if you're wary about downloading!

◇ 𝐥𝐚𝐬𝐭 𝐰𝐨𝐫𝐝𝐬 ◇

hyv please don't sue me i gain 0 dollars for this and i just wanna simp in peace

⟐ 𝚌𝚛𝚎𝚍𝚒𝚝𝚜 🄸 𝚒𝚝𝚌𝚑.𝚒𝚘 𝚙𝚛𝚘𝚏𝚒𝚕𝚎 🄸 𝚒𝚗𝚜𝚝𝚊𝚕𝚕 𝚒𝚗𝚜𝚝𝚛𝚞𝚌𝚝𝚒𝚘𝚗𝚜 ⟐

© zhongrin | 2022 ◆ do not repost or share without permission. reblogs much appreciated. feel free to reach out to submit suggestions, feedback, comments, or if you just want to talk!

[punisheddonjuan]

How I ditched streaming services and learned to love Linux: A step-by-step guide to building your very own personal media streaming server (V2.0: REVISED AND EXPANDED EDITION)

This is a revised, corrected and expanded version of my tutorial on setting up a personal media server that previously appeared on my old blog (donjuan-auxenfers). I expect that that post is still making the rounds (hopefully with my addendum on modifying group share permissions in Ubuntu to circumvent 0x8007003B "Unexpected Network Error" messages in Windows when transferring files) but I have no way of checking. Anyway this new revised version of the tutorial corrects one or two small errors I discovered when rereading what I wrote, adds links to all products mentioned and is just more polished generally. I also expanded it a bit, pointing more adventurous users toward programs such as Sonarr/Radarr/Lidarr and Overseerr which can be used for automating user requests and media collection.

So then, what is this tutorial? This is a tutorial on how to build and set up your own personal media server using Ubuntu as an operating system and Plex (or Jellyfin) to not only manage your media,, but to stream that media to your devices both locally at home, and remotely to anywhere in the world where you have an internet connection. This is a tutorial about how building a personal media server and stuffing it full of films, television shows and music that you acquired through indiscriminate and voracious media piracy various legal methods like ripping your own physical media to disk, you’ll be free to completely ditch paid streaming services. No more will you have to pay for Disney+, Netflix, HBOMAX, Hulu, Amazon Prime, Peacock, CBS All Access, Paramount+, Crave or any other streaming service that is not named Criterion Channel (which is actually good). If you want to watch your favourite films and television shows, you’ll have your own custom service that only features things that you want to see, and where you have control over your own files and how they’re delivered to you. And for music fans out there, both Jellyfin and Plex support music streaming, meaning you can even ditch music streaming services. Goodbye Spotify, Youtube Music, Tidal and Apple Music, welcome back unreasonably large MP3 (or FLAC) collections.

On the hardware front, I’m going to offer a few options catered towards differing budgets and media library sizes. The cost of getting a media server up and running using this guide will cost you anywhere from $450 CDN/$325 USD at the entry level to $1500 CDN/$1100 USD at the high end. My own server was priced closer to the higher figure, with much of that cost being hard drives. If that seems excessive, consider for a moment, maybe you have a roommate, a close friend, or a family member who would be willing to chip in a few bucks towards your little project provided they get a share of the bounty. This is how my server was funded. It might also be worth thinking about cost over time, how much you spend yearly on subscriptions vs. a one time cost of setting up a server. Additionally there's just the joy of being able to scream "fuck you" at all those show cancelling, movie deleting, hedge fund vampire CEOs who run the studios through denying them your money. Drive a stake through David Zaslav's heart.

On the software side I will walk you step-by-step through installing Ubuntu as your server's operating system, configuring your storage as a RAIDz array with ZFS, sharing your zpool to Windows with Samba, running a remote connection between your server and your Windows PC, and then a little about started with Plex/Jellyfin. Every terminal command you will need to input will be provided, and I even share a custom #bash script that will make used vs. available drive space on your server display correctly in Windows.

If you have a different preferred flavour of Linux (Arch, Manjaro, Redhat, Fedora, Mint, OpenSUSE, CentOS, Slackware etc. et. al.) and are aching to tell me off for being basic and using Ubuntu, this tutorial is not for you. The sort of person with a preferred Linux distro is the sort of person who can do this sort of thing in their sleep. Also I don't care. This tutorial is intended for the average home computer user. This is also why we’re not using a more exotic home server solution like running everything through Docker Containers and managing it through a dashboard like Homarr or Heimdall. While such solutions are fantastic and can be very easy to maintain once you have it all set up, wrapping your brain around Docker is a whole thing in and of itself. If you do follow this tutorial and had fun putting everything together, then I would encourage you to return in a year’s time, do your research and set up everything with Docker Containers.

Lastly, this is a tutorial aimed at Windows users. Although I was a daily user of OS X for many years (roughly 2008-2023) and I've dabbled quite a bit with various Linux distributions (mostly Ubuntu and Manjaro), my primary OS these days is Windows 11. Many things in this tutorial will still be applicable to Mac users, but others (e.g. setting up shares) you will have to look up for yourself. I doubt it would be difficult to do so.

Nothing in this tutorial will require feats of computing expertise. All you will need is a basic computer literacy (i.e. an understanding of what a filesystem and directory are, and a degree of comfort in the settings menu) and a willingness to learn a thing or two. While this guide may look overwhelming at first glance, it is only because I want to be as thorough as possible. I want you to understand exactly what it is you're doing, I don't want you to just blindly follow steps. If you half-way know what you’re doing, you will be much better prepared if you ever need to troubleshoot.

Honestly, once you have all the hardware ready it shouldn't take more than a weekend to get everything up and running.

(This tutorial is just shy of seven thousand words long so the rest is under the cut.)

Step One: Choosing Your Hardware

Linux is a light weight operating system, depending on the distribution there's close to no bloat. There are recent distributions available at this very moment that will run perfectly fine on a fourteen year old i3 with 4GB of RAM. Moreover, running Plex or Jellyfin isn’t resource intensive in 90% of use cases. All this is to say, we don’t require an expensive or powerful computer. This means that there are several options available: 1) use an old computer you already have sitting around but aren't using 2) buy a used workstation from eBay, or what I believe to be the best option, 3) order an N100 Mini-PC from AliExpress or Amazon.

Note: If you already have an old PC sitting around that you’ve decided to use, fantastic, move on to the next step.

When weighing your options, keep a few things in mind: the number of people you expect to be streaming simultaneously at any one time, the resolution and bitrate of your media library (4k video takes a lot more processing power than 1080p) and most importantly, how many of those clients are going to be transcoding at any one time. Transcoding is what happens when the playback device does not natively support direct playback of the source file. This can happen for a number of reasons, such as the playback device's native resolution being lower than the file's internal resolution, or because the source file was encoded in a video codec unsupported by the playback device.

Ideally we want any transcoding to be performed by hardware. This means we should be looking for a computer with an Intel processor with Quick Sync. Quick Sync is a dedicated core on the CPU die designed specifically for video encoding and decoding. This specialized hardware makes for highly efficient transcoding both in terms of processing overhead and power draw. Without these Quick Sync cores, transcoding must be brute forced through software. This takes up much more of a CPU’s processing power and requires much more energy. But not all Quick Sync cores are created equal and you need to keep this in mind if you've decided either to use an old computer or to shop for a used workstation on eBay

Any Intel processor from second generation Core (Sandy Bridge circa 2011) onwards has Quick Sync cores. It's not until 6th gen (Skylake), however, that the cores support the H.265 HEVC codec. Intel’s 10th gen (Comet Lake) processors introduce support for 10bit HEVC and HDR tone mapping. And the recent 12th gen (Alder Lake) processors brought with them hardware AV1 decoding. As an example, while an 8th gen (Kaby Lake) i5-8500 will be able to hardware transcode a H.265 encoded file, it will fall back to software transcoding if given a 10bit H.265 file. If you’ve decided to use that old PC or to look on eBay for an old Dell Optiplex keep this in mind.

Note 1: The price of old workstations varies wildly and fluctuates frequently. If you get lucky and go shopping shortly after a workplace has liquidated a large number of their workstations you can find deals for as low as $100 on a barebones system, but generally an i5-8500 workstation with 16gb RAM will cost you somewhere in the area of $260 CDN/$200 USD.

Note 2: The AMD equivalent to Quick Sync is called Video Core Next, and while it's fine, it's not as efficient and not as mature a technology. It was only introduced with the first generation Ryzen CPUs and it only got decent with their newest CPUs, we want something cheap.

Alternatively you could forgo having to keep track of what generation of CPU is equipped with Quick Sync cores that feature support for which codecs, and just buy an N100 mini-PC. For around the same price or less of a used workstation you can pick up a Mini-PC with an Intel N100 processor. The N100 is a four-core processor based on the 12th gen Alder Lake architecture and comes equipped with the latest revision of the Quick Sync cores. These little processors offer astounding hardware transcoding capabilities for their size and power draw. Otherwise they perform equivalent to an i5-6500, which isn't a terrible CPU. A friend of mine uses an N100 machine as a dedicated retro emulation gaming system and it does everything up to 6th generation consoles just fine. The N100 is also a remarkably efficient chip, it sips power. In fact, the difference between running one of these and an old workstation could work out to hundreds of dollars a year in energy bills depending on where you live.

You can find these Mini-PCs all over Amazon or for a little cheaper on AliExpress. They range in price from $170 CDN/$125 USD for a no name N100 with 8GB RAM to $280 CDN/$200 USD for a Beelink S12 Pro with 16GB RAM. The brand doesn't really matter, they're all coming from the same three factories in Shenzen, go for whichever one fits your budget or has features you want. 8GB RAM should be enough, Linux is lightweight and Plex only calls for 2GB RAM. 16GB RAM might result in a slightly snappier experience, especially with ZFS. A 256GB SSD is more than enough for what we need as a boot drive, but going for a bigger drive might allow you to get away with things like creating preview thumbnails for Plex, but it’s up to you and your budget.

The Mini-PC I wound up buying was a Firebat AK2 Plus with 8GB RAM and a 256GB SSD. It looks like this:

Note: Be forewarned that if you decide to order a Mini-PC from AliExpress, note the type of power adapter it ships with. The mini-PC I bought came with an EU power adapter and I had to supply my own North American power supply. Thankfully this is a minor issue as a barrel plug 30W/12V/2.5A power adapters are plentiful and can be had for $10.

Step Two: Choosing Your Storage

Storage is the most important part of our build. It is also the most expensive. Thankfully it’s also the most easily upgrade-able down the line.

For people with a smaller media collection (4TB to 8TB), a more limited budget, or who will only ever have two simultaneous streams running, I would say that the most economical course of action would be to buy a USB 3.0 8TB external HDD. Something like this one from Western Digital or this one from Seagate. One of these external drives will cost you in the area of $200 CDN/$140 USD. Down the line you could add a second external drive or replace it with a multi-drive RAIDz set up such as detailed below.

If a single external drive the path for you, move on to step three.

For people with larger media libraries (12TB+), who prefer media in 4k, or care who about data redundancy, the answer is a RAID array featuring multiple HDDs in an enclosure.

Note: If you are using an old PC or used workstatiom as your server and have the room for at least three 3.5" drives, and as many open SATA ports on your mother board you won't need an enclosure, just install the drives into the case. If your old computer is a laptop or doesn’t have room for more internal drives, then I would suggest an enclosure.

The minimum number of drives needed to run a RAIDz array is three, and seeing as RAIDz is what we will be using, you should be looking for an enclosure with three to five bays. I think that four disks makes for a good compromise for a home server. Regardless of whether you go for a three, four, or five bay enclosure, do be aware that in a RAIDz array the space equivalent of one of the drives will be dedicated to parity at a ratio expressed by the equation 1 − 1/n i.e. in a four bay enclosure equipped with four 12TB drives, if we configured our drives in a RAIDz1 array we would be left with a total of 36TB of usable space (48TB raw size). The reason for why we might sacrifice storage space in such a manner will be explained in the next section.

A four bay enclosure will cost somewhere in the area of $200 CDN/$140 USD. You don't need anything fancy, we don't need anything with hardware RAID controls (RAIDz is done entirely in software) or even USB-C. An enclosure with USB 3.0 will perform perfectly fine. Don’t worry too much about USB speed bottlenecks. A mechanical HDD will be limited by the speed of its mechanism long before before it will be limited by the speed of a USB connection. I've seen decent looking enclosures from TerraMaster, Yottamaster, Mediasonic and Sabrent.

When it comes to selecting the drives, as of this writing, the best value (dollar per gigabyte) are those in the range of 12TB to 20TB. I settled on 12TB drives myself. If 12TB to 20TB drives are out of your budget, go with what you can afford, or look into refurbished drives. I'm not sold on the idea of refurbished drives but many people swear by them.

When shopping for harddrives, search for drives designed specifically for NAS use. Drives designed for NAS use typically have better vibration dampening and are designed to be active 24/7. They will also often make use of CMR (conventional magnetic recording) as opposed to SMR (shingled magnetic recording). This nets them a sizable read/write performance bump over typical desktop drives. Seagate Ironwolf and Toshiba NAS are both well regarded brands when it comes to NAS drives. I would avoid Western Digital Red drives at this time. WD Reds were a go to recommendation up until earlier this year when it was revealed that they feature firmware that will throw up false SMART warnings telling you to replace the drive at the three year mark quite often when there is nothing at all wrong with that drive. It will likely even be good for another six, seven, or more years.

Step Three: Installing Linux

For this step you will need a USB thumbdrive of at least 6GB in capacity, an .ISO of Ubuntu, and a way to make that thumbdrive bootable media.

First download a copy of Ubuntu desktop (for best performance we could download the Server release, but for new Linux users I would recommend against the server release. The server release is strictly command line interface only, and having a GUI is very helpful for most people. Not many people are wholly comfortable doing everything through the command line, I'm certainly not one of them, and I grew up with DOS 6.0. 22.04.3 Jammy Jellyfish is the current Long Term Service release, this is the one to get.

Download the .ISO and then download and install balenaEtcher on your Windows PC. BalenaEtcher is an easy to use program for creating bootable media, you simply insert your thumbdrive, select the .ISO you just downloaded, and it will create a bootable installation media for you.

Once you've made a bootable media and you've got your Mini-PC (or you old PC/used workstation) in front of you, hook it directly into your router with an ethernet cable, and then plug in the HDD enclosure, a monitor, a mouse and a keyboard. Now turn that sucker on and hit whatever key gets you into the BIOS (typically ESC, DEL or F2). If you’re using a Mini-PC check to make sure that the P1 and P2 power limits are set correctly, my N100's P1 limit was set at 10W, a full 20W under the chip's power limit. Also make sure that the RAM is running at the advertised speed. My Mini-PC’s RAM was set at 2333Mhz out of the box when it should have been 3200Mhz. Once you’ve done that, key over to the boot order and place the USB drive first in the boot order. Then save the BIOS settings and restart.

After you restart you’ll be greeted by Ubuntu's installation screen. Installing Ubuntu is really straight forward, select the "minimal" installation option, as we won't need anything on this computer except for a browser (Ubuntu comes preinstalled with Firefox) and Plex Media Server/Jellyfin Media Server. Also remember to delete and reformat that Windows partition! We don't need it.

Step Four: Installing ZFS and Setting Up the RAIDz Array

Note: If you opted for just a single external HDD skip this step and move onto setting up a Samba share.

Once Ubuntu is installed it's time to configure our storage by installing ZFS to build our RAIDz array. ZFS is a "next-gen" file system that is both massively flexible and massively complex. It's capable of snapshot backup, self healing error correction, ZFS pools can be configured with drives operating in a supplemental manner alongside the storage vdev (e.g. fast cache, dedicated secondary intent log, hot swap spares etc.). It's also a file system very amenable to fine tuning. Block and sector size are adjustable to use case and you're afforded the option of different methods of inline compression. If you'd like a very detailed overview and explanation of its various features and tips on tuning a ZFS array check out these articles from Ars Technica. For now we're going to ignore all these features and keep it simple, we're going to pull our drives together into a single vdev running in RAIDz which will be the entirety of our zpool, no fancy cache drive or SLOG.

Open up the terminal and type the following commands:

sudo apt update

then

sudo apt install zfsutils-linux

This will install the ZFS utility. Verify that it's installed with the following command:

zfs --version

Now, it's time to check that the HDDs we have in the enclosure are healthy, running, and recognized. We also want to find out their device IDs and take note of them:

sudo fdisk -1

Note: You might be wondering why some of these commands require "sudo" in front of them while others don't. "Sudo" is short for "super user do”. When and where "sudo" is used has to do with the way permissions are set up in Linux. Only the "root" user has the access level to perform certain tasks in Linux. As a matter of security and safety regular user accounts are kept separate from the "root" user. It's not advised (or even possible) to boot into Linux as "root" with most modern distributions. Instead by using "sudo" our regular user account is temporarily given the power to do otherwise forbidden things. Don't worry about it too much at this stage, but if you want to know more check out this introduction.

If everything is working you should get a list of the various drives detected along with their device IDs which will look like this: /dev/sdc. You can also check the device IDs of the drives by opening the disk utility app. Jot these IDs down as we'll need them for our next step, creating our RAIDz array.

RAIDz is similar to RAID-5 in that instead of striping your data over multiple disks, exchanging redundancy for speed and available space (RAID-0), or mirroring your data writing by two copies of every piece (RAID-1), it instead writes parity blocks across the disks in addition to striping, this provides a balance of speed, redundancy and available space. If a single drive fails, the parity blocks on the working drives can be used to reconstruct the entire array as soon as a replacement drive is added.

Additionally, RAIDz improves over some of the common RAID-5 flaws. It's more resilient and capable of self healing, as it is capable of automatically checking for errors against a checksum. It's more forgiving in this way, and it's likely that you'll be able to detect when a drive is dying well before it fails. A RAIDz array can survive the loss of any one drive.

Note: While RAIDz is indeed resilient, if a second drive fails during the rebuild, you're fucked. Always keep backups of things you can't afford to lose. This tutorial, however, is not about proper data safety.

To create the pool, use the following command:

sudo zpool create "zpoolnamehere" raidz "device IDs of drives we're putting in the pool"

For example, let's creatively name our zpool "mypool". This poil will consist of four drives which have the device IDs: sdb, sdc, sdd, and sde. The resulting command will look like this:

sudo zpool create mypool raidz /dev/sdb /dev/sdc /dev/sdd /dev/sde

If as an example you bought five HDDs and decided you wanted more redundancy dedicating two drive to this purpose, we would modify the command to "raidz2" and the command would look something like the following:

sudo zpool create mypool raidz2 /dev/sdb /dev/sdc /dev/sdd /dev/sde /dev/sdf

An array configured like this is known as RAIDz2 and is able to survive two disk failures.

Once the zpool has been created, we can check its status with the command:

zpool status

Or more concisely with:

zpool list

The nice thing about ZFS as a file system is that a pool is ready to go immediately after creation. If we were to set up a traditional RAID-5 array using mbam, we'd have to sit through a potentially hours long process of reformatting and partitioning the drives. Instead we're ready to go right out the gates.

The zpool should be automatically mounted to the filesystem after creation, check on that with the following:

df -hT | grep zfs

Note: If your computer ever loses power suddenly, say in event of a power outage, you may have to re-import your pool. In most cases, ZFS will automatically import and mount your pool, but if it doesn’t and you can't see your array, simply open the terminal and type sudo zpool import -a.

By default a zpool is mounted at /"zpoolname". The pool should be under our ownership but let's make sure with the following command:

sudo chown -R "yourlinuxusername" /"zpoolname"

Note: Changing file and folder ownership with "chown" and file and folder permissions with "chmod" are essential commands for much of the admin work in Linux, but we won't be dealing with them extensively in this guide. If you'd like a deeper tutorial and explanation you can check out these two guides: chown and chmod.

You can access the zpool file system through the GUI by opening the file manager (the Ubuntu default file manager is called Nautilus) and clicking on "Other Locations" on the sidebar, then entering the Ubuntu file system and looking for a folder with your pool's name. Bookmark the folder on the sidebar for easy access.

Your storage pool is now ready to go. Assuming that we already have some files on our Windows PC we want to copy to over, we're going to need to install and configure Samba to make the pool accessible in Windows.

Step Five: Setting Up Samba/Sharing

Samba is what's going to let us share the zpool with Windows and allow us to write to it from our Windows machine. First let's install Samba with the following commands:

sudo apt-get update

then

sudo apt-get install samba

Next create a password for Samba.

sudo smbpswd -a "yourlinuxusername"

It will then prompt you to create a password. Just reuse your Ubuntu user password for simplicity's sake.

Note: if you're using just a single external drive replace the zpool location in the following commands with wherever it is your external drive is mounted, for more information see this guide on mounting an external drive in Ubuntu.

After you've created a password we're going to create a shareable folder in our pool with this command

mkdir /"zpoolname"/"foldername"

Now we're going to open the smb.conf file and make that folder shareable. Enter the following command.

sudo nano /etc/samba/smb.conf

This will open the .conf file in nano, the terminal text editor program. Now at the end of smb.conf add the following entry:

["foldername"]

path = /"zpoolname"/"foldername"

available = yes

valid users = "yourlinuxusername"

read only = no

writable = yes

browseable = yes

guest ok = no

Ensure that there are no line breaks between the lines and that there's a space on both sides of the equals sign. Our next step is to allow Samba traffic through the firewall:

sudo ufw allow samba

Finally restart the Samba service:

sudo systemctl restart smbd

At this point we'll be able to access to the pool, browse its contents, and read and write to it from Windows. But there's one more thing left to do, Windows doesn't natively support the ZFS file systems and will read the used/available/total space in the pool incorrectly. Windows will read available space as total drive space, and all used space as null. This leads to Windows only displaying a dwindling amount of "available" space as the drives are filled. We can fix this! Functionally this doesn't actually matter, we can still write and read to and from the disk, it just makes it difficult to tell at a glance the proportion of used/available space, so this is an optional step but one I recommend (this step is also unnecessary if you're just using a single external drive). What we're going to do is write a little shell script in #bash. Open nano with the terminal with the command:

nano

Now insert the following code:

#!/bin/bash CUR_PATH=`pwd` ZFS_CHECK_OUTPUT=$(zfs get type $CUR_PATH 2>&1 > /dev/null) > /dev/null if [[ $ZFS_CHECK_OUTPUT == *not\ a\ ZFS* ]] then IS_ZFS=false else IS_ZFS=true fi if [[ $IS_ZFS = false ]] then df $CUR_PATH | tail -1 | awk '{print $2" "$4}' else USED=$((`zfs get -o value -Hp used $CUR_PATH` / 1024)) > /dev/null AVAIL=$((`zfs get -o value -Hp available $CUR_PATH` / 1024)) > /dev/null TOTAL=$(($USED+$AVAIL)) > /dev/null echo $TOTAL $AVAIL fi

Save the script as "dfree.sh" to /home/"yourlinuxusername" then change the ownership of the file to make it executable with this command:

sudo chmod 774 dfree.sh

Now open smb.conf with sudo again:

sudo nano /etc/samba/smb.conf

Now add this entry to the top of the configuration file to direct Samba to use the results of our script when Windows asks for a reading on the pool's used/available/total drive space:

[global]

dfree command = home/"yourlinuxusername"/defree.sh

Save the changes to smb.conf and then restart Samba again with the terminal:

sudo systemctl restart smbd

Now there’s one more thing we need to do to fully set up the Samba share, and that’s to modify a hidden group permission. In the terminal window type the following command:

usermod -a -G sambashare “yourlinuxusername”

Then restart samba again:

sudo systemctl restart smbd

If we don’t do this last step, everything will appear to work fine, and you will even be able to see and map the drive from Windows and even begin transferring files, but you'd soon run into a lot of frustration. As every ten minutes or so a file would fail to transfer and you would get a window announcing “0x8007003B Unexpected Network Error”. This window would require your manual input to continue the transfer with the file next in the queue. And at the end it would reattempt to transfer whichever files failed the first time around. 99% of the time they’ll go through that second try, but this is still all a major pain in the ass. Especially if you’ve got a lot of data to transfer or you want to step away from the computer for a while.

It turns out samba can act a little weirdly with the higher read/write speeds of RAIDz arrays and transfers from Windows, and will intermittently crash and restart itself if this group option isn’t changed. Inputting the above command will prevent you from ever seeing that window.

The last thing we're going to do before switching over to our Windows PC is grab the IP address of our Linux machine. Enter the following command:

hostname -I

This will spit out this computer's IP address on the local network (it will look something like 192.168.0.x), write it down. It might be a good idea once you're done here to go into your router settings and reserving that IP for your Linux system in the DHCP settings. Check the manual for your specific model router on how to access its settings, typically it can be accessed by opening a browser and typing http:\\192.168.0.1 in the address bar, but your router may be different.

Okay we’re done with our Linux computer for now. Get on over to your Windows PC, open File Explorer, right click on Network and click "Map network drive". Select Z: as the drive letter (you don't want to map the network drive to a letter you could conceivably be using for other purposes) and enter the IP of your Linux machine and location of the share like so: \\"LINUXCOMPUTERLOCALIPADDRESSGOESHERE"\"zpoolnamegoeshere"\. Windows will then ask you for your username and password, enter the ones you set earlier in Samba and you're good. If you've done everything right it should look something like this:

You can now start moving media over from Windows to the share folder. It's a good idea to have a hard line running to all machines. Moving files over Wi-Fi is going to be tortuously slow, the only thing that’s going to make the transfer time tolerable (hours instead of days) is a solid wired connection between both machines and your router.

Step Six: Setting Up Remote Desktop Access to Your Server

After the server is up and going, you’ll want to be able to access it remotely from Windows. Barring serious maintenance/updates, this is how you'll access it most of the time. On your Linux system open the terminal and enter:

sudo apt install xrdp

Then:

sudo systemctl enable xrdp

Once it's finished installing, open “Settings” on the sidebar and turn off "automatic login" in the User category. Then log out of your account. Attempting to remotely connect to your Linux computer while you’re logged in will result in a black screen!

Now get back on your Windows PC, open search and look for "RDP". A program called "Remote Desktop Connection" should pop up, open this program as an administrator by right-clicking and selecting “run as an administrator”. You’ll be greeted with a window. In the field marked “Computer” type in the IP address of your Linux computer. Press connect and you'll be greeted with a new window and prompt asking for your username and password. Enter your Ubuntu username and password here.

If everything went right, you’ll be logged into your Linux computer. If the performance is sluggish, adjust the display options. Lowering the resolution and colour depth do a lot to make the interface feel snappier.

Remote access is how we're going to be using our Linux system from now, barring edge cases like needing to get into the BIOS or upgrading to a new version of Ubuntu. Everything else from performing maintenance like a monthly zpool scrub (this is important!!!) to checking zpool status and updating software can all be done remotely.

This is how my server lives its life now, happily humming and chirping away on the floor next to the couch in a corner of the living room.

Step Seven: Plex Media Server/Jellyfin

Okay we’ve got all the ground work finished and our server is almost up and running. We’ve got Ubuntu up and running, our storage array is primed, we’ve set up remote connections and sharing, and maybe we’ve moved over some of favourite movies and TV shows.

Now we need to decide on the media server software to use which will stream our media to us and organize our library. For most people I’d recommend Plex. It just works 99% of the time. That said, Jellyfin has a lot to recommend it by too, even if it is rougher around the edges. Some people run both simultaneously, it’s not that big of an extra strain. I do recommend doing a little bit of your own research into the features each platform offers, but as a quick run down, consider some of the following points:

Plex is closed source and is funded through PlexPass purchases while Jellyfin is open source and entirely user driven. This means a number of things: for one, Plex requires you to purchase a “PlexPass” (purchased as a one time lifetime fee $159.99 CDN/$120 USD or paid for on a monthly or yearly subscription basis) in order to access to certain features, like hardware transcoding (and we want hardware transcoding) or automated intro/credits detection and skipping. jellyfish features for free. On the other hand, Plex supports a lot more devices than Jellyfin and updates more frequently. That said Jellyfin's Android/iOS apps are completely free, while the Plex Android/iOS apps must be activated for a one time cost of $6 CDN/$5 USD. But that $6 fee gets you a mobile app that is much more functional and features a unified UI across Android and iOS platforms, the Plex mobile apps are simply a more polished experience. The Jellyfin apps are a bit of a mess and the iOS and Android versions are very different from each other.

Jellyfin’s actual media player itself is more fully featured than Plex's, but on the other hand Jellyfin's UI, library customization and automatic media tagging really pale in comparison to Plex. Streaming your music library is free through both Jellyfin and Plex, but Plex offers the PlexAmp app for dedicated music streaming which boasts a number of fantastic features, unfortunately some of those fantastic features require a PlexPass. If your internet is down, Jellyfin can still do local streaming, while Plex can fail to play files. Jellyfin has a slew of neat niche features like support for Comic Book libraries with the .cbz/.cbt file types, but then Plex offers some free ad-supported TV and films, they even have a free channel that plays nothing but Classic Doctor Who.

Ultimately it's up to you, I settled on Plex because although some features are pay-walled, it just works. It's more reliable and easier to use, and a one-time fee is much easier to swallow than a subscription. I do also need to mention that Jellyfin does take a little extra bit of tinkering to get going in Ubuntu, you’ll have to set up process permissions, so if you're more tolerant to tinkering, Jellyfin might be up your alley and I’ll trust that you can follow their installation and configuration guide. For everyone else, I recommend Plex.

So pick your poison: Plex or Jellyfin.

Note: The easiest way to download and install either of these packages in Ubuntu is through Snap Store.

After you've installed one (or both), opening either app will launch a browser window into the browser version of the app allowing you to set all the options server side.

The process of adding creating media libraries is essentially the same in both Plex and Jellyfin. You create a separate libraries for Television, Movies, and Music and add the folders which contain the respective types of media to their respective libraries. The only difficult or time consuming aspect is ensuring that your files and folders follow the appropriate naming conventions:

Plex naming guide for Movies

Plex naming guide for Television

Jellyfin follows the same naming rules but I find their media scanner to be a lot less accurate and forgiving than Plex. Once you've selected the folders to be scanned the service will scan your files, tagging everything and adding metadata. Although I find do find Plex more accurate, it can still erroneously tag some things and you might have to manually clean up some tags in a large library. (When I initially created my library it tagged the 1963-1989 Doctor Who as some Korean soap opera and I needed to manually select the correct match after which everything was tagged normally.) It can also be a bit testy with anime (especially OVAs) be sure to check TVDB to ensure that you have your files and folders structured and named correctly. If something is not showing up at all, double check the name.

Once that's done, organizing and customizing your library is easy. You can set up collections, grouping items together to fit a theme or collect together all the entries in a franchise. You can make playlists, and add custom artwork to entries. It's fun setting up collections with posters to match, there are even several websites dedicated to help you do this like PosterDB. As an example, below are two collections in my library, one collecting all the entries in a franchise, the other follows a theme.

My Star Trek collection, featuring all eleven television series, and thirteen films.

My Best of the Worst collection, featuring sixty-nine films previously showcased on RedLetterMedia’s Best of the Worst. They’re all absolutely terrible and I love them.

As for settings, ensure you've got Remote Access going, it should work automatically and be sure to set your upload speed after running a speed test. In the library settings set the database cache to 2000MB to ensure a snappier and more responsive browsing experience, and then check that playback quality is set to original/maximum. If you’re severely bandwidth limited on your upload and have remote users, you might want to limit the remote stream bitrate to something more reasonable, just as a note of comparison Netflix’s 1080p bitrate is approximately 5Mbps, although almost anyone watching through a chromium based browser is streaming at 720p and 3mbps. Other than that you should be good to go. For actually playing your files, there's a Plex app for just about every platform imaginable. I mostly watch television and films on my laptop using the Windows Plex app, but I also use the Android app which can broadcast to the chromecast connected to the TV. Both are fully functional and easy to navigate, and I can also attest to the OS X version being equally functional.

Part Eight: Finding Media

Now, this is not really a piracy tutorial, there are plenty of those out there. But if you’re unaware, BitTorrent is free and pretty easy to use, just pick a client (qBittorrent is the best) and go find some public trackers to peruse. Just know now that all the best trackers are private and invite only, and that they can be exceptionally difficult to get into. I’m already on a few, and even then, some of the best ones are wholly out of my reach.

If you decide to take the left hand path and turn to Usenet you’ll have to pay. First you’ll need to sign up with a provider like Newshosting or EasyNews for access to Usenet itself, and then to actually find anything you’re going to need to sign up with an indexer like NZBGeek or NZBFinder. There are dozens of indexers, and many people cross post between them, but for more obscure media it’s worth checking multiple. You’ll also need a binary downloader like SABnzbd. That caveat aside, Usenet is faster, bigger, older, less traceable than BitTorrent, and altogether slicker. I honestly prefer it, and I'm kicking myself for taking this long to start using it because I was scared off by the price. I’ve found so many things on Usenet that I had sought in vain elsewhere for years, like a 2010 Italian film about a massacre perpetrated by the SS that played the festival circuit but never received a home media release; some absolute hero uploaded a rip of a festival screener DVD to Usenet, that sort of thing. Anyway, figure out the rest of this shit on your own and remember to use protection, get yourself behind a VPN, use a SOCKS5 proxy with your BitTorrent client, etc.

On the legal side of things, if you’re around my age, you (or your family) probably have a big pile of DVDs and Blu-Rays sitting around unwatched and half forgotten. Why not do a bit of amateur media preservation, rip them and upload them to your server for easier access? (Your tools for this are going to be Handbrake to do the ripping and AnyDVD to break any encryption.) I went to the trouble of ripping all my SCTV DVDs (five box sets worth) because none of it is on streaming nor could it be found on any pirate source I tried. I’m glad I did, forty years on it’s still one of the funniest shows to ever be on TV.

Part Nine/Epilogue: Sonarr/Radarr/Lidarr and Overseerr

There are a lot of ways to automate your server for better functionality or to add features you and other users might find useful. Sonarr, Radarr, and Lidarr are a part of a suite of “Servarr” services (there’s also Readarr for books and Whisparr for adult content) that allow you to automate the collection of new episodes of TV shows (Sonarr), new movie releases (Radarr) and music releases (Lidarr). They hook in to your BitTorrent client or Usenet binary newsgroup downloader and crawl your preferred Torrent trackers and Usenet indexers, alerting you to new releases and automatically grabbing them. You can also use these services to manually search for new media, and even replace/upgrade your existing media with better quality uploads. They’re really a little tricky to set up on a bare metal Ubuntu install (ideally you should be running them in Docker Containers), and I won’t be providing a step by step on installing and running them, I’m simply making you aware of their existence.

The other bit of kit I want to make you aware of is Overseerr which is a program that scans your Plex media library and will serve recommendations based on what you like. It also allows you and your users to request specific media. It can even be integrated with Sonarr/Radarr/Lidarr so that fulfilling those requests is fully automated.

And you're done. It really wasn't all that hard. Enjoy your media. Enjoy the control you have over that media. And be safe in the knowledge that no hedgefund CEO motherfucker who hates the movies but who is somehow in control of a major studio will be able to disappear anything in your library as a tax write-off.

[otdiaftg]

Thank you

Dear AFTG Fandom, Friends, and Family:

To say that it has been a tremendous honor would be an understatement. I am immeasurably proud of what this account has become and it’s due to every single one of you. Your passion for this account was the driving force at the end and I can’t thank this fandom enough for being a rock in the storm of all of this.

I began this account as both a love letter to a story that has consumed me since I was first introduced to it, but it was also created to prove that I could sustain something for this long and this intensely immersive. During this past year alone I have been dealt hands that were not always the best, but this account kept me above water, even through the many sleepless nights. It energized and empowered me through all of your retweets/re-blogs, likes, and comments.

I also want to highlight and thank all 40 artists that gave me permission to share their incredible work. The scenes came alive due to their immense talent and exceptional hard work. Every artist was kind and considerate, incredibly understanding and just as invested in this project as I was. I truly can’t thank them enough for their trust and support.

Thanks also need to be delivered to my wife and best friend who, without their constant push and patience, none of this would have happened. They were my first followers, my biggest fans, and were Abandoned so many times during the course of this and yet encouraged me to keep going. Maybe now we’ll finally have time to play all those games we’ve downloaded over the last year :).

I also want to thank Nora for…. so many things. For the creation of this story, for the encouragement when this account became so big YOU even saw it, and for becoming a dear friend in the process. You’ve been an inspiration throughout this in more ways than I can say.

And finally, I want to once again, thank all of YOU. The followers, the commenters, the re-posters, the veteran fans, the new fans, the obsessed fans, and the casual ones. Fandom can be such an intrinsic and beautiful thing. Pulling people together and bringing a life to these characters through our own individual experiences. We are all our own Foxes in a way, tied together with the understanding that second chances are immeasurable and the family we make are the best ones of all.

You gave this account a shot. And for that I am eternally grateful.

you were amazing.

🦊 🧡- Kelysium

[gilly-moon]

After several long days of working like a madman, they're finally complete!! The Shadows & Light series by @not-poignant bound and covered from scratch ♡

This fanfic is extremely near and dear to my heart, and I'm so excited to have a physical copy to pick up anytime I'm craving a reread! This was also my first binding project where everything was self-made, from sewing the pages together to making my own book cloth, and of course designing the cover and putting it all together! It's hardly a perfect binding, but it carries all my love for this series & Blackice in those imperfections.

Thank you Pia for your incredible writing and the permission to print & bind your work!

And as a bonus, a pic of my entire rotg collection ♡