#poor esther is just

[flufallo]

The fact that an evil witch who feeds little girls to a snake and tortured ghosts created a gay boy whose only interests are astrology and a dead Edwardian detective out of a crow will never not be funny to me

[itsjusteds]

I do what I do, so you can do what you do, and while you're peacefully scrolling through Tumblr, who do you think will be drawing all 55 saf characters? Me. I'm doing that. I am testing my moral compass and commitment to projects by drawing every saf character daily until I've drawn all 55.

We're starting on Barb's nerd entourage. Today's character is Charlie :D Day 35/55

[djappleblush]

Pfffttt

Source: Canglan weibo official

[barkingangelbaby]

u ever..... forget to attune to the very cool magical weapons u get before the final battle.... then take 70 damage in two rounds. ....... hmmm. ..........

[ghelgheli]

In contrast with professional drag queens, who were only playing at being women onstage, [Esther] Newton learned that the very bottom of the gay social hierarchy was the province of street queens. In almost total contrast to professional queens, street queens were "the underclass of the gay world." Although they embraced effeminacy, too, they did so in the wrong place and for the wrong reason: in public and outside of professional work. As a result, Newton explained, the street queens "are never off stage. Their way of life is collective, illegal, and immediate." Because they didn't get paid to be feminine and were locked out of even the most menial of nightlife jobs, Newton observed that their lives were perceived to revolve around "confrontation, prostitution, and drug 'highs'." Even in a gay underworld where everyone was marked as deviant, it was the sincere street queens who tried to live as women who were punished most for what was celebrated-and paid-as an act onstage. When stage queens lost their jobs, they were often socially excluded like trans women. Newton explained that when she returned to Kansas City one night during her fieldwork, she learned that two poor queens she had met had recently lost their jobs as impersonators. Since then, they had become "indistinguishable from street fairies," growing out their hair long and wearing makeup in public-even "passing" as girls in certain situations," in addition to earning a reputation for taking pills. They were now treated harshly by everyone in the local scene. Most people wouldn't even speak to them in public. Professional drag queens who didn't live as women still had to avoid being seen as too "transy" in their style and demeanor. One professional queen that Newton interviewed explained why: it was dangerous to be transy because it reinforced the stigma of effeminacy without the safety of being onstage. "I think what you do in your bed is your business," he told Newton, echoing a middle-class understanding of gay privacy, "[but] what you do on the street is everybody's business."

The first street queen who appears in Mother Camp is named Lola, a young Black trans girl who is "becoming a woman,' as they say'." Newton met Lola at her dingy Kansas City apartment, where she lived with Tiger, a young gay man, and Godiva, a somewhat more respectable queen. What made Godiva more respectable than Lola wasn't just a lack of hormonal transition. It was that Godiva could work as a female impersonator because she wasn't trying to sincerely live as a woman. Lola, on the other hand, was permanently out of work because being Black and trans made her unhireable, including in female impersonation. When Newton entered their apartment, which had virtually no furniture, she found Lola lying on "a rumpled-up mattress on the floor" and entertaining three "very rough-looking young men." These kinds of apartments, wrote Newton, "are not 'homes.' They are places to come in off the street." The extremely poor trans women who lived as street queens, like Lola, "literally live outside the law," Newton explained. Violence and assault were their everyday experiences, drugs were omnipresent, and sex work was about the only work they could do. Even if they didn't have "homes," street queens "do live in the police system."

As a result of being policed and ostracized by their own gay peers, Newton felt that street queens were "dedicated to "staying out of it" as a way of life. "From their perspective, all of respectable society seems square, distant, and hypocritical. From their 'place' at the very bottom of the moral and status structure, they are in a strategic position to experience the numerous discrepancies between the ideals of American culture and the realities." Yet, however withdrawn or strung out they were perceived to be, the street queens were hardly afraid to act. On the contrary, they were regarded by many as the bravest and most combative in the gay world. In the summer of 1966, street queens in San Francisco fought back at Compton's Cafeteria, an all-night venue popular with sex workers and other poor gay people. After management had called the police on a table that was hanging out for hours ordering nothing but coffee, an officer grabbed the arm of one street queen. As the historian Susan Stryker recounts, that queen threw her coffee in the police officer's face, "and a melee erupted." As the queens led the patrons in throwing everything on their tables at the cops-who called for backup-a full-blown riot erupted onto the street. The queens beat the police with their purses "and kicked them with their high-heeled shoes." A similar incident was documented in 1959, when drag queens fought back against the police at Cooper's Donuts in Los Angeles by throwing donuts-and punches. How many more, unrecorded, times street queens fought back is anyone's guess. The most famous event came in 1969, when street queens led the Stonewall rebellion in New York City. Newton shares in Mother Camp that she wasn't surprised to learn it was the street queens who carried Stonewall. "Street fairies," she wrote, "have nothing to lose."

Jules Gill-Peterson, A Short History of Trans Misogyny

[frvxe]

@blanchette​ : ‘  perhaps  you  might  show  mercy  freely.  ’ | x

          𝐃 𝐖𝚨𝐒 𝚴𝐎𝐓 𝐔𝚴𝐅𝚨𝚳𝚰𝐋𝚰𝚨𝐑 𝐖𝚰𝐓𝚮 𝐓𝚮𝚬 𝚨𝐂𝐓 of granting mercy, even if he wasn’t one to shy away from killing without remorse. It was... a delicate balance to maintain, and one that he was hesitant to disrupt in such places where he was little more than a trespasser. Even in the Frontier, he never drew his sword when it wasn’t necessary.

          Though he didn’t answer immediately, D did consider her words. Mercifully, the hand, too, was silent. His only reaction was obstructed near-completely by his cloak—the storing of the wooden stakes he’d slipped forth from their strap. Rarely did he hesitate to retaliate when attacked, but the dhampir reminded himself that he was the trespasser in their territory, their world.

          A cold, gentle gaze turned then to her. She was no vampire, of that he was largely certain, yet the splendor of her garb no doubt colored her a person of importance, if the myriad guards stood between her and D wasn’t enough to fuel the deduction. A noble, princess, queen? The hunter straightened, relaxing... and lifted his boot from the human pinned at the chest beneath it. A stranger, an intruder, and she spoke of mercy? Inaudibly came the low muttering of a voice from D’s hip, for once seeming to mind his volume appropriately.

               “𝘞𝘦𝘭𝘭, 𝘸𝘦𝘭𝘭... 𝘢𝘴𝘬 𝘧𝘪𝘳𝘴𝘵, 𝘴𝘩𝘰𝘰𝘵 𝘭𝘢𝘵𝘦𝘳? 𝘛𝘩𝘢𝘵'𝘴 𝘯𝘦𝘸.”

[enlightenedrobot]

Other Characters you can legally use for your Mickey Mouse project

Mickey Mouse is in the public domain, as is Minnie Mouse and Peg-leg Pete. There's some caveats to that, and I talk about that more in this other post, but for now, let's talk about other characters who you can also use to fill out the cast.

These characters should all be in the public domain, though some characters still have treademarks. I'll get into how to use them safely as we go. Anyways, let's start.

Other Disney Characters

Disney obvciously doesn't advertise this, but there's actually quite a few Disney originals who've actually been in the public domain for a while.

The Mad Doctor never had it's copyright renewed, and so it's very technically the first Mickey Mouse cartoon to enter the public domain. Keep in mind, the version of Pluto featured in the short isn't in the domain just yet, but the Doctor himself is free to use.

What's funny is that Disney would later use a version of Doctor for Epic Mickey. Obviously don't use that version of the character.

Aside from the Mad Doctor, we also have Oswald and Ortensia

Yeah, as it turns out, Oswald's been in the public domain for quite a while, but he's still trademarked by Disney. Easy recommendation... use the original "fat" design of the character and have him go by Lucky.

But before Oswald, we have the Alice Comedies

Everything about the Alice Comedies is Public Domain for a long time, and the Disney corporation very rarely acknowlege these characters existence. Which is a shame because These shorts were some of the first shorts Walt ever produced, and they have the unique gimmick of featuring a live action girl in an animated world.

Everybody already knows about Oswald, but nobody talks about Oswald and Mickey's older brother from these shorts, Julius the Cat

Like... yeah no, it didn't all start with a mouse. Or a rabbit. It started with a cat.

Foxy and Milton Mouse

Both Foxy (top) and Milton (bottom, pictured with his girlfriend Rita Mouse) were characters created by Warner Brothers and Van Beuren respectively to cash in on Mickey's success, and both characters are also in the public domain.

In fact, all Van Beuren cartoons are apparently in the public domain, and I encourage you to find their cartoons and use them as you please.

Fleischer Characters

Betty Boop is probably in the Public Domain, but there's a few caveats with this. From what I can tell, the name Betty Boop is trademarked, but the character herself isn't. Most of the old Betty Cartoons are free to use, but newer incarnations, including the versions used in 1985's The Romance of Betty Boop and 1989's The Betty Boop Movie Mystery are still very much under copyright.

To avoid any legal trouble, I have two big recommendations. Although everybody remembers Betty as having Black hair, in one of the few early instances of Betty being shown in color, she's actually depicted as Redhead.

This is Betty Boop in 1934's Poor Cinderella, and her hair color is pretty clearly red.

The other option is to just make her black.

Though there's been some debate as to whether Betty Boop was intentionally modeled after Esther Lee Jones or not, there's still no denying the influence of Jazz on the character. Betty Boop is a Jazz singer and is often depicted dancing to Cab Calloway. Hell, the Betty Boop musical features Jasmine Amy Rogers as the titular character.

Betty Boop aside, there's an entire world of defunct Betty Boop characters who are definately public domain, including Bimbo and Koko the Clown.

Next year, Popeye's also gonna enter the Domain. So keep an eye out for him too.

Anyways, these are my picks, but obviously this list isn't meant to be comprehensive. There's a ton of old cartoon characters out there who can be freely reinterpreted into newer works. Feel free to add your own favorite public domain cartoon to the list.

[throwaway-yandere]

!!!MODERN YANDERE IDOL!GENSHIN/READER MATCH-UP EVENT!!! (Masterlist)

"Oh no... another poor unfortunate soul."

Slots available: "CLOSED. 22 ANONS HAVE SUBMITTED. THANK YOU FOR YOUR TIME, I'M GLAD WE HAD THIS INTERVIEW" - Exec. Producer Alice

"It was supposed to be 20 but I forgot to close it." - Producer Lumine

"And who's fault is that, exactly?" - CEO Alhaitham

"... I know..." - Producer Lumine

LIST OF ANONS THAT GOT IN

THANK YOU POSTERS

=============

SENDER: (Executive Producer) Alice ||

WELCOME TO TEYVAT PRODUCTIONS.

PLEASE READ THE GUIDELINES BEFORE ACKNOWLEDGING THE LIST OF IDOL GROUPS YOU MIGHT GET ASSIGNED TO.

HERE IS THE LIST:

ADDICKTZ

ADDICKTZ, formerly known as DCKZ, is an idol group formed in 20XX. They are incredibly well-known in the industry and their singles frequently top the charts. All the members previously worked as fashion models and half of the members (Dainsleif, Arataki Itto, Kaeya Alberich, and Childe) took movie and theatre roles. They are currently the number #1 unit in terms of presenting satisfactory fanservice.

Ayato || Diluc || Dainsleif || Itto || Childe || Kaeya || Thoma || Zhongli

["For your sake, I advise you to start praying for the God you believe in so that you won't end up producing ADDICKTZ. Unlike me, they might just listen to you. Why won't they listen to me? Hmm. Well, that's because I've never been a devotee. Still, be wary." - Dainsleif]

5WIRL

5WIRL, formally known as 4NEMO before Shikanoin Heizou's debut, is an idol group formed in 20XX. They often experiment with multiple genres of music and present multicultural aesthetics. The group consistently adds their thematic light green and wind motifs in their albums, poetry, and other media. 5WIRL's lyrics have often discussed mental health, stages of grief, nature, and other self-reflections. 

Venti || Xiao || Kazuha || Heizou

Note: Aether is under Producer Lumine's management.

["Ohohoho, a lost guest! It's always nice to see a new face around here! Can I get you something to drink? I promise you can trust me!... Geez, what's with that look? I don't spike drinks. Is that sooo hard to believe?" - Venti]

Kreideprinz

Dr. Albedo operates a solo unit more professionally known as "Kreideprinz." He debuted in 20XX before his major label debut album "The Chalk Prince and the Dragon" in 20XX under his previous producer "Alice". His unit work focuses on commercials, modeling for magazines, and talk shows. The unit rarely goes on tours since Dr. Albedo prioritizes his scientific research more than idol work.

Dr. Albedo || (Student) Gorou

["You must have a strong body and you must also stay on top of your game in this industry. Although, if you do get assigned to Kreideprinz, leave the heavy lifting to us!... Or me. Just. Only rely on me. Y-You don't have to keep your eyes on him 24/7." - Gorou]

I HEREBY AGREE TO THE TERMS AND CONDITIONS OUTLINED IN THIS AGREEMENT AND SUCH IS DEMONSTRATED THROUGHOUT BY MY SIGNATURE BELOW

____________________________________

SIGNATURE OVER PRINTED NAME

=============

"So, which unit will Mx. (Y/n) end up working with? Ooh, Paimon can't wait!"

"I don't know kid, but something tells me that something bad is going to happen..."

=============

"Pwah! It's fiiine! They may be a total newbie, but Paimon thinks they can handle it!... Right?"

PERSONS OF INTEREST (SECRET MATCH-UPS)

Teyvat Productions' logo's made by ESTHER anon!!!

CEO Alhaitham

Manga Shop Owner Cyno

Music Composer Tighnari

Creative Director Zandik (ADDICKTZ)

Creative Director Baizhu (5wirl)

Stylist & Model Scaramouche (Affiliated w/ 5wirl)

Trainee Kaveh

Pantalone

"Interesting... So these are the people that didn't become producers, huh? But why do you keep a record of them, miss Alice?"

"Isn't it obvious Lumine? It's because they're interesting, duh~"

=========================

EXTRAS:

ADDICKTZ video shtpost: "Tonight on the real ADDICKTZ at TeyvatPro"

[READ AFTER KAEYA'S FIC] Dottore's always watching.

[GENERAL SPOILERS] Incorrect Quotes, P2, P3

TIGHNARI'S TAPES (voice lines):

[AFTER KAEYA'S FIC] Qiqi and Xingqiu during Childe's recording

[BEFORE AYATO'S FIC] Beidou and Sucrose in front of Albedo's room

[joelsgreys]

a safe haven | three

Post Outbreak! Joel Miller x Female Reader

series masterlist | previous chapter l next chapter

summary: You and Joel get to know each other better and the two of you share a private moment out behind the barn under the stars; an unexpected guest shows up to the party; Tommy gives Joel a second and final warning about you.

warnings/tags: 18+ ONLY, MINORS DNI. (TW) MENTIONS AND IMPLICATIONS OF DOMESTIC VIOLENCE/ABUSE. PLEASE HEED THE WARNINGS. alcohol consumption, mutual pining and yearning, Joel sings to reader a bit (that is its own warning), soft Joel, overprotective Joel, and a slight hint of jealous Joel. Tommy seems like kind of an asshole but he’s just trying to look out for his brother, okay?

word count 6.6k

About an hour later, after tossing back about three or four bottles of Seth’s crappy beer, you’d started feeling a lot livelier and a lot more like yourself. It was a glass of his delicious, oak-barrel aged whiskey that you had wanted more than anything, but with Esther over at the bar openly flirting up a storm with Joel Miller, you pushed down the desire for scotch and settled for the bitter lager instead.

It tasted awful, but it did the job well enough. The best part was that the bottles of beer were all readily available in coolers all around the barn, and you didn’t need to go up to the bar to get one. 

The last thing you’d wanted was to find out what was going on between Esther and Joel.

“And the next thing you know, poor John is being chased all around the chicken coop by a bunch of broody hens!” Martha finishes her story, throwing her hands up in the air. “God, I wish I would’ve had a camcorder in hand. It was the funniest thing I ever did see in almost two damn decades.”

Everyone sitting around the table bursts into a fit of loud, hearty laughter.

“Oh okay, so then that would probably explain why there weren’t many eggs in stock at the market the other morning,” you tease, only fueling the commotion.

John glares at you, and you shrug innocently, fighting back another laugh. Six foot two with big, broad shoulders and arms, you found it both very difficult and very amusing to picture the bulky blond man being chased around by a flock of pissed off chickens.

“I’d really like to see any of you guys try and take a broody hen’s eggs away from her with ease!” John huffs out before taking a gulp of his beer. He’s red in the face, and it’s hard to tell if it’s from the alcohol or the embarrassment. “Assholes.”

Martha leans over, whispering, “See? I told you it would make him mad.”

You giggle, lightly shaking your head at her. “Talk about ruffling some feathers, huh?”

She snorts into her plate of potatoes, jabbing her elbow into your side. “Let’s stop before he really gets all riled up, or else we’re going to get an earful.”

“Oh come on, John. Lighten up,” you grin over at him from across the table. “I know what’ll make you feel better. You guys want to hear a really, and I mean really embarrassing story?” You pause for a second or two, just long enough for everyone to nod eagerly. “Let me tell you about what Stella did to me the other day in her stall when I tried to take her temperature, it was absolutely awful. Okay, so there I am about to—”

“Sorry to interrupt you folks, but do you all mind if we steal this sweet little lady here for just a minute or two?” The sound of Tommy Miller’s smooth, deep voice causes you to stop abruptly mid-sentence. You glance over your shoulder only to see him approaching the table. He’s closely followed by Maria, who had traded her usual patrol duty attire for a light blue denim dress that sat off of her shoulders, the flowing skirt falling just above knees. Her white cowboy hat matches her husband’s.

“Aw c’mon, Miller! She was just about to tell us a story!” Peter, Martha’s husband, exclaims as he drapes his arm around his wife’s shoulders

Tommy chuckles, shaking his head. “I promise we won’t keep her too long, alright?”

You immediately notice that he’s holding a drink in each hand, each glass filled almost to the rim with a bold, rich amber liquor over ice. The only reason that you’d immediately known one of the two drinks was meant for you was because Maria had just discovered that she was pregnant. It was still a secret that very few people knew about, but the minute she confirmed it with a pregnancy test earlier that month, she’d come running to your door to tell you. It’s the reason she’s been avoiding booze all evening—she’s been sipping on lemonade all night instead. 

“Excuse me,” you nod politely to the group of friends you’d been sitting with and stand up from the table. You follow Tommy and Maria over to a far corner of the barn where the three of you could talk somewhat privately. Accepting the glass from Tommy, you offer him a grateful smile, pleased that you’d gotten the drink you had wanted after all. “Thank you.”

“‘Course.” He nods and tips the brim of his cowboy hat to you in his typical, gentleman-like manner. He’d never lost an ounce of those Texas manners.

Maria loops her arm through his. “Well, it looks like tonight was a real success,” she states as she glances around the room, her pride written clearly across her face. “Wouldn’t you say so?”

“Absolutely,” you agree, enthusiastically. You smile again and lift your glass to the couple as you toast, “Another year and another success. Here’s to many, many more to come.”

“Cheers to that, little lady,” Tommy grins and lifts up his glass, clinking the rim of it to yours before taking a generous drink, nearly draining it in one single gulp. “Thanks for stoppin’ by earlier and helpin’ set the place up, by the way. We really appreciate it.”

You wave your free hand at him. “Oh, no need to thank me at all. You already know that I was more than happy to help out,” you tell him as you take a careful sip of whiskey. The hard liquor burns its way down your throat in the sweetest way. Taking another sip, you turn to look at Maria, unable to help yourself from admiring her gorgeous, natural glow. “How are you feeling?”

“Not too bad,” Maria replies with a smile, placing her free hand over her flat stomach. At only a few weeks along, she still had quite a long way to go before she began to show. “Just a little bit of morning sickness here and there, but so far, so good.” She pauses and leans her body into Tommy’s side. “I never thought I’d be having a baby in my forties,” she muses with a laugh. “I thought that train had left the station a long time ago. But I guess life had something else planned for me.”

“For us,” Tommy corrects, playfully nudging her.

“For us,” Maria echoes, giving him a loving kiss on his cheek. “Luke calls it a geriatric pregnancy. He told me I’m automatically considered high risk, due to my age and all. But we’re hoping it’ll go smoothly.”

You detect the genuine concern behind her optimistic smile and reach out, gently touching her arm. “I’m sure it will all turn out fine. You just have to make sure that you’re taking good care of yourself and getting plenty of rest.” You point a finger at her, wagging it back and forth. “So, that means no more patrol duties for you, Mrs. Miller.”

“Oh I know,” she laughs again. “I’m on light work duties starting next week and in a few months, it’ll be strict bed rest for me. At least, that’s what Luke recommended, but I’m hoping to stay on my feet for a little bit longer than that.” She tilts her head curiously to the side as she looks at you. “Speaking of Luke, is he around? We haven’t seen him at all tonight.”

Throat bobbing, you grip your glass tightly in your hand. The corners of your mouth threaten to turn downward, but you manage to hold your smile well enough.

At this point, you had pretty much lost track of the number times you’d been asked about Luke.

Where is he? Why isn’t he here with you? Do you think there’s a chance he’ll show up tonight? Can’t you go home and convince him to join us? 

You just about loathed the way he was considered to be a hero in Jackson. The way that every single person in the community adored the man to pieces made you sick to your stomach—Luke was anything but a hero, but nobody knew that. Not a single soul knew the real him, the monster that emerged behind closed doors, the terrible things he did when no one was around.

There had been an occasion or two where you had considered going to Tommy and Maria about it, to tell them all about the horrors that went on within the walls of your home. But even when they’d point out a bruise on your arm or a scrape on your cheek, you would lose the courage and chalk it up to a clumsy accident or injuries sustained while on the job—hell, just a few months ago, you’d blamed an injured shoulder on Ranger, telling Tommy that his beloved stallion had accidentally kicked you during one of your routine examinations. You wanted nothing more than to tell him that it hadn’t been his horse who put you in a sling for three weeks, it had been Luke. But how the hell could you do that?

Luke is the commune’s physician. The commune’s only physician. 

Besides the two older nurses who worked in the clinic along with him, he was the only medically trained professional who knew how to treat severe injuries, perform minor surgeries, and diagnose illnesses—as much as you hated to admit it, Jackson needed him. If you told Tommy and Maria about everything that he’d done to you over the last two years, then you’d risk getting Luke locked up in the town jail, or possibly even thrown out and exiled from the settlement. What would that mean for the people in the community who fell ill or became injured and needed a doctor?

Maybe he wasn’t a hero to you, but to everybody else, he was. People could die without him and his medical knowledge. Hell, Maria would need Luke now more than ever now that she was pregnant.

For as much as you wanted to tell them the truth about him, you just couldn’t find the guts to do it, not when the decision would impact every single person in Jackson.It would be too selfish.

So, you kept quiet and continued to let it happen because what else could you do? 

Nothing. 

There wasn’t a goddamn thing you could do about it.

Tommy says your name, snapping you back out of your thoughts. “Hey, you alright?” he asks you as he gingerly touches your shoulder. “You zoned out on us for a minute there.”

You blink. “Yeah sorry, I’m alright. Um, Luke decided to stay at home and get some rest,” you reply as you shift awkwardly from boot to boot, feeling a sudden heat flood your face. “He’s been working a lot of hours at the clinic and making house calls as well, so he’s just been really tired, you know?”

“Oh, well that’s too bad,” Maria frowns. “Tommy and I were hoping we could say this to the both of you together, but I suppose you’ll have to give him the message on our behalf when you get home to him later tonight.”

You shoot her a puzzled look. “What is it?”

“We know we don’t say this as often as we should, but you and Luke do so much for us. So much for Jackson,” Tommy says, sincere gratitude dripping from his tone. “We’re damn lucky to have the two of you here. Me and Maria, and everyone in this community, we’re all deeply indebted to both of you for all you do.”

You stare at him. “Everyone here works very hard, Tommy—”

“Now, I ain’t saying they don’t,” he interrupts you by holding up his hand. “But let’s be honest here. Luke, he takes good care of all of our people, you take good care of all of our horses—people and horses, that’s what keeps this place runnin’ like a well oiled machine and you know it just as well as we do. Without the both of you lookin’ after our two most important resources, I ain’t all too sure where the hell this place would be.”

Maria nods in agreement with her husband and squeezes his arm. “Oh, don’t be so modest,” she remarks upon seeing the bewildered expression on your face. “He’s right. And we need you to know how much we appreciate everything the two of you do for this community.”

Tommy grins, raising his glass in a toast. “To you and Luke.”

Stomach churning, you flash them your very best smile and lift your own glass, clinking it against his and then to Maria’s bottle of lemonade. “Well, I will certainly give him the kind message when I get home tonight. Thank you.” You take a quick sip of your drink, suddenly feeling overwhelmed. The room feels hot, like it had been lit on fire and you were standing too close to the flames. “It’s starting to feel a bit warm in here. I’m going to go outside for a minute to get some fresh air. Excuse me.”

Before either of them can utter another word, you spin around on your heel and hastily make your way across the barn towards the exit, being careful not to bump into the dancing couples on the dance floor along the way. Even as you hurried out, you’d caught sight of Ellie sitting with Dina at one of the tables, digging into her plate full of barbecue. Dina had leaned over and whispered something into Ellie’s ear and Ellie let out a loud, obnoxious cackle through a mouthful of food.

Despite the circumstances, you can’t help but smile—an actual, genuine smile this time around.

At least Ellie seemed to be having a good time.

That’s more than enough for you.

Joel glimpses over Esther’s shoulder. 

His eyebrows pull together in a mixture of confusion and concern as he watches you practically run out of the barn alone with a drink clutched in your hand and a strange expression on your face—you appear to be upset over something.

The blonde in front of him had been going on and on about where she was from, although he hadn’t quite been listening to her the entire time she had been talking—or at all. 

Had Esther said Vermont? Or maybe it had been Virginia?

Joel wasn’t all too sure, but he didn’t care enough to ask her to clarify. Besides, his thoughts were far too busy preoccupied with someone else. Someone he needed to make sure was alright.

“Listen Esther, s’been real nice talkin’ to you,” he states as he offers the woman the most polite smile he can possibly muster up for her. He tries to ignore the awkward way she’d pouted her lips at him, a sad, disappointed look flashing in her eyes. “But I’ve gotta go and take care of somethin’ for a minute. Will you excuse me?”

He doesn’t even give Esther the chance to respond. Setting his drink down on the counter, he gives her a quick nod goodbye and steps around her. He starts towards the barn’s exit, but before leaving, he tosses a quick glance in Ellie’s direction just to make sure she’s still doing okay without him. He had been keeping a close and watchful eye on her from the bar the entire time. After a while, it soon became apparent to Joel that Ellie had been doing just fine. She’s scarfing down another heaping helping of bison and potatoes, grinning from ear to ear as she talks with Dina, who seems to be enjoying her company despite her poor table manners.

Joel steps outside into the night and he takes a look around, searching for you among the small, scattered groups of people who stood mingling with one another. Gossiping women, drunk and rowdy patrolmen, children running around—he jumps slightly as a giggling little redheaded girl who can’t be older than five circles around his legs with a curly haired boy who is about the same age chasing after her. He lightly shoos them away from him and they take off running in another direction.

He scans his surroundings once more.

You’re nowhere to be found.

Humming, Joel glances down.

He notices a long trail of footprints left behind by what had to be a pair of cowboy boots, similar to the ones you’d been wearing. The strange way in which they veered off in a random direction away from the rest of the crowd tips him off almost a bit too easily—he knows they belong to you. Without giving it a second thought, he starts to follow your tracks and they lead him all the way around to the back of the barn.

That’s where Joel finds you, leaning against the wooden paddock fence. You’re back is to him, your head tilted upwards. Your gaze seems to be lost somewhere up in the velvet, purple night sky and you’re swaying along to the pretty country melody that, even outside, can still be heard coming from inside the barn.

Turn around, a sound voice in the back of his mind tries to reason with him. Go go back inside.

He ignores it, his legs moving forward, eager to close the distance between the two of you.

The sound of his heavy boots crunching on the rocks in the dirt as he draws closer to you causes you to jump. Whirling around, you gasp and your free hand flies to your chest.

“M’sorry,” Joel quickly apologizes, holding up both his hands to show you he’s not a threat. “Didn’t mean to startle you.”

“Joel?” You’re surprised to see him.  “What are you doing out here?”

The area out behind the barn is just as dark as it is secluded, however, the moon is full, big, and bright, its silvery glow illuminating each and every single one of your features in such a beautiful way that it makes his throat go dry, just like it had earlier that evening when he’d first seen you in that dress.

“Well ain’t that funny. I was actually just ‘bout to ask you the same exact question, darlin’.” He falls into step beside you, leaning back against the fence. “What are you doin’ out here all by your lonesome?”

“Oh, I just needed some fresh air, that’s all,” you reply with a small, light shrug of your shoulders. You turn back around, leaning your forearms on top of the wooden fence, both hands wrapped firmly around your glass of whiskey. You’re standing so close to Joel that your shoulder touches his, though neither of you make a move to put space in between your bodies. “What’s your excuse?”

“Needed a breather from Esther,” he confesses. 

It was partially the truth. 

He couldn’t tell you he’d really come outside to check on you.

“What do you mean? Didn’t you like her?”

“Don’t get me wrong, she’s nice and all,” Joel says, letting out a chuckle. He shakes his head. “She just ain’t the kind of company I’m lookin’ for tonight, y’know?” He pauses for just a brief second and crosses his arms over his chest, his sudden change in position causing his shoulder to press even closer against your own. “Tommy mentioned her to me when we were havin’ lunch together yesterday. Said he’d be willin’ to set us up, but I didn’t think his dumbass would actually follow through with it.”

Confused, you shoot him a strange look.

“I’d told him I wasn’t interested in meetin’ her, but Tommy’s always had a real habit of not listenin’ to me,” he remarks, shaking his head once again.

The question falls from your lips before you can even think about trying to stop it. “Why aren’t you interested in her?” you blurt. Awkwardly, you clear your throat and add in a nonchalant tone, “Esther’s gorgeous, Joel. Most guys around here would jump at the chance to be with her.”

“S’like I told you. She just ain’t the kind of company I’m lookin’ for tonight.”

“So then, what kind of company are you looking for?”

Joel hesitates, then answers honestly. “Yours.”

“Oh,” you breathe out, your heart skipping a nervous beat.

He tests the waters. “That alright to say?”

“Mhm,” is all you’re able to utter.

Fighting to take a steady, even breath, you clutch at your glass even harder. 

“Y’know, when I was on my way out here, I saw Ellie and Dina still sittin’ together,” Joel finally says after a minute or two, breaking the silence. “She honestly seems to be havin’ a real good time with her.” He nudges your shoulder with his own, a hint of amusement in his voice as he turns to you and asks, “Now tell me why I’ve got this strange little feelin’ that you had somethin’ to do with that?”

Your immediate expression of guilt prompts his grin. 

You’d been caught red handed.

“Okay, so I may or may not have talked to Dina earlier today while we were setting up the barn for the party. I asked if she could do me a favor and at least try and talk to Ellie tonight,” you admit, sheepishly. “I told her about how much Ellie reminds me of her, and how I thought they would get along.” You feel his dark eyes fix themselves intently on you and the heat creeps to your cheeks as you continue to explain yourself to him. It’s only just now occurred to you that perhaps you should have ran the idea by Joel—he’s her guardian and the last thing you want to do is cross his boundaries. “It took a little convincing, but she agreed. Dina can still be quite shy sometimes, but she’s a really good girl, Joel. I promise.”

Joel raises an eyebrow at you, letting his arms fall down to his sides. “Really? You did that?”

“Yeah. I did.” Anxiously, you take a long sip of liquor before adding, “I hope that’s okay.”

“‘Course it is, darlin’. I really appreciate you doin’ that for Ellie.” Joel’s gaze softens and meets yours with genuine sincerity. “I appreciate everythin’ that you’ve done for her. It means a lot to me. More than I can probably even explain.”

“I can tell how important she is to you.”

Joel nods. “Ellie’s the most important thing in the world to me.” He stops, exhaling a long, heavy sigh. “She’s been through a whole lot—a hell of a lot more than anyone her age should have to go through.” Once again, he pauses momentarily, trying to keep his emotions in check. He swallows harshly and subconsciously leans closer towards you without realizing it. “Ellie, she ain’t my blood, but she’s my daughter. For a long time, I thought I couldn’t take care of her. I thought that I didn’t have what it takes to protect her.”

“And what about now?”

“Now that we’re here, I feel real different ‘bout it all. I finally feel like I can keep Ellie safe, y’know? Give her the life she deserves,” Joel states, sounding a bit relieved, almost like he’s only just now made the realization that things are different now—it’s not like it was while they’d been out on the road. Each day isn’t a fight for survival, a game of trying to stay alive long enough just to see the next. Sleeping in the dirt, watching her go hungry, seeing her have to wear the same dirty clothes for weeks at a time, those were all now things of the past.

Pulling yourself back from the fence, you glance up at him with a curious expression. 

“Ellie hasn’t told me all that much about what she’s gone through—about what either of you have gone through.” You catch sight of the worry that flashes in his eyes and reassure him, “And I don’t plan on asking because it isn’t any of my business. But in the short time I’ve gotten to know Ellie, I’ve already seen it in her eyes, Joel. It’s all there.”

“What’s there?”

“Every bad thing that’s ever happened to her.”

Joel hangs his head. “Jesus.”

And just like that, he somehow feels like a fucking failure all over again.

“I know that you’re worried about her, Joel. I don’t blame you, but you’re doing all that you can do,” you remind him, the kindness in your voice bringing him the warmth and comfort he’s been needing for far too long. “You’re here in the community now and she’s safe. That’s what matters—all the rest is going to fall right into place soon enough. Just give her a bit of time and don’t put so much pressure on yourself.”

Joel sighs. “I just want what’s best for her, y’know? Just like any normal parent would want for their kid.”

“And you are doing the best that you can, just like any normal parent would.” You reach out, gently placing your hand on his bare forearm, your thumb brushing his warm skin. Your mere touch sends a tingle up his spine, and he can’t help but wonder if the connection had done the same for you. “It’s easy to see how much you care about her. How much you love her.”

“I do love her,” he murmurs. It feels odd, almost foreign for him to say it out loud. Of course he loves Ellie, and although he’s fairly certain she knew that and she loved him too, those three specific words had never been exchanged between them, and he had a hunch they never would be. “All I want is to do right by her. After everythin’ she’s been through—I just want her to finally be happy.”

“That says a lot about the kind of man you are.”

Biting back a scoff, Joel shakes his head. He doesn’t want you thinking he’s a good person—you’d be horrified if you knew about all the blood that stained his hands, about all of the things he’d done in the last two decades to survive. He’d stolen, he’d destroyed, he’d murdered. He’d lied.

He was not a good man. 

Your hand drops away from his arm, a lot sooner than either of you would have liked.

“So, what’s your story?” he asks, deciding to switch the focus of the conversation onto you. “How’d you end up in good ol’ Jackson, Wyoming?” 

“You take another sip of your drink, which is now completely watered down by the melted ice in your glass. “Well, like I told you, I grew up in New Mexico on a horse ranch. It was me, my parents, and my little brother,” you start to explain. “After the outbreak happened, me and my family ended up in the Albuquerque QZ. We were there for quite some time, until there was a breach at one of the gates and the zone was overrun with infected.” You pause briefly as the memories of that night come flooding back. By now, you’ve repressed them enough that they don’t bring you to your knees the way they used to when you had been younger. “Me and my dad made it out alive, but my mom and my brother didn’t.”

Joel frowns. “Shit. M’real sorry, darlin’. I shouldn’t have asked—”

“It’s okay,” you assure him with a tiny nod. “After me and my dad made it out of the zone, we found this group of people who were heading east, trying to get to Boston. It wasn’t long before everyone started to get picked off one by one—by infected, raiders, and even slavers. Somehow, me and my dad survived all that, but we found ourselves alone again. We were starving, had no shelter, and winter was just around the corner. We honestly didn’t know what we were going to do, and even though neither of us ever said it to each other, we were both so sure we were going to die. But then Tommy and his patrol group came across us one night. Once we proved that neither of us were infected, he brought us in.”

“You’ve been through a lot,” Joel states. He never would have even guessed.

You just seemed so well put together.

“Haven’t we all?” You let out a humorless laugh.

A silence falls like a curtain over both of you, but it’s comfortable.

Tranquil. 

Although it had been a warmer night, it was now much later into the evening, and a chilly breeze whips its way through the settlement, whisking its cool and crisp fingers through your hair. It causes the white daisy you’d been wearing to fall, and the flower flutters to the ground, landing right in between Joel’s boots. Without giving it a second thought, he reaches down and picks it up, being careful as he gingerly dusts the dirt off of the delicate petals. He turns to you, tucking the flower back behind your ear. As his hand falls away from you, his index finger accidentally grazes the soft skin of your cheek, and every part of him floods with the burning desire to feel more of you.

“M’sorry ‘bout that,” he mumbles sheepishly.

“It’s quite alright,” you say—and you mean it. You can’t even remember the last time someone’s touch set you on fire like this. You’d been feeling cold and empty and numb for so long, and while all of the things that Joel’s making you feel had become almost foreign to you, they’re starting to reignite that spark of life inside of you that you thought you’d lost a long time ago.

From the inside of the barn, you and Joel hear the band begin to play their cover of Can’t Help Falling in Love. 

“Elvis, huh?” Joel muses with a hum. He sounds impressed.

You’re not sure if all the alcohol you’d been consuming throughout the evening has only now just decided to kick into full gear in your system or whether you really do just lack any kind of common sense, but you find yourself looking up at him shyly through your eyelashes. “How about another dance?”

His lips part slightly in surprise. “To this song?”

Every inch of your skin burns hot with embarrassment and your fingers curl tighter around your glass. “I’m sorry, I shouldn’t have asked. It’s just that I really love to dance,” you sputter out nervously, wishing you had kept your mouth shut. You only dig yourself further into the hole as you continue to ramble. “Luke doesn’t like to dance. He never wants to dance with me—”

That’s all Joel had needed to hear.

He reaches for your glass, prying it out of your grasp. He sets it down on top of the fence and holds his hand out to you. “I’ll dance with you, darlin’.”

Looking up at him in surprise, you accept and place your hand in his. His other hand finds your waist and the two of you begin swaying along to the music—a smile that could light up the entire town breaks out across your face. 

Joel didn’t know Luke, but he couldn’t fathom how the man you were married to wouldn’t do just about anything to see that smile.

“Wait, I thought you couldn’t dance,” you tease, noticing that he’s leading you.

Flashing you a cocky grin, he shrugs. “Guess the kid was right. I ain’t so bad for fifty six with creakin’ knees.”

Remembering Ellie’s words from earlier, you throw your head back and laugh.

His stomach turns, twisting in a tangle of desire and nerves.

You’re married.

But that does nothing to stop the want, the need. 

For either of you.

Being in his arms, it’s wrong.

It’s more than an innocent dance—it’s the beginning of something that’s bound to lead to nothing but trouble and you both know it.

Joel continues to lead you and begins singing along to the familiar lyrics, quietly, but just loud enough for you to hear the sultry richness of his voice. “Like a river flows, surely to the sea,” he sings, subconsciously giving your hand a gentle squeeze. “Darlin’ so it goes, some things are meant to be.”

Impressed, you raise an eyebrow at him. “You’ve got a nice voice, Joel.”

“Y’think so?”

You nod. “I do. What, were you a singer in your first life or something?”

“Close.”

“Really? What did you do?”

“I was a contractor,” Joel replies, grinning as he elicits another sweet laugh from you. “Owned my own construction business with Tommy. I did enjoy singin’ though—and playin’ the guitar too. But it was a hobby more than anythin’ since I don’t think music would’ve paid the bills.”

You smile up at him. “Oh, well now you’re going to have to play the guitar for me sometime. Maybe even treat me to a whole song?”

“I still owe Ellie a song,” he remembers, shaking his head. “But I don’t have a guitar, so it gets me out of it.”

“Well then, we’re going to have to find you one and when we do, you’ll have to play something for us,” you tell him. “Deal?”

“Deal.” Joel agrees without thinking. He starts singing along to the lyrics again. “Take my hand, take my whole life too—” 

“But I can’t help falling in love with you.” You try not to laugh again at the shock on his face as you finished the lyric for him.

“Hey now, you’ve got a real nice voice yourself, darlin’.”

Darlin’. 

You shouldn’t let him call you that.

Out of respect for your husband, you should tell him it’s not okay. None of this is okay.

But it is okay. 

“Oh, now you’re just trying to flatter me, Miller,” you accuse him, playfully. 

The song ends and neither of you make a move to let go of one another.

Joel’s eyes fall to your pretty, plush lips and it takes every ounce of strength he has inside of him not to lean down and press his own lips against them.

Finally, he forces himself to let you go and takes a step backward, clearing his throat. “I should, uh—I should go and find Ellie so I can get her home. S’gettin’ kinda late.”

You nod, your heart slamming painfully against your sternum. “Of course,” you say, slightly breathless. “I’ll come along with you so I can say goodnight to her.”

As the two of you make your way around the barn and back towards the entrance, Joel sees a tall, slender man with short dark hair approaching. He’d called out your name and something inside Joel’s mind just clicks together—he knows exactly who the man is before you’ve even had a chance to open your mouth and say his name.

“Luke?” Stopping abruptly in your tracks, you stiffen and squeak out his name. “What—what are you doing here?”

“There you are, honey.” He comes up to you and immediately takes your arm, pulling you from Joel’s side and over to his. “Tommy told me you might be out here. I was just coming to look for you.”

It takes thirty seconds for Joel to size him up. Luke’s younger than himself, definitely closer in age to Tommy—somewhere around his mid to late forties. He’s a lot more clean cut than most of the other rugged men in the commune with his short, neatly kept dark hair and a clean shaven face. Though he’s on the thinner side, he’s in decent shape, but Joel’s wider, broader and far, far more intimidating.

“What are you doing here?” you ask again.

“Now, is that really how a loving wife should greet her husband?” Luke laughs, pulling you even closer into his side. 

Joel isn’t all too fond of the way he’s holding you. 

He’s rough, harsh.

“I decided to come and check it out. See what all the fuss is about,” Luke says. He glances at Joel, his green eyes giving him a once over—sizing him up, just like Joel had done to him. “Don’t be rude, honey. Aren’t you going to introduce me to your new friend here?”

You speak softly, almost too softly.

“Luke, this is Joel Miller.”

“Ah. You’re Tommy’s brother, right?”

Joel tries not to sound too curt, but fails. “That’s right.”

“Joel, this is Luke.” You can’t even look him in the eye as you introduce your spouse. “He’s my husband.”

Luke extends a courteous hand. “It is a pleasure to meet you, Joel.” His other hand finds and takes yours. “I do hope that my wife here hasn’t been bothering you tonight. She can be quite the little chatterbox. Makes me wish she came with a mute button sometimes.”

Joel’s dark eyes briefly flit to Luke’s hand holding yours, taking note of the way he’s gripping it so tightly that his knuckles had gone white. Between that and the comment he’d just made about you, Joel had every fucking desire to connect his fist to the side of Luke’s face.

“Luke, please,” you whisper, throwing him a tiny glare. 

“Oh come on now, honey. Where did your sense of humor go? You know I’m only joking,” Luke states, squeezing your hand a little harder, causing you to squirm.

Something tells Joel he’s not kidding around.

He’d meant what he had said.

“She hasn’t been a bother at all,” Joel speaks in your defense. “Actually, I came out here to talk to her and to thank her for bein’ so kind to my kid, Ellie. Your wife here, she’s been nothin’ but good to her since we arrived.”

“Well, as long as she wasn’t being a bother.” Luke glances down at you. “If you’ll excuse us, there’s a few people that I still need to see and say hello to inside. Come along, honey.” He glances at Joel, a strange glint in his eye as he tells him, “Welcome to Jackson, Joel.”

His jaw clenches as he watches him drag you into the barn.

Nothing about Luke sat right with him.

The way he’d spoken to you, touched you, treated you.

And then there was you.

The light had instantly left your eyes the second he’d come around. 

Something wasn’t right.

A rough hand on his shoulder startles him out of his thoughts.

“Really, Joel? Really? Jesus, what the fuck is wrong with you?” Tommy hisses, yanking him over to the side of the barn where nobody would overhear him. “What the fuck did I tell you yesterday in the mess hall?”

“The hell are you fuckin’ talkin’ ‘bout?”

His brother glares at him. “I know that you ain’t as fuckin’ dumb as you look, Joel. What the fuck were you doin’ out here alone with her? Huh?”

Joel purses his lips together tightly in silence.

What had he seen?

Having read his mind, Tommy shoves his shoulder. “You were dancin’ with her you fuckin’ asshole? Did you fuckin’ forget that she’s a married woman?”

Joel rolls his eyes at him and aggressively shoves his hand off of his shoulder. “We were just dancin’ together, alright? Ain’t like we were makin’ out, Tommy. Can you fuckin’ relax?”

“I don’t give a fuck, Joel! If I saw any man that wasn’t me dancin’ with Maria like that, I’d be fuckin’ pissed. I’d kick his fuckin’ ass,” he spits. “Her husband just showed up to the goddamn party. You’re fuckin’ lucky that it was me who saw you out there with her and not him. What if he’d seen you two? Then what?”

“Christ, Tommy. Relax,” Joel tries again to calm him. “It was just a dance, alright? It was nothin’ more than that. Okay?”

“You listen to me and you listen to me good, ‘cause I ain’t fuckin’ gonna say it again, big brother. Don’t go gettin’ any ideas ‘bout her. I don’t need you to go around stirrin’ up any kind of trouble,” Tommy says, his voice firm. “We can’t have that kinda shit here. Maria won’t tolerate it, and y’know what, I won’t either. Don’t fuckin’ cause problems. Got it?”

“Didn’t plan on it,” Joel mutters, bitterly.

Tommy narrows his eyes at him.

“Just fuckin’ watch yourself, Joel,” he warns. “I fuckin’ mean it.”

[southern-gothic-comic]

Page 40

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(Author Notes)

Panel 1-2-3: The next day at her job Imogen is looking tired and overwhelmed, resting her elbows on the counter and massaging her temples against a headache. The voices and thoughts of the other customers in the packed store crowd against her as she struggles to fill orders and she can’t seem to block them out. Everyone is clamoring for remedies, everyone is tense and nervous and angry, and all of them are causing her further pain. After a few panels she is flushed and sweating and on the verge of breaking down.

Miscellaneous Voices, spoken and unspoken: What do you mean, it’s out of stock? — What help is that to me? — laudanum, oatmeal, licorice root, antimonial — No! I said belladonna and chicory root, not licorice!! Are you even listenin’ to me? — Sweet Sarenrae what am I gonna do, where am I gonna get it? — Get a move on, stupid girl! — HOW MUCH for a healin’ potion?? — gods what’m I gonna do if he gets it too it’ll just be me left on my feet — Don’t you go cuttin’ the line, Esther Hayes. I’ve been waitin’ here all afternoon! — I got three sick kids at home! — You and everyone else in town. Get to the back of the line! — What is takin’ so long up there? — Momma, my throat hurts! Momma I wanna go hoooome! — quinine, chicken soup, epsom salts, mustardseed, honey — Two weeks, I can’t wait two weeks! I need it today! — how long is this line? — barley, oranges, throat elixir

Imogen, finally: Excuse me.

Customer: Now where do you think you’re goin’, girl? You’re not done with me yet!

Panel 4: She goes into the back room and leans against a shelf, trembling. Laudna, who is perched on a high shelf counting the dwindling stock, leans over to look at her.

Imogen: L-laudna? Are you in here? 

Her thoughts: I need you.

Laudna: Whatever is the matter, dearest?

Imogen: I’m . . . I’m not feelin’ too good.

Panel 5: She descends and Imogen falls into her arms and buries her face in her shoulder. Laudna leans back a little to support her weight.

Imogen: Everyone is too loud and too much and everything hurts and I can’t block it out and I don’t know why. It hurts.

Panel 6: Imogen leans appreciatively into the coolness of Laudna’s hand as she lays it against her forehead.

Laudna: Here, let me-- Oh, darling. You’re much too warm. 

Imogen: You sure it’s not just that you’re cold?

Laudna: No, you have a fever. You poor thing. Do you feel achy? Queasy? Itchy? Do you want some water? You ought to be home in bed, not out there being shrilled at by that gaggle of harpies.

Her thoughts: gods she is burning up what should I do where to find a doctor all right get her home put her to bed keep her safe but there’s no medicine left what should I do

Imogen: Can’t leave while the store’s still so full. It’s fine. I just need to sit down for a minute . . .

Laudna: You leave that to me.

Panel 7-8: Laudna leaves the stockroom briefly, leaving Imogen sitting on a grain sack. Screams are heard. She returns.

Laudna: Shop’s empty! Let’s go.

[klausysworld]

Hi hi!! I was wondering if you could write a Daddy Klaus fluff where the little reader has a really bad issue with her heart (prone to heart failure and has a defib implant like me) and when she's having a bad anxiety attack he helps calm her down, makes sure her heart is beating okay, etc???

His Sweet Little Heart

Klaus had noticed something off with Y/n's heart since day one when Marcel begrudgingly introduced them. Apparently she was one of Marcels only human friends, and he made it very clear that she wasn’t for Klaus to play with.

“Leave her be, Klaus” he muttered, not a hint of anything other than seriousness as Y/n approached them with a smile.

It only took one incident, Klaus had grabbed the poor girl, threatened her and pushed her into a panic. Marcel quite literally threw Klaus off her and was stroking her hair. After he took Y/n home and came back to yell at the hybrid, he spat out that Y/n had a heart condition and that he wouldn’t allow Klaus or anyone to risk her life.

Klaus didn’t really understand how Marcel and Y/n had become friends, perhaps through Davina who Y/n was also close with as it turned out.

She never spent too much time with Klaus to begin with but once everything happened with the baby, and she was under the impression that he had lost his child to witches, she tried to be as kind as possible to him. Klaus latched onto that kindness quickly.

He fed on it, he needed it. And she was so willing to give in. She’d talk with him for hours, sit and watch him paint and listen to him explain what the paint strokes meant. She would ask if he liked human foods, he said he liked beignets and she offered to go get some but he shook his head. “You do enough sweetheart, I’ll get them for us” he smiled and she softened, nodding and sitting back in the round snuggle chair he had bought for her.

Everything was quite sweet for a while, the Mikaelsons rarely went out and Klaus spent all his time with Y/n.

But then Hope turned out to be alive and suddenly the world was chaos again. Esther, Mikael, Dahlia, and anyone else was at the doorstep. Suddenly Y/n had a target over her head due to her relationship with Klaus and she couldn’t handle that well at all.

Far too often she would be wheezing for air, her heart failing to keep up with her breaths. Klaus would find her just in time, worry spread across his face as he wrapped his arms around her and held her in his lap. “It’s okay” he whispered “it’s okay, I’m sorry” he repeated, stroking her hair. His attention would be solely focused on her heart, waiting for it to beat correctly. There were few occasions when the fear settled in and he would pick her up, promising it was okay and speeding her to a hospital to make sure she was actually alright.

They always said to keep away from stressful situations.

Klaus never knew how to respond to that.

Often he would suggest she stay indoors, in his room preferably but that upset her. She wasn’t incapable and he knew that but he didn’t know how else to keep her safe.

Sometimes she would get herself so worked up about not being able to help that she’d push herself into a panic or anxiety attack. The first time it happened, Klaus had thought someone hurt her and was desperately trying to find a wound on her but after they kept happening and she refused to talk about it, he knew what was happening. And it scared him as much as it did her.

He would sit and listen to her heart weakly patter in her chest, the irregular pattern became familiar to him and alarm bells rang as soon as it went away from its peculiar rhythm.

On instinct he would scoop her into his lap, hips lips would find her face and soft words would be whispered into her ear. Gently he would caress his hand over the spot where her heart lay, waiting for it to calm down. “It’s alright my sweet little heart, let Daddy hold you” He would soothe quietly, his face nuzzling into her neck.

He sighs a sigh of relief when she snuggles back against him, her heart stabilising and her breaths coming out slower. “Mm sorry daddy” she would whisper but Klaus would always shake his head

“Don’t be sorry for something that’s not your fault” he would tell her with a loving smile and a soft kiss. Her head would rest against his chest and he would hum softly while picking her up and carrying her to their bed or the sofa so that they could be together and bask in the warmth of the other.

(It’s short but it’s something 😄 Once again struggling to write. That’s a lie, I’m struggling to write on here, Im actually trying to plan out a proper book that I wanna write one day. Probably won’t happen but it’s nice to have goals?)

[moonyswritinq]

I can’t wait to read your fics! Your writing is awesomeeee!

Can we know whatchu got in the inbox already plsssss?

(Btw I just discovered your blog but it’s so cooooool!)

😍

thank you so much! it really means a lot to me to hear that <3

and for sure, I'll tell you what I got, in no particular order. I've written what the ship is, the form it's going to be written in—if it's decided (which can be subject to change if you have opinions on it)—, context to it and its status if it's started. I also added some projects that I haven't had requested but are working on, just in case you are curious about that (because I realised I had not updated about them for about a year, so sorry).

MASTERLIST, TAG LIST, REQUEST RULES

Dead Boy Detectives

Charles Rowland:

Charles x gn reader, headcanons and oneshot — based on the song 'So American' by Olivia Rodrigo : finished

Charles x gn reader, headcanons and oneshot — reader is short and alive

Charles x male reader, oneshot — Charles pines for reader and doesn't know how to confess his feelings

Charles x gn reader, headcanons — just cute headcanons : just started

Charles x gn reader, headcanons and oneshot — established relationship, alive reader who is psychic/has powers

Edwin Payne/Paine:

Platonic Edwin x gn reader, headcanons and oneshot — reader is a witch and Edwin does not trust them in the beginning, but they end up with a sibling relationship

Monty the Crow:

Monty x gn reader, prob oneshot — non-native reader (prob French) that struggles with english and Monty thinks it's cute/reassures them

Monty x male reader, headcanons and oneshot — vampire gothic reader who shows affection in strange ways and loves to listen to Monty talk

Monty x gn (maybe male) reader, oneshot — painting Monty's nails black in a tender and intimate scene

Thomas the Cat King:

Thomas x male reader, oneshot — enemies/rivals to lovers where reader is more of a dog person so you know it's going to be lots of tension : just started

Thomas x ftm reader, prob oneshot — a fallen angel reader who got hurt and gets reassurance and help from The Cat King

Thomas x male reader, prob headcanons — reader is stoic and ace, yet not sex-repulsed, but The Cat King has to work differently to gain his affections than through his sexuality

Thomas x gn reader (or x Edwin), oneshot — the poor soul narrowly avoided Esther's capture and takes refuge in The Cat King's palace

Painland/Payneland:

Charles x Edwin, prob oneshot — friends to lovers in a non-modern AU where they didn't die

Charles x Edwin, oneshot — Charles realises his feelings earlier and says he loves Edwin back in that scene

Edwin / The Cat King:

Edwin x Thomas, oneshot — Edwin finds himself paying a lot of attention to cats in London, though he hasn't figured out why, which is something The Cat King notices and decides to send him a little something to remind Edwin of him

Edwin x Thomas, oneshot — the rest of the Detective Agency find out about Edwin's relationship with The Cat King and chaos ensues

Miscellaneous:

Dead Boy Detectives x male reader, oneshot — reader has powers and works with the detectives on a case

Poly Edwin x Charles x gn reader, headcanons and oneshot — established relationship with fluffy moments between the three : may not be written (don't love poly but we'll see)

Lord of the Rings

Legolas Greenleaf:

Legolas x male reader, oneshot — reader and Legolas drink way too much at a pub, ignoring any onlookers and opting to share a dance together : not requested

The Marauders

Regulus Black:

Regulus x ftm reader, oneshot — fluffy scene, maybe dysphoria comfort

Regulus x male reader, oneshot/series — academic rivals to lovers that resolves with a lot of tension at a Slytherin party : not requested, almost finished

The Maze Runner

Newt:

Newt x male reader, prob oneshot — Newt is very protective of reader, could be in the Glade or in the Scorch Trials or in the Last City

Newt x ftm reader, headcanons and oneshot — best friends to lovers and everyone in the Glade knows about them

The Umbrella Academy

Male Original Character, series — with a charismatic & overdramatic who flirts with everyone, multiple ships : not requested, but a long work in progress

Outer Banks

JJ Maybank:

JJ x male reader, oneshot — reader is a surfer and manages to impress JJ enough to get invited to a party, where they play truth or dare and silly things happen : not requested

Sherlock

Sherlock Holmes:

Sherlock x male reader (or oc), oneshot — reader is a genius, autistic, and a cat person, and help Sherlock with one of his cases, thus earning his attention immediately : just started

Star Wars

Obi-Wan Kenobi:

Obi-Wan x male reader, oneshot — part two of Caught in the Moment, which would be the aftermath of them finding out about Obi-Wan and the reader's relationship during a joint training session

Stranger Things

Eddie Munson:

Eddie x gn reader, headcanons and oneshot — shy reader who needs to let loose, Eddie takes it upon himself to show them a good time and they really come out of their shell

Eddie x male reader, oneshot — reader stumbles onto Eddie's magasins which are bookmarked with people that look suspiciously like reader, so gay confession ensues : may not be written (original request too lewd so I changed but don't know if I'm inspired enough to write it)

hope this helps if you want to request something or just to see what's to come in the near future :) you guys have really put me to the test and to work and I appreciate it more than you can believe. if you cannot see a request you've made her then I will not write it, sorry (prob bc it went against my rules or was too sexual).

if you want to encourage me to write faster/more a good way is to read, like, reblog, and comment what I have already written. I loooove feedback and encouragement

[lokidoctorpugs-wenclair-brainrot]

(Esther @ nevermore)

Esther: *says the most homophobic, sexist, and just fucked up thing overall about her daughter Enid*

Yoko: What the fuck did you just say you deranged bitch

Ajax: asshole

Xavier: ...wtf...

Divina: remember you can't kill Enid's mom (x10)

Wednesday who finally snapped: come here you poor excuse of molecules, fuck you, you fat fuck

Esther: AAAAAAAAAAAAAAAAH!!!!!!

Wednesday: you want the smoke come and get it You fucking cunt, next time Enid celebrates mother's day with you, it will be @ your grave.

Esther: please don't kill me (x100)

Wednesday: BEG TO UR GOD FOR MERCY FOR HE MAY GRANT IT BUT I ASSURE YOU, YOU GODDAMN MOTHERFUCKING

BITCH!!!

THAT I WILL GRANT NO SUCH THING

Yoko: OH DEAR GOD she snapped

Divina: Jesus fucking christ I've never seen her this angry

Wednesday who is fucking waling on Esther at this point: COME ON I THOUGHT YOU WERE A WARE WOLF,

YOU POOR WASTE OF OXYGEN!!!!

Esther: PLeeeeeeaaaassseee...

Enid: JESUS FUCKING CHRIST!!!!!

Wednesday calm down

Wednesday who is seeing nothing but red:

DIEDIEDIEDIEDIEDIEDIE

DIEDIEDIEDIEDIEDIEDIE

DIEDIEDIEDIEDIEDIEDIE

Enid: THATS ENOUGH

*forcing Wednesday into a hug*

Wednesday: LET ME GO, LET me go, let me...

Mmh comfy...

Enid: see Wednesday it's okay just calm down

As for you mom I TOLD YOU that if Wednesday heard all the things you say about me so casually, that she would snap like a twig this time I'll convince her to pay the hospital bills but in exchange you are going to accept that The Rich and Powerful Wednesday Addams is my girlfriend

Wednesday: mmhf just say I'm your girl friend

Enid: ok now let's get you back to the dorm so I can hear what she said and see if all this was justified.

[barblaz-arts]

Hi, love your work and the new AU, looks super interesting and cool!

Idle aside but it low key inspired a different AU/What if concept (Well several variations like a fae court version ETC) and I thought I'd share it, sorry if not to your interest, I'll try to be quick!

Basically, rather than a Poe cup, there is a yearly 'hunt' where volunteering students are set loose in the woods with free reign to use their nature or any magic and tools they wish (Provided they don't kill) to 'hunt' other students both as "Monsters that hunt in the night" and as "Monster hunters" with them being graded on how many they defeat, how strategically they operate & how good of a fight they put up in that order.

Wednesday signs up to Nevermore 1 day before the tournament so she can win it and then drop out and generally talks a big game.

Only to get dropped real quick cos she completely dismissed Enid the wolf in sheeps clothing as a threat, meanwhile Enid went for her first cos she was the only one whose weaknesses Enid didn't know from her gossip gathering.

Wednesday is livid & watched ENid then take out a vampire with a poor sense of smell with her blood on tree, Ajax with a fluttering coat & mirror trick, a siren with ear plugs and a bit. Then team up with Yoko to take out Bianca before they have a fairly epic bout with Toko calling on all sorts of buck wild vampire magic (Crimson fang!) & Enid using silver tools & spells of Hunters (Silver Claws!). These are technically just regular magic and magic items but like, real painful & super dangerous for Outcasts to use.

They fight to a seeming tie before forfeiting cos Yoko could outlast her spell repertoire and magic reserves even after having fought her way through several other foes. Meaning Enid showed the most hunting skill, having taken out the most competitors, was one of the best combatants and one of the best strategists by withdrawing when it was not wise to keep fighting & gets gold.

Esther barely applauds cos she feels Enid could have stomped the competition if she had been able to transform, so her injuries gained to win and suffering & risks from training don't get her the approval she was begging for & the prize is like ashes in her mouth even as she dances with Yoko & Divina.

Meanwhile Wednesday is watching and grudgingly resolves to stay at Nevermore to basically make a point, get her own back & see how this perky pastel primidone defeated the most ruthless of the Addams clan.

And they were room mates.

you could make a fanfic outta this

[archieimagines]

two weeks, tops | karl weissman

Summary: The plan: adopt an evacuee to help on your Inverness farm. Not the plan: adopting two.

hi, it's me again! i've been away for a while (sorry) but the power that karl weissman holds is vast and only a fix-it fic for him and esther can save my soul. we'd all love to adopt them. if you haven't watched netflix's bodies, definitely give it a shot! if anyone has any ideas for lovely karl, please comment or send them in! i'd love to write more for him and some pointers would be great. <3warnings: mentions of war and death, mourning. karl using yet another name. word count: 2666 written by: archie

You hovered on the platform, watching as the countless evacuees from London came pouring out of the carriages. Dozens on dozens of children, ready for a new, safer life. They were each swept up by loving new mothers, fussing over their name tags and taking their wee little suitcases, escorting them to cars and buses for a few years of family. The smiling kids were chosen first. They’d clearly had coaching on how to be picked, smiling through the trauma of being uprooted from their lives and planted into the unknown. And then, one by one, the sorry looking ones were claimed. Tatters for clothes, no luggage, barely a silver coin to offer their new parents.

You could give them a better life. You could have, with your chickens and sheep. There’d be eggs for breakfast, newly knitted cardigans, markets on weekends-- and no air raids at all. You’d be warm to the new presence in your cottage, happy even to take siblings that didn’t want to be split, and yet… You just hovered there, wringing your hands, letting every opportunity hurry by. It wouldn’t be hard to reach out and introduce yourself. Why didn’t you? Why couldn’t you bring yourself to step amongst the aspiring foster parents, offering your life to the sweetlings that so desperately needed it?

You sighed, the ache in your chest hollowing as the train departed the station once more. The chatter of evacuees and new parents trickled away, eventually leaving an almost barren platform. The bite of Scottish air dusted your nose pink, but you weren’t sure that the water in your eyes was from the chill.

It wasn’t your first time almost taking in an evacuee. It’d been the same every time. You’d excite yourself with the prospect of the weekly train from London, the thought of a happy little voice in your cottage instead of the silence of your own existence and the occasional caw of a cockerel. You really needed it. To have someone around again. And it always seemed like such a good idea until you were stood on the platform, faced with the reality of the responsibility of a child on your own. A far cry from the future you’d imagined. You and your husband, raising a wee happy family of your own.

Ever since your husband had responded to the war’s call for soldiers, you’d intended to do your best for the war effort and save a child from the bombs of the London Blitz, like a practice for when he came home and you could try for a real family, bringing you a step closer to everything you’d wanted.

Until the postman brought one fateful letter, ending your ideal future and shaking you to the core. Your husband wouldn’t be returning, you wouldn’t have a child with him. The thought of bringing a child into your house and doing it alone…

Then why did the empty platform, devoid of opportunity, hurt you so? Ah, maybe if there was just one child left. A sad, lonely one, hiding somewhere? There’d be so much in common.

You steeled yourself, deciding that on the off chance there was one poor evacuee left in need, you’d take them in, no questions asked. No thinking. No room for doubt. It was time to be stern with yourself, so you marched up the platform, looking in the crevices of the station building, anywhere that a poor wee soul might fold themselves in a corner. The telephone nooks would be the most likely spot.

And sure enough, there was a child! A little girl in a bright red, soot-ridden coat. Only… She was already with a foster parent, peering up at the sharply-dressed man in a trilby hat while he was on the phone.

Her eyes were so round and sweet, her little fist clinging to the edge of the man’s coat, and something unpleasant made a home in your chest. Why did he get to have a child? Sure, he must be on good money to wear a pin-striped suit like that, important enough not to be called away for the military. Maybe he had a wife waiting for them back at home. Why should he have a spouse and a child when you had neither? And she seemed so lovely, too…

You met her eye accidentally, and couldn’t help noticing how absolutely exhausted she seemed. She clearly hadn’t had a bath in days and was in desperate need of a hot meal. The reality dawned on you, and you couldn’t help feeling guilty for your assumptions about the man. You had no business thinking in such a way. She needed all the help she could get, and the suited man was kind enough to offer it to her. He didn’t deserve your disapproval. You mustered the strength and offered the girl a smile and she gave one in return, her eyes so visibly haunted. She’d been through so much, and you’d never know.

You looked away before your smile turned sad. You’d finally decided on taking in an evacuee, only there were no more coming until next week. And by then, you’d probably need convincing all over again, and you’d miss that chance too.

It was a lot to handle. The urge to cry wasn’t sudden, but it was strong. You glanced around and spotted a nearby bench, but before you could take a step, you heard it.

The man’s accent. It didn’t make sense. The foster parent, who you’d assumed was a Scotsman if he lived locally, had a deep Cockney accent. “Nah, I got a kid with me now. You gotta put us up for a while ‘til I can sort summat out. Two weeks, tops.”

Something about the words stilled your feet, the bench blurred in your tearful vision. Saying you tried not to listen in would’ve been a lie. It was your first time hearing such an accent not on an evacuee and something about it was obnoxiously intriguing. That, and the fact he… He needed somewhere to stay? Had he travelled on the train with the evacuees?

“Mike, just shut your kisser and listen for a sec. I’ve got ‘er with me and there’s- No, no. Don’t you fucking call ‘em.” A long pause. With the outburst, you couldn’t help but glance back to the man hunched at the telephone. The little girl’s face told you it all. Those furrowed brows, the worry in the shallow lines of her forehead as she peered up at him. Whatever was going on there, things weren’t going to plan.

He glanced down at her with a sigh, an affectionate hand landing atop her head in weak reassurance. He must’ve seen your shoes from under the rim of his hat, for his face lifted and his eyes pinned on you.

The intensity of that glare surprised you. Heavy brows and a set jaw, a glint in his eye that was deeply critical, giving you a stern once-over. His hand atop the little girl’s head dropped to her nape, guiding her half a step closer to the telephone, tucking her against his side in a protective hold. One thing for sure, he hadn’t just picked her up at the station today. He’d come with her from London. Definitely. The girl’s real father perhaps? Why would he personally bring her all the way-?

“D’you mind?” his defensive call pulled you from your thoughts and you realised you’d been staring. You raised your hands in silent apology and took a step back, once again remembering your place. You’d come here to foster a child in need, not eavesdrop on the telephone calls of obscurely out-of-place Londoners. Your attention fell back on the bench that beckoned you, but you could still clearly hear that thick accent softer in the air as you departed. “...A’right, fine, don’t worry ‘bout it. We’ll be on the next train to Euston, then.”

You settled on the bench, no longer caring to listen to the man’s sigh and the ding of the telephone being put back on its hook. You pulled your coat tighter around you, the light sting of tears behind your eyes growing harder to resist, until you started building your to-do list in your mind. Busying yourself in your head was the quickest way to help yourself from falling into despair, you’d discovered. Staying busy with the farmwork kept your mind and hands busy, and even as you sat there with your afternoon tasks completed, you’d have many more by the time you got home. It was exhausting work to do alone, but at least it helped you stay numb.

The pain of returning home started to grow within you once again, so you dabbed at your eyes and readied yourself to head home. Until you noticed a hue of red from the corner of your eye. “Excuse me? Can I sit here?”

The girl spoke with another surprising accent. Considering her father, you expected a similar deep Londoner’s accent, but the one she came out with was… German? Your brows raised in puzzlement, but you wasted no time in gesturing to the empty side of the bench. “Of course.”

Her father’s face was far from impressed as he approached the bench too, hissing out in a low voice, “Esther! Think about it first.” But it was too late, she’d settled right beside you.

She’d clearly hurried away from him to come and sit with you, and paid no heed at his warning. A little troublemaker, perhaps. “Are you waiting for a train? We just got off ours.” Her grin was bright and sweet, a stark difference from how she carried herself just moments ago.

“Actually, I’m not. I was just--” The father’s steps finally drew to a pause within touching distance of Esther. A looming, protective figure. “Well. That doesn’t matter. I was just about to be off.”

You gathered yourself and stood up, but wee Esther didn’t care, voice bright as sunshine. “You were looking for an evacuee?”

Those eyes felt heavy on you from beneath the trilby hat and you did your best not to look at them. “I… W-well, yes.”

“You have a big house?”

“Uh, it’s more like a farm, really.”

“Wow!” Her beaming face looked back to her father, and you took a glance too. His lips seemed to be pursed in thought, a brow quirked as she rattled on. “You have animals? Land?”

This Esther girl was certainly endearing. You couldn’t help the raising of your cheeks in a smile of your own, infectious from hers. You nodded, “Chickens and sheep, and two whole fields.”

Esther scooted closer on the bench with that ever-contagious grin on her sweet face, her messy braids flopping around her. “Then you must need a hand with all that! My- my father would be super good at it, especially mucking out the animals!” She turned with a laugh towards her father, who seemed less than thrilled that she’d offered him up for such a task.

“Alright, alright, enough from you,” he chastised her, stepping close enough to lay a protective hand atop her head once more. He was clearly a wary man, and you knew something peculiar must’ve happened to bring the two of them here like this, but it didn’t stop his surprisingly charming smile shining at her. “You just like the thought of me covered in shit, eh?”

“It’s not like you’d smell much different!” she snarked.

Your brows raised at the exchange. Granted, you’d little experience with children and parenthood, but you were sure it wasn’t commonplace for a father to swear in front of their child, and it was even less rare that a young girl would talk back in such a way. And yet, they shared a humoured smile.

He raised his gaze to you once more, though it was different this time. The smile on his face was alarmingly attractive, and the cheeky light in his eyes told you he knew it. He tipped his hat and nodded his head, voice polite and clear even with that accent in its veins. “Ka-Ahem. Curtis Bramley, East London. This is my girl. If you’re in need of a hand on your farm, we can offer you four. No need for paying, just a roof and a meal every night. How’s that sound, love?”

It was a lot to be thrown at you, and very quickly. How unorthodox to foster both a child and a fully-grown man; if it were taking in Esther alone, you wouldn’t have to think twice about it. But Esther and her father? Another man… In your home? It’d be like having your dream back, but-- With the wrong man.

Something in you froze, and you blinked up at him. You could already tell, he was so very different from your lost love. Your sandy haired husband, mellow and sweet, with the gentlest disposition in the world. His clothes were always stained with mud or grass, the scruff of his facial hair haphazardly shaven when he found the time for it.

And yet here was Curtis, dressed to the nines even after a day-long steam train journey, his moustache perfectly shaped and sitting on his face just right. Dark hair and dark eyes that visibly held a great many secrets, a shield of charm thick enough to divert the attention. A deep fellow. Certainly more than you ever thought you could handle.

And yet, he had a sweet little girl in need, asking kindly to share your life. The life you’d been living in solitude for far too long. The prospect was nothing short of terrifying, and yet… The way she twirled the end of her braid through her fingers in nerves. It was knotted and dirty, and some maternal instinct inside of you ached to wash and brush it for her. Grant her the chance to live like a happy little girl should.

You glanced to Curtis, and he must’ve caught the wistful uncertainty in your eyes, for he attempted to keep his smile from becoming downtrodden. He must’ve known it was a lot to ask of a stranger on a train platform who only expected to bring home a child. But he wouldn’t leave her side, and you both knew that. He tried to keep the sigh from his words, but he must’ve been too exhausted to keep it at bay. “‘Ow’s about two weeks, tops?”

Two weeks… Wasn’t that long. If it was too much for you, you’d be safe in knowing they’d be gone pretty quickly, and you could go back to solitary life with the animals. Perhaps it’d be worth a try.

You turned your attention to the smiling Esther once more, and it was like a dam broke. The instant swell of affection in your chest had you questioning why you ever doubted sharing your home with her, no matter the smallprint. You reached out to lay a careful hand atop her head, giving a ruffle of her stray hairs. You’d love to help her rebraid it properly. 

A grin lit up on your face, an affirmative nod offered to Curtis. “Two weeks, tops.”

A dual sigh of relief from the pair of evacuees. Young arms flung themselves around your waist, and the tears that stung your sinuses were now on the opposite end of the scale. Sheer joy enveloped you just as Esther’s embrace did and you didn’t waste a moment before holding her snug in your arms, surprised by how natural it felt to rest your cheek on her head.

You laid your eyes on Curtis. That gaze, previously harsh, previously charming… It was now the truest it’d been so far. Nothing but softness and gratitude, his own exhaustion evident. You could see how the load on his shoulders had lightened, how caring for Esther on his own had been so hard for him. But now, he wouldn’t be alone either. 

“Cheers, love. You’re a fucking star.”

[whitedemon-ladydeath]

New Blog Bio:

I do not tolerate pro-israel, zionist shit anywhere near me. I don't tolerate anti semitism anywhere near me. I will not tolerate anyone who is upholding or supporting the ethnic cleansing and genocide of the Palestinians. if you do, BLOCK ME

if ur gonna follow or interact with my blog pls realize I am very critical towards most acotar content, especially if it involves Rhysand. I am more-or-less a Rhys Anti until further notice and I am hard-core side eye towards Cassian until Rhysand is held accountable for being a shitty person for more than like *checks notes* two pages

I'm not a Tamlin Stan, nor do I particularly care for him, but I have been engaging in thoughtful criticisms of his actions often which involves character analysis so you v likely will see that pop up every now and then

likely you will find:

anti Rhysand

anti/critical IC

anti/critical/pro feyre

anti/critical Cassian posts, maybe MAYBE pro cassian

critical/pro Azriel- I'm pretty neutral towards him

anti/critical/pro elain content [often. w/o being tied to a ship]

pro Lucien

pro Nesta

pro Eris

most pro tog characters

anti/critical chaol (he just annoys me with his high horse)

Pro Ships:

Azriel/Eris/Nesta

Tamsand (lmao)

Feylin [book one]

Elucien

Nesta/Lucien [idk the ship name]

Feycien

Feyssian

Mesta

most tog ships

aelin/manon

malide

chaorian

Anti Ships:

Nessian

Feysand

Elriel

lysaedion

chaolena

My Specific ACoTaR Meta:

SJM + Eugenics + Ableism in her Writing

CoN + the Eternal Perpetuation of Abuse and Toxicity

SJM and the vilification of Ireland in acotar and tog

SJM could have had the HLs give their power to resurrect her wo Rhys forcing them if she played by Faerie Rules

Rhys physically assaulted Nesta

Class Warfare + Class Traitors in ACoTaR

Rhysand + Morally Grey Behavior

My Meta / Aus / etc Posts

tag -> #justice for poor cassian and poor archeron Sisters

tag -> #glasses!elain propaganda

tag -> #slavic archeron Sisters au

tag -> #fix cassians characterization challenge

tag -> #scottish!tamlin

tag -> #welsh!rhys

tag -> #disabled!Cassian

tag -> #my acotar world building

tag -> #appropriated faerie lore in acotar

tag -> #hybern Ireland

tag -> #white feminism in acotar

tag -> #eugenics in acotar

tag -> #eugenics in tog

tag -> #classism in acotar

Other Acotar Meta:

Mor SA'd Cassian

tag -> #acotar tiktok meta

tag -> #acotar meta

tag -> #racism in acotar

tag -> #Nesta is not an alcoholic send tweet

Other:

A Synopsis of The Ballad of Tam Lin

If You're interested:

Mission to have my own Bookstore:

tag -> #mission: cheshire books

TVDverse:

leave season 1 Caroline ALONE. she deserved better 🥺

Damon and Rose's Friendship that is ALL

Esther is Mikaels victim too stop this irritating 'Esther is the real villain'

tag -> #can we stop the overt vilification of Esther Mikaelson and the UwUization of Mikael Mikaelson

tag -> #tvd tiktok edits

tag -> #Damon Salvatore

tag -> #Caroline Forbes

tag -> #Vincent Griffith

tag -> #Shelia Bennett

Shadow and Bone / Six of Crows:

The Darkling Meta

tag -> #David kostyk

Once Upon a Time

tag -> #cora mills

The Hunger Games / A Ballad of Songbirds and Snakes:

Coriolanus Snow Meta

tag -> #thg tiktok meta

tag -> #coriolanus snow

tag -> #reaper ash

tag -> #wovey

Percy Jackson

tag -> #nico di Angelo

completely irrelevant:

tag -> #rural iowa

more to be added!