#posting these without the frame

[soulcaketuesday]

Eight of Pentacles 🌤️

Eight of Pentacles symbolises diligence, self improvement and learning new skills. Miki sits peacefully in an overgrown sunlit garden, having spent all day painting birdhouses. Instead of chasing his nostalgia, he's honouring it by creating something practical and new. Sometimes you need to let go of perfectionism and just enjoy the act of creating - it might not be a masterpiece that perfectly captures the magic of childhood, but putting a lot of effort and sincerity into a project will always be worth your time.

this is one of my pieces for a zine that was unfortunately cancelled. the other piece is here, go look at this kid winning the cycle of violence. drafts and notes below

will you guys make fun of me if i over-explain this to death 🥺👉👈 so um the inspiration for this is the start and end of ep26: starting with kozue trying to save a birds nest as a tree is being cut down, and ending with miki putting up a bird house to replace the tree. the bird house doesn't repair their relationship - they don't speak in the moment except to insult each other - but when we see them next in the finale they're a lot more comfortable with each other! is miki's birdhouse an empty gesture or is it the first shaky step to finding an understanding? idk 😊 i think its neat

i thought itd be nice if he was approaching art and creativity in a more relaxed way, just enjoying learning a new skill. repeating the same song over and over will only get you so far <3 i think this boy needs a new hobby <3

some things:

the designs of the birdhouses are based off the twins' bedroom. they start off a bit more messy and simple but get more detailed towards the bottom. he's getting better thru practice! and the last pentacle is still a work in progress

the fireflies were originally going to be flowers, and i think i spent like 20 minutes googling native japanese wildflowers that would grow in a setting like this and also had the right flower symbolism i needed 🫠 but anyway in one of the early check-ins someone said they liked the fireflies and i thought sure!!!! sounds good lmao :D imo they imply a late summers evening and a long day of outdoor work which probably works better than me struggling with flower symbolism lol

the shoes looks good as hell before i remembered i had to cover them up with grass and the frame. now they just blend in to the piano a bit. sad!

for some reason i did all the line art for this and then painted it anyway. why did i do that.

i'm still kinda fond of the first one with miki studiously leaning over a miniature rose garden while the actual garden grows wild around him... one of the interpretations of eight of pentacles (reversed) is being so focused on details that you overlook the bigger picture, which i think really fits miki as the student councils Bloke Who Does Fuck All. he has the appearance of someone who's very analytical and sensible, but he's so locked in his own tiny perception of the world that he mostly just comes up with whatever conclusions suit him best, regardless of any harm he might be ignoring or outright causing. HOWEVER that's kind of an ungenerous interpretation for a relatively chill card 😌 also i had no ideas for a background and the composition didn't work with the border so rip to that idea

i liked the stopwatches as pentacles so tried to reuse it in the third design but was out of ideas by then. the seconds thumbnail with the birdhouses and the piano kind of came naturally so that's what i went with :) and it more or less stayed the same in the final result. i was thinking of adding some kozue presence, like empty milkshake cups or a birds nest or graffiti on the side of the old piano, but imo that would have made it too cluttered. i literally did forget to add paint pots tho OOPS

[suntails]

touch the spindle, touch it i say!

[elftwink]

tbh if you worry about people secretly disliking or being annoyed by you despite reassurance to the contrary AND you are someone who says "no worries" or "its okay" when there are worries and it isn't okay, those two things are extremely correlated. idk enough about the human brain to claim a causal relationship but just from personal experience it is much easier to accept that other people aren't just placating you and mean what they say if you yourself stop responding to everything with platitudes you don't mean just to avoid conflict. btw the easiest way to stop doing this is not to have the awareness in the moment that's what you're doing (that will come with time and practice) but rather later when you're annoyed and justifying to yourself why they should Just Know it's not okay because of xyz subtle social cues, you have to stop yourself then. and you have to recognize that that's a deeply unfair way to treat someone. and if you aren't able, for whatever reason, to reach out to them and say "hey i know i said everything was fine but it really isn't and i would like something to change", then at the VERY LEAST you MUST be able to say "well I told them it's okay so until such time as I am ready to retract that and discuss this openly, it will have to be okay". this goes quadruple if someone's behaviour is annoying you and you're acting annoyed but when asked directly you go "haha no its fine!" like idc what cues you're using it will never be enough to counter that you directly told them that behaviour is fine with you. it is unfair and cruel to enforce boundaries you never communicated. you cannot tell people how much you love being a doormat and then get mad when they walk over you. and going back to the original point of this post, you will NEVERRR believe that others mean what they say if you never mean what you say. i know we're all just joking around but mentalities like "[throwing up blood angrier than ive ever been in my life] haha sounds good!!" are poisoning you they are ruining your relationships. conflict avoidance is so alluring but all it ever breeds is resentment. if you tell someone there's nothing to worry about, that is how they will act. and that's how they SHOULD act. if you say everything's fine when it isn't, YOU are the one in the wrong, YOU are the one who isn't communicating effectively enough, and the onus is on YOU to fix it or live with it. if you ever ever ever want to believe that people mean what they say, you have to start by meaning what YOU say.

[purpurussy]

tommyinnit they could never make me hate you (source)

[mychapel-004]

FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

[unmaskingdisability]

Cars are a form of mobility aid! Your solarpunk future has to include space for people who still need cars.

Who need to arrive to a parking spot right outside the building ,and not have an alternative of walking a mile if that One Spot is full. Who need safe places to decompress or change medical equipment, who are immunocompromised and risk major health complications from the wrong crowded bus. Who get so overstimulated/in pain/exhausted walking around town that they can't attend the actual event otherwise. Who need space for their medical equipment/backup mobility aids/service dog.

We absolutely need a world where Public transit and walkable cities are the default! And!! There has to be room for disabled people and our needs in your revolution!

[sundrykitsch]

all dressed up!!

[blanceyblance]

I find interesting how their Hamato Clan trauma affected both Splinters in nearly perfect opposite ways.

2012 Splinter lost his family thanks to the Shredder, because of Tang Shen and because of what the Hamato did against the Foot, Saki's original clan.

So he became overprotective of the turtles to the point of sheltering them and forbidding them to go topside (and interact with anyone else) for 15 years. He still trained them througly and thaught them all he knew, including how he got them in their Mutation Day.

Rise Splinter was so embittered to the Hamato Clan and their traditions that for sometime he rid himself of the Hamato Yoshi identity and keep most of his teachings (i do believe he thaught them some basic stuff) heritage and the origin of the turtles mutation in secret. But he also gave them more freedom to be kids and go topside, giving them the chance to interact with humans and the city.

And through both shows we come more into a balance, with 12 Splinter letting his kids explore and learn and Rise Splinter learning to get his shit together and be more attentive to his kids.

Both are just heavily traumatized men doing their best to raise 4 kids with little resources or support.

[natsuki-bakery]

RENTRY THINGS

꒰ྀི F2U but credits needed ◞ ྀི　︶　 ྀི◟ NO repost　꒱ྀི

𐔌ᥩྀི 𓏼 ◜ - ◝ 𓏼꒱ྀི১ baked by 𓎢𓎡 @natsuki-bakery

[lover-of-mine]

Buck, Eddie and The lightning mirroring the well.

[spookykick]

Okay so there was no time skip and they intentionally lied to the MDR innies about how much time it’s been, Milchick should get more than Thomas Jefferson miku binder fanart of Kier because he did so much in a span of a week at most, we all agree on this.

What I WILL say is that Claymation Lumon short would have taken wayyyy more time to produce than just a week (I do stop-motion irl so you can trust me on that) - so my very serious and totally not funny contribution to the theories about the floor below the exports hall definitely has an Animation department made up of people like Ms. Casey that don’t get to leave and just did animation for that short 24/7… because it would have been impossible otherwise. Hurray to Milchick for getting all this going and doing so much of course, but holy shit free those animators for crying out loud!!!! The pixel animations of Kier and Irving too, sure they must have a basic layout they can adapt and reuse for bereavements or something but oh my god AND they aren’t getting paid a dime,,,, at least Milchick is

So the natural solution to this is of course saving Gemma/Ms. Casey but also the crew of animators down there - preferably with a radicalized Milchick helping the MDR along

Ps: read tags for more

[justaz]

Post s2, Jinx travels the world (what’s the name?? Runeterra?? Right?) and cons her way into free rooms and food by claiming her name is Caitlyn Kiramman. Look me in the eye and tell me I’m wrong. Piltover became a global trading post and the Kirammans were already a wealthy and renowned family before. Being Jayce’s sponsor and Piltover being put on the map bc of Hextech and Caitlyn being dictator leader of Piltover for some time also made her name carry a bit of weight. But no one’s really seen her??? All they know is she’s pretty and has blue hair. Jinx just plays the dead mom card when being questioned (“I just had to see some of the world…as my mother always talked about when she was still alive…😔”) and people just let her be and give her what she wants.

Stories of the odd Kiramman girl spreads all the way back to Piltover and people make jokes at Caitlyn and Vi and they’re just like “???? Wtf are you talking about??” And then people have to explain and that’s how Vi finds out her sister is still alive, bc she’s shitting all over the Kiramman name by just. Being her. And pretending to be Caitlyn. While being herself. “Caitlyn Kiramman” isn’t as fearsome as it was before anymore bc now people just associate the name with Jinx and her chaos rather that the Caitlyn Kiramman

[summerturnip]

Sabine!

[ryuusei-boi]

Inazuma Eleven Episode 26 - "The Final, Part Two: Divinity vs Magic!"

Taken from Inazuma 11 ⚽️ De Complete Serie [Nederlandse Dub] by Ilay and edited by me

[bandanad33]

Made some core blinkies!!!

update, I made glados and aegis ones here :3

[kindahoping4forever]

Ash via golf.alpha.bravo on IG Story