#posts that might only appeal to me

[methcheese]

saw a tiktok of someone dressed like a clown dancing to good luck, babe! and now i raise you: hermie passively aggressively playing it at norm at the hs reunion after another messy breakup

[turbo-tsundere]

*superglues them together*

Aka, eeeeh fok it. Here's some ougoku stuff I've been sitting on. Happy THOSE GUYS day.

[ruporas]

feast (ID in alt)

[icewindandboringhorror]

I was just thinking what a cool job this might be.. what if you were just the person who makes little still images of cute animal figurines doing various activities to post on social media...? like.. show up to work and just spend the whole day like "hmm... this table should be placed to the left a little.. let me set this miniature bagel down in this way... this tiny rabbit should be wearing a scarf", setting the backgrounds, the lighting, etc. ... dream job perhaps lol...

[stimboardboy]

survivor hidden immunity idol necklace

[shrikebrother]

what YA books i think the succession characters would like if they were lonely teens going to the school library

(according to a YA enthusiast)

tom: looking for alaska by john green. i feel like i don't really need to explain this one. he thinks he's miles halter & the whole "anti manic pixie dream girl" message kind of went over his head

roman: forgive me, leonard peacock by matthew quick. i think he'd enjoy leonard's character voice & his teen self would relate to him a lot, especially in a certain part of the book that i'm not going to spoil

shiv: she would've secretly liked twilight by stephenie meyer. i feel like she definitely went through this "not like other girls" sort of phase when she was a teen, which is part of why she'd like twilight & also why she'd never admit it to anyone

kendall: 13 reasons why by jay asher & i'm not even sure what my reasons are for this choice. i just feel it in my gut. the whole time reading it he'd be thinking "wow... girls go through so much... i would have supported her" . sometimes he fantasizes abt killing himself & doing what hannah baker did

greg: i don't even know if this counts as YA but i guess maybe the harry potter series? i don't think he would be a super fan or anything. he would just be like "oh um yeah i read those books... uhh 3 points for gryffindor am i right? haha" in conversations when he doesn't know what else to say

some extra commentary in the tags

[sparky-is-spiders]

I... don't think I've ever participated in a ship week before? Or even made serious ship art? But I'm very fond of JE and I really wanted to. Other things I am fond of: TMA vampires! So I made Jon one. If you're wondering how that works... I'd say don't worry about it but I actually have several ideas.

Jon was always a vampire, he's just a weird, more sentient mutant. Elias wants to study him.

All TMA vampires are sentient, they're just also too hungry to care about things like morals or leading a regular life outside of feeding. Jon is different, Elias wants to study him.

Jon is currently in the process of being turned (just because it hasn't been observed in-universe doesn't mean it couldn't have happened). Elias wants to study him (but if he's not careful his fun new science project WILL eat him).

Art under the cut (along with the refs I use for them).

Also kept in a sketch of vampire Jon that I was proud of. I don't usually work with that angle (or with any kind of poses, which is. hmmmm.) so I'm really happy with what I managed there actually.

Too tired/busy (college move-in day is tomorrow and my cat had to get vaccines in today) so I didn't go for much of a background beyond "vaguely implied wood floors."

Also yes it is very important that Elias hold Jon's weird freaky vampire tongue like that. For science. And no other reasons.

Here are their refs! Elias has one hand on Jon's back/shoulder and the other behind his back because I didn't want to draw hands. They're anthro because I don't want to draw humans (furry). Jon is a tortoiseshell cat, Elias is a common genet (because when I thought of Elias designs my mind immediately went to my tiny toy Civet for reasons that are beyond my understanding). Also gave Jon a file folder because I thought he should have one.

(bonus message from my cat Jenny, who found it necessary to walk across my keyboard while I was making this post: bn nnnnnbngh)

[geraskier]

im almost as uncomfortable in a suit as a dress but i could probably fuck with a skirt. like i could wear a tutu but the idea of putting on a tuxedo makes me dysphoric. slipping into masculinity isn't comforting i'd rather be an effeminate fey creature

[magentagalaxies]

NOTE: the results of this poll will not make bruce join tumblr. he is almost definitely not joining tumblr (he barely knows what tumblr is even after i explained it to him twice today). however. since i'm close with bruce he will almost definitely hear about the results of this poll. so vote for which option you think it will be funnier for me to report to bruce like "hey btw kith tumblr thinks you should..." during our next zoom

[bloomburnburial]

every day I inch closer to becoming the joker, and learning that I might be on the hook for a few hundred dollars over two absolutely useless appointments might just push me over the edge today*

(*for legal reasons this is a joke. the part about becoming the joker I mean. not the part about the money. unfortunately that shit is real)

[arolesbianism]

I have such a love hate relationship with Ellie. On the one hand I have my petty grudge against her, but on the other hand shes so sillyyyyy being Jackie's lil lackey did her so many favors in my mind she's not only a lil shit but also a lil teachers pet I love her

[maniculum]

Medieval Scorpions Effortpost

So yesterday I reblogged this post featuring an 11th-century depiction of the Apocalypse Locusts from Revelations, noting the following incongruity as another medieval scorpion issue:

The artist, as you can see, has interpreted "tails like scorpions" as meaning "glue cheerful-looking snakes to their butts".

Anyway, it occurred to me that the medieval scorpion thing might not be as widely known as I think it is, and that Tumblr would probably enjoy knowing about it if it isn't known already. So, finding myself unable to focus on the research I'm supposed to be doing, I decided to write about this instead. I'll just go ahead and put a cut here.

As we can see in the image above, at least one artist out there thought a "scorpion" was a type of snake. Which makes it difficult to draw "tails like scorpions", because a snake's tail is not that distinctive or menacing (maybe rattlesnakes, but they don't have those outside the Americas). So they interpreted "tails like scorpions" as "the tail looks like a whole snake complete with head".

Let me tell you. This is not a problem unique to this illustration.

See, people throughout medieval Europe were aware of scorpions. As just alluded to, they are mentioned in the Bible, and if the people producing manuscripts in medieval Europe knew one thing, it was Stuff In Bible. They're also in the Zodiac, which medieval Europe had inherited through classical sources. However, let's take a look at this map:

That's Wikipedia's map of the native range of the Scorpiones order, i.e., all scorpion species. You may notice something -- the range just stops at a certain northern latitude. Pretty much all of northern Europe is scorpion-free. If you lived in the north half of Europe, odds were good you had never seen a scorpion in your life. But if you were literate or educated at all, or you knew they were a thing, because you'd almost certainly run across them being mentioned in texts from farther south. And those texts wouldn't bother to explain what a scorpion was, of course -- everyone knows scorpions, right? When was the last time you stopped to explain What Is Spiders?

So medieval writers and artists in northern Europe were kind of stuck. There was all this scorpion imagery and metaphor in the texts they liked to work from, but they didn't really know what a scorpion was. Writers could kind of work around it (there's a lot of "oh, it's a venomous creature, moving on"), but sometimes they felt the need to break it down better. For this, of course, they'd have to refer to a bestiary -- but due to Bestiary Telephone and the persistent need of bestiary authors to turn animals into allegories, one of the only visual details you got on scorpions was that they... had a beautiful face, which they used to distract people in order to sting them.

And look. I'm not here to yuck anyone's yum, but I would say that a scorpion's face has significant aesthetic appeal only for a fairly small segment of the population. I'm sure you could get an entomologist to rhapsodize about it a bit, but your average person on the street will not be entranced by the face of a scorpion. So this did not help the medieval Europeans in figuring out how to depict scorpions. There was also some semantic confusion -- see, in some languages (such as Old and Middle English), "worm" could be a general term for very small animals of any kind. But it also could mean "serpent".* So there were some, like our artist at the top of the post, who were pretty sure a scorpion was a snake. This was probably helped along by the fact that "venomous" was one of the only things everyone knew about them, and hey, snakes are venomous. Also, Pliny the Elder had floated the idea that there were scorpions in Africa that could fly, and at least one author (13th-century monk Bartholomaeus Anglicus) therefore suggested that they had feathers. I don't see that last one coming up much, I just share it because it's funny to me.

*English eventually resolved this by borrowing the Latin vermin for very small animals, using the specialized spelling wyrm for big impressive mythical-type serpents, and sticking with the more specific snake for normal serpents.

Some authors, like the anonymous author of the Ancrene Wisse, therefore suggested that a scorpion was a snake with a woman's face and a stinging tail. (Everyone seemed to be on the same page with regards to the fact that the sting was in the tail, which is in fact probably the most recognizable aspect of scorpions, so good job there.) However, while authors could avoid this problem, visual artists could not. And if you were illustrating a bestiary or a calendar, including a scorpion was not optional. So they had to take a shot at what this thing looked like.

And so, after this way-too-long explanation, the thing you're probably here for: inaccurate medieval drawings of scorpions. (There are of course accurate medieval drawings of scorpions, from artists who lived in the southern part of Europe and/or visited places where scorpions lived; I'm just not showing you those.) And if you find yourself wondering, "how sure are you that that's meant to be a scorpion?" -- all of these are either from bestiaries or from calendars that include zodiac illustrations.

11th-century England, MS Arundel 60. (Be honest, without the rest of this post, if I had asked you to guess what animal this was supposed to be, would you have ever guessed “scorpion”?)

12th-century Germany, "Psalter of Henry the Lion". (Looks a bit undercooked. Kind of fetal.)

12th-century France, Peter Lombard's Sententiae. (Very colorful, itsy bitsy claws, what is happening with that tail?)

12th-century England, "The Shaftesbury Psalter". (So a scorpion is some sort of wyvern with a face like a duck, correct?)

13th-century France, Thomas de Cantimpré's Liber de natura rerum. (I’d give them credit for the silhouette not being that far off, but there’s a certain bestiary style where all the animals kind of look like that. Also note how few of these have claws.)

13th-century England, "The Bodley Bestiary". (Mischievous flying squirrel impales local man’s hand, local man fails to notice.)

13th-century England, Harley MS 3244. (A scorpion is definitely either a mouse or a fish. Either way it has six legs.)

13th-century England, Harley MS 3244. (Wait, no, it’s a baby theropod, and it has two legs. (Yes, this is the same manuscript, that’s not an error, this artist did four scorpions and no two are the same.))

13th-century England, Harley MS 3244. (Actually it’s a lizard with tiny ears and it has four legs.)

13th-century England, Harley MS 3244. (Now that we’re at the big fancy illustration, I think I’ve got it — it’s like that last one, but two legs, longer ears, and a less goofy face. Also I’ve decided it’s not pink anymore, I think that was the main problem.)

13th-century England, MS Kk.4.25. (A scorpion is a flat crocodile with a bear’s head.)

13th-century England, "The Huth Psalter". (Wyvern but baby! Does not seem to be enjoying biting its own tail.)

13th-century England, MS Royal 1 D X. (This triangular-headed gentlecreature gets the award for “closest guess at correct limb configuration”. If two of those were claws, I might actually believe this artist had seen a scorpion before, or at least a picture of one.)

13th-century England, "The Westminster Psalter". (A scorpion is the offspring of a wyvern and a fawn.)

13th-century England, "The Rutland Psalter". (Too many legs! Pull back! Pull back!)

13th or 14th-century France, Bestiaire d'amour rimé. (This is very similar to the fawn-wyvern, but putting it in an actual Scene makes it even more obvious that you’re just guessing.)

14th-century Netherlands, Jacob van Maerlant's Der Naturen Bloeme. (More top-down six-legged guys that look too furry to be arthropods.)

14th-century Germany, MS Additional 22413. (That is clearly a turtle.)

14th-century France, Matfres Eymengau de Beziers's Breviari d'amor. (Who came up with that head shape and what was their deal?)

15th-century England, "Bestiary of Ann Walsh". (Screw it, a scorpion is a big lizard that glares at you for trying to make me draw things I don’t know about.)

I've spent way too much time on this now. End of post, thank you to anyone who got all the way down here.

[unicornpopcorn14]

Chuuya's reaction to Dazai getting hurt during the Lovecraft fight has always been so interesting to me...

Because it's the kind of worry you'd never expect from a character as gruff as Chuuya, who had displayed nothing but hostility towards Dazai so far. Usually, characters that are labelled as "angry" or "anger issues" (which Chuuya is much more complex than that but you get my point) act more as a tsundere type of way when the one they "don't care about" gets hurt. And show their care in very, very subtle ways (ex. their eyes widen, their mouth parts and closes again, etc) before putting up their front once more.

Chuuya, however, is open, and vocal about it. His worry is clear not only to us, but to Dazai himself, the one he shouldn't be displaying the concern to (as per the cliche). Shouldn't it be some sort of secret that Chuuya does care? Isn't that what skk's dynamic has been shaping up to be until now?

I'm telling you- the way my mind blanked when Chuuya just casually.... showed concern not once, but twice, was a sight to see.

Besides, the context makes it much more confusing, because Dazai isn't some rookie, and Chuuya knows that more than anybody. He was the youngest executive in Port Mafia's history, of course he can handle a hit or two. Of course he'd seen him handle a hit or two, sometimes without batting an eye.

Heck, Chuuya himself was hurling Dazai like a ragdoll in their reunion, which was their last meeting. And you could argue that he was going easy on him, but Dazai has mostly withstood the same damage (as far as I could see), and Chuuya was as bitter as ever.

So that kind of contradicts both what we knew of Chuuya so far, and how their dynamic was shaped to be. I mean, that just makes Chuuya a hypocrite, yeah? What makes him care now, all of a sudden? What makes him care at all?

Well, to me, this backasswards reaction implies one (or more) of the following:

- Dazai rarely got physically hurt during their partnership and thus this is an unexpected thing for him to see (during a mission).

- The four years of separation made Chuuya unsure of how much Dazai can withstand physically now. Also the fact that he isn't in the mafia anymore, aka fighting enemy organizations on the weekly, would naturally make Dazai lose his touch in a way, what prompts Chuuya's reaction.

- Dazai getting taken off guard took him off guard which led to panic. Especially since the situation was (momentarily) out of their depth. Seriously wtf even was Lovecraft?

- During the dungeon scene Dazai was an enemy, while in the Lovecraft fight he was as an ally. The difference might be significant to Chuuya.

- This has always been Chuuya's reaction to Dazai getting hurt regardless of the situation.

- "Only I can hurt him like that" ahh logic

- Asagiri was still experimenting with their dynamic and thus there are some inconsistencies.

This scenario didn't play out again (after their reunion) for me to exactly determine which one is more plausible, but it is 100% canon for Chuuya to shamelessly show his concern and run to Dazai to check on him before properly dealing with their opponent, which I find to be such an appealing layer to their dynamic, and a good spin on the type of character he gets stereotyped as.

Bonus: Dazai also becomes a softy when Chuuya's hurt, especially post corruption. Dead Apple alone displays that multiple times.

All in all, Skk are doing a terrible job at maintaining their 'hostile' and 'antagonistic' relationship post their reunion. Freaks.

[saetoru]

✩ ‧₊˚ ✩ IN YOUR ARMS (I’M WARMEST) — GETO SUGURU.

contents. it’s a bit of a prequel to this drabble about the shower scene, but can be read as a stand alone, post hidden inventory arc, depressed suguru :(, small spoon suguru bc he deserves to be held, reverse comfort, established relationships, healing suguru agenda !! i’m passionate about this agenda !!!!!!!

usually, instead of you sneaking into suguru’s room, it’s the other way around. usually, he slips under your sheets and curls around your body, your combined giggles seeping into the sheets as he sneaks in a few hours of sleep with you in his arms before he inevitably has to leave before he’s caught.

tonight is different, though—suguru hasn’t come to your room to sleep with you in more than a few days. you don’t even think he even sleeps anymore, if the dark circles under his eyes are of any hint.

so you do the only thing you can think of: sneak into his room.

“hey, are you asleep?” you poke his shoulder—he’s had his back facing the door since you stepped in, and he’s made no move to face you.

“yes,” is all he says.

“wow,” you roll your eyes, “i’m risking a lot of wrath with yaga to be here, y’know. least you could do is face me.”

“you should sleep,” he mumbles, “you have a mission tomorrow.”

“it’ll be easy,” you say wave off, “i’ll be back before lunch time. we can eat together,” you offer.

suguru has hardly been eating—you notice this instantly. if you’d just get one chance to sit and have a meal with him, you’d force a few bites into him, but it’s been a busy week. for all of you. you haven’t properly seen satoru in what feels like ages—the newest missions he’s been assigned have been much more complex, much more difficult for anyone else but him to handle.

he hasn’t known rest since that day.

suguru is alone more now, on missions and once he’s returned. the gap between him and everyone else feels like it gets wider and wider every day. he’s become more distant, in more ways than one.

“you shouldn’t say that. you never know what happens on a mission,” he says seriously. “be careful.”

the last part, barely, just barely, sounds like a plead.

you sigh, wrapping yourself around his back and pulling him against your chest, slipping a hand under his shirt and rubbing slow circles into his bare skin. he likes the feeling, it’s always soothed him.

“i’m always careful,” you murmur, “i’ll bring you soba on my way back. will you eat for me, sugu? just for me,” you pout theatrically.

suguru is always weak to your dramatics—it’s your appeal. he finds it cute, always gives you a chuckle as he caves and gives you exactly what you want.

this time, he doesn’t offer you so much as a hum.

“if i’m hungry,” he mumbles.

“baby,” you sigh, nose burying into his hair. the strands are slightly knotted—something that suguru never lets happen with his hair. “you need to start looking after yourself more. i’m getting worried about you.”

“you don’t need to worry about me,” he mutters, “you should go and sleep.”

deep down, you know he’s gently telling you to leave. suguru is asking you to leave—but you know if you leave, something might change. something irreversible. so you wrap your arms tighter around him, pull him closer as hold his body against yours.

“i always worry about you. and you should sleep too,” you say simply, “we can sleep together.”

he’s silent.

so you let him stay like that, rubbing over his abs slowly and tracing the skin, writing your name with the tip of your finger lightly so he knows he’s yours even when he acts like he’s alone. you press a kiss to his head, and because he’s still your suguru, he melts just the slightest bit against you.

progress.

“hey,” you whisper, chin resting on his shoulder. you watch his head turn slightly as he looks at you from the corner of his eyes.

“what?” he sighs.

“i’ll take care of you, so you don’t have to, okay?” you promise gently. if suguru can’t find it in him to look after himself, he doesn’t need to—not when you’re here. “we’ll start slow, yeah? tomorrow you’ll shower. and then i’ll feed you.”

“you don’t have to—”

“shh,” you hiss, reaching over to press a finger to his lips, “i’ll bring your favorite, and then i’ll feed you like the princess you are. it’ll be nice, trust me.”

“but—”

“i’ll even give you a kiss for every bite. how does that sound?”

he sighs, hand resting on top of yours as you stay rubbing circles into his skin.

“good,” he whispers, “sounds good.”

“i love you, baby,” you kiss his head again, “i’m sorry i haven’t been here all week.”

“it’s not your fault,” he insists, “it’s…it’s been busy for us all. i don’t mind—”

“i’ll make more time for you,” you say firmly, “i promise. okay?”

you’re not sure if you imagine it, but you think his exhale might be a little shaky. and then he nods against you, leaning back so his body is pressing into yours even further. you wrap your arms tighter around him and pull the sheets until they’re under his chin, making sure he’s covered all the way.

it’s cold in his room at night—you can’t always make it warmer, but you can try to share your heat.

“okay,” he says after a while, “i’ll shower tomorrow.”

“good,” you nod, “i’ll handle the rest. now get some sleep, yeah?”

he nods—but even as you slowly doze off, sleep doesn’t come to him. but it’s not so lonely to stay up tonight, and the bed doesn’t feel stiff under his back. his hand is still on top of yours, finger tracing lightly over your knuckles.

“i love you too,” he mumbles—you don’t hear it, but he still wants to say it.

it’s a start.

i should just write a progressive series of suguru slowly healing and then we can have teacher suguru bc imagine him writing on a chalkboard with chalk. yeah. it’s okay if you moan at the idea i did too. i won’t judge !!

[duckprintspress]

Urgent: Help Us Not Get Screwed

Anyone who follows us has seen us screaming from the hill-tops about our current crowdfunding campaign for Aether Beyond the Binary (17 aetherpunk stories! Outside the gender binary main characters!). We've only got 50 hours left...and we just got screwed.

Our Anthology Kickstarter is being scammed.

About two hours ago, with us still roughly $1,500 from our goal, we got a junk pledge for almost $2,000. This pushed us into being marked as "funded" but there is zero chance it's a real pledge, it's from a shell account marked as being in Turkey. This kind of money doesn't just fall like a miracle into the laps of small business like ours.

The timing on this attack is devastating. The final 48 hours of a campaign are absolutely critical, especially for one as close to meeting our goal as we are. We were very likely to hit our target, but doing so was going to require appeals to y'all that started with "hey, we're so close, please help spread the word." Further, the campaign has hundreds of followers who will get a notification at the 48 hour mark, and many who might have backed to help get us to the finish line will now think "oh, they're there, they don't need me," and not back. Meanwhile, one of two things will happen with the spam pledge: either it will get removed by Kickstarter, which could take hours or a day+, totally nuking us during this crucial window, or it won't get removed until the payment bounces post-campaign, at which point we won't actually have enough money to do fulfillment.

Either way, we are fucked.

Please, please don't let these dipshits ruin the love and passion that 30+ people have poured into this project for over a year.

Our campaign IS NOT FUNDED, and it won't be without help. I'm begging, help spread the word about how we're getting screwed, and help spread the word about Aether Beyond the Binary (visit the link for so much info!) so that we can get enough real pledges to fund this project we've poured our hearts and souls into.

SUPPORT THE QUEER ANTHOLOGY KICKSTARTER FOR AETHER BEYOND THE BINARY (with your pledges or with signal boosts!)

[rollercoasterwords]

the tiktokification of ao3

or: some of you fundamentally misunderstand ao3 and it really, really shows

i was talking about this with a friend a few days ago and since then i've seen multiple posts of various sorts that have just made me think about it more, so. here is me breaking down a disconnect i see particularly with younger members of the marauders fandom (i say marauders specifically just bc that's the only one i'm plugged into):

okay, so i've seen many (usually younger) marauders fans either talking online about how they wish ao3 was more like social media (specifically regarding algorithms) OR talking about ao3/fanfiction/fanfic writers as if they are operating under the same etiquette/guidelines/assumptions they would bring into social media platforms. this ranges from being mildly irritating to genuinely harmful, and i want to talk abt why.

first - you have to understand that social media, in this day and age, exists in a profit economy. and when i say social media here, i'm referring to platforms like tiktok, twitter, instagram, etc. all of these platforms exist in a profit economy where content is a product that can be monetized. this leads to a few important distinctions:

people posting on these social media platforms are generally posting with the intent to get their content seen by as many people as possible, as quickly as possible

they post with this intent because once their content is consumed by enough people, it becomes a product that they can monetize

therefore, if that content gets popular enough, these people can become influencers, where content creation is an actual job and their audience are, in a sort of vague and obscured way, similar to consumers purchasing a product

because of the profit economy surrounding social media, there are certain assumptions + forms of interaction that bleed across almost all social media platforms. the ones relevant to this little essay include:

operating under the assumption that anyone posting anything on the internet wants to go viral, ie. be seen by as many people as possible as quickly as possible in order to grow an "audience"

these influencers are creating content for us, their audience, so they should want to please us. they should also be trying to appeal to the broadest possible audience. therefore, if we dislike their content, we have a right to make that very, very clear.

in that same vein, we have a general right to critique content creators, as they are making a profit and we are the consumers purchasing their product--much like you might feel entitled to a certain standard of service in a restaurant where you are paying for the food.

when you carry these assumptions over to a platform like ao3, it creates problems. why? in a nutshell: because ao3 exists outside the profit economy

ao3 is a non-profit. it does not have an algorithm because it is not trying to sell you anything. this means that the writers posting their work on ao3 are not making a profit. we are not influencers. we are not creating monetized content to sell to a consumer-audience. where consuming content on other social media platforms might be comparable to eating at a restaurant, reading fanfiction on ao3 is more like coming over to someone's house and eating cookies that they made for free. you are in their house. the cookies are free, given as a gift. so what happens when those assumptions outlined above start to bleed over from other social media?

assuming that anyone posting fanfiction online wants their work to go viral -- i've seen this with popular fic writers getting questions like, "are you worried x isn't going to be as popular as y?" those questions are usually not ill-intended, but they demonstrate a fundamental lack of understanding about why writers post work on ao3. it's not to go viral. it's not to build any sort of online following. most of us who post on ao3 have jobs or schoolwork or other commitments, and writing fanfiction is something done for fun, out of a love for writing. those sharing their work online might be seeking community, but that is fundamentally different from seeking an audience, and in no way involves internet virality. if someone is posting fanfic on ao3 with the hope that it'll "go viral," then they likely either won't continue writing fanfic for long or will reach a point where they have to re-evalute their motivations, because seeking joy and validation by turning your art into a product for consumption just isn't very sustainable.

influencers are creating content for us, so we have a right to let them know if we don't like it -- nope!! fic writers are not influencers. yes, even the popular ones. no matter how much other people might blow their work up on social media, fic writers are still outside the profit economy. they are not creating content for an audience. they are not creating content for you. they are writing because they love it, and they are generously sharing it. if you don't like it, don't interact with it. you are never entitled to loudly and publicly proclaim how much you dislike a fic. i talk about this more here

we have a general right to critique fic writers, the same way we do with content creators/influencers -- again, no. you should not be treating fic writers the way you would treat an influencer on another social media platform, no matter how popular they may be. this is not to say fic writers are beyond all reproach; rather, it is a call-in to check your entitlement. fic writers are not little jesters entertaining in your court. they are not subject to your whims. they do not have to do things for you. they do not have to write things you like. in that post i linked on point 2, i talk about what etiquette might look like if you're really concerned that a fic writer is doing something harmful, but that is not what i'm talking about here. i am talking about the proliferation of negativity i have seen, especially on twitter and tiktok, where people essentially just talk shit about fics or fic writers as though they are entitled to have those fic writers working to please them. this is gross, and it needs to stop. you wouldn't go over to someone's house, eat the cookies they baked to share, and then spit those cookies back in their face and start shouting about what a shitty baker they are. or maybe you would--in which case, congratulations! you are Not A Good Person.

anyway, at the end of the day, a lot of this can be boiled down to: Because ao3 exists outside the profit economy, fic writers are not influencers, and you should never be treating them as though they are. i think i see this disconnect largely with younger people just because they've maybe only ever really understood social media within this sort of influencer-consumer-culture economy, and genuinely don't understand how to interact differently with the internet. so, consider this post a call-in to reevaluate the way you interact with fic writers and the etiquette you use when it comes to engaging with fanfic on ao3! i promise that ao3 being different from social media is a very, very good thing, and also a very, very rare thing, so let's treasure it and focus on fostering community rather than trying to morph it to fit the mould of influencer-audience dynamics that we see almost everywhere else <3