#probably gonna have to split it

[gaylightisminetocommand]

Soooo in 2022 I was doing all these colour palette drawings with my OCs and I didn't draw them as much last year and I miss them so much so I decided to pick up the colour palette drawings again this year cause they're simple but really fun :D

Anyway here's my boy he means more to me than you could ever know.

NEARLY FORGOT I used the palette Unholy Flame (very fitting for this guy >:3) from @color-palettes! Gonna be using a lot more of them in the future, they're really good ✨

[amelia-yap]

AUEGH

[violettierre]

My haitani father Shio headcanon is just a bit too funny cuz of how well it works that it sounds like a waste of perfect canon idea and crossover for both of wakui's works.

Aside from the obvious physical features very very obvious, identical eyes, nose, blonde eyebrows, rindou's face form, ran's hair color palette and (arguably) bonten hair style, blah blah i mean just look a the pictures below, you can also bring up any fact from either manga and add it to the hc and it fits in just SO WELL, i'll give the first example, The Haitanis are very obviously rich spoiled kids like have you seen their apartment? They have a fucking dj set, only rich kids with neglective powerful parents will have no problem paying for that, just saying, and even though i love him let's be real Shio is the type to be that parent, i mean cmon he's rich like crazy rich (filthy yakuza money yum yum) he tots would give his children WAY more than enough allowance so they can leave him alone, also the way they act, i've always the Haitanis were the type of kids that think they own the school cuz their dad is rich .

Nvm if this never becomes canon or both universes don't collide, it's just so entertaining to keep connecting the dots that were likely never there, like how Rindou is a heavy drinker cuz his father drank alot with the rest of the Yotsurugis and he tried to imitate him from a young age that it became an unhealthy habit or if you want to add more drama he only drinks cuz he looks up to his father but Shio favors Ran cuz he can posssibly succeed him (canon power complex) so Rindou resorted to drinking cuz it's the only thing like his dad that he can do. Heck yeah i made it angsty!!!

You can also add great context to his fear of Yakuza, picture this, when he was a kid he got up in the middle of night after hearing a loud noise to search for his parents and witnessed Shio (canon Yakuza) pew pew-ing some poeple and surrounded with scary men, that probably scarred him for life that he was so terrified when Kakucho got them interfering with some, OH OH something just came to mind, if he's the son of a yakuza yeah he didn't wanna clash with other yakuza families cuz it can end in a blood shed and risk his and his family's lives.

And i'm gonna add this one not very small detail and i swear i'll shut up (for now), i know it's just a stupid headcanon that is very far from becoming reality and i don't have to take it this deep but hear me out, why their last name is Haitani and not Yotsurugi like their dad, Shio is powerful and have many enemies right ? So he simply decided to protect his children and their identity by giving them another last name likely their mother's (yk like minato with naruto style plan ?) So Haitani is actually their mom's family name. I rest my case. Thank you for coming to my useless ted talk.

[worthlessprotoplasam]

Who let a dumb kid looking and that dog like dude in the club

[only-man-in-the-sky]

"I hope you get to heal enough to experience final fusion someday" sorry but that's like actually not possible. yeah. sorry

[poorly-drawn-mdzs]

deeply niche but like a decade ago there was an epistolary radio show called warhorses of letters which was actual genuine horse yaoi just thought you should know xoxoxo

You're telling just *now* that there exists a BBC radio show adaption of an epistolary novel about two gay warhorses in the Napoleonic era, who are on opposite sizes of the battlefield? Based on the real horses of the war generals?

[gerrydelano]

it's been like 10 hours and i am still thinking about gerry child experimentation canon. fuck my entire life

[t4tozier]

one! more! chapter!

this last scene was one of the first i wrote i'm so happy to have gotten to this point. literally running on hyperfixation hopes and dreams rn guys. i hope y'all enjoy this one :)

[plush-rabbit]

Phantoms and Memories

Continuation to Spots and Stops

Word Count: 3.4K

A/N: If i let if go any further, it would have been well over 5K so I had to cut up the chapter ( ◕ᴗ◕)っ✂ (its also in his pov this time!! and so will next chapter)

-

As Johnathan runs, he’s thankful that the effects of the Super-Collider had given him longer legs. He doesn’t think he’d be able to run as long if not for the long strides that he takes as police chase after him. This most certainly isn’t fair- he hadn’t even stolen anything! When the cops had stopped and shined their light at him, he panicked and immediately set off. 

The lights of the vehicle flash behind him, red and blue filling the night and people move out their way as a cop shouts at him to stop. One in the cruiser and the other pursuing him on foot. 

Turning a corner, he grabs at a spot near his wrist- the jacket he wears pushed to his elbows- and holds onto it. He doesn’t trust himself to throw it and jump into it- knowing his luck, the hole would be much too small, and he’d just get stuck in it. No. Not again. 

Instead, he jumps up, and the creaky ladder of a fire escape bangs down. Once more, he’s thankful for the long legs that allow him to climb easily and take two stairs at a time compared to the cop who is trailing behind. Reaching the roof of the building, he puts the spot in front of him, and taking in a shuddering breath, he stops. He hasn’t done a long jump with one of his holes before. It’s been something quick and nearby- nothing faraway. But hearing the cop behind him, there isn’t much time to ponder about where he’ll end up, he just hopes that wherever the spot leads him to, is home. 

Like blinking, it’s a moment of darkness, falling into nothingness, until he realizes he is falling. His legs kick out until just a second later, he falls onto a soft surface- bumpy, but soft. He lifts himself up on his forearms, scanning around what appears to be a dark room. Maybe he did manage to control where he went this time.

His hand pulls at whatever it is that squishes under him. In the dark room where the only light comes from a streetlamp behind closed blinds, he sees that it’s a pillow shaped like a flower. The fabric stretches down where his hand has fisted over one of the stuffed petals. He turns, and he freezes. He holds tightly onto the pillow and he can barely make it out, he can barely make you out, but it’s you. Asleep on your bed and asleep in your room.

How you didn’t hear or feel him fall onto your bed is beside the point- even with being a heavy sleeper, that must be a stroke of luck for him. Why are you here? A better and appropriate question is why is he here? He doesn’t want to be here. He can’t be here. Sure, you had invited him to come if he needed something but he doubts that you actually meant it- more as a nicety than anything- and even if you had meant it, he doubts that you meant it like this. 

The flower goes behind him, and he waits- quiet and still, he hopes that you don’t wake up. Please, don’t wake up. To whatever deity that listens to him, he promises that if you don’t wake up, he’ll never see you again. He can’t handle seeing your reaction if he stopped by unannounced. Crawling slowly, he moves to get off of your bed. Even with you being such a heavy sleeper, every time the bed creaks under his weight, he pauses, the bed creaks under his weight and every creak has him go rigid. 

His feet are flat against the floor and he turns, your phone lighting up as a message enters. His curiosity gets the best of him and he takes soft footsteps to peek. It’s from an unsolved number that simply asks if you’re awake. Hurt grips at him in unforgiving claws. 

The time is ten past two. Your phone is fully charged, and he takes another look at you. You still sleep soundly and undisturbed. He unplugs your phone, and lets the cable hang over the drawer knobs. No matter how many times he told you that charging your phone overnight is harmful for the battery, you never seemed to listen. You continued to charge it.

Turning to you, he sees that the blanket is askew, draping over the side of the bed. Adjusting it, so that it now covers your body, he tucks you in, pulling it up to your shoulders. He lifts his hand up and hovers your head, and as his fingertips brush against your skin, he pulls back. The memory of you reacted when he last touched you is fresh in his mind. You recoiled away. He wonders if you washed yourself of his touch right after he was kicked out. Instead, he watches you, asleep and unaware of him. Your phone lights up again, and he frowns. Taking another peek, it’s the same unsaved number. Looking back to you, he fists his hand at his side. He wishes that he could touch you one more time- just a final touch, a final kiss to allow him to let go of you. But he can’t do that- he’d feel awful knowing that he did something to you. You’d probably be disgusted with him if you knew what he was doing. 

He should leave.

You didn’t wake up. He did promise that if you didn’t wake up, he wouldn’t return- he wouldn’t see you again. You’ve moved on, and he should too. 

Still, he can’t pull himself away. He wants to look at you like he would before. He wants you to look at him like you would before. He wants to slip into the bed beside you and pull you to his chest and feel you rest your hand over his stomach. You sleep, and he stares and it’s creepy and gross and an invasion of your privacy, but he can’t help it. He needs to look at you, needs to engrave you into his memory until he can picture you without even trying.

His hand lifts again, shaky and unsure as it reaches over, and just as he’s about to trace over your features, your phone rings. Scurrying, he hides himself behind the bottom edge of your mattress. He pulse himself down, making sure that not an inch of him is seen over where you sit. 

The ringing stops, and he hears your voice.” Hello?” It’s raspy and heavy with sleep. He can’t hear the other side of the conversation no matter how much he tries to strain his hearing. “Yeah, well I was asleep.” You mutter something under your breath too light for him to hear. “I’m listening, I’m listening.” You pause. “Yeah, no I’m not really in the greatest mood considering that I was woken up in the middle of the night.” You never liked being woken up- he’s made that mistake a few times. “Look-” you exhale- “I’m sorry that I led you on-” it doesn’t sound sincere but rather annoyed- “but it’s over, okay? Like for good.” Another pause. “No, no. It’s over. I’m done. Good luck or whatever. Bye.”

Your phone lights up the room in a bright glow and as quick and blinding as it came, it’s snuffed out. He hears you fall back into bed. You groan and the bed shakes as you turn. 

Silence fills the room and Johnathan’s heart beats in fear. He just has to wait a few minutes until you’re back to sleep. It won’t take long. You’ve always been quick to fall back to sleep and after being rudely woken up, you’ll slip off into slumber in no time.

He waits and waits, and after what feels like eternity, he hears soft thumping- you’re kicking into the bed. “Fuck,” you whine. “Fuck.” You toss and turn, and he can hear the assault on the pillow as you try to make yourself comfortable. 

Oh no. You can’t fall back to sleep. 

He should have left when he had the chance. This is his punishment. 

Carefully, he peels off a hole, and places it beside himself, maybe he can slip away like this, he enters his hand into the hole. Keeping his gaze fixed looking above, he pushes his hand into the hole, fingers outstretched, fluttering about looking for a flat surface. He’s elbow deep, the hole on his face contorting into what would be frustration if he still had his face. He can’t find it, and you’ve already begun to kick at the blankets and grumble at yourself. 

You’ve already lost your sleep- taken away by a phone call from someone who you used to date. 

Johnathan tries not to dwell on that. It’s too fresh of a wound. You’re too fresh of a wound. 

As he reaches further down, his body presses against the floor. All he needs is to know that something is on the other side, something that might break his fall or would at least get him out of your room. Too focused on looking up to see if you’d peep your head over, he feels something ghosts over the side of head, fleeting and spindly, and he yelps. 

Oh fuck. He turns, hoping to find a spider, but it’s just his hand, the portal made to just be a few feet away from where he made it

“Hello?” Your voice is alert. Even if he were to be quiet, you’d never buy it.

The light clicks on, and he can hear you rummage through your nightstand. “Hello? No, fuck. I- I have a weapon.” Your voice is shaky. He stays silent, pulling away the spot and making another one that ends up on your wall on the opposite side. “I'll call the police.”

He lowers his head and lifts an arm. “It’s me. It’s just me.” He hopes that he’s the only one with white skin that you know.

“Johnathan?”

His head knocks against the wooden frame of the mattress, and he lowers his hand. “Yeah. Sorry. I didn’t mean to pop in unexpectedly. I just- I got myself into a pickle and I just threw a spot and now I’m here.” He pauses. “I’m sorry.”

He had wanted to go home. Or at least pop in anywhere but here. He can’t believe that his holes would betray him like this.

The bed creaks, and he pulls his arm back from the spot, watching above him, seeing if you’d peek over to see him. You don’t. “A pickle? Are you okay?” He can hear the soft rustle of the blankets. “Are you hurt?”

He shrugs, but you can’t see him. “Oh, um. Yeah, yeah.” His knees feel as if they’re on fire and he’s ready to put this day behind him. “I’m okay.”

You stay silent. 

“I’ll get out of your hair, I just- It’s hard to control my holes and where they take me.” He fumbles with another spot. That one pools on your ceiling. 

“Jonathan?”

He pulls the spot back. “Yeah?”

“You can say no, but um, can I see you?”

The spot of his face stretches, and he feels his body tense. He remembers how you reacted to him the first time. And the second time- granted he did catch you in a vulnerable moment, but it was because of him that you were so- so vulnerable. He should tell you no. He should leave and never look back, and never think of you. But then you call his name, and his resolve crumbles. When the two of you were together and happy, he could never tell you no; he could never deny you anything that you had wanted.

His hands brace themselves against the edge of the bed frame, and he stands, looking down at the ground, unable to see you. Never has he felt so bare and exposed. 

The bed creaks, and he sees a shadow approach and a familiar shirt peeks in the corner of his vision. He can feel your eyes on him, and your hands flex and unflex in want. He should look at you. He should give himself that grace, he should take one look at you while you look at him. When he looks up, he’s tilting his head down, head cocked to the side, as you look at him with doe eyes shining in unshed tears. Your hands fist into his old shirt, and you look at him.

“It’s rude to stare,” he mumbles.

You still continue to stare. You suck in your bottom lip, your teeth teasing at it, and he hates that he can’t kiss you, that he can’t touch you without one of you resulting in tears. You swallow, and part your lips once more. Would you still taste like mint? Or would you taste like sleep? Would you close your eyes and pretend that he was someone else if he leaned towards you? Are you pretending that he’s someone else right now? Are you only able to stomach him and his appearance because you think of someone else?

“Can you eat?” You ask, and it’s almost laughable that all that you could tell him, and it’s that. A simple, curious question. It’s entirely you. 

“Yes,” he answers. What would you say next? Would ask if he could chew? If he still has teeth that would tear apart meat and grain? Would you ask if he still has lips? Would you continue to ask him questions so that he could stay a little while longer in the comfort of your bedroom? “Why do you ask?”

“Are you hungry?”  Your hands fist over the stomach of his old shirt. “We- I can make you something if you’d like.”

He’d eat glass if it meant that he could stare at you some more. “I can eat.” You give him a ghost of a smile, and he takes it eagerly. “What do you have around?” Is he allowed to be greedy? Can he ask and ask until you can no longer give him what he wants?

You climb off the bed, adjusting at the shirt and pulling down the legs of your shorts. He follows you out of your room, and now as a stranger in your home, he feels like a ghost invading your space- walking past memories that he no longer has access to. He walks past the living room, the weight and tension a swirling mess, threatening to pull the both of you in and keep you stuck forever in a loop of grief. He holds his breath until he enters the kitchen. Motioning for him to sit at the table, you open the fridge, a cool blast makes goosebumps prick your skin. 

Turning your head, you look just like how he remembers you. “Are you okay with sandwiches?”

“Do you have chips?” He’ll be greedy and gluttonous- stuffing himself full of food in order to sit with you longer.

Nodding, you begin to pull out the ingredients to make sandwiches and he watches from the chair, stiff and cold, wanting to believe that he won’t be back after tonight. But as you bring out the plates and pull out the drinks- his favorite is still in your fridge even after all this time remains unopened and cold. You place the ingredients in front of him and alongside you, he prepares his sandwich.

You’re done with yours fairly quickly, and you turn on the television, and a late night show fills the room. Fake laughter, and fake applause is all that rings in him, and in his hand is a sandwich made with a gluttonous desire to take all that he can.

When he takes a bite, it’s sour. 

“We probably should have toasted the bread,” you tell him, peeling off the crust. “Untoasted is fine and all it if we were going to make sandwiches-”

“-We should have done it properly,” he finishes. Looking up at you, he can’t finish the sandwich- not when it tastes like it’ll give him heartburn. “Chips?” The drink remains unopened, collecting condensation on the side and dripping onto the placemats on the table. Hissing comes from the soda, and he looks at the opening. 

“In the pantry.” You take a bite of your sandwich and glance at him through the corner of your eyes. “You’re free to check.” You close your eyes, humming at the mouthful of food in your mouth. 

He stands, and searches through the cabinets, a brand new bag of chips sits, and he grabs at it, the colors popping against his skin. Reaching down into a drawer, he pulls out a reusable straw. A metallic one, the silver distorting his image in the reflection. It sits beside yours- iridescent and solid colors. 

The chips sit at the table and the straw- his straw- sits in his drink. He turns his head every time he takes a sip. You don’t look at him. This entire time, you haven’t casted a glance towards him except in the beginning. You make small conversation as you eat your sandwich and place a few chips onto your plate. Your drink is opened, and you never take your eyes off of it. The television still plays. He’s only taken small bites of his own, the taste not returning, and the bitterness staining him.

“Why did you ask me to stay?” His holes are shifting, swirling and constricting as he waits for your answer.

You cast him a glance. Finally, you look at him. “I just-” you let out a long exhale- “You want the truth or a lie?”

“The truth.”

Shrugging, you take another sip and look at him, turning your body in the chair to fully face him. “I-” the words get stuck in your throat and you look away- “I have no right to say it, but I missed you.” He stills. “I know what I did was awful, but-” you hold the can and the aluminum bends under your touch- “you were right. It’s still you.” You look at him again, and he doesn’t think he’s ever seen you look so saturnine. Even your tone is sorrowful and empty, and the words hang in the air, unanswered to.

He stays silent. And you continue, keeping your gaze on him. It must be taking all of your willpower to even do so.

“Do you think you could stay a while?” He’s silent. “You can say no.” You turn away from him, and push yourself away from the table. “I know that I shouldn't be asking you anything of the sort, but I hope you’ll say yes. If not, then you know, just lock up when you leave.”

You have the gall to ask that of him. You open your home to him, and offer him food, and he takes it with acid poisoned in him, with hands stained with muck and gunk, and his pale white skin is stained with holes and spots. And still, as if it were the first night that he spent with you, anxiety chills him to his core and roots him in place. 

He’ll get up and lock the door behind him. Johnathan will rid himself of you, and let all of this be some dream that felt too real. He’ll do it. His chest fills with air, and the chair scrapes against the floor. He’ll leave a mess behind, and when you clean it in the morning with the bird chirping outside and the soft rays of light shining against your table, you’ll miss him. Every step that he takes is heavy, and slow, weights placed on his ankles to pull him back so as to not make a dumb mistake. You can hope that he’ll say yes, and he can hope that when morning comes, you’ll still miss him. And he stands in the living room, back where he stood before you all those nights ago. 

The room looks so different. Emptier.

Every step has him hoping that he’s making the right decision. What more could you ever say to him? What words could ever mend him back together? What tenderness could ever replace the cold and callous nature that you bared at him in his weakest moments? He holds the doorknob in his hands, and he hopes that he’ll never get to find out. He hopes that when he closes the door behind him, he’ll have it all figured out.

[wildmelon]

started a playthrough as locket's partner from 100 years ago, before eilistraee's fall, and made locket her dream guardian 🥺

bonus pic of locket's first love rothgar, who i made her dream guardian in my most recent save... she met him at the promenade of the dark maiden. he turned to eilistraee + became a paladin after his wife and son were murdered by lolthsworn drow. he died on a mission and it broke locket's heart :(

(side note that most of the eilistraee worshippers at the promenade were drow, but unsurprisingly, locket was drawn to outsiders, so her lovers wound up being a dwarf and a half-orc.)

locket has a TYPE, and it's beefy and gentle btw

[bluebellwrenart]

CoD OC Dump #1 - [Black Ops Edition]

Decided to cure my art block by doodling all of my OCs so that I have an excuse to talk about them. Started off with my many CoD characters, so here's the first set. Names and info under the cut.

[Goes upper right -> lower left -> upper middle -> lower middle]

Joanne Locklear — Because not everyone has to be the most epic soldier or spy to ever soldier or spy, Joanne is one of my civilian characters.

A med-student with a clinical interest in neurology (and a personal/non-professional interest in psychology) only partly because of her husband (drumroll, please), Alex Mason. She's my OC version of Mason's wife.

Her parents own and run a bar & grill in Fairbanks, where she works part-time when she's not busy with school, and her father happened to have grown up and served in World War II alongside Mason's father. They were friends because they were the same age, they were classmates, and also because when they were little their dads made them. She's half-Alaskan Athabaskan through her mom, half-white through her dad.

Lillian Scott — An analyst in the CIA with a specialty in linguistics and a knack for codes as well, her main role in my fanfic series is to serve as a translator, gather intelligence, analyze said intelligence, and so on and so forth. She serves a mainly supporting role as far as operations are concerned, and she's fine with that. After all she is a scrawny little nerd (affectionate) and although she can fight if necessary she isn't exactly great at it. It's too much for her poor constitution.

A fun fact is that she can actually shoot really well (girl is Appalachian born and raised, she grew up hunting, what did you expect) it just hurts her hands and she kind of needs those. Also she's paired with Weaver because if you know me then you know that I love me a man with an eyepatch and a tragic complex backstory.

Nadezhda "Bell" Belkina — An OC!Bell because you can't give me a faceless protagonist and expect me NOT to make a very long and intricate backstory for them (if you know about my AC fanfics then you know exactly what I'm talking about). Abandoned on the streets, taken in by Perseus, something of a prodigy, then brainwashed by Adler through the MKUltra program...you know how it be.

She and Woods end up bonding over the fact they both spent their childhoods on the streets.

Claire Anderson & Michael Isaacs — AKA Svetlana Andreyeva and Mikhail Isakov, both KGB operatives planted in the U.S. to assume American identities, their job was primarily to track down and kill rogue operatives/traitors. The problem with that is that both of them ended up really liking their fake lives in America, and were tempted to defect. Claire defected to the CIA, Mike/Misha was killed before he could. By Russell Adler no less.

Oh, and speaking of him, Claire is his ex-wife. She wasn't his ex until after he shot Mikhail, though. And then tried to shoot her too. Yeah, you can see why their marriage went up in flames. Somehow they worked out their problems enough to work together in the 80s...and again in the 90s. RIP Mikhail though.

[thattheater-kid]

Current system experience: my brother said “hey you should watch this show, it’s really good! I think you’ll really like this character” so I watched the show and I really liked the character and then some shit went down and suddenly the character was in my head and it makes sense because he’s a detective and the shit that went down was me being accused of something I didn’t do so ofc I split a detective. Of course I split someone who was able to remain calm and present evidence that shows exactly why I didn’t do this and they should know that, while respectfully insulting the situation as a whole and saying it’s an absolutely ludicrous situation, a baseless, slanderous accusation, downright insulting to us as a person, and a waste of not only his time and intelligence but the time and resources of the higher ups who had to waste their time dealing with something that nobody cares about.

[ranvwoop]

screenshots of despair / take me to war - crane wives / @/scarhaver / how to maintain eye contact, robert wood lynn / no children genius page / screenshots of despair / screenshots of despair

emma, jane austen / the world is ugly - my chemical romance / have to explode - the mountain goats / converse county - raccoon tour

screenshots of despair / screenshots of despair / catastrophe is next to godliness, franny choi / hate one an otter - newgrounds death rugby / my mom - kimya dawson / @/ell-hs / bad bad things - ajj / the priest - soltero / kiss of the spider woman, manuel puig

— c!vwoop

[kaidanalenkosprmanager]

THE BEST OF PRIORITY: SUR'KESH

Featuring: Cmdr. Sophie Shepard, Lt. James Vega, EDI, and Urdnot Wrex With: Lt. Steve Cortez, Dr. Mordin Solus, Major Kirrahe, and Urdnot Bakara And a Special Guest Appearance by: Adm. Steven Hackett Alliance R&D has officially begun construction on the Prothean device. The team has dubbed it: "Project Crucible". We're throwing everybody who knows how to throw a hammer at it. This is gonna be the most ambitious undertaking in human history. I'm not saying it won't be a challenge- but we can do this, Shepard. You can do this. Never doubt that. Mass Effect 3: Legendary Edition (2021)

+BONUS (the smirk™️)

[bionicboxes]

More funny silly little OC icons done for artfight

[dylanconrique]

not to sound too horny but i want a chenford sex scene so bad.