#really cold btw

[fleeblesim]

My queue's run out, but I'm p busy w uni rn so it might be a but quiet from me, as well as more sporadic posting in the future rather than consistent 😁😓

[drenched-in-sunlight]

i love the DLC man

[originalartblog]

pamper tiny chuuya tooo pleaseeeee (also can i see tiny verlaine and rimbaud) 🙏

I tinified them :)

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[dubiousdisco]

Johnny's ass keeps pushing Sento away from the support on his back because it's too big btw, do you think Sento knows. Is Sento aware that johnny's cheeks are constantly pushing it. And if so, do you think Sento cares at all, being a sword and all. Is that mundane for a sword. Does Sento compare whose backs or waists or butts or hands felt nicer. Does Kenshi know. Would it tell Kenshi that his hands are the most caring but Johnny's ass is the biggest.

[kkoct-ik]

some vaguely on model doodles as i try to work out what is wrong with them (what they look like)

[psygull-arts]

various as-of-yet unposted sketches and goofs from OPERATION SILENT MOUNTAIN:

the cell kitted out to investigate mysterious alien devices located in the basement of the local abandoned munitions factory

2-4. indrid colds (assorted)

5-6. the results of a particularly injurious night for everyone. kit got knifed, bernice and homer crashed the national guard's car into a tree, emmett was actually previously injured so he's just at the gallipolis hospital for moral support, and cary got Gooped

7-9. these are just kit

10. the gang weighs in

11-13. our investigation led us to a cabin in the snowy woods that was emitting strange radio signals. went surprisingly well, rip woodrow derenberger

[chipistrate]

I think something cool about modern fnaf is that- unlike other indie horrors (Bendy, Poppy Playtime, Indigo Park, etc etc)- the big corporation behind everything isn't. Personal? If that makes sense?

All of the listed games have faces to their companies, people who give speeches and are like the face of the company beside the mascot- they make the experience kind of. Personal. Hearing the dreams and wishes of the person behind the evil and explaining why they do what they do (or at least what they want you to think the motives are)

Modern Fnaf doesn't really have that- William and Henry are dead and we don't know who the new CEO of Faz Ent is. It's cold and corporate behind the colorful mascots. We know nothing about the goals of the owner/CEO, who they are, why they inherited/got ownership the company- we just know the colorful faces hiding whatever they're doing behind closed doors.

[sergle]

I noticed you weren't posting much for a while, you seem more active now adays and I hope you're doing okay! Say hi to Hugo!

omg... I appreciate the concern!! I'm not great but I am feeling better rn than I have been, and do not currently have a gun in my hand. also Hugo says hi back.

[crippling-pages]

*that one moment in Nightfall* Biana: Tam you should ditch the shirt for this *smirky smirk* Tam: What?? No way! I'll get cold! >:0

[reineydraws]

i just. wanted to draw them kissin'. so here's a modern au mistletoe thing. :') happy december!!! also i think shanks would look amazing in a cream-coloured cable-knit. 😌💞

[nightly-nightcat]

day 47 - worlds saddest wettest most miserable beast

[japeneselunchtimerush]

No way NO WAY NO WAY THERES ABSOLUTELY NO WAY THAT AKASHI ACTUALLY PRANKED RAKUZAN ON APRIL FOOLS DAY BY TELLING THEM THEY COULD SUMMON A UFO BY HOLDING HANDS IN A CIRCLE AND SAYING ''UFO-san, UFO-san, please come down here."

AND THEN THEY ACTUALLY SEE A SHOOTING STAR ARE YOU KIDDING ME???????!!!

[aetherdecember]

Look, I love BBC Merlin and how they told the lore, but I’m a sucker for the relationship between Arthur and Mordred in the mythology. Specifically, I love how Mary Stewart (author of The Arthurian Saga**) and Nancy Springer (author of I Am Mordred**) wrote about the father/son relationship between them. So naturally, my brain has been conjuring up how I can include that in my Flipping the Coin au.

Since the main premise is Merlin died/Arthur lives, and now Arthur is the one waiting for Merlin to come back, things would stay consistent with canon up to the last episode (when Merlin flips the coin of their destiny and sacrifices himself so Arthur can live and thus stop Camlann from happening altogether). Which is where this idea will start:

Gwen is barren. She and Arthur never have kids. Eventually, everyone Arthur knows and loves dies. He can’t rule Camelot forever, and after Gwen’s death, he no longer wants to, so he fakes his death and wanders off figure out why he’s still here. He never gets an answer for that. Arthur spends the next millennium waiting. He keeps living. He meets people, experiences things he’d never experienced before, and learns things he’d never dreamed of learning. He can’t stay anywhere long, or else suspicions will rise, but he gets to see the world change, how technology advances, and witness humans continuing to be humans. When war breaks out, he joins the battle. It’s familiar. The rush of adrenaline is the same whether he’s wielding a sword or a gun. Only, he can’t see the enemy’s face anymore.

Peace comes again. At some point, he sleeps with a woman, and she happens to become pregnant. Bisexual disaster that he is, he’s had all sorts of partners from both sexes, but has never had this happen, even before the advent of reliable birth control. Later, he’ll learn her name is Morgause. She doesn’t look like the Morgause he knew before, nor does she act like her, but her name haunts him. After the baby is born, she gives him to Arthur, says she has no intentions of being a mother, and leaves. The last thing she had said to him was the baby’s name.

Mordred.

That night, Arthur holds Mordred and weeps.

There is irony in his son being named Mordred. First, in that the legends surrounding him, Merlin, Camelot, the Knights of the Round Table, and all of it, had long ago decided Mordred was his son. And two, in a retelling of that legend, it had aptly phrased what he sensed was happening now. Granted, he isn’t a sorcerer, he doesn’t have magic, so he can’t support his feeling with anything other than he’d been around a long time and knew to his very core that it was true. Mordred’s birth is a signal of the beginning of the end.

Fatherhood brings him a new sense of purpose. Gone are the days of loneliness and drudgery. Every day with Mordred brings a new light into his life. Each smile is a miracle. Seeing Mordred experience things for the first time brings a new appreciation. Being there to watch him grow makes time fly like it never has before. But Arthur is afraid. He doesn’t want to be his father. He doesn’t know how to be a father, or what the right way to do it is. In all the years he’s been on the Earth, he’s never known a man who could concretely say, “This is the way to raise a son,” and actually reap the fruits of their efforts. Too frequently, he’d seen sons grow outside of the visions their fathers molded for them and receive only disappointment and disdain in return. So he was afraid, because he too had been that son.

*cue a series of fluffy father/son one shots of Arthur raising Mordred until Merlin comes back, takes one look, and is is like WTF????? No, I won’t have Mordred for a step son >:(*

**Mary Stewart and Nancy Springer have several other works, not just the stories I mentioned. The ones mentioned are the ones I’m pulling inspiration from ^^

Additional notes below the break:

Guinevere’s barrenness is not a headcanon I typically subscribe to for BBC Merlin. My headcanon is that after Arthur’s death, Gwen gives birth, and their child eventually succeeds her as ruler.

I’ve always seen Mordred’s appearance as the harbinger of Arthur’s downfall. Thus, the reason for the plot bunnies in my brain going crazy with this idea of how I could bring him in, still remain mostly canon compliant with BBC Merlin, and build off some of my favorite parts of the lore. (Mandatory disclaimer: for BBC Merlin, I don’t headcanon Mordred as Arthur’s son. But for the mythology, I do wholeheartedly support that canon.)

Arthur’s choice to participate and live once Camelot is gone is a decision to contrast my headcanon of how Merlin handled it. I don’t think Merlin thrived. I think he stayed busy, and tried to remain hopeful, but I think he was anxiously consumed with the anticipation of wondering when Arthur would come back. In this au, Arthur may or may not know that Merlin is supposed to come back (I’m still working on that detail), but he’s always been around others. I think he would seek camaraderie, and companionship, and that he would connect with others but only to a superficial level. I don’t think he’d exist in a void of loneliness. Plus, he doesn’t have the guilt of knowing he failed because the pressure from the prophecy is very one sided *coughcough*causemerlinnevertoldhim*coughcough*

Anyways, that’s enough rambling from me about this. I’ll probably share some snippets of writing next because there are some fantastic scenes coming together in the draft so stay tuned! ;D

[goldengrecha]

Today I'm thinking about manga versions of Maxie and Archie, because it's something... I even dont have words for it. Like. Holy fucking shit.

In the beginning, of course, they're confront each other - that's the classic, they're rivals after all, standing for different things and all that things. They're different. They're opposites. They're still strongly exist in each other lives, because of their conflict.

But then

This happens. And this IS beginning of the end, because of course they're working together - and at the moment it looks like it is only for benefits for their goals, nothing else. They will destroy each other when they will get to finish.

They're fucking irritating(/pos), it almost feels like they're drawn to each other, in any scenario, their destiny is to meet, to exist in each other lives. None of them exist alone (and when one of them do exist alone, it means that something went terribly wrong).

AND THEN THINGS JUST GO EVEN WORSE (/pos)

This panel. I don't know where to start.

Do I need start with that they're realizing they work together perfectly? Do I start with that this making them thinking they needed to work together from the beginning? Do I start with that two men, who, up until this point, was fighting with each other and conflicting, hating each other, founded in each other the best partner they ever could have? Do I start with that they're probably the best persons in each other lives?

It is already very emotional (at least for me), but with how story goes on, they're connecting more and more, becoming even more emotionally fucked up.

AND THEN THERE IS EMERALD ARC???? CAN WE PLEASE TALK ABOUT EMERALD ARC???????

There is so much going on in emerald arc I barely can find words for describing my emotions.

This is the fucking tragedy. Because, what do you mean, they're put in situation where is only one of them can leave alive for some more time? (Remember how I said that if only ONE if them exist it means that some shit is going to happen something going to go really terrible. It either them both exist or them both don't).

What do you mean Archie is literally killed Maxie, just for chance of living a little longer?

And this is tragedy, because Archie, in the end, loses again. And now, not only he does lose in literal sense - he didn't achieve his goal, after all. He loses everything he had - his team, his life, and most importantly, he loses his only friend. He is all alone now.

Ah yeah can we talk about

This?

It's just one phrase. It has so much in it.

Not only he calls Maxie friend, not only he confess that Maxie probably the only one person which Archie was thinking as a friend, but also like.

Consider this: this isn't oras archie yet. This version of archie is cold, closed and gloomy, genuinely intimidating person. He doesn't care about his team members, it is kind of okay for him to use them as tools (which, ironically, shows even in this interaction with Maxie: after all, Archie still killed him for a chance of living a bit longer. And Archie acknowledging that he betrayed Maxie. He betrayed his only one friend). He is a cold person, but it almost seems like Maxie managed to warm him up a bit, just a little bit. This is actually incredible and, again, endlessly emotional, and I still can't stress this enough. Holy fucking shit.

Just imagine Archie at this point. Imagine, because, the best person in his life always was his rival. His rival, and maybe, even friend.

And I told about this before, but can we talk about that in distorted world they became one? It's just so symbolic. Like, Archie and Maxie from beginning were opposites, they was supporting opposite things, their goals was completely opposite. But they can't choose only one of this, because everything around them is a combination of different, sometimes opposite things. Like even the land and water in Hoenn! Exactly this combination of land and water create Hoenn as we know it, and how they know it. And they, people, who choosed only one of these things, in the end, became the one themselves - isn't this ironic? Isn't this funny? Isn't it symbolic in some way? (I also fucking love how this fusion explain in some way why when oras hits, Maxie is more like original Archie, and Archie more like original Maxie. They had explored each other minds I'm sure of it)

And finally, ORAS, part that I love the most.

Not only they both was given chance of living again, but this is literally their peak. They're working together again - and by that I mean they're working perfectly together.

They even acknowledge it themselves:

And this is so good in contrast with Ruby and Sapphire arc - back then, they too, realized and started to think they're work perfectly together, but it still was mixed with some evil fucked up shit, but here? They're working together because they (ironically), have the same goal. And they're helping each other.

They're working together perfectly, this is so good for them. And no evil bullshit this time! It's actually best versions of them in some way - because they're working together, for sake both of humanity and pokemon. They working towards happiness and safety for everyone, not choosing and prioritizing only one of them.

And they're talking to each other as if they was old friends, partners, every one of their interactions shines with this somewhat warm feeling. This is so good for them. I would even dare to say that ORAS part was the happiest moments in their lives.

And.. Then end of ORAS hits.

And, again, as classic already, it's a small panel, but how much here is.

First of all, can I point that Archie died two times, and both times he was thinking of Maxie in some way?

And both times is some kind of emotional moment for Archie: first time, he calls Maxie friend (he doesn't call him by name, but. He obviously talking about him COME ON), and second time he ask Maxie, if he would want to work together again, if they will have chance to do so. I just love seeing this progression, how Maxie became more and more dear person for Archie as time goes on, how he became more attached to him. And Maxie does too!

It is such an incredible moment filled with so much emotions, with so much sense. I love how Archie doesn't even say his question fully, but Maxie still understands him. Of course he does, because, I'm sure, even if Archie didn't ask this, Maxie still would think of it. I'm sure if none of them said this, they still would understand this wish to work together again that they both have. At this point, they are incredibly connected together, and they have only each other.

I also love this moment, because when Archie died first time, he was told that, if he will continue like this, he will end up all alone. And Archie agrees to that: he answer in the way that he is already accepted that he is alone now, and he doesn't even have Maxie by his side (I still can't get over that he really highlighted him in this speech holy fucking shit). BUT then, when he appears next time, he appears as ORAS self, and his ORAS self is very different from what he was, not only as a person, but his motivation is different, too.

He changed in some way. And he ISN'T alone, because now, Maxie is by his side again. And I can't stop thinking about how happy it probably made Archie.

And even dying, he is calm, because he isn't alone. He have Maxie by his side. His only friend.

[salt-baby]

I just don't understand people who don't do a COVID test when they get sick