#really the star of the show tbh

[collophora]

Do yourself a favor and go read the entire fanfic work of @fanfoolishness

(In order: Under sun and shade, Blind Side, and Breathless (patching up is one of my fav too, I just had no cool sketch idea for it)

[ali-mart]

Ahsoka S1 was a great season and it’s iconography continues to inspire me in the best ways

[softiedingo]

I would EASILY join the dark side for this man and would be capable of doing the craziest things if he asked me to

[feroluce]

SO LIKE. As much as I roll with the Emanator of Elation Sampo theory, I do have. Some doubts about this specific instance of it. Not that I think Boothill is lying, or that I think Sampo isn't an Emanator, but I wonder if the person Boothill actually met was Sampo.

Just! Sampo is so careful. The only reason we even knew he wasn't of Belobog was due to a dialogue-dependent fourth wall-breaking dream sequence that no other character could have seen. It took a missable dream bubble in an out-of-the-way spot that was seemingly left only for the trailblazer at the very end of a side mission just to confirm him as a Masked Fool. Like it's not just the fact that Boothill mentions this person being an Emanator. It's that he knows they're also a Masked Fool, which is also something Sampo is incredibly dodgy about. Sparkle even seems to call him out on this in her party join line fjkdjaskldj

((But also, Boothill, baby. WHY were you trying to get them drunk????))

And regardless of if you believe him when he calls himself an old timer, he obviously has a lot of experience in doing what he does. He knows what he's doing, he's good at it, and he is viciously capable and competent, unfortunately for his victims smhznskdn

So it just. Feels very unlike him, for him to let his guard down enough to not only let himself get drunk in front of Boothill-

a total stranger btw whom Sampo has absolutely no reason to trust, and a dangerous Galaxy Ranger to boot who has plenty of blood on his hands and a significant bounty on his head

-but to get SO drunk that he lets loose the secret that he's an Emanator.

When Boothill brings this up, he mentions that if Emanators were obvious and known at a glance, it would lead to atrocities. And for as much as Sampo is disliked by his victims (there's an entire anti-Sampo organization in Belobog JFDKLASJFDL), it's all for fraud. He's wanted by the IPC as an intergalactic thief. He scams people out of their money, and only rich people at that. That's mostly all that he's known for. Nothing he does is violent, even though Sampo surely has the capacity to inflict a lot of harm.

And I don't mean that he's exactly a pacifist or anything; Firefly comments that Sampo seems like a highly skilled covert fighter. His voicelines make it sound like he enjoys combat- hell, his ult line makes him sound like a hitman. I like to hc him as being a pretty high ranker in the fighting rings at the World's End Tavern, like we see in the Simulated Universe occurrences.

But I don't think he would enjoy being the cause of uncontrollable violence and bloodshed.

Like yeah he's a dick who scams people on the regs for funsies, but he has lines he refuses to cross, which we see a lot of in how he interacts with Sparkle. More than just not enjoying it, I think he would hate it if he were found out and it caused an incident, especially since he seems so endeared to Belobog and her people now and it looks like he plans to return there. He wouldn't want to bring any of that back to them.

So I just can't imagine him carelessly fucking up bad enough to out himself to a random stranger that could easily put a bullet right through his head.

Sparkle maybe could, though.

Because as we find out later the dreamscape had expanded FAR beyond what it seemed, far enough that the trailblazer had been dreaming since the warp jump in. Most people enter it unknowingly, and don't realize they're already dreaming when they think they're still awake. Boothill and Dan Heng should have already been dreaming during their exchange on the Express that started all this.

And as long as someone knows they're dreaming, completely changing their appearance is easy, even for the common layman. We see this with a couple of NPCs and also Sparkle herself, with her (in)famous impression of Sampo.

Thank youuuuu Sparkle

And yeah, the trailblazer and almost all of the other characters wouldn't know about the expansion until near the very end. None of them realized they were dreaming even outside of their dream pools, and surely none of them would think to be suspicious of another person's appearance outside of the dreamscape like that.

But Sparkle has a script from Silver Wolf.

She knew all the secrets of the dreamscape, and she knew them from the very beginning. There would have been nothing stopping her from appearing as Sampo in front of Boothill and spilling all his secrets.

And she apparently has a long-standing history with Sampo, including trying to get him in on her own much more fiery and aggressive version of Elation.

Maybe all Sampo needs is to be outed as an Emanator, and then when all the violence and bloodshed catches up to him, then he'll finally understand! ദ്ദി(｡•̀ ,<)~✩

[bikananjarrus]

and what if i said the call was my fave episode of rebels period. what then

[sysig]

Even stardust shimmers, darling 🌟 (Patreon)

[kanansdume]

I've recently been watching these very interesting Star Wars video essays on YouTube (yeah I know, a rare breed) and it brings up these comments Lucas has made about how he views Star Wars as almost like a silent film in terms of how important the visuals are to him in comparison to the dialogue. But this essay also points out how important Lucas finds all of the "rhyming" moments in his trilogies and the way he utilizes them to remind you of something else for emotional or thematic reasons. And there's so many of them, both in visuals and in dialogue, and it's interesting to consider how important this is to him, the repetition for a purpose as well as the storytelling through visuals above everything else and then to look at Star Wars since the Prequels came out and realize how little has really been able to match up to those ideals since then.

The ONLY thing that's come out since the Prequels that I think really hits these two things the same way is, in fact, Andor. One of the things I noticed about the way people discussed Andor as it was airing in a way I haven't really seen for any of the other shows or films was the visual SYMBOLOGY. So many times I saw people noticing the Imperial cog everywhere, from the aerial shot of Narkina 5 as the prisoners escape to the architecture of Mon Mothma's house. There were people picking up on the use of items in Luthen's shop that are familiar from other things to give this idea that Luthen is from another time, he's attempting to preserve this world he lost, that if you're not looking closely enough you won't notice what he's really saying or doing with this shop. The color choices for the different locations and people got analyzed because the people involved spoke about how they intentionally utilized color to SEND A MESSAGE about the characters and the world. We know that the people who made the costumes and sets really worked hard to treat Star Wars almost like a period drama and study the history of the franchise as if it were a real place so that the things they came up with felt like they belonged in this world everyone knows so well even if it's completely new. And of course there were all of the myriad references to things from Rogue One, the constant repetition of "climb", the sunset on the beach, etc.

Nearly EVERY SHOT in this show was created with so much intention behind it in order to say something meaningful about the characters, the world, this specific story they're in, and the overall saga of Star Wars itself. It's insane how much greater impact this show was able to achieve through the incredibly careful usage of visual symbols and thematic repetitions, much like Lucas did before them. It feels like they didn't just study the history of the galaxy far far away, but they studied the history of STAR WARS and what Lucas was trying to do and say with this story. They peeled back his onion a bit more and were able to create something that really has that same visual feel even when it's not created for a child audience. It also is experimenting with its narrative style through its structure and through Cassian's character being allowed to be somewhat more reactive than proactive, and while that didn't work for everyone, it does feel like it's following in Lucas's footsteps of experimentation through Star Wars. Push the boundaries of what Star Wars is and can be and what you can say with it.

But this only works because they peeled the onion back enough to TRULY understand all of the messages Lucas was sending with it. They got the heart of Star Wars and despite its lack of space wizards, despite the lack of most major characters in the Saga, this was a show that honestly got the message more than just about anything else Star Wars has put out since the Prequels. The choices between selflessness and selfishness, the themes about how you always HAVE to make a choice even when it feels like you don't have any (sometimes ESPECIALLY when it feels like you don't have any), and how important it is to make sure to choose the path of compassion above everything else. The themes of connection to others, the symbiotic circle and the impact even the smallest person can have on world around them, it's RIGHT THERE and it's CENTRAL to Andor's storyline.

So yes, it experiments a little with narrative structure, but it's possibly the most Star Wars thing to exist Revenge of the Sith because it honestly truly GETS what Star Wars was about, both in its themes and in its filmmaking. A lot of people said that Andor didn't feel like Star Wars to them, usually because of the lack of space wizards and the fact that it's not a story aimed at children. But to me, Andor is EXACTLY what Star Wars is and has always been. They're stretching the boundaries of what Star Wars can be, but it's saying the exact same things Star Wars has always said, it's just saying it slightly differently. This doesn't feel like fanfiction to me, not really. Unlike things like the Mandoverse or the books, Andor isn't just taking some of the toys out of the sandbox and going to play with them somewhere else. Andor is IN that sandbox. It's building a slightly different sandcastle, but it's still within the sandbox, using the same sand that Lucas did.

[starswirly]

[ * RAAAAAAHHHH MORE OF THE CREATURE] [ * Draconink’s design is of course made by @starmonsterrr!! ]

(OG Ink -> Comyet)

[kimasousparky]

it'll never stop being funny to me how 6 years old me was so on spot when she imagined mario as "an average, kind-hearted guy who was really good at jumping, really loved his timid brother luigi and liked the princess he romantically" while playing SMW over and over again before she was exposed to media that portrayed mario with a personality

[lonesomedreamer]

STAR TREK REWATCH ☆ “Charlie X” (1x02)

Hang on tight and survive. Everybody does.

[bunn-iiiiart]

my sillies

[moggettt]

Study of a frame from “One Way Out” - eVERYONE GO WATCH ANDOR IT’S SO VERY GOOD 

The writing! The acting! The visual world building!!! The scoring choices!!!! AAAHHH

[beansismyreligion]

apotheosis doodle page i made a while ago and forgot to post anywhere

[starpirateee]

WAITWAITWAITWAIT YKNOW HOW SPANKOFFSKI IS A POLISH NAME

PETE OR TED OR MAYBE BOTH SPEAKING POLISH AND CONFUSING THE PEOPLE AROUND THEM

JUST LIKE, THEY HAVE A PRIVATE CONVERSATION OVER THE PHONE THEY DONT WANT OTHERS TO HEAR SO SPEAK IN POLISH TO EACH OTHER AND WHEN TEHY HANG UP EVERYONE AROUND THEM IS LIKE WHAT THE FUCK??????

god im insane about themmmmmm

Anon this is really funny in concept, the size of your mind is insane && I just hope I can do it vague justice

The major problem for Ted on most days was that his phone tended to ring in the most inconvenient of places, at the most inconvenient of times. another major problem was that he often got so engrossed in… Whatever he was doing in the office that he forgot that he and Pete ran on completely different schedules, because his brother was still three months from graduating high school.

He'd been bunking off for the past half hour, and had been talking to Charlotte in the break room, trying to work out when a good time to see her again would be. Everyone who knew them tended to avoid the fact that she was blatantly using him as a fallback option because her husband couldn't— or wouldn't— give her what she wanted. People like Paul and Bill tended to ignore it, only because Sam was doing the same thing across town, with one of the Beanies' baristas, and one of his coworkers… Never at the same time, mind, but Zoey Chambers seemed rather unapologetic about it, so Paul and Bill had managed to work it out as fact.

Still, it was weird to see Charlotte with Ted. Because, at the right angle, it almost looked like Ted genuinely cared about her, and wanted to keep doing what they did to get her away from the thought of her husband for a while. That, of course, had seemed like enough total bullshit that nobody bought it, but they left the two of them to their well needed privacy when it came down to it. Only two people knew they were spot on with near enough everything they speculated about.

Ted leaned against the water cooler, sporting a little more confidence than would surely be allowed in a situation like this. Charlotte wasn't having a terrible day, and that meant it was that little bit easier to talk to her. Less Sam to think about… How did that bastard end up with a woman like her? And why was it that her situation was that bad that he was an upgrade for her?

He was going to think about an answer to that question, but his phone started ringing in his back pocket, vibrating way too dramatically against the cooler.

"Jesus christ-" He stood up a little straighter, pulling his phone out of his pocket. "Sorry, Charlotte. One sec, I swear- hello?"

"Hey, Ted."

That was a voice he'd recognise from anywhere. Pete, once again working off his own time and perhaps completely overlooking the fact that Ted still had an hour at work.

For the sake of clarity, Pete checked his watch and drew the realisation that the holidays were over last week, and Ted was back on office hours. His brow creased, hoping he wasn't interrupting anything then realising there wasn't really anything to interrupt in his brother's work life. "This a bad time?"

"Oh, hey, Pete. No, you're good, I wasn't doing anything anyway…" Ted went straight back to lounging, aware that Charlotte was now trying not to eavesdrop but didn't really have anything better to do. "What's up?"

Pete chuckled. "C'mon, when are you ever doing anything? You don't do shit! Especially not at work!"

"Hey! I do shit! I get paid to do shit, don't I?"

"… Do you even know what department you work in?"

It was a genuine question, and would've accounted for Ted's genuine laziness and reluctance to do any of the actual work he was sent… If Ted hadn't prepared for this exact eventuality several months ago. He'd made sure to pay enough attention in a Monday meeting to at least account for what depeatment he worked in, and what that department pretty much required him to do. He didn't have to work constantly anyway, and that was the best part. His main job was just… fixing the problems everyone else had, when they had them.

"Sure I do. Tech support!" He imagined the defeated expression that flashed across his brother's face, and laughed to himself. There were too many people around him to make the point he was going to make next without getting mobbed, so he leaned in a little closer to the phone, a smirk playing on his lips, and muttered, "Czuję się, jakbym był jedynym idiotą, który faktycznie się zakwalifikował… (I feel like I'm the only idiot who's actually qualified…)"

That prompted an unexpected laugh out of Pete, who was clearly around other people too, because he tried to cover it up. "To wiele mówi (that says a lot.)" He returned once he'd stopped laughing. The two of them had stopped questioning the other's occasional slip into their own version of mostly fluent Polish. They used it to their advantage, to have private conversations in public, or sometimes in reverse when they were around the Polish side of their family. More things could be said if there was the added bonus of nobody overhearing, and that way of thinking had helped Pete out on a few occasions.

Ted cracked a smile. "Ty jesteś gówniarz- (you're a little shit)" He managed to bring himself back into the conversation they were supposed to be having, before he and Pete managed to lose it like they always did, lost in the jesting and the back and forth that just seemed to get better with every phonecall they had. "You didn't call to insult my supposed lack of work, did you? What's up?"

"Can I drop by the office and pick up your keys? I must've left mine on my desk this morning… Took me till third period to realise they weren't in my pocket…" Pete turned from the phone to mutter something- a goodbye, perhaps- towards someone else, and Ted found it vaguely amusing that Pete had retaliated to his complaint when he was with friends.

"You left after me this morning…"

"The front door locks itself, don't worry about it."

Ted faltered, and then nodded. He'd figured that by accident once when he accidentally locked himself out after forgetting his own keys, and he had to wait in the foyer for half an hour like an absolute fool for Pete to show up after his study session. "Fine. You know where the back entrance is, don't you? My car's parked out there, you should recognise it."

"That hunk of shit? I'd recognise it anywhere,"

"Do not slander my car!"

"C'mon, Ted, you've had it like, twenty years! And it hasn't gotten any better in all that time…"

He was going to ignore for now the seemingly increasing pile of problems that it seemed to have every year. Wings that needed replacing because they'd rusted so hard last year, numerous little engine faults… And the suspension was probably shot after all these years… It was a hunk of shit, sure, but it was _his_hunk of shit. "You just wait till you get your own hunk of shit, we'll see who's laughing then!"

"I'm- I'm getting close, I can see your car. Thanks for this, by the way…"

"Yeah yeah, don't mention it, Pete. You better not lose 'em on your way home, I know what you're like…"

"Dupek. (Asshole)"

"Tak, też Cię kocham… (Yeah, I love you too)" Ted chuckled before Pete hung up on him with a scoff. He rolled back his shoulders and stood up from the water cooler. Charlotte tilted her head, and it dawned on him that she'd probably heard all of that. He shrugged. "My brother. Useless bastard left his keys in the apartment… Hold on just a moment." He flashed her a quick smile and sauntered out of the break room towards the lift at the back of the office. Charlotte didn't have the time nor the space to question the constant little jumps in language that may well have happened on both ends, because Ted was gone before she had the chance to think about it at all.

[martianbugsbunny]

insp.

[taylurking101]

First, My Lady Jane got cancelled, now The Acolyte... TV is dying for real

Streaming platforms are killing media. Not all famous shows have a good 1st season (case in point: the office, parks and rec).

These cancelled shows were super promising and had a lot of potential. They needed more episodes to flesh out the story.

But streaming platforms are super greedy (and racist and misogynistic in the case of star wars). So disappointed smh