#reposting as its own post

[is-this-even-relatable]

Misfortune Teller

tldr: An older Danny, apprentice to Clockwork, does a lot of field work across dimensions, resetting the timeline, queuing future events, and who knows what else. Occasionally, he warns people about such upcoming possibilities, to set them on the right path. How, you might ask? Well in this case... as a wandering fortune teller.

Crack-fic (oh god, it's getting long and my logic brain won't let it remain as crack) where Danny becomes Clockwork's apprentice after getting his GED. Living his infinite afterlife to the fullest. Inspired by this tumblr post.

-----------------------------------------------------

Working for Clockwork had been... interesting so far. At first, Danny got frustrated by how vague and cryptic Clockwork was. He'd just shunt Danny off to some ancient time with a few words, his own time medallion (Danny carried it everywhere with him now), and then pop back into the portal, leaving Danny with only the faintest idea of where to go.

Eventually, after enough time (ha!) spent around Clockwork, Danny figured out that it just basically meant that he had free reign and to do whatever he wanted. Because if he went on the wrong path, (like that one time in Pompeii when he had almost caused the volcano to explode a few years too early), Clockwork would just pop on by, say another few cryptic words, and then it'd all be fine and dandy, or as he liked to say, "All is as it should be... Now stop practicing your wail by an active volcano."

After telling Jazz about that (it was supposed to be funny, not concerning), she just sighed and shook her head, with a forlorn "think before you act, Danny!" but hey, it'd turned out fine so far, so who cares how he does what Clockwork asks him to do, as long as it gets done, right? Even if it's with a liiiiitle more mischief than strictly required.

Besides. Danny was the one who had been doing time shenanigans across millennia, not Jazz. And he thought he'd been getting pretty good at it too! He'd actually started giving himself a different made-up background for each universe he visited. Sam and Tucker were helping him keep up with the identities on a spreadsheet, so if he had to go back to one he'd already visited, he'd remember who he'd said he was supposed to be.

---

He was on a call with them one evening while haunting Jazz's apartment, doing just that, when he felt a familiar tingle in the back of his throat, as well as a heightened awareness of the seconds passing by, that always accompanied his mentor's appearance.

Sam was talking about his past stint posing as a god of death when he cut in. "Hey- sorry to interrupt, Sam- Clocky's here, guys, I gotta dip."

"Aw, come on! We hardly talked any this past week since you passed your certifications, man," Tucker complained.

Danny rubbed the back of his neck sheepishly. "Yeah, yeah. Partly on you too though, you've been caught up outside of class, and Sam's schedule is nearly the opposite of yours."

Sam hummed in agreement despiter Tucker's scoff.

Danny missed hanging out with them as much as they had in high school, but hey, life goes on. Or at least, theirs did, to college. After finally flunking out of Casper High, he'd taken some time to get used to his responsibilities in the ghost zone, and when he had, he realized that he didn't really have much enthusiasm or timeleft for his human life.

And he didn't really want to go back home either.

But Jazz had made him tie up any loose ends before he noped-off to god knows where, which frankly, he had to thank her for. Getting his GED took a few years, but it was an accomplishment that could be attributed to Danny Fenton, no ghostliness required. Then he was able to let that tether go free.

Pulled out of his musings by a few more grumbles from Tucker, Danny said his goodbyes, promising to call the next time they were all available.

After hanging up, Danny swiveled around, anticipation already lighting up his eyes an ethereal green.

Clockwork, for his part, had been waiting patiently through Danny's lengthy goodbyes. Although he supposed that it tracked for the watcher of time to be patient. With his job, it'd be a nightmare if he wasn't.

"Phantom," Clockwork spoke, calm as always. "I have some tasks I need you to complete as my apprentice."

And Danny, always ready for adventure, didn't need him to explain any further. "Sure! When do you need me to be?"

Clockwork smiled at that. "I am fortunate you are eager. Follow me."

---

Danny popped into existence in this universe with a burst of cold air and static electricity. He found himself hovering by a clocktower above a sprawling, gothic city. Smog and light pollution obscured the stars above him, to his disappointment. He comforted himself with the fact that he'd probably have all the time he wanted to fly someplace less populated to see them later.

He started off by familiarizing himself with the city. As he flew, he followed the trail of power and met the resident city-spirit, a spooky- but kind underneath- woman draped in black lace, who told him her name was Gotham. He spoke in length with her about this universe, its heroes, and her knights. On that, she was very enthusiastic... or at least Danny thought she was, her projected emotions belaying much more than her gloomy exterior. She told him how her knights had been through a lot and would need some guidance fighting the darkness that pooled in her deepest corners, smiling with too much glee, filling lungs with fear, and terrorizing with cold hard bullets.

Danny could sense that the dangers she spoke of were growing in power, ever slowly. The longer they shadowed people's minds and hearts, an intangible thing grew that lent them more otherworldly pull than their physical forms had right to hold.

That must be what he was sent here for.

But... they were weak, pitifully so for him, infinite king as he was. And besides, he wasn't here in that sense. He was a messenger, a simple apprentice. And he could do this however he wanted.

Cue his talk with Lady Gotham, and subsequent idea to arm her knights. With what? Well, he figured knowledge would be a start. Flying high above the city invisibly, Danny noticed a sea of colors and lights by what appeared to be the city's pier. He flew down, noting that it appeared to be the setup spot for a travelling circus or carnival of some kind.

He considered what to do. One of Lady Gotham's troubles was a madman clown, right? Well maybe he'd be attracted to his ilk here... and with the danger came the knights. Maybe he could catch one of them here?

Danny was floating around at the entrance and beginning to formulate a plan when a flyer caught his eye. Looking for a mystic to read fortunes. URGENT!

Hadn't Clockwork said something about fortunes? And he hadn't made an identity in this universe yet...

A mischievous smile crept across Danny's face, splitting it in two with far too many teeth.

---

Half a city away, a man in all black, perched on the very same clocktower that Phantom had Appeared by, shivered as he felt an ominous premonition about his sanity in the near future...

Said man quickly opened his comms to check in with his many, many kids. Yet even after hearing back from each, he still felt apprehensive.

Somewhere even further, Clockwork laughed.

---

And that's how Danny found himself seated at a fortune teller's booth at a pier in Gotham, two days later, for the Tricksy Traveling Circus's grand opening.

[the-cat-and-the-birdie]

Hobie Brown, Emotional Preparation, and the Art of Great Dialogue

Nearly all of Hobie's dialogue is written with his goal - protecting and preparing Miles for Miguel's abuse - in mind, even if it may not be obvious at first watch.

Here's an unhinged breakdown where I over-analyze literally every one of Hobie’s lines and explain how every sentence was written to contribute directly to Miles’ radicalization.

Hollywood. Pay your writers. (:

___________________________________________________

Hobie has around 10 minutes screentime total, but for the sake of introductions and this analysis, let's start at the end of the battle, and the beginning of the quantum hole.

Starting with his first line in the scene:

"I don't follow orders. Neither does he."

All morals considered, Hobie doesn't seem like the type to speak for someone who can speak for themselves - he's a punk after all. But here, he speaks for Miles. This line serves to tell Miles 'I don't respect them, why should you?', but funnily enough, it can also be a point to Jess, as if to say 'Miles isn't interested.' - even if he is.

"Bit much, innit?"

While, Hobie and Mile's next interaction is their exchange in the elevator, the scene leads to Mile's introduction to the Society. Miles gawks at the lobby, obviously impressed. Gwen affirms this awe, telling him 'this is just the lobby.' However, Hobie feels the need to chime in. His next dialogue 'Bit much, innit?' is a subtle nudge to Miles that the society is not a place to be in awe off. It's a spectacle, one that's a bit overdone. Knowing Miles now sees Hobie as cool, Hobie makes it known - he sees the Society as uncool.

"Gwendy, How much have you told him? About his place in all this? Maybe not enough."

'So what happened about that small elite strike-team?' - 'Most of these are part time.' This is by far one of Hobie's more interesting lines, and I wrote about it here. But in short, this is Hobie's soft but direct confrontation of Gwen. After Gwen lies to Miles in front of him, Hobie immediately asks how much Gwen has revealed to him. And when she tries to play it off, he openly says 'Maybe that's not enough.' He's not angry with Gwen, but he is disappointed, which in turn motivates him to have his discussion with Miles.

"Super humane, and not creepy."

One of my favorites, because it's hard to catch and to the point. After talking about Hobie and Gwen's mission history, they're taken to Margo and the control room. As Miles marvels at Margo and the Go-Home-Machine, and Gwen says she voted against it. However, Hobie says blatantly: 'Holy shit, Miles isn't this inhumane and weird???', validating that the Society is willing to do inhumane, hurtful stuff to those it deems 'misplaced'.

Next comes Hobie's confrontation with Miles.

Because Hobie knows this is his last movements with Miles before he meets Miguel, and this is where if final push of emotional support kicks in, before he goes quiet in front of Miguel.

And because this conversation is so well layered, I think it's best to go line by line. ______________________________

H: "Bet this doesn't even do anything." M: "Maybe it did before you ripped it out of a wall!"

Hobie has now confirmed that he'll be making an exit soon. And he begins his finally sweep of parts he needs for his watch, stocking up his pockets. He's not stealing to steal. He knows he's leaving and this is his last chance to get what he needs before he's out the door.

"Propaganda, bro! It's to distract you from the truth!"

HOLY SHIT I missed this one. Notice how in this shot, Gwen is not visible at all. Hobie notices they're out of hershot of her for the first time. And his first line is - 'Propaganda.' Their watches can take them anywhere. When Gwen needed to, she was taken to exactly where she needed in Mumbattan. But when they're heading towards HQ, Jessica makes them walk through the lobby. They could have been sent directly to Miguel's station, but instead she makes them do the whole tour, which serves as a flex of muscle. In order, Miles was shown the massive number of members in the Society, then their prisoners, then the go-home-machine. Only THEN can they see Miguel. All of which was intent to intimidate Miles on purpose. Hobie tells him directly: 'Everything you just saw was propaganda.'

M: And what's that?

"I ain't got a Scooby Doo, mate. Cause that's what they want."

One of the most iconic and notable of his quotes. Cockney aside, this line ties back in with his discussion with Gwen just a couple minutes before. They've done their tour and walk. Both Jess and Gwen have been given a chance to prime or explain to Miles anything, and both have chosen not to. So Hobie simply tells him, 'They want you in the dark. And they're sending you into a fight.'

The next line is:

H: Why do you want to be part of this lot? M: To get a watch. H: Make your own watch.

Miles sucks his teeth at Hobie.

Because of this - Hobie begins to change methods. Which I cannot stress is incredibly perceptive of him.

Miles is exasperated with him. So instead of dissuasion and making the society out to be uncool, he tries to turn Miles' attention towards his family.

"Bet you got a nice setup, huh? Nice parents?"

This line is a very well done one, with two things of notice. First, I find it interesting that the screenplay phrases this line as a question, not a sentence. Hobie is asking. He's taking a shot in the dark here. And this is backed up by his delivery; Hobie hesitates while saying this. The only line in which he does so. He may not know about Miles' mom and dad, because Gwen hadn't met them when she met Hobie. But still, Hobie asks, hoping the reminder of Miles' parents will dissuade him from continuing.

M: They're fine. H: [After this line, Hobie turns black and white momentarily. Potentially a nod to the fact that this conversation is the only 'black and white' one Miles has had so far.] M: But we got into a fight. They just want what's best for me, so...

[Hobie frowns. The scene and dialogue REALLY starts to pick-up from here.]

"That's a bloody shame. Because you're not ready for everyone else."

As the scene progresses Hobie goes from behind Miles, to beside him like an ally. Then, when Gwen finally comes back into frame, Hobie crosses in front of him. When Miles mentions his parents wanting what's best for him, Hobie warns that everyone else does not want what's best for him. At the same time, visually Gwen has her back to Miles, and Hobie puts himself between Miles and Gwen, trying to block his path. The scene is set up to show that in Hobie's eyes, Gwen is turning her back on Miles. She does not have his best interest in mind. Hobie is telling Miles 'They're using propaganda on you, they're keeping you in the dark, and they do not have your best interest at mind. You're not ready for this." And he physically tries to block Miles from continuing, one last time.

Miles goes through Hobie, and now within earshot of Gwen again, this is Hobie's final chance and push to get as much information into Miles as he can - without freaking Miles out. Above all else, he needs Miles to be prepared, confident, and willing to fight back.

His voice becomes more serious, and he starts speaking more straight-forward and a lot less cryptically.

"Listen to me, bruv. The whole point of being Spider-man is your independence. Being your own boss, you don't need all this!"

I think Hobie saying this reveals a lot about his character, especially understanding the context where he's from. While many Spider-men would agree that being Spider-man is about responsibility and power - to Hobie, it is about independence, and freedom. Hobie is a freedom fighter, and one of the only Spider-men besides Noir that knows how to fight systemic threats as well as physical ones. To him, being Spiderman is about being able to free yourself and others. It's about independence and freedom, and he's trying to nail that in Miles' head one last time.

M: Then why are you here?

"Looking out for my drummer, is all."

As the scene is coming to a close, the writers chose this time to reveal some of Hobie's motivations, starting with the independence comment, and now this. Despite knowing about Gwen's deception towards Miles, he is still looking out for her - and Miles. This is the writers' and Hobie's last push to solidify himself as an ally to Miles and the viewer.

M: I want to be in a band. I want to see my friends, and I need a watch to do that. G: Guys, come on.

"Alright, Squashed. Just don't enlist until you know about who you're fighting."

I genuinely had to sit and ask myself why the writers would choose to leave Hobie's collective effort - a LOT of effort - with this line. And honestly, I think it's a perfect segway. Hobie chooses his words very clearly; He doesn't say 'what', he says 'who'. The next scene leads into Miguel's intro, and up until this point, Miles doesn't know who he is. He only knows about the Society, but never who is at the top. We know about Miguel, but all Miles knows is his name. That's why Hobie says 'who you're fighting'. Because the Society isn't really a Society, and this isn't really between Miles and the Society at all. It's a dictatorship - and the person he's enlisting to fight is Miguel. The perfect introduction and warning to the person he's about to meet. He's telling Miles, 'Don't rush into it. Wait until you meet Miguel first'. And when Miles does meet Miguel, he finally sees that this isn't the place he thought it was, just like Hobie said. ALSO EVEN MORE INTERESTINGLY - THIS is one of the lines that is changed between the two versions of spiderverse (there are two theatrical versions on release.) In the alternative he says 'Don't enlist unless you know what war you're fighting.' And I think that the fact the writers chose to publish two different versions of this line goes to show how powerful they knew this line would be in Miles' characterization. There is so much Hobie has left to say to him, but only one line - and so we get two versions. How fun!

With the scene now over, we see a change in Hobie's demeanor, and I love the writers' choice to have the shot linger on Hobie.

We see him give Miles a look that isn't exactly full of confidence, but from this point forward, Hobie chooses to hang back, no longer having any motivation to instigate. He knows his work here is done, and now all he can really do is wait for Miguel to reveal his true colors, and hope that he got through enough to Miles that he will react, and fight back.

And closing out the scene - I noticed that when Peter B. arrives Hobie pointedly says

"Oh boy, Humbling Reality Spider-man has arrived."

All I'll say about this is Hobie has to be Jamaican cause that was so mfing rude shgjfkghjgjkdfjk

Hobie has about three lines between this point and then end of his screentime - Two of which were his lines to Mayday, and his comment during the canon events.

But there is one shot of him before it all happens. And after this shot the movie begins staging Hobie in specific a very different way than anyone else.

The moment begins with Miles' line 'My Dad is about to be captain.'

The camera pans to each character. Gwen, Peter, and Jess all avert their eyes. Miguel looks at Miles. And Hobie is the only one who looks at all of them. Instead of looking down, he looks to the others, in anticipation of whats going to happen. It's also important to note that this was probably news to Hobie. He probably didn't know Miles' dad was a cop - or at the very least going to be captain. So the understanding of just how much trouble Miles is in kinda multiplies in this moment.

Then, this happens

From this point forward, every time Hobie is portrayed, he is shown as separate from the other characters, always being divided from the group - with Miles as the divider. Even as the camera moves, Hobie visually remains - quite literally - as the only person in Miles' corner. And as the scene goes on, he moves farther and farther into that corner.

Until finally the scene comes to a climax, and Hobie gets two shots to himself - delivering his final lines.

"Here we go." - "Hobie, You're not helping." - "Good."

GUYS IM GONNA CRY OKAY IM GONNA CRY

This is Hobie seeing his work pay off. This is him knowing that he got through to Miles and that it was worth it. He's proud of him.

Hobie knew what he came to do, and he used literally every line he said to Miles to the FULLEST extent. He doesn't give a fuck if he's not helping the Society. He's helping Miles. And now he knows his work is done.

Being a punk is not about being a hero, it's about empowering those who feel powerless. HE UNDERSTOOD THE MOTHERFUCKING ASSIGNMENT.

IN SHORT - HOLLYWOOD PAY YOUR FUCKING WRITERS I SWEAR TO GOD.

if you read this far let me know :) thanks bye

[pjo-hoo-toa-freakazoid]

Jason Christ ✨

[doomsdayartificer]

"Unfortunately for you, you are a plagiarist."

[themachine]

[084392]

more of the champions should've had two outfits...

[doctorsiren]

[lorelune]

(aventurine x reader /// continuation of this concept)

"explain to me," the good doctor demands, "why do you need my help?"

"because." you fumble around you're words. your lips feel cold. herta's space station, especially this deep in it's bowels, is an unpleasant place to have any conversation, let alone one that is also unpleasant. "i don't have time."

"and you assume i do?"

"partially?" you rub a hand over your cheek. "throw me a bone here, doctor."

ratio has been sizing you up for the better part of half an hour, scrutinizing your intent in any way he can. you have been skillfully attempting to dodge most of those attempts, but veritas ratio is as diligent a man as he is intelligent. which is to say that he is not letting up until you divulge the truth.

you sigh.

"you will explain to me," he says outright, gaze piercing. "how one of the intelligentsia guild's most esteemed researchers needs help with an algorithm that is far below both of our skill levels. it's insulting to both myself, and yourself."

you sigh again, deeper and harder, "i, once again, do not have time. i have the 'full time job' of handling aventurine's odds, and those calculations don't run like any other odds i've ever worked with, and he is a variable constantly in motion. i need help making this algorithm so i can have some assistance with my main job at hand."

the doctor scoffs, and walks a circle around you, "i'm sure he's just thrilled with the company."

"we— he manages."

more than. but, veritas doesn't need to know that. you're sure he'll figure it out eventually.

veritas tagged the briefcase on a nearby table. it's gleaming, with a discreet ipc logo embossed on the side. the sight of it makes you nauseous with anxiety.

"is this bribe from him?" he asks.

"no." you've stopped aventurine anytime he has tried to intervene and make things easier for you. he rarely listens, but your relationship with ratio and the guild make him somewhat neutral territory. "higher up."

"i assume diamond wouldn't bother to dirty her hands. so, jade?"

"yes."

dr. ratio, for the first time, seriously considers your offer. then scowls. "it would be a waste of my time."

you sigh. there was a 67.22% chance of this outcome. luckily, you have gamed out the conversation from here.

"so you can't?"

"you know i can."

then, you laugh, and shake your head. "yes, i do. sorry to tease. i'm quite tired."

"you should go find your gambler." veritas crosses his arms, looking sidelong at the briefcase.

"i will, eventually." you turn your back to veritas as you begin to leave the open atrium. the air is hollow and frigid. "i'll just ask some other intelligentsia guild members about the project first. i'm sure they'd be happy to help."

you only take a few steps before dr. ratio grabs your arm. his grip is far too strong.

(chance of failure to secure dr. veritas ratio's assistance: decreased by 31%.)

"don't bother them."

"someone needs to help." you turn back to look at him, expression schooled. "and if you won't, i'm very sure someone else will be happy to work beside 'one of the intelligentsia guild's most esteemed researchers'. or, does such a title not truly apply considering i've been ousted from my previous position?"

he frowns, but before he can speak, you interrupt him. you haven't seen veritas since being tied down to your current post. you haven't let him have it. he deserves it, maybe.

"i heard from jade that i received a glowing recommendation from another well-respected scholar. apparently, the position was being considered for either one of us. somehow, with that recommendation, i drew the short end of the stick and now play handler for a man with a death wish and a statistically measurable chaos quotient that's ever-changing in multiples of three."

veritas's face is unmoving. unchanging. but you know you've struck something. it was to be him or you in this position. and you don't have the pride he does. you place your hand over top of his, posed to speak, to tear him apart—

a shrill ringtone shatters the tension. it's yours. you already know who it is.

you flip your phone open with one hand, still staring at ratio.

"hello," aventurine's voice beckons from the other side, smug and smooth. "where is my favorite, most brilliant mind hiding out? we're due to leave soon."

"sadly, with another one of your favorite, brilliant minds. i'll be finished up shortly and meet you at the docks."

"aw, did he not get onboard? that's quite the choice for him to be making. do you want me to give him a talking to you?"

"no, it's fine. i'm working something out."

"you sound upset."

"i'm tired." you rub at your eyes and break away from veritas with a yawn.

"you can nap on the ship. we have quite the journey."

"that we do. i'll see you in a bit?"

"see you there." you can hear the smirk in his voice.

sending you down to veritas alone was aventurine's gamble. one that is working out, predictably. never mind the damage your reputation will take after these next moments. you close the phone with a sigh and begin toward the grand elevator.

"veritas," you call his name. "i forgive you, for what it's worth. try not to do it again."

"i couldn't."

you laugh and shake your head as you ascend. by the time you arrive at the docks, the ipc's premier vessel is packed away and priming its engines. lights and sirens echo from it. aventurine's idles outside, waiting for you. he beams when he sees you.

"so," he whistles, guiding you with a hand on your lower back. you let him. "was the good doctor as prickly as ever?”

"if not more so" you admit. aventurine gestures with a sweeping hand to your shared quarters for the time being. there's a single bed, but you're used to this. you've come not to mind it. "i think i bruised his ego."

with a genuine laugh, “i don’t think that's possible."

"want to bet on that?" you ask.

your phone's text tone chimes and you shoot aventurine a sharp smile.

aventurine's odds are ridiculous. ever changing, constantly moving. none of your perceptions and calculations that are usually steadfast and unmoving can keep up with him. not with efficiency, anyways. it's exhausting work. however, the likelihoods of everything but aventurine? the predictions of a man like ratio?

easy. simple. you could do them in your sleep.

aventurine squishes against your side as you open your newest message.

[SENDER: Doctor Ratio <intelligentsia guild>]

> here is a first draft. forgo payment. i do not need to be in the stonehearts’ pocket.

[file attached: STONE ALGORITHM DRAFT 1.0.spqxxxiun.pqo]

aventurine laughs, muffling it against the side of your neck. his teeth are sharp and his breath is warm. it settles something in you. you lean into him and deflate, sliding down into your lap so your head is pillows there. a gloved hand cards through your hair.

"you're quite good at the game, when you choose to play." aventurine reminds you. he tells you this often.

"i know." you turn your face into his hand as the ship rumbles. "but it's your job."

aventurine pauses his pets, then thumbs over your lips. he looks sour, only for a moment, before resuming his motions, a bit rougher this time. you relish the feel of it, sinking into it.

"one of us has to, right?"

"right."

"and the other," he taps your lips. your sputter, indignant. "plays support."

"one of us has to." you remind him.

it's silent between the two of you as the ship whirs and bellows, taking off from herta's space station without reverie. onto your next destination, wherever aventurine is deigned to be needed, with you by his side, dutifully.

you press your face into his stomach, letting the smell of linen and his cologne envelope you.

neither of you have a choice to play this game. the cards are stacked, and you best not loose count from aventurine's side. you'll be damned if you do.

(there is a 98.769% chance that you are damned regardless.)

at least, at least, you have each other, you think as aventurine bundles you up closer, and you wrap yourself around him. you'll take that, for as long as it lasts.

[smg4kaizokinnie]

In honor of the season 4 finale, the mutual who did the arthur depression graph updated it

and oh god

in comparison to the old one

[sophiphi]

Guys. GUYS. listen to me- kate carter is a natural brunette. no i’m not just saying that because daisy edgar jones has brown hair naturally, there’s a picture of young kate and her mom that is shown in the scene where she comes back home. I caught it on my second rewatch. I mean ofc you could chalk up her darker roots to it just being a dirty blonde but no, she really is a brunette.

Which brings me to this thought- I wonder what Tyler’s reaction (along with the others ofc) would be when they see Kate with brown hair. Let’s say her blonde dye was growing out enough for her to decide to dye it back. Maybe she does it when she went back to NY for a bit before going back to Oklahoma. Will there be chaos? Definitely. Will Tyler Owens get a heart attack? Duh. Like, imagine the possibilities guys, hellooo

[gnenzi-fnv]

Full ref for Ranger, including his little grabby toddler hands

[maladaptivedaydreamsx]

Sylus lost the kitty cards bet and had to pay up!

In reference to this text conversation with Sylus.

[redysetdare]

I'm telling you all right now: DO NOT REBLOG HATEFUL POSTS. DO NOT REPOST HATEFUL POSTS. DO NOT SPREAD THEM TO MORE OF THE PEOPLE THEY ARE TRYING TO HURT.

How about instead of trying to "own the haters" you try to make a new supportive post for people to view instead. Don't tack support onto hate. Don't help the spread of hateful messages. Ignore them. Block them. Move on. Spread something better.

The fact is they want people made they want you to reply and spread their message because that's the point. People say hateful shit to get a rise out of the people they are hurting. Do not let them do that to you and don't let them do that to the rest of us.

You see an asshole posting? Block them. Block them. BLOCK THEM.

[sag-dab-sar]

📖 Myth & Sacred Scripture 📖

In Hellenic Polytheism and Mesopotamian Polytheism (and others but I don't want to speak for them) there is no sacred scripture where the words of a God are given to a myth writer and that writing is then declared holy by some form of religious authority.

The idea that myths are the literal actions of the Gods come from a concept of sacred scripture. Sacred meaning the words have holy implications or they have a fundamentally important connection to the divine. This understanding of religious writings is demonstrated in:

Protestant Christianity where the Bible is divinely inspired (usually derived from 1 Timothy 3:16 & 2 Peter 1:12). Additionally, in Trinitarian Christianity Jesus is God making his words in the Gospels the literal words of God.

Islam where the Quran are the words of God given to Mohammad via the angel Gabriel over the course of his life.

Judaism where traditionally the written Torah are the words of God given to Moses at Mt Sinai.

**There are more examples but I'm not going to try and talk about something I did not study.

This pervasive idea of scripture being the words of God embeds itself into a general view of what religion supposedly is because:

Christianity is the largest religion in the world.

Christianity is the dominant religion in English speaking countries, so when we have these discussions in English it tends to have that cultural Christian viewpoint.

Islam is the second largest religion in the world.

Islam considers the Jewish and Christian scriptures to also be given from God, but they have been corrupted in one way or another. This combination can put a mistaken emphasis on sacred scripture being a fundamental aspect of religion.

Even though Judaism is a very small religion the the written Torah is considered part of the Christian Old Testament (first five books). Christians interpret the scripture completely differently but the idea of Moses receiving the Word of God at Mt Sinai continues into Christianity from Judaism.

In many "dead religions" the closest you can come to the "words of the gods" might be the writings of ancient oracles or those who communed directly with spirits & gods. However, in Greece and Mesopotamia there was no centralized religion or continuous tradition to overview and canonize them into sacred scripture. Additionally, those are not usually what people are talking about when they refer to myth.

Myth is extremely important, but mythic literalism is a misstep people make, often due to our preconceived notions of sacred scriptures and their connection to the divine.

-dyslexic not audio proof read-

-I hope this makes sense-

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