#role play ideas

[fayewildefox]

Not So Beastly

~ Plot Idea ~

Muse A and Muse B have been arranged to be married. However, Muse A is known throughout the land as some kind of beast (Dragon, Wolf, etc.) But upon their wedding night, Muse B finds that this so called “beast” is just a big puppy.

[moonkidshome]

Role Play Ideas & Activities for Kids @ Moon Kids Home

Beside the mirror, a vibrant desk sits, sprinkled with a little touch of stardust. It's a desk that not only helps with schoolwork but also has hidden compartments filled with magical drawing supplies and coloring books. This desk is the hub of creativity, where endless adventures unfold through your imagination.

Encourage creativity, problem-solving, and collaboration during these Role Play Ideas. Let the kids use their imagination to enhance the play and create their own twists and turns in the story. The key is to have fun and let their creativity soar! Kids can take on the roles of farmers, animals, and even market vendors, selling their pretend produce.

[jadequarze]

So, there's this fic that involves an AU (werewolf/vampire) that's very dear to me and collab with my friend where we kinda go ham with ideas. GO CHECK IT OUT between raindrops written by the amazing @gaymerkree

Extra arts on the side

[yrsonpurpose]

Nicholas Galitzine as Hayes Campbell The Idea of You (2024)

[poorly-drawn-mdzs]

M'lady, doth this harlot bother thee?

[First] Prev <–-> Next

[rascal-rose]

From star hero to villain of a clown, from campy villain to...just a guy who wants to run his shop (Backstory idea and young peppino design by @gabaobab )

[tiredandoptimistic]

Stan and the cycle of abuse

Like a week ago I saw this good post about Stan and the twins, how with Mabel he's silly because that's what he never got but with Dipper he's stern because that's what he needed. I think the last line was about how punching was all Stan every felt he was good at. Anyways, it wormed it's way into my brain and I typed out a whole response, but it got eaten by tumblr and I lost the original so now I'm just making my own post.

What's so interesting to me about Stan's philosophy towards raising kids is that he's trying to pass on the lessons that saved his life. We don't get too many details about what his life in the time between being kicked out and the portal incident, but it's more than enough to make it clear that he's wound up in just about every shitty situation a person can find. Like he tells Ford, he's been to prison in three different countries and once had to chew his way out of the trunk of a car. He's homeless and living out of his car and motel rooms. He doesn't even have enough money to pay for a loaf of bread. He's got a bat ready to protect himself from "goons" coming to collect on some sort of debt. Being a tough guy and quick liar who'll kick anybody's ass is what's let him survive to age thirty. When Stan gets thrown to the curb, he yells "I don't need you, I don't need anyone!" and he's more or less right. Sure, he's gone through some awful stuff; but as soon as he got a stable house to live in he builds up his own business that thrives for thirty years. The lessons in boxing and cheating and "being a man" paid off in a big way, so that's what he wants to pass along to Dipper. That way, when the world picks a fight, he'll be able to fight back.

Here's the thing though: Stan shouldn't have had to do any of that.

Yes, Filbrick's "tough love" parenting is what prepared Stan for life on the streets, but it's also what tossed him out on the streets to begin with. If Filbrick was really a good dad, he wouldn't have left his seventeen-year-old son to fend for himself. Stan doesn't seem willing to acknowledge this, probably due in part to the extreme guilt and self-loathing he feels leading him to believe that he deserved the treatment he got. Filbrick was straight-up abusive in a lot of what we've seen of him, but Stan sees that as just how boys are raised, so it's what he passes on to Dipper.

It's just something about how Stan is desperate to prepare Dipper for the horrors while also fiercely protecting him. He wants to toughen Dipper up, but Dipper doesn't need to be tough and independant like Stan because he's got the support system Stan never had. If he ever got kicked out by his parents, Dipper would have Stan, Ford, Mabel, Soos, Wendy, and the entire freaking town of Gravity Falls lining up to give him someplace to stay and a warm meal. Sure, Dipper had to fight literal actual monsters at a very young age, but he was never alone for it. When Dipper falls, there's someone to catch him.

I simply love how Stan's attempts to be a good guardian lead to him being kinda shitty in an attempt to protect Dipper from things that he'll never have to face precisely BECAUSE Stan is such a good guardian. I hope that at some point he realizes that the way his dad treated him was fucked up, and that Dipper deserves some of the straighforward caring that he seems to have an easier time expressing towards Mabel.

[spookberry]

Princess Tutu but like, make it Ever After High

Rue

[novelconcepts]

The more the show progresses, the more I want to see the 90s cast infiltrating the modern timeline. We've gotten hints of it with Shauna and her younger self, her Jackie hauntings. We've gotten a little more with adult Lottie seeing teenage Nat (and Laura Lee), and with Natalie getting teenage Lottie in her final moments. I want more. I want the teen cast to be absolutely invasive on pivotal adult moments, infecting their adult counterparts when least expected. I want Taissa's argument with Van to dissolve into their teenage selves, their bond endless and timeless and inescapable. I want Misty absolutely wrecked by young Natalie lurking around corners, watching from mirrors. I want to see these women unable to navigate adulthood without the specters of their teenage selves cropping up absolutely everywhere, more and more as they let the memories in, as they stop being able to repress the trauma. They didn't grow up. They never could. You are always doomed to regress around your high school teammates. You are haunted by the phantom elements of your misspent youth. It is a comfort, and it is a gift, and it is a trial, and it is a curse. I would love to see that reflected with greater intensity, until the lines blur, until the timelines have no choice but to intersect. They haven't escaped themselves at all. They didn't grow up. They just got older.

[howtodrawyourdragon]

Whenever I see a post about Chief Hiccup (or watch Httyd 2, for that matter) I'm always reminded of how Stoick did not want his son to become chief the way he did.

Maybe it's because Stoick saw his reluctance to succeed him, maybe it's something Stoick went through himself when he became chief and he wanted to spare his son the pain, but he had a plan. He was going to retire. Step down and let Hiccup take over in his stead. That way, his father could ease him into this insanely big responsibility, could be there to guide him, help him with the tough stuff he knows Hiccup might have trouble with.

Except, then he dies at Drago's hands. And Hiccup ends up thrusted into a position a feared to be in. And yeah, he does it mostly alone, just as his father did before him, which is exactly what Stoick was hoping to avoid.

[hopperjane]

Nicholas Galitzine as Hayes Campbell in "The Idea of You."

[violent138]

I was heavily inspired by this post, and I haven't stopped thinking of ghost Alfred running the Manor. I like the idea that Alfred died soon after Martha and Thomas (for dark reasons for me, but it could have been anything), but because someone needed to be there for Bruce (or some strange balancing act that a sentient Gotham played a role in), Alfred returned. However, while he tries to help Bruce, he's bound to the house as a ghost, rendering him incapable of personally going to find Bruce when he vanishes to train.

It's why Alfred's so tireless in helping the family, his last instruction from the Waynes was to protect their son. But he can never truly intercede, can't repair like a human might, he's just an echo trying to keep the family, the Manor, and the legacy together.

[dxxtruction]

"Louis acting like a pimp to Armand" And what is a pimp exactly? Quickly. And, oh so sexual trauma survivors can't engage in kink now without it being all about that? Pet names? They can't be submissive anymore? Consensually? Sexually healthy? Be serious. I'd hardly say there's much power difference between them during all this anyway, except that Louis is freer than Armand and it's been putting a strain on their relationship. Louis wants more from Armand, and less of this 'being his past' for them both, and so helping Armand with this could fix that. It's healthy to want to help your partners get out of a rough patch?

I mean, the whole exchange was very clearly set up as a "I want to help you" after such a great moment of vulnerability Louis feels just how much Armand is desperate for it. Louis called Armand so they could work out a plan together.

And the bit with the umbrella was Louis' way of asking 'are you willing to listen to me?' and Armand said yes by unfolding it. Louis goes on and explains, Armand is allowed to argue against it, but Louis makes his point. And then he gives Armand a way to make his own choice in it too. Armand's already decided 'I want you, more than anything else in the world', but Louis still asks after if he's sure of his choice, and with a name, Arun, that is the one of his fullest agency, running the point home. Honoring the situation Armand calls Louis Maitre - as a way of being like 'I'll do as you've said then'. To make this work he's going to have to give Louis some of the control, yes. But it's the first time such a role is ever established, and it was his choice to do it. So so what if they do it in a very suggestive way? They can't like doing that? I think it's them having fun.

I struggle to find how Louis is being overly domineering here when really he's giving and offering Armand the most agency he's ever had. Same with finding it manipulative. The manipulation was more earlier in the episode I think, when he was stringing him along, giving mixed signals. He's no longer toying with him like that. Louis might be pushing Armand, leading him on to make a decision, but he doesn't mean bad by it.

But back to this pimp thing. I find it frankly offensive that this is where people are going with this. I get it, but to run with it being the case is, on many levels, wrong.

Louis told us episode 1 this was the only sustainable line of work to support his family and keep their standing, at the time. It was never his choice to be doing this either but his blackness allowed no other options. He did what he did so his family could stay in that house and maintain all their same comforts. It gave him privileges most black men didn't have at the time that he wanted to maintain and even have more of. Anyway, it doesn't and had never defined him the way 'being good at running things' had. And in that case he just likes having that kind of control where he can get it, which makes sense.

The world is what placed that kind of role onto him of what he was allowed to be able to run, not himself. And on that he actually treated the sex workers he employed well and respected them enough to give them more opportunity.** He recognizes they don't have much in the way of options either.

Louis employed sex workers, yes, but he didn't subject them to abuse, (like how Armand was)*. He didn't oversee things in a way that would go against their consent (see; episode 1 again)**. Sometimes a job is just a job. And Sex work is work.

Armand's particular past with sexual abuses may strike a particular cord with Louis, given all that, but the very last thing either is thinking is that Louis' pimping Armand out here. This is merely their decision as companions, and had nothing to do with adding another line in a laundry list of selling Armands body out to people at the command of someone else. Armand rescinds some of his control to Louis' wishes, because he wants him, and he trusts him, that's all.

If you aren't allowing Armand that choice, and are doubtful it's fully his, you're putting him right back in the box of being defined by his abuses. Putting him back into that space where he isn't given any agency over what he does. (Which is exactly opposite of what the intent of this scene is for)*.

*: (edit) added for clarity.

**: (strike through) numerous people are saying I'm misremembering these points so disregard it. (Thought he was siding with Bricks, it was the other way around). (Technically one aspect of those opportunities were for getting around the law). I don't have a perfect memory, it happens. Let's not get mad about it. Doesn't change much of the point which is that Louis, now, Louis then, was always considering more about the running things and for stated purposes. So I guess I'd say he may only have respected the SWers enough sometimes for what allowed him to do that, and there are moments he certainly expressed remorse over the fact, but he has a great deal higher respect for Armand that is genuine. It's incomparable. Please read my added notes in the tags, it should address most other concerns.

[khaopybara]

❝It's best for us to be friends. Because I'll always love you.❞

LOOKJUN BHASIDI as IVY and PARN NACHCHA as STAR DARIKA official trailer of SUMMER NIGHT

[probablybadrpgideas]

Eldritch abominations also take sanity damage from encountering eldritch abominations