#rwby theme song

[silvermags]

Silver Assigns Theme Songs Part I: RWBY

Here we are in the first post of one of the dumber ideas I've had. RWBY is going first because it's the first list I finished. Links to the songs mentioned will be under the cut. (AJ specifically should beware of spoilers because I still want you to watch this.)

Ruby "You Are Enough" by Citizen Soldier. Just go watch the V9 finale, then listen to this song, and try to tell me it is not Ruby Rose. You will never convince me that this song is not hardcore Ruby Rose.

Weiss: "Speechless" from the live action Aladdin movie. Didn't like this movie, did like this song, and there is a reason there are at least three AMVs of this song featuring Weiss already up on Youtube. It's because it's perfect.

Blake: "This Is Me" from The Greatest Showman. This is not the attitude she started with but it's the attitude she grew into and you love to see it!

Yang: "Phoenix" and actually I'm not sure who does it, pretty sure it was written for League of Legends. It's catchy though. Anyway, I know that her name means dragon, but have you considered that between the fire and her character arc this girl was made for phoenix imagery?

Jaune: "Lullaby" by Nickelback. The vibes are correct. That is all I can say.

Nora: "Crazy Angels" by Carrie Underwood. I admit, this is the one I was least convinced about. Maybe I'm just listening to the wrong kind of music, but Nora is actually really hard to find a song for. I landed on this one because "sweetheart with a wild side, girl next door with a rebel smile" isn't a bad description of our favorite Valkyrie, even if it isn't the best, and this is absolutely the kind of song that I can see her enjoying, unlike most of the others.

Pyrrha: "Just a Dream" by Sam Tsui and Christina Grimmie. I also contemplated "Watching for Comets" or "Lucy" by Skillet, or "Living Without You" by Beth Crowley, but I'm not that mean. It's a very sweet, sad song about lost love and lost opportunities.

Ren: "True Colors" originally by Cindy Lauper, covered by everyone and their dog, I'll be linking the Celtic Woman version because I like it the best. Go watch V8 again if you don't know why this one fits.

Oscar: "I'm Still Here" from Treasure Planet. Oscar's character arc, plus the vibes, ended up making this one win out.

*Bonus!* Emerald: "Lovely" originally by Billie Eilish but the specific version I'm assigning her is a rock cover. I don't have any real concrete reasons, but the vibes of the song combined with the way (In my interpretation) Emerald has always wanted to be safe and loved made the choice for me.

Ruby:

Weiss:

Blake:

Yang:

Jaune:

Nora:

Pyrrha:

Ren:

Oscar:

Emerald:

[bluearc009]

The Arc House

🎶Crashing through the crowded halls Dodging girls like ping pong balls Just to reach the bathroom on time (hey, hey, hey) Leaping over laundry piles Perfume you can smell for miles Guy's gotta do what he can to survive🎶

🎶In the Arc house, in the Arc house Duck, dodge, push and shove That's how we show our love In the Arc house, in the Arc house One boy, Seven girls Wouldn't trade it for the world Arc house Arc, Arc house🎶

🎶Me time, a little room to breathe time A little quiet and peace I've never had At least I'm never lonely Would never lack it for a sports team Maybe this crazy's not that bad🎶

🎶In the Arc house, in the Arc house Duck, dodge, push and shove That's how we show our love In the Arc house, in the Arc house Gotta love mum and dad For not going completely mad In the Arc house, in the Arc house One boy, Seven girls Wouldn't trade it for the world Arc house Arc, Arc house🎶

[peridotite]

bumbleby as waiting for each other. yang being ready to love blake back at beacon but waiting for her because she was too closed off at first. then blake leaves and yang is left behind waiting for her to come back. once blake does, its her turn to wait for yang to be ready to love her again. then she is, and blake, sure as ever of her feelings, waits for yang to be brave and say what they both know. now they're going at the same pace, completely in sync

[maripr]

Carry on my wayward son is the oshupin/dadpin song tbh

[sedlex]

I DON'T KNOW, WHO COULD THEY EVEN BE, LOOKING LIKE THIS???

[sunderedrose]

“Inside” goes crazy hard

[knightfall-4-life]

I’ve been thinking but what would be a good song to perfectly capture Knightfall (in my mind, at least)? For me, it would be Rewrite the Stars by Zac Efron & Zendaya.

No real reasoning behind it, I just love imagining Jaune and Cinder taking their place in the song.

[imaencuru]

So much Honkai (Ch. 25) vibes

[hopeandharmonizing]

Remember when in Sept/Nov 2020:

Briar sang a song about Wonderland?

Then basically [about figurative ascension]?

and when Stabi and I wrote the prologue to Ruby’s breakdown?

Now u do.

[administer-distractions]

.

[likestoimagine16]

Wishlist for v9 is for a Ruby-centric character song to go along with the opening

[benevolentslut]

it's been said before and i'm pretty sure i've said it before but it's wild how the first character theme we get for each of team rwby is like. three deep and meaningful songs about the characters' pain, trauma, backstory, hopes and dreams. and then yang's there like "fuck you ima punch the shit outta you"

[blorbo-adoption-poll]

Penny Poll Final!!!

Penny Polendina (RWBY)

Vs

Penny Crygor (WarioWare)

Propaganda Under the Cut

Penny Polendina (RWBY)

defied death twice, protector with a soul, she’s sweet and loves her friends but she is fierce in a fight, also she’s lowkey autistic rep and I love her

——

Since this Penny is a robot, she has a higher copper content than most Pennies, including all US pennies minted after 1982.

——

she is literally a little scrimblo shes so cute and nice and pretty and she just wants the best for everyone and and a dandanasjlfd.

——

She is best girl!! Penny is fun and strong and quirky and adorably innocent! She deserves the world! Vote for Penny!

——

She did not die twice to not be the Penny of all time. Also rocket boots and flying swords that can shoot lasers.

——

bestgirlbestgirlbestgirlbestgirlbestgirlbestgirl

——

Best robot that got turned into a human that was unfortunately killed off twice

Penny Crygor (WarioWare)

https://www.youtube.com/watch?v=jv-9tXSNBHc

<- Her theme song

———

She's got her hair tied up in braids,

and glasses perched up on her face.

She is a small girl, takin' on a big world,

with inventions she made!

And though her plans may go awry,

she's gonna get back up and try.

Gonna be a shining star, she's going far, Penny!

———

she's literally so penny. she's so fun she's an inventor that wants to become a pop star and I LOVE HER

———

1. she's cute as heck

2. she's a mad scientist inventor

3. she's trans-coded as fuck, she wants to be a singer and invented a potion to give herself a singing voice but when her grandpa drank it it raised the pitch of his voice

4. her theme song in Get It Together is AMAZING and her jet tank one ability is really fun

[zexapher]

Vacuan Nights, Like Vacuan Days

They’re just so great together! I’d love for Jaune and Weiss to get a little downtime in Vacuo to live out a moment like this. They really deserve it, and I’d love to see Jaune’s guitar make a reappearance.

The comic here was inspired by u/Silverstar1243’s excellent piece of art, A Serenade Under the Moonlight. Send some love to them on their twitter, commission some art if you’re willing and able, they’ve made some great stuff.

You folks may have noticed I threw in a couple of references for those in the know; the Golden Oreos behind Yang (double stuffed, I might add) for the trio’s ship, Weiss liking it rough for Mallobaude’s great fic, and of course I made a whole theme around the Arabian Nights Disney song. A song, along with its Aladdin compatriots, which I spent the better part of a day finding covers for just to listen to on repeat while I worked.

This one’s now officially my longest comic project, with 14 panels, two over the past record since I added the White Knight kiss at the end. I’m pretty happy with how it turned out. Not sure I’d say it was more difficult than my Vanity of Vanities post, but for this one I actually knew how to use my editing software going into it (at least somewhat).

Put a lot of work into this one, been working on it on and off since February. Took a few breaks for vacation, to make my memorial post for Rooster Teeth, and another five meme edits or so, but I came back around to it. First half was pretty easy, relatively minor edits inserting characters into scenes and so on. The second half with Jaune and Weiss was tougher though, with color correcting, merging poses, redrawing features, drawing Jaune’s entire head to fix some lighting issues, etc. Really like how the edit to make Jaune strum his guitar turned out.

The time it took to make the whole comic got me down a little, until I did a bit of math. Including my side projects since starting this, all the scripting and editing and all, I’ve been pumping out a panel every two days. That seems pretty good to me, that kind of accomplishment makes me a little proud of myself.

Really need to get around to watching the second part of the Justice League Crossover movies. It’s got a few Vacuo scenes that might make things a little more authentic instead of me just using Saphron’s house and pretending it’s a suite in Vacuo. I do love taking yet more character stills from Jaune and friends experiencing deep trauma and turning it into something positive, been making that a bit of a personal habit. And I’ve got to say, the background for Jaune and Weiss’ scene is really beautiful, pulled it from when Sun and Neptune hear Ruby’s message about Salem. That’s just a really good shot all on its own, I even saved a copy for my computer’s wallpaper after editing out the two.

Posting a big RWBY White Knight edit, watching not one but two RWBY Beyond episodes, and all on the trail of the news that RWBY’s found partners that they’re negotiating with and that the creative team is expected to stay on. And I'm sipping bubble tea. Life is good.

Anyway, pardon the long write up. I’m invested in this one, and am quite pleased with how the comic turned out. I hope you all get a kick out of it as well!

[blue-cheeseinmyoffwhites]

ALLUSION ANALYSIS: SUMMER & RAVEN

I always wanted to do a deep dive on Summer & Raven’s characters, and after that finale I think it’s time. So as we all know RWBY characters are based on fairy tales & stories of real life. I want to dissect the inspirations for Summer & Raven & analyze why it’s so interesting that these two are paired together.

So Summer’s base allusion is from the poem The Last Rose of Summer. Her grave has lines from the poem, her name, etc. The actual poem is an allegory for death & the acceptance of it. “Thus Kindly I Scatter” refers to the act of peacefully dying and being returned to the universe, not to mention her intentional ghost like appearance.

As for her secondary allusion, well, she basically fills all the remaining roles in Little Red Riding Hood. She’s the (grand)mother Ruby visits, the wolf with the shiny big eyes, & the brave huntsman with the ax. This telling of Little Red is a lot more Grimm than the original, pining Summer with a not so happy ending.

Now onto Raven. A lot of people think her base allusion is Huginn, one of Odin’s all-seeing ravens. Although this is true, it is not her base allusion, but her secondary. Secondary allusions only work when another character is involved. She can’t be Huginn without Munnin (Qrow) or Odin (Oz). Odin’s ravens were meant to represent his eyes, so when Huginn left, he lost one of his eyes. Similar to how Cinder’s lost eye was revealed after her fight with Raven.

Her real base allusion is of the poem The Raven by Edgar Allen Poe. The poem is about a talking Raven consulting a man about losing his loved one. Both of Raven’s allusions come full circle within her fight against Cinder in Volume 5. Cinder’s theme song has been teased since her introduction & it ended up being a diss track about her downfall and telling her to accept her death. The entire scenario played out as if this was Cinder’s final fight. And of course, Raven was there. And you know who else died there? Vernal. Raven officiated her passing by closing her eyes for her, one again linking Raven with death, just like the poem.

Now, we have a theme here. Both Summer & Raven take cues from poems about death & passing & acceptance. With all of this information, rewatch their scene again. Raven, the death doula, is sending Summer, the Last Rose, to her death, and Summer is accepting it. That’s why she left the rose pendant with Ruby. Deep down she knew there was a major chance that she wouldn’t come back. But she accepted that fact. She then traveled with Raven to hopefully put an end to Salem, but this is where both of their stories come to a plot hole.

How can someone accept death if they can’t die??

[bestworstcase]

Something I've been chewing on that I do wonder if you have any thoughts on. What is the intended characterization/symbolism of Yang's semblance. Jaune is a healer/support. Ren learned to control his emotions and then grew empathetic. Qrow has his bad luck which is probably a defense mechanism with consequences from the bandits that raised him and Raven. Taiyang's description of Yang's semblance is the closest to an analysis the audience has gotten and that is - "basically a Temper Tantrum". Very interestingly the narrative has so far let that description stand uncontested. And I believe you were the one that did the analysis that Yang's problem was overly depending upon her semblance as a finisher. Also fun to consider how one of the ways that Yang has her parallel with Cinder is with the fire association... which for Yang is just actually her preferred ammunition and the go to imagery for her songs that I can recall off the top of my head except for temper metaphors.

that was me yeah

a core theme of yang’s character is that she’s made of contradictions and cannot be easily defined or fit into a single box. this is true of every character in rwby—there’s always more than meets the eye, complexity beneath the surface—but yang as a character is subject to other characters’ struggle to parse who she is. tai sees a temper tantrum, ruby sees invulnerability, blake has been on an emotional journey spanning six volumes of just learning to see and love yang’s whole, complete self. yang is raven’s daughter, after all—but she’s also summer’s daughter so much that the resemblance screams itself out of the screen.

so. her semblance.

in the story, it’s been described three different times by three different characters:

ruby: “every hit makes her stronger, and she uses that to fight back. that’s what makes her special”

tai: “basically a temper tantrum, great in a bind, but it won’t always save you”

blake: “his semblance is like yours, he absorbs energy through his sword, stores it up and sends it back when he’s ready” (+ yang feeling it’s “cheap” that he “gets to dish out damage without feeling it”)

<- three bears.

in goldilocks terms, yang’s semblance is “too strong” (ruby sees her as invulnerable), “too weak” (tai sees the power it grants her as essentially hollow, false) and “just right” (yang is neither invulnerable nor fragile and her semblance is just a part of her). i also think that what yang says of adam’s semblance is more revealing of her own self-perception than necessarily being meant as an objective critique of adam—it’s not “cheap” to parry/riposte and in fact yang’s growth as a combatant post-beacon looks like learning to fight more defensively and evasively, less reliant on soaking up damage/power for explosive finishers.

insofar as there’s a meaningful difference between adam needing to block hits vs yang not it’s that yang’s semblance gives her a bit of a cushion—she can still riposte even if she misses the parry—and in all honesty i think probably comes down to their kit. yang is a hand-to-hand fighter. she’s blocking hits with her forearms and, gauntlets or not, she’s going to feel that. the specific damage-absorption mechanics of their semblances cater to their fighting styles.

but, yang feels that it’s “cheap” for adam to absorb energy through his sword rather than his own body, because yang takes a certain pride in being able to get back up after being knocked down. her idea that she must take damage before she can deal it back twice as hard is probably not a real, immutable characteristic of her semblance but something that developed in response to how yang herself copes with trauma—it’s a way of, i think, regaining a sense of control and security by telling herself that it’s okay if bad things happen because it will just make her stronger in the end.

the narrative challenges this way of thinking post-beacon—losing her arm and being left behind did not make yang stronger, receiving support from trusted adults like oobleck and port and reuniting with her friends/family is what made her stronger. learning to accept help and treat herself with more compassion is making her stronger. exploring who she is apart from ruby is making her stronger. this is the direction she’s growing in emotionally—that being hurt doesn’t make her strong, healing makes her strong—and her use of her semblance is shifting in tandem with that (still pops it as a finisher quite often but it is pretty rare since v6 that yang uses it to gain the upper hand in fights she’s at risk of losing, bc these days she’s more focused on evasion/outmaneuvering opponents to create openings for her semblance to end the fight)

and then it’s connected to yang’s anger (and fear, as when she gets between neo and ruby) because both the feelings and the semblance are in essence a self-protective response—yang gets angry when she or someone she cares about is hurt and uses that anger to protect herself and/or the person she loves. her semblance is about taking painful things that happen to her and transmuting that into the power to defend herself. same thing.

i don’t actually think that her semblance is hooked into her anger in the, like, mechanical sense (we’ve definitely seen her pop the semblance in context where she’s having a GREAT time, for one)—the correlation arises from yang’s anger being motivated by protectiveness and a desire to not be hurt, which is also what manifests in her semblance.

i would argue that “basically a temper tantrum” is meant to be read in context with ruby’s “that’s what makes her special” and then both those extremes are brought to a resolution by blake’s neutral description of what burn is, mechanically; in that sense i don’t think that tai’s analysis has been left uncontested except insofar as yang didn’t argue with him—but conversely, tai more or less tells her to think of her semblance as a risky weapon of last resort and yang went “k” and started using her semblance more, so i think it’s less that yang takes his advice at face value than it is yang recognizing that tai raises a generally good point [being creative and flexible is valuable] and thinking okay, i can probably get more out of my semblance if i try new things.

her position is that burn is normal (“how is me using my semblance different from someone else using theirs?”), and the way she takes this advice on board reflects that—if someone else relied on their semblance for just one specific tactic and nothing else, what advice would they be getting from their instructors? push yourself further, test the limits of what you think you can do, get out of your comfort zone. that’s what winter tells weiss when she’s struggling! that’s how RNJR are taught in v5! tai views burn as fundamentally different from other semblances, and his advice really comes down to “don’t rely on it, you don’t need it.” but yang disregards that part of what he tells her entirely. she quietly sorts through what tai tells her and only keeps what she thinks will actually help her improve—which is, in itself, of a piece with her semblance. she takes the ‘hit’—the harsh and rather unfair criticism—and then filters/converts it into something more constructive.

(there is also some interesting subtext here with the protective/self-protective drive behind both yang’s anger and her semblance and tai’s perception that the semblance is a “temper tantrum”—which aside from framing burn itself as abnormal also casts yang’s anger as irrational, childish, out-of-control. given the dynamic of yang’s childhood situation, the parentification and leaving yang and ruby alone at home for extended periods of time and over-identification of yang with raven plus favoritism toward ruby… and factoring in tai referring to yang’s anxiety and post-traumatic depression as “moping” well. across the board he seems either unwilling or unable to seriously/genuinely engage with yang’s feelings so how much of his perception that yang has “temper tantrums” follows from outbursts she had when overwhelmed as a child or young teen that tai didn’t take seriously or chose to ignore rather than deal with the root cause of neglect/trauma?)