#saint martins school of art

[blogalahezy]

[sillypenguinwitch]

isaac's books in heartstopper s2

episode 1:

Tillie Walden: I Love This Part

Faridah Àbíké-Íyímídé: Ace of Spades

episode 2:

Nina LaCour: We Are Okay

Oscar Wilde: The Importance of Being Earnest

episode 3:

Ocean Vuong: Night Sky with Exit Wounds (the one he is carrying under his arm, I'm assuming that's his and not for the display?)

has read: Ritch C. Savin-Williams: Bi: Bisexual, Pansexual, Fluid, and Nonbinary Youth

Emily Henry: Book Lovers

episode 4:

Victor Hugo: Les Misérables

Antoine De Saint-Exupéry: The Little Prince

Kate Chopin: The Awakening

Nina LaCour: We Are Okay (again)

episode 5:

Albert Camus: The Outsider

episode 6:

Martin Handford: Where's Wally? The Great Picture Hunt

Meredith Russo: Birthday

Jules Verne: Around the World in Eighty Days

Sara Pennypacker: Pax Anne Berest, Audrey Diwan, Caroline de Maigret, Sophie Mas: How to Be Parisian Wherever You Are ? ? ? Damian Dibben: The Color Storm Alice Oseman: Loveless Susan Stokes-Chapman: Pandora Katy Hessel: The Story of Art Without Men ? Evelyn Waugh: Rossetti Arthur Conan Doyle: The Hound of the Baskervilles A.O. Scott: Better Living Through Criticism ?: Then We Came to an End (?) Ruth Millington: Muse Dr. Jaqui Lewis: Fierce Love Charlotte Van Den Broek: Bold Ventures - Thirteen Tales of Architectural Tragedy ?

Richard Siken: Crush

episode 7:

Garrard Conley: Boy Erased

George Matthew Johnson: All Boys Aren't Blue

Samra Habib: We Have Always Been Here

episode 8:

Akemi Dawn Bowman: Summer Bird Blue

Angela Chen: Ace

bonus:

Truham school library pride display (seen in ep. 3 and 8):

top to bottom, left to right: Angela Chen: Ace Andrew Holleran: The Kingdom of Sand Mary Jean Chan and Andrew McMillan: 100 Queer Poems Scott Stuart: My Shadow Is Pink Lotte Jeffs: My Magic Family Tucker Shaw: When You Call My Name Ritch C. Savin-Williams: Bi - Pansexual, Fluid, Nonbinary and Fluid Youth Alok Vaid-Menon: Beyond the Gender Binary George M. Johnson: All Boys Aren’t Blue Mason Deaver: I Wish You All the Best Alex Gino: George Melissa

on top of shelves (left to right): Kevin Van Whye: Nate Plus One Xixi Tian: This Place is Still Beautiful Becky Albertalli: Leah on the Offbeat Mya-Rose Craig: Birdgirl Bernardine Evaristo: Girl, Woman, Other Connie Glynn: Princess Ever After Saundra Mitchell: The Prom

Charlie's choice at Shakespeare and Co (ep. 6): Allan Hollinghurst: The Swimming Pool Library

That's it for now.

Sorry about the ones i couldn't identify and sorry if i missed any! Might try and do some of the ones in Isaac's room later but that'll take a minute

[mybeingthere]

One of my favourite British artists - David Jones (b 1939) graduated from Liverpool College of Art in 1961 and it was here he first discovered his interest in printmaking. His tutor was the surrealist artist George Jardine. He won a John Moores travelling scholarship and spent time visiting various design studios across Europe. On returning to the UK he worked as assistant to graphic designers Jock Kinneir and Margaret Calvert. In 1965 -1967 he worked in Japan at Nakamoto International Agency, Osaka.

He returned to the UK and had a busy and successful career working freelance in graphic design, illustration and typography. He also worked as a visiting college lecturer at many of the countries leadings art schools. From 1979 he was a Senior Lecturer at Central Saint Martins (University of The Arts, London). In the last twenty years he has returned to printmaking, in particular linocuts and wood engraving. He is influenced by Outsider art and Folk art. In 1989 he helped set up Raw Vision, a journal of Outsider Art. David is also a keen Semi-pro musician and plays the soprano saxophone. He hand prints his work in small editions and many of the images in his prints come from dreams.

[eddieredmayneargentinablog]

"Eddie Redmayne And Hannah Bagshawe Wore Matching Steve O Smith Looks To The Met Gala".

BY ALEX KESSLER

7 May 2024

Each year, the Met Gala brings together luminaries from the worlds of art, film and fashion, with attendees pushing boundaries in larger-than-life creations from major fashion houses – oftentimes with the creative directors of prestigious Milanese and Parisian houses attending alongside their A-list muses. However, the Met is also an opportune moment to spotlight emerging talents, and for this year’s Garden of Time-themed event, Eddie Redmayne and his wife, Hannah Bagshawe, entrusted London-based designer Steve O Smith with creating their looks. “I love line drawings, and particularly charcoal… those great artists who could create something extraordinary with so little – Matisse, Cy Twombly or the romance of Seurat charcoal drawings. Steve’s clothes merge fashion and art so uniquely and I adore that,” Redmayne told Vogue ahead of the event.

A Rhode Island School of Design graduate, Smith launched his label in 2017 upon returning to London from America to pursue an MA in fashion at Central Saint Martins, where he completed his studies in 2022. It was during his time at CSM that he developed his distinctive approach to garment design. “My work always starts with drawings on paper, which I then translate into garments,” he explains. “I try to preserve the feeling of the works on paper by approaching the construction of the garments with the same sense of gesture and expression, reframing pattern cutting, draping, sewing and appliqué as an extension of the drawing process itself.” Reflecting on dressing Redmayne and Bagshawe for the Met Gala, Smith enthuses, “They’ve been an absolute dream to work with… The JG Ballard story that inspired the theme this year is [actually] based on a couple, which made the looks much easier to conceptualise.”

What specifically inspired Smith’s designs for the momentous occasion? “When I first read The Garden of Time, I immediately started to make a connection between the flowers in the story and Cy Twombly’s Peony series. As well as being great visual references, the way those works were made, using action painting techniques and abstraction, felt like perfect ideas to relate to the themes of creation and destruction in the story,” the designer continues. “From there, I took a day to make drawings in diluted acrylic paint, graphite stick and pencil, over and over again until they started to feel like they had a sense of movement and emotion, and then went straight into making.”

For Redmayne’s look, Smith crafted a wool coat mounted on sheer silk organza using a technique he calls “relief appliqué”, in which the appliqué is cut away from the garment rather than added on. “The organza essentially acts as a lining which is strategically revealed, and a removable tulle skirt will also be attached inside the coat.” Completing his look is a matching pair of wool tailored trousers and a silk organza dickie underneath the coat with a drawing of a tie on it. “The mixture of classicism and whimsy is what Steve has created, and the clothes are beautiful, playful and easy to wear,” adds Redmayne, who accessorised with Grenson brogues and a black Omega De Ville watch.

As for Bagshawe? Smith opted to create a silk organza gown built over a tulle skirt and corset, with black silk crepe appliqué. “Because theorganza gown built over a tulle skirt and corset, with black silk crepe appliqué. “Because the organza is sheer, it allows you to see through to the layers of tulle underneath in a way that hopefully will create depth, that will then be contrasted by the opaque silk crepe on the outer layer,” he notes. “The inner corset of the dress is boned and reinforced for support, but we hand draped the silk crepe onto the bodice to imitate the texture of the overlapping brush strokes in the drawing.”

Stylist Harry Lambert is the mastermind behind Redmayne and Bagshawe’s collaboration with Smith for the Met. “This is the biggest fashion event of the year – these moments can start a brand, transform a designer’s future – so I could not be more thrilled that Steve is getting this opportunity,” says Lambert. “It’s time for everyone to start wearing Steve O Smith!”

📷 Jenny Anderson Photography.

[justforbooks]

Phil Baines, who has died aged 65 of multiple system atrophy, was one of the most distinctive voices in contemporary British graphic design. His work included books, posters, art catalogues and lettering for three important London monuments – the memorial to the Indian Ocean tsunami in the grounds of the Natural History Museum and the 7 July memorials in Hyde Park and Tavistock Square, commemorating the victims of the 2005 London bombings. These projects point to Baines’s defining attributes: a scholarly appreciation of letterforms, a deep-rooted respect for materials and a love of collaboration.

Such attributes can also be seen in Baines’s cover designs for the Penguin Great Ideas series (2004-20), works by “great thinkers, pioneers, radicals and visionaries” that gave him a canvas on which to display his typographic philosophy. The Saint Augustine – Confessions of a Sinner cover, for instance, uses ancient ecclesiastical letterforms and yet looks superbly modern. For Chuang Tzu — The Tao of Nature, Baines arranged letters to suggest a butterfly in flight. David Pearson, one of two art directors for the series, described how his “often-oblique approach gave the series a crucial added dimension”.

Born in Kendal, Cumbria, Phil was one of the three children of Martin Baines, a construction contract manager, and Joan (nee Quarmby), a horticulturalist. Growing up in a Roman Catholic household, he began studies for the priesthood at Ushaw College, County Durham. During the holidays from Ushaw he worked at the Guild of Lakeland Craftsmen, Windermere, and from there his interest and confidence in art grew.

At the start of his fourth year, he quit Ushaw, and in 1980 began a year’s study on the foundation course at Cumbria College of Art and Design. In 1982 he moved to London and enrolled on the graphic design course at St Martin’s School of Art (now Central Saint Martins), where he met Jackie Warner, whom he married in 1989, and where he was among a talented cohort, many of whom went on to study, as he did, at the Royal College of Art.

Richard Doust, then leader of the first-year course at St Martins, recalled the portfolio Baines submitted for admission: “I was so excited … I was sure he was going to be someone very special. He quickly established his individuality. He made typography and particularly letterpress his own territory.”

Baines was fiercely individual – he did not join schools of thought or align himself with fashionable camps. Instead, he built a creative practice based on his belief in the “humanist” qualities of the English typographic tradition.

His contemporaries were using the computer to bring a new complexity to graphic communication. Smart software allowed for the overlapping and interweaving of text in ways that echoed the ecclesiastical manuscripts that Baines admired so much. He was no Luddite, and used the computer himself, yet his work invariably retained an element of the handmade.

Paradoxically, his work was greatly admired by the new generation of digital designers. Neville Brody, for instance, included Baines’s work in his experimental typography publication FUSE, produced to demonstrate the malleability of the new digital typography. Baines’s work does not look out of place among the other contributors, many of them American typography radicals whose multi-layered layouts were driven by modish theories of deconstruction and poststructuralism.

In 1988 he returned to Central Saint Martins (CSM), as part of the faculty. In staff meetings his willingness to say the unsayable was a frequent cause for consternation among colleagues. To his students he preached a doctrine of “object-based learning”, a typically contrarian notion in the age of screen-based and virtual graphic design. He was appointed a professor in 2006 and retired in 2020 as emeritus professor.

Despite his commitment to teaching, Baines did not give up his work for clients. As well as designing books for leading publishers, he worked for the Crafts Council and the Ditchling Museum of Art + Craft, and designed the signage for CSM’s King’s Cross campus. He designed exhibition catalogues for Matt’s Gallery, south-west London, relishing the creative three-way collaboration that existed between the gallery’s director, Robin Klassnik, exhibiting artists and himself.

He wrote books that contributed to the understanding of visual communication: Type & Typography (with Andrew Haslam, 2002), Signs: Lettering in the Environment (with Catherine Dixon, 2003) and Penguin by Design: A Cover Story 1935-2005 (2005), the last of which helped establish Penguin cover art as one of the most important bodies of graphic art in British design history.

With Dixon, he co-curated the Central Lettering Record, an archive of typographic history housed at CSM, and in November 2023 his work was celebrated in an exhibition, Extol: Phil Baines Celebrating Letters, at the Lethaby gallery, CSM. He was appointed as the Royal Mint advisory committee’s lettering expert in 2016, and reappointed in 2021 to advise on the integration of lettering on new coins and medals, with consideration given to special issues and the accession of King Charles to the throne. For this work, in 2023 he was awarded the Coronation medal.

Baines was an enthusiastic runner and cyclist, and loved music, especially the Manchester post-punk band the Fall. He was a collector of signs, lettering, and railwayana, and built his own studios at his home in Willesden Green, north-west London. A few years before his retirement he moved to Great Paxton, Cambridgeshire, where he took up bellringing.

He is survived by Jackie and their two daughters, Beth and Felicity, and by his father.

🔔 Philip Andrew Baines, graphic designer, born 8 December 1958; died 19 December 2023

Daily inspiration. Discover more photos at Just for Books…?

[toxinellebug]

HESPERIA/BETTERFLY kamikotized heroes Headcanons PART 3

Warning, this may make animal lovers uneasy for a bit.

This one is going to take place during the day, around Adrien and Marinette’s 2nd week of school, so they are still toying around with their Miraculous’ at night for their own personal gains, and have not yet suffered the consequences and been instructed to hunt down the Butterfly-man in order to save themselves. 

            Promise that the next one will show our fav villains in action, but for now I hope there are fans of Mr. Pigeon reading this because-

Xavier Ramier becomes……

Sauvaquateur!

(This is my attempt at combining the French words for “Savior” and “Aquatic”, into a new, superhero name. Fun fact: In 1979, the U.S. Coast Guard trained pigeons to locate people lost at sea and they had a 90% success rate!

Also remember S4, ep 4, “Mr. Pigeon 72”)

As mentioned in my post “Shadybug’s Paris Headcanons”, in this universe, pigeons are far less welcome in Paris than they are in the Good/Prime universe, so there is no need for a Pigeon-Tamer.

There IS a need for Environmental technicians though… a DIRE need.

(In this Universe, imagine the world under The Supreme’s control as slightly less extreme than North Korea under Kim Jong-un, and about as polluted as Gaya, India.)

Luckily, construction plans for “Project Oxygen”, endorsed by M. Bertrand King, have been submitted and are awaiting approval from The Supreme. In theory, once they’ve built enough towers, it should take care of the awful smog problem in Paris.

But that won’t help with toxicity in the soil and water.

Which is why M. Ramier is outside on a particularly gloomy day, in full yellow hazmat gear and neon orange rubber galoshes, attempting to collect water samples from the Saint-Martin canal.

Trash aside, people just didn’t realize how much of the poison they put out for rats (and those poor, adorable, misunderstood pigeons) ended up in the Seine, resulting in its present, disgustingly polluted state. 

Xavier can’t help but daydream of simpler times he has never known, like the ones depicted in old photographs and paintings.

In his personal collection, he has a precious family keepsake, a postcard to his great-grandfather sent by his great-uncle in 1912;

     It depicted such a happy scene of blue skies and even bluer water, and people gathered to merrily feed the pigeons with smiling faces near the Seine.

Not for the first time, he can’t help but wonder if perhaps he was simply born in the wrong decade…

Instead, here he is, collecting vial after vial of what is closer to sludge than water at different points along the canal for chemical analysis and comparison. 

It’s dull and dreary.

Or, at least it’s dreary… 

     The dullness comes to a rather abrupt end when a low bellowing sound draws his attention to a large, sludge covered something twitching near the bank beneath The Pont des Arts, (or as we know it, The Love Lock bridge, though in this universe there are no locks) a mere 4 meters away from him.

Mon Dieu!

He thought the rumors were merely that; rumors dreamt up to keep children away from the filthy water.

But blessed be; that really is a crocodile!

Where on earth did he come from?? 

(Somewhere in a shoddy apartment, Jagged, or rather, Jared, sneezes and feels a strange pang of guilt.)

The poor fellow doesn’t look too well; not that M. Ramier claimed to have any expertise in crocodilian health, but he was almost certain that the creature’s spine was not meant to be quite so prominent.

          He also could not recall ever seeing a crocodile lay on its side like that, half floating in the water, half… Hold on, was it tethered to something????

Merciful heavens! Discarded plastic Enforcer barrier tape had found its way into the canal and gotten tangled up around this poor beast’s jowls and caught upon who knows what kind of garbage submerged near the bank.

Sloshing his way over, M. Ramier had only intended to get close enough to attempt to at least cut the plastic tape where it was tethered closest to the bank in hopes the lack of tension would loosen it enough that the crocodile could free himself.

But the croc sensed his approach and grew frightened, letting out a warning growl and weakly thrashing his too thin tail, before jerking wildly and tightening the noose in the process.

     At this rate the beast would strangle himself!

This was terrible!

    Oh, that poor creature….

But, what could he do?  He was merely an Environmental Technician, trained to collect and study water samples.

      He supposed he could try contacting the ‘Ménagerie du Jardin des Plantes’ (the zoo), but  by the time they decided to send someone over, if they decided to send anyone over, it might be too late!

If only he could help… He became an Environmental Technician due to his love of animals and a desire to make the world a better place for them, and now there was a creature in desperate need of aid right in front of him and he was completely powerless…

He does not see the glowing butterfly perch upon the sample vial in his gloved hand, nor does he notice it vanish.

He’s far too preoccupied with the sudden voice in his head:

       The voice introduces himself as Betterfly, and claims that he too shares a love of animals. 

           The voice offers him the power he needs to save this suffering creature, and asks if he will accept this gift for the greater good.

M. Ramier accepts, though, he’s not really Xavier Ramier anymore…

The stained yellow of his suit melts away to a pristine white, and the neon orange of his rubber boots has given way to a striking cyan and become more fin-like in appearance.

        His rubber gloves share the same shade of blue, as does the “star of life” symbol overlaying the outline of a rescue bird on his chest.

               Somehow, his sample vial has inexplicably transformed into a rather impressive hand operated bilge pump.

       He feels stronger, more confident, more daring.

                  He is now Sauvaquateur!

Holstering the pump at his waist, he dives into the water with the grace of a tropical clawed frog, Sauvaquateur swims with amphibious ease thanks to his new, webbed gloves, and is able to take a firm hold of the weakened crocodile and bring him the the bank of the canal.

   (Another fun fact: The Seine is 9.5 metres or 31 ft. deep and you should absolutely NOT swim in it without superpowers.)

With his newfound strength, he makes quick work of tearing that horrid plastic off the poor creature, and feels satisfied that he has successfully rescued his new, scaly friend!

…..Except, the crocodiles eyes do not seem to be open.

      He’s also rather still, perhaps too still-

                       He’s not breathing!

Panic takes hold as Sauvaquateur fears he was too late after all, but the voice returns to him;

     Betterfly urges him to remain calm, hope is not lost yet, but he must come to his senses!

….That’s right, he mustn’t give up!

Sauvaquateur presses his head against the crocodile’s rough back near where he thinks a heart should be.

          Perhaps it is due to Betterfly’s “gift”, but even through his suit’s protective helmet, Sauvaquateur swears he can hear a weak thumping sound.

There is a heartbeat but no breath; what should he do? How does one go about performing rescue breathing on a crocodile?! Would that even help????

    Again, Betterfly’s soothing voice echoed in his mind, urging him to look closer…

Looking closely, the crocodile seemed to have an awfully bloated stomach yet such a thin looking back… Could it be-?

Eyeing the bilge pump holstered at his side, Sauvaquateur knew he had to try!

Using incredible strength he now unfathomably possessed, he did what should not have been humanly possible; he pried the crocodile’s mouth open and placed the hose of the pump inside.

It only takes 5 good thrusts of the plunger rod before a burst of toxic brown water and wads of plastic come spewing out of the pump’s outlet.

         Sauvaquateur shudders at the thought of all that rubbish inside that poor animal.

              It’s a feeling that Betterfly shares.

Its stomach noticeably deflated, and its scales a shade less pale than they were only a few moments prior, the crocodile takes a deep, relieving breath.

       Sauvaquateur does the same.

With the croc out of immediate danger, and now fast asleep, Betterfly praises Sauvaquateur for his valiant efforts, and suggests that now would be a good time to let someone more experienced take over.

Sauvaquateur agrees.

He can feel the “gift” leave him- like the sensation of color being gently stripped away.

    He is left in his muddy, yellow suit, and his plain orange rubber boots. His water sample vial, now empty, rests at his feet.

M. Ramier is not sure what just happened exactly; it’s a bit fuzzy, like waking up from a peculiar dream.  

      He could’ve sworn he was talking to someone just now….

             But the loud snoring from the large, slumbering reptile beside him reminds him that there are far more pressing matters at hand.

Moving to a more comfortable distance, Xavier unzips his outer suit in order to pull out his mobile phone and place a call.

He is placed on hold for frustrating amount of time before a M. Césaire answers and M. Ramier informs him of his predicament.

It’s not long after that when Enforcer sirens sound along the banks, forming a protective barrier and trying to hold back inquiring news photographers eager to get a shot of “Saint Martin’s Beast.”

M. Césaire is there as well, and he expertly secures the crocodile’s jaws shut before he and an assistant lift and haul the creature into the back of a van to transport to the zoo for examination.

M. Ramier is harshly admonished for getting so close to such a dangerous animal and is informed that it is a miracle he is unharmed.

A miracle?

Is there such a thing anymore?

….Perhaps.

PART 2    

[drsonnet]

Malak Mattar, "No Words," oil on primed linen, 218 x 485 cm, 2024 (courtesy of the artist).

Gaza-born artist Malak Mattar’s painting No Words illustrates (The Sociological Review Foundation ) TSR War issue.

It portrays the devastation inflicted on Gaza's human lives, animals, archaeological sites and buildings, and the forced displacement of generations of Palestinians.

Malak is currently completing an MA Fine Art at Central Saint Martins, University of the Arts London. She began painting at the age of 14, during the 51-day military assault on Gaza in 2014, using school art supplies.

See more of Malak Mattar’s work on Instagram: https://buff.ly/4atif93

Source: Facebook

War – Online Edition: April 2024 - The Sociological Review

Malak Mattar (ملك مطر), a Palestinian painter and author from Gaza, is currently completing an MA Fine Art at Central Saint Martins, University of the Arts London. She began painting at the age of 14, during the 51-day military assault on Gaza in 2014, using school art supplies. Her work, which includes expressionist faces, figures and semi-abstract designs, has been exhibited in Costa Rica, the UK, France, India, Palestine, Spain, the Netherlands, Italy, Germany, Switzerland, Turkey and the US. She is author and illustrator of Sitti’s Bird: A Gaza Story, a children’s book based on her life story. Instagram: @malakmattarart

Copyright for illustrations © 2024 Malak Mattar. This work is licensed under The Sociological Review Free Access Licence.

Source: The Markaz Review

[fashionbooksmilano]

Ozbek

Spring/Summer 1997 Collection

Rifat Ozbek, 1997, 86 photos, 12 x 15 cm

euro 40,00

email if you want to buy booksinprogressmilano@yahoo.it

Rifat Ozbek (1953) è uno stilista turco che all’inizio della carriera ha lavorato anche in Italia, con walter Albini . Negli anni ’70 è in Inghilterra per studiare architettura, ma lascia per iscriversi alla Saint Martin’s School of Art. I suoi primi abiti, commissionati da una catena di magazzini, sono ispirati all’Oriente. La collezione del debutto è dell’84. Si afferma a livello internazionale a partire dalla seconda metà degli anni ’80, con uno stile multietnico, opulento e fantasioso. Collezioni ispirate spesso all’arte, ma anche al costume: tra i temi più celebri, gli esistenzialisti, gli orientalisti, Capri anni ’50, i balletti di Martha Graham, alcuni film o libri, ma anche idee prese a prestito dallo street style e dal disco-look, ripensate in chiave prêt-à-porter. Nell’87 lancia la linea Future Ozbek. Ma è soprattutto dall’88 — da quando cioè inizia a collaborare con l’italiana Aeffe, azienda che produce e distribuisce le sue collezioni — che Ozbek consolida la sua popolarità e i suoi prodotti sono venduti in tutto il mondo. Affronta gli anni ’90 con una nuova visione: una collezione tutta bianca, ispirata alla New Age, che lo rende uno dei paladini della moda avant-garde internazionale. Sperimenta poi il video come forma alternativa di presentazione delle sue collezioni. Nel ’91 debutta nel calendario degli stilisti milanesi; nel ’94 sfila a Parigi; nel ’96 disegna i costumi per l’apertura dei giochi olimpici di Atlanta, lancia il profumo Ozbek, una linea Rugs and “Kilims” e partecipa infine alla Biennale di Firenze della moda. Nel ’97 debutta sulle passerelle newyorkesi.

08/05/23

orders to:     booksinprogressmilano@yahoo.it

ordini a:        booksinprogressmilano@yahoo.it

twitter:          fashionbooksmilano

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[k00297644]

Artist Research - Alexander McQueen

When I think of movement in terms of fashion I think of a runway walk, and when I think of movement in terms of art and fashion, I think of Alexander McQueen.

Alexander McQueen was born in London, England in 1969. He was born and raised there, and he left school at 16 to begin an apprenticeship at Saville Row, “the historical centre of British menswear tailoring”. After his apprenticeship he proceeded to work for Anderson & Shepard, Gieves & Hawkes, and once he turned 20, working as a pattern cutter for Japanese designer Koji Tatsuno.

After moving to Milan to pursue a job with Romeo Gigli, he returned to London to complete an MA in Fashion Design in Central Saint Martins.

McQueen was a visionary, he was highly known for his ability to effortlessly combine subversion and tradition, and his flair for the dramatic doesn’t go unnoticed. When viewing McQueens work, there is a clear exhibition of both whimsy and class, and his portrayal of models of the runway helps paint the picture of a landscape where there are no barriers between art, fashion, and performance.

An exhibition in Patricular that comes to mind is ‘Collection No. 13’, an iconic moment in fashion history.

In McQueen’s Spring 1999 show Shalow Harlow was put on a turntable as robotic arms sprayed paint on the white dress. Vogue writer Sarah Mower refers to Harlow as “a modern Leda and the Swan”. It is anticipated to have a veiled sexual interpretation related to a male orgasm, and described in the Vogue article with Harlow’s “virginal dress becoming a piece of graffiti action art”.

The viewers of the fashion show had a truly immersive experience, where they got to see a live creation of a garment in real time, and that sense of excitement and originality is what McQueen is best known for.

This relates to my project through the movement involved in the presentation of a garment. I as a designer see the runway as more of a performance than a display, and I think the work I have put together also resembles a sense of whimsy and class that requires a unique exhibition of convey its meaning. I also see similarities between the spray paints from the robots looking like lines in a vein system, and from the paper croquis I produced there is an interesting sense of silhouette that resonates with McQueen’s work.

[polishwomenartists-sztukakobiet]

#InHERstudio 💃🏻💪🏼 Agula Swoboda

💥 check out IG @agulaswoboda

Surrealist Contemporary Artist from Poland, currently based in #Cieszyn

Art by Women - Women in Arts : @abwwia

.... We met some time ago around my fascination with her project #MATKOŚĆ (Title lost in translation as it's words game, translation to Motherhood, in my option doesn't give it justice)

In this project Swoboda shares #herstories

of Her own as a mother of 3,

Agula's Mother also took part (!!!)

- as well as few other brave Polish women agreed to participate in this Important, Honest, Rough Art Collaboration. #PalianShow

Story Telling, Deep listening, Graphics, Tatoos (!!!) large size Photography, paintings, collages - all above and more were included.

I invite you to deep into more info about this extremely important art piece here: https://palianshow.wordpress.com/2023/05/26/matkosc-eng/

For more follow fb Polish Women Artists #sztukakobiet

🌹💃🏻💪🏼🌹💃🏻💪🏼🌹💃🏻💪🏼

About the Artists #AgulaSwoboda

Born in 1974 in Katowice (Poland).

Studied painting at the University of the West of England, Bower Ashton, Bristol (Bachelor’s degree in painting) and the Byam Shaw School of Art – Saint Martin College of Art and Design in London (diploma in painting, scholarship award). Scholar of UWE Bristol and #saintmartincollege of Art and Design and annual resident at Lancaster Foundation in Clitheroe (England).

The curator of international art residencies “Incidenty / Incidents” in Poland, Czech Republic, Norway and United Kingdom.

Co-founder of the ‘Szara’ Gallery ” in Cieszyn (Poland), UnderGround Art Centre in Clitheroe (England) and the School of Art and Thinking in Cieszyn (Poland). At present works and curates city Gallery ‘12’ in Cieszyn (Poland)

#surrealism #surrealist #artiststudio #artstudio #wineandart

[mybeingthere]

David Jones (b 1939) graduated from Liverpool College of Art in 1961 and it was here he first discovered his interest in printmaking. His tutor was the surrealist artist George Jardine. He won a John Moores travelling scholarship and spent time visiting various design studios across Europe. On returning to the UK he worked as assistant to graphic designers Jock Kinneir and Margaret Calvert. In 1965 -1967 he worked in Japan at Nakamoto International Agency, Osaka.

He returned to the UK and had a busy and successful career working freelance in graphic design, illustration and typography. He also worked as a visiting college lecturer at many of the countries leadings art schools. From 1979 he was a Senior Lecturer at Central Saint Martins (University of The Arts, London).

In the last twenty years he has returned to printmaking, in particular linocuts and wood engraving. He is influenced by Outsider art and Folk art. In 1989 he helped set up Raw Vision, a journal of Outsider Art. David is also a keen Semi-pro musician and plays the soprano saxophone. He hand prints his work in small editions and many of the images in his prints come from dreams.

https://rcaconwy.org/.../david-jones-rca-from-my-imagination

[abwwia]

“Because we Women, Mothers, balance the sweetness of moments with the bad memory of body and soul” (Adrienne Rich)

read about Art Project "M A T K O Ś Ć" by Agula Swoboda here

About the Artist Agula Swoboda

Born in 1974 in Katowice (Poland). Studied painting at the University of the West of England, Bower Ashton, Bristol (Bachelor’s degree in painting) and the Byam Shaw School of Art – Saint Martin College of Art and Design in London (diploma in painting, scholarship award). Scholar of UWE Bristol and Saint Martin College of Art and Design and annual resident at Lancaster Foundation in Clitheroe (England). The curator of international art residencies “Incidenty / Incidents” in Poland, Czech Republic, Norway and United Kingdom. Co-founder of

the ‘Szara’ Gallery ” in Cieszyn (Poland), UnderGround Art Centre in Clitheroe (England) and the School of Art and Thinking in Cieszyn (Poland). At present works and curates city Gallery ‘12’ in Cieszyn (Poland)

You will get a chance to experience "M A T K O Ś Ć" by Agula Swoboda in July during the @slot.art.festival in Poland

#womensart #artherstory #palianshow #sztukakobiet #PolishWomenArtists #agulaswoboda

[junipcrs]

park   sooyoung.     she/her.     cis  woman.      ›     spotted   at   the   met   steps   ,   JUNIPER   “JUNO”   CHOI   ,   most   likely   listening   to   killer   queen   by   queen   with   their   airpods   pro   .   the   twenty-six  year  old   gained   quite   a   reputation   ,   known   to   be   -outspoken   yet   +perceptive   to   anyone   who   knows   them   .   you'll   easily   spot   them   when   you   hear   about   the   revving   of   a   car   engine   ,   the   sound   of   heels   clicking   against   the   side   walk   ,   the   cranking   of   a   socket   wrench   ,   followed   by   their   libre   by   yves   saint  laurent   .   latest   nepoupdates   article   talks   about   how   she   bought   her   way   into   her   stunt   driving   career   ,   but   i   guess   any   reputation   is   good   reputation   .  (   muse   c   &   subplot   2   .   )

[  !  ]  WANTED  CONNECTIONS.

[  !  ]  ESTABLISHED  CONNECTIONS.

penned  by  HECATE  (  she/her  ,  pst  ,  21+  )

OVERVIEW .

STATS  PAGE .

FULL NAME: juniper cordelia choi

NICKNAME(S) / ALIASES: juno

DOB: 08/28/1996

AGE: 26

HEIGHT: 5′7″

ZODIAC: virgo

GENDER: cis woman

PRONOUNS: she/her/hers

ROMANTIC ORIENTATION: biromantic

SEXUAL ORIENTATION: bisexual

LANGUAGES: korean, english , spanish ( conversational ) , french , latin , greek

AESTHETICS:  the  revving  of  a  car  engine  ,  the  sound  of  heels  clicking  against  the  side  walk  ,  leather  jackets  ,  lace  bralettes  ,  red  lipstick  on  the  rim  of  a  coffee  cup  ,  paint  and  poster  board  ,  the  cranking  of  a  socket  wrench  ,  oversized  jackets  ,  ripped  skinny  jeans  ,  iron  on  patches  on  an  oversized  denim  jacket

CHARACTER  PARALLELS:  suki  (  2  fast  2  furious  )  ,  blair  waldorf  (  gossip  girl  )  ,  kate  bishop  (  marvel  comics  )  ,  lydia  martin  (  teen  wolf  )  ,  michaela  pratt  (  how  to  get  away  with  murder  )

BACKGROUND .

born  with  a  silver  spoon  in  her  mouth  to  two  loving  but  busy  parents  on  the  upper  east  side  of  new  york.  her  father  is  big  in  manhattan  real  estate  ,  owning  different  hotels  including:  the  palace  and  st.  regis.  her  mother  ?  a  philanthropist  and  socialist  often  seen  hosting  charity  galas  ,  art  galas  ,  any  event  in  the  upper  east  side  social  scene  .  juniper  has  always  gone  by  the  nickname  juno  ,  a  nickname  affectionately  given  to  her  by  her  father  .  

in  a  family  composed  of  new  and  old  money  ,  juno  learned  early  on  the  value  of  money  .  the  paternal  side  of  her  family  values  hard  work  .  she  needed  to  work  for  the  things  she  wanted.  however  ,  young  juno  didn’t  understand  that  .  she  went  to  the  best  private  schools  and  the  same  applied  to  college  .  her  maternal  side  consists  of  old  money  .  to  this  day  ,  she  doesn’t  know  where  their  fortune  comes  from  other  than  dealing  with  the  auto  import  industry  .

PERSONALITY .

she’s  a  natural  born  leader  .  she’s  charismatic  ,  efficient  ,  and  strong-willed.  definitely  not  one  to  give  up  when  things  get  tough  .  she  will  strive  to  achieve  her  goal  and  is  not  opposed  to  rising  to  the  challenge  of  being  underestimated  .  she  can  be  stubborn  when  she  wants  to  be  .  juno  is  that  one  friend  that  has  an  opinion  about  anything  and  everything  .  it  can  get  a  little  tiresome  getting  into  a  debate  with  her  .

HEADCANONS .

this  section  is  a  wip  and  will  be  updated  when  i  think  of  more  things  !  <3

 juno  never  goes  by  juniper  .  no  one’s  ever  really  called  her  juniper  sans  an  elementary  school  teacher  that  hated  nicknames  for  whatever  reason

 was  ur  local  activist,  the  girl  who  has  an  opinion  about  anything  and  EVERYTHING  .  and  can  be  seen  organizing  rallies  ,  painting  posters  ,  handing  out  pins

 she’s  a  big  fan  of  japanese  domestic  market  (  JDM  )  cars  and  knows  her  way  around  them  (  think  fast  &  furious  :  tokyo  drift  )  .  she  also  knows  her  way  around  european  cars  +  supercars  but  she’s  not  as  interested  

 hobbies  include  fixing  up  cars  .  a  couple  of  her  uncles  from  her  mom’s  side  own  and  operate  their  own  shops.  they  all  deal  with  import  cars

 to  no  one’s  surprise  ...  is  part  of  and  leads  an  underground  street  racing  crew  of  her  own  and  has  earned  the  title  of  ‘ drift  queen ’  (  but  shhh  it’s  a  secret  )

 graduated  from  columbia  with  a  degree  in  classics  and  linguistics  and  obtained  her  masters  too  !

 she  formed  a  career  as  a  stunt  driver  !  and  some  of  her  work  includes:  spectre  ,  the  recent  fast  &  furious  movies  and  no  time  to  die  and  tbh  just  a  lot  of  the  top  trending  action  films  :vibe:

[lboogie1906]

Clifton Powell (born March 16, 1956) is an actor who primarily plays supporting roles in films, such as in Ray (2004), for which he received an NAACP Image Award for Outstanding Supporting Actor in a Motion Picture nomination. He was born in DC and grew up in Mayfair Mansions in Northeast DC. He is a graduate of the Duke Ellington School of the Arts. He has appeared in more than one hundred films, beginning in the 1980s. His credits include Menace II Society (1993), Dead Presidents (1995), Why Do Fools Fall in Love (1998), Rush Hour(1998), Next Friday (2000), and its 2002 sequel, Friday After Next, Woman Thou Art Loosed (2004), and Ray (2004). He played Martin Luther King Jr. in Selma, Lord, Selma. He has had many supporting roles in smaller direct-to-video films in the 2000s and 2010s. On television, he had recurring roles on Roc, South Central, and Army Wives, as well as guest-starred on In the Heat of the Night, Murder She Wrote, NYPD Blue, CSI: Crime Scene Investigation, and House MD. In 2016, he was cast as the main antagonist in Saints & Sinners. He is known for his voice-acting role as Big Smoke in the 2004 video game Grand Theft Auto: San Andreas. In 2017, he appeared in the second season of My Step Kidz. #africanhistory365 #africanexcellence https://www.instagram.com/p/Cp2Ym9MLrMD/?igshid=NGJjMDIxMWI=

[rxscss]

"𝓎𝑜𝓊 𝓈𝒽𝑜𝓊𝓁𝒹 𝓈𝑒𝑒 𝓂𝑒 𝒾𝓃 𝒶 𝒸𝓇𝑜𝓌𝓃, 𝒾'𝓂 𝑔𝑜𝓃𝓃𝒶 𝓇𝓊𝓃 𝓉𝒽𝒾𝓈 𝓃𝑜𝓉𝒽𝒾𝓃𝑔 𝓉𝑜𝓌𝓃. 𝓌𝒶𝓉𝒸𝒽 𝓂𝑒 𝓂𝒶𝓀𝑒 '𝑒𝓂 𝒷𝑜𝓌 𝑜𝓃𝑒 𝒷𝓎 𝑜𝓃𝑒 𝒷𝓎 𝑜𝓃𝑒, 𝑜𝓃𝑒 𝒷𝓎 𝑜𝓃𝑒 𝒷𝓎. 𝓎𝑜𝓊 𝓈𝒽𝑜𝓊𝓁𝒹 𝓈𝑒𝑒 𝓂𝑒 𝒾𝓃 𝒶 𝒸𝓇𝑜𝓌𝓃, 𝓎𝑜𝓊𝓇 𝓈𝒾𝓁𝑒𝓃𝒸𝑒 𝒾𝓈 𝓂𝓎 𝒻𝒶𝓋𝑜𝓇𝒾𝓉𝑒 𝓈𝑜𝓊𝓃𝒹. 𝓌𝒶𝓉𝒸𝒽 𝓂𝑒 𝓂𝒶𝓀𝑒 '𝑒𝓂 𝒷𝑜𝓌 𝑜𝓃𝑒 𝒷𝓎 𝑜𝓃𝑒 𝒷𝓎 𝑜𝓃𝑒."

(—) ★ spotted!! BROOKE HAWKER on the cover of this week’s most recent tabloid! many say that the 33 year old looks like EMILY RATAJKOWSKI, but i don’t really see it. while  the FORMER REALITY TV STAR/CREATIVE DIRECTOR OF VOGUE is known for being METICULOUS my inside sources say that they have a tendency to be IMPATIENT i swear, every time i think of them, i hear the song YOU SHOULD SEE ME IN A CROWN by BILLIE EILLISH  {she/her / cisfemale} - penned by CANDICE - penned by candice, 25, cisfemale, she/her

𝓵𝓲𝓷𝓴𝓼

wanted connections + connections || musings || pinterest || instagram || headcanons

𝓼𝓽𝓪𝓽𝓲𝓼𝓽𝓲𝓬𝓼

name: brooke francesca hawker

age: thirty three

nicknames: none, she doesn’t do nicknames.

date of birth: january 3rd, 1989

astrological sign: capricorn

place of birth: london england

occupation: former reality tv star / current creative director of vogue

label: the queen bee

positive traits: meticulous, poised, chic, eloquent

negative traits: impatient, a perfectionist, judgmental, snobby

characters/celebrities she’s like: blair waldorf from gossip girl, lauren conrad from the hills, emily charlton from the devil wears prada, brooke davis from one tree hill, alexa chung, chiara ferragni, rachel zoe, mary kate and ashley (currently)

𝓫𝓲𝓸𝓰𝓻𝓪𝓹𝓱𝔂

being the first born daughter of francesca albrecht, the editor in chief of vogue, and sebastian hawker, an american business magnate, computer scientist and internet entrepreneur, brooke grew up being the absolute apple of her mother's eye.

despite their upper class status, brooke and her siblings grew up fairly normal, their parents always wanting to keep them humble and grounded and most importantly, hard working. they weren’t just handed the money they made, they earned it, and they wanted their children to do the same.

unlike her other siblings who went in different directions, brooke had always been glued to their mother’s side. from a little girl she was obsessed with the fashion world, often seen strolling hand and hand with francesca into the british vogue offices dressed to the nines while francesca worked on various projects as their creative director.

even as a little girl, she was known for being even more brutal than her mother, making sure her opinions were heard loud and clear and that everything was nothing short of perfection. and while most around the office found the demanding little girl funny, francesca realized that her daughter had true talent and an eye for fashion.

she attended private school and when college came around, she attended a year at central saint martins college of art and design, the most famous fashion school in the uk, and majored in fashion communications.

however, after a year there, her mother was offered the editor in chief position at vogue and when the opportunity to move to the states arose, brooke followed along with her family.

just because her mother was the editor of vogue, however, didn’t mean that brooke was simply going to be handed a career on a silver platter. her mother encouraged her to continue her studies and brooke made her headquarters in new york city, attending the fashion institute of technology.

living on her own in new york city thrust brooke into a new spotlight that she had never been in before. her family was famously private, but brooke began hanging out in the new york social scene of the fashion world - partying with models, photographers, designers and more and eventually, she became new york city’s biggest it-girl, much to the dismay of her father and especially, her mother.

however, brooke saw this as an opportunity. the world was obsessed with everything she was wearing, where she was eating, where she was partying, quite literally every aspect of her life, so, at just 20 years old, she headed to the mtv headquarters in new york city and pitched them an idea for a show, inspired by the life of her and her friends in new york city.

thus, in 2009, ‘soho’ premiered. (basically the new york version of ‘the hills’) and brooke and her friendd catapulted into stardom - the world becoming obsessed with the groups fights, make-ups and break-ups and the way they lived their life every day in new york city. (there’s a bunch of wcs on my wanted page for her that goes more into the dynamics of her friends!!)

for five years, her life revolved around the show and after five seasons, she was absolutely mentally drained - sick and tired of everything she said and did being under a microscope. so, she left the show, that only lasted for one more season without her,, and moved to los angeles where her family was.

from 2012-2017, she lived pretty off the radar (very mary kate and ashley kind of vibes) and started her very own fashion brand called ‘the echelon’ and poured all of her energy into making that a success. she hired the best designers in the world and the most sought after team of creatives and after years of hard work and dedication, it became one of the most sought after brands in the industry.

however, in 2017, her world got shaken up when her father was under fbi investigation, which caused the split of her parents, and her sister, lily was in a career changing car accident.

she spent the next couple of years taking a step back from her line and focusing on being there for her sister and mother, angry with her father for doing this to the family.

her and her mother had been on the outs for years, francesca being completely against the reality tv direction that her daughter had gone into, but seeing how she stepped up for the family truly mended that gap between them and in 2020, francesca named brooke the creative director of vogue.

she’s come a long way from that party girl in new york city and brooke takes her role and her job incredibly seriously. she sold her fashion brand to lvhm for ten billion dollars, which was a record acquisition, and now eat, sleeps and breathes vogue.

she, like she was as a child, is once again glued to her mother’s side, walking into the vogue offices each day dressed to the nines.

𝓯𝓲𝓵𝓶𝓸𝓰𝓻𝓪𝓹𝓱𝔂 & 𝓬𝓪𝓻𝓮𝓮𝓻

reality tv career

soho - 2009-2011 - reality show revolving around her and her friend’s lives in nyc

fashion career

ceo/founder/creative director of ‘the echelon’ - 2012-2020 - was sold in 2020 to lvhm for ten billion dollars

creative director of vogue magazine - 2020-present

[onyv]

✔RESEARCH METHODS//WEEK2//TURNING IDEAS INTO RESEARCH PROJECTS

MNnb

Ще разсъждаваме върху темите, които ви интересуват, за да можете да започнете проучване. Първо, трябва да изберете широка област на интерес, като видове дизайн на работното място или тема, която обединява материали от различни области. Но трябва също така да вземете предвид типа обучение, върху който искате да се съсредоточите. Но сега трябва да помислим да започнем да пишем, веднага! За да ви помогнем с това, можете да следвате предложенията на някои експерти, като Susana Barreto, Bruno Giesteira и професор Dirk Loyens.

Интервю със Susana Barreto, PhD от Central Saint Martins College of Art and Design School of Art: Лондон, Обединеното кралство. Университет на Порто, Факултет по изящни изкуства, Департамент по дизайн. „Целта на изследователското изследване е да се знае много за много малко. Така че, да речем например, едно нещо е да гледаме на дизайна… португалския дизайн по широк начин. Съвсем друго е разглеждането на португалския дизайн в определено време и пространство. Или, още по-конкретно, да се съсредоточа върху двама или трима автори.“ Интервю с д-р Бруно Гистейра. Професор в научните области на дизайна и дизайна на взаимодействието, когнитивната ергономия и човешките фактори. Старши изследовател в INESC TEC. Сътрудник в ID+. „Какво прави една добра тема за изследване? Е, според мен този, чиито резултати се превръщат в иновация. Така че иновациите не са творчество. Така че е измеримо чрез финансови резултати или подобряване на продукти или услуги. Мисля, че това е, което прави една добра тема за изследване.“ Интервю с Дърк Лойенс. Професор по научната област Продуктов дизайн, изследовател в INEGI. Сътрудник в ESAD IDEA. „На първо място, добрата изследователска тема трябва да бъде нещо, което ви мотивира, интересува ви много, много дълбоко. Ако няма мотивация, вероятно няма да има добро изследване."

Второ, трябва да е нещо, което можете да изследвате, което не е твърде широко. Трябва да е нещо много конкретно, нещо, което можете да опишете в едно изречение. И трето, разбира се, трябва да е нещо, което е съвременно, гореща тема, а не нещо, което вече е било изследвано преди 10 години, преди 20 години, преди 50 години. Трябва да е нещо, което представлява интерес сега. С вашата дисертация ще имате възможност да проучите задълбочено някои аспекти на теорията, методите, знанията или уменията, с които сте се запознали в миналото. В началото можете да обмислите много идеи, но след това трябва да ги стесните в рамка на изследване (намерете връзки). По този начин можете да използвате произволни думи: можете да изберете предмет или съществително и да го свържете с изследователска концепция, за която може да се сетите. Храната, например, може да бъде свързана с дизайн за устойчивост или моден дизайн и инфографика… или градове и визуална комуникация… След това направете мисловна карта на тези начални думи в голям лист хартия; поставете го на стена в хоризонтално положение: основните идеи трябва да са в средата и свързаните теми да се разклоняват от нея; идеите трябва да бъдат разделени и трябва да се простират до ограниченията на вашата страница. Мисловните карти ви позволяват да правите мозъчна атака и да записвате идеите си на хартия по-бързо. Те насърчават особено свободното сдружаване. Като регистрираме и след това бързо преглеждаме свободно генерирани идеи, можем да открием връзки и нови взаимоотношения между концепции, които иначе бихме пропуснали. (Цели на обучението) Може да имате неясна представа за вида на целите на обучението, които искате да постигнете. Какъвто и тип изследователски проект да изберете да направите, не забравяйте, че основната цел е да подобрите собствените си познания в областта по ваш избор. Възможно е да не сте в състояние да дефинирате много точно тези учебни цели и дори да го направите, те може да се променят по време на вашия проект. Опитайте се обаче да помислите върху вида на учебната цел, която преследвате, и я преразгледайте. Трябва редовно да преглеждате целите по време на процеса на вашия проект и да се запитате дали все още са уместни, като вземете предвид това, което сте научили досега. Ако коригирате целите, може да се наложи да коригирате и методологията, така че работата ви да остане последователна. Възможно е целите, които сте си поставили в началото на вашия проект, да са много различни след това, тоест в края на вашата работа. Изградете хронограма за вашите задачи, за да определите своя план за действие. Както във всяка друга работа, проучването има свой собствен процес и е много полезно да създадете своя собствена хронограма: вземете под внимание задачите, които може да трябва да изпълните, и времето, което имате на разположение за тази работа.

Вземете предвид времето, което ще ви е необходимо, за да разберете, например, състоянието на техниката - трябва да вземете предвид времето за преглед на литературата и времето, за да разберете какво вече е направено в областта на вашите интереси. Вземете предвид времето, което ще ви е необходимо за всички задачи, свързани със събирането на вашите данни. Помислете за времето, което ще ви е необходимо за четене и писане.

Тази хронограма трябва да бъде оценена от вашия ръководител, който ще бъде много полезен не само като ви помогне да определите вашите изследователски цели и теоретични подходи, но също така ще ви посъветва по практически въпроси, като правилния подход за получаване на добро интервю.

 LEARNING ACTIVITY :

Build a mind map of a potential research problem with the data you already own and make connections;

Write two paragraphs (around 250 words) describing a possible research problem and possible learning outcomes.

This work is not mandatory for delivery, it is just a contribution to your literature review.

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Изградете мисловна карта на потенциален изследователски проблем с данните, които вече притежавате, и направете връзки;

Напишете два параграфа (около 250 думи), описващи възможен изследователски проблем и възможни резултати от обучението. Тази работа не е задължителна за предаване, тя е просто принос към вашия литературен преглед.