At least Shouto got his moment without It revolving around Deku. You’re upset that shouto isn’t part of the endgame but at least he was able to have his own endgame that’s not about Deku or revolves around Deku. I would love for Bakugou to have his own solo moments even if he’s not in the endgame. Because bakugou never got that.
Sure, Shouto's moment didn't revolve around Deku, it revolved around his family though. So it's not strictly a Shouto-moment - the entire Todoroki family (plus Iida) gets part of the credit (when it comes to stopping Touya). And then of course there is the undeniable fact how much Shouto's and Touya's conflict is ultimately about Endeavor.
I am upset about Shouto's endgame (if it ends like this), because other than a family hero, Shouto wanted to be freed from Endeavor's legacy. Yet, he spends the entire final arc fighting a battle / putting out the fire that Endeavor created. Even the civilians he saves are in danger because Touya copied his move and escaped Kamino to see Endeavor.
Shouto gets nothing for himself - not even a kind word or acknowledgement of any kind from the family he is supposedly the hero of. He's not recognized by anyone in the public either, except the kids who call him "5-Wienes". It feels like still nobody of the public knows who "Shouto" is - half his hero arc feels simply abandoned
He trained and was abused all his life to get strong, he took much more physical beating and hurt from Enji, Rei and Touya than anyone else, and yet his only role is to use that strength and training to save the people who hurt him.
Enji comparatively took much less beating from Touya and got a cool fight vs AFO. When everyone and their grandmother goes up against AFO, Shouto is locked in a side-plot and even there, he just gets this as ending:
Is this really what he deserves as "story-climax"? Because it sure looks like being treated as less than a footnote.
He doesn't even get the feel-good, crying-kids imagery TogaChako got or an entire chapter post-fight showing his villain think about him. In fact, Touya doesn't even react to Shouto or acknowledge anything Shouto has done or the lengths he has gone to save him. Nor does anyone from the family.
In this entire story, we never got an Origin-Trio combo. Shouto never got a combo with his family either (which Bakugou got with Endeavor btw). Shouto never got a hug from his family (which Bakugou got from Endeavor btw).
Bakugou gets a really cool combo with the MC / childhood friend, he gets to save his childhood hero in front of the world, he gets to right all his own wrongs, he gets public accolades, he gets held up as the Symbol of the new era and All Might's heir on equal footing with Deku in the narrative. He gets 2 amazing quirk awakenings to raise him up.
In contrast, Shouto gets to clean up after his abuser and doesn't get to do the stuff he wants for himself (to join his friends and be recognized to be a hero like All Might). Even after everything that's happened, there is nothing that shows that he's known as anything other that "Endeavor's son, Dabi's brother". He gets no quirk upgrade. Even his "I'm not a masterpiece" statement gets ignored by everyone. And he doesn't even get some family-level acknowledgement, other than a throw-away "sorry" from Endeavor.
And unlike with Bakugou where we had guarantee that he'll be back, with Shouto, we have no clue if we'll see more of him or if he'll be just left with this half-win/half-failure kind of ending as the world celebrates the wonder duo's win.
I love both characters, but man, the way Horikoshi treats Shouto and Bakugou are like night and day. (He didn't even give Shouto a full-page panel for his rising chapter, not to mention a double spread... Bakugou got a full Rising volume dedicated to him. Shouto is the first Rising character not to get a volume).
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Help Wanted 2: Lets Talk About Sun (Spoilers for Help Wanted 2!)
Okay,
I've had some time to digest Help Wanted 2. What a freaking roller coaster. I'm assuming you all have played/watched/seen Help Wanted 2, so be advised if you haven't seen everything we have access to so far, I'll be bringing it up.
One thing I'll say upfront is its nice to know Sun and Moon ARE older like I theorized. They're tied to the Fall Festival which took place in 1970 per one of the prize collector posters and the fact they deal with the carousel. I think Steel Wool also tried to point out and confirm Moon is patient zero for....I guess I should say Vanny's influence in the PizzaPlex. He's definitely the favorite to be pitted against us. I'm STILL losing my mind over the Princess Quest Ending.
So, the DCA fandom has been all across the board, ranging from "I love sassy Sun" to "Sun is SO mean. This ruins my headcannon." I don't think it really does. At least, it doesn't have to.
Our first encounter with Sun in front of us is Arts and Crafts. This minigame is located in the world we eventually learn is AR. We also are clearly a new FazBear hire. Sun is definitely sassy, and let's face it, VERY critical of what he defines as a mistake. BUT the flip side of that coin is he is still nice when you do the art correctly. He calls you friend, he wants to help you. If the player eats the crafts, he loses his mind. It's because he's worrying for the player due to the effects eating the crafts will have on them, ie: "That is how you get ulcers!". (By far, MY FAVORITE line of Sun's btw. Kellen stated that line and the indigestion line were both improved btw- genius.) He still doesn't want Moon to get you, he doesn't want to get in trouble. The one threat is after you've been hitting him several times and you've outright pissed him off. (I personally, think the "I should turn off the lights myself" was a drama king being a drama king.) Then we take the mask off. We see everything destroyed and Sun acts like the Sun we've always known. "I'm perfectly fine where I am. It's better this way. It's safer this way." "Keep the generator on. Without it I won't be able to help you." He's the same as he's always been. We've just seen a new layer.
What we ultimately have to come to terms with, is that Sun is a control freak and a perfectionist. He thinks he "has" to be. He doesn't want you to move from your craft table so he can watch you like a hawk. Do the job you are assigned. Get in, get out. Do the art HIS way, and follow HIS rules. If you don't, bad things can happen. Bad things HAVE happened. Another explanation could also be that maybe he isn't as free of the glitch trap virus as we thought? He can be sassy, he can be brutally honest, he can be concerned for us, for children, and his own darkness can rear its head, all at the same time.
Steel Wool could also be trying to slam into our faces that Sun is incomplete. He is one-half of a whole. He has good intentions, he means well at his core, but he cannot stop, regroup, and act rather than react. He gets stressed, and can't cope and adjust. Instead, he demands control back when he feels like he's about to lose it. Moon is calm, calculating, and logical. It's why they need to be whole and why Sun is so grateful to Cassie when she fixes them to become Eclipse. As Eclipse, they both find the parts of themselves they've so desperately needed.
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Hii! I followed you from an old account that for some reason didn't let me make requests, but now I went back to my hawks era and with it came my obsession with his fics.
Aniwaaays, me and reverse comfort are one, so I was wondering if you could show how reader (s/o) comforts Hawks after suddenly reuniting with his father or just see a photo of him. like, idk brings back a lot of bad memories for him and I would like to see some of it if it's not too much trouble <3
I love You btw, and sorry if i bother u with this
content: mentions/implications of child abuse/trauma, reverse comfort, keigo has c-ptsd, him and reader are both trying their best
a/n: hiya anon! it’s no problem at all, i will always enjoy answering asks and writing for my darling kei<3 and thank you sm, that really makes me smile to know that people genuinely enjoy my work! ^^
Keigo saw so much flash before him every time he blinked.
He remembered the way his teeth would grit when he squawked, spat; the way his hands looked before they came down crashing, a tsunami of scarred skin that would scar him just the same.
Be it physically, or mentally.
Keigo found himself paralysed by the picture, printed in black and white. It might as well have been blood soaked into the newspaper, crumbling in the hero’s faltering grip.
For a moment, the avian wasn’t sat at the table with a breakfast, made with love, laid out like a declaration. But for a second, he was a beaten fledgling who’d been plucked of his autonomy.
Keigo blinked. He was holding a newspaper, he was not there.
The poor baby bird on the floor had dared to get up, the one wing that still flapped crushed under the boot of his father.
He was eating breakfast, the sun was on his skin.
Keigo was not there, physically.
You were surfing some butter around a pan, ready to make some scrambled eggs for you and your boyfriend. Letting the butter melt for a moment, you smiled.
Turning around, you beamed, “I’m using butter for the eggs this time, not oil, just like Fuyumi told me!”
Mentally, Keigo was there.
Noticing the way your partner looked as though he had been turned to stone, your heart grew cold. You switched off the gas hob, almost gliding through the kitchen to the dining table where Keigo sat, paralysed.
“Baby?” You whispered, your words falling on death ears.
The newspaper shook in the avian’s hand, your eyes flicking to the front page. There he was, Keigo’s father; Takami The Thief.
When he was drowning under the surface of his anxiety, you knew better than to startle him. You pulled out a chair and sat beside him. Your hand gently covered his like unexpected snow. You felt how cold his skin was, be it from the morning breeze or the fear laced in his blood.
“You’re home, birdie,” you said, clearly. “He’s not here, he never will be.”
Your words were firm, and for a moment you swore you felt Keigo’s fingers twitch under the blanket of your hand.
“I- I feel like, like I can’t breathe,” was all Keigo could say.
You inched closer to Keigo, wrapping your arms around him. Careful not to touch his plumage, as to not trigger him further, you squeezed him in your embrace.
“Smell the flowers, spread the pollen,” you gently instructed, “just like the therapist taught you, yeah?”
Keigo inhaled sharply through his nose, a shaky breath leaving his open mouth soon after.
The two of you repeated these steps together, completely forgetting about your cold breakfast waiting for you on the stove.
“I promise you, Keigo,” you lifted up his bangs, kissing his forehead. “I’m not gonna let him get to you.”
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i rewatched Dune Part Two recently and one of the most striking shots for me was the one of the Fremen attacking the Sardaukar on wormback, while holding the Atreides flag.
Like, we just saw the Sardaukar forming up with their numerous flag bearers, even trying to maintain their flags raised after the nuclear detonation (in a shot that mirrored the famous "Raising the Flag in Iwo Jima" statue to me btw, nice nod to imperialism).
And then the Fremen arrive, but they're not bearing their colors, their flags, not fighting in their own names, instead it's the Atreides colors. The colors of their new, imperially appointed rulers. New pawns in the warfare between Great Houses, soldiers instead of freedom fighters. Urgh. Wish i could make gifsets.
Yeah yeah yeah it's horrifying!! You are watching a national liberation movement get successfully co-opted by a superpower and it's awful!
They did such a good job making it feel creepy and foreboding when the Atreides symbols and motifs start re-appearing in the last hour or so of the movie. The second Gurney shows up he immediately re-introduces the Atreides way of looking at the world, and it's disturbing how easily Paul falls back into thinking like that, seeing the planet and its people as tools to be used in an inter-imperial power play. (It's right after Gurney tells him about the family nukes that Paul has the signet ring out for the first time since the beginning of the second act and we're like OH NO.) This is before he drinks the Water of Life; he is already starting to think like a colonial duke again some time before he declares himself one.
After the opening montage where we see the piles of bodies being burnt, we don't see the stylized Atreides hawk symbol for most of the movie. The next time it appears is on a vault of nuclear weapons, which are never treated as anything but a curse. It's so important that Stilgar and Chani are with Paul and Gurney when they open the vault so we can see their horror at these weapons and the gleeful, casual way Gurney talks about them. Chani is also seeing an aspect of Paul that she hasn't really witnessed before--Paul, the Future of House Atreides--and she does not like it.
And then of course the whole ending battle is making the point over and over again with repeated imagery that Atreides and Harkonnens are exactly the fucking same. All the imagery from the initial Harkonnen attack on Arrakeen in Part One--which at least shows the Atreides as brave in the face of overwhelming odds--gets inverted into something that's supposed to make us shudder. That scene of Gurney hacking his way through the crowd of soldiers with someone carrying the Atreides flag behind him? Nightmarish.
All of this stuff is super important to what the movie is trying to say because it is very very easy for us to buy into the Atreides' propaganda about themselves being the good guys. If we're paying attention to what Chani tells us in the literal first 3 minutes of the first movie, we already know we should be viewing them with a bit of critical distance. And while I think there is plenty in the first movie to make us side-eye their noble image (Leto saying we will bring peace to Arrakis?? fucking yikes dude), it's easy to forget that because Leto generally seems like a good dude to the people close to him, and he dies tragically so we never get to see much of what kind of colonizer he would have become. And I think it's easy to start thinking well if only Leto the more reasonable parent had lived then things wouldn't have turned out this way.
But fucking desert power?? That was Leto's idea. This is Leto's dream being realized. The plan was always to use the Fremen as pawns in the power struggle between the Great Houses. Maybe not quite in the way that Paul does cause he definitely goes off with it, but the end result is just as much a product of Atreides imperialism as it is of Bene Gesserit religious colonialism. The Atreides aren't inherently any more noble or benevolent than the Harkonnens in their intentions, they just have better PR. But the end result is exactly the same: a pile of dead bodies being set on fire.
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