#scenes where they get to be alone
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Late on my weekly flurry of severance posts but I have to say it feels very strange that there has been NO explicitly Helly-centric moments or conflict. At no point has Helly been alone to think about the fact that she lied to the others; to stew and ponder her true origins and reason for being here. She has not been shown wondering why she was allowed to return or making any personal comments whatsoever. Her proactive and volatile nature has been replaced by a woman who creeps down hallways, knocks on doors before entering, and reminds her coworkers they are safe to converse privately because Milchick said the cameras and microphones were gone despite constantly questioning whether anyone was telling her the truth in the first season. If this were any other show I would be expressing my deep disappointment at her loss of autonomy and the failure of writing to consistently capture this woman and mellowing her out to give room to her male costars and their more important internal conflicts... but this is Severance and that's not Helly at all, it is a woman wearing her skin
#she way she touched Irving's hand to comfort him was so clinical and Not Helly#severance#severance spoilers#severance season 2#helly r#helena eagan#everyone else has something going on. everyone else is getting scenes where they Respond to stuff#scenes where they get to be alone#we havent seen Helly alone. you know who we have seen? Helena.#on the outside i mean. shes a primary character now#the scene where she and mark had that Weird Tension where they both were like#psychically trying to get the other one to kiss them lmaoaooaoa#even then it was about marks reaction as much as it was hers. she wasnt By Herself?#lmao they wanted to kiss so bad
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yeah so this was insane
#i feel like too many people reduce this interaction to jason being like ‘lol same’#but idk :/#this chapter is from jason’s pov#and leading up to it he’s like ‘people keep walking on eggshells around me bc of the the michael varus stab wound’#and he hates it so when he goes on deck to help out with the storm#everyone’s like wtf except for percy#and jason states how much he appreciated percy not treating him like a sick kid#and i feel like it’s echoed in this sentiment where jason could say so many things like#‘you should never feel that way’ ‘im here if you need anything’#but he doesn’t make percy feel alone in his desire to just…. end it all#which ik for some people that doesn’t work but you’re not a character in hoo and percy is dealing with so much guilt#and he can’t tell annabeth bc she’s a main aspect of that guilt#and he doesn’t wanna guilt her more and he feels ashamed and when he describes this he feels weird for feeling it#so having jason this tough guy be like ‘yo i understand it bc i felt the same way#that’s gotta mean a lot to percy#also insane how jason who also struggles to display vulnerability#allows it in one of few times in this moment just so percy this guy he’s supposed to be jealous about#feels comforted and not alone in his guilt and shame#and also it’s just insane how jason’s wanting to kay em ess does not get talked about AT ALL#and just seeing his mom and the pressure of new rome getting to him#like this scene is insane and i’ll never shut up about it#also ignore me i’m just finishing my reread of hoo that took all summer#jason grace#percy jackson#pjo#ashla.txt
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was having trans marty thoughts again and i came to a realization about this scene

#back to the future#bttf#bttf fanart#marty mcfly#lorraine baines#lorraine mcfly#kit does an art#drew this one a while back and was hoping to save it until i compiled enough doodles in the same genre#but i like it better as a standalone picture bc it's funny so. here you go#poor marty he had so much going on in this scene alone#and if you think about him being trans it just adds another layer to that#1. just woke up from getting hit by a car#2. realized he wasn't dreaming and he definitely is in the past#3. that's his mom. in the past#4. his mom is HOT in the past. wasn't she born a nun or something this is wrong and terrible and he hates everything about this realization#5. where are his pants. why does he have no pants where are his pants. they're halfway across the room??? why are they over there#6. HIS MOM IS HITTING ON HIM???? his mom who is objectively hot in the past is hitting on him and he's in her bed with no pants on and ohhh#oh god. she took off his pants. to look at his underwear. and guys usually have something noticeably under the wear don't they. oh shit#7. SHE TOTALLY NOTICED. SHE'S GONNA ASK AND HE'S GONNA HAVE TO EXPLAIN THAT AND IT'S GOING TO BE SO AWKWARD AND BAD#8. there's no way someone in the 50s is gonna get it she's either going to think he's a girl (problem 6 is taken care of but replaced with#perhaps an equally uncomfortable experience) or like. they're going to stone him or something he doesn't know how they react to this stuff#in the 50s#luckily for marty the last 2 problems never happen but that still would've been a very stressful minute just thinking about it#she was so perplexed by the purple underwear ig she just didn't notice haha.#kit yap session#for the tags. as usual
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the 2nd half of death note should've just gone full comedy complete with a laugh track and had these two dissing each other the whole time
#THE GIRLS ARE FIGHTIIIIIING#death note#light yagami#near#nate river#death note fanart#anime#manga#digital art#moonriver#tagging that too idc#elle draws#they'd never get shit done if they were trying to solve the kira case together#they'd be too busy talking shit about each other it'd be so funny#I just know seeing that kira finger puppet alone would have light's blood BOILING#guys remember in that deleted scene where kira kills a large portion of the SPK and near calls light just to give him the silent treatment#they're soooo fucking funny#you've heard of real lovers well how about real HATERS#imagine near untying light's shoelaces while he's sitting on the floor#I can imagine them doing the thing where you don't wanna talk to the other person so you say it to someone else asking them to relay it#even though the other person is literally Standing Right There like “gevanni please tell light that his idea will never work”#“you can tell me yourself near I'm literally right here” “and gevanni please also tell him that we're not paying for his lunch today”#I'll be here all day folks
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I know the decision to have Julian's parents have him augmented was made on the fly but imo its pretty obvious from early on that Julian has Family Issues because he avoids talking about his family like the plague and I think they should've incorporated this into the Julian and Sisko dynamic right from early on because I think it would've made for some really compelling stories and moments and could've set up a REALLY interesting Julian and Jake dynamic which they kinda started to do but never fully went for
#star trek: ds9#julian bashir#benjamin sisko#jake sisko#s1 Julian being so young and eager to prove himself and latching onto Sisko as this mentor figure to look up to#seeing Sisko with Jake and low-key seeking that fatherly figure connection which he won't even let himself think about#Sisko seeing this young brilliant doctor who's got all the makings to be something great and he's just GOTTA help him along#I think he would also catch on pretty quick that Julian's got Parental Issues#he tries to ask one day all casual like 'tell me about yourself :)' and Julian talks about nothing but Starfleet and med school#any attempts to ask about his family are met with awkward brief answers and redirections#and then theres the way Julian's eyes light up the first time Sisko invites him to watch a baseball game#like he Knows. he's a dad he Knows somethings up#but he doesnt pry#I also think it makes their dynamic more tragic towards the end of the series#where we have Sisko asking Julian to compromise his morals again and again#Julian's trust and respect for him gradually deteriorating#and then at the end of course Sisko is gone and they have no idea when he'll be back#which I think Julian would have a lot of complicated feelings about#but of course theres also Jake#I imagine they'd get closer#very brotherly dynamic#you know that scene in TNG where Wesley goes to Riker for girl advice and Riker and Guinan start flirting?#absolutely happens but with Jake asking Julian for girl advice and Julian wooing a girl at Quark's and Jake absolutely loses the plot#makes the events of ...Nor the Battle to the Strong more intense as well I think#also I like to think there'd be an episode where the B plot is Jake gets mad at Sisko and impulsively decides to move out#ends up at Julian's because he did not think this through#Julian is now very much caught in the middle of this family drama and he Fucking Hates It#also him and Jake are NOT compatible roommates but he's trying so so hard to be nice#eventually they have a talk and Julian cryptically hints at his own home life and tells Jake he's lucky he has a dad who cares so much#them being closer would work into what Alone Together sets up for them
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This isn't my typical type of post on this account but I've been really enjoying taking photos of my Transformers
#photography#transformers#megatron#optimus prime#tf ratchet#starscream#megaop#optimus x megatron#megatron x optimus prime#megatron x optimus#starscream x ratchet#ratchet x starscream#I might be one of the few dime a dozen who ships ratchet and starscream let alone the gen one verisons haha#I'm not too proud of the boat scene one- it was really hard to get the boat to not drop them in the brook#mainly the second on where they're both on the boat I think Megatron launching it looks far better tbh
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i think a really great aspect of oofuri is how much it gets mihashi's ass for being overly timid and dependent. it would be really easy to write off the way he and abe interact as being abe's fault because he is overbearing, and a lot of people do, but it has some really great moments of going "hey, you cannot hide behind abe or depend on him to make every decision. it's not good for you, or him, or the team."
#oofuri#yeah abe is a little overbearing but it is often because mihashi does not make decisions on his own so abe is just filling in the gaps#because he really and truly cannot make a good guess about what mihashi wants#because mihashi has never said anything about what he wants#but any time mihashi has ever voiced a complaint or suggestion abe takes it into account#he is not dismissive#he just doesn't think to ask because 1. mihashi has never given abe a straight answer to anything 2. abe is not very good at being social!!#autistic teen boy who needs things said simply to him paired up with autistic teen boy who thinks saying things simply will get him killed#abe should ask more but mihashi also needs to say more. abe can't read his mind and he shouldn't have to that's not how relationships work#i get a little irritated at the perception that abe is treating mihashi poorly#what is he meant to do when mihashi doesn't talk to him#i am thinking about the scene where tajima gets mad at mihashi#and tells him 'you can't play baseball with just abe'#because mihashi being incapable of speaking his mind and acting on his own isn't good for the team#and abe will pick up the slack but that isn't how things should be#i did not like the bijou game but i really liked it showcasing the strain it put on abe to make all of the calls#and there is a lot there to be said about how his willingness to do everything but actually pitch for mihashi#stems from how bad catching for haruna was for him#because he felt alone at the catcher's plate the same way mihashi did on the mound#and that. fucking scene of abe begging haruna to pitch. augh. he'll do the rest please just pitch#abe can do everything else as long as mihashi stays on the mound#obsessed with mihashi and abe mutually being so worried that the other person will not be there
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moodboard for people who go into Luke Newton's tag and are forced to see the craziest garbage shipping nonsense and bad faith discourse that keeps being posted when he ISN'T EVEN IN ATTENDANCE AT THE PRE-BAFTAS NOMINEE PARTY TONIGHT


#luke newton#nicola coughlan#what do you mean you demons are still on ship war nonsense when he isn't even there??? why is he even getting tagged???#why was this poor man trending WHEN HE IS AT HOME IN HIS PAJAMJAMS EATING SPAGHETTI AND MINDING HIS BUSINESS!?#can y'all leave him ALONE please?????#what do you mean you're out here tagging luke in fights about nicola bringing her mid boyfriend to an event??? leave that shit in her tag?#it don't got nothing to do with luke what are we even doing here???#y'all exhaust me. i am exhausted#on a night where the only posts that should be in his tag should be about his amazing acting in the nominated carriage scene#THIS is the trash y'all are talking about? get out of my swamp#and for that matter- why is luke getting tagged in pics of jake and nic??? he's. not. there?#how dare y'all make me look at that lipless man when i go into luke's tag to thirst#jail
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I think Mr. Milchick is super into the power he has over severed employees and that's why he puts in so, so much effort. the reason he doesn't seem like a zealot is because he isn't one, that's not his motivation in his commitment to Lumon, I think he loves ruling over his little kingdom and I think he loves toying with the severed employees, being friendly and charming and playing around with them only to instantly withdraw and go cold again once the scheduled fun interlude is over. it's deliberate tyranny disguised as professionalism and I think he'd rather die than give up that power, which is why he did so much in this latest episode-- he wanted to make sure he kept his access to and authority over the severed floor, and he'll do anything he needs to do to keep that position.
#severance#the scene where he's talking to mark s about ''making your eyes kind'' outed him as a sociopath-- not in itself bad BUT--#the scene where he abandoned miss casey to face her deactivation alone after she pleaded with him to stay#to me seems to show that he gets off on twisting the knife. being cruel just for the sake of it.#I think he loves those mean little petty opportunities. I think he loves playing cruel god#this shows in how manipulative he is with the outies too. he'll do ANYTHING to get them back in his power
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Buddie Countdown to Season 7:
17 days.
#911#buddie#911edit#buddieedit#911 on fox#911 fox#911 abc#evanbuckleyedit#eddiediazedit#my edit#buddies7#911hiatus2023#otp: you don't need to pretend with me#usercam#buddie scenes#oh i could write essays about this scene alone#every aspect of it is so intentional it makes me want to scream#the framing the wording the back and forth where we are getting their reactions to what the other is saying#the way its a literal representation of the conflict between them#like legit even the way they are shown in the frame in specific points says so so so so so much#ugh#let them fight again please#a make up scene between them now would be SO GOOD#911verse#evan buckley#eddie diaz
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did every hero really follow endeavor's plan during the jail break? I've never watched bnha, but I always figured there were more heros then Japan knew what do with. Was endeavor really just that worried about how the fight again AFO would go? and did AFO have the league with him? or other prison escapees? Given eraserhead was so entrenched?
As a preliminary matter--yes, it was way more than AfO. The League basically did what they did during the USJ arc and subcontracted their violent attacks. They needed a big force to first get AfO and everyone else out of Tartarus, and then they made it very clear (via loudspeaker and also fucking tweet) that they would all be very peacefully retreating while all those criminally insane and violent motherfuckers went that other direction. Ball's in your court as to how you want to tackle it.
AfO was the biggest threat, by fucking far, but it was far from isolated to him. It was the entire League of Villains + Their Very Special Friends. It was the kind of force that would be required to make the entirety of Tartarus fall for the first time in history. So the heroes had plenty to keep them busy.
And as to whether Endeavor was that scared about the next fight with AfO... Yeah.
I think bnha does a good job at establishing that All Might and AfO just exist at entirely different levels than every other person alive. Their fight leveled a decent chunk of Kamino. And I think that's kind of power and devastation is hard to conceptualize as like, people in a world where we don't have to worry about superhero fights. (as a side note--Sukuna's Big Fight in the Shibuya arc from JJK did better than any other fight in media to really capture the sheer cosmic horror of being caught as a bystander in one of those fights).
But endeavor saw it. He was there for AfO’s and All Might’s last fight. The gods were fighting. Everyone else was just an ant.
He is facing the villain that ultimately took down All Might. All Might won Kamino, sure. But he didn't get up again after. He was permanently and irreversibly taken out of play. And Endeavor has spent the last year feeling like he was struggling to be even half of what All Might was with two hours of productivity a day. He was so consistently voted to not be able to compare to All Might that he bought a wife and had four kids about it, all of whom hate him actively.
He does not think he is winning this fight. He is Japan's number one hero. The responsibility is going to fall to Midoriya Izuku to him. He is the best they have left, and the fight that would be coming was one that already nearly killed All Might, the one guy he has never ever been able to compare to. And when he really looked himself in the mirror and asked if he could stop AfO, the answer was no.
And it wouldn't just be AfO if he came back to power. It would be his followers--and he was liable to get more than just the current League of Villains roster. It would mean more Nomus. They could barely handle one Nomu--how could they possibly handle the Nomus, and the LoV, and AfO?
And the answer that he came to was that they couldn't. Not without All Might.
He thought he was sacrificing Yokohama for every single other city AfO was going to level if he had time to grow in strength again. He thought that if they threw absolutely everything they had at him while he was weak, then maybe they could contain him and the League before entire cities fell.
So. That's why he came to that decision. Why did every hero fall into line?
So what’s key to what happened here was it was this complete structural breakdown at exactly the wrong time.
Structural Flaw #1: Transportation
Was it every hero in Japan that responded to Endeavor’s order? No. But not every hero in Japan was available. Any heroes out of the immediate area were too far away to do shit.
But it's a massive crisis. Heroes would commute from all over if they could--but it's not about desire, it's about time and resources. With how imminently emergent the threat was, a lot of far-away heroes would need something like a jet to even conceivably get there in time.
Who is sending the jet?
Let's pin down what heroes could, conceivably, get there in time. Very few heroes are in walking distance. How do heroes typically get from Point A to Point B?
Hero society in bnha is an agency model. There is no communal pool of resources--you have what your agency has. You have a jet to transport you if your agency has the money for one, and I’m pretty sure only all might had that (he has since had it dismantled and the parts repurposed for the sake of the environment. He only had it to begin with so he could quickly respond to imminent threats. All Might thinks there's more than one way to save the world and saving the environment is part of it). Like. We even saw Endeavor flying fucking commercial.
But let's just assume, arguendo, that some agencies have jets. It would have to be the very top agencies to possibly afford it.
All of whom are shown in canon to mostly operate out of the same area. So they're going to have to send the jet somewhere else to get more heroes. Now any travel time is doubled. If they do send it out, how many people are they realistically getting? Are these heroes in multiple different cities? That's more travel time then. Maybe we just land the plane in Kyoto and whoever gets on in the twenty minute period while they're refueling is who is coming back. We'll hand them parachutes and kick them out the plane door over Yokohama. Okay. Good plan. Go team.
Who is sending the jet?
Like, who is physically making the call to send the jet? Who do they call? Do they just start ringing around their buddies and seeing if they have other plans? The city is on fucking fire and we need people fighting now, so the big name heroes don't have time to organize transport with other agencies. They’re not even thinking of that right now. Make it a sidekick's job.
They are all on fucking strike.
Fuck it. Fine. Make it an admin's job. There has to be some kind of office staff who can work a telephone who's available.
Who is thinking to send the jet?
Admins are not making strategic calls about where the company jets go. There would have to be some kind of protocol in place or someone with the authority to send the jet would have to think of it in the moment. And I guarantee you this would not be the case.
Because this is a society where they have canonically semi-privatized public safety and put people in direct competition with each other over it.
ASIDE: The Economic Structure of Heroics and Why It Sucks
I have an economic structure. You must listen to it. I promise it is relevant. This is why it takes me forever to do things it's because i get too deep into the weeds and have to explain the fucking economic structures underpinning the analysis for my nonsense to make sense.
How the fuck do heroes get paid?
I have no idea if canon ever tells us because to be so for real with you guys I have not watched this show in years. I haven’t cared about canon since the Shie Hassaikai arc. The fucking YouTuber arc broke me. I literally never watched it again. If they ever explain to us how heroes get paid I do not know and I do not care. I refuse to go back to canon. Everything I found out about canon after the Shie Hassaikai arc, I learned against my will. The ending to this story was so fucking stupid and I only have a scattered knowledge of the details but I’m still right. If canon ever tries to explain it then please do not tell me, I refuse to learn more things about this show.
But I still like poking around the potential economic structures based on the part of canon that doesn’t cause me psychic damage. So here’s the thought process for the economic underpinnings of hero society in the pez universe.
From canon, we know it can be an enormously lucrative profession, we know that it involves some degree of private interests (re: merch lines), and we know that there are some people who cannot have merch lines (Underground Heroes, e.g. Eraserhead), so there also must be some kind of public funding aspect to it as well. So. Who the fuck signs your paycheck?
Sources of Funding
a. Public Funding
There must be some kind of official governmental budget for heroics. Like. They are very much a public service. There would be no way to have a fully private heroics force without government funding. What else are you supposed to do, fucking Venmo heroes after they save you? Do they put your kitten back in the tree if you don’t have enough.
In my mind, there's public funds allocated to heroes as part of a city's budget. That funding is allotted based on the number of employees in a given entity balanced against the confirmed acts of heroics of that same given entity. There’s a base salary level and that can be increased based on how successful you are, but salary isn’t exclusively what this fund is for. The heroic entity (an individual hero or an Agency) is effectively receiving grant money from the government to run their agency. You put it into salaries, gear, office space, everything. The government is basically investing in heroes, and it’s investing more in heroes who are shown to have a greater positive impact on society.
It involves overly complex calculations regarding the scaled difficulty of a given bust/rescue/act and ranking of the villain (if there is one) and the overall public benefit for the service rendered. You get bonuses for having a lower average property damage, for contributing to community building projects, that kind of thing. It is Complex. There is a lot of paperwork that has to be submitted to strange and vaguely threatening government accountants. When Mirio and Izuku start their agency, they will burst into tears multiple times trying to figure it out once filing season rolls around, bundle all the paperwork in a Massive Tears And Shame Package, mail it off to the shadowy powers at be, and then get a perfunctory notice that they are getting a ludicrous amount of the city budget allotted to their dinky little agency for the upcoming fiscal year because they are Big Fucking Heroes and enormously good at what they do and it reflects in their stats. They will then lay on the ground of their haunted fucking office and stare at the ceiling for a very long period of time.
But this puts the heroes in competition with each other. Your public funding is chained to your stats under this model. There's only so many criminals out there--you've got to get the right numbers or it cuts into how much of a slush fund the agency is working with.
It's sort of an insane model for a public servant position, but I think it matches with what canon shows us. Imagine having firefighters pitted against each other. like, having a competitive model for public safety raises extreme concerns about how it incentivizes public servants to act.
But this isn't canon's model. It's my guess as to how canon works based on the hints i can remember and my own mental illness. So why do I think canon suggests a model like this?
It's because 1) canon does establish that heroes are in competition with one another and 2) this kind of model would likely be necessary due to the level of autonomy that heroes have.
The literal first fight we see involves heroes in competition with each other. Kamui Woods is doing a big Ultimate Move, and Mount Lady rushes in and steals the show. Like. that is crazy behavior if we are looking at this through the lens of a typical public servant. Imagine you're trying to get directions from a park ranger and a different park ranger kick flips in with a map and a desperate need for you to get your directions from them instead. You call poison control and they’re beating each other in the head over who gets to tell you you’re dying.
Still, on its own, the competition isn’t dispositive, because the private income streams (we'll get there) would incentivize competition even if public funding wasn't based on it. But the level of autonomy that hero offices exhibit also suggest some kind of competition model.
Heroics agencies are not run like a typical police force or fire station. With most entities that function as first responders, they respond to some kind of centralized force (like 911 call centers) and they have highly regulated resource distribution. Like, police forces are restricted to a specific jurisdiction. Within that jurisdiction they have multiple districts and officers typically stay in their district. They're not going to a different fucking city because they think the crime is cooler there.
But Endeavor does exactly that. He's like "hello, son who hates me. Let's go to Hosu because I want to fuck with the hero killer for street cred. won't you come along. It is non-optional" and todoroki says "i hate you father and will abandon you on our father son trip to set a serial killer on fire with my mind. it will be for mildly gay reasons."
These agencies aren't a centralized public service. They are all just off doing their own thing. They're not responding to specific areas as allotted to them by the city--they just fuck off and do whatever. Like, there's probably some coordination between agencies as to who is covering what patrol, but it likely would be more out of courtesy than formal requirement. People wouldn't step on each other's toes nearly as much if there was more of a structure to this.
Typical public agencies who receive funding in accordance with staffing and budgetary needs have more structure and formality than is exhibited in canon. Heroics Agencies act like they're all independent contractors. They probably function like grant money recipients, where they're all fighting for the same pool of funds. You have to write in and show why you deserve that money when that's the case. They're in competition with each other.
Like, is this definitively the structure in canon? No, of course not. I have no fucking idea what, if anything, canon has going on. But it definitely fits with canon.
b. Private Income Streams
We know from canon that it can't just be public funding. Izuku alone probably paid for the Mighty Agency private jet with how much fucking all might merch he bought. Canonically, heroes have merchandise lines, branding deals, commercials, everything. All Might had fucking movies made about him. Those are all extremely lucrative income streams--and likely where the richest heroes get the biggest brunt of their income.
In order to get this kind of income, you are necessarily in competition with your fellow hero.
Public attention, spending money, screen time, all of it--it's a limited resource. You have to be the person who gets to the fight first, who does the big move, who saves the day. If it's someone else? Then that's another kid buying their action figure instead of yours. Heroics is heavily commoditized in canon, and that inherently invites competition.
2. Distribution of Funds
So now that we have a theory as to where the money comes from, how does it get paid out? Based on canon, it comes down to a structure of (a) Independent/Underground Heroes and (b) Agencies.
a. Independent/Underground Heroes
I can't actually remember if the word "independent" is said in canon or if I came up with it, but I think canon implies its existence. It's basically the same thing as being an underground hero, but you're still a Spotlight hero. I also cannot remember if the underground/spotlight thing is canon or fanon or what I’m sorry I haven’t watched this show in years.
Independents are spotlight heroes without the backing of an agency. They just go out every day with the clothes on their back and a dream. They have no support staff, no back up, and no one to help them if things go sideways.
It is not a popular employment option.
Part of it is because it's that much harder to fund being an independent. Like. Say you're just out of high school and you decide to strike out on your own as independent. You're still spotlight, so you can have a merchandise line, and that'd be a nice income stream while you're just starting out.
How the fuck do you start your own t-shirt line?
How do you make contracts with the manufacturers? How do you make and copyright the design? how do you sell the stupid things? Do you try and get them in Walmart? Do you start an Etsy? Your own website? do you call your mom and cry when you have 500 ugly t-shirts with your face on them that no one wants to buy and they're taking up all the space in your studio apartment.
Agencies have preexisting structures in place to help launch these kinds of options, which is one of the reasons why they're so attractive for baby heroes just starting out. The only reason why Mirio has merchandise is because he decided that he didn't care and didn't need to make merch and Izuku came after him with feverish crack addict energy because he cared and he needed Lemillion merch like. yesterday. All Might ended up getting his agency to start a lemillion line. Mirio gets the profits with a reasonable fee to the Mighty Agency. To this day he suspects that Izuku is 70% of his sales but Izuku denies this fervently, like a liar (he actually has a small but very devoted fanbase who rabidly support him and buy all of his merch. he would cry if he knew this. Still. Izuku is his biggest fan and buys literally every single piece of new merch in triplicate.).
Underground heroes are in the same boat as independents but they don't even have the option of a merch line. They exclusively get public funding unless they're backed by an agency, which none of them are because agencies have a tendency to fuck them and their busts for the sake of the spotlight. All underground heroes are bitter and culturally opposed to agencies.
On that note:
b. Agencies.
This is where by far the most heroes would end up. But an agency is like thirty dudes with the same joint bank account. How does the money get there and get distributed out?
i. Public Funding in an Agency Context
Take the above model. How do you attribute public funds based on personal statistics if there's no single person? Does everyone get their own check? But that wouldn't make sense--this isn't just for salaries, it's for funding the actual heroics itself.
Everyone under the same agency would be counted together for the purposes of funding allotment. If Sidekick A managed 300 busts last year and Sidekick B man managed 350 busts, then congratulations, The Big Hero Hero Agency made 650 busts last year, here's a check made out to the agency, figure out what you want to do with it.
But what about incidents that involve multiple heroes from the same agency? Let's say that The Big Hero Hero Agency is involved in a big bust. It is Sidekick A's baby. They have spent months doing this. This has been blood, sweat, and tears. When the day comes, they are joined by Sidekick B, Sidekick C, and Big Hero himself. Sidekick B has been helping Sidekick A for the past three weeks on this case. Sidekick C got called in the day-of to help.
Big Hero showed up for the last twenty minutes of the fight when they were mostly done with everything.
So. You're filling out the post-arrest paperwork. For funding and for public statistics, you need to make sure to properly account for who gets credit for the bust. It has to be one person--if you had everyone individually credit themselves for the bust, then it looks like you've resolved four incidents instead of one under this financial model. it's artificially inflating your numbers for public funding. that's fraud. Who should get the credit: Sidekick A, Sidekick B, Sidekick C, or Big Hero?
Well, there's nothing stopping Big Hero from writing their own name. So let's go with Big Hero. He helped.
This was one of the big sources of the sidekick strikes: a lot of agencies had an absolute policy of attributing successes to the name hero if they touched the case at all, because there was no rule against it. It was better for the agency, after all--unrealistically high numbers on the biggest name meant the agency as a whole appeared more successful.
So there were a lot of heroes artificially inflating their stats with things that were more properly credited to their sidekicks. Which made it all the harder for sidekicks to leave because their stats were shit because their boss was taking credit for their work.
ii. Private Funding in an Agency Context
But that’s just public funding. How would agencies distribute private income streams?
Big Hero Agency is proud to announce its newest line of Big Hero Action Figures, featuring the Entire Big Hero Team, now retailing for $39.99. Get it now from a store near you.
So. An agency is selling an action figure line featuring Sidekicks A, B, and C, as well as Big Hero himself. We’ll round up to an even $40. How do we split up the cash?
You can’t give everyone each $10. You have to first pay the suppliers, the advertisers, the trucks that shipped the toys to the store, etc. Then you have to pay back into the agency to fund miscellaneous expenses—the stationary, the insurance, the coffee in the fucking break room. Everything. By the end, there’s only $4 of profit left over. Not great, but hey—they’re selling a lot of toys. So if they each get a $1, then it should add up quick.
Right. But. If you think about it, people are only really buying it for Big Hero. He’s the best hero of all of them—his name is on the agency, and just look at how much higher his stats are. So it’s only fair that he gets $3.70 a toy and the rest of them can get $.10 apiece. Don’t worry, it’ll add up quick.
Not all agencies would have been like this. But a lot of them would be. Money is a hell if an incentive to screw people.
END OF ASIDE.
With all that in mind—why would they feasibly have a structure to fly in help from other heroes far away? That’s their fucking competition. Sure, we have team ups, but they’re all either well in advance or in the heat of a moment. If they are in the heat of a moment, half the time the heroes resent it because they just stole their fight. They’re gonna what—pay the exorbitant jet fees to fly in someone who’s just going to steal their hard work in the eyes of the public?
Okay, but what about situations like this? Massive emergencies where you need more people?
Those haven’t ever happened before. They had All Might.
So. The heroes on the ground calling in help are out. What about the heroes who are close enough to make it there by ground transport? No one calls them, they just show up out of public need. How are they getting there?
Trains are out. All the trains into the area are shut the fuck down. We are not giving the freshly escaped villains a bullet train to the rest of the country. Same thing for buses. No fucking bus driver is making their regular route into a fucking battleground.
Private transportation it is. Anything more than a few hours out of the area is completely out of the question. Like, good ol’ Manuel from Hosu City and all his buddies? Not making it. The wild wild pussycats? Watched this on TV from their mountain home. Gran Torino? On FaceTime with All Might, who is watching the fight with Midoriya Inko’s hand gripped in his left and Bakugou Mitsuki’s hand gripped in his right. Gang Orca? Twelve hours away and on a fucking island so he needs a boat AND a car to get there. Or he just fucking swims.
But there has to be at least some hero that saw this happening and heroically climbed in their Mazda sedan to make the three hour car trip. Why didn’t they go to the fight in Yokohama instead of the one against AfO?
Frankly at that point those literal children were visibly doing way better than the actual heroes were faring and any heroes showing up went where they were most needed and uh. It wasn’t by the kids.
If we have the agency model as given to us by canon, then that means there is a decentralization of resources. If you want to utilize your public defense force in the case of emergencies, then you need a way to fucking get them to the emergency. Canon does not have that. This is a huge structural failing that only wasn’t a disaster sooner because most emergencies required one guy and he had his own private jet. So most heroes in the country never had to even consider if they would listen to Endeavor’s order because they were completely cut off and useless at the time.
So. Now the analysis has been narrowed from all of Japan’s heroes to just the ones in the immediate vicinity of the fight. That’s still a fuck ton of heroes. This is a heavily populated area with a bunch of heroes around. You can’t go outside without tripping over a hero.
Most of those guys were on fucking strike.
Structural Flaw #2: Over-Reliance on and Abuse of Sidekicks.
The vast majority of the workforce had to be sidekicks. Like, just from a business model perspective. Even the smallest agencies we saw had 2-3 sidekicks. Endeavor’s agency had at least double digits, and I think Idaten was at over a hundred or something. We were probably looking at, conservatively, a 1:10 ratio of heroes to sidekicks.
All those guys are on strike.
Okay. But not all of them, right? Idaten already settled and got their sidekicks back. That’s like a hundred guys.
Except the Strike was not isolated to the Tokyo/Mustufasa/Yokohama area. Idaten sent out a lot of their sidekicks to other regions to help alleviate some of the strains of the strike. (As a note, this was not the Idaten sidekicks crossing the picket line. Them picking up the slack for other sidekicks still striking would have helped minimize effects on the public. However, the agencies of the striking sidekicks would have reaped no benefit from this under the compensation structure outlined above. Idaten would have gotten the credit for everything their sidekicks did, so the other agencies would still be bleeding from this while risk to the public was slightly alleviated. Idaten’s entire function in this strike was to set an example for quick settlement and minimize public harm. There’s this entire sub-analysis on Idaten’s internal culture and how it intersects with broader heroics standards that I won’t get into now this is already way too long.)
Idaten is at 1/10 capacity. It has like, ten guys, all of whom have been working say, thirteen hour shifts (voluntarily—again, it was a decision made to try and minimize the public safety risks of the strike while still allowing their colleagues their best chance at improved conditions) daily for the past month.
All of those ten guys responded to Tartarus before Endeavor made the call.
To understand the exact nature of the breakdown, you really have to see the chaos of how exactly this unfolded.
The LoV and their merry band of criminals hit Tartarus. The heroes do not realize at this time that they intend to let everyone out, give them transportation, and point them straight towards the mainland. They think that they’re just there for AfO. That’s still a huge crisis that needs to be shut down immediately, so they call out all of their best. Endeavor responds. Hawks responds. Eraserhead responds. Mt. Lady, Kamui Woods, Miruko—everyone in the vicinity who could conceivably respond show up. For a second, it looks like it’s going to end here.
Once the LoV get AfO out of his cell, the entire tide of the battle turns against the heroes. Now everyone’s out. All of those horrible, terrible villains. Tartarus has fallen. They have to make hard decisions. The high ranking, very powerful heroes who are most likely to break the line on Endeavor’s decision? They’re already at the fight by the time he has to make it. It is chaos and something they cannot easily leave.
The LoV’s picked right now because they knew that the heroes were operating at less than a tenth of their regular capacity. They picked right now because they knew the system had structural faults, and if they hit them just right, it would all come down on the heroes’ heads.
But the sidekicks broke strike lines to respond, right? Why do they all go to endeavor’s side?
For one thing, it wasn’t all of them who showed up—maybe a third of them were not even in the area any more. It wasn’t malicious, or intentional, or anything like that—they were off visiting their families for the first time in a long time or taking vacation. All of them had spent the past few years being completely overworked and abused by their jobs. They just weren’t there.
So now we’re down to 2/3rds of them who can even try to show up.
A lot of it wasn’t actually made as a reasoned choice. For many of them, they ended up where they did because of all the chaos.
So you’re a sidekick. You’re on strike. The entire world has gone to shit. How do you normally find out about the world going to shit?
This is a competition model streamed through individual entities. There’s no central command structure. Your agency calls you.
Well, your agency either fucking fired you or they cut you off completely during strike negotiations. This time, you find out through the news when the story breaks. Now what?
You frantically try to get in touch with your (ex) agency. Who is picking up the phones?
No one. That was your fucking job before you went on strike.
I used to work at a government public-service type deal, and let me tell you, they abuse the fuck out of non-unionized workers. You are doing everyone’s job. No one ask why we don’t get more support staff because they have unions. Like. I had a law degree. I was hired to be a lawyer in that office. They had us all doing the jobs of four people, and by that I mean it would be the literal entire job description of another fucking position in that office and we were all expected to just do it too.
Unions incentivize treating workers right. The absence of them opens the door to the opposite.
Why the fuck would agencies hire more people to lighten the load on the sidekicks and let them focus on actual heroics? Just make the sidekicks do everything. What are they going do, complain? They’re a dime a dozen. Hire more of those fresh faced kids with no standards just out of school.
You know when you had a job where you’re like. This fucking place is going to fall apart without me. But they treat you as disposable and easily replaceable and you’re like “okay bet” and so you leave and you find out from the people left behind that it actually fucking fell apart without you and you’re just like :o
Yeah. So that happened.
There has been a massive break down in the function of heroics offices for the past month and change because the sidekicks were not there. They were the ones who actually did most of the day to day handling of the office. They were the ones coordinating transport and figuring out the actual mechanics of who would be deployed where in a crisis. All those things that would be super helpful now? Yeah, those guys aren’t there, and they’re locked out of the fucking offices and can’t get in to un-strike for the sake of societal crisis.
But they know where the fight is. It’s on the news. Why don’t they just show up?
Where’s their gear?
Who owns it?
Heroics support gear must be an enormously expensive thing. It would have to be provided by the agency itself. Literally the only reason why Mirio has gear is because 1) all might would NEVER let his pseudo step son run around without proper support so the man would have bankrolled it himself if needs must and 2) the UA support class has a stipend each year where they can make support gear for active heroes and those heroes get it for free in exchange for free advertising for the students trying to kick start their careers, so he is decked out in THE most experimental bullshit from Hatsume Mei Industries (I have this entire side plot where the support class this class year low key became a sort of religious cult haha not really it’s just a joke it’s not really a joke and power loader is afraid every single day when he comes to work he is afraid under the iron clad rule of Hatsume Mei’s weird girl energy and they all decided Mirio was the Tabula Rasa, a figure of prophecy, and I just cannot get into that right now it’s too long it’s too long already. But it’s so fun).
All those sidekicks on strike lost valuable time trying to get back into their agencies so they weren’t showing up to an S-class villain fight in their fucking jammies. Then, when some poor admins figured out what was going on and let some of them in, everyone was frantically gearing up and getting in whatever transport van they were pointed at. Some of them didn’t know they werent reporting to Yokohama until they were already at the other fight. There’s was so much chaos and confusion that very few people had a clear idea of what was happening.
With the sidekicks, some of them never made it, some of them just got in a van and went wherever it took them, and some of them chose to obey Endeavor’s orders. Some agreed with the decision. Some disagreed but deferred to his experience. With how the Sidekick Strike had left their infrastructure, very few sidekicks were able to respond fast enough to make any real difference.
Now for the last possible demographic: the heroes that weren’t on strike and weren’t initially deployed to the Tartarus Prison Break. Why didn’t any of them go to Yokohama?
Structural Flaw #3: All Might was that one kid doing the entire group project for like forty years and some of these people are having to be heroes for the very first time and realizing that they don’t actually want to risk their lives to save people they just sort of liked the idea of this job.
It may be a bit too specific to be a structural flaw but I’m counting it anyway.
So, just to give a bit of a recap: We consider every hero alive in Japan as a candidate for Endeavor’s order. The vast majority of them are too far away to do shit, and there’s no centralized transport network to get them there faster. Toss in those who are dealing with personal medical issues or are away on vacation or just can’t come for some reason or another, and you’ve lost most of the heroes in Japan as respondents. Probably ~80% of potential heroes are culled from this alone.
So we have, generously, 20% of Japan’s heroes left as potential people to respond. ~90% of those are sidekicks on strike. They’ve got hours before they make it to any fight, because of the aforementioned structural breakdowns.
Now we’re down to 2% of Japan’s total heroes.
Some of that 2% were first responders to the initial Tartarus prison break. All the big name heroes in the area. But there can’t be that many top heroes—so let’s say 0.2% of them were at the initial fight.
Now we only have the remaining 1.8% of heroes to analyze.
There have to be a percentage of those who agreed with Endeavor’s call as a tactical decision. If they show up to any fight, they’re going to be obeying his order.
So we only have the ones who disagreed with his call left to look at.
These are small-time heroes. All of the big names are already at the fight. So they are less likely to have flashy Quirks, be especially talented, or consider themselves to have an especially large effect in the grand scheme of things. They have likely spent their entire careers living in a world with All Might.
It has never actually been down to them.
Think of Uwabami. Momo did her work study with her.
Her hero outfit is a fucking evening gown. She spent the entire work study doing commercials and meeting with her fans. She explicitly invited the young heroes that she did because she thought they were cute enough to be in commercials with her.
Now, she’s had some good if minor moments helping rescue civilians. It’s not that she’s never saved anyone.
But all of the top heroes are already committed to the fight against AfO. The current Number One Hero just ordered all her colleagues to report there. And Yokohama has a lot of S-Class villains en route.
And what the fuck is she going to do to stop them? It’s just her. Half of those villains took All Might to stop the first time. She is not fucking all might.
Is this a hero likely to go to Yokohama completely on her own to fight *checks notes* literally the entire prison population minus one guy? The worst guy, albeit. But one guy.
These are all heroes who have never had to be the actual thing standing between society and destruction. There has always been someone more powerful or capable or heroic nearby. Until recently, there has always been all might.
This isn’t to malign them. A decent percentage of them are legitimately well meaning about being a hero. They do good. But when it came to the big, blowout fights, they have always, always, always been the heroes evacuating civilians in the background or performing rescue in the aftermath. It has never been them who had to stand up and do the fight itself.
Every single one of those villains represent a big, blowout fight. And this hero trying to decide if he’s going to obey Endeavor’s order? They are one guy. And they’re not sure if they could even beat one of those villains alone, let alone all.
The reason why no one disobeyed Endeavor’s order was because, frankly, at the end of the day, they did not want to die.
Endeavor’s order signaled to everyone that there was no guarantee anyone would show up to Yokohama. It actually put good odds to the opposite. If you decided “fuck that, I’m going to Yokohama” then you’d likely be doing it alone.
What Class 2-A did was considered a death sentence. People who didn’t know them and their bullshit were shocked that they all made it out alive. These were the worst villains their society had ever faced and it was all of them at once (minus that one guy).
The heroes who were in a position to disobey endeavor didn’t actually think it’d make a difference if they did. They’d just… lose.
Most if not all of these heroes made the decision to become heroes during all mights era of peace. Everything just had lower stakes. Crime was less frequent and less serious. The big fights always had someone there who could handle them, because All Might was there. They’d fight the odd mugger or purse snatcher and help put out fires and go home at the end of the night. They’re heroes. That doesn’t mean they’ve ever truly had to grapple with a life or death fight.
If they went to Yokohoma, they thought they’d die. So they might as well respond to a fight that has a chance. Even if they feel ashamed as they do it. Even if they think Endeavor made the wrong call and wanted to go to Yokohama instead. All Might wasn’t there anymore. And they were afraid.
But there is one thing that Class 2-A had going for them that gave them an advantage over these heroes. And that was the fact that they are all medically insane.
It’s that they were together.
It’s a decentralized heroics structure. If you have a large agency, you are necessarily a top hero because no one else would be able to get that many people to agree to work under them. So you’re already at Tartarus and this isn’t a decision you had to make.
Maybe you’re independent. Maybe you have a small agency with 2-3 people. There is no preexisting centralized line that you can use to try and gather more people to go to Yokohama with you. You’re stuck with your immediate colleagues and maybe a few other heroes you’re close enough with to have their number. You really don’t have time to try and ask around to see if anyone else wants to go to Yokohama instead—you need to pick a battle and get there yesterday.
What good is 2-3 people going to do in Yokohama? You’ll just get massacred and it won’t have made a difference. At least if you go to stop AfO, you’ll have a chance at doing something that mattered.
Maybe you disagree with Endeavor but you defer to his training and experience.
Maybe you don’t go at any fight at all. Maybe you’re afraid. Maybe you became a hero in a time where you had a symbol of peace, and you realize you can’t keep doing it in a time without one.
I think there’s a small subsection of heroes that quit in the aftermath of Yokohama. Because they wanted to disobey endeavor’s order, and they thought they’d just die and it wouldn’t matter, and then dawn came and a bunch of school kids had managed what they were too big of a coward to do. I think the fact that they fell into line when their hearts told them they shouldn’t made them seriously doubt whether they were good enough to be a hero.
But they were alone when Endeavor made the call. And it felt like certain death. And—yeah, it sort of felt that way to Class 2-A when they made the decision to respond. But they weren’t alone when they did it.
They were together. And they always felt braver when they were together. Together, they could make miracles happen.
#pez dispenser debris#me with fictional worlds: where is your city planner I just want to talk#none of the heroes were happy at the thought of abandoning Yokohama#Yokohama didn’t happen because the heroes actually all got together and said ‘fuck those guys let ‘em die’#it was an absolute implosion of the heroics structure that they’d spent their entire careers working on#in my mind there’s a heroics organizational reform bill still making its way through the Japanese government in an attempt to correct the#structural failings that led to Yokohama happening. Aizawa keeps getting calls for his fucking kids to speak to the government about the#issue. and he’s like ‘absolutely not someone will tell them to do a flip and they will do it and cause a public incident’#no one said it out loud but everyone was sort of terrified that one of them would die at Yokohama#you could choke on the fear during the ride over#but they didn’t know what else to do. Yokohama needed heroes and all they had were them#but when you think of Yokohama think of all the big boss fights during bnha#not afo but like. overhaul. now think of fighting a few dozen of him at once. it’s. it’s not great odds.#the idea of just responding alone in the face of that is a nonstarter. and the decentralized nature of the system meant it was borderline#impossible to get the support needed to make a defense feasible. but class 2a had each other. and that was all they needed.#going to Yokohama the next day and it not having been a bloodbath was the biggest relief of those heroes lives#endeavor had never had a good relationship with shouto but he went to him in the hospital after and genuinely thanked him#I have this mental image of Iida. concussed four times over running on fumes and slightly delirious. desperately trying to keep it together#just a little while long. he has a list of the injured who need immediate evacuation. and his classmates. some of them need to be taken to#a hospital immediately. he made a list of their medication allergies. please ensure everyone is taken to the same hospital. he doesn’t think#he could bear it if they were scattered about. and he needs to help coordinate the transports of the villains from where they’ve been#containing them. and one of the Idaten sidekicks is like. Tenya. it’s okay. you did amazing. you can relieve command now. they’ll take it#from here. and he just says. okay. and he sits on the curb and cries. he asks them if one of them could call his brother. he’d. he’d really#like to come home if that’s okay. just for a few days. he just. he wants to go home. like the aftermath of that scene was kind of brutal to#process because on one hand they had all done so amazing but on the other they were so painfully young. a lot of them broke down in the#aftermath. kirishima got embarrassed because he started crying and asked mr Aizawa to call his moms. like once the adrenaline crashed it#all sort of hit them. they had all been so brave but also they were kids and they really really wanted their parents now if that’s alright#they know they’re heroes now and they have to be brave but also can someone please call their mom. please please please they just want their#mom. it was sort of a punch in the face for the full heroes to get there and see just how young these kids were. like these weren’t they’re#colleagues. these were kids who they didn’t protect. it hurt.
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aw frederic and his two dads 🤪🙄

posted 8/5/24
#ugh..#sorry.. need to rant#this came up on my insta and fuck#i hate this scene#because it’s so goddamn staged#like they rented that house on the beach for two days#to get these idyllic sunset shots#🙄#(and then charlie said it was his fave scene lmao pls)#(and that no no it wasn’t stage it was totally organic..)#and to get some ‘’cute domestic'' footage#because apparently dad doesn’t have a house where the kid lives#the kid doesn’t have his own bed in a familiar place#no no it’s a new rental every time dad comes to visit#because who cares that children need stability#what kinda shitty parent… (if this was real)#also what was oli even doing there like.. can’t dad be alone with his kid#the narrative in this film (and in this farce) is a mess#and an insult to my intelligence#anyway guess they're cementing some public narratives...#with the whole posting to tiktok thing#however annoying that is#okay I feel better now getting that off my chest lol#*** **#aotv insta#08.05.25#$#don’t send me asks about this please and thank you
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Severance / Margaret Atwood, The Robber Bride / Amy Grantham, Women’s Greatest Performance; The Internalized Male Gaze
#helena in particular has deeply internalized the idea that she must perform even while alone#because she has an acute awareness that she is under constant surveillance as so much the imagery surrounding her tells us—#a camera lens/all the scenes of her on TV/the looming figure of her father watching her/her watching the recording of her innie back —#and she Knows it. there’s never a moment in the outside world where her performance isn’t being evaluated#anyways this is all to say eughhhh motifs eughhhh themes eughhhh fiction’s ability to use very literal imagery to neatly get a point across#also i think it’s interesting how much our perspective of her shifts from s1 to s2#how little control over her life she really has#a screen she’s protected by she’s also trapped behind#helena eagan#helly r#severance#web weaving#web weave
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BUFFY THE VAMPIRE SLAYER 3x02 | “Dead Man's Party”
#btvsedit#btvs#buffythevampireslayeredit#buffy the vampire slayer#creations#buffy summers#xander harris#willow rosenberg#buffyseries#buffysource#dailybtvs#slayerdaily#i hate this episode i do.#*sobbing* leave her alone...#only people with rights outside of buffy in this episode are cordy and weirdly willow. but willow only gets rights in that last scene where#she and buffy make up#like i do get what they were going for with this but the 'watch buffy get ragged on and ignored' episode is not fun
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Nothing like Heartstopper S2E8 removing some of Taylor Swift's "seven" lyrics just so that the singing can specifically come back in at "Or hide in the closet" while Isaac is processing difficult emotions related to the book he's reading (i.e., Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex by Angela Chen).
Did I mention "Or hide in the closet" hits just as the camera focus finishes shifting away from Isaac?
This is fine
#This is not fine#Warning: Long tags ahead (2 topics)#TOPIC 1:#I'm glad Isaac feels safe enough to be reading this book and processing emotions around his friends#That's the positive spin on “he's quietly dealing with a lot while next to his friends and they're not noticing and he's not sharing" right#The contrast of this with the happy friend-bonding montage time feels purposeful and sad (esp. with lyrics about staying in the closet)#but on the bright side this is in the midst of happy friend-bonding montage time so we also see them having happy bonding times together#- showing the friendship is still strong even if right now Isaac isn't wholly known or fully fitting#Hopefully this is leading to Isaac telling his friends what he's going through in S3 and the friendships adapting to fit him better#TOPIC 2:#Also - don't think it's unintentional that where the camera focus shifts to is Nick with his arms around Charlie and then kissing his head#I think we're being purposefully distracted from Isaac with allo 'cuteness'#Because what the other characters often get swept up in - especially as they all couple up in S2 - is alloromantic/allosexual interactions#And that's frequently what the world prioritises or cares more about too#I think the show is intentionally calling everyone - from the characters to us watching them to the whole world - out#So that hopefully we (general) can all be more aware and do better#[In case you were wondering this N&C/Isaac scene is also right after we see short clips of Elle & Tao and Tara & Darcy cuddling -#which also seems very intentional: Isaac - sandwiched in between views of cuddling couples - alone in more ways than one]#CONCLUSION:#I think everything is working together to highlight the contrast between what N&C and Isaac are respectively experiencing in this moment#Did I mention this is not fine?#It is well done though#heartstopper mini moment#isaac henderson#aroace#aromantic asexual#lgbtqia+#queer#taylor swift#seven
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Strangers From Hell Incorrect Quotes [13/?]
insp.
#strangers from hell#seo moonjo#yoon jongwoo#gifset#*brace's#incorrect quotes#//#ok so technically the quote is from IWTV#but what inspired me was this one fic I read yesterday#where Jongwoo tells Moonjo he hates him while they're making out#and the Moonjo there enjoyed that so much. So much you'd think that's dirty talk to him#and. hm. yeah. to me that tracks.#the idea of being able to get under Jongwoo's skin deeper than anyone else#to provoke burning and disorienting reactions with your existence alone#in such a way you just CANNOT be ignored#that sounds. uh. pretty good. very satisfying. from a Moonjo point of view.#but. why did I match this dialogue with this scene you may ask-#well for one I really like the acknowledgement that comes with ''as you should''#no denial. no begging. no bargaining.#if that person hates you that's because you gave them a reason to and you know it#you know you deserve it#you deserve the consequences of your actions. your punishment.#this time. from this one person.#the one person you hold in higher regard than yourself. the only one whose feelings matter more than your own.#if you're in the receiving end of their rage and disgust you should cherish it#that might be all you are ever gonna get from them. all of them that is ever gonna be yours.#their hatred might be the most personal‚ most intimate feeling they will share with you.#... and that's why I picked this scene: the closeness. the intimacy.#Moonjo's surrender. the way he just lays there and wait. watch. the look of reverence in his eyes.#reverence tinted with fondness and pride. with bliss.
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