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nenoname · 1 month

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Gravity Falls DVD Commentary Highlights

(just a huge, and I mean huge, dump of random quotes that stuck out to me, which I sorta separated into characters+their relationships and it's probably gonna be obvious that Stan is my fave lmao

I dunno how to make this legible for anyone but whatever, just take all these rando character tidbits. Stan Twin pranks! Sonployee essays! The concept for a post-Weirdmageddon episode that Alex insists is just too miserable but I want it anyway! The Pines family making me cry!)

Stan

"We love the idea of Stan [in Boss Mabel] having a minute to uh, having a context where we want to see him be his worst self and seeing his big brash personality in like a setting that everyone can understand, because the Mystery Shack is a little bit ungrounded because he's in his world of his characters, but seeing him out in the outside world is funny weird."

We really enjoyed the fact that he's as awful as ever and he's rewarded for it. We like those anti-morals where Stan uses his terribleness to succeed incredibly well.

I think it was a little hard for people to understand in the writer's room at the beginning of the series was that, even though Stan is following a lot of these tropes of being a miser, he's not grumpy. Like he actually loves being himself. He really revels in it like even though he's got some kind of sorrow inside, his kind of day-to-day like he's more about just the uncle who loves to hear himself and make dumb jokes than he is somebody who's mean or cruel or cynical per se.

The [NWHS] storyboards managed to make Stan this awesome action hero while still keeping him Stan. Like I like the fact that he steals a wallet in the middle of it. He steals a wallet, he smashes somebody against the wall, he sasses him but he also has this just great Inception moment. And it's because we're building to a big question about “who is Stan?”, I felt a moment of seeing him be kind of awesome further increases your “who is this guy?” He keeps going back and forth between like “oh geez my back” and you're like “all right that's the Stan I know” and then like “whoa, he just did an awesome jailbreak! Is he some kind of super villain? Who is he really?

There's more of Ford in Stan than I think Stan realizes that I think only comes out in certain moments.”

Why did Stan keep a clipping of himself titled “grifter at large”? I think he thought he looked cool in that picture. “You know I kind of have a Clint Eastwood look in this grifter at large photo. I think maybe I'll use this as an About the Author one day. I gotta hold on to this one. You know what, I'm a criminal but I'm a nostalgic criminal! Loving the past is my greatest crime now!”

I know how Stan feels in this [Principal talking to his family] scene, when somebody comes in and says like “You know what? There was a race you didn't know you were running and you're already behind, way behind.”

And you know even though Stan is a guy who looks like he's having a fun time, I always, in my gut, thought of him as somebody who is a huge well of sadness, a loss of human connection. And that need to please, that trying to get laughs from the crowd and constantly telling dumb jokes and you know putting on a big show in the Mystery Shack, he's trying to get from them the affection that he never got from his family and lost with his brother.

Stan has been waiting for years to have a reunion with his brother. He's always felt like a screw-up. Stan once again had an idea of how he thought things were going to go. He thought that his brother was saying “I need your help” for the first time. He's going to go up there, they're gonna have some drinks, they're gonna catch up and instead he ended up shoving his brother into another dimension and running out of food and money. It's sort of his worst nightmare. But this was Stan's entire character, from the very beginning of the series, was built around this idea that he's living with this tragedy. He's a guy who outwardly seems like he doesn't appreciate family but in fact wants it more than anything in the world and feels like maybe he's not worthy of it and would do anything to prove that he is.

Seeing Stan figure out what he's good at felt important to me. Like he's never been good at anything in his life and he makes a stupid hokey joke and it suddenly turns into a profit. I felt like without [showing how the Mystery Shack was created], I was missing something and understanding why he would do this, how this would be the solution to his problem.

We would like the idea that Stan appears to win through dumb luck, that it's sort of Intelligence versus Guts but Stan wouldn't actually bet everyone's life on a dice roll. He's a cheater! At the end of the day, I believe Stan has been thrown out of Vegas for counting cards and for weighing dies and I believe he could con his way out of any game, particularly for an obnoxious wizard like this. The idea that Stan would gamble everyone on pure chance is like no. No, he's got a plan. This is the guy who escaped prison using gravity leaps, he's got a way out.

The one big thing [The Stanchurian Candidate] does is really highlights Stan's inferiority complex compared to his brother. Part of what he's doing is he's trying to be an important man here and this episode is actually a pretty good setup in many ways for Weirdmageddon Part 3. When we see Ford they're all going on this rescue mission to rescue Ford and this episode shows you just how much Stan wants to be the hero like the reason that he can't shake Ford's hand when they're in that circle. The cold open of this where he sees everyone loves Ford and now that Ford's back, he's the best. Stan's like “well, how about I run for mayor!” It's just to boost his ego and make him feel better about himself.

Dipper and Mabel

“Straight man protagonists are really hard to write because every other character had a comedic hook. We understand that Soos is kind of this weirdo, his brain is in another place. Mabel has this exuberance and sees the best in every situation and is very creative. Stan is a crooked conman. Dipper is… the normal guy and a character like that can often feel like they don’t have agency, start to feel just reactive.

Waddles is Mabel's only love that lasts the summer. Mabel is very prone to love at first sight and Waddles is able to love back with Mabel's degree of love.

[In Sock Opera] Mabel's in love with Gabe, Dipper's in love with the Author and they're both willing to do something crazy to get get closer to that thing

There kept being layers of adjustment to make it, “okay what would it take to get Dipper to make a deal with Bill?” 1: He would have to not understand the rules of the deal. He's been tricked, he thinks he's just giving a puppet, he didn't know was himself. Classic genie rules, you get what you wish for in a way you didn't expect. 2: There's a little ticking clock that just started, which if he doesn't do it by now, he's gonna lose all this. 3: Bill rightfully points out that Mabel has been kind of not sacrificing for him and he maybe needs another ally right now 4: He was sleep deprived and actually you'll notice that Dipper blinks right before Bill arrives and that's our way of suggesting that that countdown might not have even existed

I think Dipper and Mabel are of equal exact intelligence but Dipper's insecure. He sees his accomplishments as a way to make himself better and thus is motivated to focus on things that are accomplishment type things. And Mabel is very confident and likes having fun and when she's having a good time, she has a little tunnel vision for the people and the things around her. That's one of her biggest flaws. She's actually really, really sweet when she notices and understands your pain but not when she's doing a bit, when she's doing a scene, when she's doing a gag.

Ford

Originally [the fake Author] looked a little bit more like an oddball wacky inventor and I felt he had to be pretty idiosyncratic. There's certain color things about him you'll notice. He's more or less got the color scheme of the Journal, you know maroons and golds, so that you kind of feel instinctively like maybe that's him. A lot of these motifs though we would end up using in Ford's design, as well the gloves and the coat and all that but much cooler later on but preparing you, it's Ford Lite.

Now this is there's no logical reason that Ford would break [the warnings about the portal] up into all these books this way but up until this point he's been shown as this sort of all-knowing mysterious Puzzle Master that it felt appropriate, even though it's not logical.

It works for the storytelling so when Ford wrote that, that's when he was super sleep deprived. He realized that Bill had betrayed him, he was starting to have a hard time differentiating between fantasy and reality, he was losing sleep and scribbling all sorts of lunatic serial killer looking stuff about the end of the world.

In Time Traveler’s Pig, we see what should be a young Stanford Pines even though again, the design's a little off but we knew big sideburns, bushy hair. Although that Stanford looked a little bit more swole than this guy and that's one of the what we thought were very subtle clues in season one that helped a lot of fans figure figure everything out way too soon.

[Using the memory gun on the agents scene] needs to show that Ford's really awesome and so we could get rid of the agents and show that Ford can pretty much handle anything that Stan can't and also call back to our memory ray all in one.

There was a lot of fan speculation when we first met Ford. Generally when television shows introduce a new mysterious character late in the game, they turn out to be a villain like 9 out of 10 times. They turn out to be a villain or they're there to get killed off to show the stakes of something and like we could have made Ford evil but I always felt that that would be less interesting. The point that I was trying to get to is that Stan and Ford had this relationship that fell apart and it was both of their faults and I thought that if I'm Stan, I'd be more frustrated if Ford is actually a good guy. It would drive me insane if he's pretty reasonable, pretty rational, better at me than everything.

So we've flirted with this brief moment where it seems like he's a villain and we worked really hard to make it so that like his eyes are being covered by the reflection of the light. His dialogue is ambiguous enough here that for a moment you believe what Dipper believes, which is “maybe he's possessed by Bill.” You just saw him shaking Bill's hand, what is he supposed to believe?

I like that Ford has this photo with him, he had for a really really long time all the way through multiple dimensions. And he's probably told himself- I almost imagined if McGucket found that photo in his coat while they were working on the portal or something, like “What's this here?” and Ford would say “oh yes, that's a photo of a very important moment! That's when I… that's when I first decided I want to be an inventor!” There would be no reference to the real reason he's keeping it. “This is me and my brother.” It would be like, “oh yes I was thinking about science as a horizon, a frontier to reach towards– you know like a boat, like a ship, like science! It's about science!”

Soos

You choose family. That you create over the course of your life and if that somebody earns being your family, like the Mystery Shack. These kids and Stan, they’re Soos' family and he's happy about that.

I feel like Soos gained something out of [Blendin’s Game]. He gains the knowledge that like “I'm tired of thinking about this man who I'm missing, who doesn't care about me. I'm going to concentrate on the people in front of me, the people that are my true family.”

Soos is a fan of the show even though he's in it. He's a big fan of Gravity Falls and [NWHS] killed him.

I always knew what I wanted Soos’ end to be Soos running the Mystery Shack. I imagine that Soos is actually way better at giving tours than Stan is because he loves all that stuff truly and he believes it. That's part of the difference. Stan’s like “um, all right suckers, this stagnant puddle is the befuddle puddle!” while Soos is like “yeah, one time I looked in there, I think i saw like a cyclops dude. Like, I really think I saw one! Like it might have been a reflection combining my pupils, but like?” and people are like “Whoa, really??”

McGucket

They hired a bunch of people and then they erased their memory. That’s my explanation for why there's like such amazing inventions that would take whole teams of people. McGucket secretly hired a number of contractors and erased their minds. Like I think of McGucket as being like a really sweet nice guy completely in over his head who just like “oh well, once I've erased one guy's mind, I gotta erase ten more guys’ minds to cover it up” and it just sort of builds into like “I guess I'm kind of this kingpin of crime and I'm starting a cult I didn't mean to. Whoopsy daisy!”

When we get to Ford and see their backstory and see their relationship, it just makes all the stuff that happens with the portal and what happens with Ford and all that more poignant that he had someone there who was not only his friend but also a voice of reason and telling him to stop and that he wouldn't listen to him, as opposed to Ford being down there on his own with nobody to bounce off, anybody to say “hey wait a minute, is this a good idea?”

“McGucket was the assistant and he was maybe this assistant who was sort of put upon and Ford kind of brought a college buddy together with him. You know Ford as somebody who lost Stan, and even though he rejected his brother, he kind of needs that other person and he tried to find that in this kind of sweet prodigy and he just pushed him too far.

[The test scene] is meant to show sort of what it was that McGucket needed to erase, what it was that drove him to madness. It was partially seeing the Nightmare Verse and the way it messed with his head and also partly just realizing that this thing has apocalyptic consequences and he doesn't want to be a part of it. And if he can't destroy it or talk Ford out of something, he can forget about it.

Because If Ford's weakness is pride, McGucket's weakness is weakness. He's got a kind heart and he can't stop people, he can't destroy things. I mean he should have basically knocked Ford out with a wrench and take this thing apart piece by piece. He's the one who understood how to build it but I think he's kind of a follower and I think he's the kind of person who could get suckered in by a cult leader. He’s the kind of person looking for instruction and he really respects Stanford and can't bring himself to uh, he's like “I just got out of a bunker! I don't want to go work for another guy down in another bunker! This is my third doomsday cult this year!”

Stan and the kids

Stan and Mabel have such a different life perspective it seemed natural that at some point they would get to a major conflict

Seeing Grunkle Stan and Dipper bond like, I sort of believe that both of them are bad with women and both of them would rather believe there's a giant conspiracy than that they have they just can't get ladies

Can this idea about Mabel's relationship with Waddles actually reveal a rift between Mabel and Stan where Mabel and Stan actually get along pretty well in the series you know? When they they're both such strong stubborn personalities that when they conflict, they conflict hard like in Boss Mabel. But this idea that Waddles is sort of a metaphor for what Mabel loves and Stan loves Mabel but he doesn't really think that anything she thinks is necessarily smart or right. He loves her like “guys she's my sweet niece but she doesn't know anything you know? She doesn't know anything about a pig” She forgives a lot with Stan but like Waddles sort of represents like the purity of her deepest love and the idea that Stan would threaten that is genuinely a shock

In the previous season it ends with Dipper giving up his journal and there was a lot of argument about “oh is it lame if he just gets his journal back?” Another thing we struggled with, we knew that Stan knows the importance of this journal he wouldn't give the journal back to Dipper so it was a bit of a convolution we'd written ourselves into a corner. We wrote ourselves out, we said “okay he's photocopied it. he's giving it to Dipper because he knows that Dipper's really precocious and he'll never stop asking.”

“We knew that we wanted everything to come to a head when the kids are going to discover Stan's secret and they're going to discover it in such a way that they only get little bits and pieces and they have to decide for themselves based on the limited information. Is Stan's a good guy or if he's a bad guy? Ultimately that decision will be a decision of heart versus mind. And Dipper's mind, Mabel is heart and they're fighting with the scraps of information they have. Should we trust our heart about how we feel about this guy over the course of the summer and everything we've been through or should we trust the clues? That seemed like a believable way to get Dipper and Mabel to begin a rift between them that is resolved by the end of the series.”

The way Stan acts in [NWHS] is like, to me part of what feels so grounded about it is like I'm a child of divorce and like I know that when parents or parent figures know that hard times are coming for the kids. They kind of lay it on thick they're like who wants ice cream you know what I mean? Like Stan being extra nice to them at the beginning is like it's kind of a realistic thing that that adults do when they know like big changes are coming.

I felt it was really important that we added the scene where they're at maximum bonding. They're up on the roof, they're shooting firecrackers. Stan knows in his heart that when his brother arrives everything is going to change in ways he can't predict and he's really savoring this moment because he knows, even if things goes completely smoothly, which they don't. the kids are still going to be mad at him, especially Dipper for basically lying. They had this big meeting after the end of Scaryoke where of course Dipper also crossed his finger but Stan crosses his fingers and says “oh I'm telling you everything” and he knows that the kids are not going to be happy about the fact that he's been keeping this all from them because they've done amazing things together already and he should have trusted them before now.

This act break is them saying, “wait, Stan might be a random grifter who maybe killed our real uncle!” That's pretty heavy for any show let alone a cartoon show.

What that would mean for them if all this stuff is true is so much further than just like, “oh he lied to us about a couple things.” It's just like, “no he's straight up just some random dude that we don't even know uh and the guy that I've been pining for this whole time is dead!” We really try to stack the deck so it's like Mabel's perspective and Dipper's perspective are both kind of racing to see who gets in front and there'll be a moment where it's like yeah you kind of buy with Mabel she feels good about about Stan and then this scene is the most you’re ever with Dipper where we discover this huge crazy curveball and this feeling that you have looking at this newspaper and looking through these fake IDs this is how Dipper feels all the time. If you want a window about what it's like to be Dipper, this moment where a giant conspiracy reveals itself out of little pieces and seems to suggest that no one is trustworthy like that's that's where Dipper lives and this to him confirms every bit of suspicion and every bit of paranoia he's ever had and he's willing to run with it.

I love these characters so much that, for me I was like “I need to see Stan saying goodbye to the kids at that bus. And I don't want him to be some guy who isn't Stan, who doesn't even remember the kids.” That would be really dramatic. It might make you cry more but to me it doesn't actually mean anything. Their relationship which they've built, he was willing to sacrifice his memories to save them. That's how much they meant to him but because he was willing to do that, I think he deserves to get him back.

Stan and Ford

But I think Stan's hope is, that in Stan's mind this is going to play out one way which is that; he's going to free his brother, his brother's gonna come out of that portal after 30 years. Stan's probably imagining that Ford is weak, emaciated, wrapped in a blanket, that he'll stumble forward, through a beard. through blurry eyes, he'll be “my brother, is that you?” He'll embrace Stan, he'll hug him, he'll say, “all these years I thought I was goner but you saved me! I was wrong to mock you, I was wrong to call you the stupid twin! Dad was wrong about you! You're the greatest man and let's be friends again and who are these niece and nephew?” Like that was what Stan was kind of hoping. He knows it's there's a million things that could go wrong, including potentially the destruction of this dimension, but he so desperately needs to believe that he can make up for the problems of the past. He's hoping for this but he knows that things are going to change

When I started the series, I always knew Stan had a twin but all I knew about Ford from the jump was that he's everything Stan Isn't. So Stan is a guy with a huge chip on his shoulder, he's kind of a loser at life. There's somebody who is a winner at life or at least was a winner in all these ways that Stan wasn't.

We realized that in order to bring out the maximum amount of frustration in Stan, [Ford] needed to have a bit of a heart. Like here we see him being kind to the kids, he's not he's not all bad which is what's so infuriating to Stan. The idea that he would quickly get along with the kids when he can't get any respect from them. Ford is designed for what would bring out the most amount of conflict in the family. What would be Dipper's hero, what would be Stan's rival and who's somebody that we could empathize with. I mean, it’s hard to empathize with a character that comes out and punches one of your characters in the face, basically before he almost says anything.

You see that at this age, that all the stuff [in their room] that would cross over, that would appeal to both of them. It's not just like “there's science stuff here” and then there's “what Stan would be into.” but no, they both like all this.

There was also a version [of ToTS] where early on, they'd rigged the school water fountain. They did sort of like a caper, it was science and a scam together when they were in elementary school but we decided to save the science for the science fair stuff.

We played around with the idea that you would see them working together doing little science games or pulling little pranks. There was actually a scene that some of it was even storyboarded where they're in a treehouse together and Crampelter and his friends have tracked them down and are begging for their lunch money and Stan and Ford have used their jerkiness and geniusness to rig up like a water balloon throwing machine that knocks Crampelter in the head. I remember him saying, “oh no, my old-timey paper crown!” We were really hanging a lampshade on all these sort of Little Rascal cliches.

Ford's not a villain. You know he's getting in Stan's face and saying “I want my life back” but hopefully by the end of the episode even though you don't root for his perspective, you understand his perspective where it's like Stan ruined his science project, Stan shoved him into the portal, Stan took over his house. He’s not completely unreasonable to want it back and he's not completely unreasonable about his request. He says “okay you've got till the end of the summer” and Stan's little look there tells you everything you need to know about how he feels about the situation.

We needed pressure to be at the point where Stan and Ford recognize their lifelong rivalry and Ford does a sincere apology to Stan and almost more importantly, he acknowledges Stan's intelligence. He says “you wouldn't have fallen for Bill's nonsense.” He recognizes that his brother has a kind of intelligence he doesn't.

I always imagined that as kids, Stan and Ford were like this dynamic duo. They were getting into scrapes and like planning pranks and with Stan's creativity and Ford's genius that they were an unstoppable awesome team, before life turned them against each other. I imagine that as kids they were always swapping glasses and tricking their parents so that they could get double presents. And this is a move they did back in New Jersey constantly. We had to figure out who's gonna make a sacrifice and how and even though it's Stan who agrees to be “I'll be the one erase my mind, it's fine, it's worth it”, it's a sacrifice for both. Ford at this point is willing to get his brother back and he has to lose him again.

Stan and Ford, when they can finally work together, do bring out the best in each other. They just have been missing it for so long.

Post-mind return, Stan and Ford get along and that scene where they both threaten the bus driver gives a hint of what would happen if their powers were combined. We've never seen them working together as adults, they would be a really formidable duo.

Pines Family

[The Blind Eye has] such a great scene between Mabel and Wendy. We don't have a lot of scenes that are just them hanging out and she can kind of be like the cool older sister. Mabel's so obsessed with boys and Wendy's just like "yeah, whatever. They're a dime a dozen."

“in the storyboard, the postcard that Soos is holding up from New Orleans actually said Vegas and at the last minute we got really worried that people were gonna see that and think that that was a clue that Stan was Soos's deadbeat father. And because like our audience, we've trained them to look for clues and to connect dots, they start connecting dots that are not connected. And I called a late retake because, and I see people be like, “wouldn't that be cool if Stan was actually Soos's father” and I hate that headcanon. Whoever's listening and you think “that's a great idea!”-- that's a terrible idea!! Because it means that Stan ran out on his kid and then came back in his life. And weirdly pretends to not be his dad. It flies against the moral of this entire episode which is like, you know this guy who is Soos’ blood relative like cast him out and didn't come back and didn't make time for him and all these people did. These people are Soos’ real family and to say “Stan would be Soos' real father more if he was genetically–”, I'm like “no, no forget that!” Like relationships are about what you do. To me friendship is thicker than water and family is something you can create so I really didn't want anyone to think that we were suggesting that because to me, it actually wasn't just the wrong idea, it was like thematically against what the show's about.” "

"[In NWHS] Every character faces their worst possible choice, which is “Mabel must choose between Dipper and Stan” and “Soos must choose between Stan and the kids,” like “guard that thing with your life. I'm not going to explain to you why.” I believe that Soos would do anything to guard Mr Pines's secrets and these are the only two characters that could possibly make him doubt Stan, these two kids that he loves so much."

"For [DD&MD], you want to set it up as being like [Ford]'s like the coolest toy that's down in the basement that Dipper really wants to play with and he is not allowed to play with him."

"The first three quarters of the series are sort of about Dipper's crush on Wendy and this final quarter is sort of about his crush on the Author. He's such a fan of this guy and he's so used to being denied that which he's a fan of and he's never found anybody who cares about his nerdy stuff. Mabel doesn't care, Stan doesn't care, Soos cares but on a different level. He's so hungry for the approval of somebody like Ford This idea that they would bond over a nerdy board game felt like sort of the way to do this big idea in a sort of grounded way that I like better than like Ford presented Dipper with the Five Trials of the Genius Boy. “I passed these when I was your age! Can you do it too?” and it's like nope he just likes the same dork game that he does."

"The arrival of Ford is creating the two sets of twins starting to pair off between the Brainiacs and the Maniacs"

"Actually I enjoyed that [Ford putting the die in a cheap plastic case] got a little bit of a reckless side because it shows you the Stan part of him. The Stan part of Ford, the little bit that likes a little bit of danger, he likes a little bit of risk. If he would show that side, it would be in when he feels at ease, with a kindred spirit. Around Dipper he’d be like “isn't this pretty cool?” He'd never be that irresponsible around Stan. I like that Dipper is sort of a little bit of a Achilles heel for Ford as well. Ford has certain blind spots and Dipper exacerbates some of those just because he's willing to encourage, he's willing to “yes and” Ford towards whatever dumb idea he might have."

"Dipper, Mabel, Stan and Ford, they're all characters who need each other. Without Dipper, Mabel's just in a fantasy land. Without Mabel, Dipper is just sort of just spiraling into misery, spiraling into his own neurosis and not being pulled into those social situations, not growing as a person."

"You want [Stan] to be true to our various awful grandfathers, so I feel like for the most part you know that [being shitty to women] a plausible thing for Stan to do, that you only forgive because you know he's not a role model. Nobody wants to be like Stan. The kids never look up to him. The only person who looks up to Stan is Soos and Soos is enough of a comedy character that you understand the joke is “oh this guy thinks the worst way to live is good.” And then at one point you realize why. We made it clear why Soos looks up to Stan is because he gave him his job. He gave him a father basically, he’s essentially Soos’ father. And of course Stan who's had a life of just chaos and disappointment, the only person who would be a surrogate son is [Soos] but also Soos has the biggest heart in the world. So only the biggest heart in the world could forgive all of Stan's many flaws and also if Soos can love Stan, then maybe there's something in there worth loving, then maybe we can too."

"Stan, even when he's sweet, he still has to threaten to murder his niece and nephew."

"I do think the value of [Stanchurian Candidate] is that we're learning just how important it is that [Stan]’s seen. At this point, the kids have become a surrogate family. At the beginning of the show, they were just kind of a little nuisance and then he kind of tried out getting the family from them that he never got from his brother and the idea that he would lose them to his brother is his greatest nightmare and the only way he can really express that is by trying to be impressive to them and trying to be his brother's rival."

"Ford offers Dipper this apprenticeship because Ford sees Dipper as somebody who's special like himself. That Ford's great flaw is arrogance. He believes that there's special people and everyone else and that you can be held back by your siblings. That human attachments are actually weaknesses. The song and dance that he's giving Dipper right now is the exact song of dance that he gave McGucket back when they were younger which is like “sure you could continue working on your job and computers but you and me are different. We're better than everyone else, we have a path that no one else can understand. Only us can do this.” And it’s a very seductive idea for Dipper but he starts to be a little insecure here. He’s kind of “I can't believe it” and he's sort of right to be suspicious because Dipper is a smart kid but Ford's projecting. Ford loves Dipper because he sees someone who tell him yes to everything. He'll never challenge him and if Dipper had taken Ford's apprenticeship,Dipper probably would have gone the way of McGucket, turned into a kind of insane paranoid hermit with no friends, just kind of losing his mind. Like it's a seductive offer but also ultimately Dipper needs to learn not to try to grow up too fast."

"This entire time Dipper's been having this journey of self-discovery and seeing his future as this wonderful thing that he can't wait for. Mabel has been, piece by piece, seeing her idea of the summer fall apart."

"As Ford and Dipper's relationship grow stronger, Stan and Mabel also find much more sort of connection. They both feel like the sibling that's getting kind of sidelined."

"I think [amnesiac!Stan] would be hardest on Soos, second hardest on Ford but Soos would show it. Probably third hardest on Mabel, fourth hardest on Dipper just because where their hearts are. Dipper's not heartless, that's a testament to just how heartbroken those other characters are."

Series goal+ The Finale

"So our idea was; the memory gun can erase a concept as designated by the dial. It stores it. It records you and it keeps that recording and that if you watch that recording things start to come back a little bit, that it hasn't actually completely erased it from your mind. It's more sublimated somewhere where it's really really hard to reach and in the series finale, my concept of Bill is that; if he hadn't gotten in all those forms and fought Stan, Stan is the one that destroyed Bill. Were it just the mind eraser itself that he would be sublimated somewhere but he was weakened in the mindscape and destroyed in the mindscape. But Stan's memories were being sublimated and by looking at the scrapbook in the same way that McGucket's memories come back, they start to come back to the surface."

"I think part of what makes [NWHS] work also is that it has the strongest ticking clock. Yeah, I mean. it has a literal ticking clock. Also the sun is going down it's also, the town is starting to drift apart as the characters are starting to drift apart. There's just such a sense of Doomsday and even though we have like a three-part apocalypse, to me nothing feels as apocalyptic as this episode now."

"The entire purpose of [ToTS] is that Stan and his brother have had this huge rivalry that remains to this day and threatens to tear apart Dipper and Mabel and briefly does, and then Dipper and Mabel are able to find their way together, which is meant to repair Stan and his brother's past."

"Here we're teeing up the rest of the conclusion of the series which is just “whoa this is different. The status quo is shifted and is it going to shift us?” and that was the mission of this entire story was shift. Shift things such that it pits Dipper and Mabel against each other so that they can ultimately make things right and fix their uncles’ trauma in the process."

"“Let's try to set things into motion such that all of these characters who we love, who love each other are placed at maximum odds”. So Ford's entire existence in the series is basically a wrench in the relationships between Stan, Dipper and Mabel, that Stan has had a sibling who he didn't get along with and they've grown up having this horrible rift. Dipper and Mabel are these two twins who love each other but are very very different and are at this sort of volatile growing up moment where if something goes wrong could they turn out like Stan and Ford."

"[The convincing Gideon] scene works for me because it sort of represents the full completion of Dipper's Wendy Arc. Even though he's talking about Gideon and Mabel, he's really talking about himself. That idea that you can't force someone to love you but you can strive to be someone worthy of loving. It really does come down to like be the best you, you can be and the right person will see and feel that."

"It was gonna be W1, W2, W3 and then some kind of goodbye story. I remember it being something vaguely about some sort of other time travel. Bringing Blendin back because he just kind of vamoosed in the middle of this big story. There was that discussed like time traveling back to the first day when the kids arrived. The challenge was thinking of a valuable arc. So like each episode needs to have like a new problem and a new resolution and I was trying to brainstorm what's something that could feel valuable for like a final episode after the apocalypse, after Stan's mind has been erased and he's in the process of getting it back. "

"The thing I remember I wrote one out it was it's the last day of summer. Dipper and Mabel are packing uh they're planning to go home, they're feeling like nostalgic, they kind of don't want to leave. Blendin shows up and he explains that there's all these time bubbles left over, these weird anomalies because of all the time business and what Bill has done and just to watch out and be careful. Then Dipper and Mabel actually accidentally trip into one of these bubbles that are sent back to the very first episode or actually beyond the first episode, their first day in Gravity Falls um and somehow this was meant their character arc was to go from being like a little sad that they're going to leave Gravity Falls to seeing what it was like on the first day. When they were scared to be in Gravity Falls. The idea is like their first day they're like “oh Grunkle Stan, he's this weird old man and we hate living in this house and like we missed our place of comfort back home! And this is a kind of scary new adventure that we don't like.” The kids see their own growth and realize like “the way we felt about going to Gravity Falls like we don't think we can handle it, is how we feel about leaving.” That feeling of going into a new experience means that something new and exciting is going to happen you're going to grow. There was some thought that maybe over the course of that episode, Stan would get his memory back and something that the kids had done in the past would help him in the present, get his memory back.

"What's supposed to be happening here isn't that Stan's entire memory reappears in an instant. It's supposed to be a couple days of work and we see the beginning of that process when he looks at the scrapbook and then we're kind of jumping ahead a few days. maybe a week of just intensive memory therapy with Stan before he gets there."

"When we were trying to crack the half hour episode after Weirdmageddon, it felt like we were just kind of wallowing and Stan not having his memories. It was a very depressing thing. And we didn’t get to have Stan for the last episode, which was like “it's a great it's great i think you get the emotion like in this episode. It tears you apart when you see it. You could last a little bit longer on it. But going much longer, then you just feels like well what are we doing? Why are we just kind of wallowing in our own sorrows for no good reason.”

"When we had discussed the idea of an episode beyond this episode, a fourth episode, it was basically 20 minutes of [amnesiac!Stan]. This is so intense, you might think you want it but good lord, this is enough."

"Bill singing “We’ll meet again” was something that just felt like the perfect reference because this is kind of an ending about endings in a lot of ways and we know we know Bill's going to be defeated. We know that people like Vill and have grown attached to him and for him to sing “We’ll meet again” is sort of the perfect mysterious way to say like “I might be going, I might not be going.” It’s a reference to Dr Strangelove, a movie that famously ends with nuclear apocalypse and the song “We’ll meet again” so it's for those pop culture savvy. It's already tinged with a kind of a fear and an irony and the apocalypse built in, so it's perfect on a number of levels."

"The concept of the Zodiac as existing in our current canon is this idea that the prophecy was that friends and enemies would need to come together, seemingly impossible alliances would need to be made to stand up to Bill for this prophetic moment. You know that characters like Gideon who was who used to be an enemy, characters like Pacifica, like Robbie, that we've reached the point where thanks to the kids’ kindness and growth, they are now friends with Pacifica, they've resolved Robbie's jerkiness, they've helped McGucket with his memory. They've even overcome this issue with Gideon in W1 and so it seems like friends and enemies have all been restored, leaving only one thing which is Stan and Ford have to shake hands. And their pride once again is what dooms the entire world but they get so close."

"It's clear Stan, even though he's being stubborn here and holds things up, he's ready to do it. He clasps Ford's hand and then Ford can't help but correct his ignorant brother with something that doesn't matter at all after professing how important all this is and how important it is to put pettiness aside, he's the one who ends up being petty in the end."

"I like that Stan [during the deal] is just thinking “all right, think white, think white, think white.” He's like “think about nothing but sitting on your lazy boy.” "

"Stan and Bill had never interacted in the series up until this moment because he had just been taken over when he was asleep. We'd seen a lot of Ford and Bill, but Stan and Bill has never happened. And Bill sort of represents all the mystery and weirdness, and Stan is the guy who just wants to have a good life and protect his family. He's the one who never invited Bill in but he's willing to take Bill out."

"If Mabel's going home with a pig, Dipper's going home with this symbol of his friendship with Wendy. And even Stan he's wearing that Mabel sweater. That's a visual symbol of; he's softened up, he's embraced family, he doesn't need to be the tough guy all the time."

#gravity falls #stanley pines #stan pines #stanford pines #ford pines #mabel pines #dipper pines #soos ramirez #fiddleford mcgucket #i haven't even gone through all the eps for this lmao i decided this was way too much #anyway gravity falls is a story of found family and moving on from abuse and hurt #it's about growing up but keeping that childish wonder with you #and also how romance is overrated lol #like seriously so much of the family is chasing after crushes and that form of love #but in the end all they need is each other and learning to love themselves #stan hating himself while actually loving being who he is hurts me real bad tho...

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queenwendy · 25 days

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Y’know, the Book of Bill revealed that Dipper & Mabel’s parents might be having some marital issues. A Tale of Two Stans accidentally implied Dipper and Mabel’s dad and grandpa Shermie both were teenage dads. I think that these two facts could honestly be related—imagine being a 15 year old, you then accidentally have twins. And you come from a household where your grandpa was super abusive, one of your uncles was just missing, and your dad was also a teen parent (and presumably so was your mother and the mother to your new kids). So now you gotta marry your high school girlfriend to raise these twins. That relationship is probably screwed, I bet they had marital issues by the time the twins were 12-13.

I don’t have the time to write a fic exploring this, but I definitely wanna see it now.

#gravity falls #the book of bill #dipper and mabel’s parents #shermie pines #wendy's posts

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matrixbearer2024 · 12 days

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Imagine a dimension where reader was a childhood friend of the Stan twins and eventual married partner(might default to "wife" because old man is old schooled) to Ford.

I would think reader would have similar wits to poindexter while simultaneously huge appreciation and love for art like Stan.

I also think IQ and reader could get married pre-portal since reader would be the impatient kind and propose to the man first. It's taboo? Who cares!

Imagine that Stanley and Ford wouldn't have had as strained a relationship because reader was always in the middle of them both. A mediator of sorts.

I would think their relationship will still be strained, with a falling-out and all– but they manage to patch things over better and healthier since Bill doesn't entirely have his claws sunk into everything thanks to reader.

Imagine that in this AU Bill doesn't manage to screw up Ford too bad because Reader was there first. Sixer was already loved and cherished to a fault before the triangle could meddle.

I think that reader would also kind of be a lab assistant of sorts for Stanford and Fiddleford, a gopher most times since their know-how is still not as much as those two brainiacs. But reader is very much in the loop and very aware.

Imagine that reader was the ultimatum between Ford following Bill throughout with the portal no questions asked. So he's more cautious and skeptical to the triangle constantly fussing over the portal instead of being ceaselessly and unwaveringly devout to 'his muse'.

Granted Ford still has an unhealthy obsession with Bill, but it's torn somewhat because of reader.

Imagine it's because of reader's know-how that Ford only really spends half as many years in the portal, thanks to Stanley's help as well.

Stanford would most likely have figured out interdimensional travel and hard knocks survival at this point so we get GILF fordsy, but with less Bill Cipher and less world destruction.

Stanford would also have been presumed dead during the time, so Stan goes about his mystery shack business and takes his brother's name similar to canon. Just that reader is down in the basement constantly working on the portal and helping out when they can.

Imagine that prior to the summer when Dipper and Mabel visit, Reader and Stanford go on interdimensional adventures because science.

Whatever Ford discovers in his 30 years stuck in the nightmare realm in canon still translates here. He's just less grumpy and cold about everything, still very nihilistic and cynical though.

Imagine that the journals still probably exist, but intertwined among the pages are doodles or notes for you or entries from both you and Ford about many things.

Instead of some notes towards Bill going: "Wow he's the greatest thing to ever happen to me!" It's relegated to instead really obsessive levels of curiosity and a hunger for knowledge.

Now—

Imagine the chaos when reader gets into an accident during an adventure with their Stanford and ends up thrown into dimension 46(canon gravity falls) without him and meets the pines family from there.

To tack onto the trouble, what if reader is stuck?

#stanford pines x reader #gf stanford #gravity falls stanford #stanford pines #stanford x reader #grunkle ford #ford x you #ford x reader #ford #ford pines #gravity falls ford #gravity falls au #gravity falls

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broadwayfangirl222 · 1 month

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Regarding your Gideon and Bill post... I have noticed that.

It's also interesting how also... Gideon and Bill also developed an irrational hatred to the other twin. To the point of going bonkers with Dipper and Stan. I mean...

When Dipper broke up with Gideon in the name of Mabel, he tried to murder him, he also mocks his insecurities and tries to demoralize him and when he realized Dipper had the Journal 3, he tought that Dipper tried to take him for a fool.

Bill only mentions Stan twice in the book, but the second time he mentions him, he's driven bonkers. After the letters. When the reader considers what the Pines told him, Bill thinks Stan is doing it again (Since he was the last one in talking with the reader.), similar to how Gideon tought Dipper got in the way and tried to turn Mabel against him. Bill thinks that Stan tried to get in the way and turned Ford against him, notice how both were unaware that they stopped liking them, but the second, the younger twin got in the way, the villains pinned all the blame on them and also... Bill much like Dipper never gives Stan a nickname save for demoralizing him.

Compare: "That inferior copy of Sixer" to, "You're nothing without your journal!"

Also compare: "It's him again!" to "He gave Journal 3 and he's taking Journal 1 back to California!", in which they scapegoat them for everything.

Funnily enough, Dipper and Stan think low about Gideon and Bill, almost like if they were "The jerk of the week" in both cases, even Dipper almost never talks about Gideon in the Journal.

Also... a key thing: Mabel got over Gideon at the end of "The Hand That Rocks The Mabel" and only shows annoyance towards him in later episodes, while Ford is revelated that while he puts a face in front of Bill, sadly he's still afraid of him and still thinks of him as invincible and took the help of his family to finally get over him and see him as a "pathethic needy stage kid".

What do you think?

Actually yeah...That's another parallel. Bill clearly holds more of a grudge to Stan specifically and Gideon targets Dipper. If you even check the this is not a website site and type in stan's name you see how pissed off Bill is at losing to Stan (idk if this is the right order but yeah...he's still salty to say the least XD)

(also just wanna point out, he says it's SIxer's plan but if you watch the episode Stan suggests the plan of Bill going into his mind)

Tbh It's also fitting that taking Bill/Gideon down for their family, specifically their siblings, when there seems to be no hope and Bill/Gideon seems to have won is this huge sign of growth for them too:

For Dipper him standing up to Gideon shows he can do amazing things without the journals and for Stan this shows he's not the screw up loser brother like everyone for most of his life has said. It's them both finding genuine value and purpose in this big act and taking down the bad guy

Also I know people have been pointing how the fearamid and what Bill's doing there is a "love cage" But I wanna point out Mabel's bubble kinda is too

Mabel comments how she's been hearing the same song over and over and over while she's been in there

#gravity falls #billford #mabel and gideon #the book of bill #pines family parallels #my gifs #I got mail #sorry I took forever to respond I got so busy with stuff also sorry if this isn't coherent but I'm kinda rambling here #like Idk how structured this is turning out #shut up me

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saturna625 · 21 days

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You work at the Mystery Shack in Gravity Falls.

It's no big deal, really. I mean, every once in a while, you realize that it's gotta be a front for something. A cult, the illuminati, or the mafia, you weren't really sure.

You weren't paid enough to care, honestly.

But the job was fun enough, and the customers were cool to screw with, and it paid the bills, plus your coworkers were pretty cool.

Your boss was.... an odd man, sure. A good con, a great sense of humor, and a mouth that could make a sailor blush, but you wouldn't say he's evil.

He's got a great nephew and niece, who come up every summer. They're chill, too. Mabel sends you home with at least two new stickers every day. Your binder is getting too full. But you didn't mind, the kid was sweet. You'd find a use for these stickers, later.

Gravity Falls was an odd town, but you didn't really seem to mind that either. A little town, barely even a dot on the state map, hidden behind back roads upon back roads in the great state of Oregon. It had its moments, and it's stories.

You were decently sure the lawn gnome in your garden moved on its own, and your attic was definitely haunted (you regret mentioning that to the kids– you've found that Dipper kid trying to look up where you lived), but it was cheap and homey, and a great place to live after scraping past college.

Then your boss– who was really your boss's brother? Who had taken up his name, when he disappeared, the ultimate con, you actually admired him for that– Stanley, and his twin, the original owner of the Shack, Stanford emerged from behind the vending machine, you knew that you were maybe in a little too deep. Mafia ties, for sure.

Then quite some events happen: ie, the sky splits open, you become a statue for a hot minute, and then... aren't, anymore (dude, the squirrel that you treat as your therapist is gonna go wild when he hears this) and you're back at the Shack.

The building is warmer now. Pointdexter– or Ford, the actual one, is a pretty good man. A little blunt, with not much common sense for the amount of books smarts he has, but good.

If you find anything weird, or out of place, it's his.

If you see him fighting an interdimensional squid, and then you're told there's seviche in the kitchen, you don't question it.

And you take some seviche to go.

The shack is a little louder since Ford's arrival. Stan seems happy. Dipper too. And Mabel, well, she still gives you stickers as you leave your shift.

You're on a walk, something you read that could help with coping, through the woods. The weather is nice today, and for once, it's not raining, and even better, the air is crisp and cool.

You decide to take a new trail. It leads into a bit of a clearing, you can see a rock piling, some flowers, and a creek. It's pretty.

You take your journal out, a small, leatherbound thing (the inside cover is coated with stickers. Mabel, please) and begin to sketch it, a hobby you've picked up in the last months.

You're not the best, but you're not the worst, either. As you're finishing up, you spot a weird shift in the rocks.

Weird is normal here.

So you get up to go investigate, holding your journal at the ready, like a defensive position.

The statue does not move.

It looks like the illuminati symbol. Like the top of the pyramid on the back of a dollar bill. It's overgrown with moss, but you do not recognize it. It's hand is held out, like it's ready to shake yours.

Heh. That would be pretty funny.

If you shook the statue's hand.

It's what it wants. Shake it's hand. Shake the hand.

You draw the statue. It's a shoddy deal, but you actually enjoyed how it turned out. It looks cool.

The hand is outstretched.

You leave one of Mabel's stickers on the statue. It looks a little less intimidating that way.

Your shift starts in twenty minutes, so you tuck your journal in your jacket, and you're off to it.

Maybe you'll come back later. There's a bit more you want to do with the drawing.

Shake the hand.

You've gotta fix the angle on it. You wonder how the sculptor got it to be that way.

You clock in, and pull your journal out again, as Dipper walks through the doors, followed by Ford.

The younger twin asks what your journal is about. He's got a few of his own.

"Kind of random." You tell him. "I draw things I see on my walks, or write down recipes, or stuff like that. Dude, wait until I show you this statue I found in the woods. It'll fit right in with those notebooks you keep..."

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ckret2 · 9 months

Text

Chapter 31 of human Bill grudgingly enduring being the Pines' prisoner because the Henchmaniacs won't take his call: Summerween night! Everyone gets ridiculous costumes!

The Summerween Trickster's buddies are attempting to resurrect him. Robbie's making a music video. Bill's attempting to woo Ford back into friendship, to terrify Dipper with cursed knowledge, and to recover his dignity from THE most gentle chastising imaginable, and he only succeeds in 1 out of 3 of these endeavors:

It's not this one. He's just gotta process these emotions while wearing that stupid wig.

####

Soos was putting the final touches on his cosplay (the suave and mysterious Masked Guy In A Suit, love interest of the heroine from the classic anime Teenage Planetary Soldier Girls) when he heard the phone ring in the office. "Hold on, I'll get it!" He hurried downstairs, ducked under a construction paper chain Mabel had strung over the door, picked up the phone, and said, "Hello?"

A mysterious voice droned, "The sun sets a deep blood red."

"Oh, no thanks, we don't want any." Soos hung up, sighed happily, and said, "Ah, Summerween. Always brings out the weirdos."

"Hey Soos!" Mabel ducked into the doorway. "Where's the candy bowl?"

"Oh, hey Hambone. It's in my bedroom." He put on a stage whisper. "I put it in there so Bill couldn't steal it."

"Thanks Soos!" She ran upstairs.

Dipper and Bill waited downstairs, the tension thick between them (on Dipper's side, anyway; Bill—watching a black-and-white horror movie, sipping at a can of cider, and brooding over going to voicemail—didn't notice). Dipper was waiting by the door in a folding chair; but he kept glancing toward Bill in the living room. When the silence got too much to bear, he asked, "Okay, what are you dressed as?"

Bill was wearing a brown bedsheet toga (the most historically-accurate part of his costume); a cheap wig of a teased mullet that had ended up mostly red with yellow streaks, forming a plume of hair right over his head and then a long straight tail he'd draped over his shoulder; and a bunch of paper faux-Greek homes taped all around the hem of his toga, forming a ring around his calves.

"And are those my sandals?" Dipper asked.

"Take it up with Mabel, she loaned them on your behalf," Bill said. "I'm not telling my costume. You have to guess it."

"Seriously?" Dipper sighed. It had to be a god, gods towered over their mortals' temples. What god would wear brown? "I don't know—Demeter?"

"What? No. Do I seem like the Demeter type? Pathetic." Bill waved off his guess. As Mabel ran downstairs, Bill said, "Hey, Shooting Star, you haven't made your official guess yet."

Without hesitation, Mabel said, "A time-traveling hair metal singer touring the Roman Empire and trying to find a way home before his hair dye runs out."

"Wrong, but I would love to live in the world you've dreamed up." He meandered into the entryway to join Mabel as she plopped down in the second chair by the door.

Dipper screwed up his face. "Are you helping us answer the door?"

"No, you're helping me answer the door. I'm cursed, remember?" Bill leaned over Mabel's shoulder, dug into the candy bowl, and popped a lollipop in his mouth. "But you're not getting rid of me, if that's what you're asking."

Soos headed to the door, cape billowing dramatically behind him. "Hey dudes. Hey Bill." He paused in the door, studying Bill. "Hey! Is that a Bobo the Uncouth Berserker cosplay?"

Bill blinked. "Who?"

"Bobo the Uncouth Berserker! You've gotta read Bobo. He's this primitive hero descended from lost Lemuria who goes on daring adventures through the lush impenetrable jungles of Central Europe. He's got this comic that was so popular it spawned an anime, which got an American movie adaptation, which formed the basis of a second comic continuity that isn't as critically acclaimed as the original but has drawn in a lot of new fans... and..." Soos petered out. "You're not Bobo, are you."

Bill shook his head. "Thanks for playing."

"Aw." Soos's shoulders slumped. "Anyway—me and Melody are gonna be at the cosplay contest at the theater. I'll keep my phone on in case of monsters."

"We'll be fine!" Mabel said. "Go have fun!"

"You too!" With a dramatic flourish of his cape, Soos disappeared into the night.

Bill watched Soos go enviously. He could have been given a human body that looked that good in a suit and top hat, but was he? No. It wasn't fair. And Soos didn't even wear the right hat size.

Dipper glanced sideways at Bill. "Hey. Is... Lemuria real?"

"Not anymore." Bill perked up as Stan passed by, dressed like Frankenstein's monster. "Hey, Stanley! You haven't guessed yet. What am I?"

Stan surveyed him. "White columned buildings, Statue of Liberty dress, and a red clown wig. I dunno, the American government?"

Bill squawked in laughter. "That's my favorite wrong answer so far. I like you, Stanley." He fished a chocolate bar out of the bowl and held it out.

Stan grunted in disapproval, but accepted the candy. "If any of you need me, I'm gonna be up on the roof, terrifying kids." He held up a boombox and a cassette that said "Spooky Sound Effects of Halloween". "If you hear screaming children, don't worry: that means I'm winning."

"Where's your brother?" Bill asked.

"Avoiding you." Stan passed through the living room and left.

Bill's shoulders slumped; but he just dug into the candy bowl for more chocolate. Then the first trick-or-treater knocked on the door, and Dipper jumped up in relief to answer it.

The shack didn't attract quite as many trick-or-treaters as the houses closer to the center of town, but they got a steady stream of children, and more than they'd gotten the year before. Between visitors, Bill dug into their candy stock, gleefully ignoring Dipper's complaints. After the fourth or fifth visitor, Dipper and Mabel realized that Bill was covering up the amount of candy he'd pilfered by meticulously re-folding the empty wrappers and putting them back in the bowl.

"It's fair play," Bill said. He untwisted one end of a Twisty Roll tube, squeezed out the candy, blew into the wrapper to re-inflate it, and twisted the end shut again. "The kids are trick-or-treating, right? Sometimes they get treats and sometimes they get tricks."

"Come on, seriously?" Dipper said. "Even for you this is low. You're literally taking candy from babies."

"The babies are trying to take candy from us. I have no sympathy." With the precision of an origami master, Bill refolded a paper fruit chew wrapper into a box and dropped it back into the bowl.

"They're supposed to take candy from us, that's how the holiday works." Dipper looked at Mabel for support.

But she was holding up an empty 3 Fencers wrapper and squeezing it lightly between her fingers. "Wow. How did you make the wrapper puffy again? It's so convincing."

Bill shot Dipper a nasty smile, then turned to Mabel and said magnanimously, "I'll teach you everything I know." He twirled a glue stick between his fingers.

Another trick-or-treater knocked, and Dipper answered.

"Trick or treat! Please give us the worst candy you have."

Mabel blinked, leaning around Dipper to see who was outside. "Wait, what?"

Outside stood a purple-furred monster with a dozen limbs from a dozen different creatures. He gasped in surprise. "Ohhh, twin costumes! That's so cute! What are you two, haunted dolls?"

Dipper took a surprised step back. "Limby Jimmy?"

The monster was silent a moment, taken aback. He took off a bear mask he'd made out of a paper plate. "Is it that obvious?"

Mabel asked, "Have we...?"

Dipper said, "Oh! Sorry—Mabel, this is Limby Jimmy, I ran into him last year in the Crawlspace under town when I was trying to get your face back—"

Helpfully, Bill threw in, "He's Gravity Falls' most accomplished arms dealer. And legs dealer, and tails dealer, and ears dealer..."

"Limby, this is my sister Mabel. Actually, I don't know if I ever introduced myself—"

Limby Jimmy cut in, "Ohhh, yeah, I remember you! You're Troll Boy, right?"

Dipper winced. "It's—it's Dipper, actually." He paused. "Wow. We meet a lot of weird people."

"Nice to meet you, Jimmy!" Mabel held out a hand. After a moment of thought, Jimmy elected to shake it with a tentacle and a dog's paw.

"What are you doing up here?" Dipper asked. "Is Summerween the one night of the year that Gravity Falls' monsters can walk among humans without fear?"

"Oh no, I'm terrified. I wouldn't be out here if I wasn't collecting donations," Jimmy said.

"Donations?"

Jimmy hesitated, then lowered his voice. "You've been in the Crawlspace, so, you and your sister are cool, but is the lady...?" He wiggled a hoof toward Bill.

Coolly, Bill said, "I'm actually an ancient interdimensional energy being cursed to wear a human form."

Dipper and Mabel flinched in alarm and rounded on Bill, hissing, "Bill!" "Shhh!"

Ignoring them, Bill said, "So, continue."

"Oh," Jimmy said brightly. "That's all right then, yuk yuk." He wiggled his multitude of right arms. "I don't know if you humans have heard yet, but the Summerween Trickster got eaten to death last summer! It's really sad!"

Dipper and Mabel, who had watched as he was eaten to death, stayed quiet.

"But probably happy for him?" Jimmy mused. "Since I think that's what he wanted? But it's sad for the rest of his poker group, we all miss him! So I'm out here with Doug—"

"Who?" Dipper asked, looking around the porch for a second monster.

"Oh, he's back there." Jimmy pointed toward a tree at the edge of the clearing around the Mystery Shack. The tree chittered unnervingly. "We're going around collecting donations to resurrect the Trickster! Or... re-summon him? Or however this works. We never really asked him how he came to exist, it seemed rude."

"Naturally," Bill said. "You can't just ask a freak what made him so freaky. It's a sensitive topic."

"Right! You understand," Jimmy said. "Anyway, we need a lot of crappy candy!" He looked at their bowl. "Which pieces have the kids been ignoring this year?"

Mabel had started bouncing on the balls of her dusty Victorian ghost shoes; and the moment she had a turn to speak, she squealed in excitement. "You're the Summerween Trickster's friend! That's perfect! Stay here, I'll be right back!" She shoved the candy bowl into Bill's arms and zoomed up the stairs. "I've got some stuff for him!"

Bill looked at the bowl, looked at the stairs, shoved the candy in Dipper's arms, and followed Mabel. "Hey, Shooting Star? What are you doing?"

Her voice drifted down the stairs: "Getting a donation! I'll be just a minute!"

"Hold on, you're actually helping that guy?" Bill laughed. "Why?" He climbed high enough to poke his head above the attic floor and lowered his voice so Jimmy couldn't hear. "I wasn't paying that much attention last Summerween, but I got the impression from your little costume store brawl that the Trickster was trying to kill you kids. Am I missing something?"

"I mean, yeah, he was—but he was in a really bad place back then, that doesn't mean he deserves to be dead for it. And now he knows someone out there wants to eat him, so maybe he'll be less insecure and evil." Mabel laughed, "Anyway, the Trickster isn't that bad! He didn't try to kill me half as hard as you did!"

Bill froze a couple of steps from the top of the stairs. He didn't move for a few seconds; and then wordlessly, he slunk back downstairs.

Dipper watched as Bill, face beet red, trudged into the living room. "Hey. What's Mabel...?"

"How should I know." Bill curled up on the couch, picked up the can of cider he'd been drinking earlier, shotgunned it, and glowered at the horror movie on TV.

Dipper considered Bill—all alone in the living room and not doing anything important—and considered Mabel, upstairs; and said, "Hey, Jimmy. Do you mind waiting out here until Mabel gets back."

"Sure! I don't have any plans." Jimmy rocked back on his many heels.

"Cool. Thanks." Dipper shut the door.

He sidled oh so very casually into the living room and leaned against the TV. "Guess it's just the two of us right now."

Bill's gaze didn't waver from the TV. "Terrific counting skills, Troll Boy." He popped open another cider can.

Dipper grit his teeth. Let it go. "Sooo! You're from the second dimension, huh? What's that like?" (His voice cracked embarrassingly on "that.") "Just—just curious. Making friendly conversation. Caaasual conversation." He flashed a pair of finger guns at Bill, to underscore just how casual he was. "Yyyep." Witness the junior paranormal investigator in action.

Bill turned the cold, empty eyes of a killer on Dipper. He took a long, slow sip from his cider. And he asked himself: what can I say that will make this stupid boy regret ever daring to speak to me?

Bill smiled. "Yeah. Sure. Okay," he said. "You wanna know what it's like? Have you ever read the Allegory of the Cave?"

Dipper hesitated. "By... Plato?"

"That one. You know—ignorance is like being a prisoner chained in a cave, watching shadow puppets being cast on a wall, and thinking they're reality; and having knowledge is like being outside the cave in the sunlight, seeing the real shapes that are casting the shadows—"

"I have read it, actually," Dipper said, a tad defensively. "It was for extra credit in—"

"English class, I know."

Dipper frowned; but he soldiered on. "So... living in the second dimension is like being chained in a cave, staring at the shadows on the wall, and thinking that's reality? Bleak."

Bill laughed so loudly that Dipper started. "Wow, you're so dumb! Use your brain, kid: it's the second dimension. You're not the prisoner: you're the shadow on the wall." Bill's lip curled in a sneer, "An illusion in somebody else's allegory. And the only one who can see the cave's exit... is you. That's what the second dimension is like!" He laughed again. It sounded forced.

"Oh," Dipper mumbled. He tried to wrap his head around the idea of being a living metaphor for ignorance. "Sounds... pretty bad?"

"Awful," Bill agreed. "Doesn't hold a candle to what your dimension has going on, though."

"Wh... why, what's going on in the third dimension?"

Bill gave him a malicious smile, and Dipper had the sinking feeling he'd just walked into an obvious trap. "You idiot, you still think you're in the third dimension? Really?"

Was that a trick question? What answer was Bill looking for? What could this be if not the third dimension? "Nnooo?"

"Wow. I can really see why you're a straight-A's honors student," Bill said. "You're so good at figuring out what answer the test wants and regurgitating it—even if you don't actually understand it at all." He heaved himself back to his feet; and Dipper was sure there was something threatening in the movement—something that reminded Dipper that he was talking to a dangerously unstable extinction level event precariously packed into an unsteady human body. "Although copying the year of the Louisiana Purchase off of Brandon's test in fifth grade probably didn't hurt, did it."

Dipper's stomach dropped. The secret shame buried beneath the foundation of his honors roll-worthy record. Pull that out and his entire academic career came toppling down. He'd get kicked out of the honors classes. He'd go to jail. Was cheating against the law? "H... how did—?"

"What year was the Louisiana Purchase?"

Dipper's brain immediately went blank. He was silent, trapped in the paralyzing intensity of Bill's gaze. After several terrifying seconds, he croaked, "1803?" and hoped he was right.

"Attaboy. Too bad you couldn't have learned that a little sooner, isn't it?" As he spoke, Bill had closed in on Dipper until he'd backed him into the corner behind the TV set, filling Dipper's exit route with one hand on the TV and the other on the wall. "But we were talking about dimensions, weren't we! Whaddaya like to read, kid," Bill asked too casually, "do you like cosmic horror? Do you know what real 'cosmic horror' is?"

Dipper regretted this conversation completely.

"It's having an eyeball on the inside of your body, and seeing another dimension through it. And ohoho, I think you'd be amazed at the things I can see from here—"

Dipper got the distinct impression that if he didn't get out of this conversation, he would only hear things he'd be telling his therapist about for months. "Cool! Good talk, man. Hey Mabel?" (That was an absolutely humiliating voice crack.) "How's it going?"

A pause. "I think I need help!"

"Coming!" Dipper ran behind the TV to escape Bill and gratefully bolted upstairs.

The kid had caved so fast. And Bill had only just been getting started. He smirked, sat, and turned back to the movie.

A moment later, Mabel and Dipper came back downstairs, carrying four bulging plastic grocery bags. Mabel set one by her feet, opened the door, and shoved the first bag into Jimmy's arms. "Here! You can give these to the Trickster!" She shoved over the second bag.

Jimmy stumbled back under the weight. "Whoa there! What is this?"

"Candy chalk-hearts! I completely bought out the leftovers after Valentine's Day," Mabel said. "I wanted to make sure that if we met the Trickster again, I could let him know he's loved and appreciated as the terrifying avatar of spooky holiday spirit that he is! And that I also respect that he's made out of gross candy nobody likes to eat." She picked up a chalk-heart box and waved it in Jimmy's face. "So here's a gross candy that expresses love! See, the little hearts say things like 'You smell nice' and 'I heart ur face,' but they taste like if dehydration was a flavor."

Dipper handed his bags to Jimmy. "Wait—Mabel, that's why you got all these? You've been planning to help the Trickster since February? I thought you were gonna build a chalk-heart house or something."

"Oooh, that's such a good idea. I should do that next year!" To Jimmy, she said, "I was gonna give these to him personally, but if he's still dead, I guess you can add it to his candy sacrifice pile or whatever? And make sure he gets this!" She handed Jimmy a store bought Shimmery Twinkleheart Valentine's card. It read, "I BELIEVE in our friendship! Happy Valentine's Day!" Mabel had scratched out "Valentine's" and written "Summerween".

Choked up, Jimmy said, "Oh—wow. That's the nicest thing anyone's done for us all night. I'm sure the Trickster will really appreciate it when he's not dead anymore."

Dipper was a little more vengeful. Dipper didn't want to do anything for one of the many guys that had tried to kill them last year. But, on the other hand, Mabel had just gone all in on this, and Jimmy seemed nice enough, so... Dipper sighed. Whatever, it was Summerween and this was a trick-or-treater. "Hey," he picked up the candy bowl. "There's really only one bag of good candy in here. The bottom of the bowl is filled with after-dinner mints our great uncle's been stealing from restaurants for the last six months. The Trickster would probably love that, right?"

"Aww—thanks so much, you guys! We'll have the poker group back together in no time!" Jimmy dug past the good candy and started scooping mints into his bag. "Oh—since I'm here, can I ask about our other poker buddy? Do either of you know Mr. What's-His-Face? He disappeared around the time you were visiting the Crawlspace, maybe one of you saw something? Any information would be helpful." Jimmy looked at them with weird, plus-shaped, but very hopeful eyes. "Between the Trickster's death and Whatsis disappearing, the local paranormal community's been hit hard. Especially us guys in their friend group. I'm—I'm not gonna lie," Jimmy heaved a sigh, "It's been a really hard year."

Dipper and Mabel, who were directly and personally at fault for Mr. What's-His-Face's disappearance and knew he was frozen in stasis in Ford's bunker at that very moment, exchanged a look and came to a silent agreement.

"Nope, don't know anything," Mabel said.

"Sorry, buddy," Dipper said.

Like the Summerween Trickster, Mr. What's-His-Face was a weird faceless shapeshifty monster that had tried to kill them. But they felt like that was where the similarities ended.

By the time of the Trickster's death, Mabel and Dipper had realized that his deepest inner longing was to be called good enough to eat. Mr. What's-His-Face's deepest inner longing was to steal innocent people's faces. If Mabel and Dipper helped resurrect the Trickster, he'd probably go back to ensuring everyone displayed sufficient holiday spirit, while hopefully mellowing out about eating people now that he'd been consumed once. On the other hand, if Mabel and Dipper helped free Mr. What's-His-Face, he'd probably just keep stealing faces.

And on top of all that, they could help resurrect the Trickster without admitting they knew the guy who ate him. They couldn't really lead Jimmy to Mr. What's-His-Face without admitting their great uncle was keeping him captive. And that would be a problem for the whole family.

"Oh," Jimmy said. "Okay, that's fine. Thanks for all your help. You know where to reach us if you hear anything."

Mabel shook her head. Dipper nodded. "Yeah, we'll let you know."

Jimmy hopped off the porch, shouted, "Hey Doug, can you help me carry these?" and chucked a couple of bags of chalk-hearts toward the tree line. Dipper and Mabel stared. Nothing emerged to pick the bags up.

They shut the door.

"Man," Dipper said. "We kinda devastated the paranormal poker group last summer, didn't we?"

"Yeah." Mabel sucked in a breath between her teeth. "Wow. Feels... kinda bad."

Dipper offered her the candy bowl. "Drown our feelings in chocolate?"

"Please."

They grabbed a piece of candy each, tore open the wrappers—and frowned. Mabel stomped a foot. "Dang it—Bill!"

"Hm?"

"How many of these wrappers are empty?!"

Bill poked his head out of the living room and said, smugly, "Like candy from a baby!"

####

A knock, and Dipper opened the door. "Wendy! Hey! Good timing—"

"Hey." Wendy lowered her voice. "Quick question—this is super important—is Goldie here?"

"Uh—yeah, why—?"

"Yello?" Bill carefully wove his way out of the living room, already less steady on his feet than when he'd sat down. "I heard my name, who's summoning me?"

Wendy pointed over the twins at Bill and turned to shout into the dark, "Ladies and gentlemen! I present to you! Live and in person... Toga Lady!"

A half dozen teenagers immediately went bananas. Hooting and hollering and cheering and whistling: "To-ga! To-ga! To-ga!"

Bill's entire face lit up. Without missing a beat, he pushed past the baffled twins out onto the porch and spread his arms wide, basking in the cheering. "That's right, keep it coming! Worship me! I'm the greatest!"

"Yes!" Robbie pumped a fist in the air. "The legends were true!" Nate immediately added, "The prophecy! The prophecy!" Tambry snapped photos of Toga Lady's fresh look as fast as her phone could save them, muttering, "Everyone's gonna flip when they find out you're still in town."

Wendy waited, grinning, until her friends' faux hysterics had died down. "Okay—okay, after getting you hyped up, I should probably say that Toga Lady is actually Toga Guy." She glanced questioningly at Bill. "I think?"

"Eh, I'm not picky."

"Anyway this is Goldie, he was stuck in another dimension for thirty years, it's crazy, and now he's like my illegal backup cashier. He actually... doesn't usually wear togas?"

Bill laughed. "If you can't wear a bedsheet on Summerween, when can you?"

Lee said, "Thompson wore a bedsheet to homecoming."

"Hey."

Bill pointed at Thompson. "A man of impeccable fashion! I like it!" Thompson gave him a look of eternal gratitude.

"And Goldie, this is the gang! That's Thompson, he's the guy with the van; Robbie and Tambry, they're like, gender-swapped versions of each other, they even share their hair dye..."

As Wendy did introductions, Mabel whispered to Dipper, "Did you know she was gonna introduce Goldie to everyone?"

"No! This is bad, I told her not to trust him..."

Bill was responding to a question, "No, no, you've gotta guess, I'm making everyone guess!"

The teens considered the question. Robbie offered first, "Punk caveman?"

"Nope!"

Hesitantly, Thompson tried, "Nero fiddling over the burning of Rome?" He winced when Lee laughed.

"I like where your head's at, but no! I can't fiddle."

"The gremlin king from Huge Maze?" Tambry said.

Mabel piped up, "No, but the wig came from a gremlin king costume and I appreciate you for recognizing that!" Tambry nodded in cool approval.

Bill dispensed of Lee, Nate, and Wendy's guesses—Greek Christmas tree, that one guy who keeps painting burning banks, and hair metal Hades—before Robbie loudly cleared his throat to cut in. "Anyway, would love to stay and chat, but we've gotta move if we wanna be in position before sunset. Dipper, Mabel, you ready?"

"Ready to ghost it up!" Mabel said, squeezing around Bill with Dipper onto the porch.

Robbie surveyed their makeup—deathly white skin, ashen grey lips, and dark circles around their eye sockets. "Yeah, that's pretty good. Could use a little color, maybe. Like bloody tears?" He turned toward Tambry.

She said, "I think I've got some red eyeliner."

"'In position'?" Bill asked, giving Dipper and Mabel a questioning look.

Wendy said, "We're helping Robbie film this music video tonight."

"We're the creepy ghost twins!" Mabel announced proudly. "We get to sing the chorus."

Robbie said, "Yeah, the song's about childhood and growing up, but like, with ghosts? Because once you've grown up, your childhood is all dead? It's metal, but introspective. I'm calling the genre 'intrometal.'" He flipped his bangs dramatically. "It's a super deep song. Metaphorical layers."

"Oh yeah?" Bill stared Robbie down. "Sing some of it."

Robbie blinked. "Oh. Yeah, okay uh, I haven't warmed up my voice but, the hook is like—" He pantomimed playing a guitar and whisper-screamed, "'BABY DOLLS! BASKET BALLS! BASKET CASE! HUMAN RACE!' Like that."

Bill nodded slowly, face expressionless. "Ah, yeah, I see. Really deep stuff. Makes you think."

"Thanks." Robbie looked at Dipper and Mabel. "Anyway, if we're gonna get any footage in the graveyard before the jack-o'-melons start burning out, we've gotta move. Let's go, Creepy Ghost Twins."

"Wait, you're going out?" Bill asked Mabel. "Like out-out? Leaving me here? By myself? On Summerween?"

"Wh—yeah, we're only handing out candy for half the night," Mabel said. "I told you that."

"No you didn't!"

"Yes I did!"

"When?"

Mabel thought. "No I didn't," she admitted. "Sorry!"

Wendy punched Bill's arm. "Sorry to steal them. We'll be back in a couple of hours," she said. "Or you could come help—?"

"No!" Dipper and Mabel both shoved Bill back into the house before he could accept. Dipper said, "You've gotta—guard the house." Mabel added, "And hand out candy!"

"Right," Bill said flatly. "Yes. That. Ha."

"See you later!" Mabel said, and then shut the door in his face.

The last thing he heard was Wendy explaining to her friends, "He's on house arrest for, like, academic plagiarism and war crimes or something..." and then they were gone.

Bill's shoulders slumped. Well, now what? He couldn't celebrate a holiday by himself. What was the point of wearing a costume if no one sees you in it. He picked up a piece of candy, discovered it was one of his decoys, and picked up another.

Someone knocked on the door.

"Yeah, yeah," Bill sighed. He picked up the candy bowl, turned toward the door, and paused. Ah. Right. What was he supposed to do with this impenetrable portal-blocking slab of wood.

Who was left in the house? Stan on the roof, Ford in the basement, Abuelita probably already in bed... were any of them worth harassing to help him answer the door? Maybe Stan, he'd gotten all dressed up, he liked the holiday even if he didn't like Bill—

The trick-or-treater knocked more insistently.

Or. Or.

He could pick up the bowl, peer out the small window in the door, and make direct eye contact with the children outside while he ate candy.

As a piece of mid-tier chocolate melted on his tongue, he saw three trick-or-treaters' faces fall as their faith in a kind, caring universe died. He grinned at them and ate another chocolate.

Oh yeah. He grabbed the rest of his cider from the living room and set up post next to the door. This would keep him entertained the rest of the night.

####

He made seven small children cry.

####

Stan watched from his post on the roof as yet another sobbing kid ran away from the shack. "HA! Gottem! Sucker!" He affectionately patted his boombox. "Creepy ghoulish laughter, you never disappoint! Terrifying moochers since 1989!" He paused the cassette and rewound it a few seconds to replay the best part.

He heard a scraping sound above him, and looked up just in time to see Ford sliding down the roof to join him. "Oh, hey! I didn't think we'd see you again tonight."

"Mabel made me promise to celebrate Summerween a little."

"Good for her!"

Stan had already claimed the sun lounger, so Ford brushed some dust and leaves off the roof's cooler and sat. "So, what are we doing? Scaring trick-or-treaters?"

"Yep. This year I'm taking a more atmospheric approach." He gestured at his boombox, which by now was playing haunting organ music. "Nothing like screaming zombies and rattling chains from nowhere to freak out the kids."

Ford nodded. "Psychological torment. I approve."

"Not quite as good as getting to see the terror in their eyes, but." Stan shrugged. "Bill was hanging out with the kids. I didn't want to put up with him."

"Mm. There's a reason I was spending the holiday in the basement."

"Heh. Well, there's always Halloween."

They were silent for a moment, listening as the cassette moved on from organ music to werewolf howls. Stan asked, "Think we'll be rid of him by then? I know we were hoping to be done with him before the Fourth of July—but since I haven't heard anything lately, I figure you hit a roadblock."

Ford winced. "Guilty as charged." He was still relearning how to keep other people in the loop. Even Stan. "You're right. I have a weapon that can destroy him, but I can't find a fuel source without restarting the portal. I'm hoping Fiddleford will come up with a solution I haven't."

Stan nodded. Ford had told him he was getting Fiddleford involved; even as reluctant as Ford was to admit how little progress he'd made, he wasn't going to tell someone outside the family about Bill without letting Stan know. "Any breakthroughs on his end?"

####

During the credits between episodes of the retired samurai period drama (most recently, the samurai had been asked to use his sword to help cut flowers for a bouquet), Fiddleford leaned over and whispered to Ford, "So I've been a-lookin' at those blueprints you left me."

"And...?"

"And I've constructicated a power adaptor. Just jimmy out the fuel tank, swap it for the adaptor's cord, and you can power that weapon by pluggin' it into the wall! It'll just drain all the power from the town for a few seconds, that's all."

"Fiddleford, that's amazing—"

"Now, hold on. There's bad news," Fiddleford said. "Try as I might, I can't quite get it to draw enough power to activate those energy-destroying features what you'd need to disintegrate Bill. It'll work like a powerful laser, but nothin' else."

Ford sighed. "It's a starting point, I suppose."

"I'll send you home with the adaptor anyway. Never know when you'll need a big laser."

"Very true. Do you have any promising leads on other alternative fuels?"

Fiddleford shook his head. "It's the NowUSeeitNowUDontium or nothing. But I've got a hunch we could synthesize it under lab conditions. I'll letcha know in a few days."

And then the next episode started, and they dropped the conversation.

####

Ford let out a heavy sigh. "He's only had a partial success so far. But I'm hopeful he's on the right track."

"So, if he's working on this weapon, what are you doing?"

"Waiting, mostly. I don't know what else I can do."

Stan frowned. "What—that's it? You've been downstairs all day every day—if you're not figuring out how to destroy him, what are you doing?"

"Passing time somewhere I can be on call if he gets up to something—but I don't have to look at him," Ford said wryly. "And—as long as I'm waiting to hear back from Fiddleford, I've been... picking apart that list of spells Bill gave me. To see if any of them are tricks or traps."

Stan couldn't say he was surprised. That was his workaholic brother. A pamphlet of demon magic was like catnip to him. If anything, Stan was almost glad Ford had that letter to distract him. Over the past year...

Well, Ford was fine on land—when he temporarily had a mystery to solve, an adventure to pursue, an anomaly to study, a distraction to fill his time—but at sea, when his mind was unoccupied, he was listless. He had books he didn't read, field notes he didn't enter into his journal, games he didn't play. He fed himself and exercised and did chores around the ship like a robot programmed to take care of itself, and he stared out at the sea.

Last summer, Ford hadn't seemed happy but he'd seemed alive. Tired and angry, but alive. But after Weirdmageddon, a light in his eyes went out. Stan didn't know if it was the end of summer, or guilt over the memory gun, or the gap between finishing a thirty-year-long quest and discovering the next one. All Stan knew was the light hadn't come back on until the moment Bill Cipher, clad in a new body and a purple cartoon bedsheet, tried to cave Ford's skull in.

Ever since they were children, Ford had had a tendency to develop obsessions. It was somehow simultaneously both what made him most interesting and what made him boring. Depended on the obsession. But these all-consuming interests had always tended to last a few months, at most a year; and he'd never seemed to be without one, much less for nine months. Stan had no idea what carrying a single obsession for three decades might have done to Ford's mind.

Stan was glad something had woken Ford back up, and he worried that losing that focal point again might leave Ford permanently adrift. But another part of him worried that, this time, Ford wouldn't let the object of his obsession go. He tended to collect things related to his obsessions.

But then, he usually tended to like his obsessions. He hadn't seemed bothered to burn the contents of his creepy Bill shrine last summer. Ford wouldn't do anything stupid, Stan told himself. Ford hated Bill. "So? Were any of the spells traps?"

"Not... so far, no." Ford sounded irritated by this.

Stan shrugged. "Makes sense. He's trying to butter us up. If that idiot thinks being nice to us for a week or two is gonna make up for the years of grief he's given us—"

A loud rattle-clattering below made them both start. Stan sat bolt upright. "What the—?"

Ford inched to the edge of the dormer roof, knelt down, and leaned over the edge just far enough to see the window.

Bill's face was pressed to the glass, eye rolled up toward the roofline. He grinned in surprised delight and shouted through the glass, "HEY, STANFORD! What are you doing up here?! I thought you were downstairs!"

"Ugh." Ford turned to grimace at Stan. "Speak of the devil."

Bill pounded on the glass again. "Hey, Sixer! SIXER! Open the window!"

"Why?"

"I wanna talk!"

"No."

"Come ooon, the kids ditched me and I'm bored! There's no one in the house to talk to! The old lady's asleep and Stanley's on the roof, so—" He abruptly fell silent, squinting with deep suspicion at Ford-who-should-be-in-the-basement kneeling on the-roof-where-Stan-should-be, and said, "Wait. Are you Stanley right now? Show me your hand."

Ford did not. "Go away, Bill." He left the edge of the roof for his cooler seat.

"Get back here!" The pounding redoubled. "I don't care which Stan you are! If you don't wanna talk, I can always go wake up Dolores!"

Ford looked at Stan. "Mrs. Ramirez's name is Dolores?" He had gotten used to everyone calling her Abuelita.

Stan stomped on the roof, "Shaddup!"

Bill did not shaddup. "Come ooon!"

Stan sighed in defeat and heaved himself to his feet. "If he keeps that racket up he's gonna break that window, never mind that hex you put on him." When they'd taken out the original Bill-shaped window, Stan had replaced it with the cheapest window he could find. He didn't think it was very durable. "How much trouble can he get in with one open window twenty feet above the ground and both of us watching him?"

Ford Frowned.

"Don't gimme that look. Do you want to pay for a broken window?" Stan flipped through his keys for his key-shaped emergency lock pick, leaned over the edge of the roof, and wedged the pick into the window frame. The latch popped open. Lucky this window was so cheap, that wouldn't have worked on one with deluxe features like "airtight weatherstripping" or "a properly-fitting frame." Stan swung open the window. "Okay, you have our attention. Now what's the fastest way we can get rid of you?"

Bill clumsily climbed out to sit on the windowsill with his legs in the shack, and leaned back so he could see up onto the roof. "Hiya Fo—" He lost his balance, flailed, and yelped as he toppled backwards.

Stan and Ford lunged forward to seize an arm each. Stan snapped, "What are you doing, you maniac?!"

Bill stared up at them both in wide-eyed amazement. "You do like me."

Stan made a noise of disgust, let go, and wiped his hands on his pants like Bill had cooties.

Ford said, "We like you trapped in that body and not free to cause the apocalypse."

"I heard 'we like you'!"

"Shut up." Ford managed to haul Bill back upright. (Touching Bill felt wrong—all soft flesh and skin and the suggestion of bones underneath. Even when looking right at Bill's human body, Ford still expected him to feel like heavy shadows and heatless flames.) From this close, Bill reeked of cider. "Just how much have you had to drink?"

"Not so much I won't remember whatever you say in the morning, so be nice to me!" Bill laughed. He leaned back, this time hanging by one hand off the window frame to precariously maintain his balance, and grinned up at Ford. "So! The least fun person in the house has finally emerged from his lair? And you didn't even come into the house to join in the Summerween festivities! 'All work and no play'..."

Ford had to crouch at the edge of the roof, hovering nearby in case Bill lost his balance again. "I wanted to participate in Summerween, actually. It just so happens that the last person I'd ever spend a holiday with is in the house."

"Listen, Stanford. I know you're holing up in your study for days on end just to hurt me. But let's be honest, you're hurting yourself more! When's the last time you saw the sunlight! Look at how pale you're getting, you look like a vampire."

Stiffly, Ford said, "It's costume makeup. That's my vampire costume." Stan laughed.

"It what." Bill flipped up his eyepatch and squinted blearily at Ford's face.

Wordlessly, Ford bared his teeth to show off his plastic vampire teeth.

"Oh." Somewhat deflated, Bill said, "Nice work, it's convincing."

"Thanks," Ford said grudgingly. Giving in to his curiosity, he gestured toward Bill's (somewhat disheveled) reddish-yellow wig. "What are you."

"Oh!" Bill perked back up. "You've got to see the whole thing. Hold on—" He turned around in the window, ignoring how Ford half reached for him in case he needed steadying, until he got his legs outside to dangle on the roof. "What do you think!"

Ford looked over the brown toga flared out like a cone, the eruption of red hair, the small paper city below, and said, "Mount Vesuvius and Pompeii? Very clever."

Bill's face lit up. "Finally! You're the first person all day to get it!" He smoothed out the skirt proudly, his jerky gestures just a bit more exaggerated than usual. "Do you know how long I've wanted to go to a costume party as Vesuvius? But nobody off Earth would get it! And now that I'm finally here, I can't go to parties and I'm shaped more like a mandrake than a volcano." He flung up his hands, wobbled, and caught himself before Ford had to intervene. "But at least you got it. I knew I could count on you, IQ."

He sounded so sincerely grateful. Ford regretted calling the costume clever. It was, but Bill didn't need the ego boost.

"Oh! By the by—I didn't think you'd emerge before the day was over, so I saved this." Bill fished around in his toga until he retrieved a mini pack of jelly beans. "Here!"

Ford eyed the pack. "Why is it open?"

"Because you only like the weird-shaped jelly beans, so I ate all the normal beans and saved the weird ones in one bag."

"I don't want this. You touched every one of the beans, that would be disgusting even if they weren't coming from you," Ford said. "Anyway, this is a patently transparent attempt to buy your way into my good favor—"

"It sure is, Ford, and if you don't accept it I'll get to be annoying about your ingratitude for weeks! Is that what you want? You know I'll do it. Everyone will be on my side—"

Ford sighed, but snatched the bag from Bill's hand. "Fine. Now drop it."

"That's more like it!" Bill favored Ford with an approving smile. "Anyway, it's just about the only candy left in the house, I ate everything else—hey, have you ever been cross faded on cider and a sugar rush?"

Ford was still trying to decide whether he wanted to engage in this one-sided conversation enough to ask Bill what "cross faded" meant when Bill moved on without him: "It's—not that interesting, actually. 6 out of 10. Anyway, all that's left in the bowl is mints and wrappers. And Mabel even managed to give most of the mints away—hey, she's so nice, did you know she's helping to resurrect the Summerween Trickster?"

She was doing what? "No. Why?"

"She's so nice."

"You just said that."

"What is she so nice for. What's she getting out of it," Bill asked, more to the universe at large than to Ford. "If more humans were half as nice to freaks as she is, your rotten planet wouldn't need people like you and me to save it."

Ford didn't even know where to begin with that. He looked to Stan for help.

Stan was sitting straddling his lounger, elbow on one knee and chin in his hand, watching this exchange like he was watching a weird bug on the wall try to navigate around a picture frame. At Ford's glance, he rolled his eyes and pantomimed sipping from a drink.

He could say that again. Ford cleared his throat. "Bill, maybe you should..."

"Hey," Bill said. "Great talk, we really should catch up more sometime. And pull your weight next time, I always have to do all the talking. But right now, I'm..." He gestured vaguely off to the side. "I'm gonna lie down and try not to throw up. Ciao!" He swayed as he tried to get back in the window, tumbled backward into the shack, and thudded heavily on the floor. "Ow."

Ford gingerly shut the window.

Stan turned up the boombox. "Chatty drunk, isn't he."

"He's chatty sober, too." But in front of the kids? Neither of them saw Bill as a role model, but they still didn't need to be exposed to that kind of behavior. Especially when the responsible adults were outside or asleep... "Did we really leave Bill alone in the house with the kids?"

"W—I—" Stan shrugged defensively. "They were all right! They can take him! They're doing karate or whatever! You didn't see how Mabel flipped him at the mall! It was like David wrestling Goliath."

"David and Goliath didn't wrestle."

"You know what I mean."

Ford supposed he didn't think Bill was any threat to the children. At least, not right now, and not physically. He felt like he'd know if Bill was about to try anything.

He looked at his open bag of gross felt-up jelly beans. Speaking of trying to butter them up... Ford wound up and chucked the bag as hard as he could.

He stared into the dark after it.

A small part of him was beginning to wonder whether this wasn't all just an attempt to get Ford's guard down. The gifts, sure, that was as clear-cut a case of bribery as you could get. Nothing ambiguous there.

But the endless chatter... Back when Ford had called Bill his Muse, this was exactly how he'd wanted Bill to talk to him. Not in the flighty half-distracted way of a friendly businessman catching up on a work project's progress before hurrying on to the next meeting; but just talking for talking's sake, talking for the company.

Getting what he once had longed for made his skin crawl. And he couldn't even tell if Bill was acting.

The boombox let out a ghastly banshee shriek. Ford and Stan both jumped, then laughed awkwardly.

Ford sat on the cooler again. "Is it just me, or... did Bill completely ignore you as soon as he realized I was up here."

"Well. I wasn't gonna mention it. I didn't wanna sound jealous of the attention. But yeah—he's been doing that since he got here. If you're in the room, he tunes everyone else out."

"I thought it was in my head." And he hadn't wanted to sound like he wanted to imagine Bill was favoring him.

"And you do the same thing around him," Stan said, and laughed at Ford's flinch of alarm. "It's—it's fine, I get it. Keep your friends close and your enemies closer, right? You've got some kind of superhero-supervillain nemesis thing."

Ford got the distinct impression that Stan was offering him a convenient excuse for the tunnel vision. He took it. "I suppose that's true." The way his jaw clenched and his shoulders tensed around Bill certainly felt like a "nemesis" reaction.

But if Stan thought Ford was a bit too preoccupied by Bill... well, maybe he was right. Once Ford had gotten over his initial wave of fear, of despair, of outrage at the injustice, at finding Bill was still alive—there was a part of him that was almost relieved. A part of him that had been on guard against nothing for the past year, twisting around looking for an absent threat. Now that it knew where the threat was, that part of him could finally settle down and watch Bill with steady, certain eyes. Having nothing to worry about made him more anxious than having one thing to always worry about.

(Maybe Shermie's kid had been on to something when he suggested Ford might benefit from therapy.)

Knowing Bill was back didn't put the old starlight and awe back in that hole Bill had left in Ford's chest. But dread could fill a hole all the same.

Ford tried to push Bill out of his mind and the conversation. "You think I'm like a superhero?"

"You run around fighting monsters with a space laser. What else would you be?"

"Huh." Well. That made his night.

"Just as long as you don't pull that 'hero spares the villain to show how good he is' shtick."

"Never." Ford laughed ruefully. "I think I left 'good' behind a few felonies back." He'd probably left "good" behind the night he accepted the portal blueprints.

"Couple stragglers," Stan said, nodding out into the dark. It took Ford a moment to spot the costumed kids and remember it was Summerween. "I recognize those costumes, I scared them off an hour ago. What are they doing back?"

Ford squinted at them. "Are those toilet paper rolls?"

"Wh—Hey! What are you little runts— Hey!" Stan leaped to his feet, shaking his fist at the kids below. "Get away from my car! Stop that! I'll have you know that's a classic— No, not the eggs!"

Ford slid out his freeze ray, turned down the power, and offered it to Stan. "Here. At this power and distance, it'll feel like getting pelted with invisible snowballs."

Stan snatched up the weapon. "Eat this, twerps!"

The Summerween night air was filled with the screams of terrified children and the evil laughter of an old man.

####

Wow. It sure sounded like everybody was having fun. Outside. Without him.

Bill was nauseous.

He stared at the spinning ceiling, flat on his back, one leg on a cushion and the rest of him on the floor.

Bill was nauseous and alone. The loneliness tore at his throat. Even Mabel had ditched him. Of course she did—he'd tried to kill her. He'd barely even remembered he'd tried to kill her until she brought it up. Had he tried to kill her? No, surely not—he liked the kid, he'd always liked her—he'd been faking to force Ford's hand, he never would have gone through with it. He would've teleported her into another room and pretended he'd disintegrated her. She didn't know he hadn't meant it. She was just mad he'd scared her. She couldn't take a joke.

But, Ford talked to him. Ford even liked his costume. It wasn't much, but it would get Bill through the night.

When he saw Kryptos again—when, not if—he was slicing him into a jigsaw puzzle for not taking Bill's call. The nerve of that guy, hanging up on a human without even waiting a few words to see if they had anything interesting to say.

(What if it hadn't been an accident, he wondered? What if Kryptos had realized it was Bill and still hung up?)

(No. Of course it was an accident.)

He shut his eyes. He was probably too drunk to dream tonight. Well, he could try again tomorrow. His little lucid dreaming guide was currently teaching him to influence the next night's dream by focusing on a topic before sleep. Maybe tomorrow he could dream about the Nightmare Realm.

He missed home.

####

(Congratulations to the approximately 50% of respondents who correctly figured out Bill's costume when I posted the art on Halloween, you're officially smarter than everybody in Gravity Falls except Ford. This is one of those chapters with a whole lot going on so if you enjoyed, I'd love to hear your comments!!)

#(tbh that's the best Mabel & Dipper I've ever drawn)#bill cipher #human bill cipher #mabel pines #dipper pines #(for both the art & fic)#grunkle ford #grunkle stan #(for just the fic)#gravity falls #gravity falls fanart #gravity falls fic #my writing #my art #fanart #bill goldilocks cipher

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persevereforahappyending · 9 months

Text

Luck Runs Out |Part 1|

Pairing: Mabel x Reader

Summary: When your luck runs out you unknowingly drag Mabel back into the life, she's so desperate to escape.

Warnings: Drugs, Guns, Violence

Word Count: 2.4k

Note: This is what happens when hyperfixations converge

Main Masterlist | Series Masterlist

“Cut the line!” You screamed over the raging storm and grinding machine.

“No!” Your captain yelled. “We can’t let the product go!”

“We have to!” you turned to face the captain.

“We have too much money riding on this drop.”

You watched as your fellow crewman continued to push the lever, trying to raise the net with product. You lifted thousands of pounds of fish almost daily so drugs shouldn’t be any different. It wasn’t usually different. The thing about machines though, no matter how many times you’ve used them, no matter how reliable they were in the past, they could still break.

The machine continued to groan, the wire grinding and struggling to raise the net. It was a bigger drop than usual, but it wasn’t anything you and the crew couldn’t handle. The thing that didn’t help though was that there was a major storm, the waves crashing around the boat, swaying it violently back and forth as your crew tried to raise the drugs. Most fishermen would have held out in leaving the dock when they heard the storm would be rolling in, just wait for it to pass and leave in the morning to get their catches. Your crew had a time limit though, you were told about the drop and drug dealers didn’t care about a ‘little storm’ in their words. Your job was just to get the drugs and bring them in.

“We have to cut the line!” You shouted, begging your captain to see reason.

“No!” He screamed back. “We get this line up or being out of a job will be the least of our worries.”

The grinding got louder, you looked to see the device to lift the net now smoking. Any other captain would have told them to cut the line, it would have sucked, but any other fishermen would have just taken the loss of the catch, the risk wasn’t worth it. You weren’t just any other fishermen though; you were the best. Your crew brought in some of the biggest catches, you were on one of the nicest fishing boats in the harbor, for fishermen the whole crew were well off not just the captain. You were also drug smugglers, you moved more drugs than fish, that’s where the real money came from.

“Screw it!” You said, watching as your crew mate struggled with the lever, losing his grip and as he slipped from a large wave that crashed onto the deck. The lever went down, the cord holding the product started to drop back into the ocean. Your crew mate quickly recovered and grabbed the lever, pushing it up as he caught the product, the cargo swinging from the sudden change.

You rushed forward, moving to push your crew mate out of the way when the cocking of a gun stopped you in your tracks. You heard it clearly, as if there weren’t crashing waves and thunder surrounding you.

“I said no,” your captain repeated.

You slowly turned to see your captain aiming a revolver at your head. You stared down the barrel of the gun, looking over it to see no hesitation in your captains’ eyes. You took a step away from the machine, refusing to back down from your captain's gaze. He was your captain, this was his ship, what he said was law, if he asked the men to throw you overboard, they would. A crew was supposed to be like family, fishing was dangerous, and the ocean was unforgiving, if you couldn’t rely on your crew, you might as well be dead. Everyone had a job and you needed to trust everyone would do their job, if you couldn’t trust them, then there was risk, everything could go wrong, and on the ocean, if something goes wrong it can not only cost you your life but your entire crews.

There was a groan then a loud snap, breaking the tense moment. Your eyes left the gun pointed at you and went to where the drugs were being lifted. One of the cables had snapped, the other was straining itself to hold the load. With the crew distracted you ran forwards, hitting the button to release the load. The net of drugs instantly dropped; the boat harshly swayed at the change in weight, sending you flying back into the side of the boat, nearly going over the edge.

You held onto the edge, trying to keep yourself upright. You turned around just as a shot rang out. An incredible force hit your shoulder, flipping you over the side of the boat. The cord that had broken free of the machine lifting the drugs entered the water, wrapping around your ankle as it trailed after the net it was connected to, the drugs you tried so hard to cut loose to save everyone was now dragging you to the bottom of the ocean. You weren’t a good person, you’d made a lot of bad choices in life, whatever the reason for those choices ultimately led you to where you were now. You always knew getting involved with this life was most likely a death sentence. Maybe the god of the sea would take mercy on you, maybe remake you into a shark or something cool. You weren’t that lucky though; the sea god was just as ruthless and merciless as the ocean he ruled. You were in his domain; you didn’t deserve his mercy.

You watched as the light from the boat slowly faded. You weren’t sure if they were leaving you, they probably were, or if you were too deep for light to reach, also probable, or made you were starting to blackout from whatever hit you, also highly likely. You deserved this, sinking to the bottom of the ocean floor, alone in the dark with nothing to do but rot. You deserved this.

Your eyes snapped open, the saltwater stinging them. You might have deserved to die like this but that didn’t mean you were going to make it easy. You were a fighter to the very end and there was no way you were going to sit back and just let the ocean take you. You swam up, trying to kick your foot loose from the cord it was tangled in. the cord seemed to only get more tangled, the pallet of drugs only pulling you deeper by the second. You felt around, searching your body for the knife you always kept on you. You let out an internal sigh of relief when your finger brushed the metal, your hand quickly gripping the rubber handle.

You freed your knife and swam down, the cord that was around your ankle was too thick to cut through, you were going to need to cut the net the drugs were in. You swam further down, black spots dancing in the corner of your eyes. You felt around, finally feeling the net, following the path of the net until you found where the cord around your leg connected to the net. You quickly dug the knife into the rope, sawing back and forth until the cord broke free. You didn’t waste a second, quickly swimming back to the surface.

You broke through the water, gasping for air, trying to keep your head above the water as the waves crashed over you. The storm was still raging, you looked around, seeing nothing but the glint of your knife in the moonlight. A few seconds after floating on the water, trying to reserve your energy since you didn’t know right from left in the ocean. If you just started swimming you could end up going further out to sea. You needed to find a piece of driftwood or something just to keep yourself afloat as the current guided you back to shore.

You sheathed the knife back at your side, not removing your hand until you knew it was secure. You reached down, bringing your leg up as you tried to detangle the cord from your ankle, while also keeping your head above the water. The cord was thick and heavy, it kept trying to drag you down but eventually you got it around your foot, kicking your foot to untangle the rest of it until you were finally free.

Something else broke the surface, making you jump but when you got closer you saw it, three tightly sealed packs of drugs. You couldn’t help but let out a sigh of relief, the drugs that seemed to be your downfall might be the thing that saved you. You swam to them, pushing them as close as you could together, holding them in place as they kept you afloat.

You pulled out your necklace that you always kept tucked under your shirt, giving it a kiss, silently thanking Poseidon or any other sea god that might exist. You didn’t necessarily believe in the Greek gods, but you grew up hearing those stories, fascinated by the mythology of it all. When you got into fishing your mother gifted you a little trident necklace and ever since you had never taken it off. You knew it was kind of stupid and your crew always made fun of you for it, but you always kissed it before going out to sea and held onto it during difficult times. You didn’t believe in it but on the off chance that the gods were real you wanted to show your support in some way, besides, representing the god of the sea and showing him respect didn’t hurt anything. It gave you comfort, believing in a god, believing that when you went out to sea you’d be protected and if the worse came, then you’d have somewhere to go, that your soul might be protected in the afterlife.

Or maybe Poseidon saved you only to let you die a far harsher death. Sinking to the bottom of the ocean isn’t ideal but it would have been quicker than your current predicament. Now you were floating in the middle of the ocean, a couple bags of drugs the only think keeping you from exhausting yourself and sending you back down to your demise. No one knew where you were, no one would come for you, your crew would lie about what happened and everyone would write you off as dead. You were soaked down to your bones, the top half of your body shivering in the moonlight, you had no food, no water. Your only hope of rescue was being close enough to shore that the tide would carry you in before you died from dehydration, which you knew wasn’t likely. Otherwise, your fate lied in the coast guard stumbling upon you or some unsuspecting fisherman catching sight of you as they set out for their catch.

You sighed, closing your eyes, yeah, the sea god was pissed at you. You couldn’t blame him; you did taint his ocean with drugs after all. You deserved everything that was coming to you. At least the rain stopped, maybe you were being shown mercy after all, maybe Poseidon wasn’t going to allow you to die alone, in the ocean, in the freezing rain. To most that wouldn’t seem like a kindness but for a god that was about as merciful as it got. You were lucky the waves weren’t still crashing over you, refusing to allow you to break through to the surface, fighting your way up and the surface just constantly being out of reach. If you were to die by simple dehydration, then you were lucky.

You had one arm stretched out over the packs of drugs to help keep them together, your fingertips dipping into the water with each movement of the waves. You rested your head against the packs, your eyelids becoming heavy despite your desire to keep them open. The last thing you saw was the moonlight before you finally lost consciousness.

Your eyes slowly fluttered, squinting as you tried to look around but quickly dropped your head back down when you didn’t have the strength to lift it. You groaned, as you reached over, touching your shoulder, gritting your teeth at the pain that shot through your entire body at the lightest touch. When you pulled your hand away, resting it in front of your face as you opened your eyes just a bit more to see your fingers coated red. With that your eyes slowly closed again.

You drifted in and out of consciousness, not able to open your eyes again. The sun beating down on you as you swayed with the waves. You weren’t sure where they were taking you, to shore, or further out into the ocean, inching closer to your demise with each wave.

The waves got rougher, making you regain consciousness for a second. It sounded like people were talking, you nodded thinking you finally succumbed to delusions and now you were hearing things. Certainly, it was only a matter of time before the ocean took you again, dragging you back down to your watery tomb.

Death never came though, you were gripped by the shoulders and hoisted upward, gently being placed back down on a hard surface. You tried to open your eyes, squinting as you saw a handful of silhouettes standing over you. One of them stood taller than the other, looking down at you as he pointed to the others, seeming to give them orders. When he turned, the sunlight hitting him just right, you could see he had a beard, he also smelled oddly like fish, maybe Poseidon was real after all, or maybe you smelled like fish, you were on a fishing boat the night before and had been in the ocean since then.

“Holy shit,” someone whispered, the first thing you could properly hear but your eyes wanted to remain closed as you tried to turn toward the voice.

“Let’s get back to shore!” someone ordered.

“We need to get them to a hospital,” another voice said. This voice was closer to you, and you felt pressure go to your injured shoulder, causing you to let out a cry, your body jolting from the pain but quickly flopping back down again.

“No,” you rasped out. “No hospital.” You tried to raise your hand to wave them off, but you didn’t think your hand ever left the ground. “No,” you breathed out before finally fully losing consciousness again.

#mabel finestkind #mabel (finestkind)#mabel x reader #mabel x you #mabel x fem!reader #jenna ortega #jenna ortega x reader #finestkind 2023 #luck runs out

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