#series break down

[away-ward]

I am so sorry to bother you and I have no idea If you’ve answered this before, I tried looking but couldn’t find it, but whats like the run down on what actually happens during devils night in the book? Like what do the four horsemen do? I’ve yet to read the books as I’m already reading a different series but I can literally not find any info on what they do on the night. Feel free to ignore this lol

Yeah, no worries! You're not a bother at all. I've never done a complete run down of what happens. I can't tell if you're asking for like a general idea or a complete break down of the series. Message back if you're looking for something more detailed.

The general idea of Devil's Night, which is not something that originated with this series, is that on the night before Halloween, these kids go out and preform, for the most part, harmless but extreme pranks.

To give a full run down of the events in all four books, keeping in mind that the last one is 650+ pages, would be too much for any one person to do in a single post. I don't even remember all the major plot points or order of evens from Hideaway and Kill Switch.

If you have specific questions that would be considered spoilers, feel free to ask. I have no problem spoiling things.

All four books have the same basic tropes: second chance romance w/ enemies-to-lovers (depending on your definition of enemies), where the mml is seeking revenge for a perceived wrong.

The books:

should be read in series order, as each book builds on what happened in the previous book, with new characters introduced.

are dual povs, and told in a past and present format, with an the chapters from past and present timeline overlapping each other; All events in the books takes place in the month of October, with the climax of events taking place on Devil's Night or around then.

feature sharing/multiple partner scenes, but end with the main couple together (the HEA is up for debate in the fandom, but it's intended to be HEA).

Overview:

The Horsemen are four friends from Thunder Bay, a small affluent town in the Northeastern part of the US. They attended Thunder Bay Prep, and where known for being the best players on the school's basketball team. Some time during their school years, they started the tradition of Devil's Night, where they and their schoolmates spend the night partying and playing pranks. In the series, the Horsemen take the lead in planning and arranging the pranks and events, usually by themselves, letting others join later for the party. They're generally supported by others in the community, barely chastised by law enforcement. Rule of thumb seems to be, as long as they don't kill someone, it's mostly just a fun night that ends in a revelry and sex for those who join in the festivities.

Summary: In Corrupt, the series starts when three of the four Horsemen are released after spending 2.5 years in prison. They were sentenced after pleading guilty when evidence of some of their "pranks" (read as: actual crimes) was released online. They first seek revenge from Rika, former schoolmate and family friend, who they believe to be the source of the leak. But as an intense attraction between the leader of the Horsemen, Michael, and Rika is reignited, new information comes to light that makes them question everything they've been told. From there a new enemy emerges.

In Hideaway, Kai, is he is trying to rebuild his life. At the same time, he is trying to track down their new enemy, who knows some disturbing secrets about him. His efforts reunite him with, Banks, a girl he knew for only one night in his senior year of high school, but with whom he had an extraordinary connection. Banks has a questionable connection to his enemy, and Kai finds it in his best interest to keep her close while looking for more information. During this time, their feelings for each other resurface and in the end they're faced with choosing who they'll prioritize.

In Kill Switch, Damon returns to the spotlight in Thunder Bay when he marries the corrupted former mayor's daughter - just not the one he was sent to prison for sexually assaulting and who has been the object of his obsession since he was eleven, Winter. Damon and Winter met each other as children, when an accident left her blind. She returns to Thunder Bay years later for high school, where Damon takes advantage of her blindness to insert himself into her life. He quickly becomes her confidant and rock. Despite not knowing the identity of her new friend, Winter falls in love. Until she's told the truth. Winter knows that everything that happened between them was consensual, and that the sexual assault charge was because she was underage when he recorded one of their times together. However, she couldn't bring herself to admit it then, and she'll be damned if she gives in him now. However, Damon is a threat, but he's a threat she's never been able to fully resist.

In the final installment, Nightfall, Emory Scott, former classmate of the horsemen and Will's crush, is abducted from her life in San Francisco, and wakes up in a secluded house with five men. Will has been missing from Thunder Bay for over a year. He's in a place few know; a place meant for rich young men who are embarrassments to their public families. While his friend's were growing up, becoming parents and business owners, Will lost himself in drugs, booze, and sex. Locked in a house with men she knows nothing about, except that they're criminals of some kind, Emory looks to Will to be an ally. Only Will wants nothing to do with her, and it's all because lies she told, and how he blames her for the years he spent in prison.

However, nothing with this series is as it seems. There are mysteries and surprise reveals, plot twists galore - some good, some. . . not so good. It's not a perfect series; most readers don't love all of the characters, but say that there was something addicting about the series nonetheless. It's interesting world, and a fun ride to turn your brain off while reading.

Hope this helped. Thank you.

[elvyn]

doodles some of my favs from One Piece because after two years I'm finally almost up to date with this anime😭

[atelierlili]

Sorry not sorry, anytime I see someone say Peeta's childhood crush as obessive/creepy, I can tell they're reaching so hard or projecting. Because Peeta's crush on Katniss is literally so normal. He never acts on it until they're placed in a life or death situation and he only weaponizes it as a tool to keep HER alive. Peeta's affection for Katniss, is and has always been unconditional and innocent. It's so ick when people twist it into something it's not to perpetuate their narrative.

When he realizes that Katniss doesn't reciprocate his affections and may feel burdened by his affections, he put so much distance between him and Katniss that she admits to missing him and HE gets criticized by most of the fandom for freezing her out.

He has always been respectful to Katniss’s autonomy and respects her boundaries. Is he overly self-sacrificing and have little self worth? Yes, but in comparison to red flags in a partner, this is barely one at all. He’s not abusive at his own volition. Doesn’t guilt her for not liking him back or continuing their lover’s facade to keep their families safe. His flaw is workable and it’s never something that can harm Katniss physically or mentally (at least for the most part). And this is not to mention that Katniss shares these flaws as well.

At the same time, these examples of his self-sacrificing nature are placed within contexts where once again, Katniss and Peeta are planning to die for each other again. Where Peeta is doing the ruthless calculus of war and knowing in the grand scheme of things, his death will have less repercussions than Katniss’. He doesn’t have people relying on him to live. He’s not the one the rebellion is using as a symbol.

“Oh, but he used to watch her go home everyday-“ no. That’s what the movie said in that abysmal cave scene. Even if that were the case, it’s not like he’s stalking her- they go to the same school?? Some people act and cling to this instance as if he’s following her home and stealing her panties. All he’s ever done is watch her (and saved her life) and guess what??? Katniss was watching him too? She’s been taking sneak peeks at him too (oh, he can lift heavy bags of flour so easy, he came in second in the wrestling tournament. 🤨 Giirrrrrl) so I guess their both creepy and obsessive for each other. Match made in heaven 🤷‍♀️

[stvrchaser]

𝐩𝐫𝐨𝐦𝐢𝐬𝐞𝐬

( pairing ) : clarisse la rue x fem!reader

( words ) : 2000

( note ) : noticed that clarisse has her nails painted in the show and… well this came out of that. reader is heavily aphrodite coded but i don’t think it’s explicitly mentioned anywhere what cabin she’s actually from? only that she’s not from apollo’s and she’s on clarisse’s side for capture the flag

also don’t we just love that every fic i’ve ever published is literally 80% pining? honestly can’t tell you the last time one of my fics didn’t have a scene that goes on for like three paragraphs about how much admiration reader has for their love interest

oh and happy new year!!

Summer days can last for a lifetime and a fulfilling one at that. There’s so much to be done when the world wakes, engulfed in light and warmth, nurturing possibility. There’s so much to look forward to. But today, that anticipation has chosen to work against you.

The sun is setting now, approaching dinnertime, and Clarisse is nowhere to be found. For all of her spontaneity and occasional recklessness, it’s unlike her to abandon routines. That is, routines she shares with you. And walking to dinner together happens to be one of your longest-running practices.

You tried to ask around, careful not to sound too concerned so as not to spark rumors. See, Clarisse La Rue has never been publicly caught in a state that warrants concern. Clarisse La Rue is untouched by the fears that plague the rest of them. But you know better.

It isn’t until you come across a few Ares kids, very obviously overworked and looking nearly faint with exhaustion, that you come to your senses. It isn’t infrequent that Cabin 5 becomes victim to one of Clarisse’s drills, training until fatigue overpowers their fear of her authority. As predicted, you find her in a clear patch of the forest overlooking the strawberry fields. Some days she likes to train here, away from watchful eyes.

The setting sun casts her in golden light, bronze armor glistening alongside golden skin. Clarisse liked to train in full gear — a fruitful habit to get herself accustomed to the added weight of leather and metal. It allows her to move with ease, swinging her spear with grace despite the strength of her whole body being evident in every step. With her head held high, spear raised, and the incredible speed at which she moves, she doesn’t look even the slightest bit mortal, but rather a god amongst men. A warrior and hunter. She is the perfect picture of divinity if you’ve ever seen it.

You let your feet drag against the dirt, a fallen branch snapping beneath your weight. It informs Clarisse of your presence from a safe distance, although the remnants of her focused state aren’t any less intimidating. Her eyes burn bright like the electricity that charges the tip of her spear.

“I’ve been looking everywhere for you.” Clarisse realizes her error with a glance at the horizon where the sun is setting and you smile warmly, dismissing any indication of displeasure. You watch her demeanor change, the rigidity in her posture fading with an apologetic tip of her head. 

“I’ve been training. Those idiots would know that if they’d stuck around to join me.” Something tells you that that isn’t entirely true. Anyone could assume that she’d been training, but the matter of where was an entirely different question. As far as you know, this particular spot is something only the two of you are familiar with — a small refuge away from everyone else.  

“Well, we don’t all have your… passion for these things.”

“You think I’m ridiculous,” she says with a sigh. 

“Babe, you’re training for capture the flag. Not war.” Clarisse only shakes her head, knowing there’s no point in arguing. She thinks this is something the two of you might never see eye-to-eye on. While you like your fair bit of competition, Clarisse takes every victory with great significance. As she does with every loss.

“Here, I’ll help you,” you say, approaching to tuck a stray curl behind her ears. Your touch lingers at her cheeks, flushed from physical exertion and maybe something more by the way her gaze settles on your lips. Every intake of breath is louder now that you stand toe to toe and the adrenaline has started to wear off. She’s too worked up to have done this all for a game of capture the flag. “I hope you’re not doing all this to get back at Percy.” Her eyes still linger on your mouth and you think she might’ve not heard you until her brows furrow in confusion.

“Since when are you on a first-name basis?”

“Oh, come on,” you say with a disapproving shake of your head. “He’s just a kid.” You reach for the leather chord at the edge of her breastplate, undoing the knot with ease.

“He’s full of it.” She refuses to look at you now, her head turned upward as if she’d developed a sudden interest in trees. You can’t tell if she’s trying to maintain her composure to keep herself from saying something she’ll regret or if your gaze and proximity was distracting her from the discussion. Maybe a bit of both.

“He’s a baby. You could body-slam him into next Friday. It’s hardly a fair fight.” You untie the last knot keeping her breastplate in place, tugging upward to slip it over her head. Clarisse doesn’t even seem to realize that you’d freed her of her armor until the weight vanished from her body.

She looks at you then with an expression you can’t quite read. Something warm, like gratitude, but reluctant. When she speaks, it’s unexpectedly solemn.

“Do you really believe he killed The Minotaur? Him? Gods, everyone here trains themselves to death for that kind of stuff and he gets all the glory? He doesn’t even know how to shoot.” Now that you’ve been made aware of the gravity of the situation, it’s suddenly harder to find your words. This isn’t the petty rivalry you’d assumed it was, and you had to handle it as such.

“Well, I’m sure a few things have been exaggerated here and there, but that’s not his fault. People love to talk about him, but nobody’s really talking to him. I don’t think he’s had a say in anything that’s been said about him. You know how rumors spread around here.”

“But he’s—”

“Look,” you start, taking her hands into yours. “I’m not asking you to make him friendship bracelets. Just… try not to drown him in the lake, okay?”

You know the exact moment an idea hits her by the mischievous glimmer in her eye. It takes a lot of strength not to bury your face in your hands, afraid that you’ve now planted an idea that would get the poor boy killed. Or worse.

“Clarisse, please.” She surrenders, albeit reluctantly. 

“Fine,” she says. Still, you’re not entirely convinced.

“Good. Now say it.”

“What?”

“Say you won’t drown him in the lake.” Clarisse laughs, but it dies down when she realizes you don’t plan to join her.

“You’re kidding.”

“I’m really not.”

“I swear not to drown Percy Jackson in the lake,” she agrees through gritted teeth. You don’t say anything about the way her hands tighten around yours as if it physically pained her to say the words.

“See? That wasn’t so hard,” you tell her, ignoring that it did, in fact, seem hard. “Now, what are we gonna do with those nails?” Clarisse stares blankly at your joined hands. Chipped black nail polish alongside your perfectly pristine, perfectly preserved set of nails.

“Why do we need to do anything about my nails?”

“Honey, I painted these like two days ago. What do you even do to get them chipped like this? I mean, are you fighting with the back of your hand? I don’t understand.”

“I have to train, you know?” she says, like it’s meant to explain anything. You know better than to ask her to elaborate.

“Shame. You have very pretty nail beds. You should spend less time fighting puppy dog-eyed middle schoolers so you can actually keep them pretty.”

“You think I have pretty nail beds?” You shrug.

“Among other things.”

“Well, tell me about these other things.”

“Hm, and people think I’m vain.”

“Come on. What other things?”

You take a moment to look at her — to really look at her. To dissect every inch of her face and the features that create the picture of beauty you know and love. There are far too many pretty things to point out, but you find yourself drawn to one in particular.

“You have the prettiest eyes I’ve ever seen.”

“Well, thank you.”

“Shut up. I’m not finished.”

“Of course. Don’t let me stop you.”

“And you have the most gorgeous smile.” Clarisse beams with pride. “Yeah, that one. And it doesn’t even matter if it looks like you’re just about ready to tear someone’s throat out with your teeth. I just like to see you happy. I like hearing you laugh even better.”

And laugh she does. Low but sweet, like honey. She looks like the teenage girl she is, deeply infatuated and with a capacity for love she has only ever shared with you. 

You indulge in the temporary amusement it brings you to think of how horrified Clarisse might be if anyone else were around to hear her giggle. Clarisse La Rue, Daughter of Ares, infamous for waging war on whichever unfortunate soul so much as breathes in her direction — producing a laugh so gentle and beautiful it could give Orpheus and his songs a run for his money. And you might be the happiest girl alive to have been the cause of it.

“You’re sure you’re not Apollo’s kid?”

“Are you calling me a talented poet?”

“I’m calling you a sap,” Clarisse insists with a sour expression, but her voice is saturated with mirth, eyes too bright, and you know she isn’t entirely opposed to your antics. 

“I think the term you’re looking for is romantic.”

“Yeah, right.” She rolls her eyes.

“I know I’m right, but thank you for the confirmation.”

“I know the nail polish fumes are getting to your head,” she mocks. You feign defeat, retreating with an exaggerated sigh.

“Maybe.” Two steps to your left and you’re concealed by a tree, its trunk twice as wide as either of you. You peak your head, locking eyes with Clarisse. “Or all that training is slowing you down. Honestly! If you’re gonna try to insult me, at least try to come up with something original.”

“Oh, you think I’m slow?” Clarisse asks, every word a thinly veiled threat — a challenge, and one you’re willing to accept.

“Unless you want to prove me wrong.” Clarisse lunges at you without warning, almost too fast, but you’re able to gather your senses. The tree had bought you just enough time to keep her whole body from slamming into yours, the force of it undoubtedly capable of launching you both to the ground. 

You dash through the woods as fast as your legs can carry you, your only advantage being that Clarisse must have tired herself out from training. But you know she’s hot on your trail.

From here, you can see the bonfire, flames burning high. You turn, prepared to declare that your victory is just seconds away. You’re tackled to the floor before a word can leave your mouth. 

“Oh, come on! That’s not fair, I was distracted!”

“Distracted by what?” Clarisse laughs hysterically although taking a much more graceful tumble to the floor than you had. She’s covered in fallen leaves and her jeans are brown at the knees where the denim fades.

“The pretty girl chasing me.” Clarisse is beside herself with joy, clutching at her stomach and close to tears, and it takes her a minute to calm herself. When the two of you have settled, she speaks again. Or tries to, that is.

“Oh, you are so—“ You place a kiss on her lips, short and sweet, but enough to leave her speechless. Clarisse turns a violent shade of red and you think she might need another minute to calm herself. You take that time to revel in your victory.

You stand, offering your hand to help her up. 

“Come on, let’s get dinner and you can rest for the game tomorrow. If you’re gonna lead us to victory, you’re gonna need your strength, captain.” She smiles, intertwining her hand with yours.

“You’re gonna be there? Right beside me?”

“La Rue, you’re crazy if you think there’s even a chance I’d ever leave your side.”

•°. *࿐

reader: pls don’t drown percy in the lake

clarisse: ok fine

clarisse: *tries to drown percy*

reader: what did i say about drowning people??

clarisse: …

clarisse: you never said the toilets were off-limits 

also i'm like brand new to the pjo fandom but i’ve been kindly informed of clarisse x silena (and their tragic ending but i turn a blind eye to that so i can preserve my sanity) but when i get there you WILL need to physically restrain me from writing fics about them

[apas-75]

Okay, two weeks to go, putting my cards on the table: there is no way in hell that Barriss is going to be an Inquisitor. That's not what this is. Everyone’s taking for granted that because the trailer sets up her training as an Inquisitor that means that we’re seeing a corruption arc for her, but just. Look at her. There is not a single frame of this trailer where she is not visibly looking for the exit. There is not a single frame of this trailer where she isn’t either visibly masking what she’s feeling or just looking determined to survive. This isn’t a start of darkness; it’s Ahsoka getting hunted for sport in Padawan Lost.

We aren’t doing the “we’re setting Barriss up as an Inquisitor so we can give her a redemption arc later” scenario. This is the redemption arc, this is her facing an in-universe attempt to force her into the fanon Inquisitor!Barriss mold that she doesn’t fit into at all, and she’s going to prove it and she’s going to outsmart all of these actual fallen Jedi she’s surrounded by who are trying to make her be like them. When Order 66 happened, Barriss was sitting defenseless in a cell and was offered a series of choices that weren’t real choices. But she knows that, she is not buying into it, and that offers her one, incredibly dangerous route to freedom: convincing them to trust her enough to send her into the field with a lightsaber.

It’s going to be rough, it’s going to be an incredibly dangerous, difficult path for her to navigate—they will make her do some messed up stuff to prove herself and for a moment it might look like she's given into despair—but she’s going to come out the other end of this miniseries having rejected both the Empire and the dark side. Not only as a Jedi in every way that matters but also as someone who is equipped with knowledge of how the Inquisitorius operates, which she can use to save as many people as she can from them—because she knows what happens when they take you alive.

And she's going to do it all onscreen in a story that is about her, she is the main protagonist here, and that is frankly something that was beyond my wildest dreams.

This isn’t wishful thinking on my part, this isn’t me trying to do a preemptive rewrite—this is me looking at what’s onscreen in this trailer, at what they’re telling us, at what they’re not telling us, and seeing the story laid out in front of us.

The only way out is through.

[daisyswift3]

A Summary of the 🎃 Messages--The Overarching Story

So I just realized sth abt the 🎃 messages while listening to ttpd—they’re in chronological order!! I am going to try to give a summary of these messages and explain why I believe this. This album has made 99% of her songs, mvs, metaphors, and symbols make perfect sense. There were always some things like getaway car, cruel summer, and the palm trees in rep era that I could never quite figure out but now it's all crystal clear. It's like ttpd is the last piece of the puzzle needed to make everything fall right into place and to see the whole messy complicated story. One thing I want you to take note of as you read this summary is how incredibly consistent Taylor is w her use of metaphors and symbols. This makes solving the puzzle that is her music more like solving a cypher that you can know you solved correctly bc all the symbols will fit together perfectly just like a secret code. Once you understand what one symbol represents you now know what it means every time you see it. Every word or phrase she uses is intentional and there's not a single easter egg that's out of place. You'll notice in ttpd there are several words and phrases that are repeated bc she wants us to know that certain songs are related. 🎃 anon said there would be many connections and foretellings in the messages that we could find if we held them to the light in the coming unfoldings, and boy they were not wrong. So w/out further ado let's get into it (just a warning though this will be pretty lengthy so grab your favorite drink, some snacks, and get comfy).

1st message: The first one starts right before rep era when her rep started going down and she started feuding w her record label. These are the obstacles she didn’t see coming that made her slam on the (getaway bike) brakes (which were cut so she had to use her foot to slow down) and not come out. The "heel damaged" could be a reference to Achilles' heel since this was a weak spot she didn't see or it could be a reference to Jesus' heel being bruised in the 1st ever biblical prophecy (see this post for more on that). This was her first big pivot and change of plans. Many ppl have theorized that TS6 was originally going to be a different album--perhaps lover/daylight--but kimye and BMR got in the way of that. This would explain why she wears an outfit w palm trees on it while cutting the wings off her TS6 jet. She spray paints "reputation" on it which seems to indicate it was a haphazard last minute change of plans (x). Plus the endgame mv has palm trees and shows Miami, Florida (which I think is related to Florida!!! but I'll have to get to that another time) connecting it to "Island breeze and lights down low, no one has to know...In the middle of the night in my dreams I know I'm gonna be with you so I take my time." Miami is the paradise where her endgame happens. This all seems to indicate she was ready for "daylight" or "paradise" during rep era but had to pivot.

The Prophecy: “Hand on the throttle, thought I caught lightning in a bottle, Oh but it’s gone again"

2nd message: This is abt the lover rollout that started in spring of 2019 -> "The time draws near, springtime sunshine causing small drips and fractures." The ice castle likely represents the lover house (her music empire, past eras, and closet) since she burns it down w a match just like she does in the eras tour visuals and midnights -> "You strike a match and blow the smoke toward the structure that shelters and protects you. Suddenly, you hear a crack, a crunch, a whoosh. There is a sudden give beneath you, and you tumble through the broken, melting hole in your palace." The ivy reference (spring breaks loose, the time is near) just solidifies my theory that ivy is a song abt an eventual kaylor reunion that will happen before she burns all the files and deserts all her past lives (eras).

Lover era was her second big pivot. I believe she knew there was a very good chance Scott B would sell her masters all the way back in rep era hence why she says "I'm always waiting for you just to cut to the bone, devils roll the dice" (see this post for more on that). "However, in this suddenness you find yourself still somehow underprepared, kicking yourself for the time you squandered by wallowing in the seeming endlessness of your predicament" -> Her being unprepared to come out along w the mastersheist is what caused her to miss her 2nd opportunity to come out. She was so caught off guard that it made her indecisive. And so she played it safe and stayed in the closet -> "Our coming of age has come and gone, suddenly this summer it's clear I never had the courage of my convictions as long as danger is near." Remember how I said Taylor is very consistent w her use of metaphors? Well I made a post a while back explaining how folkmore represents the seasons bc summer = daylight and winter = closeting and folkmore was Taylor trying to come to terms w her 2nd failed coming out hence the grey and beige ("I'm just a paperweight in shades of greige"); so that means the ice castle = winter = closeting and springtime sunshine = almost daylight = almost being out of the closet (and spring was also the time when the lover rollout started so it has a more literal 2nd meaning to it as well).

The Albatross: "So I crossed my thoughtless heart spread my wings like a parachute, I'm the albatross, I swept in at the rescue." [I think there's a good chance this song is abt Scoots so it makes sense the parachute metaphor, which relates to her masters and failed coming out, would be used in this song]

The Bolter: "By all accounts, she almost drowned when she was 6 in frigid water...It feels like the time she fell through the ice then came out alive." ['Long story short I survived']

3rd message: This is abt the mastersheist (diamond heist) during the summer of 2019. It parallels the I Can See You mv exactly (see this post). In hindsight it now makes perfect sense why 1989 tv didn't have any mvs--bc the Fortnight mv is a direct continuation of the ICSY mv! Before the Fortnight mv, the ICSY mv was the most recent one. She didn't want anything between those 2 mvs so that it was obvious they were directly related. Her losing her masters and her 2nd opportunity at daylight is what drove her to insanity and caused her to end up in the asylum -> "I find the artifacts, cried over a hat...I trace the evidence" // "And so I enter into evidence my tarnished coat of arms, etc" | "Is it okay? Is it you? Or have they come to take me away?"

"Mere feet away from the light of freedom...Your getaway bike begins to leave without you, sparks flying as the tires try and fail to slow down for you. You have frozen in this moment of indecision" // "It was the great escape, the prison break, the light of freedom on my face...he was runnin' after us, I was screamin', 'Go, go, go!'" -> There are 2 getaway car mentions in this message which emphasizes its importance. This is likely for a few reasons: 1) To explain what the song getaway car was actually abt--her feud w BMR, not the beards 2) To show that message 1 and 3 are related; the getaway bike is mentioned in both since both are abt her masters 3) To show that the lover era pivot was actually just history repeating itself; this is what Cassandra and the Prophecy are abt.

Cassandra (notice the piano melody from mad woman): “So they set my life in flames, I regret to say do you believe me now? ['If I'm on fire, you'll be made of ashes too']…They knew, they knew, they knew the whole time that I was onto somethin', [She knew there was a good chance her masters would be sold as shown in cruel summer] The family, the pure greed, the Christian chorus line" ['Now he sits on his thrown in his palace of bones praying to his greed']

Fortnight: "I was supposed to be sent away But they forgot to come and get me I was a functioning alcoholic 'Til nobody noticed my new aesthetic [Her fans didn't notice the shift from rainbows and pastels to black mourning clothes during the lover era] All of this to say I hope you're okay But you're the reason [The you in the song is Taylor; she's the reason she decided to stay in the closet] And no one here's to blame But what about your quiet treason?" [Taylor's indecisiveness is what led her to not come out the 2nd time]

loml (This is from Karlie's pov): "Mr. Steal Your Girl, then make her cry...You shit-talked me under the table talking rings [Paper Rings] and talking cradles, [Lover mv] I wish I could un-recall how we almost had it all, [They were so close to daylight]...It was legendary, It was momentary ['I touch you (daylight/sunshine) for only a fortnight']...Our field of dreams engulfed in fire" ['So they set my life in flames']

Florida!!!: "Little did you know your home's really only a town you're just a guest in, ['I touch you (daylight/sunshine) for only a fortnight'; 'And so a touch that was my birthright became foreign'] So you work your life away just to pay for a timeshare down in Destin" [Taylor did all this masterminding and planning just to end up still stuck in the closet and bearding and only being able to see her lover in stolen private moments]

Fresh Out the Slammer: "Another [cruel] summer, taking cover, rolling thunder, he don't understand me"

The Bolter: "But it always ends up with a town car speeding" [getaway car]

Peter: "Forgive me Peter, my lost fearless leader, in closets like cedar preserved from when we were just kids, Is it something I did?" [Peter is herself; 'I'd be a fearless leader' and the fearless album; 'closets' is obvious]

How Did It End?: "We were blind to unforeseen circumstances, We learned the right steps to different dances, and fell victim to interlopers' glances, Lost the game of chance, what are the chances?...It's happening again" [This is the 2nd time she's lost the opportunity to come out]

I Can Do It With a Broken Heart: "I'm so obsessed with him but he avoids me like the plague" [They're in love w each other but can't be together in public; 'Break my soul in 2 looking for you but you're right here']

Down Bad: "For a moment [a fortnight] I knew cosmic love, now I'm down bad crying at the gym...'Fuck it if I can't have him I might just die it would make no difference'" ['You (Taylor) told Lucy you'd kill yourself if I (Karlie) ever leave']

5th message: Out of all the messages this is the one I'm the most uncertain abt. But I think it is possibly about JA leaving before his contract was up. "You are in a kitchen. Not your kitchen, of course. Your kitchen is soft and cozy and sacred. THIS kitchen is hard and cold and purely functional" -> This is not the sacred kitchen from Cornelia Street that she shares w her lover, this is a PR stunting kitchen that's a false imitation of the real domestic bliss she has. A few yrs ago kaylors were talking abt how Karlie has a kitchen that she only uses for PR/social media purposes so pumpkin anon could've been trying to remind us of that. These 3 messages from flag 🏴󠁧󠁢󠁥󠁮󠁧󠁿 anon make me think the breakup happened sooner than planned.

The July 29 message wasn’t meant to be posted until Oct 8 since it was hinting at the Toe breakup happening 5 months later in mid March, 2023.

The Nov 23 message mentions a “shift of footing” which we all agreed meant Toe 🦶 was over. The Dec 5 message w “the need to flex is sometimes necessary” directly following the Toe breakup message is what really makes me think it wasn’t planned. They had to pivot/flex but “other milestones are resolute” meaning the endgame is still the same—K and T will still reunite and both will be out of the closet at a certain time. Plus there’s the “…” at the end of the Nov 23 message which also indicates the Dec 5 one is a direct continuation of that message.

To add more credibility to this theory, RFI and SIG also have ellipses. RFI always seemed like it was supposed to be a direct continuation of SIG bc SIG sets up the “chess game” w her and her lover doing magic and pulling the wool over everyone's eyes, and RFI is when this chess game officially begins, "baby let the games begin."

Some other kaylors said they thought “the need to flex” meant that she wanted to give anti hero more time on the charts so she was flexing or showing off. But I think it makes more sense for it to be related to London Boy himself and not having him as a beard since that’s the whole purpose of having the 🏴󠁧󠁢󠁥󠁮󠁧󠁿 flag. I could be wrong though.

So Long, London: “Pulled him in tighter each time he was drifting away…Holding tight to your quiet resentment…Every breath feels like rarest air when you’re not sure if he wants to be there” [This may mean that JA kept trying to break free from the contract and Taylor kept trying to convince him to stay but it didn’t work]. "My spine split from carrying us up the hill, Wet through my clothes, weary bones caught the chill" ['They are bowing out, leaving you with double the workload, now half burnt and smoking. Their duties weren’t finished, and yet there is nothing you can do to make them stay. Shaken by this loss, chaos descends upon the team. Most roll up their sleeves to work harder']. "And my friends said it isn't right to be scared, every day of a love affair" [There were several blind items talking abt how JA was hooking up w men in a very unsubtle way; this could be what the 'cheating husband' mentions in ttpd are abt]. “Two graves, one gun” [Makes me think of a smoking gun which could be what the 'smell of smoke' in the message was alluding to. Maybe JA threatened to reveal her secrets if she didn't let him go and he had the smoking gun evidence to do so which was the recipe card. 'This time is different. Because you know this person actually has the means to share the secret menu, and that they have enough proof to make the waiting guests believe them.' -> I mean if anyone could convince the general public it would be the man who was supposed to be her boyfriend for 6 yrs]. “And you say I abandoned the ship but I was going down w it, my white knuckle dying grip” ['But you have never been one to lay your armor down. When you fail, you fail gloriously. When you go, you go kicking and screaming']. "I didn't opt in to be your odd man out" [She didn't want to be his beard just like he didn't want to be hers; and odd man out is a game that's played w 3 ppl where the odd man is the loser who's eliminated bc he didn't have a match]. "I founded the club she's heard great things about" [The Tortured Man Club -> The Tortured Poets Department that she's chairman of]

7th message: This message is all abt the domestic bliss she has away from the public eye. She has worked so hard to make sure her secrets are safe by building a tall impenetrable fence. However, she chooses to intentionally blow a dandelion full of secrets--perhaps ttpd is the dandelion w all the songs being the florets or secrets. There is one floret in particular that she’s worried abt—my guess is it’s Robin since it’s so damning if you know what to look for. Plus the song Robin parallels this message perfectly and evokes the same imagery. And to add even more credibility to this theory, the lyric vid for Robin has dandelion florets in the background. See these posts: (x)(x)(x)(x)(x)(x). "You are walking through your yard. It's one of your favorite places, all sprawling garden rows" -> Betty's garden; "your wife waters flowers," etc. "There are daisies - so many daisies - in every shade of your rainbow"--I don't think I even need to explain this. "Your lover and your fresh baked buns are safe. (The buns, of course, are in the oven turning golden as you speak. It's an old family recipe, jotted lovingly on a recipe card.)" -> The recipe card is perhaps a picture or some other sort of smoking gun evidence of Taylor's family and it connects the 5th and 7th messages together. And the meaning of "buns in the oven" is pretty obvious. "Golden" refers to Karlie.

Robin: "Higher and higher, wilder and lighter" [This may be a double entendre--not only is she encouraging this child to bounce higher on his trampoline or swing higher, she is also encouraging the dandelion floret (the song Robin) to fly higher and go out into the world after she blows on it]

The Albatross: "Wild winds are death to the candle...One bad seed kills the garden" [This may be connected to the dandelion metaphor and I believe there are many layers to these lyrics; wild winds can carry the dandelion seeds into other ppl's yards; if Taylor's secret gets out this can destroy the domestic bliss she has i.e. kill her metaphorical garden or candle; 'love's a fragile little flame it can burn out']

I Hate It Here: "I hate it here so I will go to secret gardens in my mind people need a key to get to, the only one is mine" [There is only one way to get into this garden since a tall impenetrable fence surrounds it; there are other layers in these lyrics as well like the escapism aspect of it]

But Daddy I Love Him: "I'm having his baby, no I'm not but you should see your faces" [Bc it's Karlie that had the babies]

8th message: This entire message parallels the Bolter. I believe this is abt Taylor finally choosing her lover over her reputation and choosing to intentionally destroy it in order to meet her lover down at the bottom like 🌋 anon mentioned. This may be the purpose of the whole Ratty debacle—to tarnish her image (by jumping into shark infested waters) so that when kaylor are together in public again her fans won’t be able to hate on KK w/out being hypocrites bc Taylor has already done all the things she knows they’ll accuse KK of, like being connected to someone who’s quite problematic. I believe this takes place from May 2023-now since this is when MH and her started “dating.” The use of all lowercase in the 🌋 messages may be a reference to the reputation album title to indicate that this is going to be a repeat of rep era but this time the damage to her rep will be intentional. I find it very interesting that the Feb 20th 🌋 message is the only one that has a word capitalized and the word that's capitalized is "Gold." This is in contrast to "fools gold" which is not capitalized or colored.

The self-loathing is palpable in Taylor's music (x) and it is displayed heavily in this message as well. I think it's possible the "enemy" is actually just Taylor herself or her public persona to be more exact. She is her own worst enemy; the Anti Hero mv illustrates this. She's the one that spreads the dandelions in message 7 which is what the enemy does in this message; she's the bear, and in the Bolter she (real Taylor) tames the bear (Taylor the brand). I believe TSMWEL could possibly be abt herself as well. I mean TSMWEL literally has "TS" in the track title. The clean version of the Bolter has the line "Then she'll call him a bore" which parallels TSMWEL, "You said normal girls were boring." It's as if real Taylor is doing an UNO reverse on Taylor the brand by treating her public persona the same way she treated real Taylor for years. This is very reminiscent of the Archer, "I've been the archer I've been the prey." I think TSMWEL, while it is abt herself, is simultaneously abt Scott B. And the reason for this relates back to what I said abt the 2nd and 3rd 🎃 messages--she blames both Scott AND herself for her failed coming out. The mastersheist threw her for a loop, yes, but she could've still come out anyway were it not for her indecisiveness. And I haven't have time to fully analyze MBOBHFT yet but I think it's similar where it can either be read from Karlie's perspective to Taylor after the 2019 failed coming out or from Taylor's perspective to Scott B/the industry.

The Bolter: "But as she was leaving, it felt like breathing, ['When I was drowning that's when I could finally breathe'] All her fuckin' lives flashed before her eyes...He [the 'enemy'] was a cad, wanted her bad just like any good trophy hunter and she liked the way it tastes taming a bear, making him care watching him jump then pulling him under" [This connects to the 10th message: 'You limp over uneven ground, smiling at the pain of the shark bite with each excruciating step - replaying the satisfying splash as you finally chose her over the world. As you grabbed the enemy and dove into the infested waters']

loml: "The coward claimed he was a lion" ['You’re a selfish asshole. So much of your fear is your own. You wince at your cowardice like it is a gaping wound. You so often find yourself unable to meet your own eyes. You scramble into shadows like a black cat. Scared, even, of being scared...You are a coward, but you are not a fool']

I Hate It Here: "I was a debutant in another life but now I seem to be scared to go outside" [In another life she already came out but in this one she's too scared to even leave her house let alone come out]

The Tortured Poets Department (This is from Karlie's pov): "You're in self-sabotage mode throwing spikes down on the road"

9th message: This message is abt her finishing her 11th album, the last chapter of her 11 part story, and then sending it out into the world like a message in a bottle (the Manuscript). So I'm assuming this would take place on April 19, 2024, the release date of ttpd. "You are sitting on a beach, cold and windswept. The sea is dark and angry before you." -> This may be the same beach and sea from the folkmore era. "The sun sets in muted colors." -> Describing the sunset colors as muted is quite interesting since sunsets typically have very vivid colors; this makes me think it's related to the eras tour visuals during the transition from august to illicit affairs (which I explained the meaning of in this post), and the folkmore color palette was mainly muted colors. "You finish scrawling on the parchment. Your pen dries up as you reach the end of a story in 11 parts." // "Feeling like the very last drops of an ink pen," "my veins of pitch black ink." She is sick of having to dilute her truth through metaphors and allegories which is why she is a tortured poet -> "Take me to the lakes where all the poets went to die." Plus there's the "parchment" which she mentioned many times during her eras tour speeches which relates it to the folkmore era (x)(x)(x). "And now it is just a matter of time. The dripping of candle wax. The ticking of a clock." -> (x).

I recommend reading this post which explains how the Manuscript, ATW short film, message in a bottle, the story of us, and 4th, 9th, and 10th 🎃 messages are related. Many ppl pointed out that the Manuscript lyric vid looks like a movie script, and she's been referencing films and books a lot recently which makes me think there's a good chance she's going to release a film and book abt her coming out story. The 9th message and the lyrics in the Manuscript make it clear that Taylor's discography as a whole IS the manuscript i.e. it's the author's (Taylor's) draft of her story that is getting ready to be published. In academia, a manuscript is a draft of your research that you send in to be peer reviewed and if it's accepted it then becomes a published academic article.

The Manuscript: "And the years passed like scenes of a show, the professor said to write what you know, [She's equating her life to a story w the different eras being different scenes or chapters] The only thing that's left is the manuscript, one last souvenir from my trip to your shores, [message in a bottle; 'It may wash up on a sunny beach in Florida, or a rocky shore in the northwest'] Now and then I reread the manuscript but the story isn't mine anymore" ['Once you blow a dandelion, you never get it back. It isn’t yours anymore']

The Bolter: "But she's got the best stories"

10th message: This is a direct continuation of the 8th message and takes place right before she comes out of the closet (the wooden door in the woods). So this would take place after her rep has already been destroyed which I don’t think we’ve gotten to yet. My guess is that things will start ramping up in the next few months. She may start being papped w all her previous beards looking happy w them or sth similar which is all she’d need to do to show that the relationships were all fake and she’s been lying this whole time. This may be the “chaos” that 🫚 anon was referring to (see this post). This lines up with the blood moon glitch vinyl, representing chaos and disruption, being the 2nd quarter of the yr according to the midnights clock (4-6 or April-June, 2024). Plus many ppl think BDILH is abt MH--and Taylor meant for this to happen bc this album is full of red herrings--and in that song she says "He (MH) was chaos" so this might be a hint that the bearding shenanigans are gonna ramp up. Of course things are already plenty chaotic now w everyone thinking ttpd is abt 3 different men, one of which is pretty problematic, so perhaps this is all ginger was referring to. Taylor calling herself "the Bolter" has 2 meanings: 1) She is a coward who often runs away from danger 2) The 2nd more positive interpretation is that she knows "when it's time to go." I think it's very telling that ITTG is the last track on the deluxe edition of evermore and comes right after RWYLM, a song abt being stuck in the closet after the 2019 failed coming out. She's saying that she's not going to stay there forever(more).

The Bolter: "But none of it is changing that the chariot is waiting, ['The story of 2 princesses. No place for a prince'; the Cinderella metaphor (x)] Hearts are hers for the breaking, There's escape in escaping...Ended with the slam of a [closet] door but she's got the best stories, You can be sure that as she was leaving it felt like freedom" [The 6/21/2020 ♠️ riddle spells out 'They Are Free']

11th message: This message takes place after midnight at 3am on Nov 1 after she’s gone through the wooden door. In this post I explain how 3am connects to the witching hr or devil's hr. The fact that this takes place right after Halloween is quite significant since it is a day dedicated to remembering the dead, and death and ghosts are a big theme in ttpd. This symbolizes how after Taylor kills her old self (by dragging her into shark infested waters), she will resurrect as a new version of herself and leave the past behind her. And in doing these things, she will finally be able to go back to her figurative home, her cabin, that she was exiled from. -> "I think I've seen this film before so I'm leaving out the side door," "And I was catching my breath, floors of a cabin creaking under my step...I had a feeling so peculiar this pain wouldn't be for evermore." "The flame🕯️ finally🕯️flickers🌬️OUT" -> The match that started the "goddamn blaze in the dark" is no longer needed now that the lover house (her closet) has burned down, so the flame flickers out. This metaphor shows up in Peter as well, "But the woman who sits by the window has turned out the light," where the light dying represents the woman losing hope that a coming out will happen. Notice in this message from present anon that "Goodbye" has a capital letter G which I believe links it to "Gold" in the volcano message that was mentioned earlier. This may indicate that Karlie is the woman/neighbor holding the light and waiting for Taylor's return home. The Dec 26th 🌋 message is likely from Karlie's pov in this case.

Fresh Out the Slammer: "Now pretty baby I'm runnin back home to you, Fresh out the slammer I know who my first call will be to...But it's gonna be alright I did my time...Get the matches, toss the ashes off the ledge, [the burning of the lover house] As I said in my letters [the anon messages this corner of the internet has been receiving? Could also just represent her songs] now that I know better I will never lose my baby again...Swirled you into all of my poems ['My mind turns your life into folklore (literally and figuratively)']...To the house where you still wait up and that porch light [jack-o-lantern] gleams" [see this post abt the porch]

The Alchemy (This is from Karlie's pov): "What if I told you I'm back?...I haven't come around in so long, but I'm coming back so strong, ['But I come back stronger than a 90's trend'] Cause the sign on your heart said it's still reserved for me"

imgonnagetyouback: "Push the reset button we're becoming something new...Even if it's handcuffed I'm leaving here with you, Bygones will be bygone eras fading into gray, We broke all the pieces but still want to play the game...I'm gonna get you back"

[clairedaring]

[Ming] whispered, “[P'Joe]… thank you for coming back.” Joe’s heart trembled. “I want you to remember everything in this home, especially your feelings for me.” His tone is full of confidence. - Chapter 92, Professional Body Double (Shui Qian Cheng)

MY STAND-IN (2024) | 1.10

[gunsatthaphan]

ray: sand is not even my type!!1!!

also ray:

[sammygender]

its so so insane how dean has like. the huge fanbase he does. he is AWFUL!!!! i love him truly but im known for loving awful characters in fandoms im used to characters who act like him being viciously hated!!! and the only explanation i can think of is that hes played by jensen ackles (aka pretty white man). theres the fact that the narrative favours dean a lot when hes not actually right (a la s4) but thats not just it because dean is pretty clear-cut presesnted as getting morally greyer to the point of antihero territory in like s9 (where im at) at least. and Yet. he is unproblematic ally king to all??? supportive brother of the century??? Girl what???? do you know who dean winchester is? he is a controlling possessive clingy manipulative aggressive unstable thirty five year old who cant grow past his own damage and never really will because the narrative is perpetuated by the cycles he keeps perpetuating

[pearlcaddy]

tv appreciation week 2022  📺  the tv show with the best ending

Buffy the Vampire Slayer Breaking the Chosen One Cycle

[iguessitsjustme]

The fact that Yuan was in Lili's room when Qian found the ultrasound meant that Lili asked for help from her brother to protect her boyfriend from...her brother.

And the fact that she knew that their best chance to convince Qian and make sure that he doesn't kill San Pang is to get Yuan involved. To tell Qian on their terms before he can find out for himself. Since it didn't go to well when Qian found out about their relationship and Yuan just sat there and did nothing (god bless him that's still my favorite scene). Qian was mad for a looooong time after finding out about their relationship.

Getting Yuan involved and also setting it up so Qian finds out while they're all in a relatively safe space but together while still telling him and not keeping things from him meant that Qian didn't stay angry for long. It also helped because as much as Yuan loves Qian romantically, he loves Lili as his sister. He is also protective of her but he's much more reasonable about it because he doesn't have the same family trauma that Qian has. Yuan can help smooth things over not just because Qian loves him and listens to him but because Yuan loves Lili and sees what makes her happy and wants the best for her.

This show is so good and I love the romance of it all but I just had to say something about how much I loved the siblingship between Yuan and Lili. Lili let Yuan into that home and in doing so gave herself something more than just a brother. She gave herself a friend that would help when she needed help and would love and support both her and Qian unconditionally.

[scandalouslamb]

i think the tragedy of coriolanus snow is he figures out that the capitol doesn't care about him and could discard him at any moment, and instead of deciding that he needs to destroy that system, he decides that he needs to control it. he needs to work within it and have it do his bidding while he's at the top.

this thought brought to you by how i often think about arachne's family being uncomfortable at her funeral (i've already talked about this, but i'm doing it again). they're making her procession out to be an honor, but to the capitol, her death is as much a spectacle as brandy's corpse. it's being used to sell a point. like obviously, arachne lives a much more privileged life than brandy and all of the other tributes, but the capitol is taking this moment to dehumanize her too: dehumanization through glorification juxtaposed with dehumanization through degradation. (i also think about the ring's funeral but the reader spends more time at arachne's)

anyway, i have been watching a show... can you guess which one?

[rikotin]

"Are you smiling?" "Mhm."

LAST TWILIGHT (2023)

[turtleblogatlast]

Sorry if you've gone over this before but I was curious as to what you'd think it would take for Leo to finally break in front of his brothers?

We’ve actually seen Leo break his persona multiple times throughout the series! And pretty much each and every time has a common theme present: his family being in danger.

[radiantmists]

reading animorphs sequentially instead of in whatever random order you can get your hands on them is such a trip because you can see these kids getting progressively better at war and worse at being happy, you can see how traumatic events from one book echo into the next ones but never quite get dealt with because these kids have no real way to take care of their mental health, you can see their relationships deepening but simultaneously gaining friction and faultlines as they learn just how far they'd go for each other but also how far they'd go in general...

obviously this series was meant to be episodic in nature, and i actually think that might be the better way to first encounter it, but the arc of the series in publication order is extremely well-crafted

[hydraballista]

Arkham City is inspiring me to draw and I am very happy about it!

The game has incredible stealth and it is so much fun to listen to thugs talk shit about Batman 5 seconds before an epic takedown 🤣

Full digital sketch