The sword of the day is the shamshir.
There are several kinds of Persian scimitar, and this is one of them. It features a particularly strong curve, which makes it an effective cutting weapon. As a light and fast one-handed weapon, the large pommel is not just for looks; that curve helps the wielder to retain control of the blade.
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Writing Weapons (1): Swords
The Thrusting Sword
Type of fight scene: entertaining, duels, non-lethal fights, non-gory deaths, swashbuckling adventure
Mostly used in: Europe, including Renaissance and Regency periods
Typical User: silm, male or female, good aerobic fitness
Main action: thrust, pierce, stab
Main motion: horizontal with the tip forward
Shape: straight, often thin, may be lightweight
Typical Injury: seeping blood, blood stains spreading
Strategy: target gaps in the armous, pierce a vital organ
Disadvantage: cannot slice through bone or armour
Examples: foil, epee, rapier, gladius
The Cleaving Sword
Type of fight scene: gritty, brutal, battles, cutting through armour
Typical user: tall brawny male with broad shulders and bulging biceps
Mostly used in: Medieval Europe
Main action: cleave, hack, chop, cut, split
Main motion: downwards
Shape: broad, straight, heavy, solid, sometime huge, sometimes need to be held in both hands, both sides sharpened
Typical Injury: severed large limbs
Strategy: hack off a leg, them decapitate; or split the skull
Disadvantage: too big to carry concealed, too heavy to carry in daily lifem too slow to draw for spontaneous action
Examples: Medieval greatsword, Scottish claymore, machete, falchion
The Slashing Sword
Type of fight scene: gritty or entertaining, executions, cavalry charge, on board a ship
Mostly used in: Asia, Middle East
Typical user: male (female is plausible), any body shape, Arab, Asian, mounted warrior, cavalryman, sailor, pirate
Main action: slash, cut, slice
Main motion: fluid, continuous, curving, eg.figure-eight
Shape: curved, often slender, extremely sharp on the outer edge
Typical Injury: severed limbs, lots of spurting blood
Strategy: first disable opponent's sword hand (cut it off or slice into tendons inside the elbow)
Disadvantage: unable to cut thorugh hard objects (e.g. metal armor)
Examples: scimitar, sabre, saif, shamshir, cutlass, katana
Blunders to Avoid:
Weapons performing what they shouldn't be able to do (e.g. a foil slashing metal armour)
Protagonists fighting with weapons for which they don't have the strength or build to handle
The hero carrying a huge sword all the time as if it's a wallet
Drawing a big sword form a sheath on the back (a physical impossiblity, unless your hero is a giant...)
Generic sword which can slash, stab, cleave, slash, block, pierce, thrust, whirl through the air, cut a few limbs, etc...as if that's plausible
adapted from <Writer's Craft> by Rayne Hall
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Be A Man! (The Dancer With A Plan)
BE A MAN! (THE DANCER WITH A PLAN)
(Sung to Swirls of Shamshir)
Got me spinning circles,
Am spinning round round.
Got me spinning circles,
Spinning all around town.
I'm a dancer with a really cute plan.
Have you what it takes to be a good man?
Be a man!
You gotta be a man
Because I got the plan
To spread across the land.
Gotta be a man!
You wanna be a man?
You're gonna be a man!
You can!
Be a man!
So come and take my hand
Because I got the plan
To spread across the land.
Gotta be a man!
You're gonna be a man.
Because I got the plan.
I know you've what it takes to be a man!
(Show me something, gotta show me something,
gotta show me something, gotta show me something,
gotta show me something, gotta show me something,
gotta show me something, gotta show me something,
gotta…)
Got me spinning circles,
Am spinning round round.
Got me spinning circles,
Spinning all around town.
I'm a dancer with a really cute plan.
Have you what it takes to be a good man?
Touch me!
Come and touch me, come love me,
I want you, I want to touch and love
And be with you, UwU!
(gotta show me something, gotta show me something,
gotta show me something, gotta show me something…)
Kiss me!
Come and kiss me, these lips are
For kissing, and wishing, wishing,
Wishing to be with you, yes you do.
(gotta show me something, gotta show me something,
gotta show me something, gotta show me something…)
Be a man!
You gotta be a man
Because I got the plan
To spread across the land.
Gotta be a man!
You're gonna be a man.
Because I got the plan.
I know you've what it takes to be a…
Got me spinning circles, got me spinning round,
Got me spinning circles, spinning all around,
I'm a dancer and I got the master plan!
Have you what it takes to be a man of man?
Got me spinning circles, got me spinning round,
Got me spinning circles, spinning all around,
I'm a dancer and I got the master plan!
Have you what it takes to be a man of man?
Come and lift me up, lift me up with your desire!
Come and lift me up, lift me up and light my fire!
Touch me!
Come and touch me, come love me,
I want you, I want to touch and love and feel you!
Kiss me!
Come and kiss me, these lips are
For kissing, and wishing, wishing, wishing for you!
Free me!
Come and free me, I want you to lift me,
I always want to be within you!
Save me! Come save me!
Your dream
Will be my dream, of our dream,
A dream where we will always be here together!
Magic
Of Sumeru, Sumeru, Sumeru,
Of azure skies and perfect weather.
Your love
Is the reason I live for tomorrow, tomorrow
Tomorrow, we'll be dancing to tomorrow
While spinning round round!
Be a man!
You gotta be a man
Because I got the plan
To spread across the land.
Gotta be a man!
You wanna be a man?
You're gonna be a man!
You can!
Be a man!
So come and take my hand
Because I got the plan
To spread across the land.
Gotta be a man!
You're gonna be a man.
Because I got the plan.
I know you've what it takes to be a…man!
You're the only one for me!
You're a good…
Man!
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