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#she goes a little overboard telling people about me and my brother when we were kids
weirdmageddon · 1 year
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i love these tags this person is so right
actually, can you imagine if dave was raised by B1 roxy?
i wanna get into this actually
(ok i had to spend a few hours rewriting this because IT DIDNT FUCKING SAVE AFTER FIVE HOURS OF WRITING WHEN MY COMPUTER UPDATED WHILE I WAS AFK so it would mean a lot to show this post some appreciation. i LOVEEE hearing what other people have to say)
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even though these things mom does are presented in an extravagant, kitsch, jokey way, her intentions always came from a place of sincerity. she is simply Funnie
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but rose reads too far into it and assumes things that aren't there, that her mother is passive-aggressively feigning interest in rose's interests simply because the things she does are so extra. "why do all of this if not to mock me"
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im telling you right now if dave lived in this household he wouldn't assume antagonism, he'd go,
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don’t forget who LITERALLY patented tangible jpeg artifacts as their post-scratch adult self and scattered shitty scummed up statue of liberties all over the planet. theres no way some of that overboard artful shit wasnt post-ironic / circling back around to genuine funny sincerity
dave's natural state is funny sincerity like roxy. he's had the natural capacity for this type of humor from the start and this is the direction he goes towards when he grows out of his brother's shadow by the end of the comic. dave and roxy share an earnest “so bad its good” type of humor
(lots more under the cut; the length of this meta analysis just got unwieldly with all the pictures and whatnot)
despite the alcoholism, roxy is a supportive mother. she's not the ideal guardian but hells of a lot more supportive of her kid than bro is. if she knew dave's interests she would totally indulge in them with some over the top silly goofy haha shit as a genuine gesture simply because she loves him
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rose isn't too keen on it though. but she is more similar to dirk in her natural state of thinking of overthinking shit and assuming the worst, like the tags said
and yes dave got the sweet cuddly yet sometimes backhanded ouppy gene from roxy, probably even moreso lol
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roxy's even said rose "sounds like girl dirk"
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side tangent here, but this is something i wanna talk about.
i dont think bro should ever be in custody of children ever but if theres anyone who would be up to the task it's rose probably. i know she'd be able to keep up with him. not only does she have a defined personality (dave is more malleable and absorbs his environment like a sponge), if anyone can pick apart B1 dirk's batshit brain and probably be right on the money it's her. lil cal has been pumping patriarchal nonsense into bro's head and rose would be able to bring the fucking facts to the table without losing her own and being a living example of a badass little girl. i also don't think bro would try to force masculine roles onto rose like he did with dave, seeing as she is a girl, so she would actually have more of a leg up and get some passes that dave was never afforded. and rose wouldn't stand idly and accept any bullshit; she is no doormat. and i think this would earn bro's respect
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but anyway, from this, couldn't we conclude roxy "sounds like girl dave"?
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yeah okay. we havent even gotten into their penchant for funny typos or misspeaks, deliberate or otherwise
so, dave's environment
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the sentiment "god you hope you can be as good as your bro at this some day" might have been genuine at the time when he idolized bro but of course he's not able to express that in any sort of sincere fashion because he's in dirk's fucking household. and this level 10 irony shit isnt doing dave any favors
his role models were the Internet and a vague idea of what Bro was like. So he built up his facade based on irony–not the literary definition of irony, as Rose might be quick to point out, but a popular concept of irony based on the idea that things that didn’t make sense actually made sense in some roundabout way. As a master of irony, Dave probably reasoned, he could see in a way other people couldn’t why a world that was scary and didn’t make sense really did make sense, and could therefore convince those people that he was superior to them. And he would wield his knowledge to maintain the appearance of superiority by calling everything ironic and pretending he didn’t care about things that didn’t make sense, and he would use walls of vaguely rhyming words to keep everyone at arm’s length so they wouldn’t discover his insecurities (source)
roxy's style is the embodiment of post-irony. being raised by mom lalonde would be like being raised by joel vinesauce ok
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what can i say ….. (getting meta about this actually, hussie got these jpeg wizard wallpapers from a spyware website. link takes some time to load because internet archive)
rose is quick to read post-irony as actually being a joke/insincere, which in bro's case would be true. but i believe dave's natural instinct, outside of the influence of bro, is to read post-irony as genuine, which is exactly how mom serves it. we see this as early as act 3 from him; he understands her motives better than rose does herself:
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and in act 6 intermission 2 i think it's pretty clear
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but the thing is, it's always genuine from her. dave wouldn't have to second guess it because he's not one to naturally second guess someone's sincerity; that was learned due to his bro being virtually unassailable
there two types of ironies at play here:
seems like a joke, is actually genuine (roxy)
doesnt seem like a joke, is actually a joke (dirk)
you can make the argument that the second is is more psychologically destructive because it makes you question the reality of what is genuine sentiment and what isn't. dave never knew what was genuine and what was irony so he just sort of existed in this sincerity-ironic limbo and always did the opposite of what he genuinely felt on principle even if it always did originate from a genuine place.
"it just a joke bro i was just being ironic i dont actually x" is so much more trust-breaking and psychologically damaging than "wait are you being serious" / "i am being so fucking fr rn davy gravy" / "ok thats actually pretty fucking awesome. giant ass wizard statue" / "RIGHT"
how much about dave would change do you think? his character arc would be completely different for one thing, i think he'd have it good aside from mom's alcohol issues. he'd be left with the sweet and funny parts of him that we see at the end of the comic. the fake coolguy stuff is out, but this remains. this is dave in his element and we see it as early as act 1
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he'd probably have no shades growing up in the lalonde residence* either cause those were given to him by bro straight out of the crater as an extension of his own cool image. and john gave dave ben stiller’s aviators for his 13th birthday to replace them so he could “spread his wings”
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dave said he was wearing them for the ironies but i kind of doubt it. maybe post-irony but there was some reacharound to it being genuine because dave never put those pointy anime shades on his face again.
*though... it’s kind of hard to imagine him without his shades at all? B2 dave still got stiller’s shades from stiller himself so maybe getting them is a universal constant. i can imagine mom getting him them as a birthday gift cause shes pretty wealthy and probably could buy it out in an auction. but also itd be cool if john still gave him it as a gift
dave is actually a lot more genuine and easy to read than he lets on even when grappling with his upbringing with B1 dirk (again, see this post). this can be seen all throughout he comic but a good example is the evolution of thoughts about his interest in the preserved dead things in his room:
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if B1 roxy was dave's guardian he probably WOULD have pursued paleontology because she wouldve indulged him in it and probably find it cool and worthwhile to pursue, instead of allowing dave to flounder under ironic detachment, being poisoned by irony to the point of gaslighting himself into believing he doesnt actually believe he thinks this shit is cool. even if it was indulged in this such a way; a superficially kitsch and ironic appearing presentation, it comes from a genuine place and inspires genuine interest. just read the comments.
basically, i think if B1 roxy raised dave, their relationship would have a surface level appearance of being bizarre or over-the-top but they’d have an unsaid mutual understanding that it’s completely in earnest and just build on each other's funny and absurd gestures of affection. rather than seeing it as one-upping each other, it'd more like collaboration of some silly bullshit that you take a step back and look at full and just say, "fucking incredible"
speaking of paleontology, mom had the proto-ectobiology lab. maybe they'd be able to use the equipment to appearify paradox ghost imprints of the dead shit to create paradox clones of things from the cambrian era??? sounds like a fun mother son bonding activity. and theyd actually put the sciencey shit in the household to use
oh god i know exactly the kinds of music shed listen too also growing up as a teen in the 80s. she on that (post)-punk/art rock/new wave/new romantic mtv stuff. XTC shit fr. this is a B-52S HOUSEHOLD. maybe the associates for the campy melodramatic flair. so he gets to keep the record on his shirt cause he is an enjoyer of the shit in her vinyl collection. dave would still gravitate towards musical expression and music itself but of more variety outside of just rap, with an 80s-90s, even 70s flavor due to mom’s influence. see this for perhaps a glimpse. ​she probably visited new york city a lot for business trips and because the music scene was cool as hell around that time, imports came straight from jfk airport, she probably got in on that a bit and have remnants in the form of vinyls and cassettes. in this way she could be distributing void to dave (influencing him with forgotten / presently irrelevant music). now he can REALLY rave about bands none of his friends have heard of. “hey davy grvay watcha listenin to” (he holds up vinyl cover) “omg snakefinger”
btw dave lalonde would look like this to me
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byler-alarmist · 1 year
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Jancy :]
Okay, bear with me here lol
I was never super cool with Jonathan taking those pics of her about to get it on with Steve without consent, even when it was clear we were supposed to root for him as the underdog love interest. However, I know people make mistakes and I can deal with some moral greyness in fiction.
I still love Jonathan especially for what an excellent brother he is to Will and for his sick taste in music
I loooooved the passion of Jancy's first kiss. That was amazing!!! Cinema!! And all the lead-up to it- them dancing around their feelings for each other, the matching scars, the "only one bed" tension, them getting Murray'd, all of it! Very good chemistry, which is understandable since Natalia and Charlie are a couple IRL
In S3, I started to like their dynamic a little less. I loved the hasty morning scene of climbing out the window and the lipstick on the cheek, but their interactions fell flat for me during most of the season. They both occasionally talked in a way that sounded condescending and just generally fraught. They didn't understand each other's struggles (misogyny and classism/poverty, respectively) and I don't feel it got adequately resolved by season's end.
Then of course S4 has Jancy living apart, and both giving rather concerning commentary on the state of the relationship
They both go overboard to describe to a friend all the reasons they love each other and that's why they can't spend spring break together and have some hanky-panky as Argyle calls it, but both friends seem a bit suspicious of the truth/motivations (and rightly so, I think).
I do think they genuinely admire those qualities they listed about the other, but it seems to me (and Fred and Argyle) that they were just making lame excuses why they couldn't see each other.
Then in E2 Jonathan discloses to Argyle that he was initially hoping Nancy would've surprised him by coming to California, but then he was relieved that she hadn't.
Then he drops the bomb about college and how he's lying to her and is anticipating a slow-motion breakup with her because he can't be honest about not wanting to, and I quote, "chase s dream that isn't his".
He then goes on to say that they will grow to become like their parents and resent each other. Argyle calls this Jonathan's "nightmare cycle".
Sound familiar? When Steve was talking about his six nugget dream, Nancy said it sounded like a nightmare.
That's why I think both Jancy and Stancy are at a disconnect. They have different dreams! Their lives are taking them in different directions!
Now, I know people will say it doesn't have to be that way, that if Jonathan is just honest with Nancy, then he will go to NYU and she will go to Emerson and they'll just happily do long distance or get back together at a later time.
Maybe!
But I didn't like the way Jonathan was still holding out on Nancy at the end of S4. That means they are still basically in the midst of a slow-motion breakup. Yes they are on apocalypse time, but when will he think is the right time to talk about it? Didn't seem like he had changed his M.O. from what he told Argyle in E2.
And the way Nancy was talking to Robin in the woods was indeed a Byler parallel, with her complaining that she could never get through to him on the phone and wondered if he had met another girl, understandably frustrated at the situation.
When Jonathan asked if they were okay, the answer seemed insincere to me. like they were just trying to ignore the problems and it was most convenient to just say yes.
Nancy even told Jonathan she was glad he hadn't been in Hawkins, just like he had been relieved she hadn't come to Lenora back in E2!
Now the next part when she tells Jonathan that Steve has grown up a lot, I don't think it was meant to mean that she was seeing Steve in a romantic light again, even though Jonathan probably took it to mean that.
I have my own idea of what she meant, but I will save my thoughts on that because that will get into another ship that people here seem to dislike LOL Let's just say that she feels he has grown a lot since he called Jonathan a queer back in S1.
Conclusion: if Jancy mend their relationship and decide to go long distance or get back together after college, I hope they grow to be really honest with each other and mature a lot as a couple. They have had some really sweet moments.
But in the words of Fred, I am still rooting for my alt (Ronance ;3)
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cctinsleybaxter · 6 years
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digrupert replied to your post “Mitts was my dad’s cat; rescued him as a stray kitten in Utah and used...”
i dont mean to intrude but "he's fine, he's dead" is simultaneously the saddest, sweetest, cutest and wisest thing ive ever read
not intruding at all! probably why my mom tells that little anecdote to strangers in the street
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abimess · 3 years
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Greetings! Hope you’re staying healthy, achieving things you want to do, and aren’t pushing yourself overboard with school, work, or anything else that goes on. I’ve been enjoying your works. I take interest in your style of writing. Keep it up! :)
Anyway, I was hoping you could do a Wanda x Fem! reader where they’re dating, however, reader doesn’t know that they’re dating because she’s never had girl friends before. The way things start had been after sharing a small moment of intimacy (after they had a mission of whatever), and reader has always liked wanda but doesn’t think much of it. So, cue a day where reader decides to confess and when she wants to speak to wanda alone, wanda believes they’re breaking up and reader is like, “wait, we’ve been dating?”
Apologies if it’s an odd request and is confusing but I just think it’s be cute and if you could add some jealous Wanda because we all love a little angst. Have a good day! :)
Hi, anon! First, I gotta say, this was the sweetest thing I ever received here on tumblr so thank you. I think I’m staying healthy although I just ate a gigantic bucked of popcorn (only god can judge me). Things are great with college, thank you. I hope everything is great with you too.
Also, I’m really happy that you like my style of writing because I honestly just write the way I think and I’m glad you don’t think it’s just an awkward mess.
Don’t apologize, I loved this idea! In fact, I read a fic that reminded me a lot of your request. Accidentally in Love by @reminiscingtonight you should totally check it out, it’s amazing.
Anyway, I should shut up now.
Good reading, everyone! And sorry for any errors and typos.
The Oblivious Lover
Wanda Maximoff x Reader
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Summary: Confessing your feeling to your best friend turns out to be full of surprises. (I'm terrible with summaries sorry guys but give it a try tough the story is nice lol)
Word count: 1.365
Warnings: alcohol; fluff
You do NOT have permission to repost or translate my work on any platforms (even with credit)
Masterlist | Library Blog (Read on: Wattpad | AO3)
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- I don’t know what to do, Sharon! – You groan, burying your face on the counter and the blonde laughs.
Being raised among five brothers, you never knew how to act around girls. What was a complete absurd considering you were one yourself. But since you were a little kid you never managed to talk to a girl or be friends with one. Which was totally fine, since you felt more comfortable around boys anyway.
But that changed completely the moment you met Wanda. She was so sweet, so gentle, so perfect. Most people would say you were a brute. But not with her. Oh, no, never with her. If you could, you would put Wanda Maximoff on a tiny jar and would carry her around, protecting her from everything and everyone.
You remember the first time you talked to her. So pathetic. You could barely say your name without stuttering. But she smiled at you all the time, her tender eyes locked on yours and you couldn’t help but feel safe. She always made you feel safe.
Your friendship with the witch started pretty well, and it only grew after the two of you started going on missions together. But everything changed completely a few weeks ago, when you finally realized you were in love with Wanda.
Panic. That was what you felt. Panic. You’ve never been in love before. You had no idea what to do or what to say. So, being the strong, confident woman you were, you started avoiding the witch in all the ways you could find.
So here you were, with your face on the bar counter at one of Tony’s parties and with Sharon laughing at your misery. You didn’t mean to tell Sharon. In fact, you didn’t have anyone you could talk to about it, so you would probably just keep it to yourself until you combust.
But you were too drunk to function properly so at the moment you saw Wanda entering the room you couldn’t keep to yourself. You poured your heart out and Sharon was the lucky one who got to hear you talk for thirty minutes about how Wanda’s eyes were too green to be true and how her hair smells like flowers and how her smile could light up the entire town and...
- Just tell her. – Sharon said and giggles when you groan again. - She clearly likes you too, you know?
- What?! – You ask lifting your head to face her. - Wanda would never like me. I mean, look at her. She’s like the sun and I’m like… the small flashlights they sell on those dollar stores.
- God, you have to stop drinking. – She’s laughing again and you nod knowing she’s probably right. – Look, she’s already looking at you.
You look to where Sharon is pointing to and you see Wanda. You smile at her but she doesn’t smile back. In fact, she has an indecipherable expression on her face before looking the other way.
- She hates me!
- Jesus Christ, (Y/n), just get out of here. – The blonde says pushing you but she’s laughing so you think that she’s probably not mad.
You finish your drink and when you get up you feel like you would probably need another drink, so you take Sharon’s as well.
You walk clumsily towards Wanda and every step you take makes you feel even more nervous. When you approach her, you say “hi” but you’re not thinking straight anymore and you wonder if you actually said it out loud. But Wanda turns to face you, so you assume you did. Closer now, you can see that she has a mixture of anger and hurt on her face as she looks at you.
- Can I talk to you? – You ask, your voice slow because of the alcohol.
- Oh, you want to talk to me? Funny, you looked so interest at talking with Carter all night. – She says, sarcasm dripping from her mouth as she speaks. You think that she may be jealous of you, but that’s probably just the booze messing with you.
- Yeah. I mean, no! I mean. – You start to get very clumsy and Wanda starts to get very irritated. You take a deep breath, trying to organize your thoughts as you speak. -  Yes, I want to talk to you. It’s kinda important actually.
Wanda’s expression turns to concern as she nods. You lead her to the elevator and ask FRIDAY to take you to your floor. The two of you walk to your room in silence and when you enter, you close the door.
You turn to Wanda, who’s eyeing you attentively and you feel you whole body starts to tremble. How were you supposed to do that? She would never feel the same way, she’s your best friend! Maybe you should just fake a fainting. Yeah, you should probably do that.
- Are you breaking up with me? – Wanda’s words sounded almost like a whisper, but they were enough to wake you up from your mental breakdown.
- Are we dating? – You ask her with frowned brows and she looks at you with wide eyes, her eyebrows raised completely.
- Are we not dating?
- What?! – You ask, shock clear on your voice. You were completely lost on that conversation and you were pretty sure it had nothing to do with the alcohol.
- So what was that on our last mission together, like, a month ago? You said I was your favorite person and then we cuddled the whole night.
- Friends don’t do that? – You ask, taking a step back and suddenly feeling weird.  
- No, (Y/n), friends don’t do that! – Wanda say, her voice loud as she runs her fingers through her hair. You wouldn’t know how close friends treated each other because you were never close with anyone before, but now it made perfect sense why the idea of Wanda cuddling someone else hurt you so much.
You stand there looking at each other in silence. From all the scenarios you created on your brain about how this conversation would go, this was definitely not one of them. Wanda looks at the ground, spinning the rings on her fingers and giving you a weak laugh.
- Oh, God, I’m so embarrassed.
- Hey, don’t be. – You say softly, approaching her and taking her hands on yours. -  Actually, I asked you to come here because I wanted to tell you how I feel about you.
- And how do you feel about me? - She asks, looking up to face you, her eyes filled with expectation.
- I’m very much in love with you, Wanda Maximoff. – You say with a soft smile and she flushes intensely.
- Well, I’m very much in love with you too.
A happy smile shows up on your face when you hear her words and Wanda giggle softly. Not being able to spend another second away from her, you lean in, connecting your lips with hers. When Wanda kisses you back, you feel your whole body surrendering to her. You were hers, completely. And you couldn’t be happier that she was yours as well.
Her hands leave yours just to go up to your cheeks and you place yours gently on her waist. When air was needed, you moved your faces away the slightest and rested your foreheads together.
- Do you want to be my girlfriend? – Wanda asks in a whisper, separating her face from yours so she can look at you. Her smile has so much love in it that you can’t help but smile as well.
- You see, apparently I’m already in a relationship so… - You retorts with a playful smirk and Wanda rolls her eyes and then slaps you lightly on your shoulder. You giggle and wrap your arms around her waist so she can be closer to you. - Yes, I’d love to be your girlfriend.
Wanda blushes and smiles even wider as she leans in to kiss you again. This was not how you imagined this night to end, but you were not complaining at all.
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And that's it for today! I hope you enjoyed it, thoughts and comments are always welcome ツ
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grxvitye · 3 years
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magic
pairing: wanda maximoff x fem!reader
a/n: this has been sitting in my drafts for too long. I'm sorry for the long wait. mentions of natasha is included in here and filth just filth, i also might have gone overboard with this:)
warnings: smut, vaginal fingering, top/bottom undertones, oral sex (wanda receiving), hints of voyeurism... think that's it tell me if i missed anything
requested: here. (Its long)
words: 3.1k | marvel masterlist | navigation
you do not have my permission to translate nor to repost my writing on any platform. comments, likes and reblogs are always very much appreciated<3
★☆★☆
When you were a kid, you found yourself always being attracted to magic. Something about it makes you think that it’s not all illusions, that a small fraction of it might actually be true. You went to bookstores spending your whole day looking for books that talked about magic. One morning as you were about to walk in the dining room to eat breakfast, you heard your mom and dad talking about magic. It was totally bizarre hearing them talk about it as they passed the topic like a child’s play. You decided to conceal your presence and listen in. “She’s starting to be more curious about magic Dave, you can’t hide it from her any longer” you heard your mother say. Your father defeatedly replied, “Well then I guess it is time to tell her”. Your father called you up and you stared at them. “Honey come and sit, your father has a lot to tell you” your mother gestured to the seat in the middle of the table. You take your seat and your father begins talking. “Honey, we are sorcerers, magicians, if that’s what you’d like to call it.” You jumped out of your seat with joy “I knew it! That’s the reason why I am so interested in magic!” You were disturbed from your little party when your mother said “we are bringing you to Becker Street, you will be trained by Doctor Stephen Strange ''. You packed your clothes immediately and went to Dr. Strange where you got trained.
Months after training, your control over your power grew. You went out to the training grounds when you saw a man dressed in a jacket, in jeans with long blonde hair angrily talking to Strange. You walk over when he exclaims “where is my brother?”. In a surprised motion he told you to scoot over and opened a portal where a man in black came falling. “ I have been falling! for 30 minutes!” the man angrily says emphasising the last few words. Standing up he faced you “is this y/n?” he goes nearer to you, examining each feature of your pale and soft face. “How does he know my name?” you question Strange with a demanding voice. “I’m sorry where are my manners, Y/n, this is Loki”, he gestures to the man fully dressed in black. “And this is Thor,” he says, gesturing to the man in jeans and jacket. Not caring about them, you question him further, “what are they doing here?”. Loki looks at you and says”we’re here for you darling.” Inhaling deeply Doctor Strange starts speaking “ y/n, they are from the avengers, now that you have full control over your power,you should consider joining them.” You stared at him confused “what is this gonna do for me?” “It can help you grow y/n, I've taught you all the things I have learned.” You sighed obviously defeated “Fine, but it’s only just because you told me to”. You grabbed your suitcase and packed your clothes. “Goodbye y/n i’ll be sure to check up on you” Strange hugs you and you proceed to enter the portal along with Loki and Thor.
You arrive in front of a room with a couple of people in it. You see two redheads, who immediately caught your attention but you dismissed it as soon as it entered your mind. You follow Loki and Thor and you walk towards the huddle of people sitting. “Hi you’re y/n?” the redhead says. Uncomfortable with all the attention that you received you replied “um, yeah hi, i’m y/n”. Another man entered the room with a big grin saying “Hi! Look who’s finally here, I'm Sam!” The rest of the team introduced themselves and you hung out with them for the whole day getting to know each other while exchanging a few laughs within each other. While talking to the team you could feel the intense stares of the two redheads. If looks could burn, it was guaranteed the back of your head would’ve been burned off. You try to shake it away by going to the bar when Natasha comes near you and whispers “you could feel it can’t you?” the way she whispered made you feel shivers running down your spine. Stuttering you replied back “wha-what do you mean?” With a chuckle “stop acting innocent kitten i know you can feel it”. With that she left you alone. You drank your drink and went back to your seat. You could almost swear you could see the room spinning so you excused yourself. “Wait!” you heard a rush exclaim and you turned back to see who it was and it was Wanda. “I’ll lead you to your room, you seem like you’re really drunk”. You grin widely and say “well I don’t normally drink like this, it’s a surprise I even lasted this long”. You both laughed and she laid you on your bed and said “y/n if you need me, my room is right next to yours goodnight!” You didn’t get the chance to respond when your eyes closed and you drift away to a dreamless sleep.
★☆★☆
You wake up the next day with a very terrible hangover. You go down and you see Wanda cooking. “Good morning y/n, help yourself” she hands you a plate filled with food. Grateful that you were given some food, you sat down and started to eat right away. “Hey! slow down you might choke right there” she says while laughing. You abruptly stopped laughing when Natasha entered,she looked at you and Wanda and you could feel a pang of guilt as she looked at you with sadness. “Hey Nat, want some food?” you offered hoping she’d take up on your offer. Your kind smile turned into a frown when she declined your offer, “No thanks” she said and left. “Seems like someone woke up on the wrong side of the bed today” Tony stated as he entered the room grabbing a glass of water. “That’s goodluck to you y/n you’re training with her today”. You were caught off guard and began coughing, “I'm sorry what? training?”Steve enters the room and answers “yes now go get ready, you’re in for a tough ride”. You rushed to your room and changed into your workout clothes. Grabbing your water bottle you head to the training room and you see Natasha warming up. “Hey” you approach her while putting your water bottle on the table. “Come on and warmup” she replied, not even glancing at you. Confused as to why she was acting like this, you confront her “Hey, what’s wrong?”. “Nothing, just focus on warming up, we're starting soon” she stands up and walks away. Just like she requested, you went back to warming up.
After your warm up, she called you to start your training. You stood in front of her but you couldn’t focus as she was out of her catsuit and she was only wearing a sports bra and leggings, and everytime she breathed her firm breasts hung up and down as well. You didn't notice you we're staring until Nat called you out. “see something you like? come on focus, my eyes are here not down there.” she said with a smirk. You immediately avert your eyes to her face. Stammering you say “im- i’m sorry I didn’t mean to stare”. She laughed, “I'm sure you didn’t” she replied sarcastically. Catching you off guard she wiped her feet under yours causing you to fall flat on your butt with a loud “thwack”. “That’s for staring at my breasts too long” Nat immediately extended her hand to help you up but you didn't accept it you had other plans in mind. You stood up abruptly using your hands and started punching in a non rhythmic pattern. She immediately noticed your pattern and in no time was starting to dodge your punches very easily. She scoffed at your petty attempt and started throwing punches as well. Thankfully you were able to dodge most of her punches, when you didn’t it would end up hitting you harshly square in the face. She gave you no time to recover so all you could do was back up and dodge. You didn’t notice that you were near the wall until you felt it hit your back. Natasha gasped for breath and she was inexplicably close. You could feel her breathing near your neck. She took your hands and pinned them to the wall while roughly kissing your neck. You couldn’t stifle a low moan coming out from your lips. You could feel her smirking to your neck, she separated her lips and looked at you while saying “тебе это нравится, не так ли, котенок” (you like that don’t you kitten?). Unable to speak, you nodded frantically. You could feel a pool of wetness and you tried to hide it by crossing your legs but Natasha swiped her finger over your clothed heat and you couldn't stop but let out a small whimper. She pulled away before things could get more messy than it already is. You let out a small cry of desperation and look at her with plain lust filling your mind. “What?” she questioned you. Running off while grabbing your water you shouted “no , nothing absolutely nothing”
Panting, you opened the door to your room. You collapsed to your bed thinking of how you let Natasha easily get to you and how your core immediately reacted to her. You were interrupted from your thoughts when a knock came to your room, so you quickly threw a blanket over your body. “Come in,” you replied. You saw Wanda with her nose all scrunched up. “We’ve got a mission, it’s Hydra”. Your eyes softened as you recalled what they had done to her. “Suit up and head to the quinjet we’re going in 15” With that she left you. You couldn’t get your mind wrapped around that you had a mission- your mind was filled with lust from the previous incident with Natasha. Without thinking of the consequences, you snaked your hands to your needy core and laughed at how wet it is. Not wasting any time, you inserted your finger to your pussy and gasped at how full you felt. You pinched your nipple and you curled your fingers until you felt your orgasm coming. You released a loud gasp before cumming. You didn’t realize that Wanda didn’t actually walk away from your door and she heard what you had been doing. “What a naughty girl” she walked away smirking to herself.
You got up and wiped yourself up, changed into your suit and went to the quinjet. “I will check the perimeters and Steve and Natasha will stay on ground, while Wanda and Y/n will go in and check for any agents we can question and any casualties.” Tony said. You arrive at the Hydra base and you get off the Quinjet. “Y/n follow my lead I know where to go” you hear Wanda say in a hushed voice. You followed her lead and you went into an underground room when you heard a bunch of footsteps creeping up on you. You turn around and you see an agent with a gun aiming it at Wanda. “Wanda!” You push her to the side and you end up taking the bullet while also using your powers to cast the agent down on the floor. Crouching near your body, Wanda carefully picked you up and ran towards Tony and the others. “Y/n is down she needs help” Wanda said while panting. “Take her to the quinjet we will be right at your back” Natasha replied not taking her focus away from the Hydra Agents she was combating at the moment. Wanda ran towards the quinjet carrying you carefully. You and the others returned to the tower and they brought you to medbay. Bruce immediately checked your wound. “How is she?” Natasha and Wanda asked in sync. “Luckily it’s only a small wound, she’d be up in about 30 minutes, I suggest she train lightly in about 2 hours.” Bruce replied while looking at his watch. After resting you got up and went to your room preparing for light training. You trained with Natasha but she only made you sit for almost the entire duration of training. You could only get a few punches in ”You should take a shower and rest, you're stinky” Natasha told you while laughing. Snickering you replied “shut up Romanoff you’re way stinkier than me” you tease her while making your way out of the gym. While making your way to your room you start wondering where Wanda was, as you had seen her last in medbay. You arrived at your room and prepared your clothes and stripped out your sweaty gym clothes. You took your towel and entered your bathroom when you saw Wanda in your bathtub looking at you smirking. What surprised you was that she was naked- in front of you. You were disturbed from your thoughts when she slowly approached you and you stared at her perfectly shaped breasts hanging freely with her fully erect nipple. “Wha-what are you doing? You asked her as she began closing in on you” You could feel your pussy aching, desperately begging to be touched.
“What do you think?” she kissed your neck forcing a sweet moan to come out from your lips. “You like that hmm?” she asked, her voice hoarse from the hotness pooling in her legs. You could only nod in response. “I asked you a question use your big girl words малютка(baby)” she snarled at you harshly. “Yes I- i love it mommy” you couldn’t stop yourself from calling her mommy and you could feel her smirk against your neck. You started to grind your mound against her legs, desperate for release. You drag her hand towards your pussy, you had to let her know how much you craved her touch. “Jesus Christ” she breathed out. “You’re this wet and I barely even touched you” she mocked you. She broke the contact and you let out a desperate cry. “Patience malysh we’ve got a lot of time to ourselves” she said gesturing to the bed. “Bed. Now” she demanded.
You decided to play with fire and crossed your arms “No.” You see her narrow her eyes at you “Y/n. Bed.Now” you smirked more “make me” She carried you to the bed and laid you down “you’re gonna regret being such a brat” You couldn’t contain an excited wail of what she had planned for you. She placed her hands at your hips and slowly kissed your neck down to your breasts. Her lips quickly wrapped around your needy nipple and a moan escaped from your mouth. “Please mommy, I won’t be a brat ever again just please” you begged. “Hmm? what was that? use your words. I don’t know what you want kitten”. She went back to teasing you, getting dangerously close to your pussy. Bucking your hips, you begged “Please mommy, please, please fuck me.”
She rolled her tongue directly at your pussy and you thought you were going to cum right there and then. She circled her tongue and sucked your clit making you arch your back from the intense pleasure you were feeling. She applied more pressure making you moan out loud grabbing her hair towards your pussy urging her to go harder. You gasped as you felt two fingers enter your pussy, you felt so full. “Just like that o-oh please” you begged. You could almost visualize her smirk when she replied “do you want me to go deeper kitten?” You were so deep into the pleasure that you couldn’t form words properly and nodded instead but unfortunately it wasn’t enough for her. “I want to hear you beg baby.” Stuttering you forced yourself to beg “mommy pl-, please go deeper, please” you let out a long moan when she started to go deeper. “Just like that please just like that” you chanted. A few more thrusts you felt your orgasm nearing and you tried so hard not to cum, you didn’t want to show her that you couldn’t last any longer. “I can feel you trying not to cum kitten, let go” she whispered. That command was enough to let go and soon enough your hips were bucking up and down. That was definitely the most intense orgasm you felt throughout your entire life. You slowly started going down from your high when Wanda started to speed up her movements again, this time, adding a third finger. She combined it with flattening her tongue to your clit and flicking through it. She curled her fingers and that sent you over the edge, this time, screaming her name out loud. She lapped your juices and kissed you. “You taste so good.”
“Sit on my face” you grasp her smooth and milky legs guiding her onto your face. You could sense how eager she is when she immediately propped herself on top of you. You could smell her arousal and you started to tease her by giving slow and wet kisses to the sides of her legs, inching closer and closer to where she truly needed you. “Y/n please stop teasing” wanda slowly croaks out. “Hmm, what was that? What do you need?” you say, making her whine. “Please y/n please, just fuck me right now” she said while toying with her nipples” Satisfied that you successfully made Wanda beg, you began to roll your tongue over to Wanda’s pussy. Arching her back, a throaty moan falls from Wanda’s sweet lips which makes you groan sending jolts towards Wanda’s heat. “Oh my god” wanda exclaims with her eyes rolling back to her head. You groan once more when you finally inserted two fingers just to see how easily it slipped in due to how wet she is. You could feel Wanda tensing around your fingers as you pumped harder and harder aiming to hit her sweet spot. She began to grasp your hair, chanting your name like a prayer. “Y/n.y/n.y/n.” You take it as a sign of her being close, you add another finger into her while pumping twice as hard. She was clenching your fingers, you could tell she was really close. You placed your mouth on her clit, torturing the nub and curling your fingers hitting the spot you've been aiming at perfectly. “Ahhh y/n, fuckk” Wanda moans at the intense pleasure you were giving her. You started to pump slower and slower letting Wanda ride her high. Panting, she laid down beside you “i haven’t cum hard like that” she looked at you smiling. You swell with pride at the confession she gave you. You give her a peck while grabbing the sheets to cover yourselves up.
★☆★☆
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thatoneitaliangirl · 3 years
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Oh my gosh could you write a childe x reader thing 🥺🥺 I wanna just have some sweet angst with a happy outcome somehow 😔
I may have gone a bit overboard- At this point, I feel I'm literally incapable of writing anything under 1,000 words. So sorry this took so long, I had to take a break from writing to work out some things with school. A bunch of nonsense and stuff lol. You didn't specify gender, so I wrote the reader as female, only cause that's what I'm used to working with. I apologize if that's not what you wanted. I can always whip up something for ya with your preferred pronouns! But I'm not sure if I'll make it this long . . . I honestly don't know how I even did this, like this is a feat I feel. Anyways, I hope Childe isn't too OOC in this. I'm not the best when it comes to writing angst, so I hope you like it! And just as a little explanation beforehand, I read up that Childe joined the Fatui when he was about 14, became a Harbinger at 18, and is considered a young adult. So in this fic, it's assumed that he and you are at least 20 years old just so the timeline adds up and stuff. Also, despite how long this is, Childe isn't in it as much as you probably wanted- I have a tendency to write more about the reader than the characters. It's something I'm trying to break, but I was just so proud of this. I hope you like it! Anyways, happy reading!!! ^^
Childe x Reader Angst
Plot- Reader and Childe have been together for years when Reader finds out that Childe killed her sister when she was young.
Word count- 8,864 (I'm so sorry)
Warnings- Mentions of death, sadness, bad writing, possible suicide at the end(But just mentioned as a fear), swearing, and cringe 'funny' moments cause why not.
The wind blows through your hair as you sit atop a ledge overlooking Liyue Harbor. Today is your younger sister's birthday, and for the past six years, it's been nothing but a reminder of your failure. You were supposed to take care of her. After your parents passed away, you were all she had left, and she, you. But you were just a kid yourself, hardly capable of raising a child.
You bite your lip and look over at all the families walking about, having fun. It brings a smile to your face knowing at least some people can be happy on this day. She wouldn't have wanted doom and gloom to be her only remembrance. The sun in the sky is warm, beaming down on your skin. You've fought many battles for the Adventurers Guild during your time living in town, and are proud to say you've survived. Even escaped a few sparring matches with Childe relatively unscathed.
You win every time, but it's no surprise given he lets you win. That's one of the many things you love about him. He tries to put you first in most situations as much as he can with his job. And it's the little things like letting you win a fake fight that makes you feel like you're floating.
Your relationship is practically plastered on every notice board in town with how affectionate you are to each other. Not a soul in Liyue can look at you and not know you are the Harbinger's lover. But you're okay with that.
Taking in a calm breath, you hop down and glide your way to the docks below.
"Good morning, _____! Nice weather, isn't it?" You smile at the young girl as she approaches you. You've known her for a while now, and have come to consider yourself friends. She seems a bit nervous though.
"It certainly is. Are you okay, Chen?" Her smile drops and she grips onto her arms.
"Can I ask a favor of you? It's rude of me, but I'm desperate!"
"It's fine, what's the matter?" The young girl sighs.
"My brother borrowed a loan from Northland Bank last month and the payments were due two days ago. He told me he was going to pay it back . . . He hasn't been home since. I just thought that . . ."
"You want me to ask Tar?" Her eyes snap up to yours.
"Will you? Please? I'm just so worried about him! I told him not to take that loan, but he never listens to me." You put your hand on her shoulder to calm her down.
"It's okay. It's no problem at all! I was just headed there anyway. I'll see about your brother for you." Young Chen sighs in relief and reaches in her pocket.
"Here, I want you to take this as payment." You shake your head and push her hand away.
"No, I could never!"
"I insist! My mother gave this to me when I was a kid," She opens your hand and places a small coin in before closing your hand around it.
"She told me travelers would give these coins to people who did favors for them and that they grant wishes! Though I'm sure that's just a children's story; I was never able to get it to work." You give the coin a look, hesitant, before slipping it into your pocket.
"Alright, I'll accept. Thank you!" You wave goodbye to Chen and head towards the bank. Childe spends most of his days there, what he does, you have no idea. It's a mystery. The most you get out of him is 'business' which, yeah, obviously you do business. But it's understandable. The Fatui are a questionable lot, and not many people in Liyue trust them.
The Qixing keep a close eye on them as well, though you're sure even they hardly know what goes down under the 'bank' façade. Sometimes Childe comes home with cuts and bruises, claiming they're from training with his comrades, and while you don't buy that one bit, you play along. No need to add to his stress. If he thought you needed to know, he would tell you. No doubt about it.
Walking up the many flights of stairs, you nod to Vlad who lets you in.
Lucky for you, the first face your eyes land on is the exact one you came looking for.
"Tar!" He immediately looks over in your direction, smiles, and dismisses the Fatui agent he was talking to.
"Well, if it isn't the most beautiful woman in all Teyvat. Come to steal my heart?" He pulls you into a hug and kisses your cheek.
"No need, I already have it," You pull away, giving him a smile.
"I actually came here to see you."
"I'd hope so! Who else would you want to see?" Rolling your eyes, you grab him by his hand and lead him to his office.
"I have a favor to ask of you," The joking atmosphere surrounding you turns heavy as you hold his hands in yours.
"As you know, today is . . . Very important to me. I was wondering if you could get off early tonight? If not, it's okay though. I don't want to trouble you or anything." Childe chuckles and pats your head.
"I know what today is. I already requested an early leave this morning, but they haven't gotten back to me yet. If we're that backed up, I'm not sure I'll be able to," Your face falls a bit, but you smile. He made the effort to try and get off early without you even asking.
He places his hand onto your face and rubs his thumb over your cheek.
"But I promise to make it up to you. If I don't get back too late, we can go up to Mt. Tianheng and watch the lights at night. I know you like to do that when you're upset." The kind smile on his face is only magnified by the gentle look in his eyes. He's always been soft with you, even before you got together.
It was always an odd sight for people to see the two of you interact before you were a couple. He always regards people with the same jokester attitude, especially those he has to keep an eye on. But when he's with you, he may joke around, but is always much more concerned for your wellbeing.
"Thank you, Tar. I really appreciate it." He smirks and laughs.
"You appreciate it, huh? How much?" You roll your eyes again and give him a kiss on the lips. Childe smiles into it and tries to make it deeper, but you pull away with his lips chasing after you.
"Easy there, tiger. Save it for later, huh?"
"So, there's a later?" You lightly smack his chest and pull away from him as he laughs.
"Get back to work, Tar." You turn to leave but stop in the doorway.
"Oh, before I forget, I ran into Chen earlier," The look in Childe's eyes shifts slightly, but you barely notice.
"She mentioned that her brother stopped by here about two days ago, and was wondering if you knew where he went after? He hasn't been home since and she's very worried."
He ponders for a moment before his eyes light up in realization.
"Now that you mention it, he did say he was headed towards Lingju Pass. Don't know what for though." He shrugs.
"Okay, thank you! I'll be sure to pass it on." You exchange words of love before you leave.
After speaking with Chen, you decided to head towards the countryside. Your conversation with her went about as well as you expected. She seemed distressed and unsure of the information you gave her, but any criticisms were held as she thanked you and left. You hope that she'll be okay and that her brother comes back. Archons know, you understand what it's like to lose a sibling.
You take in a deep breath.
The air in Liyue is unlike any other. Once you leave the city and all the warm bodies, it's nothing but gentle breezes and the smell of earth. And the occasional Hilichurl, but you can easily take out a few to preserve the peace.
Walking along a random path in the sand, you reflect.
When you and your sister were young, you would often take walks like these while your parents were arguing. Despite only being a few years older than her, you actively chose to take on a more nurturing role. But after your parents died, you realized just how hard it was to provide for the two of you.
You knew how to use a bow to hunt, but not well, and even though you had your mother's catalyst, you didn't have a vision. Sometimes just showing it off and pretending you had a vision was enough to scare off petty thieves and weak Hilichurls, but it was only a matter of time before that wouldn't be enough.
Unfortunately, that time came all too soon.
The two of you had found an abandoned campsite and you decided to rest for the night. Your sister and you were headed to Mondstadt in search of a distant relative who you believed could help you. But during the night, your sister got thirsty and you were all out of water in your canteen. So you heading out to find a lake close by to fetch some, only to return to see a dark figure escaping into the night and your sister, laying in the tent, unmoving.
You were only a few hours walk to the city.
Sometimes you wonder if you had kept going that night, maybe whoever it was would have never even crossed your path. Your cries for help were heard by knights close by and they gathered your sister. Everyone in the city was welcoming and understanding, and the church gave her a wonderful service.
But nothing could mend the hole in your heart. Thankfully, the family member was able to take you in and trained you to become a knight. But that's not what you wanted. You wanted to find the person who killed your sister. And after completing your training, you left for Liyue and gained your Cryo vision along the way.
You summon your catalyst and flip through the pages. It's strange how magic works and how everything interacts with your vision. Before you, this weapon served your pyro vision-wielding mother. After you gained your vision, all the spells changed to fit the cold rather than the heat. You sigh and close the book. Sifting through it is just going to make you more sentimental. The sky above begins to turn shades of orange and pink as the sun goes down, so you decide to head home.
"I know you did something!" A loud voice yells, not too far from you.
"Chen?" You whisper to yourself and make your way around to see her at the edge of town, yelling at a Fatui agent.
"Calm down, miss Chen. We don't know what you are referring to." She balls her hands into fists, her face twisted in anger.
"You know damn well what I'm talking about! Lingju Pass? He hasn't set foot there since our father died. How dare you make up such lies!" You decide to make your way over to try and calm her down. She's obviously upset, and you know that Fatui agents aren't well versed in the ways of 'feelings.' In fact, most of the ones you've met have all been quite stoic and unconcerned.
"Are you calling the Fatui liars, miss Chen?" You stop, Childe stepping out in front of the other agent.
What is Childe doing out here?
"You Fatui lie about everything! Everyone in Liyue despises your presence here, and this just proves to me how low you people actually are. What did you do to my brother?!" She reaches up to hit Childe, and you run up to her and grab her by her arms. You know she can't hurt him, but if she tries she could get into some serious trouble.
"Chen, listen to me, you have to calm down." She looks up at you with tears streaming down her face but shakes off your grip.
"No! I refuse! He knows something about my brother, I know he does!" She looks at you with pleading eyes.
"Please, _____, tell him. Tell him to tell me where my brother is!" Chen sobs. Tears start to form in your eyes.
"Chen, I'm sorry, but Tartaglia doesn't know," You look up at Childe and are taken aback by the look in his eyes. His eyes are dead, angry, violent as he stares at Chen. He waves his hand, and two Fatui agents come from behind and drag Chen away.
"Let go of me!" She struggles as they hold her arms and pull her through the dirt path. Chen glairs at Childe, digging her feet into the ground to slow them down.
"You're a monster, Harbinger! A monster!" You continue to stare after her as she's dragged away. What just happened? You've known Chen and her brother since you moved here. What could have happened to make this poor girl act like this? You jump when Childe places his hand on your shoulder.
"I'm sorry you had to see that." He wipes the tears from your cheeks and smiles his normal, dashing smile. Nothing like the look he was giving Chen just a moment ago.
"Sometimes those awful rumors spreading about the Fatui make people act irrationally." You look him in the eyes as he holds your face. His eyes are soft and caring now, just how he always looks at you.
"Do you know what happened to her brother?" You ask softly. His eyes darken a bit, but his smile never faults.
"_____, my love, are you questioning me now too? Come on, you know none of that stuff is true, right? I work at a bank, not much else to it." He answers, his voice joking, but there's this undertone you can't quite place and have never heard before. You force a smile and hug him close.
"Your right, I'm sorry for asking. I'm just so concerned for Chen and her brother. Do you know where they're taking her?" He hugs you back, tight, and kisses your forehead.
"I think you should just leave it be for now. Go home and get some rest. I should be getting off work soon, and we can do what I promised. How's that sound?"
"Good." You lean up and give him a kiss. His voice drops low as he whispers in your ear.
"I love you, _____. Don't ever forget that."
And he leaves before you can reply. A chill goes down your spine as you watch him leave, and it's not from your vision. You've never seen Childe like that before, even when he interacts with the Traveler. It made you freeze in place, made your blood run cold, and had your heart beating faster with fear all at the same time. That was Harbinger Childe, not your Tartaglia. You rub your hands along your upper arms to calm yourself. You never want to experience that again.
Taking a deep breath, you reach into your pocket to grab your handkerchief, but pull out the coin Chen had given you instead. All it does is remind you that once again you failed to protect someone you cared about. Poor Chen is scared and afraid, and you're positive that Childe's reaction did not help her any.
But as you hold up the coin, you notice a faint glow emanating from around the outer edge which turns the intricate patterns into Liyuian Characters.
'Let the truth be revealed.'
What does this mean? You remember Chen telling you the story of the coin, but it was just that. You've never heard of any coins gifted by travelers before, and it definitely wasn't a common folk tale.
You shove it back into your pocket and rush home.
The sun is almost fully down, and the stars begin to light your way as you walk hastily down the path. Once your house is in sight, you pick up the pace and run inside.
The glow from the coin is brighter now, illuminating your darkening house. How does one even make a wish on a coin?
"I want to see the truth, but I don't know how," The glow of the coin shifts and changes colors in your hands, giving off an almost mystical wave of magic you've never felt before. Whoever made this coin had to have been powerful. You take a deep breath and look at the coin with determination.
"Show me the truth!" The glow envelopes you and when you open your eyes, you're shocked at what lays before you. The dark figure that haunts your dreams at night looms over your dead sister, red-stained blade in hand and a mask over his face.
You step closer, the classic mask of the fatui on the hooded mans' face making his eyes glow white in the darkness. His stature is much smaller than yours, and his outline seems to be that of a boy. At the time it would have been easy for you to confuse him with a man, being he would have been taller than you. But now that you're an adult, you can clearly see his youth. He smirks and laughs down at your little sister's body while whipping the knife on his sleeve.
"You should never have crossed the Fatui." Your heart drops as the young boy removes his mask revealing ocean blue eyes. The eyes of your lover that you adore on the face of the person that you've despised for years. A woman appears next to him, the same woman you've seen him speak to on many occasions but have never spoken to yourself.
"Good work, Tartaglia. You've proven yourself useful to the Tsaritsa after all. But your job here is not done," Childe looks up at the taller woman, his face determined.
"The other daughter has left to fetch water. Unfortunately, there are too many knights around on patrol to take her. Dispose of the body, and return at once." Childe bows to the woman and she smiles wickedly.
"Yes, Signora. Anything for the Tsaritsa." She leaves, and Childe begins to wrap up the young girl's body in a blanket. He stops suddenly, lifting his head up as young _____ approaches from over the hill. Childe smirks, fixing his mask and hood back on properly.
"Until next time, _____." He says and begins to run.
You gasp as the light invades your sight again and you're returned to the present. Your heart is beating a mile a minute and your breathing begins to pick up. The realization is overwhelming, and the shock is preventing you from crying.
Tartaglia was the one this whole time? It can't be, it just can't! You love him, and he loves you, he says so all the time. Has he lied to you this whole time? Has he just been keeping you close to screw with you before breaking your heart and killing you? That coin has to be lying. There's no way your Tar would ever do something like that, especially to you! He tells you everything. There are no secrets between the two of you.
Right?
The clock on the wall says that it's seven-o-clock, usually when Childe gets off of work. You don't want to be here; you can't be here. How can you face him after seeing that, even if it was a lie? You quickly run up to your shared bedroom and grab your adventuring bag, filling it with few essentials.
Where will you even go? There's nowhere in Liyue where Childe can't find you. Even across Teyvat, the Fatui have eyes and ears. You just need some time to reflect, get your barrings, and confront him. If you'll confront him. This has to be some kind of joke, or lie placed by some unknown power to question your love for him. There's no way he could have-
"What are you doing, _____?" You gasp, started by Childe suddenly behind you, blocking the exit to your room.
"Tar, you scared me!" You say shakily, holding your bag close to your chest. He smiles his usual caring smile at you, but all you can see is the smirk he held while staring down at your little sister.
"Sorry, my love. I got off of work early like I said I would. Is that why you have your bag?" His ocean blue eyes dart down to your bag and back up to you again. You subconsciously grip the bag tighter, Childe noticing.
"N-No. I accepted a commission last minute." The lie slips out like acid on your tongue.
You've never lied to him before, and it feels wrong. But you have to get out of here. Every alarm bell in your body is screaming at you to run as fast as you can away from the man you love.
His brow furrows a bit with concern and he takes a step closer to you, but you take one back.
"This isn't about what happened today, is it?" He sighs and shakes his head.
"I'm sorry if I scared you, it's just I don't like it when people falsely accuse me of things. I kinda slipped into Harbinger mode for a sec there." He laughs, again trying to come closer to you, you step back.
"Are they false though?" The question falls from your lips before you realize it, and Childe's eyes widen in surprise.
"_____, you can't be serious? You know I would never lie to you-"
"How do I know that, Childe?" You've never called him Childe, and it shows from the shock on his face when you do.
"What are you going on about? I could never-"
"Get away from me!" You yell at the Harbinger, tears finally falling from your eyes. There's no way you could be near him like this, knowing that he could have . . .
"Why? I love you, I won't hurt you." You try to steady your breathing as he slowly inches closer, treating you as of your a wild animal he wants to tame.
"You don't love me." You shake your head, gripping your backpack with white knuckles.
"What?" The question comes out as a whisper from the man's mouth in disbelief, hoping he didn't hear you properly.
"You don't love me!" You say one again, louder, confirming what he has hoped wasn't true.
"_____," Childe tries to come closer, but you shove past him and run to the front door. Before you can grab the handle, Childe grabs you by the shoulders and spins you around.
"Please, _____," His eyes are glassy with unshed tears as he gazes into your own.
"Tell me what I did to make you think this way?" You sob, hands pushing on his chest to break free but failing. You can barely breathe as the sobs rack through your body.
"You-" Trying to get the words out only makes you cry harder as the realization hits you. All the rumors are true. The Fatui are evil, conniving, and uncaring. They kill, pillage, experiment, torture, and don't care about who they have to step on to get their way. And your boyfriend, the love of your life, the man you wanted to marry and start a family of your own with, is one of them.
"You killed my little sister!" Your hands ball into fists and punch his chest as hard as you can, but in your state, you have barely any power.
"My baby sister is dead because of you! How could you?" You managed to get out through your tears, finally breaking down in the arms of the man you've despised for years.
Childe stares at you, unbelieving. He pulls you into a tight hug, crying on your shoulder, continuously apologizing. Never in your life have you seen Childe cry. Even when talking about how much he misses his family or his country, the farthest he gets is a sentimental smile and longing. Never have you thought you'd see him cry either. It's almost enough to make you forget that he's practically admitted to the murder.
He killed your only sister. How do you know he's sincere with his tears as he holds you close and begs you not to go? You've seen him lie before, never to you, but if he kept this secret for so long, what else has he been hiding? But none of that matters right now. The man you've been searching for years for, who you wanted to kill with your own bare hands, is the same person holding you so tenderly now.
How could you forget the countless nights you've woken up from nightmares of that boy coming to kill you and finish what he stared, only for Tartaglia to wake you up and hold you close, promising that he'd protect you? Every year when you mourn your sister and confide in him about how you were going to find that monster no matter what it took, did he fear you'd ever find out and kill him?
Is that why he kept you close for so long, to make sure you'd be too weak for him with love to ever even try? How can you love someone who killed your sister? It's easy to just assume you'd hate him, but for some odd reason, a little voice in the back of your mind is telling you to trust him and love him like you always had.
Another voice is telling you to end his life with no mercy and finally bring your sister to the peace she deserves.
Gathering up your strength, you manage to push him off of you.
"_____, no," He's in a state you've never seen before, face wet with tears, nose running, eyes puffy. But, he doesn't try to pull you back in.
You swiftly grab your bag and leave the house and Childe behind.
-------------
"_____," Your cousin John calls your name, pinching the bridge of his nose. He watches as you continuously use your vision to destroy training dummies.
"You continue this and the knights aren't going to have anything left to train with." You stop temporarily to glare at him.
"I'm training."
"So it seems." He watches as you continue your 'training.'
"You know, this doesn't seem healthy. I'm no doctor or anything, but, maybe you should, like, not?" You sigh irritated and cross your arms.
"Not what, John?" He gestures to the broken wood pieces scattered around the courtyard. You roll your eyes.
"I'm doing no worse than the average rookie knight!" John nods, leaning up against the wall.
"Yeah, yeah, except no. Why? Thank you for asking, cause your not a rookie and you're upset, at what? I don't know because you refuse to tell me. All I know is that my cousin is back after being gone for three years and the-," John looks around before stepping closer and lowering his voice.
"The Fatui in town have been eying us up everywhere we go. What the hell happened while you were in Liyue?" You bite your lip and message your wrists. The tips of your fingers have begun to turn purple from the cold, but you hardly seem affected. John pats you on the back and leads you inside the knight's headquarters.
"Look, I know we were never very close, and when you lived with us, we barely spoke, but I'm here now. We're not kids anymore, _____." The two of you sit down in the library. The three years you lived with your uncle and cousin were your worst. They treated you nice, but you were grieving and took it out on them and many training dummies. It seems you've done the same again.
"I'm sorry, it's just . . ." What happened with Childe months ago is still fresh on your mind. You haven't seen him since you left that night, and you aren't sure if you want to. You're conflicted. You thought coming back to Mondstadt would help you clear your mind and help you decide what to do, but you can't, and it's frustrating.
Despite how hard you've tried . . . You still love Tartaglia with all of your heart. But you can't forget what he did. You could never forgive him either. You've held hatred for this man for six years now, and every waking moment has been used to devise a plan to find him and kill him. But you can't kill him; not when you still hold these feelings.
If this was his goal, then he succeeded. You know he knows you're in Mondstadt. As John said, the Fatui have had their eyes on you since you showed up. You wouldn't be surprised if they all have you listed as a threat. After all, being one of their high-ranking officer's vengeful lover with intent and reason to kill would put anyone on a list.
But, with that said, he hasn't tried to contact you. No letters, no passing of words, hell, no carrier pigeons. He's extra enough to do that. And this has caused you to feel even more upset. Cause you still love the man, and there's some hope still there that he meant what he said and he does love you and the fact he hasn't done anything is killing you.
"_____, you good?" You snap out of your daze and nod.
"Yeah, I was just thinking."
"You seem to be doing a lot of that lately. Please, what's going on with you?" You decide it's best to tell your cousin the truth.
You explain to him the situation. How you fell in love, what life was like for you the three years you were gone, the coin, and finding out the killer's identity. John looks at you in shock.
"Wow, that's a lot. And this is why you came back?"
"Yeah, I know. I should have come back sooner to at least visit, but," John cuts you off and waves his hands.
"No, you're fine. I mean, it would have been nice to see you, but that's irrelevant right now. You found out your boyfriend, a Fatui Harbinger, was the one that killed your sister, and you're here? Doing what? Destroying Favonius property?" You agree hesitantly.
"I mean, when you put it like that, it sounds odd."
"No, _____, odd is an understatement. Why are you here? You should be getting answers, slapping people, storming Snezhnaya! Actually, don't do that last one, that could get us in a lot of trouble."
"True," You agree.
"Honestly, I don't know what to do. Do I confront him? I mean, if he did kill her, which I'm about 90% sure at this point that he did, do I get revenge? I've wanted to for years, but I know that I could never kill him." John takes your hand in his and speaks with sincerity.
"You love him, I get that, but you can't let that get in the way of things."
"No, I mean, I literally couldn't kill him. He's a beast in battle, and could probably end me without even blinking. I've seen him take on multiple ruin guards in seconds, like, he's on a whole nother level." You sigh and put your head in your hands.
"But even despite that, I do still love him. At this point, I feel the best thing to do is to just move on. Go my own way and let him go his."
"And what about your sister, huh? Just gonna forget about her?" You look at him questioningly.
"Look, you need to at least get closure. Obviously, he doesn't want you dead, because you would have been so by now. I can't even tell you how many times the Fatui could have nabbed you, gagged you, and sacked you since you've been back."
"Gee, thanks John, that really makes me feel better about the situation." He rolls his eyes.
"Talk to the man, _____. There will always be a home here waiting for you to come back to." Maybe your cousin is right? If Childe did want you dead, you know damn well he has the power to have made it happen. But how would you even react when you see him? The only way to find out is to get it over with.
With newfound enthusiasm, you jump up from your position and slam your hands on the table.
"Alright, I'm gonna go! I'm gonna talk with Tartaglia and I'm gonna punch him at least once!"
"That's the spirit!" A series of loud shooshes sound around the library and you slowly sit back down.
"Sorry!"
You and your cousin John devise a plan over the next few days. You're still unsure about this whole thing, but with encouragement from John, you gain the confidence you need to push through.
In the end, you decide the best thing to do is to sneak out of Mondstadt without any Fatui seeing you. It's still dangerous to speak with him, and the two of you decide the safest thing is to get him unprepared and off guard. If he's not expecting you, he has no time to plan. Not that he needs a plan to kill you, he could just do it. But still-
As the sun seeps down past the hills and flatlands of Mondstadt, John and you make your way out of headquarters and down to the main part of town.
"You know what sounds so amazing right now? A tall mug of cider from Angel's Share!" John exclaims and grabs your arm. The two of you practically run towards the tavern, gaining looks from the other citizens.
"Cool it, John," You whisper yell to him as you head inside.
"You wanna actually look suspicious?" He laughs, sitting down at a table in the back.
"Sorry if I'm not good at being convincing. Dad always said acting would be my downfall."
"When would you ever have to act to be a knight?" He shrugs his shoulders.
"Right now?" Okay, he has a point. Merely minutes after you sit down, two Fatui agents walk in after, taking a table far enough away, but close enough to keep you in their sights.
"Don't worry, _____," Your cousin says, noticing your worried expression.
We'll get you out of here."
John waves his hand and gains the attention of Master Diluc as he's walking around the tavern.
"We'd like two Valberry Whiskey's please!" Your cousin asks loudly and winks. Diluc rolls his eyes and heads towards the back of the tavern, getting the 'drinks.'
It was a miracle and a half that John was able to convince Master Diluc to help you. But John said he owed him a favor. For what, you have no idea. Not even a second later, a young bard runs over to your table and slams his hands down.
"What did you just order?"
"Uh," You look to your cousin for guidance. The drink was simply a code, not an actual order.
"Valberry Whiskey?" The young bard looks at you in amazement. He's clearly drunk, but the sheer excitement in his eyes seems to sober him up enough to eagerly rush to the bar counter.
"A new drink! And Diluc didn't tell me?!" His shouts of joy gain the attention of the entire bar.
"A new drink?!"
"One not on the menu?"
"Master Diluc!"
Your cousin and you share a look as the crowd goes wild, rushing towards the front bar and to the back looking for Diluc to inquire about this new drink. The few Fatui agents that had followed you in stand up from their seat to get a better view of you and John. John grabs your arm and pulls you into the crowd, the Fatui agents desperately searching for your whereabouts.
"This way, _____." He pulls you farther and farther away from the Fatui till you feel another hand grab you and pull you out of the back entrance to the tavern.
"Hey, watch your hands, buddy!"
"Would you rather still be in there then, _____?" You smile nervously up at Diluc, who's handing you a bag and cloak.
"Things didn't exactly go as planned, huh?" The redhead smirks and crosses his arms.
"I knew that bard would be in here tonight. Drunk off his ass, he wouldn't be able to resist the call of a new drink item." You laugh, pulling the hood over your head.
"Thank you, Diluc." He gives you a rare smile and nods. You begin to walk off but stop, looking back at the tavern owner.
"Hey Diluc, what was the favor for?" Diluc sighs and pinches between his eyes.
"I'd rather not talk about it."
__________________
The journey back to Liyue is a tiring one. It seems a lot closer than it actually is on the map, but heading to the main harbor is always a task. Thankfully, you're able to make your rations last the whole trip, and as you enter the harbor in the wee hours of the night, you smile at the familiar buildings. You may have only been gone for a few months, but this was your home for the last three years.
Your home with Tartaglia . . . You pull your hood farther down your head and try to remain in the shadows. Despite the time of night, the area is still bustling with people. Merchants making deals, ships delivering goods, the whole nine yards.
You flatten yourself against a wall as a few Fatui agents walk past. The place is absolutely crawling with Fatui, even more so than usual. Could it have something to do with you? You doubt it. Harbinger or not, Tartaglia could get in serious trouble for using Fatui resources in such a way.
You carefully slide through cracks and crevises, branches and bushes, trying to stay out of any Fatui sights. Eventually, you find yourself on the outskirts of the city, not far from your shared home. It surprisingly takes a lot from you to not run straight for it. You miss your house. You miss your bed. You miss Tartaglia.
But now is not the time to get sentimental!
You still need to confront him about what he did. And depending on his answer, one of you may not make it through the night. You keep yourself stealthy as you enter the house from the back. He's not home, which is good. But the place is in disarray. Furniture turned upside down, plates smashed against walls, everything caked in dust. It's hard to believe he's been living here if he even has been.
If that's the case, you may have to go looking for him. You look around the house at the disaster. He may have been trying to look for something; maybe a clue to what you had planned or something to use against you.
With that in mind, you run up the stairs to the master bedroom and open the closet. You fear the worst but are surprised to find your sister's belongings still in place.
Surely he would have found them in here.
The bedroom isn't as bad as the bottom floor, though still a mess. The bed is unmade, with a small pile of your clothes on your side of the bed, and his clothes on the floor. All of your things, besides the clothes, are still neatly in their places. Pictures of you and him together that were once on the walls are now on his nightstand, face up and smudged with fingerprints.
"What the hell happened here?" The sound of the front door opening startles you. Could that be Childe? There's no way he's living like this!
Footsteps move across the floor, into the kitchen, into the living room, and slowly up the stairs. Whoever it is, your about to face them.
The door opens slowly, almost torturously so. Soon, the sunken and sullen face of your lover is in your view, and even faster, your on the floor with a knife made of hydro to your throat. Your hood continues to obscure your identity as Childe pins you down.
"Bold of you to break into the home of a Fatui Harbinger! What did you expect?" With the pressure from the knife digging deeper and deeper into your skin, you freeze the hand wrapped around his holding the knife, and kick your leg out. Childe falls over, dropping his weapon which shatters on impact. Before you can get your bearings, he's lunging at you again. He grabs you from behind and holds you in a chokehold.
"Your fast, but you'll never be fast enough!" You gasp for air, holding onto his arm as it's wrapped around your neck. He's trying to kill you, you know he is. All the times you've sparred with him, you knew he was holding back, but he's definitely not this time. Even so, his hold on you is weak. Weak for him, at least.
You rear your elbow into his stomach as hard as you can knocking him back and you summon your catalyst. As he said, he's faster than you, but before he can get back, you place a wall of ice between him and yourself. It's not enough to hold him back for long, but enough to catch your breath. He laughs as he can hear you choking, attempting to regain your oxygen.
"You think this little wall will stop me?" He attacks the wall with his fist, making a section crumble. Your breathing is fast, but you can't seem to gain enough breath to speak. As he crumbles your wall piece by piece, you pull back your hood and lean on the bedroom wall behind you. Finally, he lands the finishing blow and the ice dissipates in a gust of cryo magic. The crazed look of bloodlust vanishes from his face the instant he sees you, hand on your throat, and your breath heavy.
"___-," He can hardly finish his whisper as he lets out a shaky breath. With the tense atmosphere suddenly calm, you're able to regain your breath and look up at the man. His skin a pale and his eyes are dull. He has large dark circles under his eyes and he looks a bit thinner than normal.
"_____," He manages to get out, still shocked you're actually here.
"Are you okay?" You shake your head.
"You haven't seen me in months and that's the first thing you say to me?" He rubs the back of his neck and looks down, ashamed.
"I didn't know it was you. I'm sorry if I hurt you." You can hardly believe what you're seeing. He seems broken, utterly defeated. If he hadn't fought you just now, you'd assume he'd fall over with the breeze.
Looking at him now, it's hard to believe he's the same man that killed your sister.
"We need to talk." He nods, refusing to meet your eyes.
"You need to tell me the truth, Tar," He takes in a shuddering breath at your words.
"All these years, I've been beside you. I've stood up for you, I've loved you. I told you all my darkest secrets and nightmares. Not once did I ever lie to you."
Tears come to his eyes just as they do yours. He bites his lip to prevent the tears from falling. You step closer to him, dropping your cloak, and put your hands up to his face. He flinches away from you but relaxes when your palms cup his cheeks and he finally looks you in the eyes.
"Over the past few months, I've thought long and hard about what I wanted to say to you. And no matter what scenario I came up with, I could never tell if I was doing the right thing. But, even though I carry some semblance of anger, I know that what I feel for you is real. And with that, I still hold hope that you feel the same and it wasn't all just a lie."
He grabs your hands, the tears now falling one by one down his pale cheeks.
"I swear to all the Archons that I love you! I never lied about that!" You hesitate for a moment, blinking away your own tears.
"And though I don't want to, I believe you," You rub your thumbs across his face, clearing some of the tears.
"But I need you to tell me everything." Tartaglia closes his eyes. He never dreamed in a million years he'd have to tell you this story. He'd hoped that you'd live in blissful ignorance for the rest of your life with him. But the gods had another plan for him and you, and he prays that at least one of them will let him keep you. Even if that's a selfish request.
"I joined the Fatui when I was young. I was constantly trying to prove myself to Signora and the Tsaritsa that I was willing to do anything they asked me. I still am," He looks at you with regretful and sorrowful eyes as he recalls the past.
"Your parents had fled Snezhnaya when you were born, because of a debt they racked up with the Fatui. When they were found in Fontaine, it was revealed that they were working for a group of rebels intent on infiltrating Snezhnaya. It was my job to take you and your sister to use as leverage on your parents. But, your sister fought back," You release his face and look away, finding it harder to keep eye contact with him.
"I wasn't as skilled as I am now, and I panicked. But La Signora said I did a good job. I didn't know that your parents had already been killed by the rebels, and neither did the Fatui. Not until after we had left you. At that point, there was no reason to continue after you. But you were never forgotten about. And when you came to Liyue, I was instructed to keep an eye on you," Childe lifts his arms up and places his hands on your shoulders.
"But I never expected to fall in love with you." You look into his ocean blue eyes and are overcome by the warmth they hold for you.
"The day I met you, I could feel it, and I tried so hard to forget about it, but you were just so . . . Amazing, and beautiful, and kind. I never expected that from you. You never once judged me or ridiculed me, even though you knew who I was. I thanked the Archons every day that you came into my life, and I prayed that you'd never find out what I'd done."
A sob breaks through as he wipes the tears running down his face. All the years you harbored hatred for this man, you never once thought about what he could have been going through. It's true that this doesn't excuse his actions, but to know that he truly regrets what he did brings you some kind of closure. In the end, revenge would have never made you feel better. Your sister wouldn't have wanted that.
You love Tartaglia with all your heart, and in this world, it's better to forgive than to let it eat away at you any longer.
"Tartaglia," His name comes out as a whisper with your breath, but he hears you loud and clear. The fear of rejection in his eyes tells you everything you need to know as you carefully speak to him.
"I forgive you." He cries, pulling you to his chest and you hug him back. Unfortunately for him, you weren't finished.
"But, I need some time to think about this. I love you; I never stopped loving you, and I always will," You pull back and smile at him before gently kissing his chapped lips.
"I'm going back to Mondstadt, but I'll be back. You just need to give me some time." He smiles as best he can and nods enthusiastically.
"I'd give you all the time in the world if I could." He moves to kiss you again, but you put a finger up to his lips to stop him.
"Save it for later, Tar." He laughs, looking back up at you with bright eyes.
"So, there's a later?"
(A little something extra. It doesn't quite fit to be an ending, but more like an epilogue just tying things together I guess lol.)
___________________
You sigh as you sling your bag over your shoulder. It's been a good few months back in Mondstadt after your reconciliation with Childe, and you've decided it's time to go home. You've kept in regular contact with him since you've been here, writing letters to each other like new lovers. You found the whole thing quite cute, despite the circumstances. He's been regarding you with caution, taking things one step at a time, and never pushing you past any limits you set. You're grateful for that.
"You sure you wanna go back? You can always stay a bit longer, just to give yourself a bit more time to think it over." John says, arms crossed and head down. You two have grown closer over your time spent here. It's a shame to think you were so caught up in your misery to be blind to the best friend you could have had. And it's tough to say goodbye, now that you've grown attached.
"I'm sure. You don't have to miss me too much, ya know? I'll be back to visit, and I'll write every week!" John huffs.
"You better, or I'm coming over there and kicking that Fatui's ass for keeping you away! I don't care how many ruin guards he can take on!" You laugh and pull him into a hug.
"I'm gonna miss you." He hugs you back, holding you tight.
"Yeah, I know." You roll your eyes and wave goodbye to the family you didn't realize you had.
Once back in Liyue, you get settled into your home with Childe. Thankfully, he cleaned up the mess he made while you were gone. He had said he was so distraught at the thought of you leaving him, he trashed the place in anger. Not anger from you, but anger at himself. He was afraid you'd think he was a monster, that he was heartless, and that you'd never want to see him again.
He was relieved when he heard you were in Mondstadt. There, he could keep an eye on you. One of the things he was afraid of was you doing something to yourself due to the pain of it all . . . If you did that, he wouldn't know how to cope. And when he received word that you had disappeared from Mond, well, he thought that fear had come true. But in the end, things worked out. You could never forget what he did, nor do you want to. It's something you have to live with, just like he does, and it's up to you to put it aside.
You know there are many things he's done that he's not proud of. Many things of which he promises to tell you when he's ready. And you'll be there to listen as he spills his heart out to you.
You take in a breath of air as you enter the harbor, smelling the salty water of the ocean and the wonderful herbs being brought in from traveling merchants. You'll never get over these smells.
"_____!" You look over your shoulder, surprised as Chen runs over to you. You haven't seen her since the incident outside of town.
"Chen! Are you okay?" She smiles and hugs you.
"I'm doing great! My brother and I have been selling a lot more of our goods since he's been back, and business has been booming!"
"Your brother?" You tilt your head.
"Yes!" She nods enthusiastically.
"He did go to Lingju Pass as Childe had said. It turns out, he had a buyer out there but didn't want to tell me in case the deal went south. I overreacted. . ." She puts her head down in shame.
"All the rumors about the Fatui got to my head, and I assumed the worst. But Childe went out and found my brother for me. Can you please tell him I said thank you? Also that I'm sorry. I really owe him one."
You pat her on the head, relieved.
"Of course, Chen." She reaches into her pocket and pulls something out.
"For payment-"
"No!" You shove her hand away.
"Gotta go! I'm late to see Tar!" You sprint off, leaving a confused Chen in your wake.
306 notes · View notes
whumpmatsus · 3 years
Note
So. Todomatsu always ACTS like he hates that Karamatsu is so eccentric, but we all know he actually doesn't mind that much. If anyone else made fun of him for that stuff, I can't help but think he wouldn't let it fly. So what about a situation where Karamatsu gets made fun of/bullied/put down by someone OUTSIDE the family for being the way he be and Todomatsu gets an opportunity to go into full protective mode over him??
OH SHIT the youngest of them goes feral
dare I say... RELEASE THE BABY!!!!!
God I love Zaimoku, it’s so good <3
-
If Totty is being completely, utterly, unfailingly honest with himself, his brothers need his help if one of them is going to be going on a date.
Really, he’s the only one who has any clue about how to act on a date! He could hit his big brothers over the head with a Clue-by-four with that shit and they still wouldn’t really get it.
Even so… part of him thinks he shouldn’t really be following Karamatsu to a date. Karamatsu is the one Totty knows is never going to come running to him for advice or assistance, especially with girls; he’s got the undeserved ego of an avocado toast sandwich. Totty isn’t sure he’d be pleased to know his baby brother tagged along not because he has to sort out a schedule thing at work, but because he wants to keep an eye on Karamatsu.
What else is he supposed to do, though? Just let Karamatsu go alone and totally blow it? His usual behavior aside, Totty really wants his big brothers to be happy and have fulfilling relationships. He thinks if he can be there to keep an eye on things, well, maybe it won’t go so bad. Maybe Karamatsu will have a shot with this woman. Maybe he’ll get a girlfriend!
The very idea was enough to make him feel a little better about lying so that his brother will take him along. It eases his conscience, imagining that if he manages to help Karamatsu out to the point that the second eldest ends up in a loving, joyful relationship, (obviously as opposed to the past few horrible ones he’s had), then a little fib isn’t so bad, is it?
After all, if he were the one in need of something like this, he’d be grateful for his brothers’ help however they did it.
Of course, when he sees the look this girl gives Karamatsu, a look like the kind a baby gives after licking a lemon for the first time, Totty can’t help but wince. This isn’t off to a great start. He lingers by the counter, greeting Sacchi and Aida, trying not to look as if he’s watching his big brother’s date.
“Aren’t you off today, Totty?” Sacchi hums as she turns to start making a drink.
He nods. “Yeah, well, I can’t stay away, I guess, haha.”
Aida jerks her head toward the table where Karamatsu and his date are. “That’s one of your brothers, right? Still as painful as ever,” she teases. “Is he… oh, my God, he’s on a date??”
“Shhhh, shh!” Totty waves his hands a little, hoping to get his friends to quiet down a little. The last thing Karamatsu needs is to be drawing attention. “He thinks I tagged along to talk to you guys about my schedule. But, yes, he’s here on a date.”
Sacchi finishes serving her customer, one of the few in the shop at the moment, and then leans against the counter to look over. “Aw, good for him. He’s not either of our types, but he deserves a shot with someone who’s interested.”
He lets out a soft sigh. “Agreed there. I kind of just wanna keep an eye on him, you know? To make sure he doesn’t mess it up too much. He should have let me pick his outfit, ugh… that aside, he’s doing okay so far, though, I think.”
Aida frowns as she slides a cup of coffee toward her coworker. “Um, I hate to burst your bubble, but he’s got his work cut out for him. I’ve been to some mixers with that girl, and she always finds something wrong with every guy she hangs out with.”
“She’s right,” Sacchi adds. “Good thing you came along so you can carry him home, ‘cause that girl’s gonna tear him to pieces. I mean, she went out with Atsushi and the next day he was in here crying and telling me she made him feel two inches tall. Nobody’s good enough for her.”
Aida clicks her tongue. “Your big brother’s in big trouble, Totty.”
It’s Totty’s turn to frown as he looks toward Karamatsu. Unfortunately, Sutabaa is so small and he’s close enough that he doesn’t have to strain too much to hear what’s being said.
The woman is laughing. However… Karamatsu hasn’t even really opened his mouth yet. “Oh, my God! You’re my date, huh? Last time I let my sister set me up. That bitch, haha. Ah, well… wow, your jacket is hurting my eyes. Could you take it off?”
Karamatsu seems to be trying his best to smile. “O-oh, yes, of course.” He moves to tug it off, folding it over the back of his chair. “Please forgive me. Anyway, my name is Karamatsu. And you, my angel?”
“Ahaha, WHAT?” The woman raises an eyebrow at him. “C’mon, dude. Don’t call me that. I’m nobody’s angel.”
Totty feels himself starting to steam. You’ve got that right.
“A-ah… right, my apologies.” Karamatsu just keeps smiling. The expression on his face reads almost like he’s in pain. “Well, should we order?”
She gives a cursory glance toward the menu, then suddenly her eyes are drawn to Karamatsu again. “Oh, my God, hold on… is… is that your face on your shirt?! Holy shit! Are you really that full of yourself?”
Totty’s heart sinks as his brother’s cheeks flush bright red. This is not going well. And while, yes, Karamatsu probably should have picked a different shirt, what’s really wrong with what he’s wearing? Even though he’s a little over-the-top and dramatic, this woman can’t know whether or not he’s ‘full of himself’ when she’s barely letting him get a word in.
Totty is the most socially intelligent of his brothers, and even he doesn’t think Karamatsu’s actually doing anything wrong. He hasn’t drawn anyone else’s attention like he usually does, he hasn’t gone overboard with any poses, and he’s… kind of just being himself, slightly toned down. It’s not like he’s bragging or being a jerk. Hell, it’s just a strange fashion choice; how the hell does she think it has any bearing on what he’s like as a person?
“Damn,” Sacchi cringes. “She’s not wasting any time, is she?”
Aida gives a pout toward her friends. “He didn’t even do anything wrong yet. He’s been a perfect gentleman.”
“Yeah, he’s just a little odd and, like, a tiny bit painful. But he’s acting really nice and polite.” Sacchi sighs as she props her head up on her hand. “There’s no pleasing some people. Aida, why don’t you go take their order? Maybe you can accidentally spill it on that pretentious top of hers when you bring it to them.”
“Pfff, if only. I’m on it, though.”
Totty continues to fume as he watches his poor brother try to impress this girl, pretty much in vain. He gets the feeling that nothing Karamatsu says or does is going to be good enough. For some reason, that really pisses him off. Despite the fact that Karamatsu can be a bit much, that he’s overcompensating for being insecure on the inside, that everyone rolls their eyes at him… Karamatsu isn’t a bad guy. He tries hard to make other people happy and treats them with respect. Even his brothers who don’t always return the favor.
By the point Sacchi and Aida are finished making their order, the youngest is ready to explode at this woman. She never even told Karamatsu her name, but she’s spent the whole time talking him down. When she asked what he did ‘besides be super excruciating’, and he told her he didn’t really have a job, she laughed at him. He tried to save it by saying he occasionally played guitar at coffee shops, and she responded something along the lines of, “What kind of hipster loser does that these days??”
Listening to it just makes him so angry. She doesn’t think Karamatsu is attractive, she’s called him embarrassing more than once, and no matter what he does or says, she’s not happy with it. Why the fuck did she even bother going out with him, then?
Totty was worried that Karamatsu was going to screw this up; so far he’s actually managed to be a decent date. He wasn’t prepared for his brother’s date to be the shitty one.
Sacchi brings him a simple iced coffee while Aida returns with the serving tray, a fake smile on her face from laughing uncomfortably at one of the woman’s comments. “God, she’s exhausting.”
“I don’t even know her and I can’t stand her,” Totty mutterrs before taking a sip of his drink. “Why the hell is she treating him like that? He’s just… being himself!”
Being himself. Karamatsu’s really not doing anything wrong. He’s trying to talk himself up when this woman gives him a chance to, but who doesn’t talk themself up on a first date? He just wants to impress her.
It makes Totty feel a little guilty to realize that, honestly, all Karamatsu really wants is to impress everyone because he wants people to like him… including his brothers. If Karamatsu feels the need to seek love and acceptance from strangers like this girl, to the point that he’s willing to put up with the horrible way she’s treating him, what does that say about his brothers? It’s not the first time he’s sucked it up and dealt with something he shouldn’t have from someone just because he wants that person to love him.
His attention is drawn by the woman giggling a little too loudly. “Fuck, you wanna go out with me again? I mean, how do you think this is going? I’m two seconds away from sneaking out the bathroom window. You’re so obnoxious, you dress like an edgy middle schooler, and who wears sunglasses inside, especially when it’s raining outside? You’re, like, cringe incarnate.”
Completely contradicting every statement she made, she slid her hand across the table to take his, if only for a brief moment. The wicked look in her eyes, more sadistic than even Ichimatsu, made Totty’s stomach twist in anger. “I might keep you around, though. You seem like a guy who’d keep me laughing for a while. Maybe next time I’ll take you out with my friends so everyone can laugh at you.”
Oh, that’s it.
He doesn’t know if Karamatsu is oblivious to what she means because he’s blinded and deafened by the promise of another date, or if he knows exactly what she means but perhaps thinks it’s worth it. His eyes light up… and behind that hopeful spark is the pain she’s already put him through.
Baby of the bunch though he is, Totty isn’t going to sit around and twiddle his thumbs while some bitch takes advantage of his big brother.
“Oh, that is sooooo not happening!” he calls as he approaches the table. Although he feels a little bad about just stepping in like this, he’s not gonna let her get away with treating Karamatsu like that. Laughing at him herself was bad enough; parading him in front of her friends for all of them to laugh at him when there’s nothing wrong with Karamatsu isn’t gonna happen if Totty has something to say about it.
The woman gives him an unimpressed look. “Who the fuck are you?”
“T-Totty!!” Karamatsu,  on the other hand, looks immediately panicked. “I can handle this… please, go back and fix your schedule, and I’ll meet you at home.”
“Wait, you work here?” She tilts her head at him. “Oh, shit, hold up. You’re the asshole who messed up my drink last time I was here.” Her gaze flits between the two of them, and she laughs again.
“― Oh, my God! You had to bring your twin brother along to come on a date? You’re pathetic!” Her hand pulls away from Karamatsu’s. “Oh, you’re definitely coming out with me and my friends.”
Totty hisses and pushes her hand away from Karamatsu’s. He steps in front of his big brother to physically block this woman from him. “Keep your hands off him! You’re not taking him anywhere. He’s never seeing you again, because you treated him like… like, fuck, I wouldn’t treat a rock the way you treated him!”
He hears Karamatsu make a noise of almost-protest behind him; he can just imagine the other man sinking down in his seat and trying to hide his face. “Totty, please…”
“No! No, she doesn’t get to just treat you like dirt, Karamatsu-nii-san! You think my brother’s just some kind of dumbass you can show off to your friends and laugh at and treat him like crap?!” he snarls. “Well, guess what? He may be sort of a dumbass sometimes, and maybe he’s a little painful, and maybe he’s not the perfect guy you’re looking for! But he’s a whole hell of a better person than you are!”
Although Totty could kick himself for not saying anything to Karamatsu before, it might be best it’s coming out now. He doesn’t have a lot of time to really think about it or pretend or rehearse. What he’s saying isn’t practiced, it’s real. “Karamatsu is the kindest person I know, and you wish you had at least half the passion he does for the things he likes! Who cares that he wears a shirt with his own face on it? He was bending over backwards to make you happy, even though everything out of your mouth was word barf about how embarrassing he is! And, by the way, you’re wrong!”
It only takes half a step for him to reach over to grab his coffee from the counter, assisted by Aida who’s smirking as she holds it out for him. “If my choice was between you or him, I’d be way less embarrassed to be seen in public with him than with you! He’s not perfect, but he cares about people, and he’s always there when you need him, and ― and all this stuff you think is embarrassing, who the hell gives a shit?! It’s what he wants to do and it’s not hurting anyone! I’d break my phone before I let my big brother go out with someone like you again! Maybe he keeps striking out with dates, but he’s never going to be that desperate!”
He feels a little bad about what he’s about to do. That feeling is mitigated by the fact that at least his coffee isn’t hot.
“And, you know, I actually am sorry about messing up your drink last time. So here, you can have mine!” Almost before he’s finished speaking, he’s dumped his entire cup over her head.
He doesn’t stick around to deal with the aftermath aside from seeing the look of abject horror on the woman’s face as the coffee makes her bad mascara drip. And even though there’s a little bit of guilt over the fact that he’s leaving his coworkers to deal with her, the fact that Sacchi and Aida are cackling while they gather up napkins eases his mind.
He grabs Karamatsu by the hand and leads him out, tossing his coffee cup on the way. There’s not much choice on Karamatsu’s part, except he doesn’t particularly look as if he minds that.
“You didn’t… have to do that, Totty,” Karamatsu mumbles. When Totty glances over, the second eldest looks more tired than anything. He knows that look; the exhaustion of something not working out, of thinking you had a chance only for it to all go up in smoke.
Totty huffs, marching the two of them in the direction that leads back home. “Of course I did! You weren’t going to do it, so someone had to. God… you’ve gotta stop letting people walk all over you, Karamatsu-nii-chan.”
The shift to the more affectionate honorific suggests to Karamatsu that this is really, truly something Totty cares about. He squeezes his baby brother’s hand with a thoughtful hum. “… If that’s the case, perhaps a romance for me just isn’t in the cards. I… really thought it was going to go somewhere this time.”
At last Totty slows slightly, from an aggressive pace to something a little calmer. He’s still pissed off that someone treated Karamatsu like that, and although he’s a bit upset that Karamatsu sit there and let it happen, he knows what it’s like to want people to like you so much that you’ll put up with nearly anything.
However, that’s also the reason he doesn’t want Karamatsu just putting up with it. He deserves so much better than to have people treat him like dirt. It’s not right to do that to anybody, but… especially not to Totty’s big brother.
“I’m sorry I kind of… tapped into Murder Totty in there,” he sighs. “Did I go overboard?”
Karamatsu shrugs. “Maybe a little. But I wasn’t truly enjoying myself and I didn’t want to go on another date with her. I just… didn’t know how to tell her no. I suppose I really am lucky you were there, too.”
Silence falls between them while they walk, then after a moment, Karamatsu clears his throat. “Totty… did you… mean all those things?”
“Huh? All what things?”
“Those things, you know… you said I was… kind and passionate and reliable.” He lets out a soft laugh. “You… you said you’d rather break your phone than let me go out with her again.”
… Oh. He. Did say that, didn’t he?
He pouts a bit, then squeezes Karamatsu’s hand. “Yeah, I meant it. Of course I meant it.”
Beat.
“But as much as I love you, I’m just glad I don’t have to do that.”
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ak8shi · 4 years
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FWB HQ Boys: In which you beat the player at his own game!
warnings: Time skip spoilers, mentions of sex(all characters are 18+), stupid people in love
a/n: I love one(1) libra man!! I love Atsumu’s character and the way he’s developed in hq and I think that this is a very probable way in which he finds love !! thank you all so much for loving the first installment so much <3 I-I went a little overboard with this one but ,, xoxo Chlo
━Miya Atsumu
Let’s start with a little background; I think we can all agree Atsumu is and always has been popular with the ladies
…But that doesn’t necessarily mean the ladies are popular with him LMAO
He’s truly the emotionally unavailable heartbreaker and he built himself quite a reputation without even knowing it
This dude doesn’t even really fuck around with girls, maybe a few meaningless flings his senior year but besides that, he only has eyes for one lady and her name begins with the letter V and ends with ball
LET’S GO
So you’ve known Atsumu for years unfortunately,,, and you surely know about how he treats the girls that approach him with confessions and boxes of chocolates
You don’t approve of it at all, but your family is practically family with the Miya’s and you’ve literally spent every major holiday with them since you can remember
You: Atsumu would it kill you to show some respect towards these women
Atsumu: If she breathes, she’s a thot
….smh… a fucking mess someone please put him in his place
However your mom was always happy that you could be around the twins since you were an only child, and she loved the idea of you having two brothers who would protect you from the evils of college men little did she know,,
You hate to admit it and we hate to see it, but you started to develop a crush on him your freshman year of high school.. you suppose it was because you spent so much time with him and you saw parts of him that a lot of people didn’t get to see I mean you also saw him with his jersey on and off pretty often how could you resist
For example, every Halloween you had a sleep-over tradition where you watched horror films after trick-or-treating and Atsumu was scared SHITLESS every year, I’m talking ripping your favorite blanket off you and burying his face in it to block out the movie, he would threaten you and Osamu about telling people at school about it
Him, a 17 year old teen standing in your doorway at 3:40 am: c-can I sleep on yer floor I LOVE HIM SKAKAKAJSW
You, filming him and sending it to Suna on snap: sure Atsumu <3
You found yourself entranced when he automatically gave you his school cardigan on the walks home from school when it was cold or raining, and completely enraptured by his cute little accent
Atsumu: did ya know yer a fuckin’ idiot bimbo stupid butt crack for not bringin’ yer jacket
Atsumu: yer lucky I’m a gentleman
You: ...
Osamu: god…..
It was naïve to think he would ever reciprocate feelings especially with his entire life being his volleyball career, and you convinced yourself it was a tiny high school crush and eventually you managed to repress it
Too much was on the line; you didn’t want to make both of your families awkward, and you needed to focus on your studies as one of the top students at Inarizaki yes ma’am
Besides you loved him like family right ???
RIGHT ???
The twins are a year older than you, and Atsumu had just signed to play professionally for MSBY!!
You at his official signing: wow, looks like you don’t have to resort to living on the streets after all
Him: yeah ❤️
You kind of forgot about how you felt about him since you weren’t seeing either of the twins consistently anymore with how busy both of you were; you stayed in contact, but nothing really serious
It was weird because you were still in high school while the boys were experiencing college and doing their own thing… you drifted apart honestly and you felt a bit awkward talking to them sometimes, you felt like you were bothering them Atsumu would probably tease you and say that you were
Another year passed and you were heading to college! You are living your best life, meeting new people, and then you got the text from your mom that you were doing Thanksgiving with the Miya’s,, you weren’t sure if that meant you would be seeing both twins but something about the possibility of seeing Atsumu again made something stir in your chest
Fall break hit and you found out both the twins and you were back at home since Atsumu also had a rare break from training and his regular professional season
You were helping Osamu out at his shop, since it was his first time dealing with the overflow of Thanksgiving season as a new business owner
You’re helping close the shop, when you hear the door jingle; you turn to say a polite “sorry we’re closed for the day,” but you’re met with what seems like a new and improved and muscular Atsumu OH NO
He looks amazing and so much older than you remember??? And he’s thinking the same thing about you!!! Like wow she’s changed a lot since she started college, I’ve missed a lot apparently ??
You immediately fall into his arms, inhaling his familiar scent, Osamu rolling his eyes at the two of you and telling you to get lost before he yaks
You leave the shop with Atsumu, inviting him to your house; as you enter, you catch your mom leaving to pick up some last-minute groceries for the Thanksgiving meal
She’s acts way happier to see Atsumu than she acted when you came home LMAO later she doesn’t shut up about how handsome and manly he’s become, but you just pull him away to your room and lock your door behind you
He goes to sit on your flower-patterned comforter from your childhood, newly washed thanks to your mother
Atsumu: so…. what’s up with you..?
You can’t control the churning of your stomach all of a sudden; you can’t remember him ever looking at you this way, like he’s looking at a woman
The feelings come rushing back, and literally all you can think about is kissing him
You lean back on your dresser in front of the bed, and a wave of need to express yourself washes over you,
“Atsumu, I missed you.”
You don’t even know what’s happening until you’re trapped in between Atsumu and the door, his mouth gently pressed against yours, his warm hands caressing your hips
He asks if this is okay, and all you can do is moan back a yes in response
Let’s just say your mom might need to clean your comforter again lmaoo
It’s complicated and you’re both kinda confused after… like no one admitted that they had feelings for the other and its not like either of you can just disappear from the other’s life like a random hook-up
BUT BOTH OF YOU ARE TOO STUPID AND STUBBORN TO REALIZE YOU LIKE EACH OTHER AND WANT A RELATIONSHIP I-
Like he’s literally cuddling you and kissing you and asking you about college in your childhood bedroom naked what
And it ISN’T uncomfortable at all
It feels so right to be in his arms, and you’re in disbelief about what happened??? What even like how have you gone all this time without doing anything honestly
You suddenly hear your dad pull into the garage, and you’re both up and putting your clothes on as fast as possible
It’s embarrassing when you look back on it, how long the hook-ups went on, but this was a common occurrence whenever the two of you were home
It was basically like you were dating and doing long-distance without the label
IT WENT ON FOR ALMOST A YEAR 🤡
Osamu during next year’s Thanksgiving meal: I think we should go around the table and say what we’re thankful for, I’ll go first. I’m thankful that two people at this table are getting laid despite the fact that I’m not 😊
Your parents:
Atsumu, in many ways, is oblivious to what his feelings mean after not really being in any real relationships and blocking out all the girls during high school,
He would find himself texting you after each of his matches, hoping you had watched him and his heart would flutter when you complimented him on his sets
Atsumu on the phone with you: yeah I’m just chillin’ with the boys rn 😏
Sakusa: get the fuck off my bed and get off the phone with your girlfriend so I can sleep
Atsumu: she’s not my girlfr-
Sakusa, talking loud enough for you to hear: I literally don’t care but don’t you have her picture saved as your lockscreen?
He tried to hook-up with someone when he was away playing a tournament in the summer, but it wasn’t the same and it was only good if he imagined it was you
He never did it again and before coming home for Christmas, he called Osamu to finally ask him what to do
Osamu: about time you meathead
Osamu literally spells it out to this man; he has been and is in love with you and he needs to do something about it asap before someone else snatched you away
Atsumu: why didn’t ya just say somethin’ ? Ya know I’m not good at these typa things !
I can’t he’s something else
So it’s Christmas, and he asks if you would want to go see the town square’s Christmas lights with him
Of course you say yes, you’re just really excited to finally see him after so long !!
Atsumu with rosy cheeks ugh spare me
He picks you up and greets you with a kiss to your temple, and he has a little gift baggie with him; he hands it to you to open and you pull out his old school cardigan
“I-I thought maybe you would want it since ya always stole it from me in high school, and since I’m half-way ‘round the world most of the time”
It smells just like him, you thank him with a kiss to his cheek and you tuck it away in your bedroom before leaving hand-in hand to see the colorful lights dazzling in the night sky
You talked to Osamu about your relationship with his brother and you want Atsumu to make a move honestly; you want to be sure he wants this since you’ve literally liked him since high school
You’re not sure what you are expecting, but when Atsumu has you in his arms, your back against his chest and his chin on your shoulder as you watch the Christmas carolers, you don’t expect him to whisper into your ear,
“hey, will ya be my girl?”
You turn around to give him a surprised look, his hand bringing yours to his mouth to plant a soft kiss on your knuckles this is his favorite place to kiss fight me
After getting over your dream-like shock, you say yes and pull him into a kiss
I’m crying he tells you afterwards that you were his girl since the first time he met you, we’ll let him have this one because did he really know until like a week ago? no
Whew, all of your friends and family let out a relieved sigh when they hear the news LMAO
Suna, hearing about Atsumu finally making it official: thank god I was about to start blackmailing him with those Halloween videos
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dreamsmp-au-ideas · 4 years
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Once again I am bored and putting off updating so I’m coming at y'all with a brand new au idea. 
Blood God Deo.
The idea of Tommy accidentally befriending gods is hilarious to me for some reason, especially a Tommy who starts out as just some random kid. He has two reflexes whenever he meets a god, friend or fight. So far only Josh and Dream have both triggered the fight reflex.
Deo isn’t particularly open about being the Blood God. He doesn’t even particularly enjoy the job. Sure, he’s ferocious in a battle, but he holds back a lot and he’s no where near as blood thirsty as half of his Acolytes. The voices acting how they do wasn’t even his idea, it was actually a curse from another God placed onto all of his followers. The Original Chat was designed to essentially be a helper. They would help moderate the bloodlust of his followers (who were renown for loosing pieces of themselves to the slaughter) and in addition they’d know things that his followers wouldn’t like the position of enemies and special details about weapons and armor like durability or quality. Original Chat was able to see everything going on around the Acolyte and offer advice in case the Acolyte lost one of their senses or something else happened.
Deo stopped blessing people after Chat was corrupted (probably by Dream. I don’t think Dream should be a Chaos god like a lot of people decide he should be. He should rule over something like Control, Manipulation, or Betrayal, it makes more sense with his current character arc.) Deo starts only blessing people who have enough sense of strength, morality, and self to actually ignore Corrupted Chat, though sometimes if Deo interacts with someone they can become accidentally blessed without him even knowing (read as Techno). Deo kind of closes himself off at some point, hiding himself away on hypixel.
Then he meets Tommy. This little brat who manages to all but force his way into Deo’s good graces and eventually a role of friendship. The first friend Deo’s had in centuries if not longer. Gods have two marks they can give to people. Marks they actively or subconsciously give to their Acolytes and marks that they only subconsciously give to people they care about and want to protect. Their friends. Tommy gets the later and neither notice since the powers associated with the later don’t make themselves readily apparently unlike with a typical Acolyte. (Spoilers, Tommy gets a version of Original Chat that he doesn’t realize is there because Original Chat is way easier to block out and shut up than Corrupted Chat. Still annoying and playful while the marked actually pays attention to it but nowhere near as bad as Techno’s chat. I’m thinking that Tommy probably doesn’t even realize they’re there till exile when he’s so desperate for anything to speak with he’d even settle for talking to himself and accidentally opens the door for Chat.)
I’m thinking that maybe we can make the rest of Business Bay(Wisp Included) + Clara, Clementine, and maybe even Boffy into gods that Tommy accidentally befriended along the way. I don’t have any idea what kind of gods Bitzel or Luke should be but I like the idea of Wisp having something to do with death, rebirth, and second chances. Boffy has to have some kind of link with lightning and destruction because it’s Boffy and we all know what he’s done with that blaze rod. Clara is obviously the god of space and the void. Clementine I actually had a really cool idea for. She’s a flaming moth god and one of the two gods who holds the most control of the nether (Deo being the other.) Clara is the main god of the end and the overworld is in a constant state of fluxing control since there are significantly more gods who want to be associated with rulership of it. Very few gods want control over the void so few challenge Clara and the few who do leave terrified. There are a couple war gods who live in the nether but since Deo and Clementine work together nothing can really overthrow them. Dream is younger than the group of gods associated with Tommy but older than a lot of other gods. He’s working his way up to control of the overworld but that currently still belongs to an unknown gods simply named Prime who never shows itself.
And of course because it’s my brand, at one point all of the gods became so worried over the idea of Tommy dying they made him a phoenix. That way he wouldn’t die unless he chose to, decides he’s ready for his next life. They were still worried though. Sure they were Tommy’s friends, but he had other friends and family that he’d lose being immortal. They realized that one day he’d eventually chose to make his current life the last one. None of them could handle the thought though, they didn’t want to loose him. So then they went the extra mile to ensure that Tommy’s soul would always be semi bound to them and he’d be a phoenix in all of his reincarnations (with the ability to access the memories of his prior reincarnation if and only if he so chooses, which he usually does when he crosses paths with his god friends again). The important thing to remember is that they know Tommy doesn’t “belong” to them. He isn’t a pet, isn’t theirs, he belongs to himself alone. The bond isn’t an ownership thing. It’s more akin to a divine version of Tubbo and Tommy’s compasses. It’s just a way for him to always find his way back to them and vice versa. 
Speaking of which, at one point the gods gave him the ability to do something similar. Marking the souls of people he became specifically fond of so he could find them in future lifetimes. So far Tommy has only done this to four people. Techno, Phil, Wilbur, and obviously Tubbo. Tubbo was the first, that was a bond that was made in Tommy’s very first lifetime and the reason the other gods gave him the power in the first place. Techno, Phil, and Wilbur were all done in one go during the Antarctic Empire era because he decided he just really liked this family and would love to be apart of it again some day. Tubbo is someone he always remembers in every lifetime without fail and seeks out regardless. The kids are platonic soulmates, fight me.
Okay. This is evolving way past Blood God Deo. But dang it, we’re rolling with it. 
Maybe each SMP/server is a different reincarnation of Tommy. That’s also why the sbi family dynamic is murky. Phil and Techno are immortals, not gods or even phoenixes per se but they can’t died under normal circumstances. Wilbur and presumably Tommy in their eyes were not. During the Antarctic Empire era it was easy to tell that Wilbur hadn’t inherited the same immortality that his twin brother had from their father. They couldn’t tell when Tommy was born and it was a deeply ingrained part of his nature to hide his phoenix traits, so eventually they just assumed he wasn’t. Wilbur and Tommy eventually started their own countries (Tommy recruiting three other gods to help him kill god) and both eventually passed away while Techno and Phil continued on. Technically, the death of Wilbur and Tommy is what slowly started turning Techno from emperor to Anarchist. He blamed the countries his brothers ran both for killing them as well as shortening the amount of time he had with them.
Phil later adopted Tommy and Wilbur during the current Dream SMP because both were orphans and reminded Phil a startling degree of the first Tommy and Wilbur (hence why he even named them after the two.) Techno refused the dynamic because he was bitter over the fact that Phil was trying to “replace his brothers”.
Wilbur is a rare case where he reincarnated almost just the same and has some scant memories of his life as a prince of the Antarctic Empire. Tommy early on decided to recover all of his memories associated with his Antarctic family and treats Techno and Phil as such. Techno continued to reject “new” Tommy and “new” Wilbur as members of his family which caused a lot tension. Phil kept trying to repair his relationship with Techno while raising Wilbur and Tommy but Techno kept making him feel bad which led to the whole “Techno is the favorite situation”. Since Tommy decided to recover his memories he kind of gets why Techno feels the way he does but is also bitter since he is Techno’s Tommy, he just doesn’t know how to put that into words. It’s made worse by Corrupted Chat which being a creation of Dream that is actively trying to pin Tommy and Techno against one another. Lotta room in this AU for sbi hurt comfort. Don’t worry, eventually there’s a reveal. It just takes a while since Tommy has to be the one to do it or Dream has to out him as a phoenix first.
Maybe the whole Ghostbur situation is because as a phoenix Tommy has some control over the people around him who die. He can return lost lives using his feathers and considering the nature of the gods who adore him he can bring people back from the dead. Unfortunately Dream intercepted this and we got Ghostbur. Maybe later down the road as a plot point, Ghostbur existing somewhere between death and life could have access the memories locked in the deeper part of his soul that are associated with his past lives (as well as the Antarctic Empire) and he could be the one to do the reveal.
Then Dream goes overboard at some point (maybe he threatens to chop off Tommy’s wings or hurt one of his family members) and suddenly we end up with Protective God Deo kicking down Dream’s door.
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bl-garbage · 4 years
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to dance is to unshackle
um, okay—how else do i express this buoyant happiness that Gaya sa Pelikula has awoken inside me? i’m in complete and utter awe. i did not expect a drop of what the sixth episode has brought us. more than satisfying, it’s utterly fascinating. this is quite a lengthy post, but if you have the time, please bear with me. and since we’re already here, let’s fucking dissect the shit out of this:
right off the bat, it’s sweet how consistently written Vlad was the entire time of the show. at the start of the episode, for one, he was concerned with Karl’s disposition, saying, “anong iniisip mo (what are you thinking)?” and, later on, as we know, he pops that question again in this episode. what are you thinking? always in limbo. true, it’s considerate, yet more than that, it’s always a sign of waiting for permission. Vlad has been like this since the beginning: observant and willing to reach out, confident on the surface, yes, but always afraid of going overboard. 
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that is not to say that Karl isn’t. in fact, the whole dynamics of their relationship rest on the fact that they can lean on each other and just be honest. many moments show this: Karl’s desire to shift; Vlad not getting  into the film lab and Karl knowing something was up; the entirety of Vlad’s birthday; Karl and Vlad’s reticence to open up to Anna, in contrast with how comfortable they feel with each other. in a nutshell, they’re each other’s homes. more on this later.
the part i was most frightened at with this episode was when Karl finally told his parents his desire to shift. to be honest, personally, i wouldn’t know exactly how that pressure on Karl feels, as i was able to study the degree i wanted. yet, back then, i had already known that my parents, who wholly supported me just the same, would have wanted a degree that leaned on science or engineering. that still sucked to know. Karl’s situation is much more complicated. his desire to shift to another course is to make up for lost time, a sense of hurrying before it really becomes all too late. this was a heavy lot to take in. the disappointment and anger in his father’s face when he dropped the bomb was too much to handle. Karl had expected it, yet its impact still hurled shrapnel that he was not able to dodge, sustaining him with several wounds. it would be curious to see how his parents come to terms with his confession. i am certain that a number of people have connected with Karl here.
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which brings me to another point. Gaya sa Pelikula creates these characters with their own agency. it’s touted as a BL series, yes, but our two main characters’ point is actually not to fall in love — but to live, part of which is to fall in love. they have their hopes and dreams and own burdens to carry, and while falling in love takes centerstage here, we see how they can stand alone, on their own two feet. falling in love is central to their growth, but it is evident that love is not the whole point of their existence. 
speaking of which: ate judit. ah, yes, where do i even begin to explain the exquisiteness with which ate judit was written? how, after all of five episodes, it was only now did it make sense why judit was overly, unnaturally caring and protective, a mama bear that would not let anything happen to his little Vlad. now we know why: guilt.  
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imagine that. being told you were the reason why your whole family went into shambles. there is much vindication in Vlad’s line of questioning, “why would you say that to a child?” (god, i’m tearing up even as i write this.) this was a pivotal scene, with a focal point on judit, the likes of whom we cannot entirely fault for not knowing any better. the fact remains that we are still in an era that fails to understand the spectrum of gender identities and the far utopia that we seek, where gender and sex would not be a damning classification anymore. and for true allies, it is in admitting that they “didn’t know then what [they] know now” that their support gains more strength. it is in confessing where they got wrong, how harmful their actions were, and in the commitment to do more, that their promise is made good.
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parenthetically, can we talk about Vlad’s mom as well? have you all noticed how her voice broke when she said, “siguraduhin mong hindi ka na itatanggi niyan, ha (just make sure he won’t deny you, okay)?” was that pain, or guilt even? i wonder if we’re ever going to see her. it would be a regret not to. for so long Vlad had thought that he was the reason his father left, and that his mother was mad at his queerness. i wouldn’t want this simple call to be the resolution that the show had for him. at any rate, we have two more episodes to await, so i am not going to strike my gavel on this judgment just yet.
but whereas Vlad found his longtime coming reconciliation with his sister, Karl had no one to turn to. his call to Vlad was a cry for help. it was heartbreaking to see him like this. Karl had always put up a fake smile against any adversity that had come his way. to him, these were trivial matters that would pass, and they did so — until now. after all he was, as we would later come to know, living a script that had been prewritten before he even came to being. that explains his nonchalant demeanor toward life, the seeming discontent behind those dead eyes, and a repeated hinting that he was always yearning for so much more. at the end of the call, Karl instinctively goes to the closet - and his proverbial closet - and sees the skeletons he had hidden inside, drop in a mess. 
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that it was Karl’s brother who was in the photo shook me. that past was so well thought out. things made so much sense in this episode: why Karl tried to fit in, why everything seemed so fake. why he was so discomforting to watch, even! that made sense now.  
and what do you do when everything has become a mess? the once seamless film that had been rolling without any glitches now sprawled on the floor, entangled in a hodgepodge well beyond fixing. when that happens, what do you do? well, you dance.
i have so many things to say about faux masculinity. it is a fact undisputed that in this society, gender roles are still very much pillars that we have yet to dismantle. our genders have been geared toward performativity, and our consolation is the external validation we receive through the acts of fitting in. in the process, we lose sight of what we really want. we blur the lines between what is and what should be, in favor of what society has demanded upon us. Karl took that role and lived by it religiously. yet, those things has gone haywire in this episode. more than his parents, it was to himself that Karl has finally admitted that the act can be dropped now: the fixed posture, those rehearsed lines, that painfully faux masculinity, on guard all the fucking time. all of those things were dropped.
that is not to say that Karl was faking all of it. there is no denying that Karl has been a masculine person most of the time. but the show portrayed before us a discarded femininity that Karl had been trying to bury deep inside him — one that all people who have been and who are still in the closet know by heart. the thing is, all of us have masculine and feminine sides, the expression of which vary at different levels in different situations. sadly, we have been preconditioned to believe that male persons must be masculine, and female persons must be feminine. Gaya sa Pelikula acknowledges this hegemony, and then throws it away all the same. true, Karl may very well be comfortable in his masculine expression, but his femininity must also be allowed to grow. one cannot be complete without embracing the entirety of who they are. many have died — been killed — for simply living who they are. society has long been a vicious environment. but people have also long fought for their fundamental right to perform these things, and through them, we know that things can change. that things are changing.
it is against this context that imprints more meaning, more gravity to when we finally, finally see Karl dance. in every sense, his dance was the show’s climax for me. it is, quite emphatically, freedom incarnate.
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when i say i fucking bawled at this scene, you best believe it.
quite important to note: when Karl sees Vlad, he stopped abruptly, only for Vlad to signal to him, in an OK sign, that what he was doing was perfectly fine. that Karl could be effeminate all he wants, and who the hell in this earth should care? this allowance has given Karl all the needed validation he will ever need, at least, for that one night where they could bare it all. it was only the two of them, but the house has never been more crowded, because their feelings have seemingly exploded and have been overflowing in a glorious climax for all of us to witness. in this scene, Karl has unshackled the chains with which he had been bound all that time, and it was Vlad who helped him finally break the last of those chains. in this moment, there was only pure bliss.
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(that the song playing here was Ride Home by ben&ben is the perfect giveaway. for non-Filipino readers who have only listened to ben&ben now, check this band out. it’s one of the best bands to have ever come out of the Philippine music industry.)
and, of course, in this waterfall of emotions, it is only perfect to time the moment of their first kiss. they have accepted each other, haven’t they? in a meaningful act (the gravity of which we will only realize in full later when Vlad tells the story of his dad), Karl rumpled Vlad’s hair, but only after Vlad had already consented to it. then, afterward, it was Vlad’s turn to ask, what are you thinking? to which Karl had this—and i know we all expected it, nevertheless—to say: i don’t want to think anymore. then they kissed.
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i swear to god. i only watched this for the 92432475781 time.
the denouement was so well put, too: now everything is put back into its own place. Karl’s brother. his death. his parents’ expectations. the substitution. Vlad’s father. his parents’ expectations. the horror of realizing one’s difference. the abandonment. in these stories, it becomes more and more permissible to believe that Karl and Vlad have easily found comfort in each other. to say that they are soulmates (as the creator, juan miguel severo, told on his twitter) is not an exaggeration.
and, make no mistake: Karl and Vlad did not find each other’s embraces out of pity. no. it would be unduly harsh to view them that way. rather, they found solace in each other’s embrace and warmth, but it is still they who will muster the courage to face their own demons. the only difference is, they now have each other to find some sort of release. they are not destructively dependent on each other; instead, they help each other grow into the versions of themselves that they can be proud of.
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finally, a couple of small things: look at the way Karl was inviting Vlad to lie in bed with him. that simple gesture harks us back to the early days of their dynamics: Vlad had expressed that it was okay to share a bed, but Karl was adamant that they do not. Karl had once dreamed of Vlad joining him there, and that scared him shitless. in contrast to that, now we have this: Karl himself inviting Vlad, and Vlad accepting for Karl’s wholehearted invitation. the moment this happened, there was a consummation of the expression of their love. if they had their doubts prior to this, those could not have been more obliterated now. 
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needless to say, i fucking, fucking loved this. as one who has only ever written three fanfics (2gether and History 2!), all of which seemingly related to sleeping (what the fuck, do i have a sleep fetish or something), this ending to episode 6 is just the cherry on top. 
their lines by the end particularly strike me. here we have Karl who wishes to create his own stories. on the other hand is Vlad who wishes that he be in charge of the endings, too. how do they do that? who knows? but the certainty that defines their pact is that they shall do it together, unbound and free to dance to the song they have chosen of their own accord. and that simple promise, made in each other’s tight embrace under artificially warm lights amid that early january weather, with no certainty at all of what tomorrow has to bring, has made all the difference. 
in 34 minutes, Gaya sa Pelikula has, yet again, done more than we could have ever expected.
i just checked and this reached 2k words. i’m not even gonna attempt to proofread this anymore. anyway, this is all i have to say for now. i just simply cannot let go of the best episode i’ve seen in this show without expressing my own reaction to it. 
(also: i’m thinking of writing a fanfic; that is, the morning after. just a one-shot, hopefully a cute one. as usual, an introspection of these characters, and what lies ahead. hope i actually get to write it!)
thank you so much, Gaya sa Pelikula. you are proof that things do change.
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eagles-translated · 3 years
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Analyzing the writing of Eagles
Here's a post I've been wanting to make for a while! I've expressed my thoughts on some of the storylines in previous posts, but I've never done a complete post on the writing of the whole show. I've divided this post into separate parts, focusing on each season and its plot points. Keep reading to see my analysis of the writing in Eagles! 👇 Word Count: 18k
If you've stumbled upon this post from the Young Royals or the Beartown tag (tagged them since I've drawn some parallels from those shows), here's a brief summary of what Eagles is, which you can watch with English subtitles here. This post contains Eagles spoilers from 1x01 - 3x10.
Eagles is a Swedish TV show that revolves around a few teenagers living in the Swedish ice hockey town Oskarshamn while experiencing friendship, love, and rivalry on the ice.
To start this off I would like to say that I have no experience with professional screenwriting and if anything, this is just a way for me to procrastinate on actually writing my own projects.
I love experiencing new stories and when I discover one I really like it's just natural for me to branch off with "what ifs" and to start wondering how the story would've turned out if some things were changed. Sometimes it's with a storyline improvement in mind, and other times it's just out of plain curiosity.
You might feel like this post is leaning towards the critical side, and I can definitely understand why since there are a lot of small details that I've picked apart from all seasons. I added a section for each season with things that I thought were really well done so this post wouldn't be too negative.
I actually did enjoy all seasons and I feel like the quality of not just the writing but every single thing has steadily increased each year.
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Season 1: Tropes and clichés
Eagles premiered its first season in 2019 and was, despite many negative reviews, a big success among its target audience. Every episode on SVT Play amassed around 700 000–800 000 views and there didn't seem to be any doubt that the show would get renewed.
What the critics had issues with were that "Eagles rarely takes the unexpected path, and feels like a slightly soulless product of studied target group thinking a little too often," (Karolina Fjellborg in Aftonbladet) and "In Eagles, the characters seem to be locked in the role of a "teenager" but the humanity is missing. They've simplified the construction of the character," (Django Lorentzson in MovieZine).
Eagles was unfortunate enough to constantly be compared to SKAM in its infancy, and that's a tough comparison to live up to. SVT sort of shot themselves in the foot as they were the ones who contributed to it. While the show was still in the casting process, SVT wrote an article hyping the show up as a Swedish SKAM (which has since been edited, but led many to falsely believe that it would involve all the familiar SKAM characters with some hockey elements sprinkled in).
So, why exactly did critics think the first three episodes of the show were predictable and soulless? Well, it's pretty simple. They'd seen it all before. The setting, the characters, the storylines—just in different TV shows and movies.
Season 1 for me is nostalgic and very enjoyable despite its clichéd nature. I also felt like I'd seen the show before due to its generic storylines, but there is a reason why tropes are tropes and why clichés are clichés. It's because they're tried and true, and actually somewhat good writing tools as long as you expand on them. The keyword here is to expand—a story doesn't magically become good simply because you mimic something another writer has done. Tropes are fine to use but you can't just apply them and stop there. Everything in a story needs to be developed in order to be good.
It's safe to say that it's pretty much impossible to write a story without any tropes that have been used before. Striving to avoid clichés at all costs in hopes of making your story as original as possible is harder than it sounds, and almost impossible to boot. Here's a great piece of advice for aspiring writers written by a user on Carvezine:
[...] if you look down at your story and are worried it’s already been told before – don’t spend another second thinking about it. It has. A million times. The only difference is that it hasn’t been told by you. Accept that regurgitation is part of writing, and just do your best not to regurgitate the same way as the guy next to you. We’d all do well to acknowledge there is at least a portion of our stories that are really someone else’s. [...] Beyond that, write with the motivation that if you don’t get around to telling your story, eventually somebody else will.
Even the greatest books have storylines with some clichés. And that's not really a bad thing, either. Think about it. How many times have you decided to binge a TV show solely because it reminded you of another series? Or picked up a book simply because you love a good enemies to lovers romance, a battle between good and evil fantasy, or whatever it might be?
I found this article from Masterclass that perfectly describes what tropes are and why they're used. It's written from the perspective of novel writing but it is still applicable.
A trope in literary terms is a plot device or character attribute that is used so commonly in the genre that it’s seen as commonplace or conventional. For example, a trope in superhero stories is a villain who wants to take over the world. Tropes are popular for a reason—if something has been written about over and over again, there’s a good chance that it’s something readers enjoy reading! Tropes can be helpful, but a novel made up only of tropes will quickly start to feel stale and predictable to readers. That’s why you need to read up on tropes—and then innovate. Deliberately taking a favorite trope and turning it on its head is a great way to put your own unique spin on the genre and keep your readers interested.
Eagles, in its first season, didn't really do a lot of expanding upon the tropes they used and it's understandable that they were still trying to find their footing. I can also imagine it's difficult to do so when you only have eight 20 minute episodes in the season.
However... There definitely should've been more work put into these characters to make them their own. It's tricky, yes, but still achievable if you don't abandon them in their cookie-cutter form and try to actually decorate them with something unique and fresh.
So, how did they write their characters?
Felicia's character and backstory
To start off, Felicia is a famous influencer known for starring in a reality show next to her former NHL professional father. There's already a clear disconnect because it's hard to relate to a character with such a public past and large following. But it is 100% possible if you let the viewer know the character has humane qualities just like the person watching the show.
Look at Wilhelm from Netflix's Young Royals, another Swedish TV show. Wilhelm is the prince of Sweden, set to attend a prestigious elite boarding school, and is the heir to the throne. That doesn't exactly sound like a relatable scenario, does it? And yet the writers make it work because when we're introduced to Wilhelm we realize he's just like everybody else. He wants a normal life, he latches on to his older brother for support, he has anxiety, and he struggles between following his heart versus doing what his family is expecting him to do. A lot of these factors are relatable among the audience.
So, let's look at Felicia Kroon. She is in many ways portrayed as the main character of the show. Eagles starts off with her family having moved to Oskarshamn and the following episodes focus on her developing relationship with Ludde as well as her traumatic past. There's almost too much focus on Felicia here, and I'll get back to that.
Comparing Felicia to Wilhelm from Young Royals, they're both well-known teenagers with famous parents. Of course they have different circumstances considering Felicia is Instagram popular and Wilhelm is a blood royal, but in the grand scheme of things they're similar. Felicia is even referred to as a "Kroon princess" because of her last name Kroon bearing a resemblance to the Swedish word kronprinsessa, meaning crown princess.
The students of their respective schools treat their attendance as a big deal when they first arrive and then Wilhelm and Felicia start spending time with the "popular" crowd despite not really fitting in there.
I personally found it easy to relate to Wilhelm but difficult to relate to Felicia. Some people may feel differently, but her character is basically a popular party girl who attracts the attention of one of the school's star players and is "welcomed" by the popular crowd on her first day of school. I put welcome in quotation marks because Klara, the leader of the girl group, isn't exactly the most welcoming person but she does welcome Felicia to the school. My point is, Felicia doesn't have a lot of relatable traits in the first episodes.
Felicia then goes on a date with the guy she's met, Ludde. Okay, so there haven't been that many layers to her character yet. We're at the third episode and so far she's been kind of flat.
Near the end of the third episode, we get some depth to the character and we hear her back story.
Felicia: [...] We don’t have a good relationship, my dad and I. And that’s probably why we moved from the beginning, because he’s an idiot. We’ve never been close, but… Elias and he have been since they’ve had hockey. [...] And mom has been really involved, so… And I… They’ve never really cared about me. And… And I haven’t really been a problem either. I’ve had good grades, good friends, and… I don’t know why I’m telling you this. I don’t talk about it to people. [...] I just felt so fucking lonely and invisible. I was worried all the time, couldn’t sleep, panicked because I couldn’t sleep… So I started going out more. It went overboard. It started affecting school, my grades slipped… I started taking things to be able to concentrate. Everybody does stuff like that. And then I still couldn’t sleep, so… I started mixing with sleeping pills. And there’s always wine and booze at our place. I don’t want this to come out, that’s really important. Ludde: Of course, I’d never tell. Felicia: One night, something happened that made me… Act out of control more than usual. I woke up the next morning in the hospital. So they sent me to rehab. It was really rough for mom and dad that I was suddenly in focus. When I woke up, dad wasn’t even there. Ludde: What made you take too much that night? Felicia: I’d forgotten my phone at home, so I ran up and got it while my friends were waiting in an Uber. Then I came into the hall and I heard noises. You know, like, when somebody is doing it. Ludde: Okay. Felicia: And I thought it was really weird because mom wasn’t home. So I went into the living room… Dad was fucking my mom’s best friend. On the rug below the couch.
This gives Felicia more layers and does separate her from every other "popular pretty party girl" trope that you see on TV. But this is a huge info dump, and that's a problem. I would've liked to see this happen on-screen instead of only being told what went down. The golden rule of Show don't tell, as people like to say.
Show, don’t tell is a writing technique in which story and characters are related through sensory details and actions rather than exposition. It fosters a style of writing that’s more immersive for the reader, allowing them to “be in the room” with the characters. In his most commonly repeated quote, Chekhov said, “Don’t tell me the moon is shining. Show me the glint of light on broken glass."
This back story could've been more impactful that way if, perhaps, the show began with Felicia in a hospital bed with a strong headache and hazy flashbacks of that night where she saw her dad sleeping with another woman. Then we're introduced to her mother and brother sitting next to the hospital bed tired and worried, and Felicia notices her dad isn't present. They tell her Felicia is being sent to rehab and then there's a time-jump before we see the Kroon family having moved to Oskarshamn.
That's just an idea I threw together at the top of my head, but you get my point. It would've been more interesting if we knew from the beginning that Felicia had a traumatic past like this, leading the viewer to want to know more about what actually happened.
We did get a brief flashback at the very beginning of the show—we see Felicia partying with her friends and taking some pill before lying unconscious on the ground. There's also a glimpse of Ludde's car accident with Andreas yelling at him to get out of there.
That segment only lasts for around 45 seconds and it's easily forgettable upon your first viewing of the show. It's also hard to even recognize Felicia in the dark nightclub setting with the flashing lights. Some dialogue in that short scene could've made it more memorable, because I found that when I first watched season 1 I remembered Andreas yelling at Ludde despite that being drowned out by the music.
Ludde's backstory was way more well-done, in my opinion. We see him having crashed the car and bleeding from his head. He looks terrified and almost frozen by fear, needing to be pulled out of the car by a panicked Andreas yelling at him to bring Ludde back to the reality of the situation. We see Andreas yelling and pointing, telling Ludde he needs to run now. It's more powerful when we get to see it.
And in episode 8, when we learn the truth of what happened, it's not a long and dragged-out monologue. It fits into what's going on in the story. Felicia and Ludde have known each other for a few months now and are much closer than they were on their first date. They've had disagreements and fights, but at this moment they're in a good place.
And it feels like the right moment for Ludde to come clean about what happened to him.
Ludde: Hey… There’s something I’ve been meaning to tell you. Felicia: What? Ludde: About… My brother. It’s not really as everybody thinks. Felicia: What do you mean? Ludde: That night when he crashed… It wasn’t Andreas who drove the car. We were on our way home from one of his buddies. We’d had some fun drinking. And then… I’d just started learning how to drive. So I nagged and nagged at him. Felicia: So you were the one driving? But he’s an adult- Ludde: He was drunk as hell. He was going to leave the car, but I thought it was so cold and it was only three blocks away so I thought that I could drive. Felicia: And what happened? Ludde: It was slippery and really dark… And a car came. I hit the brakes in time, but it… Yeah. Right after he pushed me out of the car and yelled that I should run home straight away. He really didn’t want me to get into trouble. So, yeah… It was fucking bad luck. I want to just gather everybody and scream that it was me. Felicia: Hey… I love you. Ludde: I love you too. I love you so fucking much.
As Ludde is telling Felicia what happened as the other car came, we see a silent flashback of it along with Ludde's voice narrating. We see Andreas pulling him out of the car and yelling. Cutting to this scene that we've already seen in the beginning but might've forgotten about is a smart choice and makes the story Ludde is telling more real. We see it unfolding as Ludde is telling this to Felicia. It's a powerful scene.
We then see Felicia hugging Ludde from behind, a sign of support with no words needed. She tells him she loves him and Ludde says it back. It's an honest and sweet moment that comes at a perfect time in the story. It's not too early like Felicia's backstory was.
I sort of understand why Felicia's backstory was info-dumped because it was right before the drama of Mats accidentally spilling the beans to Klara's family. They wanted the audience to know what happened to her early, so they could move on to the plot point of Felicia thinking Ludde was the one who told everybody.
But we don't need every single detail of Felicia's story. Let it come organically. The only thing that was really needed was for Ludde to know that Felicia had struggled with drug use and was sent to rehab for this storyline to work. The reason why could've been saved for later, and it would've made for a more interesting reveal. Maybe just have Felicia allude to seeing something that night, but don't tell the viewers right away what it was.
In 1x06, Felicia is incredibly upset when she hears that her dad was the one who told Klara's family what happened to Felicia in the US. And rightly so.
Felicia: Don’t you get it? You ruined everything! Mats: What? Felicia: You told the whole damn town about me! About the US! Mats: I really didn’t mean to disclose you- Or disclose us. Sorry. Hey, sorry. Flisan, please. Hey. Felicia: Did you tell them you fucked mom’s best friend too? Yes, I saw you.
If this had been the moment where we first find out what Felicia saw, it would've been more surprising. Our reaction would've mirrored Mats's, and it would've been more heart-wrenching to know that Felicia was traumatized by an affair her dad had only to be cheated on herself in the very same episode.
Ludde's problematic nature
One of the scriptwriters of Eagles, Fanny Ekstrand, was interviewed in the behind-the-scenes documentary Edvins Skådisdrömmar. In this interview, she states:
Ludvig, he's the one who's been the easiest to retain the personality of. Because he's so... He's calm and friendly, but he makes dumb decisions. Ludvig isn't a typical hockey guy. He has a bunch of other qualities—music being one of them.
I found myself slightly disagreeing with this take, despite knowing Ekstrand is literally a part of the writing team and most likely helped shaped Ludde's personality. I just interpreted Ludde's character (at least in season 1) differently.
I also didn't find him that much different from any other typical hockey guy just because he happens to have another interest. That's a bit like saying Archie Andrews from The CW's Riverdale isn't a stereotypical jock because he also plays the guitar.
In season 1, we see Ludde break into the rink because he wanted to test out the ice. He just loves hockey that much. He also uses it as a way to express frustration and anger, which we saw in 1x05. He flirts with the new girl in school and in the beginning he even uses it as a tactic to gain a position on the main hockey team. This was confirmed by the creator Stefan H. Lindén in his Q&A, where he said:
My idea has always been that Ludde was blown away by Felicia and that he really likes her but that they both initially interacted and met to go swimming because Felicia knew it would piss her dad off and Ludde knew that it might throw Elias off since they were competing for the same position in the team.
I would say that the characteristics of a typical hockey guy would be someone like Adam—obsessed with the sport, flirting with girls, going to parties, and just spending a lot of time in the rink. Ludde checks off all of these points. However, I will give this the benefit of the doubt since season 2 Ludde seems to change a lot and it's easier to interpret him as the calm and friendly guy he was supposed to be in season 1.
So to me, Ludde wasn't calm and friendly at all. In season 2, yes, but when we're first introduced to him?
Ludde shows anger issues and violent tendencies in 1x05 when he head-butts Elias and breaks his nose. It's violent and messy. He then yells at Felicia to leave when she's trying to communicate with him and belittles her drug problems solely because she's rich. To me, Ludde wasn't a nice person in 1x04 either when he let his friends make suggestive comments about Felicia and what she was like in bed.
Omar: I can tell you one thing - you’re not borrowing my towel today cause I don’t know where that dick has been. Adam: It’s nice when she sucks, right? Omar: Can’t you tell us some more, does she bite you or is it just really, really nice? [...] Adam: Is that what you sound like when you’re coming? What does she sound like?
This was described as "locker room talk" and the writers probably wanted to show an authentic view of what being a hockey player is like. I understand that. But it's a little problematic when it's later swept under the rug and treated like something that we're just supposed to accept.
Elias: [...] it’s not very fun to sit in a hockey locker room where people are talking about how nice it is to fuck my sister. Felicia: Ludde would never say anything like that, you know that. Elias: He wouldn’t? It’s a locker room, Felicia. That’s the only thing they talk about.
It did not sit right with me how Felicia seemed to be the one Elias blamed in this scene, and Ludde and his friends never faced any real consequences for what they said. Elias did lash out at Ludde, but there was no severe consequence for Omar and Adam's comments.
Compare this scenario to another Swedish show, Beartown on HBO. Beartown is similar to Eagles and focuses on a hockey team in a small town with one of the star players hooking up with a girl who's recently moved to their small town.
This girl is raped by the hockey player. And because of his status as the star of the team, he has almost the whole school behind him. The girl however is labeled as a lying slut. It's unfair and frustrating to see it happen, but it's authentic and done in a way that doesn't glamorize the ugly side of hockey culture.
Eagles is not as dark as Beartown so this comparison might be a little unfair. Beartown's whole storyline did revolve around this incident while in Eagles the hockey culture is treated more as a side thought. It's like they decided to throw in a taste of what goes on in a locker room just to create drama without really addressing it further.
Beartown did a much better job of portraying the problematic and toxic elements of hockey culture without making it seem like it's just something normal that we should accept. It was honest and raw. If you haven't seen the show, this short video does a great job of depicting how much thought was put into the toxic hockey culture, winning mentality, and subsequently hockey players thinking they're entitled to do whatever they want.
So, to respond to Ekstrand's quote from Edvins Skådisdrömmar—I did not experience Ludde as a "good guy" who only makes dumb decisions at all. In season 1, he's a bad person for letting his friends sexualize a girl he likes and letting her brother hear their disgusting comments. He's a bad person for fighting with her brother and later yelling at her, saying her drug issues are insignificant despite acting supportive of her only two episodes earlier.
I don't mind conflicts like these because they drive the story forward. I didn't particularly like Ludde in season 1 because of the reasons I just stated, but they're necessary to create drama and make the show interesting.
It's just weird to me how one of the writers is saying that Ludde is a calm person and a good guy when that is not at all how I interpreted his character.
Eagles is a show targeted towards a young audience, among them probably a lot of easily influenced pre-teens. What kind of message does this send to them when the guy letting his friends sexualize a girl he's slept with and on top of that laughing at their inappropriate comments is referred to as the good guy?
Klara is mean... What else?
From the moment we're introduced to Klara, it seems obvious that she'll play a living and breathing version of the infamous Alpha Bitch trope. She's also a prime example of the basic Popular is Evil trope and has her own Girl Posse consisting of Sara and Amie.
Klara feels threatened by the arrival of a potential new popular girl, Felicia, and does everything in her power to bully Felicia to show dominance. She barely shows any good sides of herself.
The only instance I can think of where we sort of see season 1 Klara in a positive light is when she talks to Amie in 1x05 about their friendship and then accompanies Amie to her audition for the school band.
Klara: Ever since Felicia started at school… It’s felt like you only hang out with her and that you’ve forgotten about me. She like took you from me. Amie: But I haven’t forgotten you. Klara: No, but do you get what I mean? Amie: I get it, but I haven’t forgotten you. Klara: No, I know. Amie: I know, but it just turned out that way when school started. Klara: Okay. Amie: But I’m sorry. Klara: It’s fine. Amie: Are you sure? Klara: Yeah. You can make it up to me when you go on your world tour.
Klara is really supportive of Amie's musical endeavors, but she also uses her support as a way to alienate Felicia from the girl group. It's very on the nose and kind of feels suffocating in the way it's written.
Klara: Amie, did you remove the clips? Amie: Yeah, she said they weren’t good. Klara: She’s just jealous. It’s so obvious. I mean, I’m jealous. You sing absolutely amazing. I don’t know, I just think it was really rude of her to sit in the cafeteria and criticize you like that Amie: Yeah, maybe. But she apologized. Klara: But still. That clip of you in the bathroom… Like… Sorry, but I’d be so mad if someone had posted something like that of me. I mean, you were standing there without makeup, completely non-fixed up. And the whole thing with her filming you without you knowing. That’s really weird. You don’t do that. Don’t you think so?
I'm sure there are plenty of people who act like this in real life. And maybe that's part of the problem, because Klara in season 1 really isn't an interesting character. We've met this person before and we know exactly what she's like. There's nothing new to discover. So season 1 is essentially just Klara being petty and rude every chance she gets, and to me it felt like a large part of her character was written just to stir up drama.
In 1x06, we see Klara backstab Amie by filming her making out with Ludde at her Halloween party. But I thought it was established in 1x05 that Klara feels like Amie was taken from her? And if Klara actually cared about Amie and didn't want to lose her as a friend, she wouldn't just stand by and watch with her phone recording the whole thing. It doesn't make a lot of sense.
Klara even made that whole point about how it was really weird of Felicia to film Amie without her knowing. So why would Klara do it, when she expressed that's weird and not something a normal person does? Is that supposed to be foreshadowing? Because if so, that's a clear contradiction and not how foreshadowing works.
When Sara happens to see the video on Klara's phone she immediately says that Klara should delete it.
Sara: What is that? Did they know you were filming? Klara: No, of course they didn’t know. Sara: Oh my god, Klara. You should probably delete it. Klara: I’m going to! But it’s crazy, right? Sara: Yeah, god. But seriously, delete it. Klara: I’m going to.
So Klara says she's going to delete the video. But it's still unclear why it was filmed in the first place if Klara insists that she's going to delete it. It's not like she filmed it just to show it to Sara either, since Sara wasn't meant to see it and only saw it by chance while swiping through Klara's photos on her phone.
It doesn't make sense for Klara to film a video like that of her best friend that she's supposed to care about. It doesn't make sense for Klara to film a video of anybody without their knowledge when she previously made a big deal about how you shouldn't do that.
What Klara's character is, is a bad attempt at the classical mean girl. She's clichéd, boring, and full of tropes.
Even her eventual character development is riddled with tropes like the Heel Realization where a character realizes they're actually one of the bad guys. This realization seems to come in 1x08, where Felicia calls Klara out on her behavior.
Felicia: You know what, Klara. I’m so fucking tired of your fucking comments. You didn’t get to be Lucia this year. Poor you! Was dad unable to fix that? Cry then, Klara. Cry. You’re so fucking mean. Everybody here is tired- Everybody here is scared of you. Even those who liked you once, they can’t take it anymore. Klara: That’s not true. It’s not true. Felicia: Yes, everybody is scared of you. You know what? Look around. Show people some fucking respect. Klara: Well say something, Amie! Amie: What is there to say? She’s right.
Klara needed a wake-up call like this. It's just unfortunate that she goes back to her mean girl behavior and posts the video after Amie insinuated that Klara wasn't a real friend. Klara already knew that Amie felt that way since she said Felicia was right in her assessment of everybody being scared and tired of Klara. So wouldn't it have made more sense for Klara to post the video right after that moment instead of during Amie's performance?
Or rather, why not pull a Subverted Trope and not have Klara post the video at all after she realized how horrible she'd been acting? That would've made me respect her so much more and be a great introduction to her character development in season 2.
The Halloween Incident
To me, the whole Halloween episode was questionable. First off, we never got actual confirmation of what happened in that room between Amie and Ludde. Some viewers insist that they only made out and others believe they went all the way. Here's what the creator of the show, Stefan H. Lindén, had to say about this in a Q&A post he did:
I think if you went into the writers room of Eagles and asked all of us what really happened in that room [between Ludde and Amie at Klara's Halloween party] we would all have different answers.  I know what happened, but I’m not sure we will ever truly know for sure, unless Ludvig or Amie eventually are open enough to admit to anyone what really happened.
This is kind of a vague answer, but that's fair considering that when Stefan did this Q&A the latest episode that had been released was 2x05 and he probably didn't want to spoil anything. However, looking back at this answer knowing how the season turned out I still feel like it's unclear what happened. It's also strange that Stefan seems to be saying that they never actually decided what happened between them since the writers "would all have different answers".
1x06 was just an odd episode for me overall. Lots of things felt rushed and underdeveloped. Let's not forget that this episode also contained, in my opinion, some of the weirdest lines in the whole show (along with Elias's strange monologue about plague vampires).
Ludde: Hey, I only have like 3%. Do you have any power? Adam: Are you wondering if I have a power bank in my shorts? It’s coming-
Ludde: I like shellfish. (said to Amie, wearing a lobster costume)
Up until this episode, Ludde has shown zero interest and attraction towards Amie. We are basically told that Ludde only hooked up with Amie because he was so drunk that he practically had no idea what he was doing.
In 1x02, we see a drunk Amie try to kiss Tobbe and upon getting rejected she moves on to make out with Adam. She gets overly friendly when she's drunk so the fact that she makes out with Ludde later is... Weird, but not entirely out of the realms of possibility.
Ludde on the other hand is moping about Felicia all night. He regrets how he yelled at her at the end of 1x05 and it shows. He's trying to drown all his problems in alcohol and it seems to be working, because when it enters his system he seems to be on top of the world.
What I found kind of ambiguous in this incident was if Ludde even remembered what happened that night. He was drinking so much compared to Amie, who doesn't really need as much alcohol before she reaches her "overly friendly" state. I thought for sure that Ludde was oblivious to the situation when he woke up in his bed the next day and immediately messaged Felicia.
There are just so many questions to unpack here that were never answered. What prompted Amie and Ludde to go into that empty room? Why did Ludde come with her? Why didn't Adam seem to care about this, when he'd been sitting next to Ludde and taking care of him most of the night? And as I wrote before, why would Klara film this video of her best friend when she previously expressed that was a weird thing to do?
There's just too much in 1x06 left unanswered. The Amie/Ludde hook-up was a badly executed plot twist because there wasn't anything hinting that this would happen. It just came out of nowhere.
Unbalanced screentime and Elias's wasted potential
A large portion of season 1 was dedicated to Felicia. This was kind of a let-down for me since I thought more focus would be placed on Eagles as a hockey team (after all, that's what the show is named after). I also thought more attention would be on Elias since he's the talented star player who's supposed to live up to his father's legacy.
The show starts with a couple radio hosts hyping up how Elias Kroon, son of the legendary Mats Kroon, is going to join the Eagles hockey team.
Host #1: [...] It’s finally official. New center in the junior team - Elias Kroon, son to the legendary NHL-pro Mats Kroon, who has now chosen to move home from the US to his hometown where Elias will play in his father’s old club Oskarshamn Eagles. Host #2: This is so freaking cool. Who doesn’t want a Kroon on their team? Host #1: We hope that he’ll take a spot on the A-team.
But we don't learn a lot about who Elias actually is in the first episode. The attention is on Felicia and her interest in Ludde.
Elias is so discarded that he barely has anything to say in the first couple of scenes we see him in. Here are all his eight lines in 1x01, and I'm not even joking.
Elias: Yes. Elias: Shut up. Elias: Ow. Elias: It's fine. Elias: Really? Elias: Fucking hell. Elias: I'll stay here. Elias: No, it's fine.
In 1x02 he has even fewer lines. Three, to be exact, and all he says is that his injury is a sprain and that it's fine. Essentially just an echo of two of the lines he had in the previous episode. It's nothing new.
There's a way to have a character stand out when they don't have many lines, but Elias just fades into the background with every other extra. There's too much time spent on having other characters talk about Elias than us actually getting to know him. So when we do meet him, it's pretty underwhelming.
Compare Elias to his sister who gets so much more attention from the writers. I don't really understand why either, since I thought Elias was a much more interesting character than his influencer sister. Felicia's character only seems to revolve around a guy. I wonder how many times we've seen that before?
In 1x02 we see the Eagles hockey team play their first game, but Elias is unable to play and has to sit in the stands for what was supposed to be his debut match. Why? Because during a hockey practice session in 1x01, Adam rams his stick into Elias to purposely injure him. I mean, fair enough. Adam is trying to get Ludde on the main team since he and Elias are competing for the same position. The shot of Adam smiling after Elias sprains his wrist is a bit too on the nose, but whatever.
What this does is minimize Elias' presence in season 1 by a lot. We don't see the son of the legendary NHL professional play an actual game until 1x05, which is more than halfway into the season. It's kind of disappointing but I understand the injury is done to dramatize his situation.
Elias barely gets his own storylines in the first few episodes. He just has things done to him instead of acting on his own. When we do see him on screen he gets injured by Adam, reprimanded by his father, and later told he can't play in his debut game.
His sweet side (or any side of him, really) isn't shown until 1x03 when Amie wakes up at the Kroon house and Elias reassures her that they didn't do anything together and that she can borrow Felicia's clothes.
Elias doesn't really do much for the plot until he hears Ludde's friends objectify Felicia and he starts a fight with Ludde and confronts Felicia about it. That's when it feels like Elias is actually a part of this show instead of just being an extra shoved into the background. His actions are finally affecting the plot.
Elias's potential in season 1 was hugely wasted. The only episode where we actually got to see him shine was 1x07, when he travels to Karlskrona with Amie. We find out he doesn't want the hockey arrangement his dad has planned for him and that he's actually a pretty goofy guy who likes making jokes (and eating green candy).
If less time was spent with Felicia and the distribution of every episode's 20 minutes was more balanced, season 1 could've been massively improved. It got much better in season 2, but season 1 suffered and made many people think that Felicia was a basic and unentertaining character.
The side characters and their comic relief
So one thing that I found really disappointing with Felicia's amount of screentime is that we barely got enough time for the other main characters, let alone the side characters.
What I mean here is that the only people we really know on the Eagles hockey team are Ludde and Elias. Ludde's friends, Adam and Omar, just feel like comic relief sidekicks. We don't really know what they're like, besides the fact that they like to make jokes and mess around.
This issue is largely created by the short running time the episodes have along with season 1 only having eight episodes in total. That's definitely understandable. It did get better in season 3 where we see Ludde having a deeper conversation with Adam and Omar and they finally don't just feel like the comic relief characters, but actual people with layers.
Ludde: I’m going to quit hockey. Adam: Are you serious? Omar: What the hell are you saying? Ludde: It’s not the same anymore. I’m not passionate about it. I… Yes, it sucks, but… I’ve thought about it for a while now. Omar: We make jokes about it and all, but… Yeah. It wouldn’t be the same without you. Kingelikingen. Adam: I get that it’s a tough choice. But yeah… You’ll work things out. You and Felicia. You always do. Ludde: You guys are pretty awesome sometimes, actually.
This scene was really sweet, and I wish we could've had moments like this between the guys in season 1. Just one scene to show that they're not just the "typical hockey guys". It feels like Ludde was the only person on the team in season 1 who wasn't just a background character. Even Elias, who you would assume should be at the forefront, isn't properly developed until 1x05 where we see him defending his sister and starting a fight with Ludde. Otherwise, it very much felt like Elias was kept in the background.
There are also guys on the team called Herman, Simon, Näslund, Ekbäck, Hoffmann, Berglund (even Montell, which was a fun nod to the show's director)... But who are they, actually? Do you even remember their names? To be honest with you, I don't. Because they're just names—not actual characters.
None of the other guys on the team get any depth. They're just sort of there as extras and to give the audience a sense of comedy with their "hockey team shenanigans". This was illustrated in 1x08, where Adam and Omar make their teammate Liam do a "sexy dance" on a table because he lost his virginity. Or a more extreme example—Jönsson, who only exists to be the comic relief and the unlucky guy who just can't catch a break.
In 2x04, Jönsson is told by Jack to do extra time in the gym and gets told off when he only spends a few minutes on the exercise bike. Later, Jack also makes a joke about how he should get Jönsson a defibrillator. In 2x09 Jönsson invites Ludde, Adam, and Omar to come to his mom's place to hang out. After he's left, Adam makes a comment about how there's no way he's going to "rot" in Jönsson's apartment that doesn't even have a balcony.
Don't get me wrong, these scenes aren't bad and I don't mean they should've been scrapped. Comedy can absolutely have its place in a show like this. Let's take the scene where Ludde flashes a couple of unfortunate old ladies on his first date with Felicia as an example. It feels like something a teenage boy would do to try to make a girl he likes laugh. It's a brief scene and it's nice to see Ludde being able to goof off only moments after talking about Andreas. We know that's a touchy subject for him.
However, it feels slightly overdone sometimes with how almost everybody on the hockey team is only there for comedic purposes and to fill space. It's more refreshing when they're shown to be multi-dimensional. I wish this is something that the writers would've considered when the show is literally titled after the hockey team, yet most of the hockey players are hardly in the story.
To add to this, it felt like Sara and Tobbe completely disappeared from the story in season 2. With Sara we understand that she probably didn't want to hang out with Klara anymore after knowing she filmed the Halloween video and posted it on Instagram, so that's fair. But it would've been nice to see Tobbe stick around in season 2, and I'll get back to why I think that.
The potential of season 1
When I look back on season 1 I feel really nostalgic. No matter how many small details that irked me, I can't deny that the setting of the show is beautiful and I really appreciate the depiction of it. Instead of showing Oskarshamn as a boring small town, we're shown the beauty of it which is incorporated into the storylines.
Some examples would be Ludde and Felicia's first date at Gunnarsö and walk through Havslätt, the gorgeous view of the Oskarshamn harbor from Klara's house Villa Högklint, and Badholmen where the school band performs and we later see Elias and Amie walking by in season 3. All these places are listed on the Eagles Oskarshamn site and I feel like they did a great job tying the storylines in with the locations.
Another aspect of season 1 and its writing that I really enjoyed was Elias and Amie's budding relationship. They just have a natural chemistry together and the dialogue between them also felt authentic and sweet.
Season 1 is just a very polished teen drama overall compared to some of SVT's previous series.
Back in 2007-2010, SVT used to air a soap opera-style show focusing on a few teenagers living in Gothenburg that was called Andra Avenyn (translation: Second Avenue). I was only seven at the time but I watched this show religiously as it aired three times a week. Just mentioning the show brings a lot of nostalgia.
Andra Avenyn amassed around 500 000 viewers per episode and was, just like Eagles, nominated for a Kristallen television award. But how good was it, really? If I take off my rose-colored glasses for a second and actually consider the show's highly dramatized storylines and unlikely scenarios, it had a tendency to drag on (which usually happens with soap operas). It didn't offer a realistic view of teenage life and on IMDb it currently sits at a rating score of 5.6 stars out of 10.
Comparing this old teen series to SVT's newer one, Eagles season 1 was a huge improvement and continues to be the most popular teen series that SVT has aired so far.
This idea and all the characters have lived in Stefan H. Lindéns mind since 2008, while Andra Avenyn was still on the air. It's actually amazing how high the quality of most TV shows has risen since then. Eagles has a rating score of 7.4 out of 10 stars on IMDb and has become internationally known in a way that Andra Avenyn never was.
Eagles season 1 laid the groundwork for SVT's most successful teen series of all time, and that's a huge achievement.
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Season 2: "Subverting expectations"
When Eagles came back for season 2, the script made it kind of obvious that the writers had listened to the critique of season 1 being predictable.
I did find season 2 a huge step up from season 1—the directing was so much better and when it came to the script we got a deeper look into all the characters that they hadn't really scratched the surface of in the first season. My main disappointment however was that it felt like they threw in a bunch of weird plot twists just for the sake of "subverting expectations".
The core idea of subverting expectations can be great if done correctly. You lead the audience to believe they know what's going to happen, but then you surprise them with an unexpected and clever twist.
A post in Cinematography written by Mason Leaver defines the phrase of "subverting expectations" as:
[...] a method of surprising the audience with some element of a story, be it the plot, themes, characters, etc. This goes beyond a “twist” in a film. Expectation subversion actively works within the genre of a story, and attempts to reinterpret or subvert the conventions of that genre, breaking patterns in surprising and interesting ways. However, this method of surprising the audience is not always well received- it can sometimes be the source of heavy criticism from fans of the tropes which have been subverted.
This included "unexpected" relationships such as Elias/Klara and Amie/Ludde. The former actually worked, but the latter? Not so much.
Amie's crush on Ludde—make it make sense!
Amie and Ludde were my biggest issue with season 2, and it felt so out of character of Amie to be head over heels for Ludde. They work great as friends but romantically they're a huge mismatch.
But they have music in common, I hear you say. Yes, they do. But having a shared interest doesn't mean people are automatically a good match. You have to consider their chemistry and overall compatibility.
Before actors are cast in a show or movie where their characters will be romantically involved with each other, it's common to do what's called a chemistry read. Here's a neat description from an article in Backstage written by Caroline Liem:
Chemistry is the complex emotional or psychological interaction between two people. If this were a romantic article, it would be about love. Instead, we are discussing the astonishing rapport between two actors, and how that connection is achieved in order to book [...] the role. A chemistry read is an opportunity to read with actors being considered for a role opposite yours, usually lead roles. The main purpose is to see how you instinctively connect and work with the other actor.
This obviously wasn't done for the actors playing Amie and Ludde, since there didn't seem to be any intention of having their characters be involved in a romantic relationship.
That was even confirmed by Stefan H. Lindén in his Q&A of season 2, where he said that a love triangle between Ludde/Felicia/Amie was planned but later scrapped.
I can confirm that from the beginning of development of the series and the first version of the storyline a triangle drama was at some point intended for season 1 but later removed  – however when creating the characters, Ludvigs skill in music and arts was always there from the beginning so by knowing that, we always knew that interactions would appear between them. When looking back at Season 1, in the first scene by the lockers when Amie tells Felicia who Ludvig is, she does know exactly who he is and she is well aware of that his friend Tobias is a music guy that Amie wants to get to know. Also when looking at it, when I was the same age as Ludvig and Amie I, and I am sure a lot of people can relate to it, fact is that we never really knew if it was love or friendship in the beginning.
Knowing that the triangle drama was scrapped for season 1, it makes sense why it seems so arbitrary. There was no groundwork laid down for this pairing before it was hastily thrown together in 1x06 for a cheap plot twist. This continues in season 2, where Amie and Ludde start spending more time together. Yet it's hard to see Ludde as a potential love interest for Amie in the way the writers want us to. They still come off as friends despite having hooked up at a party.
I mentioned that Tobbe should've stuck around for season 2 and here's why. Tobbe was written to be the leader of the school band that Amie later joins, and he was friends with Ludde before the video was posted. He would've been a perfect fit for the Amie/Ludde music storyline but he's completely absent. He had the potential to be the person who could've helped them with the song a little and then later picked up on whatever there was going on between them.
I think the Amie/Ludde storyline could've hugely benefitted from a scene between Amie and Tobbe, where Tobbe asks if she actually has feelings for Ludde and we get to hear exactly what Amie is feeling. Maybe she's torn, not wanting to get together with Ludde because of how much they hurt Felicia, but at the same time finds it hard to suppress her feelings. A scene like that would've allowed us to get into Amie's head and make the Amie/Ludde storyline much clearer.
To add, this storyline was in desperate need of more interest from Ludde's side. There needed to be some indication from him that would make Amie believe he liked him back, even if that wasn't the case. All we get is Ludde complimenting Amie's song and then a hug in 2x05 when Amie says the record label in Stockholm wanted a meeting. And apparently, that was enough for Amie to think Ludde was interested in her despite him blowing off the Stockholm meeting and Amie hearing Ludde say that the Halloween incident was a mistake.
Ludde and Amie don't really mesh as well as Elias/Amie do or even as well as Ludde/Felicia do. Elias and Amie had sparks flying from the very first scene they shared. That pairing is one of the main reasons why the show became popular internationally, and why is that? Because of the actors' chemistry.
Amie and Ludde are a clumsy attempt at throwing together two people who don't really work together with the intention of "subverting expectations". And I suppose that's what the writers wanted to depict—an awkward crush that doesn't really make sense, which I'm sure many people have experienced as a teenager. That part is fine. But what I didn't like about this storyline is that Amie had no good reason to believe Ludde would be interested in anything with her beyond a platonic friendship.
While season 2 was airing, I was convinced that Amie wasn't actually in love with Ludde. She was just lonely after the aftermath of the Halloween video and mistook her feelings for Ludde as love when she just appreciated his company. Here's what I wrote:
So as we know, Amie kissed Ludde in episode 6 when he was in the hospital after having been injured during the hockey game against Karlskrona. She immediately seemed to regret having done that and ran out without an explanation, leaving Ludde alone and confused. I honestly don’t think Amie has any romantic feelings towards Ludde. I think she might mistake her feelings for a crush or something, when in reality she’s just lonely and appreciates Ludde always being there for her and giving her compliments on her musical ability. Ludde was complimenting Amie at the hospital, saying she was amazing, and I think Amie was just really touched by that and maybe wanted to thank him somehow, and ended up kissing him. And then she freaked out and left because oh my god did she really just kiss Ludde. It was an uncomfortable and awkward situation and that’s probably why she ran out. However, I really believe that if she had just stayed to explain and apologize, Ludde would understand and they could’ve just laughed it off. But this is a drama show so of course that wouldn’t happen! Do I think the writers are making them into a couple? No, definitely not. They know that season 1 was sort of predictable and cliché, so they’re making season 2 as different as possible by including these unexpected pairings such as Klara & Elias and Amie & Ludde. But Amie and Ludde won’t ever be a couple, because Ludde is still very much hung up on Felicia. I don’t see them as a couple either - yes, they have music in common, but they work way better as friends than in a relationship.
In Edvins Skådisdrömmar, which is a behind-the-scenes documentary of Eagles season 2, writers Fanny Ekstrand and Michaela Hamilton discuss the writing of the show in the documentary's third episode. The third episode is mostly focused on the lead-up to the scene where Amie kisses Ludde at the hospital. Adrian Öjvindsson, who plays Ludde, says:
Filming the kissing scene was [...] awkward and weird, actually. And that's how it ended up. Yandeh and I haven't really had any intimate scenes. In this case you could take in that it was weird, because that's also what the scene wanted to depict.
When Edvin reads the script, he describes the scene as a "nightmare" scenario. I agree. And the lazy build-up to this Awkward Kiss trope doesn't make it any better, because just like the Halloween incident this doesn't make a lot of sense.
It's supposed to be awkward and weird, just like Adrian said. But he also mentioned one of the most important details: Yandeh and I haven't really had any intimate scenes.
Before this kiss scene, there was nothing that indicated any chemistry between them. No accidental hand-touching, no longing stares, no nothing. Just a friendly hug. A proper build-up to the kiss scene would've made it feel less out of place.
The love confession from Amie to Ludde in 2x10 really threw me off as well. The confession to me made no sense and honestly felt like a prank call. There was no feeling behind it and zero reason for Amie to believe that there was a chance Ludde liked her back.
At the end of 2x08, Felicia goes to Ludde's house after he's confessed the truth to the police about the Andreas situation. Amie happens to overhear the conversation and she hears Ludde very clearly say that he's not interested in Amie.
Ludde: Felicia, there’s nothing between us. Between me and Amie. It was really the biggest mistake of my life. Felicia: Goodbye, Ludde. Ludde: Felicia, please!
Amie, now having her heart broken, crosses Ludde's name off the contract while crying. She knows he doesn't feel the same. So why would Amie even bother to call Ludde up to tell him she's "in love with him"?
Amie: [...] Hey, Ludde… Ludde: Yeah? Amie: It feels really weird to hear our song now. Because I know who the lyrics are about. And… And I… I really like you. Or, well… I’m in love with you. I just need to know how you feel. Or if you feel anything. Just tell me. Ludde: I’ll always want to be your friend, Amie, but… It’s Felicia I’m in love with.
This moment is on par with the awkwardness from the hospital kiss between them in 2x06. The second-hand embarrassment with this one was really rough, and what I don't understand is why this was even added to the script when Amie had already gotten the confirmation that Ludde didn't think of her in a romantic way. This storyline could've ended in 2x08 after Amie overheard the conversation between Ludde and Felicia.
It really didn't need to drag on for the whole season, essentially making Amie's whole storyline in season 2 about a guy. Her moment of finally getting signed to the record label was ruined when it could've been regarded as a fresh start if the storyline had just ended where it should have.
What this storyline did instead was ruining my favorite friendship of season 1, which was Amie/Felicia. This mess made it so hard for them to reconcile and they didn't end up properly addressing it until 3x09, spending almost two whole seasons mad at each other. It sucks that the writers decided to drag out their fighting and disagreements for this long when they could've instead shown two girls in solidarity who don't let a guy get between them and their friendship.
Amie apologized in 3x03 for how she hurt Felicia, but Felicia made it clear in 3x06 that she still harbored ill will towards Amie for what happened at Halloween (which in the timeline of this show was more than a year ago).
Felicia (to Amie): Are you going to start slobbering with [Elias] now too? Just give me back that sweater first, I don’t want slobber on that. Thanks.
I talked about how much I disliked the Amie/Ludde storyline in this post, with my main reason being that it really messed up the character dynamics that were established in season 1.
This storyline [of Ludde and Amie hooking up]—along with Amie falling in love with Ludde—is by far my least favorite one because it messed up the whole character dynamic. I feel like Amie and Felicia won’t ever go back to the kind of friendship they had in season 1 before the Halloween incident because the trust was so broken, and Amie really should’ve tried harder to apologize to Felicia like Ludde did instead of going after her best friend’s ex in season 2.
If there's just one thing I could change about this show, I would 100% get rid of the Amie/Ludde storylines. There is nothing that annoyed me as much as those storylines did.
Amie's musical ambitions
I've talked about this a bit before in another post because this was something that really bugged me about Amie's character in season 2. Here's what I wrote:
I honestly still feel like Amie’s whole storyline with sending in a rather basic demo written by two teenagers with little to no experience and then getting praised on it [by the Stockholm music producers] with comments such as “it’s going to be a real summer hit” felt so unrealistic to me. Maybe they only said that so Amie would accept their offer or something, but that’s still very strange because she would have still said yes without a doubt. I can understand that they thought Amie was marketable as a person and there was this bonus with her having gone viral before on Felicia’s Instagram, but that demo did not seem good enough for me to be immediately released as a single and then have them decide on the spot that Amie would be given a contract. I mean, come on. It never felt earned because we never really saw Amie struggling with her songwriting journey to achieve this dream. Sending in one demo to one record label and having them immediately want to make a whole album with you just doesn’t happen in real life unless the song is extremely good or you have a very unique voice. Amie is really talented but there are hundreds of people just like her, if not thousands. I was never convinced by her getting signed so quickly in season 2. I understand that they wanted to establish her as a successful artist [at the beginning of season 3], but that felt so rushed. I was so sure that the record label would screw her over and steal the song rights to record it with another artist who was already established, and that we’d have to see Amie work even harder to achieve her dreams. But we didn’t get that at all. Where was the struggle? [...] Of course I wanted to see Amie achieve success (and I was happy when she did), but the journey there was so bizarrely easy. She didn’t start to seriously work on making her music career become a reality until season 2. Amie had dabbled in music prior to that, like when she auditioned for the school band and did that performance of Follow, but she didn’t truly start to work towards it until season 2 when she decided to have her work sent to professionals in the business. And then, just five episodes later, she gets contacted by the record label in Stockholm. To put this into context—season 2 took place somewhere around March, and episode 5 around three weeks into April. So when Ludde first started helping Amie it took less than two months for her to get signed. You could argue that the song was just that good or that Amie is just that talented, but it never felt like a realistic storyline to me.
It's tricky to write a storyline like this when you only have ten 20 minute episodes in the season and a limited amount of screentime for every character. All that is understandable. But it's strange that they didn't opt for a time jump to really sell this storyline and make it believable.
Eagles uses time jumps a lot, but somehow this particular plot point was omitted from that and kind of glossed over. I don't really understand how they expected us to buy this storyline. The viewers aren't stupid, and more effort should've been put into this storyline.
In the post where I wrote this, @gajana18 also had an interesting thing to add:
[...] it's equally unrealistic that this huge record company would be hounding Amie, a teenage onehit wonder essentially to come back to the label- don’t they have other bigger artists?
This is a very strong point. Considering how Amie kept expressing that she wanted to finish school and then proceeded to ignore their calls, it's weird that they didn't just decide to discard her contract when Amie clearly wasn't taking her singing career as seriously as they wanted her to.
So, back to season 2. Maybe they could've gone with the record label stealing the rights to Amie's first song and screwing her over. This fuels her to try again and after a time jump of a few months we see Amie having worked really hard on a new and better song. Maybe even a whole album. And this time, she's learned from her past mistakes and improved her songwriting. This time, she's successful in her endeavor and it feels so much more earned after knowing the struggles she's been through to get there.
I also feel like a storyline like that would've made people sympathize with Amie more in season 2. It was really hard to root for her when she had nearly screwed Ludde over by not giving credit to his songwriting and saying "fuck him" when he didn't return Amie's feelings.
Klara's character development
When we're introduced to Klara in season 1, she's a stereotypical mean girl with wealthy parents who is the popular girl at school and has her own followers.
In season 2, the writers decided to develop the character. We find out Klara has issues at home and her mom is barely there. When she is, her parents will start fighting. Klara is feeling really lonely and doesn't really hang out with her friend Sara as much as she used to.
I appreciated the added depth, but it seemed like a drastic shift. The changed perspective could attribute to that but when you step back and really look at s1 Klara and s2 Klara, they're like two completely different people.
Maybe Klara's reputation suffered after she posted the Halloween video? Maybe she had a change of heart after Felicia finally confronted her during Lucia? I mean, I guess.
But what most fans (including me) didn't like about Klara in season 2 was that there were no clear consequences for her after she posted the Halloween video. Klara still hangs out with what seems to be the popular crowd and she has people to go out with. In a post I wrote last year about my thoughts on season 2, I wrote this:
I actually wish that Klara would’ve become more ostracized from her school friends to emphasize how alone she is, but she seems to still be pretty popular so that was kind of disappointing. I thought the fall-out of her posting the video would be worse, but I guess not. Anyway, I like that they’re taking a disliked character and making her into a better person. Feels like it’s been done a few times before, but I still appreciate them doing it. I hated s1 Klara for being so one-dimensional, but s2 Klara is well on her way to being a pretty good and nuanced character.
Her character development sort of comes a little out of nowhere, though. Her reputation wasn't ruined by posting that video and she didn't really lose any friends besides Sara (she had already lost Amie prior to posting that video considering what Amie said to her after Lucia in 1x08).
So what prompted Klara to become this whole new person who actually considers other people's feelings in a relatively short amount of time? Here's a conversation between Felicia and Klara in 2x07.
Felicia: Was there anything in particular you wanted to talk about? I understand that we’re not best friends just because you and Elias are together. We’re not here without a reason, right? Klara: No, I get that this feels weird for you. And if you don’t trust me after everything that’s happened - or that I’ve done. Felicia: Klara… Klara: I know that I haven’t acted like the world’s best person. And I regret that. Sorry.
But why does Klara regret her past behavior? What made her realize she hadn't acted like the "world's best person" if the ramifications from posting the Halloween video were so minimal?
Was it the relationship with Elias that made Klara change? No, I don't think so. When they first start talking at the bar in 2x03, Elias tells Klara that he doesn't always agree with Felicia and that he has his own viewpoints. In 2x07, he says Klara wasn't the one who messed up, but rather Amie and Ludde. And in 2x09, the script tells us that the Elias/Klara relationship seemed to bring more change to Elias rather than Klara.
Felicia: What did you do to him? Klara: What? Felicia: He’s smiling. Elias is like a whole new person since he met you. Klara: Stop. Felicia: I mean it!
So what made Klara change? In 1x08 she's mocking Felicia's drug problems and posts a video that will for sure ruin Amie's reputation. But at the start of season 2, she's suddenly become more withdrawn and considerate of people's feelings.
I can only name one factor that actually makes sense, and that's the fighting between her parents. Klara seems to turn into this quiet child when she has to listen to her mom and dad yelling at each other. This is something that didn't really begin until season 2, when Ola's company GECED started going under. This storyline was very well done.
But the other things, like Klara's reputation and friend group which you would assume would be affected, remain as they were in season 1.
Jack's sudden character change
Jack came into season 2 as a charming and charismatic character, seemingly fooling everybody into thinking he was a good guy. He knew the Kroon family from before and both Felicia and Elias were none the wiser when it came to the eventual reveal of his true colors.
Here's what Stefan H. Lindén had to say about the Jack character in his season 2 Q&A:
Bringing Jack in was actually originally not my idea, it came from my writer colleagues after that they revised my storyline notes for Season 2, while I was still down in Oskarshamn shooting Season 1. We had always intended for a character to come in and raise the stakes but I never imagined it to be Jack. When we started to develop the character, we all started liking him so he was kept in the story. Like with any new character we never really know who they are and what [the] point of them for coming in is [...]
Personally, I feel like the point of Jack's character is pretty obvious. When he first comes to Oskarshamn he is very much the embodiment of the new love interest coming in to date the girl who has broken up with her previous lover, while the previous lover still loves her and does anything he can to get her back although she's dating someone new. Jack is the Romantic False Lead trope who later becomes an alpha-dog Jerkass.
What I found interesting about Jack compared to Klara (in season 1) is that Jack isn't just a bad guy. He's very clever with his manipulation tactics and can easily charm people with his good looks and charisma.
When Felicia accuses Jack of cheating in 2x07, he manages to spin the whole thing around and make Felicia apologize to him and say it was stupid of her to believe he would cheat on her. I talked about this in a post while the season still aired, before Jack's true colors were revealed. Here's what I wrote:
I still don’t know if Jack really is cheating on Felicia with Olivia (the girl that texted him) but I would say he is. Jack is incredibly confident and charming, which makes him able to easily lie and manipulate people. We know he’s not an entirely good person since he’s already lied to Elias about not knowing that Mats would bring him back to Eagles. I wouldn’t be surprised if he really did hook up with Olivia and ended up being a really good liar. The fact is that not only did he deny it but he then shamed Felicia for blaming him and causing a scene, ultimately shifting the focus in the argument to her and making Felicia feel bad that she even confronted him in the first place. Jack says that maybe they shouldn’t even be together, which causes Felicia to backtrack and apologize. It’s actually pretty impressive how Jack was able to spin that around to blame Felicia and make her apologize.
Jack is able to take a small detail and use it as ammunition to get what he wants. In this situation, he brings up the girl in the Stockholm club that Felicia partied with and also kissed.
Jack: You shouldn’t accuse me, either. Felicia: What? Jack: I saw on Instagram, you and some girl in Stockholm. Have I whined about that? Coming here and blaming me for things, it feels really immature. Felicia: Fuck. Sorry, Jack.
Jack wasn't bothered by that at all. It happened before Felicia and Jack were even an official couple, and all they had done was hooking up at a party while Felicia was high. Jack, having cheated on Felicia, couldn't care less about the random girl Felicia kissed. That was just something he used to manipulate her.
When we discover that Jack is actually cheating on Felicia, he immediately reverts to a one-dimensional "evil" character. He's become the 2.0 version of Klara in season 1—written in just to stir up drama.
This "master manipulator" version of him just goes down the drain and Jack turns into a manchild who starts petty fights, files a police report because Ludde pushed him, and says to Felicia "I'm gonna tell on you!". Alright, maybe those weren't his exact words, but you know what I mean. It's a sudden shift and you start wondering how Jack was able to hide this version of himself so well before.
In 3x05, Jack sees Ludde and Andreas after a hockey game and fumbles trying to find any insult he can to hurl at Ludde. Everything he says from that point on is just line after line to really solidify that Jack is the bad guy. You didn't forget that, right? Here, let's have Jack call Felicia a druggie so you know just how shitty he is. And have him call Andreas a junkie later for good measure—there, that should be enough for people to understand that Jack is the villain here.
Jack: Johansson! Ludde: What the hell are you doing here? Jack: What does it look like? Ludde: I guess it’s you I should thank for the victory. Nice work. Jack: What is Felicia doing these days, then? Does she miss me? Ludde: Hey, you’re shutting up now, do you get it?! Jack: Jesus Christ. Do you think you can save her? What do you think she even sees in you? You two play in different leagues, Ludde. Ludde: You have no idea what we’re like. Jack: Come on! You should leave her. While you can. She’ll just pull you down into the dirt with her. You’re no hero, Ludde. Isn’t she still doing drugs? Once a druggie, always a druggie, right?
Jack is a horrible person, but at least he was able to pretend to be a good guy in season 2. And that was actually really fascinating. I wish we could've seen more of Jack's manipulative side that he showed in season 2 instead of making everything coming out of his mouth be a half-assed attempt at insulting the other person. That's a pretty boring villain, in my opinion.
Jack's backstory of his father being an alcoholic and him starting to resent the whole Kroon family because they had everything growing up while he didn't is interesting. It would've also made more sense if his anger was only directed towards the Kroon family since they're the ones he grew up with. They're the ones he was after the whole time.
His anger towards them feels cheapened when Jack also starts insulting Andreas (who he's probably never met before) for no good reason. It's like Jack's human qualities are just gone and all that's left is this empty shell made to start fights. His backstory didn't really make anybody sympathize with him, either.
The improvements of season 2
What I liked about the writing in season 2 was that they explored new ideas and had some solid storylines (besides the mess that was Amie and Ludde). Elias and Klara actually worked pretty well as a couple, even if they were pretty much the 2.0 version of Felicia/Ludde as the "wealthy, popular pretty girl starts dating the star player on the sports team".
Felicia finally gets some more depth. The scene at the end of 2x02, where Felicia and Leila park their car near the harbor and just start crying, is so powerful.
2x05 is also one of my favorite episodes of the show, as well as the ending montage of the 2x10 season finale. In Gameday, we had a very touching scene between Felicia and Mats where they finally communicate. It's not the most understanding conversation but it's a start. It's an interesting contrast between their talk in 1x06 where Felicia revealed she saw Mats cheating on Leila versus the talk they're having now.
Another one of my favorite scenes is when Felicia and Ludde meet up at their bench in 2x10 after Ludde has called her up asking Felicia to come if there's any chance of them getting back together.
The dialogue is simple and to the point. There's no long-winded love confession for the sake of drama. It's a moment that the whole season has been building up for, and when we finally get there we realize that this is how love should be.
Easy and simple.
Ludde: You came back. Felicia: Yeah, I did. Ludde: Do you remember our first date here? Felicia: No. I’ve forgotten. Ludde: I was so freaking nervous. Felicia: Everything you said… Did you mean it? Because you hurt me, Ludvig. And I… I’ve really tried to hurt you back, but… It’s not possible. I can’t… Not love you. Do you think… Do you think it can be us again? Ludde: What do you think? Felicia: I don’t want anything else.
Ludde admitting how nervous he was on their first date is sweet and shows us how much they've been through. Felicia is struggling to find the words to say and she's acknowledging how hurt she was, but still can't seem to find it in her heart to hate Ludde. It's honest.
Another plotline that I think was a little underrated in season 2 is the GECED company going bankrupt and Ola, Klara's dad, is under investigation for financial crime. This isn't a storyline you would usually see in a teen series. It's much more serious. It also gave us a really touching and poignant scene in 2x08 between Ola and Klara sitting on the floor of his office, where Klara has to comfort her father who starts crying.
Ola: When you were little you used to sit like this. On the floor, while I was working. You had your own room, but you wanted to sit with me. “Help daddy work”. Mom’s doing the right thing by leaving for a while, don’t blame her for that. Klara: What, you can’t just leave because things get a little tough. Ola: Maybe you should get away for a while too. You know, I never wanted you two to… That you… Everything’s gone. Klara: It will be fine. It will be fine. Ola: Sorry. I’m sorry.
In 2x09, Klara is at a party when she notices a bunch of missed calls from her dad. She immediately senses something is wrong and rushes home to find her dad having attempted suicide. It's executed very well and I really liked the more serious tone they went for in season 2.
It set up season 3 perfectly, which continued with the darker themes but balanced them very well with the more light-hearted moments.
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Season 3: Finding one's footing
Season 3 was a highly anticipated season. I thought the season 2 finale was masterfully done and it left me wanting more. When season 1 finished on its cliffhanger of the video leaking, the focus only seemed to be on that.
But with season 2 there's Felicia/Ludde getting back together and Ludde having been sued by Jack, Jack threatening that he would leak all of the Kroon's family secrets, Klara's dad passing away, Elias deciding to get on the train and go to the draft combine anyway, Amie having finally become a recording artist but being isolated and heartbroken... There's so much to unpack, and it's a lot more interesting than the ending of season 1.
Where's Jack?
Jack is supposed to be the main villain but he's gone for most of the season, failing to show up until 3x05. In the season 2 finale Jack makes a huge deal about how he's going to destroy Felicia's life. He's threatening her in a very violent and abusive way.
Jack: [...] I know a lot about you, Felicia. And your nice family. It’s enough for me to leak to one news site. I can destroy you. Do you get it? I’ll tell them everything. The drugs, the cheating, your abortion! Felicia: Shut up! Jack: Hey. Huh? Did you seriously think I wanted to be with you? The little Kroon princess, who has gotten everything for free her whole fucking life! You and Elias! Like spoiled brats! You don’t understand what it means to fight for something!
In 2x10, Jack decides to report Ludde for assault but he doesn't follow through on destroying this family that he hates. If there's anything Jack seems to despise above all, it should be the Kroon family, right? So why did he fight back with Ludde but not the Kroon family?
I expected Jack to leak all the Kroon secrets at the beginning of season 3, but Felicia seems strangely calm at the funeral which I'm assuming only takes place two weeks or so after Ola's passing in the season 2 finale.
Then, a whole year passes with no indication that Jack is ever going to leak anything. As season 3 was airing, I commented on how strange this felt in an ask I received:
One of my main questions about the time jump is the whole thing with Jack saying he was going to ruin Felicia’s and the Kroon family’s reputation in the press. It seemed like nothing really came of that? I’m pretty sure that detail hasn’t been abandoned entirely and that Jack will come back (we’ve already seen a glimpse of him in the third episode), but it feels strange that Jack threatened to leak all her secrets and then just never did. I got the impression that Jack was a person who, when having his pride wounded, would do pretty much anything to get back at the person who insulted him. And yet there’s no mention of where Jack has been during that time or what he’s been doing. I feel like I would be pretty paranoid about this if I was Felicia, but we don’t see this haunting her until episode 3 when she sees a flash of Jack before realizing it was just some random guy. It seems strange that Felicia was relatively at ease during the funeral (which I assume took place not long after Jack first threatened her) and after the time jump. We don’t really know what’s been going on during that year, but Felicia seems to be fine and like she hasn’t had any thoughts of Jack at all. Maybe she assumed that his threats were empty and that he wouldn’t actually leak anything to the press, which is reasonable but at the same time I don’t understand why Jack has yet to do anything after a year. He was really pissed off in the season 2 finale, after all.
Going to repeat one of the things I wrote here because it deserves to be mentioned twice, and this point is one of my biggest issues.
I got the impression that Jack was a person who, when having his pride wounded, would do pretty much anything to get back at the person who insulted him.
I feel like this was kind of a plot hole that wasn't explained. Jack is ruthless and doesn't hold back at all when his true colors come out. He has no problem talking about the sexual relationship he had with Felicia in front of her father. Jack is just that horrible.
So what prevented him from ruining the Kroon family's lives earlier, when it seems to be the thing he's wanted for years?
Michael's predictable predicament
Michael first appears at the end of 3x04, where he calls Amie up to tell her he's her father.
Man: Hey! Sorry for calling so late. Is it Amie? Amie Condé? Amie: Yeah. Man: I saw you on TV the other day. I’m Michael Condé. I’m your father.
In the next episode, we get a voice-over of the continued conversation between him and Amie.
Michael: [...] I understand if it’s shocking. I’m in Oskarshamn for work for a few weeks and— Could we meet up someday?
So, it's clear what the writers are going for here. It's the estranged father who returns into the child's life when they've become successful. We're made to believe it's a Daddy Had a Good Reason for Abandoning You trope when Michael meets up with Amie and tells her why he left.
Michael: So Petra, she— Has she said anything about me? Amie: Well… That you moved from Sweden before I was born… That you’re working as a lawyer. That you didn’t want to see me. Michael: I was… I was young when we met. Your mom and I. And everything went really fast. I was in love, but she had feelings for somebody else. And when she found out that she— That she was expecting you, then… She didn’t want me there. She said I wasn’t father material. To some degree she might’ve been right, but… I wasn’t much older than you are now. I had just gotten into a law school in Berlin. When I finally came back to Sweden, then… She didn’t let me see you. I had already lost you by then, but I want you to know that I— I’ve thought of you. And about a week ago, I… I’m seeing you. On TV. There you are. With my last name. I’m so proud.
However, it's pretty easy to identify the holes in Michael's story. To be honest this whole storyline was predictable from the very start. Before Michael even came into the story, I made this post which pretty much summed up Michael's whole character when we didn't even know he existed yet (this was when 3x03 was the latest episode that had aired).
I don’t think we’ve heard any mention of Amie’s dad in the whole series except for 3x02 when Amie was being interviewed and was asked about the Condé name where she said that while Samuelsson was from her mother’s side, and Condé was from “the other side”. I found her word choice a little interesting. I don’t think Amie’s dad has passed—but rather that he’s alive and just chosen to not be a part of her life, which is why Petra seemed to be a little offended when asking Amie why she didn’t want her last name anymore. This might also be why Amie said “the other side” rather than “my dad’s side” because they have an estranged relationship. [...] I’m not really sure if they’ll do anything with Amie’s dad (maybe they’ll go for that trope where the parent who previously abandoned their child returns after the child has accomplished something big/something major happened and the parent wants something from them for personal gain?).
When we actually get to meet Michael and hear his explanation of why he left, I wrote this post pointing out some of the holes in this storyline.
Michael meeting Amie only after she’s become famous is a little suspicious, but it’s understandable if he previously thought she didn’t want to meet him and then sees her with his last name on national television. Obviously he would contact her after that. I feel like there were some question marks with Michael’s whole story though, and the fact that his work just conveniently happened to send him to Oskarshamn after he’d just seen Amie on TV. Maybe I’m missing something here, but how did he know Amie had gone back to Oskarshamn if he saw her living as a pop star in Stockholm? Was this information about Amie quitting the tour and going back to her hometown even online? If Elias (who actually witnessed Amie saying she was done and quitting) seemed taken aback when he saw Amie in Oskarshamn, then how did Michael know?
I do think Michael will return for season 4 though, so hopefully this storyline will be straightened out a little. We don't really know what Michael has been up for the past few years and if he has a family of his own. Maybe he'll contact Amie again to tell her she has some younger half-siblings?
They ended on sour terms, but if Michael does have his own family it's something Amie deserves to know and she can decide whatever she wants to do. I'd also like to see a Michael/Petra reunion, but I'm getting a little ahead of myself.
This storyline wasn't bad, and I do appreciate we got to find out what the situation with Amie's dad was. I also liked how I was able to sympathize with Michael. He's not entirely awful, even if he did put a lot of blame on Petra. It's one of those situations where you don't really know what it's like to be in Michael's position unless you've experienced it, and it's very realistic.
Plot holes
Some of the plot holes of season 3 that I've already mentioned are how Jack waited a whole year before leaking the Kroon family's secrets and how Michael conveniently knew Amie was in Oskarshamn when nobody seemed to know she was coming except her mom.
I actually don't mind that it was never explained how Michael got Amie's phone number either, because that's usually pretty easy to find with a Google search. Things like addresses, economic status, and even your criminal history are easily accessible in Sweden when googling someone's name. So finding someone's phone number is probably fairly easy as well.
On the other hand, one of the most glaring plot holes appeared in 3x08. In this episode entitled Lost, the Kroon family is frantically searching for Felicia who has gone missing. Leila and Elias knock on Petra's door to see if Amie is there and might know something about Felicia's whereabouts. Petra tells them Amie isn't there and they leave.
Someone left me an anonymous ask which I answered in this post, pointing out how it was strange that Elias didn't just call Amie to ask her when she wasn't at home. We know Elias has her number because they've been talking on the phone and texting each other several times before in the season.
In 3x08, when Elias and his mom go to Amie's house and ask Petra if Amie has seen or spoken to Felicia or whether she's home, I couldn't help but wonder, uh Elias why not just call Amie and ask her if she has seen or spoken to Felicia? [...] if Elias had called her and she heard how frightened him and his family were and police being involved she would have told him and then there would be no point in the 3x09 episode really.
This is a very strong point. You could argue that maybe Elias just didn't think of that but if they went out of their way to visit Amie's house only to not find her there, it would seem like calling her instead would just be a logical next step in the situation? Here's what I wrote in response to this ask.
This is an issue I had with 3x08 and 3x09 as well. I had a hard time actually enjoying the moment between Felicia, Klara, and Amie knowing that her family was getting increasingly worried for her and even thought for a short moment that Felicia was lying dead at the bottom of the ocean. All that could’ve been avoided. To add, it didn’t make a lot of sense to me that when Klara finally decided to call someone she called Amie instead of Elias. An ex-friend of Felicia’s instead of her brother who could’ve helped a lot more. What was Amie supposed to do when she showed up at the hotel, exactly? I know there was the thing with Klara only knowing Amie’s number off the top of her head, but there is no reason why she couldn’t have gone down to the reception while Felicia was sleeping and asked to use a computer just to get a quick message to Elias. Like, “hey, Felicia attempted something bad but she’s safe with me, we’re at this hotel in this room but she didn’t want me to call anybody, I don’t know what to do”. That would’ve been so much better than keeping quiet about the situation for nearly 24 hours. I know that Klara probably has trauma from leaving her dad at the hospital after his suicide attempt and that she probably didn’t want to go against Felicia’s wishes. I understand the first part 100%. But Felicia was in a very bad place emotionally and was thinking that her whole family hated her when that wasn’t the case. I feel like in a situation like that you kind of have to be the bad guy just to ensure the family that Felicia was safe. Even if everything turned out alright in the end, it could’ve gone so much worse if Felicia had wanted to be kept hidden for longer. [...] Elias calling Amie would’ve been an easy solution to this whole debacle but we would’ve lost the drama. It’s still somewhat of a plot hole though, like you said.
I understand it was done this way for dramatic effect, but that doesn't really patch up the plot hole.
I also found it strange how many people turned on Felicia after Jack ruined her reputation in the press. I talked about this in an ask I received.
I don’t understand why the public turned on Felicia so harshly. And Leila too, for that matter. The way Jack told the story about how these two women had things done to them should indicate that they’re not the ones to be blamed. If I read this article and found out an 18-year-old girl got pregnant by a “violent criminal” who forced her to abort and then abused her I would not be angry with the girl. I would be angry that she was physically abused and also outed on her sexuality for being bi. If I read this article and found out Leila had been cheated on by her husband repeatedly with her best friends, I wouldn’t be angry at her. I would not agree with the decision to turn to alcohol (same as Felicia turning to drugs), but I wouldn’t blame them. And I feel like a lot of people should’ve been on Leila’s side after finding out the reason why they divorced. I don’t understand why people are saying they’re disappointed in Felicia and calling her fake when she’s been through so much trauma in her life. I feel like if this actually happened in real life, all the blame would be shifted to the men because they’re the ones who—in this story—are painted as the bad guys (with the exception of Jack, considering he was anonymous).
I got another anonymous ask sent in after this, pointing out how the anger directed towards Felicia was considerably more about her drug use rather than the abuse she endured. Here was my response to that:
[...] the drug use should’ve been understandable considering the stuff Felicia had been through was also written in that article. I don’t know. I can understand people unfollowing her if they didn’t want their young children to be exposed to all the controversy, but it’s still strange that everything Felicia received was hate messages. Did everybody just skip over the part where the anonymous source stated that Felicia was violently forced to have an abortion by an ex-criminal and probably did so out of fear for her life? Yes, we know this is fake, but why didn’t anybody seem to mention this? [...] they seem to have written this storyline with the idea in mind that the public was against the whole Kroon family. Felicia got comments such as “So fucking disappointed in you and your family”, “What a nasty fucking family”, “You and your family are so fucking disgusting”. So I think Leila received plenty of hate for drinking instead of divorcing her husband sooner and basically turning a blind eye to all the problems her family went through. That’s what Jack told the press, at least. The anger seemed to be directed towards every member of the Kroon family and that didn’t make a lot of sense to me.
Again, this is something the writers did to dramatize the situation and they kind of forgot to consider that what Jack actually told the journalist wasn't as incriminating for Felicia and Leila as it were for Mats and Elias.
The magic of season 3
What season 3 really excelled in, to me, was delving into some more serious topics as well as showing the gradual development of Amie and Elias' relationship. Amie and Elias are the prime example of how a slow burn is so much better than having a couple get together too fast, like Felicia and Ludde did back in season 1.
While season 3 was still airing, I wrote a post dedicated to questions I had received about Elias and Amie. Here's one of the things I said about them:
I think Elias’ interest in her really started to grow after he saw how caring Amie was to Felicia, and later on connecting with her on how they both ended up back in Oskarshamn after following their dreams which didn’t exactly turn out the way they expected. Yes, Elias has always sort of been watching and admiring Amie from afar, but that interest didn’t start growing until he actually got to know her. The experiences they had in the US and Stockholm, respectively, probably changed their mindsets and in my opinion it makes so much more sense for them to get together now than it would’ve in season 1 or season 2.
I still believe that Elias and Amie are the best-written couple of the whole show (at least so far), because they just make sense. We'll see what season 4 has in store for them because we have yet to actually see them in a romantic relationship, but I feel like their personalities and characters just fit together really well.
Another thing I really appreciated was the depiction of Felicia and Ludde's declining relationship. Things like that happen so easily, and I liked how we see Felicia do this huge gesture of planning a picnic for Ludde in 3x04 but there were still underlying problems between them. It's like that in real life too—no matter how big of a romantic gesture you make, communication will always be the number one priority in any relationship and that's where Felicia and Ludde fall short.
The obvious disconnect between them when it comes to money is also important. It's been like this from the beginning, but season 3 gave us an actual conversation about it.
Felicia: Please, I can’t talk about this. Seriously. It was stupid of me to bring this up from the beginning. Fuck, I get such anxiety talking about the future— Ludde: You get anxiety? I’m the one walking around with no money in my account. Mom and dad had to get a loan to pay off mine and Andreas’ fines. I’m playing on a shitty old synth, and living off you like some leech. That’s anxiety. Felicia: Everything isn’t about money. Ludde: Says the one who has money. Felicia: Move out then, if it’s so fucking hard to feel like a leech.
This felt very realistic. Of course a person like Felicia wouldn't think money is everything when she's never experienced financial issues. She's able to move out into her own one-bedroom apartment as soon as she's turned 18, it seems, and doesn't worry at all about the cost of furnishing and decorating it. She didn't even pay for it herself, because Mats mentions he's the one on the mortgage loan. It seems like Felicia has never had an actual job either, and that's starting to worry her because she has no idea what she should be doing.
Felicia: [...] I don’t know what I’ll be or what I’ll do in the future. I don’t know that. Ludde: You’re still an influencer— Felicia: Don’t say I’m an influencer, please. Do you think I want to be that my whole life? It’s not even a career. I'm— I’m graduating next year, and I… My grades suck, and— I have no plan. I only have you. Not like that—I have you. That’s what I have. I want to be here, in Oskarshamn. I don’t want to go to the US and chase some dream and be a hockey wife. That’s not a life. Sometimes I wish neither of us had a plan, just us together here.
Felicia's character finally offers something interesting here, which I've waited for since season 1. She's not just a party girl anymore who has issues with drugs. She's a privileged teenager who is co-dependent on the guys she meets and who has anxiety about the future, to the point where she wishes she could stay in Oskarshamn in her little apartment forever stuck in limbo.
She has to face a harsh reality when Ludde decides to break up with her, and later on when her name is slandered in the press and people all over the country are sending her hate messages. Her own family is furious with her and Felicia has nobody. She's pushed away a lot of people and her mental state is just crumbling in front of our eyes.
It's a strong storyline and actually very well executed. Almost everything gets taken away from her, and at the end of 3x07 you can almost feel what Felicia is feeling. We've been with her through this whole journey, almost, and we understand why she feels like suicide is the only answer.
It's tough to watch that final scene of 3x07. It's greatly amplified by Alva Bratt's superb acting, but the writing of the journey there is also amazing. It's very difficult to write a sensitive storyline like this.
Overall, I don't have a lot of critique towards season 3. I loved most of the episodes. I elaborated on this further in a separate post:
[Episodes 3x04 and 3x05] showcased what Eagles should be all about so well, which is relationships plus the struggles you go through as a teenager in a small town, and then of course hockey. The hockey game episodes are really good, even if I don’t think 3x05 topped 2x05 (the game where Ludde got tackled and knocked out). I loved the contrast in Date night of the budding relationship between Elias and Amie and then that fight between Felicia and Ludde on the cliff. [...] It was interesting to see how this sweet gesture from Felicia turned into a fight between the two of them. I thought that was very realistic, because no matter how big of a gesture Felicia made to apologize there were still underlying problems that they needed to talk about. I also loved the “non-date” between Elias and Amie in this episode. It was cute to see them goofing off before the movie started and then talking about it on the way home. I liked how Elias could connect to her on how they had both returned to Oskarshamn. The recent episodes that dropped last week (3x08 and 3x09) were very strong and discussed some important subject matters [...] They were dark, but not necessarily bad because they needed to happen. However, I have to say that I prefer Eagles when it’s about hockey and teenage relationships. 3x04 and 3x05 made me kind of nostalgic for season 1 and I liked the vibe they both had.
Eagles season 3 is in my opinion the best season of the show so far, and we haven't seen any signs suggesting that there is any reason for season 4 to not be even better.
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Season 4: Hopes and wishes
Considering how each season has been increasing in quality bit by bit, I have pretty high hopes for the writing in season 4. I'm excited to see how the transition from teenager to young adult will be portrayed in the main characters, and what their future will hold for them after they've graduated.
My main questions are if Felicia and Ludde will find their way back to each other or if they'll remain broken up (that would be realistic as well), if Klara will reconcile with her mom, what's in store for Elias's hockey career, and if Amie will leave her label and maybe opt for something more independent.
I also want to see how Felicia deals with the new home she's checked in to, and if Ludde will in fact go to the school now that it seems Andreas will be getting into trouble again.
Amie and Klara are kind of wild cards here, because it somewhat feels like they've already reached their happy endings. Amie is famous and successful in her pop music career, and Klara has found her place as a businesswoman following in her father's footsteps. Maybe these developments should've come in season 4 instead of rushing them.
Nonetheless, I have faith in the writers. The writing suffered a little in seasons 1 and 2 but it has gotten better. Most of the things I pointed out about season 3 were just small details in an otherwise stellar season.
In conclusion...
This post was critical, but I tend to be critical of every show I watch. Eagles is still a very special show for me and having grown up in a Swedish small town myself I'm very fond of the show and its characters.
So huge thanks to the creator, Stefan H. Lindén, for making this show a reality and also to the director Carl-Petter Montell for contributing to the writing in season 3. And of course the writers of the show which include Michaela Hamilton, Fanny Ekstrand, and Anton Nyberg (plus Amanda Adolfsson who helped write 1x02 and 1x05 and Simon Ekbäck Nordström who is credited for helping with the hockey scenes in 3x05).
I hope you guys enjoyed this long, long post and major kudos to you if you read this far!
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jlalafics · 4 years
Note
#16 “Are you hurt?” “No.” “Then why are there bruises all over your face?”
And now for some teen Everlark...
“You want him to notice you, right?” Johanna, her cousin, asks. “The first thing is that you have to make him see that you’re a girl.”
Johanna is a seventeen, a good four years older than Katniss. She’s popular and pretty—her dark magnetic eyes capturing the eyes of many boys in the senior class. However, it isn’t just that; her cousin exudes a confidence and allure that she could only dream of imitating.
“What do you think I should do?” Katniss asks over the phone.
Downstairs, her mom and dad are getting ready to head next door to help the Mellarks set up for the party. Prim, her three-year-old sister, is already is there, playing with Delly, who is Rye Mellark’s girlfriend and the Everdeens go-to babysitter.
“Well…have you tried some makeup?” Johanna suggests kindly. “Some lipstick…eyeshadow…blush?”
“I don’t know how to put any of that stuff on!” Katniss tells her in a panic.
“Do you have magazines? Seventeen? Teen Vogue?”
“No, I’ve never really been interested in them,” Katniss admits. She’s seen the other girls in class looking through issues of Seventeen, but those kinds of magazines didn’t interest her as much as the life cycle of a frog or the works of the Brontë sisters. “I’m just not like the other girls. I’m different…I don’t even know why I’m trying.”
“You like him a lot, don’t you?” Johanna muses over the phone. “Okay, why don’t you gather a few things from your mom’s makeup stash? I’ll guide you over the phone.”
“Okay,” she readily agrees.
“So, you’re going to need some eyeshadow, blush, and maybe a nude lipstick…”
++++++
Katniss practically skips over to the Mellarks, an hour later.
It might’ve taken a few tries, but she had managed to follow Johanna’s careful instructions.
Now, she’s a new person—in a butterscotch baby doll dress and brown ankle boots—as she opens the door and steps into inside the Mellark home. She’s spent most of her childhood there and they always leave the door unlocked, in case she wants to hang out with the boys.
All the adults are gathered in the living room, chatting over coffee and her mom spies her first.
“Katniss—OH!” Her eyes widened and she shoots up from her spot next to her husband to join Katniss in the entryway. “You look…different.”
“I borrowed some of your makeup,” Katniss says. “Are you upset?”
“No, sweetheart,” her mom replies. “But uh…how did you know what to do?”
“Johanna taught me over the phone,” she tells her.
There’s a series of stomps as Rye and Delly come downstairs. In Delly’s arms is Prim, who squeals at seeing Katniss. As the couple get to the final steps, their eyes zero in on Katniss and they immediately freeze.
“Who did this?” Rye asks immediately, concern in his eyes.
He’s always been protective of Katniss, seeing her as a little sister. Katniss can understand why a new look might make him worry about her getting some attention.
“Katniss has decided to try a new look,” her mom informs the couple hurriedly. “Doesn’t she look like a whole new woman?”
“Oh yeah!” Delly walks over to her, a tight smile on her face. “I have a lipstick that would go great with it. Why don’t we go upstairs—”
The conversation is interrupted by a group of boys coming from the backyard. Vick and Gale Hawthorne, who live across the street, are arguing over the right way to pitch, their catching mitts on, while Evan, Delly’s younger brother follows behind with Pe—
“Whoa.” Vick stops in front of her. “What happened to your face?”
Gale puts a finger to her carefully applied blush. “Are you hurt?”
Katniss swipes his finger away. “No.”
Vick peers even closer. “Then, why are there bruises all over your face?” He steps back. “Is that makeup?” He begins to cackle loudly. “I think you went a little overboard—”
“Vick.” Mrs. Hawthorne has suddenly joined them, eyes hard. “Why don’t you go home?”
“What did I do?” he yowls.
“You didn’t learn the proper art of subtlety,” Rye growls, leading the boy out the door.
“Katniss?”
She turns at the soft, kind voice to find Peeta Mellark approaching her, his luminous blue eyes gazing at her in worry.
“Hi, Peeta,” she greets him with a nervous smile. “Happy birthday.”
Katniss tries to tap down the excitement of Peeta seeing her new look.
Maybe now, he’ll see her as more than his teammate on the softball team. She might not be as developed as some of the other girls in class, but he can’t deny that she’s not a girl, especially with her new makeover.
“So, you’re going for a new look?” he asks.
She wants to say it’s all for him, but instead just nods in nervousness.
Katniss has to know. “Do you like it?”
There’s a panicked expression on his handsome face and his pallor goes scarlet.
“It’s…interesting,” he finally tells her.
Something sinks at the look in his eyes. “You hate it.”
Katniss can feel her face begin to crumble and she heads towards the door, stopping suddenly when she catches her reflection in a mirror next to the door.
She’s hideous.
The brown eyes shadow is spread too thick on her lids, some of it has traveled under her eyes making her look bruised. The blush is streaked on her cheeks; she looks like she’s been slapped on both sides and the lipstick makes her look ghoulish.
Katniss should have listened when Johanna said less was more.
Throwing the door open, she rushes out, slamming it behind her and barely making it home before bursting into tears.
++++++
She’s getting ready to go to bed, sans makeup, when there’s a knock on the door.
Her mom steps in, giving her a gentle smile. “Now, there’s my girl.”
“I’m not a little girl,” Katniss bristles, sitting on her bed, and crossing her arms. “Not like anyone even notices.”
“I’ve noticed,” her mom replies, joining her, and putting an arm around Katniss’ shoulders. “Maybe I’ve just been in denial because I’m not ready to let go. You’re my first baby.”
“I’m tired of people not seeing me,” Katniss tells her.
“People see you.” Her mom lifts her chin. “You have no idea the effect you have on people.”
Katniss looks to her. “What do you mean?”
“There’s someone who wants to see you on our porch.” Her mom stands and tugs her up. She quickly undoes Katniss’ braid, combing her fingers through to define her daughter’s waves. Then her mom goes to her closet, grabbing her long burgundy cardigan. “It’s chilly, so wear this.”
She eyes her mother. “Okay.”
“Don’t stay out too long,” her mom replies with a slight grin. “Your dad won’t be too happy.”
Together, they leave her bedroom, separating at the stairs so her mom can go check on Prim.
Downstairs, her dad is in the living room. He looks to her, warmth in his gaze.
“Give him hell, sweetheart,” he advises with a wink.
Katniss nods her head before going to the front door, opening it then stepping out.
Peeta is standing on the porch, hands in his pockets. “Hi.”
“What are you doing here?”
“You left my birthday party,” he replies. Going to a corner of the porch, he reaches down and grabs a small white box. “I didn’t want to blow out all my candles without my best friend.”
“Oh.” Katniss tries to hide the sting of disappointment at the word ‘friend’ even though it’s attached to such a magnanimous title. So instead, she sits down on the steps and pats the spot next to her. “Alright then. Let’s blow out your candles.”
Peeta sits down, opening the box and revealing a single cupcake—chocolate with buttercream icing, her favorite—with a candle sticking up on top.
“Before I light this,” Peeta begins. “Why did you suddenly decide to wear makeup? I mean, it’s not something that I thought you were interested in—"
“Because you don’t see me as a girl, I get it,” she interrupts in frustration.
“No!” Peeta lets out a frustrated breath before turning to her. “I know you’re a girl…a lot of people know you’re a girl…a lot of guys, specifically.”
Katniss shakes her head. “No one ever looks at me—”
“Because I tell them not to! Because you’re not some piece of meat that they can ogle when you walk by with your hips swaying…” Even in the darkness, she can see his reddened cheeks. “…I’ve always seen you as a girl and I hate that other guys are starting to notice. Because…uh…I mean…I…um—”
She takes his hand, worried that he’ll start to heave. Knowing Peeta, he’s probably forgotten his inhaler at home.
“Take a breath and continue,” she says.
“Because I always thought of you as just mine,” he admits quietly. “Since that day in Kindergarten when you sang the Valley Song in front of the class. You were so brave. And I always thought that maybe you were singing for me…”
“I was.” Katniss’ mouth rises in a soft smile. “I’ve always been singing for you.”
Peeta’s own mouth bursts into a wide grin.
“Good—I mean, I’m happy that we are…and it was…just for me.” Anxiously, he runs a hand through his golden locks as he pulls out the lighter from his pocket. “Why don’t we just blow out the candle?”
“What about singing ‘Happy Birthday’?”
“Everyone already sang it, and it was ruined because you weren’t there,” he tells her. “So, it’s okay.”
“I’ll just sing another song.”
Katniss searches her head for the perfect tune. Suddenly, a song comes to mind.
Her mother once said that it reminded her of Katniss in some way. At the time, she laughed it off.
How could Vanessa Williams have any insight on the life of one Katniss Everdeen?
Now, as she sits face to face with Peeta, Katniss realizes that her mother understands her more than she realizes.
She looks to Peeta. “Don’t laugh, okay?”
He shakes his head vehemently. “I’d never laugh at a serenade.”
Katniss shakes her head in amusement before clearing her throat and singing out:
 “Sometimes the snow comes down in June
Sometimes the sun goes 'round the moon
I see the passion in your eyes
Sometimes it's all a big surprise…”
 She closes her eyes, realizing how much she relates to the lyrics and that maybe there are other people out there who wish for the kind of love that she wants from Peeta. The kind where your first love can become your last love.
Her mother always said that she was much too wise for her age.
Her eyes open to find Peeta in rapt attention, and their eyes meet, his own soft and filled with something that makes her ache.
 “Sometimes the very thing you're lookin' for
Is the one thing you can't see…”
 He is suddenly sitting much closer, so close that she can count every little freckle along his cheeks…every little eyelash…
Katniss swallows down her nervousness and continues her song.
 “But now we're standing face to face
Isn't this world a crazy place?
Just when I thought our chance had passed
You go and save the best for last…”
 There’s a moment of quiet and her hand covers his.
“Happy birthday, Peeta.” She takes the box in his grasp along with the lighter and lights the candle. “Make a wish.”
Peeta gives her a small smile before blowing out the candle.
“I don’t suppose you’ll tell me what you wished for,” Katniss jokes.
He shakes his head. “I can show you.”
“How—”
Peeta suddenly cups her face between his hands and presses his lips to hers.
He tastes of sugar.
Her own hand reaches to the nape of his neck as she tilts her head to slot her lips closer to his.
It is everything Katniss could have ever hoped for in a first kiss.
Reluctantly, they pull apart, panting, and grinning.
“That’s what you wished for?”
Peeta nods, still breathless. “That and a chance to take you to the movies tomorrow night.”
“Alright,” she agrees immediately. “I think I know what I’m going to wish for my next birthday.”
Peeta puts an arm around her, pulling her to his side. “What?”
“For Peeta Mellark to be my boyfriend.”
He beams. “I think you’re going to get that before your birthday.”
++++++
“How long am I going to allow him to be out there?”
“Theo, stop peeking out,” his wife tells him. “It’s creepy.”
“Suze, they’re out there feeding each other cupcake pieces like newlyweds!” The man turns to his wife. “Why did you allow this? I thought I would have more time before fending off a boyfriend!”
“It was going to happen, anyway,” she replies easily. “Give them five more minutes.”
“And then I can turn the sprinklers on them?”
Suzie Everdeen shakes her head at her husband. He has conveniently forgotten that they had gotten together when they were around Katniss’ age.
And they never looked back.
For now, she’ll give him this one thing.
“Fine.” She kisses her husband’s cheek. “I’m going to bed.”
Less than five minutes later, Suzie hears the screams of the young couple as they are soaked by the new power sprinklers that Theo installed last week.
 FIN.
 Song: “Save The Best For Last”—Vanessa Williams
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ilguna · 4 years
Text
Redamancy - Chapter Three (f.o)
summary: it’s time to forgive and repair.
warnings; swearing, drug use/mention, alcohol use, hints at prostitution and I bend the Capitol to my will.
wc; 9.9k
NOTES; I give reader a last name to fit the world.
This morning, you’re up and out of bed without a single complaint. You sit on the bed for a while, staring out the window and watching as the city slowly comes to life. Traffic is light for the first hour or so, but it doesn’t stay like that. You can imagine that everyone is anticipating tomorrow, the last day before the games start.
One breather day before it all goes downhill.
You get out of bed after that, taking your time inside of the shower, mainly trying to find what Annie and Marsh will be like during the interviews. There’s nothing that the Capitol hasn’t seen before, seventy years worth of the Hunger Games--they’ve experienced it all. The most you can do is put a twist on an adjective.
New approaches are always hard, you’re competing with ten to twenty other mentors. Most of them have been at this longer than you have--mainly Haymitch. But to be fair, Haymitch gave up on this whole scheme a while ago. The only thing he does anymore is drink and make a fool of himself on television all the time.
Sad to say, but District Twelve isn’t a threat at all. They didn’t even really post a threat during your games, either. That’s a conversation for a different day, though. You’re not really willing to get into it anymore. Your focus needs to be on helping Annie and Marsh.
By the time you’re dressed and in the dining room, you’ve still come up with nothing. The only other person at the table this morning is Finnick, which is a pleasant surprise. Elysia is always the first and last person out of the dining room. Not to mention, you’re pretty sure she sits out here and waits hours for you guys to appear. It explains why she has the tv on all the time when you get out here.
“Looks like you’ve got an early start going on too.” you say, heading down the steps.
He hums, head dips and then he’s shooting upright in his seat.
“Okay, maybe not.” you stop next to him, grabbing his chin with one hand to make him look up at you. His pupils are dilated, bags beneath his eyes. He looks much older here, not the same guy he was yesterday, “How about you take today off?”
“I’m fine.” he murmurs, moving your hand away, “Just a late night.”
“Go sleep while you can.” you tell him, “Hopefully some of the drugs will wear off by then.”
“They already have, they don’t work anymore.” he yawns, and then moves the plates out of his way so he can rest his head on his arms.
You count in your head how long it takes for him to fall asleep. At five seconds, you get your breakfast, at ten his closed eyes aren’t as tense. When it hits fifteen, his mouth parts and body slumps. He’s out cold by eighteen, nice and steady breaths. It’s going to be a quiet morning after all.
“Can I get something to write on?” you ask the avox.
She gives you a curt nod and disappears. In the meantime, you eat your breakfast and stare at Finnick, who looks like he’s never had a tense moment in his life. The only times Finnick truly looks relaxed is when he’s not awake. As if he’s never been in the Hunger Games, his family isn’t gone, and he’s never worked every night in the Capitol since he turned sixteen.
Your stomach churns, heart squeezing painfully. You try not to frown, but it’s hard not to. A part of you wonders if this is what you look like to your family when you accidentally fall asleep on the couch or in the study, working on paperwork for the boarding school. You’re just a pair of overworked kids, who have never had a peaceful moment since the Hunger Games.
The avox comes back around, you quietly thank her and ask her to clean up Finnick’s plates. She doesn’t disturb him, clearly good at her job. You chew on the inside of your cheek while writing down different adjectives that could describe Annie and Marsh’s personalities right now.
Annie is quiet, she doesn’t speak unless it’s a dire situation or you’ve asked a question. She’s smart and trusting, she can work her way around problems and read into cryptic messages. She’s kind, you’ve seen the way she helps the others in the boarding school, but she’s easily deadly, the way she fights is completely mesmerizing. She’s the last person you’d expect to betray you, which is why she could easily have an advantage over a large alliance. People wouldn’t expect her to sabotage them.
As for Marsh, he’s nearly the opposite when he isn’t feeling anxious. He’s loud, he’ll easily let someone know what he thinks about them, especially if it’s not good. He’s strong, you’ve seen him pick up people twice his weight, but that doesn’t make him a good fighter, exactly. He wrestles pretty well, can get anyone into a position that’ll bring them to tears because of the pain. He smiles a lot, cracks jokes when he can.
You hum lightly, feeling it all come together. Marsh is fun, loud, he can make a show out of the interview. Three minutes would be enough to have the entire audience in stitches. It might even surprise the audience a little, since they always expect the careers to be brooding and quiet, always banking on their training scores. But if Marsh is constantly moving and interacting with the audience, they’ll be taken off guard.
Same thing with Annie, but she isn’t as naturally smooth like he is. She can be friendly and compassionate on stage, the complete opposite of deadly. The Capitol has been holding onto stereotypes for years, and the tributes have been feeding into it. Even you did the same, by promising your family that you’d come home. If Annie just acts as the definition of kind, she’ll be turning it around.
You write this all down, as well as some notes and starter questions that could test their act. You want them to completely avoid conversations about their scores and how well prepared they are. Their scores already say that about them, now it’s time for the citizens to see that they’re exciting.
Around noon, Elysia finally comes through the door. She barely spares you and Finnick a glance at first, but then she pauses on the stairs to take a look at him, “Is he sleeping?”
“Late night, apparently.” you look at her, “I’m ready to get started when you are.”
“Give me a couple of minutes.” she smiles, and then leaves into the hallway.
Unfortunately, this means that Finnick can’t sleep any longer. At least he got a couple of hours while it was possible. You lean against the table slightly, “Finnick.”
He doesn’t move, not even stirring. You wonder what else he took on top of the regular ‘fun’ drugs. Maybe he drank along with it, and knowing the Capitol, it’s not as dangerous as it sounds. You call his name again, but he’s still pretty out of it. A part of you wonders if he’d actually care letting the tributes see him in such a vulnerable state. But if it were you, you’d hope that he’d wake you up.
You slide out of your chair, letting it scrape against the wood floors. You grimace at the thought of touching him to wake him up, you know for a fact that you hated it when your brothers used to do it. It took for that one time when you accidentally went overboard for them to realize that you meant what you were saying about it being a bad idea.
They tried to tell you that you’d never hurt them. But you had to emphasize that it wasn’t you that was waking up first, it’s the scared girl that spent an entire month in an arena that was trying to kill her. She’s going to come out offensive and on the move, you’re going to be right behind her.
Even reminding them about the time someone came up behind you after the games didn’t convince them either. It was right after the Hunger Games too, before the Victory Tour. Some idiot reporter came up behind you as a surprise, and it took half a second before the world went grey and you thought the reporter was the District Twelve boy.
And since in the Hunger Games, the only way to get home is to kill, you nearly murdered the reporter. It would’ve happened if it weren’t for your brothers, who took a hit in the process anyway. If you remember correctly, Mox came out with a bruised rib, which isn’t easy to do considering that he’s pretty much muscle. And you almost broke Reed’s nose, there was blood leaking from it for a good ten minutes afterward.
You guess that they were trying to give you the benefit of the doubt, but after a while, you’re just intentionally getting burned, you know? There’s only so much you can do for a person before you need to take their word for it. It’s fine if you’re not perfectly healed just yet. Time does not heal all wounds, some of them will be open forever.
You gently place your hand on Finnick’s back, rubbing it, “Hey, Finnick?” you try your motherly voice, but it still doesn’t seem to be working. Maybe he’s dead.
“Finnick.” you apply more pressure, hearing him take a deep breath.
His arms stretch out beneath him, head slowly raising. You back off, and run a hand through your hair on your way back to your place at the table. Finnick’s got red lines from his clothing across his face, eyes automatically in a squint. His eyebrows push together, looking at your first.
“What time is it?”
“Noonish.” you say, “Tributes are gonna come out in a minute, Elysia is back.”
“You just left me out here?” his nose scrunches.
“No, I actually sat out here the entire time.” you sit in your seat, and then frisbee the notepad across the table for him to look at.
He rubs his face, which is still twisted as he tries to read what you’ve written, “Creep.”
You roll your eyes.
As he reads, Elysia comes out looking more refreshed, “Tributes will be down here in a moment.” she joins you and Finnick at the table, “Am I starting with Annie first?”
“If you want, our plans go either way.” you say, watching as Finnick tilts his head, “What do you think?”
“It’s a twist.” he says, “I’m not sure how they’ll like it, but we can definitely try.”
“Everything’s worth a try nowadays.”
“Can I see?” Elysia asks, Finnick hands it over to her. She reads over it silently, a smile coming to her face as she nods, “Yeah, I think this’ll be good. I’ll try to work that into what we normally do.”
Elysia hands it back to you, Marsh and Annie come out of the hallway. They’re not dressed in anything fancy, not even in something that the stylists have picked out. Normally what the tributes wear are totally up to the stylists, starting from the tribute parade, to the training days, to the interviews. Today is the only day where you’re able to see how they want to be dressed.
Annie’s laid back, a pair of leggings and a loose tank top. She’s got her hair tied back, and gives you and Elysia a polite smile on her way over. Marsh is more casually dressed, jeans, a shirt, a pair of tennis shoes, his hair styled. It says a lot about personality and how they think.
“Good afternoon, hope you guys slept well.” you smile, and then give Finnick a side-eye. He’s not very amused.
“I definitely felt a lot better last night.” Marsh nearly skips down the steps, he’s a lot more confident now, “Since we have good scores, it’s hard to think otherwise.”
He takes his spot at the table, Annie takes hers, “I’m still nervous,” she admits.
You don’t have to say a single thing to her. In fact, Marsh seems to have it all handled this afternoon. He’s definitely had a change of heart. You finish eating, leaving the table to go down to the living room to rearrange chairs and set things up properly. It’s not long until your tributes are full and ready to get started.
“We’re taking Marsh first.” you click the pen, Finnick joins your side.
Elysia guides Annie towards her room, Marsh comes down to where you are. You motion for him to take his seat, which is opposite of the one that you’re sitting in. Finnick takes the role of audience, leaning his head against his fist. He’s got tired eyes, still not awake. You can’t really blame him.
“How do you feel about being in front of an audience?” you ask.
He hesitates, “Is this an interview question?”
“No, not yet.”
“Oh, well…” he thinks for a moment, “I mean, I don’t mind them. The parade wasn’t all that bad. But I think that’s because I was being compared to others, I knew I wasn’t the best or the worst out there.”
You give him a smile, “Well, we’re going for the best here. So, here’s what we’re going to do--”
It’s simple, and Marsh seems to understand it the first time around. No matter what happens on that stage, Caesar shouldn’t ever get the opportunity to make enough tension to ruin the light mood. Marsh needs to be confident, exciting, funny and relatable the entire time.
Which means that if Marsh needs to spend time lining up jokes, then he needs to get to it. You suggest jokes on the expense of District Four--or any of the districts, really--his family if he’s comfortable, and spin it. Make the Capitol look grand and amazing, like kings and queens compared to peasants. However, he needs to be careful not to make him sound sarcastic and overbearing.
There’s a whole list of things that Marsh needs to avoid at all costs; certain family topics, token significance, if he misses home, his training score, what he thinks of the competition, etc. He’s not at all allowed to give the Capitol enough information on him to run with. Tributes in the past have been mysterious, but mentors have combined it with brooding.
Marsh is going to be memorable, fun-loving. Caesar might even reference him in the future when it comes to seeing District Four tributes. What twist will the mentors have to give this year? Stay tuned to see, and if you blink too much, you’ll miss it.
And since it’s not really a coaching lesson without some practice, you and Finnick take turns drilling him. Marsh is clearly a natural at this, he starts off a little stiff, jokes dry and shy smiles. You had to tell him that he needs to stop looking at you as a mentor and as a Capitol citizen who is so unimpressed by how boring he is.
After that, he took it more seriously, and even had you and Finnick cracking up some of the time. Only a few times do you have to remind him not to go too hard on District Four, and how he barely scrapes by with questionable statements about the Capitol. In the end, he’s at a different standing point.
Elysia comes out with Annie, ready to trade. Annie’s flustered, standing at the top of the stairs. She must have done something inside of the room to get scolded, or maybe she was praised? You don’t care, you push Marsh up the stairs and let Annie take a quick snack break before you start the process over.
“Marsh’s interview is going to be a comedy skit.” you tell her once she’s sat down. You and Finnick have switched spots so that he can ask the questions, “We figured that you wouldn’t be as comfortable with a job like that. So, we want you to be as kind as possible.”
Annie’s eyebrows draw in, “If you’re trying to go for unique, you’re going to be failing with me. Plenty of people go for kind.”
“Not the careers.” Finnick says, “Careers always sneak in some aspect of dangerousness. You’re not going to, at all. You got a nine, but Annie Cresta is going to be a kind girl from Four who’s absolutely beguiled by the Capitol.”
A small smile is forming on your face, “You’re going to have to be an actress for three minutes on stage. Do you think you can do it?”
Annie gives a curt nod. Finnick’s smiling now too. You can’t launch straight into the interview, instead you have to give Annie a few pointers beforehand. She catches on quickly, just like Marsh. However, with her, she’s got the act down on lock, she doesn’t even need to be corrected.
And when Finnick alludes to her training score, she easily redirects the conversation somewhere else. Maybe it’s a compliment on the experts inside of the center, or maybe it reminds her about the food she’s eaten! Either way, Annie’s a brick wall, and not even you two can get through to her on the sneakiest questions.
At dinner, Marsh, Annie and Finnick are exhausted, you think that you’re starting to feel it too. Needless to say, it makes for a calm and quiet evening. Annie and Marsh pack it up and head to their rooms around seven, there’s not a single sound that comes from their rooms after.
You sit on the edge of a table next to Elysia and Finnick. You’ve got your arms crossed, Elysia has her fingers perfectly laced in front of her, and Finnick is rubbing under his eye.
“Tomorrow’s the big day.” Elysia says, “I think that you two will be able to sleep in and get up later on, since the prep team will have them.”
“We still have to get up with enough time to dress nicely. Sometime in the afternoon, then?”
“That’ll probably work.” Finnick says, you watch as he twists the loose rope on the bracelet into small loops big enough to slip his pinky through.
You tilt your head up towards the roof, eye following the cracks along the ceiling, “Are you busy tomorrow night?”
“After the interviews?”
You think you can see a stain on the ceiling, a faint red color, like someone scrubbed the ceiling, “Yeah.” you look back at him.
“No, I don’t think so. The festival knocks out anything that would happen.” His eyes find yours, abandoning the bracelet, “Why?”
Elysia shifts on her feet, “Do you need me for anything else?”
“Uh,” you pause for a moment, thinking. You don’t think so, tomorrow you’ll probably have trouble sleeping past ten, so you’ll be up and doing something. The interviews always have you nervous, no matter how well prepared your tributes are. And as always, this year is no exception, “I don’t think so. I’ll find you if I do.”
She looks at Finnick next, who gives her a slight head shake, “Goodnight, don’t exhaust yourself.”
The last sentence is directed towards you, “Goodnight, Elysia. Thank you for your help today.
She leaves, giving you and Finnick privacy. His eyes are back to being trained on your face. A part of you wonders if you should even bother with an offer like this, you’re sure that he would much rather stay here, or go wherever he used to when the festivities came around after the interviews.
You know you used to shut yourself in your room and be absolutely quiet. Quiet enough to hear every single thing that would happen outside of your door, sometimes extended to the living room if Elysia, Laurel and Pleurisy were gathered together. You couldn’t handle it. The night before the games is always the worst, it makes your chest ache at all the second thoughts that had run through your mind.
The what-if scenarios, the thousands of possibilities of what the arena could look like. The different ways you could die. Would it be in the bloodbath after one small mistake? Would it be by the hands of your allies after realizing they were stupid to invite a fifteen year-old to join them? Would it be by your former ally and friend, Finnick, to get you out of the way?
Even trying to project the image of you winning the games didn’t work. You were overwhelmed and anxious and completely unknowing of what your future would be. You didn’t want to end up like all those other kid tributes that end up dead after a few days. You didn’t want to make the same mistakes that you used to make fun of back home.
You can’t imagine how that’s going to go for Annie and Marsh, who volunteered to be here. You know you would be regretting it about now, especially since they’re so close to the cut off age. They could be back home, with their families. But they’re here instead, about to be thrown into an arena to fight for their lives.
This apartment is a cage to tributes, you’re lucky that it doesn’t extend the same way to victors.
“After the interviews, the group and I normally go and hang out around the festival.” you uncross your arms, placing them on the table behind you to lean back, “We eat at a nice restaurant, I normally watch them get drunk. You can come with, if you want.”
Finnick doesn’t say anything, face relaxing for a moment. Maybe he thought you were going to say something else? You stop leaning against the table, “You don’t have to go. They’re not your friends, I just thought I’d offer.”
“Why do you go out with them?” he asks, eyebrows drawing in, “You don’t seem like the type to go out there anyway.” he presses his lips together, “Actually, you don’t really intermingle with the Capitol unless you really have to.”
A couple of things come to mind, one by one. The first one is that Finnick has obviously been paying attention to you over the past couple of years. He just gave that away with telling you how your own mannerisms are. However, he clearly doesn’t follow you that closely, because you go out a lot more when you have the time. The other mentors are a getaway when you’re feeling particularly in your head.
The second thing is how his whole demeanor seems to have changed after you told him he didn’t have to. Maybe it’s because you’re backpedaling, but it’s not because you don’t want him there. You know that you’ve been taking up his time over the past couple of days, which has been conflicting with his needy Capitol schedule. You wouldn’t blame him if he just wanted to be alone or something.
The third is how he’s redirected it to you, not answering the question. Normally people will assure you that they’ll go or they have plans before asking you something like this. You don’t want to say he’s getting defensive but it’s hard not to.
Your voice is a lot quieter, a lot softer than you expect to come out, “They’re my friends, Finnick. And they make me feel normal again.” you squint for a moment, and then let out a sigh, “If you don’t want to go, you could’ve just said so. Forget I said anything.”
You slip away, Finnick doesn’t say anything. When you get back to your room, you silently peel off your clothes and get dressed into something more comfortable. You have a feeling that you’ll sleep pretty soundly tonight, considering how exhausted you are. You drop your ring into the small bowl on the bedside table, and then roll over in bed until you’re comfortable.
--
You wake up a little after ten, but don’t leave your room until eleven. The dining room is empty, your tributes have already eaten and are experiencing their own version of chaos inside of their bedrooms with the prep teams. Who knows where Finnick is, after what happened last night. And Elysia is probably off with Pleurisy and Laurel since she has the free time to, and you told her that you wouldn’t need her at all this morning.
You don’t eat much, a little hung up over how you left things last night with Finnick. It’s hard not to think about it, and the mistake you made with your choice of words. Not only did they come out more mean than you intended, but you’re also pretty sure you just ruined whatever progress you’ve made over the past week.
You don’t know if you can stay inside of the apartment all day today. It’ll still be a few hours before Annie and Marsh are ready to be brought to the stage. Until then, you can just disappear and come back in time to go. You decide to go with this, heading back to your room.
You shower, let the machines take care of your hair. It goes from wet and tangled to dry and smooth. You take your time with styling it, after being with Beth for this many years, you’ve learned a thing or two. A majority of your hair is out of your face, you’ll be sure to let it down later. Sometimes during the interviews, the cameras will pan to the mentors or stylists depending on the question.
You brush your teeth while finding what you want to wear. A pant suit could be nice, but you have a feeling that Laurel is already going to go down that path. Still, you can’t help but to run your fingers over the beige and white fabric. The only other real option you have is a dress, but they’re tricky and there’s certain rules you have to follow when wearing one.
You settle for the suit, carefully putting it together one item at a time. White high-waisted underwear that doesn’t show the seams through the pants, a matching bra. You go with a v-neck white shirt, since it’s not going to be seen after the blazer is buttoned. The slacks just barely stop at your ankles, you pull out new white heels that don’t go super high.
In the bathroom, you think you look sophisticated. You think that you might even keep your hair up the way it is, since it doesn’t really matter anyway. You apply the silver jewelry that you think will go with the outfit, and spare a lot of rings so that you aren’t clunky.
Makeup is the hardest part, so you end up calling Leo to come and help you. He’s impressed with the way you look, and works quickly so that he can get back to Annie. By the time you leave the apartment, you’re practically skipping in confidence. You take the elevator down to the lobby, a place already in mind.
Coincidentally, your friends are already gathered in the lobby. Cashmere notices you immediately, a smile spreading over her face. The others look over too, but Wade isn’t as thrilled as the rest of them. They’re dressed just as nicely as you are, you guess you just caught them on their way out too.
“Hey! Long time no see.” Cashmere greets, you snort and settle between Gloss and Enobaria.
“Hey, what are you guys up to?” you smile.
“Pre-gaming.” Gloss says.
“Pre--huh?” you look between them, they let out a small laugh, “The interviews are that torturous for you guys?”
Enobaria nods, “Yeah, I’m tired of sitting through them.”
“Can’t blame you. So, you’re going out to a bar?”
“Something like that.” Gloss says, “Want to come along?”
You tilt your head, giving him a face, “I am not going to drink.”
“Then don’t!” Cashmere grins, “You coming along is going to be good enough. We’ll be back before the tributes are done.”
“Promise me.” you point at her.
She uses her finger to draw an x over her heart, “I promise.”
“Alright, let’s go then.”
They cheer, you laugh and follow behind Enobaria and Wade, making a line with the Ritchson siblings. They place you between them so that you’re more included, and this way they won’t be tempted to fuck with each other. The last time you all hung out before the interviews--or anything important, for that matter--they had to have a last minute costume change because there were rips and dirt smeared everywhere.
Unlike them, you’re wearing light colors, so you’ve got to be extra careful when it comes to touching anything. Gloss and Wade are wearing black, Enobaria’s wearing a dark maroon dress, and Cashmere has got a muted purple dress. You guess that Cashmere���s going to have to be careful too because the purple is kinda light.
They’re all pretty animated, fairly loud when they’re excited. You go along with conversation--which really doesn’t have a range. It can be about Enobaria’s boyfriend drama back home, or how Cashmere had to scold her tributes over their training scores. And since she started that topic, you decided to go ahead and ask questions about it.
“They were supposed to be prepared!” Cashmere rolls his eyes, picking at her nails slightly with a frown, “They told me that they’d been working hard in the gym and I believed them. The one year I try and slack so it doesn’t seem like I have a stick up my ass, and this is what I get.”
You breathe out a laugh.
“I’m serious! The tributes are always calling us names because of how strict we are, and then shit like this happens. It sucks that it takes a problem to prove to people that you’re right.” she looks at you, “Congrats on your tributes scoring nines, though. I can’t imagine how happy you guys were.”
“Extremely.” you say, “It’s fixed how they’ve been thinking for the past week, so thank heavens for that.”
Gloss shrugs one shoulder, you look over to him, “I bet we’ve lost sponsors.”
“Oh, don’t be ridiculous--” Enobaria glances over her shoulder at you three, “--they could’ve scored ones and they’d still end up with plenty of sponsors.”
“She’s right.” you say, shaking your head, “You have nothing to worry about. I’ll be lucky if we even get a couple since we’re not with you guys this year.”
“Which is a bummer, I like hanging out with you.” Cashmere sighs, she twirls a ring of her blonde hair around her finger before letting the curl drop. She looks at you, “We’ll still be friends no matter what happens in the arena, right?”
“Our tributes have killed each other plenty of times, Cashmere. And still, here we are.” you give her a smile, and then share one with Gloss, “You’re my best friends… except for Wade, he’s an asshole.”
He glares over his shoulder, he’s the exception to the group laughter that follows after your statement. It’s his own fault that he’s alienated. You’re half-surprised that he didn’t leave as soon as you showed up at the lobby.
Enobaria leads you all to an expensive bar, you vaguely remember going here before. It was only once, you think. And it’s because of the prices, the alcohol here is strong and expensive. You come here to get drunk, not to dance around the idea of being tipsy. Although, you wouldn’t think that initially.
The entire bar is made up of two colors: a gentle pink color, and pure white. Straight out of some sort of fantasy. And despite its expenses and the fact that it’s the day of the interviews, it’s full of people. For a moment, you’re sure you guys will have to be put on some sort of waiting list, with no empty seats visibly available. But Gloss knows the person at the door, and you all get led to a special room in the back.
Which looks nothing like it does out there. Sleek black couches, dark hardwood floors, minimalistic lamps and succulent plants on tables. There’s one clock on the wall, and absolutely no windows. Enobaria pulls the door shut behind her.
You sit on the second couch, the one that faces the tv better. With you sitting flush against the arm, Gloss sits on the other end. There’s still plenty of space between you two, so you stretch out enough to be comfortable. When you’re done, you’re still not touching him.
Cashmere picks the standing up menu off of the coffee table, flips it open and sits back. Enobaria sits next to her, turning on the television, which is defaulted to Claudius and Caesar. A part of you wonders if the people here watch anything else. They could have hundreds of channels, and yet they default to the news? Wade sits by himself in a distant chair, one leg crossed over the other.
If he’s trying to appear older than he is, all he’s doing is looking like an idiot. It’s going to be hard for him to redeem himself after the show he put on a couple of days ago. Talk about being classy.
“You guys hungry? Looks like they serve food.” Cashmere says, passing the menu to her right, Gloss takes it.
You lean into him, nothing really sparks your interest. Besides, you just ate, “I’m good.”
“Well, I’ll take whatever the hell a ‘Ritchson Siblings’ is.” Gloss says, face scrunching, “Why did they have to use our last name?”
“I bet it’s probably some fruity drink.” You smile slyly, earning glares from both of them. Enobaria’s laughing under her breath.
“I’ll take one too.” Cashmere says, taking the menu from Gloss, and then passes it to Enobaria.
“Do they have a Golding special?” She jokes, and then her eyebrows raise, “Oh shit, do they have all of us? Mine looks like a Bloody Mary.”
You lean forward, hand outstretched, “Give me the menu.”
“I thought you didn’t care.” Gloss teases, you mock him slightly, earning a laugh.
Enobaria hands over the menu, allowing you to get a good look at the menu. At the top is the name of the bar, which explains it all; The Victory Speech. Under it is a fine print on how the drinks are supposed to get you blackout drunk so that you don’t remember anything. And when people get shitfaced, they tend to talk about things they’re not supposed to.
It’s cleverly designed, they switch colors every year. This year’s theme is to support the female victors. When you ask about this, Cashmere says: “Misogyny.” And that practically sums it up.
Anyway, you go down the list. Victors before the fiftieth Hunger Games have a section called ‘Old Timer’s’ because they’re all over the age of sixty at this point. Under this section is Mags and Luther since they’re both pretty old. But it’s vague, and they don’t really name names.
However, after the fiftieth games, it starts with names. Haymitch’s is called ‘Blackout’, and you can’t imagine what that entrails. For all you know, there could be a fucking roofie to ensure you don’t surprise. It probably tastes like literal acid and poison. But knowing the Capitol, they likely found a way to make it taste enjoyable.
Anchor’s is called ‘King of the Sea’ but you also remember people calling it ‘The Sailor’. The drink is twenty different shades of blue, and the foam on top makes it look like the ocean. The ice is in shapes of boats, fish and tridents to make it as appealing as possible.
Enobaria was right about hers looking like a Bloody Mary. It’s blood red, but it doesn’t look like it has tomato juice, more that the alcohol itself is red. The ice in hers is milk white, and you recoil at the thought of it. The title to hers is ‘Bloody Mistake’.
Cashmere and Gloss share their own with ‘Ritchson Siblings’, which isn’t a very fun name, considering all the ones before theirs. If you were to retitle, you think you’d go with ‘Infamous’. The Capitol absolutely loves the hell out of them. Their combined drink is yellow, but it’s shimmery in the picture. And you were right about the fruit, because the fruit is the ice.
And then it’s you and Finnick, separate names and drinks but it’s tied together with a special font that says ‘Complementary!’ and right beside it is a discount offer if you’re ordered together.
His is called ‘Prodigy’, probably a jab at his age when you guys won. It’s completely see-through, you’re not even able to see a chunk of ice in the picture. It comes with a silver trident that sticks out of the cup, blades up. On the end of the points is a lime. The drink is likely brutal if it has an offer of a chaser.
And yours is called ‘Traitor’, which you can’t even be surprised about. It’s clever marketing though, because the appearance is a light blue, with white foam on top. The alcohol is shimmery too, the ice cubes shaped like fish. Sticking out the top is a gummy palm tree, you think. You just know that it’s going to be strong-tasting.
Finally, the last one that you least care about is Wade’s. The moment you read the name of the drink, you’re cracking up. You then remember what his personality was like in his interviews, which was full of intellectually big words to impress the audience and make him look smart. The name is probably the biggest insult, ‘Know-It-All’.
It’s a lime green, there’s chunks of something inside of it, you can’t tell what. Maybe it’s flavored ice? There’s no way to find out unless you actually drink it, and you think that you’d pass. Besides, the name alone is a dead giveaway that this one is going to be strong too. It’s probably a good representation of the whole bar, actually.
“Maybe I will have a drink.” You snort, holding it out for Wade to take. He silently slips it from your fingers and flips it open to read.
“That’s the spirit!” Enobaria says, grinning.
“Oh, great.” Wade rolls his eyes, folds the menu and tosses it on the table, “I’ll pass.”
“Kid needs to learn to loosen up.” Gloss mutters.
“I’ll go and get the drinks.” You push your rings back into place, “What do you guys want?”
“I’ll take my special.” Enobaria says, and Gloss and Cashmere agree on their own. It takes some convincing, but Wade eventually comes around to the idea of taking one of the older victor’s drinks.
You don’t really need to jot it down, so you promise them that you’ll be back in a moment and slip out of the room. The main room is a nice between of loud and quiet. You can hear the private conversations of others, but just barely.
And it seems as if it’s only gotten busier since you first came here. Must be a popular place to go before certain events. You can’t imagine what it’s going to look like after the interviews. Probably packed from front to back, and you can imagine them transforming it into some type of club. It’s got the capabilities of doing so.
You move your hair behind your shoulder, leaning up against the counter while you wait for the bartender to come around. You’re not the first here, and it doesn’t look like you’re going to be the last. If you were to take a guess, you think that The Victory Speech is going to empty out when the interviews come around.
As you wait patiently, playing with one of your rings, you feel a gentle pressure against your lower back, and then feel the presence of someone. Before you can turn, the person is leaning in, “Hey, what are you doing here?” It’s Finnick, and he’s speaking directly into your ear.
You look over your shoulder to see him leaned in close. He’s dressed as nicely as you are, and it looks like you think the exact same way. He’s in a brown suit with a white undershirt. Your eyebrows draw in, one of you will have to change this evening, unless he doesn’t mind matching with you.
You’re about to answer, but your eyes find that he’s got quite the audience that’s watching him. You wonder what he’s here for, and if it concerns any of these people.
Either way, you shrug slightly and try not to be too bothered by where his hand is, “I’m with Gloss and them since they wanted to drink before the interviews.” You give him a little smile, “I’m getting the drinks, do you want to join us?”
Finnick doesn’t answer your question, “Are you sure you should be drinking?” He asks, as if you’re the irresponsible one here. With him avoiding your questions, you must have done something to set him off like this.
Nonetheless, you shake your head, and turn so that you’re halfway facing him. Because of this, his fingers ghost your waist and he has to rethink his hand placement. He goes for your arm now. Why is he so touchy all of a sudden?
“I’m not drinking.” You tell him.
“What can I get for you?” The bartender asks. You give him a smile, listing off the drinks that everyone agreed on. Finnick doesn’t move, patiently waiting. The bartender leaves, but you know that he’ll be back around.
“You should be at the apartment.” Finnick says, there’s a slight frown on his face.
“Doing what?” You ask, face twisting, “Waiting for the tributes to be done? Why aren’t you there?”
He doesn’t get the chance to answer, you’re being interrupted. The bartender tells you that a waitress will come around to the back room to give you and the others your drinks. After that, you know for sure that he won’t be coming back.
One last time, you look at Finnick, “Coming or not?”
Finnick watches your face, pressing his lips together for a while, and then says: “Not.”
“I’ll see you later, then.” You say.
His arm drops, allowing you to go. You give him and the crowd one last glance, suddenly feeling weirded out that they’ve watched you the entire time. You get a couple of steps in to leave, and then stop. He said that he didn’t have anything to do today, didn’t he? Or did you only ask for after the interviews?
You turn slightly to see that Finnick hasn’t stopped staring yet. There’s a look on his face that you can’t shake. A secret message? Wordlessly, you find yourself extending your hand for him to take. This seems to be what he wants, face relaxing and fingers gliding against your palm. You squeeze his hand, pulling him along. He needed an escape, that’s why he approached you.
You bring him around to the back, free hand reaching for the doorknob when the door opens. Gloss is at the door, laughing at something the others must’ve said. He gives you a bright smile, “Hey guys.” and moves on without really acknowledging Finnick.
“Heading to the bathroom?” You ask.
“Yeah, I’ll be back in a minute!” He says, and then disappears.
You bring Finnick inside, he gently closes the door behind him. Now that he’s safe in here, you feel comfortable enough to let go of his hand. The other three victors in here are already leaned forward, making comments about what’s happening on the screen.
“Hey, Finnick.” Cashmere says, giving him a quick look, “You’re gonna have to sit on someone’s lap.”
“Gloss.” You and Enobaria say together, immediately laughing afterwards. Even Wade cracks up, rubbing his face slightly.
“I think I’ll pass.” Finnick says, you take a seat in your original spot, and then pat the arm of the couch, “Or you could try and squeeze between me and Gloss.”
He goes ahead and takes the arm of the chair. Gloss comes back a few minutes later with the waitress. She serves the drinks, Gloss pays for it all, and then you’re free to drink and watch the Capitol tv until you want to go.
It turns out that the drinks all taste different, with Enobaria’s tasting sweet with the aftertaste being sour. She ends up liking it enough to keep drinking. Cashmere and Gloss are obsessed with the fact that theirs tastes like cotton candy and french vanilla. The fruit that’s floating in their drinks are miracle berries, which turns anything sour into something sweet and sugary. Wade thinks his tastes like peppermint and chocolate.
You pick up yours, the Traitor, “This is going to be horrible.”
“You don’t know that.” Cashmere says, but even she looks apprehensive.
“Thought you said you weren’t going to drink.” Finnick says, you give him a look and hold up the glass for him to take, “This isn’t what I meant.”
“Too late, you dug your grave.” Enobaria sips on hers, already used to the sour taste.
Finnick sighs and takes a gulp of it. Then, his face twists and he holds out the cup as if there’s something wrong with it. You raise your eyebrows, “What’s the matter?”
“It tastes like saltwater.” Finnick says, and even smells it to make sure.
“Bullshit.” You take a sip of it, and find out he’s right. The salt aspect isn’t all that overpowering, thankfully. But it does taste like water, “Huh.”
You pull out the sour gummy palm tree, taking a bite out of it to find that it’s practically flavorless too. You’d bet all of your money that people tend to mistake the drink for water and that’s how they end up hammered. You smell it too, expecting it to have at least some aroma, but it’s bland. You set it on the coffee table.
“I think that one sip for each of us is enough.” you laugh, Finnick does too.
“It’s probably a painless way to get drunk.” Cashmere says, leaning forward, “Can I?”
“It’ll be you who gets alcohol poisoning.” you motion.
The drink gets passed around, with everyone being surprised that you two weren’t lying about it. By the time it’s back on the table, it’s almost gone. Cashmere shares her drink with you, but you’re very light when it comes to sips. Not because you’re afraid of ending up making a fool of yourself, but because the sugary aspect of the drink is making your teeth and the back of your throat hurt.
While playing games with each other, mostly trying to get to know Finnick more since they don’t know that much about him, you all keep track of the time. The atmosphere inside of the room easily lightens up, Finnick relaxes enough to constantly have a smile on his face. Your mentor friends are charismatic enough to keep a conversation going and to keep it from getting tense.
Even Wade seems to open up too, but you’re fairly sure that it’s his drink that’s making him do it. Either way, you all end up in stitches, red-faced and wiping tears from your eyes. At least you know that Finnick isn’t mad after last night.
“I’ve finished my drink.” Cashmere says, pushing her glass onto the table, “It might be time to go.”
Finnick glances at the clock, you think it’s about thirty minutes back to the Tribute Center, “Yeah, guess so.”
You yawn, stretching your arms. It feels good to stand from the couch after sitting for so long. The others place their glasses in the middle of the table to make it easy for clean up. You dust your clothes off, pick up the door card that’ll say the room is dirty.
“So, was the matching outfits intentional?” Wade asks, leaning against the wall while you wait for the others to be ready.
“Actually no, we’re just psychic.” you give him a slight smile.
“Right.” he rolls his eyes, it’s quiet between you two for a moment as you watch Gloss try and fuck up Cashmere’s dress. She settles for punching him in the middle of his chest, “I’d like to apologize for what I said the other day.”
You look back at Wade, “Just be careful next time. You’re lucky it was me, otherwise you probably would’ve had your shit rocked by some other mentor. They’ve got pent up frustration, and they’d love to have a justified reaction like mine.”
The others start coming your way, you open the door and slip the door card on the outside handle so that a waitress can see that the room needs to be cleaned before it’s used again. You find Finnick towards the back, but end up pulling him to the middle after Enobaria and Wade start to lead you guys out.
You wrap your arm around his, “Let me repeat what I asked last night,” you look at him, “Are you busy tonight?”
His face falls slightly, “I’m not supposed to be.”
“And going to a restaurant might change that.”
“Going out in general, but if we can find a place like this one--with a closed door and a group then it’s less likely.” he frowns, and bites his cheek, looking away.
“Are you going to get in trouble for today?” you ask, he shakes his head.
Outside on the street, you can see that things are beginning to get busy. You don’t let go of Finnick, just in case something does happen. It’s a good thing that you’re with others, though, because again, they easily lighten the mood and have you guys giving soft smiles and some comments if it’s really needed.
You all have to split up in the lobby. You give gentle hugs and wish them good luck with their tribute’s interviews. Gloss and Finnick have their own kinda moment, which you quietly joke with Cashmere and Enobaria about.
“You’re lucky that Gloss doesn’t have a crush on you, otherwise he would have challenged Finnick for the alpha male status.” Cashmere says a little too loudly, which earns a nasty glare from him. Cashmere initially suppresses her laughter, but you crack up and it’s all over.
You and Finnick take the elevator up, deciding not to change what you’re wearing and just be matching for one night for nostalgia’s sake. You make it back just in time, with Elysia coming out of the apartment, face lighting up when she sees the two of you. She quickly readjusts some stuff on the two of you, but stands off to the side in the end to wait.
Marsh comes out with his team first, dressed in navy blue and black. He gives you guys a bright smile, and then laughs slightly, “You guys twinning on purpose, or--?” He trails off slightly, but it only lasts a second before he’s laughing, covering his mouth. You and Finnick must’ve had the same reaction.
Annie comes out a couple of minutes later, wearing a seashell pink dress. The bottom of it is layered so that it resembles the inside of a shell, with spiked shoes and pearls wherever the prep team could fit them. She shines in the light, and the red on her cheeks is to exaggerate blush.
“Absolutely stunning!” Elysia starts, which triggers the other prep team to follow in her suit. You give an approving nod to Laurel, who gives you a slight smirk.
“You two matching on purpose?”
“For fuck’s sake--” Finnick breathes out a laugh, punching the elevator button.
“I think there’s time to change.” Laurel says.
“We’re good, thanks.” you shake your head, heading inside of the elevator.
One by one, everyone crowds in. Five prep team members, Laurel and Pleurisy, Elysia, you and Finnick, and Annie and Marsh in front. Elysia presses the button to bring you all down to the base floor. All the tributes are already lined up against the wall, dressed in their own fancy ways.
You stop the tributes a little bit out of the elevator, “Look at me.” they do, Finnick stops beside you, “You’re amazing, your act is unique, you’re going to blow away the competition. There’s no doubt about it, so don’t even worry. If you two get nervous, we’re all in the crowd. Find your favorite and talk to them like they’re your best friend. Got it?”
They both nod, and you give them a smile, straightening up. Finnick speaks next; “Just remember that you’ve already shown them you’re good at fighting. Now it’s time to show them that you’ve got a winning personality, and you do.”
“Take deep breaths, guys. You’ll do fantastic.”
Sitting in the crowd with the rest of the Capitol is always a weird feeling. You cross your legs and lace your fingers together while you wait for the room to fill. They’re always going to be nervous, it’s just what they do with it that matters the most.
“Do you guys know any restaurants that’ll have closed doors?” Finnick asks, leaning over.
You give him a look, “Finnick, we’re victors. All you have to do is whisper it and they’ll get us a private room. You have nothing to worry about, I promise.”
He smiles, “As long as you promise.”
The tributes come onto stage, allowing everyone to get their first looks at the competition. Some tributes are dressed more expensively, others are loose and laid back. Annie and Marsh are pretty much the standard when it comes to dressing up for the interviews. They represent their district in some aspect while also looking like themselves.
Caesar starts off with a few jokes to get the crowd in their regular mood, and then he’s introducing the girl from District One. You silently pick apart their personalities, she’s sexy and dangerous, and the boy isn’t as smooth when it comes to instincts. He nearly trips over a small crack in the stage, it’s a dead giveaway why he scored so low.
The girl from Two is bright, with big smiles and animated talking. She seems genuinely interested in conversation, you’d like to say that she’s going for a nice aspect, which will totally flip inside of the arena. The boy is brooding and quiet, hardly opening up at all. He’s absolutely huge too, bigger than Finnick for sure.
District Three isn’t all that important, they’re geeky, shy and stutter a lot when they try and answer. When Annie is introduced, she gives a cute smile and stops next to Caesar, and from the very beginning of her interview to the very end, she’s got the Capitol absolutely wrapped around her finger. So much so that the tributes behind her are rolling their eyes, fed up with it. At the very end, she curtsies and gracefully takes her seat, crossing her legs and leaning back smugly.
Marsh walks up with a wave and a grin. His first few jokes don’t land properly, but it doesn’t discourage him. His eyes find you and Finnick, you give him an encouraging smile. After that, he seems to find his footing, eyes occasionally coming back to you two if he needs reassurance. Once again, he’s swept the entire audience away, they want more when his time is up.
When he sits down next to Annie, he holds his fist out, and she bumps hers against his.
The end of the interviews come around quickly, and since neither of them have allies, they don’t have a reason to mull around the floor talking to others. You give Cashmere and them a wave before the elevator closes, and then suddenly everyone’s buzzing all at once over your tributes.
Annie immediately flushes red, Marsh taking all the compliments like a champ. There’s assurance that they’ll be remembered for a while because of their acts, and how there’s absolutely no way that they didn’t gain traction. Tonight, the attention is probably placed on them and their new perspective on interviews.
Dinner is loud and lively. Tonight’s meals are delicious and filling, but you and Finnick eat scarcely because you’ll be eating out with Enobaria and the rest of them in an hour or so. The avoxes bring out a giant three tier cake modeled around District Four. When Elysia takes the first slice, candy pearls fall out of cake, all varying colors. You guys go ahead and watch the interviews one last time, pointing out details you hadn’t noticed before and cracking up at Marsh all over again. Needless to say, they’re pretty proud of what they’ve done today.
Annie and Marsh part with whatever tokens they want inside of the arena. Laurel, Pleurisy and the prep teams hug them goodbye. Although, the stylists will be the only people seeing them tomorrow. You, Finnick and Elysia are left with the tributes, and you have a faint sense of deja vu. You’ve been here plenty of times before, after interviews with two tributes that you’re too fond of.
But unlike before, these two are special pearls.
Elysia is the next to say goodbye, eyes a little watery like they are every year. She’s not allowed to wish them good luck, or say anything nice. She mutters out the insult that she’s required to say, and then disappears into the apartment.
It’s up to you and Finnick to finish off strong.
“We’re on your side.” you tell them, “We’re always working behind the scenes to pull strings. Look for hidden meanings in things.” you fidget with the engagement ring, “You can always change your mind when it comes to allies. The careers offered you a place the other day, but we turned them down. You can use that to your advantage, if needed.”
“If you find yourself in sticky situations, act on your instincts and worry about the repercussions later.” Finnick says, “Sometimes it’s better that way, but not all the time. If you’re unsure of anything, it won’t hurt you to change. Whether that be eating, drinking, finding a place to stay--any of that. If a situation feels weird, then it is weird.”
“Find water first.” you say, opening your arms. Annie’s the first to take the hug, you squeeze her shoulders tightly, “Remember, these are your games. You decide the outcome here.”
You hug Marsh too, “Go to bed, order herbal tea if you have trouble falling asleep. You’ll need every wink you can get.”
“Thank you for everything.” Annie says.
“Thank you.” Marsh echos.
You give them a smile, “Thank me when you come back.”
“Yes ma’am.” Marsh jokes, him and Annie go up the stairs and to their rooms.
You let out a deep breath of air, pressing the heel of your hand to your head, “There was so much more to say.”
“It’s okay, (Y/n). You said so yourself, they’re smart.” Finnick elbows you slightly.
“I know.” you calm yourself slightly, and then stand up straight, “Alright, let’s go before they think we’ve ditched them.”
“Can’t wait to have a second dinner.” Finnick snorts.
“Get ready to pop some buttons.” you grin cheekily, “And maybe make a fool of yourself.”
--
REDAMANCY IS PART 2 OF A TRILOGY //MASTERLIST//
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lunarliza · 4 years
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Dirty Little Secret | Chapter 3: Bandanas
fuckbuddy!JJ x Kook!Reader
series masterlist | prev. chapter | chapter one
You and JJ are fuck buddies- strictly physical. But what happens when you find yourself falling more and more for everyone’s favorite golden boy even though all he can see you as is a spoiled rich girl?
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Your eyes peeled open. You groaned at the lack of sleep as you shifted to your bedside table to check your phone. Almost immediately after your rendezvous the night before, JJ dashed out the window, leaving you to drift to sleep. 
Sometimes, you’d get this weird feeling after he would leave so quickly- like you were being used. Well, you were, but you hated feeling like it. It was like a comedown after the euphoria of sex and it didn’t always feel the best, but you dealt with it. It had be going on for almost three months; you were way too in over your head at this point. 
You sighed, staring at the wall across your bed, thinking back to the remnants of that first night. How nasty and humid the air felt as you both rejoined the party after like nothing happened: 
“You can’t tell anyone about what just happened,” JJ stated as he fixed his shorts. 
His words did pierce you slightly, but you put on a front nevertheless. “Please, I’d rather be caught dead than with you.” 
He chuckled to himself as you both trudged down the beach. “That’s not what I heard back there princess.” 
It didn’t take long for your parents to blow up your phone that night, seeing it was 3 a.m. and their daughter was nowhere to be found. You came home with the smell of alcohol emitting through your clothes.You only hoped you had wiped off enough smeared mascara on the car ride home to deter them. Your mother read you the riot act as Ted stood in the corner of the kitchen. She screamed and hollered before her palm finally came in contact with your cheek. 
The following Monday, you ditched last period and drove over to The Cut, hoping to come across JJ. Driving along a narrow street, you see the shirtless golden boy mowing the lawn in a small yard. Pulling up, you rolled the windows down while a devilish grin snaked its way to his lips once he caught sight of you.
“Couldn’t stay away from me huh?”
You glared at him. “Just shut up and get in.” 
Shutting off the lawn mower, he hopped in your car, smelling of sweat and freshly cut grass . 
“Look,” you began, fiddling with the ends of your blouse, “I’m not looking for anything serious.” 
JJ’s finger tilted your chin up to meet his eyes. It was different seeing them in broad daylight. He didn’t seem like some sleazy Pogue you met at a party. He actually reminded you of a puppy... an annoying one with anger issues. 
“I understand if-” 
“No, I get you,” he answered, biting his lower lip. “After the way we fucked that night, I’m down to... go at it again.” 
“Okay but we need rules,” you insisted to which he rolled his eyes. “What’s with chicks and rules?” 
“This island is small and talk gets around. No one can know about us.” 
“Well duh.” He gave you an annoyed look. “You may think you’re all that and a bag of chips but my friends would totally clown me if they found out I was with a Kook, much less you.” 
“Oh please! What do you even know about me?” you retorted, not having his attitude outburst. 
“Y/n, you’re like bitchiest of them all,” he replied snarkily and your eyes met the ceiling of your car. “Not even the Kooks like you.” 
“Shut up, asshole.” You tried to hide the hurt from the fact that even he knew about your reputation. “Anyways, rule number two: we have to meet on Figure Eight.” 
“Hell no, why do I have to haul my ass to you?” 
You sighed heavily, gripping the bottom of the steering wheel. “My stepdad will literally kill me if he finds me here. Look, I know all the hiding places there and I’ll even get you a keycard to get in through the gate.” 
JJ smiled to himself. “Kill you huh? And yet, here you are, coming here, practically begging for me to fuck you. What will daddy think about that?” 
You contemplated punching him in that moment. “Don’t flatter yourself. You followed me that night remember?” 
JJ shrugged, leaning back in the seat. “I thought you were a touron. It was dark- sue me. Anyways, fine! We meet at the Eight. Anything else?” 
“This goes without saying, but absolutely no feelings,” you stated sternly as JJ snorted. 
“Oh princess, you do not have to worry about that whatsoever.” 
“Fine then, it’s a deal.” 
You both shook on it. JJ held onto your hand a moment longer to tug you onto the passenger seat, colliding his lips with yours. It didn’t take you both very long to undress and climb into the back seat afterwards.
A loud knock on your bedroom door startled you. “Y/n! Breakfast in ten minutes!” 
Peeling off your duvet, you leaped out of bed and started doing some small stretches until you noticed a jumbled up grey bandana on your window seat. 
“Fucking kid,” you muttered to yourself before reaching for it and throwing it in a bin on your shelf. 
JJ was klepto alright. He also had a terrible habit of leaving shit everywhere he went. If he tried to rob a bank, he’d be caught in seconds because he’d leave some trace of him. Over the course of your agreement you unintentionally started making a collection of the things he left. What started out as a bracelet on your nightstand grew to socks, lighters, hats, sunglasses, tank tops, and the occasional perfectly rolled joint (that he’d never see again). You always meant to give back all the shit he left, but he’d always leave so hurriedly that you’d forget and the collection would just grow. 
------------------------------
“Jade!” you blurted unexpectedly as you strolled into the kitchen. “What are you doing here?” 
The small brunette sat next to your mother at the table, halfway done with her breakfast plate. She flashed you her killer sunny smile as your mom chimed in from her seat. “Jade here was in the neighborhood and wanted to take you on a boat ride this morning with the Cameron family.” 
“It’ll be fun y/n!” she insisted, kicking her tiny legs that didn’t reach the floor.
You were a little confused as to why you were invited to hang out with the Cameron kids seeing as they have always ignored you at school and every event. Jade caught on and threw you a look that said ‘just go with it’. 
“Um, yeah. I’m really excited to hang out with uh- Sierra and Ra- her brother,” you babbled, earning yourself an ‘Are you fucking kidding me’ look. You shrugged your shoulders, helping yourself to some eggs and pancakes. 
“Well sweetie, I think it’s great that you’re getting to know more people around here! Don’t forget you do need an escort for the Debutante Ball in a few weeks so maybe you can ask the Cameron boy to take you,” your mother suggested and Jade nearly spit out her fruit at the mention of it.  
You closed your eyes, sighing. “Yes, of course mother.” 
“So when were you going to tell me you’re a debutante!” Jade cackled as you both made way to the Camerons’ boat along the dock.  
“If you ever mention it again, I will personally slit your throat.” 
“You! You y/n of all people!” She had to suppress her laughter to a fit of giggles. “So wait, you’ve been going to Chapel Hill all this time to learn how to ballroom dance and do all that?” 
You rolled your eyes. “Yes! I told you my mother is actually insane. Anyways, what are we doing hanging out with the Camerons anyways? I thought you hated their sister.” 
“I do,” Jade responded as-a-matter-of-factly, “It’s the brother that’s delicious. Oh- and Sarah won’t be there and neither will their dad or any of their family really. It’s just going to be Rafe and a couple of his friends. He told me to bring some friends too so it won’t be awkward.” 
“And you chose me of all people? Jade, you have plenty of other very sociable friends you could have brought.” 
“Shut up y/n! You’re hot as shit okay! You just need to get out there more and meet people. Maybe then you won’t hate it here so much. Trust me, once you experience the OBX the right way, you’ll absolutely love it.” 
You crinkled your nose at her. “You’re just as insane as my mother.”  
“Come on! There are hot guys wanting to take us on their very nice boats. It’s free drinks and maybe some food,” she promised. 
You groaned. “Fine, but if any of them make an unsolicited move on me, I’m jumping overboard and swimming home. Also, now that I think about it, isn’t Rafe like way too old to be hanging around us?” 
Jade shrugged. “A little age never hurt nobody.” The boys whooped as Jade made her grand entrance onto their very large white boat as you trailed behind. Another thing you weren’t well versed in since moving here- boats. To you it was just big and small, windows and no windows, motor and no motor, but it was like a language here. When everyone would start rambling off about engines and fishing and whatnot you would just kindly smile and nod until they got the hint and walked away. 
“Who’s your friend McCoy?” a tall boy with slicked back hair asked Jade as he enclosed an arm around her waist. 
“Rafe, this is y/n! She moved here in October and lives on the east end of the Eight.” 
So this was the famous Rafe Cameron. You’d seen him a couple times golfing with Ted when you would hide away in the golf cart on your phone. Ted would mention a few times about how he was trouble and, telling by the way he still hung out with high schoolers at almost 20 years old, you believed it. 
You smiled uneasily and gave him a tiny wave as two other guys emerged from the front with a cooler. They both coordinated with the colorful short-shorts and printed button ups. They also wore those God-awful tinted sunglasses with the band connecting the backs. You recognized them from school- Topper and Kelce.
“Oh hey y/n,” they greeted tensely, each giving you an awkward smile and one-armed hug. You were in shock they knew your name even.
“McCoy, did you bring anyone else?” Kelce asked, totally not making it obvious of your unwanted presence. 
Not even the Kooks like you. 
You knew you’d have a hard time the moment you stepped foot onto Figure Eight. You had a very humble upbringing, which was unfathomable to the kids at school, so it was hard for you to make any real friends besides Jade. During the school year, you ate lunch by yourself and sprinted home as soon as the final bell rang. It got to a point where, when anyone would try to talk to you, you’d either roll your eyes or just simply ignore them. 
“Nope! Just me and my girl.” Jade flung an arm around your shoulder and handed you a beer. She raised her eyebrows at you to check if you were okay, and you smiled reassuringly, taking the bottle. 
“Let’s hope she knows how to hang,” Topper added as he started the engine on the boat. 
You sipped on your beer as you rode down the marsh. Kelce tried to make small talk with you as Topper drove and Jade macked on Rafe. It actually wasn’t as bad as you thought it would be, Kelce did have the occasional funny story or witty thing to say even if it was about swinging a golf club or purchasing some extravagant item no one ever needed. 
“Woah Pogue alert,” you heard Topper warn as he steered next to a smaller boat hanging on the side
You glanced over and immediately met eyes with JJ who was casually laying back with his friends- two dudes and a girl. When he wasn’t acting like a complete jerk, he actually looked down to earth and kind of innocent. Cans of cheap beer littered their deck and a cute little ‘HMS Pogue’ lettering hung from the back. 
You turned back to Kelce, thinking it was just a quick pass by until you heard something thump on the side of the boat from their side. 
“Fucking rats!” Rafe barked at the group and hurled an open can of beer over towards them. 
“That’s for the van you sons of bitches!” you heard JJ holler as Topper slowed down the boat so they were eye-to-eye. 
“Hey that’s payback! I know it was you that fucked up my bike, filthy Pogue!” Topper snarled, pointing at JJ, tumbling more shit in their direction. 
The throwing escalated into an all-out war. You screamed and joined Jade who was clearly outraged as she ducked under the cooler for cover. 
“Rafe, just fucking drop it and let’s go! You’re wasting shit at this point,” she urged also throwing Topper a stern look to get moving.  
“This isn’t over!” Rafe roared at the group as Topper sped up the engine again. 
“That’s right, just ride along you fucking Kooks! And take your hoes with you!” JJ shouted. 
You threw a glare his way at the vulgar name he called you and stuck up middle fingers his way, sailing off. 
Fucking tool. 
------------------------------
chapter four
tags: @starkeybaby​ @obxlife​ @everydayimfangirling​ @iamaunicorn4704​ @tangledinsparkles​ @poguesrforlife​​ @thx-quxxn​ @obxmxybxnk​ @rororo06​ @poguesforlife​ @ilymarkchan​
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amelialincoln · 3 years
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Haunted
“I’m not good at secrets,” Link complained as they pulled into the hospital parking lot. “Especially when it’s good news.” He glanced at Amelia with a wide, boyish grin on his face that made her chuckle.
“I know, babe.” She rolled her eyes. “You were telling Jo within seconds after I told you last time and we weren’t even sure that was good news yet.” Link’s eyes widened as his best friend’s name was mentioned.
“Shit, that’s gonna be hard.”
“Avoid her,” Amelia groaned, grabbing her work bag and opening the car door.
“Hey!” She glanced back to find Link waving a banana and a bottle of water.
“Not this again,” she muttered, remembering the constant nagging she received during her pregnancy with Scout. “We found out last night, Link, I don’t even qualify as pregnant yet.”
“And that’s where you're wrong. I put the prenatals in your purse. Remember the folic acid. We don’t want neural tube defects.”
“Yeah, yeah,” Amelia responded, grabbing the banana and water bottle from his wavering hands. “Wipe that grin off your face, everyone’s gonna know the moment you step into the E.R.”
“We’re having another baby,” Link sang, jogging a couple steps in front of her and glancing back with amusement.
“I hate you!” She called, trying to wipe the grin off her face as her husband waved goodbye without turning back.
Unlike Link, Amelia wasn’t paged for the upcoming trauma. Something she didn’t necessarily mind so she made the quick trip to her office instead. The room seemed stale from the week of time off they’d taken for their honeymoon. Scout’s face was priceless when the couple walked into the house last night after spending the week with Link’s parents. She wished they’d been able to spend more time with him but she promised they’d visit him at daycare, which Mer was dropping him off at for them midday. She fished through her bag finding that Link had gone a little overboard on snacks.
“Classic,” she muttered, knowing he’d probably end up eating half of them anyway. She took the prenatals easily, washing them down with the water bottle that her husband had provided and internally wishing she had a thermos full of coffee.
“Hey, are you not coming?” Maggie, stuck her head in Amelia’s office, breathless from running. “Big trauma? I’m sure you’re needed.”
“I didn’t get a page.” Amelia replied, now understanding Link's inability to keep good news to himself. Staring at Maggie’s happy expression made her want to blurt out the news so bad.
“Probably a mistake since you were off for the week. We need to catch up later over dinner or something. Just come with me now.” Her eyes flicked to the desk. “Whoa what’s with all the vitamins? You always made fun of my ‘bullshit’ morning routine.”
“Uh, Bali inspired me I guess,” Amelia sputtered.
“Ugh, I’m so jealous!” Maggie squealed. “Can’t wait to hear all about it.” Amelia nodded, following her sister as they joined the mass of doctors that were heading to the E.R.
[][][]
“Did you page, Amelia?” Was the first thing Link said to Bailey after their week off. Bailey stared at the ortho surgeon blankly, trying to control the chaos that E.R. was descending into. “Wha--”
“I made sure she wasn’t,” Webber affirmed, seeming to come out of nowhere. People were staggering around like zombies and Link swallowed uncomfortably.
“She can’t get near this today. Can we send a resident up to her office to distract her? Or just ask her to take the day off? Are you okay with being here?” He asked Webber, glancing around the room.
“I’m fine,” Richard affirmed to him and Bailey. “More of a drinker.”
“Amelia says it’s all the same.”
“If I wasn’t fine I would make that clear,” Richard shook his head. “I’ll find a resident for Shepherd. You’re needed in trauma four.” Link nodded, glancing around the E.R. once more before following the general surgeon into the crowded room.
[][][]
It was the smell that hit Amelia first as she and Maggie entered the E.R. It wasn’t like she hadn’t treated patients who reeked of weed before but the entire wing seemed to be exuding the smell of marijuana. She stumbled back slightly.
“What happened?”
“Train slid off the rails over that skate park on Elm where all the stoners hang out,” Teddy yelled over the commotion. “The majority of those injured are completely out of their minds. One of my guys tried to shoot himself up with saline. All the nurses are complaining about veins.”
“Oh,” Amelia swallowed, Teddy nodded and turned back to her patient who had begun to seize. “Little help, Shepherd?”
“Just a sec,” Amelia answered blankly, turning the corner abruptly to try and get away from the smell that was seeping into every pore of her scrubs. She pushed an intern aside before stumbling over to a waste bin and throwing up the contents of her breakfast. She tried to push the intrusive thoughts entering her mind away with no success. Her arms covered in needles, her head in a peaceful daze, Ryan. Every part of her wondered what her life would be like if he were still here, holding her, every night.
“Amelia!” A voice snapped her out of her thoughts before strong arms wrapped around her and pulled her up from her place against the wall. “Can you hear me?” She willed herself to answer, trying to focus on the familiar face that was shaking her shoulders forcefully. “Get out of the way!” Link shouted as hospital staff parted to allow for him to lead her out of the E.R. and into an on call room. “Amelia.” He pulled her into his chest, running concerned hands through her hair.
“The smell is covering me,” she mumbled, Ryan still flickering in her mind. Link nodded, pulling off his scrub top before removing hers, along with the rest of their clothes and tossing them into a waste bag.
“Go shower,” he motioned to the small bathroom connected to the room. “I’ll grab your clothes and be right back.”
“Don’t leave,” she begged, knowing that if he did she might find herself back in the E.R. surrounded by the very thing her mind was aching for. Link nodded, texting a quick message to Maggie before guiding her into the bathroom and turning on the shower head. Amelia’s thick hair absorbed smells quickly and he cleansed it until all that was left was the light fragrance of spring flowers before doing the same to his own. Maggie knocked on the door as Link wrapped Amelia into a towel and led her towards the bed.
“I’m sorry, this is all my fault,” Maggie exclaimed as she handed Link their clothes through the crack in the door.
“It’s okay, you couldn’t have known,” Link assured the worried cardio surgeon. “Bad day to come back,” he tried to joke, the worry in Maggie’s eyes didn’t lessen. “I’ll keep you updated,” he finally said. Maggie nodded, slowly shutting the door.
“Do you remember when we had that conversation after Scout was born?” Amelia’s voice came numbly from behind him. Link turned, making his way to the bed and placing a hand on her thigh before answering.
“Yeah. The one after I tried to propose to you the first time?” He willed his voice to be light.
“When I told you about wanting to get high before I went to bed and when I woke up and every so often when I was feeding Scout.” Link waited as her voice wavered. “It’s gotten better. Now it’s usually only right before I close my eyes at the end of the day. Just a little rush of euphoria I get that begs me to sneak out of our apartment and drive to a dispensary. And then I really think about it and I realize how much that would fuck up everything that I love the most. But the thought never goes away. It just lingers and waits until something like today happens. And then that little voice is suddenly screaming and I’m stuck trying to convince myself that my love for the people in my life trumps the love I have for the feeling of being high.”
“Does it?” Was all Link could think of to ask as he carefully slipped a tank top over her shivering chest.
“When there’s an E.R. full of people who have devoted themselves to feeling exactly what my body craves for every day, I’m not sure.” She answered truthfully, relaxing as he guided the tank top over her flat stomach. Link nodded, trying to suppress the impulse to yell at her about the condition she was in. “But then I remember that I’m a mother...and that I owe it to my kid...kids to be stable enough to bring another life into the world. Even though I know they’d be fine with just their dad.”
“We would not be fine,” Link acknowledged firmly, wanting to shake her out of the daze that she was in. “I would not be fine.” Amelia nodded blankly.
“Can you hold me?” Her voice was soft. “And can you describe our baby again? Like you were doing last night?” Link nodded, rolling up her shirt carefully and placing a gentle hand on the bottom of her abdomen.
“Mhmm,” he held back any tears that were threatening to fall from the thought of ever losing her. “Our baby is going to be a splitting image of her mother. With long chocolate curls and ocean blue eyes. Oh and stubborn, to the point where you can’t bother arguing with her because she is also always the smartest person in the room. She’ll have my nose and skin that actually sunburns. Which means she’ll have to learn to apply sunscreen like her dadda and not like her brother or mom. She’ll be upset about this first, wanting her mother’s perfectly tanned complexion but she’ll get used to it. She’ll have her mother’s body type, slim and athletic, but her dad’s height and, like Scout, she will…”
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rainnydayzz · 4 years
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Anastasia - PaTB AU
My turn to hop on this Pinky and The Brain Disney, only this time I’m using a princess that’s Disney on a technicality. Let me introduce to you: Pikastasia.
Okay let’s meet out characters shall we?
Anastasia - Pinky (Pinkastasia)
Dimitri - Brain
Vlad - Yakko 
Sophie - Dot (For obvious reasons Yakko and Dots connections with each other will be based off of their sibling relationship)
Bartok - Wakko
Rasputin - Snowball (Snowputin)
The Dowager Empress Marie - Nora Rita Norita
Phlegmenkoff - Dr. Otto Scratchandsniff
So this is the list of main characters that will be mostly in the film, extras can be whomever. Now I’d also just like to clear up for those still confused about Vlad and Sophie, yes they are in a romantic relationship in the movie and that helps them get to the Dowager, so obviously that’s NOT an option, so their sibling relationship will help them in this case.
I’m not really changing the rest of their names cause frankly I don’t feel like it, so if you want to that’s fine. 
Onto the story premise!
So in this version the main story stays kind of the same. Brain, with his bud Yakko are trying to take over Russia by finding someone to impersonate the long lost princess, Pinkastasia. He’s been trying to find a suitable actor for months now, once he finds the perfect person, they will learn the part, go to Paris, and convince the Dowager and get her reward money. With this they can earn her trust and with their money, take over Russia, and then with Russia’s resources, The World. It was the perfect plan.
Pinky leaves the orphanage (Scratchandsniff kicking him out) like in the film as well. He wanders around for a bit, sings his lovely song and all that Jazz. 
When he makes in to Russia he realizes he doesn’t have all the correct resources to leave Russia and an old lady directs him to a man named The Brain, who might be able to help. She gives him directions to the old palace and he sets off. 
When he makes it the the palace he can’t help but feel it’s familiar to him- but that’s crazy. Of course Pinky has another musical number here and it’s lovely.
The Brain and Yakko hear something from inside the palace and go to investigate. After a bit of cat and mouse, pun very much intended, they catch the intruder, another mouse. Taken aback by the uncanny resemblance of the princess Brain and Yakko are speechless for a moment. But only a moment.
Brain notices quickly that Pinky isn’t the sharpest toll in the shed, and knows he can use that to his advantage. He briefly mentions to Yakko his plan and the two of them agree. After a little persuasion Pinky agrees, after all, he had no memory of his past life- who’s to say he isn’t the princess?
The group make their way from the scene and we see Bartok- er Wakko for the first time talking to himself about the princess, with an odd green vile next to him. It becomes alive at the notion of Pinkastasia still being alive and flys him to the underworld/purgatory. We meet Snowball/Rasputin here. We learn of his curse and his pledge, I don’t exactly remember when he sings his song but that happens eventually.
Pinky, Brain, and Yakko begin their journey to Paris, teaching Pinky how to act and talk like a princess. While Brain and Yakko are giving Pinky information about Pinkastasia’s life, Pinky offers answers and details that they weren’t aware of.
They get on a train, and it goes the same as the film, wrong passports and then a lovely fire filled compartment. They jump for it and continue their journey. 
After the lovely travel song they make it to their ship.
Once on Brain offers Pinky a dress he thought he might like, only because he’d been wearing the same scraps since they met of course. YES OF COURSE THEY DANCE AND IT’S BEAUTIFUL. Anyway, when getting ready for bed Pinky notices a lovely music box, wondering why Brain would own something like that he attempted to open it, only it was locked. He put it back and went to sleep.
Pinky has a night terror inflicted by Snowputin and Brain saves him from jumping overboard during the crazy storm.
They finally arrive in Paris where they are quickly greeted by Sophie/Dot. After seeing her brother the two embrace and are let inside. Pinky gives the rundown of everything he’d been told about Pinkastasia and Dot is impressed. When asked how he could’ve possibly escaped the palace during the fire Brain realized he hadn’t told Pinky anything about that and panics. Only to his surprise, Pinky gives as answer, and a correct one at that! Brain had never told anyone about “Opening a wall”. And yet... Then it struck him. He went outside to collect his thoughts.
Yakko comes out happily explaining they could find the Dowager at the ballet later that evening, only to see Brain wasn’t as excited as he ought to be. Brain tells Yakko that Pinky is truly Pinkastasia. He tells Yakko about the “opening wall” and how he was the boy who had done it. Yakko tells Brain he ought to tell Pinky but Brain refuses, this changes nothing.
Dot invites the group to a night out in Paris! They shop and go to expensive restaurants. Pinky purchases a new dress and Brain has a hard time processing his emotions, he figured they were irrelevant, but managed to compliment him anyway. Why? 
The whole night Brain couldn’t stop thinking about how Pinky was really Pinkastasia. He needed to get him to the Dowager as soon as possible- for the money of course.
After the ballet Brain reassures Pinky that everything is going to be okay after noticing how he was on edge. Pinky and Brain make their way through the crowd and Dot loudly exclaims that he is not to enter, with a wink. The Dowager is not impressed however and still refuses to see anyone else about being the princess. This is when Pinky overhears how Brain was notorious for having people impersonate the princess, and how he was probably just in it for the money and it’s not the first time. Pinky’s obviously hurt that he was lied to. Brain tries to explain himself but Pinky won’t hear it and runs off.
Hurt and desperate Brain finds the Dowager’s automobile and pretends to be her driver. After speeding through the streets of Paris with the Dowager screeching at him to let her out, Brain stops in front of where they were staying. He shows the dowager the music box he has, knowing he had acquired it from the palace all those years ago. He said he was the boy that had opened the wall, and bagged her to talk to Pinky. The Dowager was surprised by this development and agreed.
Entering the room Pinky was supposedly in, she found him packing his bags. She offered to talk, but Pinky felt guilty and didn’t want to hurt her any further. However after noticing Pinky’s necklace, the Dowager pulled out the music box. Brain’s music box! The dowager asked to use the necklace and unlocked the music box that played a quiet little tune. The two sang their song and Pinky knew he was the long lost Princess. For real.
We are now in a large plush home with Pinky and the Dowager, they’re talking about the past and its lovely being able to be with each other again. There’s also a quick mention of a ball in celebration for Pinky’s return. 
Pinky is getting dressed up for the event and Brain runs into him as he’s going to see the Dowager. The exchange quick conversation and Brain goes to see Nora. She offers him his money, only for him to refuse it. She’s surprised, he brought Pinky back to her and saved their lives, and yet he wants nothing? She sends him on his way and he again sees Pinky on his way out. Pinky wishes him well with his cash and Brain leaves with a heavy heart, not mentioning he refused the cash. It was easier to leave with Pinky believing he had.
During the ball Pinky feels out of wack. Why wasn’t he happy? This was probably the most important night of his life! He was with his family, there was food and music! Everything was perfect, and yet something wasn’t right. The Dowager wasn’t a fool, and explained that while they were together again, he could still make his own choices. She also mentioned Brain hadn’t taken the reward when Pinky tried to use it against him. Pinky realized Brain must’ve had a change of heart, but if so, why didn’t he say something? 
Suddenly he was distracted by a little dog who had run into the palace only to run back out. He followed the dog through the large maze behind the palace. It was dark and the dog had disappeared. An evil laugh rang through the air as Pinky was officially introduced to Snowputin in all his undead glory. He introduced himself but Pinky had a lingering thought that he’d seen him before. Snowputin confirmed this and explained Pinkastasia was the only reason he was still here, and he had a job to finish. 
Fearing for his life Pinky tried to run, but Snowputin used his powers to change the surrounding scenery, and Pinky realized he was on a stone bridge. Wakko who’d been doing his bidding throughout the entirety of the sketch opted out, claiming it would only end in tears, and went to find his sibs. 
Snowputin began to destroy the bridge, and Pinky with it- until he heard someone call to him. Pinky recognized the voice instantly- Brain had come to save him! Oh good!
Snowputin smiled an wicked smile and shot a spark at a stone hoarse statue (Yes this can be Phar Fignewton if you’d like) Either way it came flying down to Brain, as it had been given wings, and picked him up, only to drop him from a height and come barreling down onto him, though he’d luckily rolled out of the way before he was crushed. 
Snowputin had been distracted long enough for Pinky to climb up the collapsing bridge and tackle Snowputin. Pinky was unfortunately over powered and was sent off the side of the bridge- though he felt his had get caught be someone else. Brain had made his escape from the hoarse and grabbed Pinky. Snowputin was infuriated and hit Brain out of the way, he zapped some more of the bridge and sent it crumbling down on brain, knocking him unconscious, though Pinky had managed to grab onto Snowputin and hit his vile out of his hands. Enraged Snowputin yelled and Pinky to give it back, of course Pinky was furious as well at this point and began to crush the decorated glass. 
Upon destroying the relic, Snowputin began to deteriorate as his soul was fused to it. He screamed and turned to dust. Pinky didn’t have time to process that of course, Brain was hurt. He ran over to him and shook him slightly, thankfully he awoke groggily. Pinky was overjoyed, as was Brain, though his whole body hurt. Brain tried to explain to Pinky how he was sorry about lying to him, but Pinky didn’t want to hear it, he was just glad he had come back and had a change of heart. The two hold on to each other a moment longer, Pinky’s large blue eyes had entranced Brain, his feelings from earlier had come surging back at full force, he felt- well he didn’t know what he felt, but he didn’t want it to go away. 
Pinky lowered his face to meet Brain’s, and the two didn’t separate for several moments. Brain didn’t want to be away from Piny again. And they weren’t, Pinky decided he wanted to make a life for himself, and after finding who he was, he wanted to find out what he could become. Him and Brain decided to go their own way together, and though Brain had a change of heart from this scheme doesn’t mean he completely gave up on his lifelong conquest to take over Russia, or the world. Only this time, Pinky would accompany him, someone had to keep him honest.
So there we have it! The premise of the movie told very poorly through a Tumblr post. I like to think if this were just another sketch Yakko would point out the kiss wasn’t scripted but no one dared bring it up. 
I will also be working on concept sketches with all the characters in their respected outfits, I can’t wait to draw Pinky in all those dresses, especially those pajamas Anastasia wears near the end of the film. 
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