#since the books came out

[bitchthefuck1]

Six of Crows fans start treating Kaz's cane like a mobility aid and not a quirky accessory challenge

[thatrandomblogsays]

Me: *reading a post that makes the joke “Peeta dropped the baby bomb, Gale drops bombs on babies”* haha good one

Also me: you’re missing the point! You’re missing the point! YOURE MISSING THE POINT! He grew up starving. His best friend almost died of hunger. Most of his people live in poverty. He watched children die in a bloodbath every year for the capital’s entertainment. The girl he loved went into the games. Was tortured by the capitol. His district was bombed out of existence. Nearly everyone he knew was killed. Their only crime was being fed up of being hungry and oppressed and sharing the same district as Katniss. All those innocent people. Murdered. He had to take refuge in a district that was bombed out of existence and forced to live underground. Of course he joined the war effort. Of course he designed unethical bombs and battle tactics. He wanted revenge. He wanted the capitol to have a taste of their own medicine. He wanted the rebellion to succeed. And tell me you could live through what he did, and that no part of you would be screaming for Justice and vengeance. Gale is you. You are Gale. He represents a part of feelings and actions that reside within us, even if you don’t act on it.

“But he killed prim!” Exactly! Gale loved prim. She was a second family to her. He looked after Katniss’ family. He saved them from the district 12 bombings. He loved her. He never would’ve put her in danger. He never would’ve put in order for a bombing if it would kill Prim. But coin would. And did. She took what was meant to be a tool of Gale’s righteous revenge for all the suffering he and his people suffered through, only for someone in power to take it and use it to kill someone he loved.

There’s some many lessons to take. We can’t control the things we create. War spares no one. Even justifiable rage and actions can end up rebounding and hurting those you love instead of your targets.

“He drops bombs on babies” is too simplistic of a takeaway and does a disservice to the story and Gale.

[perplexingly]

Comic based on the chapter The Field of Cormallen.

[floweroflaurelin]

Huevember day 18: Ghosts in the Catacombs

This is my first time trying to paint a ghost! I suppose one benefit of being dead is that you’ll always have light to read by haha

[ncthandrake]

ROMAN GODFREY Hemlock Grove | S01E11

[eveningrainstorm]

assorted psychonauts doodles

a close-up of this one, because i think it might actually be my favorite:

[sunnyaliceart]

Good Omens fanart from 2019 that I never posted here. Still can't believe it's a real show. Season 3, please heal me!

[dayurno]

this is somewhat of a vent post & something i said i would not do again but has been plaguing me enough that i think getting it out might feel better. so. has anydoggy else been. Baffled and upset by nora sakavic’s refusal to speak on how terribly aftg has treated its characters of color? with the author of the series coming back with a new book and starting up on her online activity again, and questions of what she’d change about aftg bubbling up, it’s particularly glaring to me that we are all playing this very long game of pretend where we ignore how badly the non-white cast has been treated & her lack of thoughts on it

and i understand not wanting to bring up nicky and thea because people pick on her for it. i’m not trying to discredit nora sakavic’s terrible history of getting harrassed online by aftg fans. but i think it is very cynical, and it is very juvenile, and most of all very cruel, that she gets to ignore the very real ways the books have set up these characters to be hated. i think it’s obvious why the characters who get the most hate are the only canonical characters of color, and i think we do not get to treat this like a deliberate decision on the fandom’s part when the books have put these same characters in degrading and embarrassing and terrible positions in the first place. aftg is not a story about nice characters with clean pasts, but there is a very specific nastiness to the only characters of color being a brown man who sexually harasses and later assaults the main character, a black woman whose only scene is her lashing out at her love interest after being ignored for the first two books, and the japanese villain who gets maybe two lines of complexity before he goes back to being a terrible person. the white cast, in comparison, while not at all free from flaws, are never shown to commit mindless evil; all of their actions are ultimately justified. the book goes out of its way to give them concession after concession. we know exactly who to side with, because aftg tells us who these people are. does nicky’s assault ever get addressed in the books? does riko’s reasoning to be the way that he is ever gets more than briefly aluded to? is thea reserved even a shred of humanity or grace in her one scene?

anyway. it’s been years of talking about this and the fandom has been constantly hostile to criticism in this regard, and more recently any criticism at all, and it’s Grating to be on the other side of this discussion. it’s exhausting to know that in ten years we do not get even an acknowledgment besides the author saying she will not answer questions about nicky and thea anymore. it’s upsetting and it’s ugly and i wish no one had to talk about this again, but we do because what i thought was common sense has been washed away by a sudden influx of no-nuance adoration for the trilogy. basically i hope we all explode

two hours later edit: you're allowed to reblog this! sorry about the confusion

[miramelindamusings]

@prudensvulpes requested Sora with Dylan Hollis' energy where he has his own cooking channel! Thank you so much for your patience! And this was alot of fun to do! I used Dylan Hollis' "Fake Apple Pie" tiktok (shortened to certain moments and some moved around for comedic effect!). I hope you like it and thank you again :)!

And here's a bonus sketch because I couldn't resist drawing Sora's face lighting up the same way Dylan Hollis' does when a recipe is actually good!:

[lucky-clover-gazette]

something something commodification of adolescent nostalgia packaging the timeless joy of self-insert fictional escapism into a soulless $60 product

[piccolos-bigtoe]

Meow... Hello... It has been a few days. OH MY GOD. I am sooo freaking busy WHAT THE BALLS.... About to go to bed but I wanted to upload these... CHeck it, two of my book covers, ones got tha snipahhh and my guy on it even tho I said I wouldn't put sniper on it I'm a LIAR and I couldn't stop myself, whagever it's fine. I <3 yellow stock pulp paper overlay it makes everything look good. I WIll say, these re not my final versions, I finalized them in indesign but they had my last name on them and I couldn't crop it out so I SWEAR THE WORD PLACEMENT LOOKS NICER THAN THIS!!!! + my MADAME book actually has words on it in the final version but again, don't want to share my last name since it's kind of uncommon hahaha

My sibling told me that I had to tell all of you guys about this AWFUL mistake I made... Omfg, I had looked on tumblr right before talking to my prof to ask if I could skip out early on class that day cause it was a work day, and so like I open up tumblr and see some medic art, then I walk up to my prof and instead of saying "hey m_(insert teacher's name)" I fucking say "Hey medic" I HAVE TO DROP OUT!!!!!!!!!!! I got SO god damn flustered like HOLY HELL!!!!!!!!! I was jus like "Oh my god, this can't be my life right now, this can't be happening to me, this can't be!!!!!!!!" My only defense is that his name also starts with an M. God save me.

I will get back to my regularly scheduled TF2 posting soon I promise... I REALLY miss drawing TF2 even though I guess technically I spent like all of two days making a TF2 book cover but it's not the same... ERMMM I feel like I had something else to say but I was probably just gonna whine about liek,, idk, being busy.

I'm actually in the process of considering switching majors because I love graphic design so much LOL so we will see where this goes.... Perchance,, graphic design tf2 arc moment.... OKay I'm going to bed now.

[seeleybooth]

Where are my book fans for Polin? :)

[worlds-oldest-teenager]

I’m interested. How do Apollo and Artemis’s desire to protect each other drive a wedge between them?

I'm glad you askeddd. Thank you for being my first anon ever btw. (@crowmakeska-boom idk if you are the anon but anon, whoever you are, sorry for the wait). This is probably not a very good meta cause it's mostly vibes, gut feelings and filling in the blanks with below the bare minimum of textual evidence but oh well. 

First I'd like to talk about why I think Artemis and Apollo's relationship is kind of distant. They're a confusing duo. When you first meet them in the titan's curse it may seem they don't like each other much or atleast Artemis seems to not be paticularly fond of her brother. Calling him “irresponsible”, “lazy”, “big headed”. But reading between the lines reveals how much the two of them care for each other, especially on Apollo's part from all the illegal help he was dishing out to the questers.

But then when you read some more, their relationship just feels a tad too distant to completely take what they say as just banter. When we see them on Delos in Blood of Olympus the distance is literal. They're recycling banter that's getting old and you can tell that even if it had been lighthearted before, it’s definitely getting on both their nerves now (stolen from fsinger lmao). They’ve both been playing the part for a long time but it feels like they don’t have the closeness anymore to recognize they’re both just playing parts. 

So what happened?

I think it's their need to protect each other that's causing this rift between them. From my point of view Artemis & Apollo are protecting each other from different things but Olympus is at the core of it for the both of them.

The twins have a very different experience of Olympus. Since her introduction Artemis seems pretty critical of Olympus. According to the hunters she's the only one who can get the ball rolling during solstice meetings and she's shown to not really act the Olympian way. Taking the sky off the shoulders of a mortal girl. Shrinking herself down to make the human heroes feel more comfortable and demanding they get rewarded.

It wouldn't be far fetched to assume that she's never fit in with Olympus and doesn't agree with most of the views of her family.

Then there's Apollo.

Who fits in so perfectly with the messed up inner workings of Olympus or so people think. He's perfected his mask over the years and no one is the wiser about the abuse he's gone through or even the fact that this isn't actually who he is.

To me, Artemis wants to protect Apollo from Olympus' true nature. In her head she's got every part of Olympus figured out and for the most part she has. Even if it's not something that works for her I think she would want to protect her younger brother from knowing what the kind of people he surrounds himself with are truly like.

I feel like Artemis would be conflicted on it for other reasons too because if Apollo is aware of the kind of people the Olympians are and he's alright with that, what kind of god is Apollo?

So she'd much rather think of him as stupid and irresponsible cause those atleast mean that it isn't he isn't a bad person. But I feel deep down she doesn't really believe completely that what she knows of her brother is correct.

But then she sees the way Zeus loves Apollo and cares for him and in her mind it's the right decision to let him live this way. He is safer now than they ever were as children.

Apollo on the other hand wants to conceal their father's true nature from Artemis. We know that he cares deeply about appearing fine on the surface because of how others would worry and who would worry more than his older sister.

Artemis and Apollo may be the protectors of youth but the first ever youth they protected were each other. It's the foundation of their relationship and caries on into the present day. Both of them feel a desperate need to protect each other.

I would go so far as to say that this is THE relationship they have with each other. The both of them never find comfort in each other, only protection. You can tell that comfort is not something they usually derive from each other from the way they're both completely blindsided by simple things like an "I love you" , a hug and just concern in general.

Comfort from each other is not a priority for them no matter how much they crave it. The twins purpose to each other is to protect.

So of course Apollo would never tell Artemis about the way Zeus hurts him.

I also think there's a little bit of denial on Artemis' part on just how abusive Zeus is. Cause Apollo is dropping hints. Even the way Artemis talks during Blood of Olympus makes it clear that she understands Zeus is gonna massacre the guy. She just doesn't want to believe it will be permanent.

And it's got a lot to do with the fact that she wants to protect him. Because if she acknowledges this isn't a situation Apollo is gonna come out from unscathed that means that she's incapable of protecting him. That means that she's failed to protect him before and cannot protect him again.

So she'd much rather pretend that Zeus is persuadable and not that bad. That it's Apollo's fault Zeus comes down so hard on him and if he were a little better and a bit more like her he could be safe.

And this would hurt Apollo because Artemis can pinpoint exactly what Zeus is like. But instead of comforting him she confirms for him that this is his fault. That if he could be better none of this would happen. Artemis helps prevent but never helps heal because helping her brother heal means he was in a position to be hurt in the first place.

All this mess and miscommunication and disbelief stemming from the fact that they love each other and never want to see each other hurt creates an impossible distance between them.

But there is light at the end of the tunnel. Slowly but surely they're trying to comfort/ seek comfort instead of just protect each other.

I wept on my sister’s shoulder. I felt like if I let go of Artemis, I would fall back into Chaos. Huge parts of my identity would shake loose, and I would never be able to find all the puzzle pieces. “Whoa, there.” She patted my back awkwardly. “Okay, little fella. You’re all right now. You made it.”

Apollo's trials sucked. But I'm glad it's given the twins the opportunity to bridge the gap between their relationship again.

[notemily]

Hey since it's the Glorious Twenty-Fifth of May, here's my favorite reading order for the Discworld books, the point of which is to read everything you need to read before you read Night Watch, which is the best one:

Guards! Guards! (Cop stories, film noir, and Tolkien jokes)

Men at Arms (The City Watch diversifies, there's a gun, clowns are creepy)

Feet of Clay (Discworld version of the ethics of enslaving robots)

Jingo (War, racism, xenophobia) (But like, it's funny. There's a Paul Simon "You Can Call Me Al" joke.)

The Fifth Elephant (Dwarf politics, vampires & werewolves)

Small Gods (Religion and philosophy jokes) (This is also usually the one I recommend to people who just want ONE Discworld novel to start with)

Mort (Death takes an apprentice)

Reaper Man (Death takes a holiday, there are Consequences)

Soul Music (So many rock & roll jokes! Death's granddaughter shows up)

Hogfather (Christmas jokes, tooth fairy jokes, this is the one where the famous quote about the falling angel and the rising ape comes from)

Thief of Time (Someone breaks time)

Night Watch (...and there are Consequences)

(I basically stole this reading order from someone's website. Thank you, person with a website.)

At that point you will probably have a pretty good idea of whether or not you want to read all the other Discworld books. I highly recommend the Witches subseries, which have a reading order as well:

Equal Rites (Granny Weatherwax is sort of still cooking here, but she's recognizably herself)

Wyrd Sisters (Shakespeare jokes)

Witches Abroad (fairy tale jokes, also voodoo for some reason)

Lords and Ladies (this time it's the kind of fae you don't want to piss off)

Maskerade (Phantom of the Opera jokes)

Carpe Jugulum (Dracula/vampire jokes) (Damn, it's really too bad this was written like 7 years before Twilight came out, can you imagine)

Then there are a bunch of other books, some of which are (loosely) connected, and the Rincewind books, which IMO are the weakest link in the Discworld (although I do enjoy Interesting Times, because of the China jokes).

There were also like twelve other books published after Night Watch, and they're still great - Monstrous Regiment is probably my fave of those - but I do think Night Watch was the peak of the Discworld series. After so many relatively self-contained books and so much humor, I don't think anyone was quite expecting such a rich chapter of Vimes's story that also punches you right in the feels. It's so good, y'all.

As always, it's dangerous to go alone, so take the Annotated Pratchett File with you.

[thefirstknife]

What are the Tones?

Whomst've asked me this. You're fuelling my unending obsession, thank you.

I posted about the tones before! Most of it is listed in this post! But I'd like to add some stuff now that it's been some time since then.

The tones are noises made by the spires on Mercury (Lighthouses). Whenever someone dies, the spires emit a tone. They basically react to death in various ways, depending on how the death happens; there's different tones to dying to Light as well as different tones to a perma-death. This is peculiar because nobody could hear them except Brother Vance.

He made Trials of Osiris to study them (because it's an endless source of Guardians dying over and over). Mara knew about his research (Trials was accessed in the Reef in D1) and warned him to stop because it's dangerous. It's unclear why. Osiris did the same years later. As a matter of fact, Osiris was super dramatic about it:

"What I have discovered…" "…is dangerous enough to destroy every man, woman, and child in existence. You're meddling with forces outside your grasp," Osiris reprimanded.

The tones are interesting because they're still largely unexplained. Mara implied that they symbolise Guardians being attuned to Darkness and being able to wield it, which is true, but Osiris' reaction implies something more. And it has to be more, because Osiris detected the same tones as coming from the anomalies of the missing planets and from the Pyramids. Long post under:

In my previous post I also connected that to the fact that egregore seems to be emitting some sort of sound/frequency attuned to the same thing: anomalies, Pyramids and, obviously, to the source of it all (the Witness). So there's some sort of frequency in Darkness that is audible and comes from all places connected to the Darkness network (and that network manifests physically as egregore). And in this case, anomalies and Pyramids (and ships infested with egregore like Glykon and Leviathan) are fine; it makes sense that they link to the Witness!

But spires on Mercury? Why them? My bestie made a post recently after we went unhinged (again) because the same lore book that deals with the tones also makes a really strong implication that the Vex were deliberately led to Mercury by the Pyramid Fleet in the Collapse. There, the Vex drained Mercury of Light, hollowed out the planet and used its materials to make the spires (and the Infinite Forest, a simulation engine) and then they waited for the Pyramids to return. Which they did, in Arrivals.

To make things more complex, after Titan came back, it was confirmed that the Witness did not take the planets randomly. There was a purpose to each one being stolen. Mars was taken to search through our Golden Age and Collapse database in order to find where the Veil may have been hidden. This could've been just a random coincidence, but then Titan came back and we learned that the Witness wanted Ahsa dead because Ahsa not only knows the origins of the Witness, but also how to get through the portal (and who knows if she has any other potential powers to helps us get in there or help us otherwise).

Io is unclear, but there are many options; it may have been taken for the Pyramidion and Vex stuff which Asher got ahead of. It may have been taken to study the Tree of Silver Wings (the Witness had another seed it gave Calus in Lightfall), or it may have been taken to study the Traveler's past or the Light in general or maybe something else. The point is, there are options that we can understand.

But Mercury? Zero clue. The only thing that may have been of interest is the Infinite Forest, but Vance sealed it so if the Witness took Mercury for that and couldn't get into the Forest, then Mercury would've been useless and probably released sooner unless the Witness is just keeping it out of spite or thought that maybe it would be able to find a way inside. And of course... there's the spires and the tones. Mercury is somehow linked to Darkness and the Witness, it has to be, and we have no clue what the Witness wants with it.

Not only that, but there's another curious thing about Mercury, or rather, the anomaly of it. It was mentioned in Duality dungeon, by Calus. When Calus tried talking to the Witness on the Glykon, the Witness eventually responded and it told Calus to come to the anomaly of Mercury:

Through the Crown of Sorrow, the Voice in the Darkness called out to me, beckoning me to the absence of Mercury. At first, I feared the Leviathan would not survive the journey, as the Glykon had been rent asunder by a similar journey. By my Leviathan, it is strong. Its heart beats anew, and as it pierced the veil of creation... the Voice greeted me. There were such sights to behold.

So when Calus disappeared off the Glykon, he went back to the Leviathan and bolted straight for the Mercury anomaly in which he was able to communicate with the Witness. Why Mercury? Glykon went into the Mars anomaly. Why couldn't the Witness speak to Calus in there? Or in any of the other anomalies? Why specifically Mercury? This is driving me insane.

But if Mercury is somehow connected to the Darkness network through the spires, is it possible that it serves as some sort of a communications hub? Maybe that's why the Witness is still keeping it? And it still is! We can see it in Root of Nightmares, in the Witness' room. Titan is still obviously there as well because it came out before Titan returned, but Mercury and Io are still trapped. This is also confirmed by the tiny excerpt we can see from the TFS Collector's Edition which I talked about in here.

Or the reason for Mercury is something completely different. We have no clue why Mercury was taken and what's going on there and why the Witness called Calus there and why the tones happened and why are they the same tones that can also be heard from anomalies and Pyramids.

To fuel me even more, they decided to drop two lore pieces in Season of the Deep that relate to Mercury and the tones tangentially. I know literally everyone and their grandma thinks that Targeted Redaction is just there to be funny (and so did I at first), but I genuinely can't accept that as being just a joke. The gist of it is that Osiris has no clue who Vance is and that is, to put it simply, impossible.

Obviously Osiris did not like the Cult and they were annoying to him, but he knew Vance. He spoke to him only once, but Vance is the one who told him to "plant the seed," a message that Mara gave him years before. This literally sets up the entire Season of Arrivals. Not only that, but Vance told Osiris about the tones and Osiris was deeply troubled about them. He's the one who continued the research and went around the solar system after planets disappeared, investigating anomalies and discovering that they emit the same tones. He mentions Vance, by name, twice in Immolant:

"Do you hear that?" Osiris asks, turning to Sagira. He turns the ship's scanning array toward the anomaly. "Like the tones Vance described. From the spires, and then the Pyramids. It was coming from the anomaly that replaced Io as well."

"We could use the Crucible right now. Your trials. This will be very helpful. You mean to stay, yes?" "I will. Long enough to show you how to implement the simulation; but tonight, I must disembark," Osiris says. "So soon?" Osiris tenses his jaw in forced silence. He twiddles with code. "I'm worried about what Vance found."

At the same time, Osiris also sends us the seasonal artifact from Hunt, Fang of Xivu Arath. In it, he mentions:

The zealots that followed me to Mercury have proved themselves useful… twice now, actually. They possessed an artifact in their stores: a Hive fang.

The zealots being useful "twice" refers to Vance telling him about the seed and having this artifact kept safely in the Lighthouse (technically, it's three times: in Curse of Osiris, Vance told us where to find the machine to bring Sagira back and it was being kept by the Cult, but it's unclear if we told Osiris the details). Osiris, again, specifically mentions Vance when he recounts where he got it from, in Immolant:

Sagira had chided him for storming the Lighthouse and ransacking Vance's possessions. "They're my relics," he said to silence her protests.

I know Osiris has been through a lot, but his memories are completely and perfectly intact... Except for Vance. That's bizarre to me, given that there's several important points that tie them together, like planting the seed on Io (something he wouldn't have known to do without Vance relaying Mara's message) and research of the tones, something that Osiris spent a lot of time doing and was explicitly worried about; so worried, in fact, that he was willing to part ways with Saint just to continue that research.

In my old post I also mentioned how Osiris even went to Ana to tell her to ask Rasputin if he heard any tones in the Collapse, but Rasputin wasn't up yet. And when Rasputin was finally up, we had much bigger problems to deal with so I assumed that Osiris never asked because the priority was to find what's on Neptune. But now I think that Osiris didn't ask because he doesn't remember. Because the memory of Vance and tones and whatever they mean was deliberately removed from him while Savathun had him imprisoned. Or, perhaps, the Nezarec tea messed with it. After all, Darkness is memory.

This would obviously imply that the tones are something so important and dangerous that Savathun (or someone else) wanted Osiris' knowledge of it removed so that maybe she could have leverage or to know something we don't or perhaps for some other purpose by some other actor. This was such a big point that the entirety of Immolant part 1 is almost exclusively dedicated to Osiris inquiring into the tones.

Another possibility is also that Osiris' memory of Vance was messed with because of Io and the seed and Tree (and then as a consequence, obviously, he would also forget about the tones).

There's also a possibility that Savathun is literally right now messing with me and she did it for no reason at all just to generate imbaru or mess with Osiris or maybe she even wanted to do one nice thing for him and remove the memory of the weird Cult and the tones aren't important at all.

But I don't know. The fact that they're the same thing that the whole Darkness network uses and that ultimately leads to the Witness seems like something that should be important. However, I don't think Mercury will return before TFS, especially since TFS CE has Eido writing about how Mercury is still in the Witness' grasp. But, consider also that we don't know the timeline of when Eido's writing is set. It has to be set after Ahsa's reveal about the Witness' origins, but before TFS. We don't have enough information to tell more. There's also Vex shenanigans to consider, something that will certainly be a plot point post-TFS and Mercury is a prime location for that.

Either way, there's something going on here, added also with the second lore tab release in Season of the Deep that tangentially ties to Mercury, which is Unexpected Resurgence. In it, Shayura is approached by Sister Faora, an incredibly niche character who was leading the Cult of Osiris before Vance. She's shown still wearing the insignia of the Cult. We never learned why she stopped leading them and why Vance took over; she just kinda disappears from the lore book (Trials and Tribulations, the one about the tones). But apparently she's in the City and she's still wearing the Cult robes and she's back in the story... for some reason??

It honestly feels like some sort of a setup for something in the future, something that might deal with Mercury's return. I need to stress just how small she is as a character: she only actually appears in three lore tabs before Unexpected Resurgence, all in the same lore book. The rest of her stuff is just flavour text on the Kairos Function armour pieces from Curse of Osiris. That's it. Why return her in Season of the Deep? Mind boggling.

This whole thing about the tones and Mercury consumes me every day and night. The fact that Deep mentioned Vance in a way easily dismissed as a joke (but also, note the name of the weapon: targeted redaction) as well as Faora coming back is just too wild to me to be a random throwback or a just a joke. Not when it's beyond clear that Osiris should remember Vance, the Cult, the tones and the rest of it. It's even unclear at this point if he remembers that he planted the seed on Io.

So what are the tones? What are they indeed. They're music from the spires of Mercury that reacts to death and uses the same frequency as the entire Darkness network with the Witness at the top. What is their purpose and what is the purpose of Mercury and why did the Witness take it and what is this plotline and when will it be resolved? Summary:

[coquelicoq]

what i love about the Famous Actor Natori Shuuichi of it all is that...it's not just that he's famous and therefore widely recognizable wherever he goes. like yes that is very funny because he was an exorcist before he became a famous actor, which means he CHOSE, on purpose, a day job that would make it harder to hide his double life/secret identity from the hordes of his adoring public, but it's more than that. it's not just that he's famous, it's that he's famous specifically for being an ACTOR, aka a person whose job it is to dissimulate, to make believe, to inhabit roles and emotions other than his own. like he decided he was going to become as visible as possible (which again was literally not necessary! he could have gone into any other career for his day job!!) but in such a way that everyone would see him but no one would see him - they would just see his various made-up personas, including the Famous Actor Natori Shuuichi persona. i can't decide if he's a genius or if he just made so many absurd decisions that they canceled each other out and circled back around to working out. he's either playing 9-dimensional chess or he's eating the pieces. too soon to say.