“Eddie,” Robin says, eyes wide in a way that means trouble. “Edward Munson, I sincerely hope your last will and testament is in order, because you are going to completely and totally die when I tell you who just got hired at Scoops Ahoy.”
Eddie groans. “Don’t tell me Tammy Thompson is giving up on her Nashville dreams.”
“No, I hate you, shut up forever, you’ll never guess.” Robin pauses, then in a dramatic whisper she’s definitely picked up from Eddie himself, says: “Steve Harrington.”
“Jesus. No shit?”
“Yeah, I have to train him. Oh my god it’s the worst. He’s so bad at, like, everything.”
She shoves at his shoulder until he moves out of the doorway of the trailer, and flings herself backwards onto his couch. “Like! Okay! I showed up to my shift thinking it would be a completely normal day in which I would be bored out of my skull distributing frozen dairy products to the flotsam and jetsam of Hawkins, and Ned’s like, hey Robin, you’re showing the new guy the ropes today. And then that freaking jackass has the freaking nerve to say—” Her voice drops a full register. “Uhh, nice to meet you, I’m Steve. Nice to meet you! God!”
Eddie cringes sympathetically, sucking air between his teeth. There’s a special kind of indignity to being so completely and utterly below the radar of Hawkins High royalty, even former bearers of the crown. It’s not as if Hawkins is a big town; Eddie’s pretty sure he could pick every single person in the graduating classes of ‘84 and ‘85 out of a crowd. He’ll probably be able to do it for ‘86 too, though he’s trying not to think about it too hard. So he’ll be a senior again (again) this fall, whatever. It’s fine. It’s whatever.
Once in a while, he wastes some time really, really wishing he’d gotten to know Robin earlier in the year. Maybe even last year. For undying friendship reasons, yeah, but also because with her in his corner, he might’ve actually passed enough of his classes to fucking graduate on his second fucking try.
But he’d only actually met her, like actually met her for real instead of passing her in the hall sometimes, when he’d let himself get suckered into rejoining band. It wasn’t like he could’ve brought his guitar in, but he let it slip to Miss Genovese that he could read music and keep time, and they needed someone to wallop the bass drum, and he figured a little experience fucking around with percussion might be the one thing he could salvage from the year. He’d just…been so goddamn tired of feeling stuck, spinning his wheels. Music was something he could actually handle; something he could actually get better at. Something he could master. He's man enough to admit he needed a win.
The actual songs were all stuffy Holst and Sousa numbers, but they’d had some fun technical bits he spent his evenings hammering out for a couple weeks. And then right around the point when he’d gotten good enough to get bored and think about quitting like last time, it had somehow wound up that shooting the shit with the gangly weirdo in the trumpet section was one of the best parts of his day. Unfortunately, by the time they’d gotten close enough for her to start bullying him about homework and shit, it had been way too late to save his chance at walking that ‘85 stage with assholes like Steve fucking Harrington.
Not that Harrington would’ve even noticed, apparently.
“Anyway, the one singular saving grace about the entire situation is that he looks even dumber in the sailor costume than I do, so at least that will make me feel better about my life until he gets fired for burning down the ice cream freezer or something like that. Eddie, I cannot stress this enough: he is so bad at this job.”
Eddie very tactfully does not bring up the litany of screw-ups that Robin’s admitted to over the last couple weeks since she started at Scoops; he just says, “Buckley, it sounds to me like you might be in need of some quality relaxation time this fine evening. I can offer you a nice cold beer, some herbal refreshment…or a fiendishly weird new song to learn with an intro riff that'll make you cry.”
Robin, inveterate nerd of his heart, sits up immediately and chirps, “New song, please!” just like he knew she would. She’s going to run off and elope with his acoustic one of these days, and he’s not even mad about it.
“Coming right up, m’lady,” says Eddie. “I promise this entire Harrington situation will be over before you know it, and neither of us will ever have to think about him again.”
(ETA: First chapter of this fic has been edited/expanded and posted on AO3)
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Today i will rate the skies in the covers of the stuff i have on spotify
Because i am offline while writing this i am naturally restricted by what it will display for me
1. collide with the sky (ptv)
9/10. lighter towards the horizon, great hue shifting, nice fluffy clouds, i love how saturated and blue it all is. one thing i really like is how the field is green and the treeline is so dark because that's just how it is irl for realsies. i guess the only thing that's subpar iis that i feel like for that type of cloud, it would look much more defined? but i guess that's cause the sky can't be distracting too much from the subject. anyways, really nice work.
2. Master of puppets (metallica)
2/10. Just getting some mixed messaging here. Like, the idea of it being all spooky and warm colors like that is cool, but it just…it all muddles into itself a little much. The light on the crosses doesn't look quite right and it's really hard to parse which parts of the sky are glowing or reflecting or clouds or the background or mountains. This album is really good though so i'll add a point for that
3. Danger days: the true lives of the fabulous killjoys (mcr)
10/10. What is there to say? I mean, awesome gradient…great mixture of scrappiness and fullness in the clouds…those colors are just beautiful…i love how the sun rays are radiating out from the spider in the middle…gotta rep the rest of this composition cause it slays. Seriously, great sky.
4. Joke cover of my demolition lovers playlsit (mcr)
4/10. This is very standard and pedestrian but seeing as it's literally just a normal stock photo of a construction worker i can't judge it too harshly
5. Glow (pkch)
9/10. Pukicho is a great photographer and i really appreciate the artistry of this one. My personal preference is for a more crisp and thick cloud but i really like the vagueness and fogginess of these ones. It gives off the impression of a sunset or a sunrise without putting a literal glowing sun or garish colors in, and i like the perspective of the clouds as they approach the horizon seen through how the bands of dark and light get closer and blend into one shade. Just a very beautiful photograph altogether, great colors.
6. Spirit phone (lemon demon)
5/10. Wasn't even sure if this counted as a sky or not, and i eventually decided it takes place outside during the night, but i did have to dock points for barely even being what i'm rating. I love the strange abstractness of it, the smeared perspective lines that have no purpose other than to look weird. Honorary mention goes out to the characters in the foreground that, though ghosts, can be understood as weather phenomena due to the song in this album "soft fuzzy man" (about a sentient storm that wants to date the listener); giving them the dubious honor of the weirdest clouds ever.
7. Embers (beetlebug)
8/10 Another edge case, but i decided the patches were clouds so it counted. As a fellow watercolor artist i'm naturaly drawn to this, but who wouldn't be? It's another one that handles the sunset situation with tact and depth; the white edges aren't just a great painting move- they express light shining onto the edges of clouds. Another very clever composition utilizing the sun. just great.
8. Until the end (beetlebug)
6/10. Less stunning than the last one, but it's charming in an understated way. It feels very simple and childlike, but does have touches of maturity from the nuanced colors and defined clouds. I really appreciate the bold choice to make the sun red, it's unexpected but striking.
9. Ride the lighting (metallica)
3/10. Perhaps this is due to my complete lack of experience with thunderstorms, but i just don't like the black thin scrappy clouds. It feels so noncommittal. I'm guilty about rating it so low because i feel like the album cover, overall, looks great (especially the awesome 80s colors, those get compensation points from me) but every time i zero in on the sky itself, i'm just perplexed.
10. Purrple cat💜 (purrple cat)
1/10. This is just fine. It's a normal sky. It has normal stars and normal planets and normal nebulae. It's so uninteresting. Doesn't attract the eye. Every item evenly spaced out from the other. I don't understand why that planet is glowing but so dark. it just doesn't make sense.
11. Hallows eve masquerade (beetlebug)
10/10. This is basically the epitome of what's good about beetlebug covers- like, there's a kidlike charm to how simple it is, but there's a finesse to the colors and concept. This one just has such an expertly handled warm color pallete. Love the subtle glow and the centered composition.
12. Bee and puppycat- official soundtrack playlist [[star swirling emoji]] (milan records)
10/10. See, THIS is how to do a space sky properly. The glowing things glow and it's not desaturated as all get out. This has a good handle on the subtle pink-and-green nebula glow and it's cohesive with the rest of the palette-- I guess that makes sense, because this show is interested in that retro look where chromatic aberration like that is common.
13. Fly by night (rush)
5/10. Even though i'm not the hugest fan of it, i respect the choice to keep the background elements a solid color. It plain and cohesive, and making everything blue except for the yellow of the eyes is a good idea.
14. ???? (??)
7/10. This is like 20 pixels but it looks very nice. Going into this i wasn't expecting so many of these to use the sun or moon as a focal point of the composition but i guess it makes sense. I like the color shifting to the horizon.
15. Kingdom in blue (kupla)
10/10. AAAAAH!! I love how this is a sunset but much more cool colors than all the rest! You don't see the pink + teal a lot but it looks great. The floating island adds a nice flow to the whole thing and a fantastical edge to the more common lo-fi vibe.
16. Let's cheers to this (sws)
10/10. You know, this would look great if i could SEE it. I'm too miffed to explain why it's good.
17. Dracula reading playlist (elizabeth)
8/10. i feel like this matches the vibe of the playlist and the book very well. i'm not a huge fan of fog as a stated before but in this instance it really works to punch out the silhouette of the castle, which is the main point. I also like how it's just straight up red. evil.
18. Teal album (weezer)
0/10 i'm mad that i thought this was a sky but it's just a teal background
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