#slow progress is also progress

[clumsypuppy]

wait for me

[swztch]

ok i got work done its roblox time

[anbaisai]

It's not even actually their birthday

(Based on a conversation I had with a friend + Jamil's 2024 birthday present to the player)

[silksongeveryday]

Drawing Hornet everyday until Silksong comes out - Day 719

saw an old sketch from my hornet’s strange adventures drafts, wanted to recreate it

[deerspherestudios]

Hi hi hello! Sorry for lack of posts and updates recently, been dealing with a lot of stuff irl; but it's my bday today (8th April) so thought I'd make a quick doodle to celebrate! <3

[2isted-chocol8-art]

Hiii this past month has been hectic and I couldn't draw much so like, have some doodles I had saved in my computer. You got time buddies, post loop shenanigans and uhhhh a little me. -> More Outer Wilds Art!

[bevioletskies]

thame & po + every episode ever | episode eight

Po, can you not say, “It’s all right.”? From now on, just make a request. Tell me what you want or what you want to do. I’ll try to make it happen.

[citrusandrottefruit]

Part 1 | Part 2 | Part 3

Steve probably should have had surgery after Vecna ​​died, because Hanahaki's roots seemed deep, but he chose to alternate between Max and Eddie's hospital rooms. There was no time to waste on his own health.

His parents were back this time. They had sold their house and bought a huge apartment for Steve, who wanted to stay in the city. His parents didn’t even question it, they just demanded his time for a week before leaving with a big hug and the promise of a trip somewhere nice that summer. If he had been a little younger, Steve would have been happier, but after so many years of neglect, all he could think was that this was as far as he was going to get.

A side note, an afterthought. They cared about their son, just not as much as they should have.

Steve's new apartment had four bedrooms, more than he needed, but he was glad his parents tried so hard to make up for it, because it meant he could offer Robin a room when she graduated and there would always be room for the kids. And Eddie and Wayne, who stayed with him while the government found them a new place to live.

Eddie made a joke about Steve's parents being more powerful than the government, for being able to find Steve a great place to live so quickly in a broken city while he and Wayne had to wait.

Wayne was usually around, and despite being a somewhat taciturn man, it was easy to see the love that overflowed for Eddie. It made Steve think of his mother, who had loved and suffered so intensely that she had developed Hanahaki.

And yet, she was not with him.

The cough got worse.

One day, Steve woke up in the middle of the night, struggling after yet another nightmare of torture. Some days, it was easy to forget about Vecna ​​in favor of that hour beneath the Mall, with his life in someone else's hands. On days like these, Robin was needed more than ever, but her parents didn't want her away so much, so sleeping in his new apartment was hardly an option. Calling her wasn't a good idea either, because all it would do was stress her out and they'd end up up all night on the phone. So he resigned himself to taking medication and going out to the balcony, longing for the fresh, clean night air.

He would turn on the TV or music, but he didn't want to wake Eddie, so he just stood outside with his eyes closed and imagined being alone again when Wayne and Eddie left, then tried to imagine what the trip with his parents would be like, if it were to happen. Steve still wasn't sure if he wanted to go, but it might be nice. Maybe he'd get something out of being away from Hawkins for a while. Maybe the coast would make it easier to breathe.

As lost in thought as Steve was, after years of trauma it was impossible not to be aware of the sounds around him, so when Eddie opened the bedroom door and started walking down the hall, he heard it. He stayed silent, not wanting to disturb Eddie.

Of course, Eddie didn't care and showed up a few minutes later with some tea.

For your cough, man.

After that, it became almost a ritual between them. Eddie was always there when Steve woke up startled, and Steve reciprocated. They always had nightmares, so who went to who depended on which one of them woke up first.

Sometimes they would stare at the stars in silence, other times they would talk. Most nights, they would end up in Eddie's bed, in one of the spare bedrooms, without touching each other.

Steve's room, which was definitely his and not a temporary arrangement, felt too intimate.

At the same time, Eddie began asking more and more about Steve's throat, about his shortness of breath, if he was okay, when he planned to go to the hospital. The questions became so frequent that Wayne noticed, too.

The feeling of being cared for was too much. Feared and desired in equal measure.

Eddie shouldn’t even be doing all this, because he was still bandaged, still covered in pink scars, still had a long way to go in physical therapy.

For the second time in his life, Steve felt suffocated by love.

This time, Steve almost hated it. Because he was in love with Eddie, because Eddie didn’t know the things Robin knew. Even if he loved Steve back, how could Steve demand that Eddie take care of him?

Mr. Harrington had reasons to stay with Mrs. Harrington. Although no one talked about it, Steve was sure that his father had been the trigger for his mother’s Hanahaki. And maybe if she had never left, chasing her father across the country, trying to be happy with him to stay alive, maybe… Just maybe, Steve wouldn’t have been alone and maybe he would have been healthy.

Neither Eddie nor anyone else had a good reason to pursue any kind of happiness or emotional stability with Steve.

In addition to the burden of living with a chronic, progressive disease that would possibly become terminal at some point, being emotionally involved with someone with Hanahaki was very complicated. It required loyalty, responsibility, patience, a willingness to accept endless arguments and a desire to reconcile.

Communication was essential. Making sure the other person felt good and loved, comfortable and safe. All of this was too much work, too demanding.

Loving Steve was a prison.

I'll try to post part 3 soon. I've already written the ending, but I'm thinking about how to connect this part to the ending, which will be happy.

[a-most-beloved-fool]

For the ask prompt game...

Spirk #17 to distract

"Report," Kirk ordered. The word buzzed low against Spock's ear, quiet and audibly tense.

"Less than two minutes until they reach our location, Captain," Spock replied promptly. "Commander Scott will need at least another eight before the transporter is operable again." His voice was equally hush, despite their perceived solitude. He had seen carelessness take far too many lives during his time in Starfleet; he would not allow it to take his captain as well - and, illogically, Spock could not quite dispense of the phantom sensation of eyes on the back of his neck.

"We'll need to bluff it," Kirk decided, looking grim.

His gaze was strangely intense against Spock, full of rioting emotion, and, almost, Spock wished to look away. He did not. Instead, he nodded, holding steady eye contact.

The odds, Spock knew, that Kirk's gambit - whatever it may be - would succeed were... poor. The guards had, after all, seen their faces. But Kirk would keep fighting right until the bitter end, and Spock, of course, would be right beside him.

Solemn, he vowed, "I shall follow your lead," though he knew Kirk would not have doubted it. Still, the unnecessary words were well worth the way the tension around Kirk's eyes melted away, the somber set of his mouth slipping instead into a golden-edged smile.

Almost wonderingly, a soft chuckle fell from those lips, incongruous in their surroundings and entirely treasured. "What would I do without you?" Kirk asked, reaching up to exert gentle pressure on Spock's bicep.

I pray you never need find out, Spock made to say, getting only so far as drawing in breath before the sound of distant footsteps drew them both from their quiet moment, snuffing the words before they could take shape. "Eighteen seconds," he said instead, after rapidly adjusting his calculations. Faster than anticipated.

Kirk nodded, some unreadable emotion hiding in the soft crease between his brows.

"Forgive me, Mr. Spock," Kirk said softly, and Spock did not have time to question what he meant before Kirk was pulling him down by his shirt, dragging their lips together with great urgency.

Quite suddenly, Spock found that his mind was entirely blank. Strange heat flickered through his whole form, and his universe narrowed to only Kirk, all soft and human-warm, who was pressed flush to his chest and kissing him.

One, then two seconds stuttered by in which Spock thought no thoughts at all, struck utterly motionless in the face of such unexpected attentions. He only felt, swept away by the sensation of pliant lips against his own and warm fingers stroking through his hair, gently mussing.

The very first thought to break to the surface was simply, Jim. A wave of emotion flooded in with it, astonishment and affection sweeping over him in such quantities that he felt nearly lightheaded.

The second was, We will be caught, and Spock jolted as something near to panic rose up inside his gullet, urging him to take Jim into his arms and run.

The third, however, was not his own; it was pressed into his katra from the outside by Jim's careful fingers, his clever mind slipping easily past Spock's shields. Play along, he said, projecting deliberate calm through their connection. Still, Jim was unpracticed in telepathic arts, and beneath that false serenity Spock could feel a tangle of guilt and determination, bitter and writhing.

The truth came to Spock in one fell swoop.

Jim's gambit... was this.

His lips and his hands, which pressed themselves so tenderly to Spock's skin, were not for him.

It was not love which had drawn his captain into his arms, but mere utility. Jim had realized what Spock had not: though they could not hide themselves, they could, perhaps, distract from themselves.

Two men attempting to look inconspicuous would only draw suspicion. Two men locked in a romantic embrace, however, may be overlooked - or even deliberately ignored. Few were comfortable with looking closely at the private passions of strangers, and fewer still would see reason to. Those searching for them, Spock hoped, would not. There would be no logic in halting an escape attempt solely for a kiss, after all.

Therefore, in order to escape unnoticed, they must be convincing.

They must seem, to any observers, to be completely and entirely immersed in one another, with no care for anything going on in their surroundings, and no fear of discovery.

Two lives, purchased with a kiss.

It was entirely logical, then, for Spock to part his lips, inviting Jim's tongue to dip inside of the wet cave of his mouth and meeting it with his own. If a groan rumbled deep within his chest, it could surely only help their cause; there was no need to swallow it down.

This disguise would, Spock observed as Jim's tongue flicked gently at his mouth, be far easier to maintain than it had any right to be.

It was a terribly simple matter for a man in love to behave as though he were a man in love.

The difficult part, then, would be remembering that it was a ruse. Already, heat bubbled deep within Spock, aching want suffusing his every neuron. Every faint brush of flesh sent golden tendrils of telepathic energy sparking across his skin, and it was all Spock could manage to hold himself back from pressing hungry fingers to Jim's meldpoints and sinking into that wonderfully enticing mind.

Instead, Spock slipped a hand beneath the hem of Jim's shirt, rucking up the cloth until he was tracing patterns across a smooth expanse of golden skin. He flexed his hand, allowing his nails to scratch carefully along Jim's spine, and did not permit himself to consider reaching upwards, to Jim's face - or worse: downwards, beyond the waistband of his pants.

He wondered if Jim would have chosen this, had he known how very much Spock wanted.

Perhaps it was selfish of Spock to allow it.

Still, he could not force himself away - not when Jim's life was at stake. The kiss was his lifeline, and so the kiss must remain.

The touch of their minds, however, did nothing to aid Jim. It was solely for Spock's benefit, taken from Jim without his knowledge or intent.

That, Spock could end.

If Jim was to unknowingly place himself into the hands of someone who wanted more than he would wish to give, then Spock would take it upon himself to be his protector - even if the one he must protect against was himself.

And so, Spock opened himself to every offered touch, and girded his mind against every stray thought, until not a single wisp of golden energy could find its way past his defenses.

When Jim's thigh nudged its way between Spock's legs, Spock spread his stance wider, allowing him to press closer, and did not let himself feel. His hands grasped and squeezed at the soft flesh beneath them, drawing quiet gasps from a pink-flushed throat, and no pleasant hum buzzed against his fingertips, carrying with it the flavor of human emotion. Jim nipped at his lips and pet at his hair, and Spock pressed every scrap of yearning deep down within himself to where they couldn't emerge.

Eyes closed and spirit aching, Spock kissed him.

_____________

from this ask game

[paperbaghero]

WIP, ahee ahee

I should go to bed…

[not-rigel]

it's actually so unfair that she's not real

[rednightmare18]

I think ultimately what I'm getting at here is that most of the KCD duology is built upon and around the core truth that Henry is just a guy.

He's just some guy who the world happened to. He doesn't wind up in his unique situation because he is inherently remarkable but because of his own violent cocktail of the highs, lows, and randoms of life -- luck, personality, grit, tragedy, nepotism. So are we all, mostly.

He isn't pulled into these semi-grand events because a high skill level and natural sense loyalty have made him into the perfect candidate to serve as Hans's squire, and Hans is not drawn to him for any of these reasons either. On the contrary, he has developed his skills and has become loyal (to Hans himself, critically, not some general intangible ideal of loyalty) because he is Hans's squire -- because Hans likes him, Henry, for no other reason than because of the person he happens to be.

He is not successful and courageous (in fact he has to work very hard at courage, consciously, over time) because he is Radzig's son and somehow imbued with these traits through the quality of his blood; being Radzig's son drags him into an unexpected position of favoritism that forces him to either develop or flounder, building out his character this way or that.

This is one of the huge statements about worth and class and social stigmata that KCD is trying to make. 90/100 times, they do a superb job. But there are gameified moments, especially in KCD2, where the script deprioritizes that narrative truth in order to fulfill the average gamer's expectations of how an RPG is supposed to work. And those moments really stick out like a sore thumb to folks who came to KCD2 having played KCD1, precisely because of how well the narrative is otherwise crafted -- and how well Henry is developed, body and mind -- over the course of two games.

Above all else, this, I think, is why it is necessary to play KCD1 to fully appreciate Kingdom Come as a work of art and to understand what it is attempting to say about the world and about people, through history and in any present moment.

[gomzdrawfr]

I hope they have suits....

[guildfox2]

there needs to be a white flag backpack skin i can put on my wvw character that means like "i am a coward but i want to capture these ruins for an easy weekly achievement so if you could pretty please just let me do that real quick and maybe let me get out alive that would be great" bc every time i try to type that in chat i'm killed before i can finish typing

[hauntingofhouses]

Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.

So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.

DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.

Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.

But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."

In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.

When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.

So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.

Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.

And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."

But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.

He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.

*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.

Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.

Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.

Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."

This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.

Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:

"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."

(no screenshot because it's quite a long line but you get it)

Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.

Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.

But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.

Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:

"I thought you had to be something special. Your face isn't even so scary. You're just... angry."

At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")

The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.

That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.

By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.

Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.

But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.

"I want to be great."

This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.

NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.

First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:

Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;

Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.

These are thus two directly contrasting, diverging journeys:

Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.

Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.

Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.

Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.

Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.

In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.

Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.

(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)

And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.

--

Let's talk about Option A: Akemi.

As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.

Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.

With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.

Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!

--

Then, of course, we have Option B: Taigen.

Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.

Therefore, Taigen has very few options here.

And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.

Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.

Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.

While Akemi is red and Mizu is blue, Taigen is green.

Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.

Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.

By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.

It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.

Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.

The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.

Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.

But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.

Or hey, maybe they could both make their own dojo together! I don't know.

(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)

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Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.

In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.

Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.

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And finally, there's Option D: Polyamory.

This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!

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AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)

Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.

[minty364]

DPXDC Prompt #89

Danny didn’t know what would happen when his parents portal turned on for the first time but this wasn’t it. He accidentally turned it on and the next thing he knew he was in front of this pool of green swirling liquid with this lady named Talia telling him she’d take care of him. The weird thing is he was now half dead with weird ghost powers and he somehow was turned back into a 5 year old. He met a kid the same age as him and the two quickly became inseparable, his name was Damian and even though he was to be the next head of what Danny assumed was a cult, he knew it was but he was in the body of a 5 year old and couldn’t exactly go home like this.

5 years pass and Danny gets sent along with Damian to Gotham to live with Damian’s birth father Bruce Wayne. Danny didn’t want to go at first but Bruce seemed to welcome him with open arms regardless of his background with the league. Everything is going well for the 2 until Danny meets Tim’s secretary, it’s Sam and she absolutely did not know how to handle her now smaller best friend. Tucker is doing an internship at Wayne Tech too.