#so I don’t remember if it’s good

[sscrambledmeggss]

what are some of your favorite romance animes? I haven't really watched any, and I trust your taste ✨

JDDJJD THIS ASK HAS MADE ME SO HAPPY THANK YOU <3

Shoujo animes are a mess BUT they are my mess so it’s okay 💖 I haven’t watched a few of these in years, so I might be masked by nostalgia but shoujo animes are all about having a good time at the end of the day, and I’m pretty sure these will give that to you 🕺

Fruits Basket (2019):

Genres: romantic comedy, supernatural, drama, slice of life

Length: 3 Seasons, 63 episodes in total (+ a movie, but I don’t like the relationship in the movie so I don’t talk about it 🥰)

Okay okay, so like the plot to fruits basket out of context sounds like wild heterosexual bullshit. BUT I SWEAR, it is such a wholesome show, and it’s probably my favorite shoujo anime. It’s even complete with soap opera drama on occasions 😫 (I would definitely look up triggerwarnings though!)

Synopsis: orphan girl moves in with three guys, they are secretly furries 🤨 (aka they are cursed so when the opposite gender hugs them, they turn into the Chinese zodiac animals 😭) surprisingly this is not a reverse harem anime, and you actually want her to live with the guys 🤨 it also like handles toxic family relationships, and grief really well. It also has a lot of queer coded characters 😭 2001 is a lot goofier, but 2019 is way more dramatic, and actually has the full series. :)

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Monthly Girls’ Nozaki Kun:

Genres: parody, romantic comedy, slice of life

Length: 12 episodes

This one is really fun!! It’s also very cute.

Synopsis:

Sakura Chiyo has a crush on this guy Umetarou Nozaki, and somehow ends up joining his manga team? Nozaki basically writes shoujo manga under the pen name, ‘Sakiko Yumeno’. He’s actually really open about it, but nobody believes him. 🦧 anyway she basically just gets to meet his team, and it’s a really fun and cute time <3

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Ouran High School Host Club:

Genres: drama, romantic comedy, harem (but like it affects nothing, they are all mainly besties)

Length: 26 episodes

This is really unsurprising 🦧 BUT it’s a really fun time. A lot of things haven’t aged well in it, but for its time it really was changing things. Its a very episodic, romcom, making fun of a lot of common shoujo tropes, while still acknowledging that it’s basically the same thing it’s parodying.

Synopsis: Haruhi Fujioka is a scholarship student, at a big fancy school. She accidentally breaks a vase, and it puts her in debt with one of the clubs. Which happens to be a host club?? 🦧 so now she has to dress up as a guy and flirt with women <3 basically everyone is a stereotype, and it actively is making fun of rich people. 😭

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Yona Of The Dawn:

Genres: romance, high fantasy, adventure

Length: 24 episodes + 3 OVA

Admittedly I haven’t watched this one in years, but I remember absolutely loving it. And luckily a friend of mine has watched it like this year, and she loved it as well. So I’m hoping that means it stands the test of time LOL.

Synopsis: Princess girly gets a reality check, and now has to girlboss too close to the sun <3 but it’s very fun. (This is all I can say without giving spoilers ig 🦧)

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Snow White With The Red Hair:

Genres: fantasy, romance

Length: 2 seasons, 24 episodes in total + 1 OVA

I also haven’t watched this one in years, BUT I remember being obsessed with it. Sometimes I still check in on the manga to see what’s going on, I do not understand what’s going on. 💖 it’s very relaxed and cute though. And also nobody is in high school, which is always a good change 🦧

Synopsis: Shirayuki is a pharmacist who gets proposed to by a prince for straight up just having red hair?? 🦧 doesn’t want to marry said prince, so she then cuts off her hair, and runs away.

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My Love Story!!:

Genre: romantic comedy

Length: 24 episodes

This one from what I remember is really wholesome from what I recall :)

Synopsis: basically a guy who is seemingly “scary” is actually really sweet, like he’s not even a bad boy. He’s like anime equivalent season two Sam Evans. Gets a girlfriend, and the whole plot is just them being cute + the guys best friend being their bestie.

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Kamisama Kiss:

Genres: romantic comedy, supernatural

Length: two seasons, 25 episodes in total + 2 OVA

OKAY, so this one is a very good time from what I remember :) it’s main flaw is that the girl is in high school, and her main love interest is immortal?? So like an Edward Cullen type beat 😍

Synopsis: a girl ends up homeless (this is a very prominent trope if you can’t tell 🦧), and she runs into this guy, who kisses her on the cheek?? Turns out he’s a god, and has just given her his god title? So she’s just a god now. And she has to go to his shrine, and do god things?? And his old familiar (which is basically like if instead of working for Jeff Bezos, he just adopted you 🦧) isn’t very happy about it.

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Anyways they are very much fun to watch <3 even if a lot of the time there’s a lot of “🤨” moments in shoujo anime, (they have an awful age gap issue) but they have been a very long time guilty pleasure of mine LOL. My friend and I have been purposely watching the bad ones, because they are equally as fun as the good ones.

[goldensunset]

did you know? if you do your laundry you can get your clothes back

[pirateprincessjess]

I feel the need to periodically remind people that Idiocracy is a eugenics movie.

One of the things that eugenicists believe is that it is bad for society when the “wrong people” breed.

The entire premise of the movie is that “stupid people” kept having kids while “smart people” didn’t have kids, and it ruined society because stupid genes propagated while smart genes died out. This is eugenics propaganda.

I know people will read this and their response will be “actually it’s satire” but the movie isn’t satirizing eugenics. It’s satirizing anti-intellectualism, and consumerism, and it proposes eugenics as a solution.

When eugenics was first conceived, it was used as a way to justify inequality. The idea was that people who held privilege were able to do so because they were smarter and genetically superior to lazy and stupid people who don’t have privilege. Obviously this is bad and wrong, but it is also the core lesson of Idiocracy.

The movie literally ends with the main character becoming president and having “the smartest children in the world.” Because he and his wife have smarter genes than everyone else. The proposed solution for the things that Idiocracy is satirizing is for the smart people to have children that can be in charge of the world.

I know it’s fun to use this movie to dunk on anti-intellectualism and the MAGA movement, but we need to stop. When you quote and reference this movie you are spreading eugenics propaganda.

[turtleblogatlast]

Leo learns something about himself 🏳️‍⚧️

Based roughly on this old post.

Bonus:

[Leo is taking the fact that he was born biologically female simultaneously very well and also not so well but overall he’s mostly coping with the fact that it was Draxum that just essentially gave him the turtle equivalent of ‘The Talk’.]

[chrollohearttags]

meg baby, I promise we’ll all look the other way if you decide to strangle that chimera ant built bitch. I promise we won’t say nothing.

[napping-sapphic]

I just want to fall in love with someone who makes me feel safe like even when we’re angry or sad or upset i just want to know that both of us are still going to be okay

[pencilscratchins]

when there’s trouble you know who to call (twitter) [ID in ALT]

[iiping]

happy new year! remember to drink a lot of water and cut yourself some slack 🫶

[st-hedge]

It wasn’t on my 2024 bingo card that I’d draw V again. Anyway I’ll go ahead ramble in the tags

[ricky-mortis]

I drew Ted from the wonderful @nabwastaken ‘s Time Bastard Au! The original design is by the talented @midnightnautilus , and was so very fun to draw!

[iknowwhereyousleepatnight]

dnkinktober day 12: size difference

[tacobellabeanburrito]

Things That Irk Me In Ace Attorney Fanfics:

When Larry is a pervert, bad friend and seen as the butt of every joke.

When Klavier is depicted as a pervert and pushy in his romantic endeavors.

When Phoenix hates Klavier and avoids him.

When people don’t acknowledge that Pearls is as much of a daughter to Phoenix as Trucy.

When people don’t add Sebastian into the Miles family and only see Kay as Miles’ adopted daughter.

When people don’t add Kay to the Phoenix, Miles and Trucy family.

When people don’t add Sebastian or Apollo to the Trucy, Kay, Miles and Phoenix family.

When Franziska and Phoenix hate each other and only tolerate each other for the sake of Miles and Trucy.

When Klavier and Ema aren’t see as worsties.

When Miles is seen as not seeing Ema as a daughter either.

When people think that Phoenix doesn’t care as much about Ema as he does to all of his adopted weird girl assistants.

When people see Athena and Simon as lovers instead of siblings/family.

When people don’t think that Phoenix sees Apollo and Athena as part of his family and then they get left out of the loop.

When people don’t make the prosecutor’s office a family.

When Phoenix, Gumshoe and Maya aren’t seen as besties.

When Miles doesn’t care about Gumshoe.

When Miles doesn’t see all the others in his life as family/friends except for Franziska, Trucy and Phoenix.

When Phoenix and Miles are seen as hating Larry and not wanting to hang out with him.

Will probably add more. Also, not saying that people are wrong for viewing the characters like this, it’s just sometimes when they do this it really irks me because I interpret their relationships and characters differently.

Also feel free to add in the comments and stuff! But don’t be mean, please.

[comradekatara]

so on a scale of aang (killing is always wrong) to katara (killing is a statement) to sokka (killing is a tool), where would the rest of the gaang + ozais angels go?

toph is hard to pin down because she’s the only character who ever actually kills people outside of the context of war. and i don’t know if she even realizes what she did, because she’s 12 and the adrenaline rush of discovering that you can actually metalbend probably supersedes any logical reasoning in that moment, but like, she did just leave two guys to die a gruesome death in a metal box. so i do think it’s more nuanced that simply saying, “to toph, killing is fun and flirty,” but like, there is a not insignificant part of her that will gladly kill as a means of asserting her power over others and individual autonomy, and has no compunctions about killing those who threaten her autonomy specifically, as it is such an acute point of trauma for her. but also, she’s twelve so like, she’ll probably develop a more nuanced approach to that quandary as she ages.

zuko’s stance on killing is mostly that he’s happy to outsource that violence and then take credit for it as long as he personally doesn’t have to get his hands dirty. like he’ll hire an assassin but won’t bring himself to admit that “end them” means “kill them,” or he’ll threaten to kill zhao and then try to save his life at the last minute. he wants aang to kill his dad but would never actually kill ozai himself, just as he wants katara to kill yon rha, but would never actually kill ozai himself. and i’m sure zuko thinks this is all because he’s a coward who simply lacks the capacity to be ruthless and effective (like sokka), but actually it’s symptomatic of zuko’s greatest quality, which is his inherent sensitivity, his queasy stomach for violence, his predisposition for gentleness, the fact that he actually struggles to deny his own inclinations and simply submit himself to a logic of brutal death and destruction. he thinks it makes him weak, but the fact that he actually has a desire to do the right thing and be a good person despite it all is truly his greatest strength.

azula is always operating from a place of survival because it was impressed to her from a very young age that she exists in a world that is unforgivingly cruel, and it is kill or be killed. she does not want to die (which is quite possibly one of her greatest points of deviation from sokka, but i digress) so she wholeheartedly submits herself to this logic, and unlike zuko, who struggles to erode his own humanity even under the threat of violence, azula is very good at becoming something “monstrous” (her words) out of fear, can contort herself into any shape necessary as long as the threat is tangible enough. so obviously azula approaches killing in the same way sokka does, no surprise there. murder is a tool to achieve her ends, to ensure her own safety and survival. it is simply a mechanism of war. but unlike sokka’s view of it, she also believes that the strong kill the weak because the weak deserve to die, and that logic she inherited from ozai.

we never see suki actively kill anyone, but she does threaten to feed sokka to the unagi, so like, even if she is (probably) joking, i don’t think suki is flat out against killing. i think she’ll kill if she absolutely has to, but would also prefer not to because she clearly values and holds a deep appreciation for life. but also, whenever there is a gap in our textual understanding of suki, i usually just fill it in by being like wwkd (what would kyoshi do), so maybe that’s why i just said. who knows

mai always makes an effort to never actually stab people with her blades, but rather pin them in place. that said, whether this is because a Y-7 cartoon simply isn’t allowed to depict blood or if it’s because mai is genuinely that attuned to not seriously hurting the people she throws knives at, i’m not entirely sure. i like to think that mai doesn’t actually want to hurt people, because like zuko, she is naturally inclined towards sensitivity and gentleness, but i think there’s also a part of her that would lock people in a metal box if she could. i think the best way to summarize mai is thus, excitement is valuable (including the heat of battle), but killing is unpleasant.

ty lee has actively refined a technique that makes her extremely dangerous without ever actually having to cause long-lasting damage to someone physically (psychologically is another story). yet another W for ty lee air nomad heritage theory, but i digress. ty lee is smart enough that she never actually has to be personally responsible and culpable for killing anyone ever, but she is also submitting to and enabling the violence of an empire for the sake of her own survival, so it’s not like she’s not complicit either. so to ty lee, killing is also a tool, but one she personally doesn’t need to employ, which is a comfort to her.

iroh (technically you didn’t ask about him but he’s fascinating so i can’t just leave him out) used to view killing as a tool, and now views it as an inviolable taboo because it took him like over 50 years to recognize the inherent value of human life and the grief of losing a loved one. so it’s not that he grew up in a “kill or be killed world” that fostered his need to kill to ensure his survival, but simply that he grew up in paradigm that dictated that “killing is the path to attaining glory” and he was good at killing, and thus glorious. but then he experienced the consequences of that worldview firsthand, and had to completely recalibrate his own logic of conquest and domination. and so now he’s still capable of violence in equal measure, but is less willing to exercise it for purely shallow, destructive reasons. yay..??

jet actually does think that killing is fun and flirty. anyone who disagrees with him deserves to die because he is simply right about everything. sokka? closet fire nation sympathizer, obviously. guy he met on a boat who said “hey im not really interested in joining your child militia”? well he’s probably the prince of the fucking fire nation (okay he was right about that one but he had no way of knowing it so). he watched the rough rhinos burn down his house and murder his family with a smile on their faces, and a part of him that day calcified and decided that the only way to truly reclaim his power was to beat them at his own game. so he does everything in his power to control the people he can, to control his narrative, to refine his logic in a way that makes him the uncontested hero no matter what. but in truth, it’s quite simple: he wants power because he has none.

haru exists somewhere between “killing is a statement” and “killing is a tool.” killing is a tool because it functions as a statement. killing is a statement because it functions as a tool. violent resistance is necessary by any means necessary, but you know, in a nice way. he’s basically just the model of the “good” colonized subject who fights for collective liberation instead of personal empowerment, so it makes sense that he’s introduced before jet as like the emblem of what katara should do (how she should fight, what she would fight for) versus what she shouldn’t. which is like, perhaps a simplistic reduction of “good” vs “bad” methods of resistance into “our noble collective action” vs “their senseless terrorism,” but like. lol. what can you do

[roseworth]

batgirl (2000) #64 / teen titans (2003) #44 / batgirl (2008) #3

[werewolfrevenge]

The return of the Casey gifs yipeee!!

[pepperpixel]

+ Butch 4 Butch +

(Except neither one of them is rlly that butch but holy fUCKING SHIT THAT SONG IS LITERALLY THEM… the version of them I made up in my mind palace… it’s them.)

Anywayyyy. Yeah! Have a tagr art dump..! aka, those vibes when you, out of a series of moments of temporary insanity, end up finding, taking in, nursing back to health and eventually falling into a tangled messy yearning situationship w the asshole tsundere alien who tried to destroy your entire planet… rlly extremely relatable vibes!!