#so that's sort of what this blog is for

[dailydracart]

What's this blog for?

My goal is to follow the "Dracula Daily" tag for the year 2024 and reblog story-relevant art. This means I want it to turn out almost like a picture book -- where there's one tag for every Dracula Daily date, and you can look through the fanart for each date.

I will also gradually be reblogging art from the previous years (but keeping it spoiler-free!) You can find the art for each year under the tags "2024", "2023" and "2022", as well as in their respective date tags.

Click here to go directly to a date:

Pre-story | May 3 | May 4 | May 5 | May 7 | May 8 | May 9 | May 11 | May 12 | May 15 | May 16 | May 18 | May 19 | May 24 | May 25 | May 26 | May 28 | May 31

June 5 | June 17 | June 18 | June 24 | June 25 | June 29 | June 30

July 1 | July 8 | July 18 | July 19 | July 20 | July 22 | July 24 | July 26 | July 27 | July 28 | July 29 | July 30

Aug 1 | Aug 2 | Aug 3 | Aug 4 | Aug 6 | Aug 8 | Aug 9 | Aug 10 | Aug 11 | Aug 12 | Aug 13 | Aug 14 | Aug 15 | Aug 17 | Aug 18 | Aug 19 | Aug 20 | Aug 21 | Aug 23 | Aug 24 | Aug 25 | Aug 30 | Aug 31

Sep 1 | Sep 2 | Sep 3 | Sep 4 | Sep 5 | Sep 6 | Sep 7 | Sep 8 | Sep 9 | Sep 10 | Sep 11 | Sep 12 | Sep 13 | Sep 17 | Sep 18 | Sep19 | Sep 20 | Sep 21 | Sep 22 | Sep 23 | Sep 24 | Sep 25 | Sep 26 | Sep 27 | Sep 28 | Sep 29 | Sep 30

More Notes & FAQ unter the cut:

Reblog guidelines:

I try to keep it as story-relevant as possible.* This means that I won't reblog AU art, most character portraits with no further context, and similar things. Some of it may be a bit of a gray zone. For example: character portraits that feature a specific character who only appears in one or two entries, I will probably reblog for that entry. Character portraits of, let's say, Jonathan I won't reblog bc that's too unspecific, UNLESS there is something linking it - again - to a specific part of the book that's easy to pinpoint, like the very first days of his journey. *Note: "story-relevant" doesn't mean "100% text-accurate". Joke posts and art related more to the general impression of an entry that are not direct illustrations of a scene absolutely count!

Spoiler policy:

This blog will be spoiler-free for the 2024 season! Any art from the previous years that concerns a later date will only be posted when that date comes around. Please note: Sometimes a piece of art will allude to or foreshadow things that happen further on in the story, while definitely belonging to a date that has already happened! For these cases I will use the tag "spoilery content" - please blacklist that tag if you want to avoid possible spoilers completely! [Here's an example of what sort of things I'd consider to belong under that tag. Spoilery for Lucy's storyline so view under your own risk.]

What about things like collages, edits and moodboards?

I'm not opposed to reblogging them, too! They only need to be made specific enough so they can be attached to a specific entry. But since they're not my first priority when scanning the tags for pictures (my brain skips anything that's not a drawing almost on autopilot), I've likely missed them all. You're welcome to send something in that you think fits here!

[puppetmaster13u]

Prompt 317

IMAGINE THIS: Lil baby Damian, bored and being not quite old enough to start learning how to use proper weapons (curse these wooden ones, he wants true steel!) is wandering the base. This is not out of the ordinary, he’s the prince after all. What is out of the ordinary is that his shadow, his Akhi, is not here. 

Technically, he should be napping, but he woke up and neither his mother or his brother- who is quiet but gentle and isn’t a good speaker (mother said it was from a head injury)- is there. Which is how he finds his way to the Pit, which he’s not supposed to be at. Or at least not alone. 

But! His mother and Akhi are there! And- and Akhi is screaming and he’s never heard him scream like that, like he’s in agony- His eyes are green- they were blue, had, had Mother placed him in the Waters- 

And then the pool is bubbling- he should be running away, get assistance or something, he’s five, he shouldn’t be running towards it when everything is screaming to flee. But one moment he’s at the doorway, the next he’s clinging to his akhi as something writhes in the Pit, a mighty bellow echoing even as the Shadows take defensive positions. 

The water cascades, laps at their feet, splashes everywhere as a scaled form rises from the depths, wings like a bloodied sunset spreading as fur bursts into flames. Crimson eyes glare down at them all, pupils slits as they bare down at his Akhi. 

The creature- the dragon- dips its head down, its breath warm as it chuffs at his akhi, wings folding as though it is bowing. His akhi is clinging to Mother, shivering, several scars glowing as they fade and a burst of hair burned white. 

Oh. 

Oh.

@fairy-lights-and-blobs @f4nd0m-fun @hdgnj @radiance1 pspspspsps

[squarebracket-trickster]

By the way, lurkers are welcome on my blog<33

Yeah, yeah, Writeblr is a community and all that. But I get it.

Some of us have anxiety disorders. Some of us are (or were once) minors on the internet who had it drilled into us to never make our presence known in online spaces lest we get stalked or groomed.

It's okay if interacting is outside of your comfort zone.

Some of us aren't actually on tumblr enough to make making a Writeblr intro worth it.

Some of us prefer to take a few months, maybe years, observing the community to learn the rules. And let's face it, there is a huge learning curve to Tumblr culture. I came here from Pinterest in like 2018 and hooo boy was it intimidating!

Like, I was that 17 year old pinterest lurker with an anxiety disorder who was taught that internet safety meant "never comment on anything" who took a few years before I felt comfortable enough with tumblr culture to reblog things with tags, let alone make public posts.

So I guess what I am saying is, I can't judge. Because I've been there.

Writeblr is a community. And the community (for me) is the best part. And remember that if you don't contribute to the community you don't get to complain about it either. But this is also a public space. Silent observers are to be expected. And on my blog you are welcome.

[nipuni]

OH my god we just watched Dr.Who "Human Nature" and "Family of Blood"

[soaked-ghost]

it's the annual infodumping post!! yahoo!! have ink when he was slightly younger. also concept for how he actually hears the creators (with a little radio)

[anglerflsh]

get Apollo'd idiot @sheerunfilteredhubris

[doctorsiren]

No one is safe from my robotification

[pigeonclaw]

I've been pretty busy with art fight and life in general lately so I haven't been drawing Warriors but I do have a collection of doodles I never did anything with, so here they are!

[frobby]

rin 1000000% has a list somewhere of things hes good at that yukio is bad at

[ofcowardiceandkings]

low res photo will have to do im on holiday ;____;

i couldnt , not ... they ......... yknow ??

man what a year what a game what a punch in the heart huh !!!

happy Tingdom Schwingdom Crying day guys lol 💙

(( i dont really know what im doing still re: post game headcanons but ive gone for like ... zonai pattern graft scars here ignore me im playin as per usual fksndkd ))

heres the original yucky little train sketch tooo

[lottieurl]

thinking of how nat's suicide attempt in the modern timeline is DIRECTLY paralleled with jackie's death. nat loads the gun she means to kill herself with and immediately after that jackie's death dream begins with her sitting outside by a fire and shauna coming out of the cabin to ask her to come inside

[theoldkyokodied]

And here it is, my macdennis brainworms compressed into a playlist, for anyone who wants to ingest them <3

[anghraine]

melyzard replied to this post:

You know, given that P&P was published in 1813 before the 1696 window tax was repealed, she might just be admiring both the outdoors AND the expansive and numerous windows themselves. I mean, good windows really were a big sign of wealth and consequence until 1851 when the tax was finally repealed. But yeah,also,yeah, she's definitely more interested in the outdoors than the Great Chimney Places of the Wealthy

It's true that windows were a major status symbol at the time and long before, but I don't think Elizabeth much cares about that, in all honesty! That is the relevant historical context for Mr Collins's rhapsodies over Rosings' windows, for instance:

she could not be in such raptures as Mr Collins expected the scene to inspire, and was but slightly affected by his enumeration of the windows in front of the house, and his relation of what the glazing altogether had originally cost Sir Lewis de Bourgh

He's silly but he's not mistaken in identifying the windows as a significant status symbol (which without that cultural context can seem like just another Mr Collins absurdity). But Elizabeth specifically, as a person, is consistently not very interested in these kinds of status symbols (though she knows they're there and understands what they signify). She is attracted to natural beauty and unassuming elegance, which is the overwhelming note at Pemberley:

She had never seen a place for which nature had done more, or where natural beauty had been so little counteracted by an awkward taste.

Even when it does come to Pemberley's expensive interior, she focuses on the aesthetic dissimilarity to Rosings and, even more, about what is suggested about Darcy's relationships to other people dependent on him (Elizabeth's takeaway from the pretty interior decorating project for Georgiana is "He is certainly a good brother" and not how much disposable income this represents, say).

The fuller quote when she first approaches the window is pretty clear about what Elizabeth is focusing on, IMO:

Elizabeth, after slightly surveying it, went to a window to enjoy its prospect. The hill, crowned with wood, from which they had descended, receiving increased abruptness from the distance, was a beautiful object. Every disposition of the ground was good; and she looked on the whole scene, the river, the trees scattered on its banks, and the winding of the valley, as far as she could trace it, with delight. As they passed into other rooms, these objects were taking different positions; but from every window there were beauties to be seen.

[sunnys-aesthetic]

gentle reminder that if you're a minor to please be mindful of my 18+only warnings in my blog <;'3 i got a lot of minors following me since the cotl potluck and this is mainly bc i while i dont draw nsfw my art style still isnt for 16+

[brodorokihousuke]

weirdest gripe i've ever seen on this website was one guy having a fit over people calling "Guilty Love" (the Gavinners song) "Love Love Guilty".

Because, I guess, how dare you use a Japanese title of something if you're an English speaking fan... (glances idly at BNHA, Dungeon Meshi, DGS... etc)

All that guy achieved was solidifying his place in my mind as the person choosing the most insignificant hill to die on

[skogsdotter-draws]

Ok but, regarding TMAGP 27, I can't stop thinking about Jonah writing, after sending Archibald to a certain death, "It is done, and I am surprised to find how little remorse I feel." It reminds me of his statement in MAG 160:

"The discovery, not simply of the dark and horrible reality of the world in which you live, but that you would quite willingly doom that world and confine the billions in it to an eternity of terror and suffering, all to ensure your own happiness, to place yourself beyond pain and death and fear. (...) It is an awful thing to know about yourself."

I will never get tired of little details about his life being revealed (regardless of the timeline/dimension) because the parallel between his discovery of the supernatural world and the discovery of his own true self and the things he's capable of is so interesting and compelling to me.

Along with the knowledge of the horrors that exist in his world comes the horror of the realization that he might be capable of anything to stop feeling scared and vulnerable, to put himself over everybody else if necessary. Every time curiosity leads him into a new experiment, a new sacrifice in the name of knowledge, he lets go a little bit of himself and his morality. And then, as it happened with Archibald, and as it happened with Barnabas in another world, he feels surprised of how easy it was. Of how he doesn't feel regret or grief, how at most he finds himself thinking that it was all a pity. So it becomes even easier each time, he finds freedom in it, as he also mentions in MAG 160— and one sacrifice after another, it all becomes incredibly simple. There is no fear of losing himself, only the fear of death and pain remains, and only after that process of two hundreds years can one condemn the world for his own sake.

The progressive descent into evil of Jonah Magnus, slowly exposed through statements and letters, will never stop being one of the more interesting parts of this podcast imo.