My friend and I are having a BioShock infinite conversation and she whipped out "Bioshock infinite is good! When it's not trying to be a 'better' (in Ken's eyes) version of Bioshock 2" and she's right.
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Prompt 74
When a new black-haired blue-eyed person appeared in the manor, one could easily be forgiven for thinking that Bruce’s adoption problem had struck again. So color many a batkid surprised that no, this kid isn’t a new sibling, no he didn’t get grabbed from the street, and actually he’s here for Alfred.
Apparently Alfred never found it important to mentioned that he has a husband- that the kid kind of implies isn’t human what with the casual way he says he himself is half human- and that this kid is apparently their child. For once it’s Bruce’s turn to come home to a surprise sibling.
Danny on the other hand just learned that his Clockpa has a semi-mortal partner who has offered to take him in, (in another dimension even! And there’s aliens!!) while the ancient takes care of some stuff at home.
And yeah it’s in a rich-manor but Sam has proved that not all rich people are evil, and based off of Mr Pennyworth’s stories the Waynes weren’t bad either. Though based off of the others’ reactions perhaps he should wait to mention that there wasn’t one new family member but three…
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actually I'm kind of curious about this because it was a huge debate among my peers in my community
Clarifications under the cut:
The poster is in a public space where it is typical for everyday people to post things. It is not someone's private property or possession. Think piece of paper taped to a telephone pole, not sign in a storefront or in someone's yard.
The poster is not protected by law; you are very unlikely to face legal consequences for vandalizing it. Caveat: some peers have argued that it risks being socially consequential because an organization or demographic that you are a part of may be judged as intolerant/oppressive/disruptive/otherwise unpleasant if people witness your actions, and thus advocated against vandalism for fear of damaging your public image.
The poster is not an expensive or personal piece of artwork; it is a mass produced print on letter paper.
You are vehemently opposed to the message displayed on the poster, but it is an opinion that people are free to have in your country.
The 4th option refers to things like intentionally putting your own poster over top of the bad poster or otherwise making the bad poster harder to view; some people argued that targeting the poster for removal is out of line, but posting your own messages is an innocent action that you are well within your right to do (in this context, posters regularly eclipse each other as new ones are posted over top of outdated ones due to limited space)
The poster is part of a campaign; it's not unique. There are many postings of it across the community.
This is all assuming that the offending poster is not old and would typically not be considered fair game for pruning for quite some time, and that it is being specifically targeted for removal because of its message (rather than petty vandalism or because it's obstructive or damaged). E.g., if a poster is advertising an event happening on April 20th, it's typical to prune it after that date but not before.
Of course the situation that prompted the real life debate did involve a specific offending message, but I'm not going to specify what it was for now because I think it'll skew the results as people will just end up voting based on whether they like or dislike that message, which isn't the point of this. For this poll we are assuming that it IS a message that you are very opposed to; you can substitute in your own opinion that you have strong feelings about.
Please reblog for sample size!
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listen. listen, there's a kind of intimacy in having a dedicated rivalry, okay. who else is going to know you like this!!! also it's funny
Ascanio Maria Sforza: la parabola politica di un cardinale-principe del Rinascimento, Marco Pellegrini
Julius II: The Warrior Pope, Christine Shaw
and on della rovere’s soldier comment:
Popes, Cardinals and War: The Military Church in Renaissance and Early Modern Europe, D.S. Chambers
and finally! regarding the delightful Mess of political-family relationships, including the marriage comment (altho the montefeltro family that giovanni married into did have sforza family ties, since giovanna's mother was battista sforza, but this is about the more immediate alliance based relationship and della rovere's hand in the rejection of a milanese match for his brother. and. this is not even remotely a serious comic, but now I am once again thinking about insular all these families are. the fucking medicis are here too, if you go half a step to the left on della rovere's family tree)
Julius II: The Warrior Pope, Christine Shaw
Giulio II, Il papa del Rinascimento, Giulio Busi (Bianca Maria Visconti is Ascanio's mom. btw)
panel inserts of the cards they're playing with are all from the Visconti-Sforza tarot deck! (I used public domain scans/photos for the comic itself)
ko-fi!⭐ bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost ⭐ cara.app
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I was wanting to try doing an art piece in the style of the signature spell poster art pieces you create. But I’m not really the best at coming up with a composition for such a thing.
Do you have a process for how you come up with the compositions for them?
oh, awesome! it is an INCREDIBLY enjoyable style to work in; I hope you have fun with it! :D
I'm not great at putting my thought/art process into words, so my apologies if this doesn't make a lot of sense, but I'll try! my first step is always to do a LOT of thumbnails to figure out both the idea and how I want to show it; not trying to do a real sketch or anything, just little doodles to figure out what exactly I'm trying to portray. (I also call these "garbage passes" because they're not meant to be any good, they're just there to throw things out. aha. ha. ...anyway.) I think it's important during that first stage to really focus on the idea and the layout and not to get too bogged down in the actual drawing yet!
I tend to save my final thumbnails, so I'll use 'em as examples (I posted the ones up through episode 5 here if you're interested!) (and, uhhh, spoilers through episode 5 also in this post, hopefully that won't be an issue!)
the main thing I try to think about in composition is balance -- not necessarily in terms of symmetry, but in where each element is placed and how much space it's taking up. remember, empty space is still space! it's also really important to think about the parts that don't have anything in them, as much as the parts that do!
personally, I like to divide things up roughly by both halves and by thirds -- there's a lot more in-depth info out there on why the "rule of thirds" in particular works well visually, but in short, our brains tend to focus on things that are placed closer to imaginary division lines, instead of in the exact center of an image. so even when I'm doing something that is very centered and symmetrical, I try to keep that in mind and generally aim around those for landmarks like faces/eyes (or...where they would be, anyway) and other focal points.
it's not a formula of "the character's face should be in this division of this grid" or anything, more like "our minds like to focus on these areas, let's think about how to use that", if that makes sense! and of course rules are made to be broken, art is lawless anarchy, and so on. but it can be a good starting place for deciding where you want to put things!
(blue - thirds, red - half)
and against the finished versions, because they do usually end up changing a lot (including the empty space of the border):
(...these actually lined up a lot better than I thought they would. :') it makes me look like I do things way more intentionally than I do.)
other stuff I just try to keep in mind is that our eyes like following arcs and paths, which can be a good way to guide the eye:
and frame and control the focus:
honestly, composition is one of those things I feel like I struggle with a lot, so I'm not sure how much of this is helpful or actually makes sense outside of my head. but hopefully it helps a little! it's all just stuff to think about while drawing and not anything hard-and-fast, so don't, like, stress out about making sure things are lining up exactly on the thirds or anything. again, it's more "our brains think these are the dopest parts of the rectangle" than anything else! take advantage of the cool parts of the rectangle!
NOW GO HAVE FUN DRAWING seriously though, it is always super cool that other people like this idea and style enough to want to do it themselves and for other/their own characters! thank you! ❤️❤️❤️
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