#something something internalized ableism probably

[pinkpeccary]

a fun fact about me is i will be in peak meltdown complete with rocking and headbanging and only being able to communicate through vague noises of extreme distress and the entire time there will be a part of me thinking "gee it's sure fucked up that i'm acting like this when i could definitely just stop at any time"

[technoxenoholic]

anyway. i think more people need to stop reacting to "this post leaves out people like xyz" type additions with "i'm literally xyz shut up!" when the post itself literally does not mention people like xyz even once and reads as though people who are like xyz were not even considered. like, just because you are xyz doesn't mean that's clear in your post. people are not automatically accusing you of hating or not caring about people like xyz for bringing up that a specific post leaves them out. (and also people are not reading every inch of your blog before responding to a one-off post they encountered on someone else's blog.)

if you make a post about abc and leave out xyz, then people who live at the intersection of abc and xyz are allowed to mention that the intersection exists. just because you also live at that intersection but didn't point it out doesn't mean people are attacking you or whatever.

whatever happened to assuming "yes, and"? why does everyone assume (and react in kind with) "no, fuck you" nowadays?

[andromede-ayne]

- a disability is defined as a physical or mental impairment that significantly limits one or more major life activity

- autism adhd other mental health weirdness etc. greatly impacts my functioning and makes it so i cannot function on the same level as people who do not have these things

- life activities are being significantly limited

- therefore i would be considered disabled

- my brain, regardless: yes but that's disrespectful to actual disabled people whose life activities are being significantly limited

- mfw 😐😐😐

[unravelingwires]

Stoopingly

Jaya physically showed the most signs of the war after it ended. That made some sense. Astra was a healer, the person who most commonly patched Jaya up after scraps, so she knew that Jaya won her fights by tanking injuries most people would dodge. When people expect self preservation, having very little gives you an edge. It wasn’t that much of a surprise that she was the first person after the war to start physical therapy, walk with a cane, or avoid the stairs.

It was kind of sad to see the most active person Astra knew slow down so quickly. Jaya seemed happy with the trade off, with being soft and worn instead of quick on her feet and made of sharp edges, but Astra remembered the way Jaya looked when she scrambled up trees, and she kind of missed it.

[sunrise-on-the-shore]

me: diagnosed on the autism spectrum

a crapton of autistic people: i experience this and that and more!

me: literally doesn't go through ANY of the things mentioned

me: i am a fraud i am an imposter i manipulated my psychiatrist into diagnosing me i am a clown i am not autistic whatsoever

the autism spectrum being a spectrum and that every autistic person is different:

me: i'm still a fucking fraud!!!

[smoreboi]

warnings in the tags

really want to talk to my therapist about getting some kind of academic accommodations but also that stupid fucking internalized ablism and imposter syndrome is like "no, you're clearly mentally well, you've gone your whole life without accommodations, you don't need them, you've done fine in the past" but doing fine in the past looked like C's and D's because of late assignments, and now it still looks like that but on an even more detrimental scale, where I have classes where I've written flawless essays, like, according to the teacher, I've been told that I'm good at what I'm doing, but they're still getting D graded because I'm turning them in two-three weeks late since I literally can't fucking force myself to write them, or I have speeches/presentations where I go either nonverbal or my stutter gets really bad, because that's not something I can control, and I get points off because of that, or I get sick on and off for the entirety of the semester, missing at least two days a week of class because my immune system decides to not fucking work, and I have a fuck ton of makeup work, and my fucking data professor whom I currently hate with every bone in my body gives me 3 days to go over two weeks of material!! I can't fucking do this anymore, I'm going through burnout again, sobbing while writing this because I know it could be prevented, but brain refuses to let me ask for help! I don't even see my therapist again till Thursday anyways, and this late in the semester the only accommodations I could get are for exams, but I doubt they'd help since I haven't been able to learn the material anyways, so instead of actually doing something that will help me, I'm going to cry, caffeine overload myself, and pull another all-night-er to try and get some shit done.

[osmanthusoolong]

A piece of advice to anyone who’s been considering, avoiding thinking about, or waffling on:

Get the fucking cane.

I am very serious. Get the cane, get the assistive device (I’m going with cane here, because simplicity, but the device you’re thinking about goes here), do it. If you’re thinking “damn, if these Symptoms get much worse, I’m gonna need to get a cane”, you already need the cane. You’ve probably been in a state that would be improved by it for a while.

I get it, though. I had other disabilities, including physical ones, prior to Getting A Cane, and I heard this advice from other people and I thought “okay, but my situation is not that bad, and I’m sure I’ll know when it’s really bad” as I lay awake half the night in pain because of a short little walk that afternoon. It turns out, I am not immune to internalized ableism either, like I’m a person in an ableist society or something.

I thought “this is gonna be a hassle, and they cost money, and people will be weird about it”, and learning to use it did take a minute, thankfully mine was pretty cheap, and yeah, some people are weird but most importantly: fuck ‘em, I did in fact need the cane. I can do a lot more now, and probably could have prevented some damage if I’d gotten it earlier and it looks cool.

Stop putting it off. Stop worrying about unpleasant people being unpleasant. You don’t have to suffer at the highest pain/difficulty/etc to be allowed to get the cane, you’re allowed to get it now. If you only need it sometimes, that’s okay.

Get the fucking cane.

[cripplecharacters]

How should you write/draw burn survivors? I know this isn't a drawing blog but I don't know of one that I could ask this question to.

Hello!

I'm not a burn survivor myself, so I'll mostly talk about facial differences/visible disability in general and link some stuff made by burn survivors.

First thing, I think it's important to remember that being a burn survivor changes a lot of things - not only appearance. Very important part is the psychological one, but I'm not a burn survivor so I will just let the resources linked below speak.

From the physical aspect, burns can also come with: chronic pain, limited range of motion due to scarring, tightened skin, problems with regulating temperature, itching, skin irritation, and even different nutritional needs during the initial healing process.

There is also specific everyday care associated with burns - something you basically never see in fiction. That could be things like occupational therapy, physical therapy, skincare (like heavy moisturizing and scar massaging), wearing sunblock, wearing splints, or stretching to prevent contractures or tightness.

There are also different types of burns and they (unsurprisingly) differ from each other - for example, electrical burns have a much higher rate of amputation than any other type. Chemical burns can cause eye issues. A burn caused by a fire in a closed space might result in a brain injury due to the lack of oxygen. A much larger portion of people than you (probably) assume have survived burn injuries as small children, and if they were young enough they might not even remember the event at all, unlike older people who might be very affected by the trauma.

Experiences of a person with 80% body surface burns, a person with quadruple amputations from an electrical burn, a person with a facial burn, and a person burnt very recently will be different from someone who has a 5% body surface 2nd degree burn in a spot that’s usually hidden, who has lived with their burn for a decade - despite them all being burn survivors.

When it comes to more thorough research, I recommend going through Phoenix Society’s and Face Equality International’s websites to learn more about both real burn survivor’s perspectives, and face equality as a social justice topic. I think the 3rd link (see below) puts it very well when talking about burn survivors being represented in fiction:

“Most likely, these characters were not created by someone with lived experience. The result is an increasingly garbled game of telephone [...] To avoid contributing to this false narrative, embrace research as part of the process. Explore interviews, first-person accounts, and articles from reliable sources.”

I personally think that the links below should be mandatory reading for writing not only burn survivors, not only people with facial differences, but visibly disabled people in general - because the treatment we get is often so similar the advice still holds up just fine. And if you don't plan on writing any of these, you should still read them to see how prevalent of a problem ableism in media is.

Lise Deguire's Hey Hollywood - scars don't make you evil.

Face Equality International's International Media Standard on Disfigurement.

Niki Averton's Tips for Writing about Burn Survivors.

The main sentiment that you will read from basically any first-hand source is that if you're writing the burn survivor to be either:

evil (just throw the whole character away. please.)

a guy with the "World's Saddest Most Tragic Backstory Ever and It's So Sad and Tragic" (because he revealed he has a scar.)

a helpless victim who is there to be The Helpless Victim

...then you're already doing it wrong and need to make some major changes.

From our blog's reblogs and posts, you might want to look at tips for writing a visibly different/disabled character and tips on drawing people with facial differences. Neither are specific to burn survivors but cover the topic of visible disability and facial differences.

Now for tips on drawing burn survivors (that weren't included in the last link);

Reference real people. 99.9% drawings of burn survivors seem to go through the same "increasingly garbled game of telephone" that Niki Averton mentions with how burn survivors are written, in that the newer the drawing, the less in common it has with how real people with burns look like because people reference from each other and none of them ever think to actually check if their depiction is accurate. If you just google "burn survivor" you will very quickly notice that burn survivors don't have that damn red overlay layer put on top of their skin. It just doesn't look like that, and basic research (aka Google Images search) will tell you that - and still, people color a hand with bright red and think that's how it looks like (it doesn't).

In the same vein, maybe don't just draw an able-bodied person and then put some scarring on top (or maybe do exactly that. No burn scar and no burn survivor is the same, and there are people that fit what I just described... but hear me out for a second). Think about how scars interact with their features - do they have both of their ears? Do they still have all of their hair? Do they only have parts of their eyebrow? Do they have all of their fingers? Can they move the same as before their burn, or are their scars limiting their joints? How did their body react to the post-burn hypermetabolism? Lots to think about. Take into account what type and thickness of burns your character has.

Ditch the mask trope. Just ditch it. There's no need to cover your character's scar from the world unless you as the author think it requires to be hidden, is too scary to show, or other ableist trope that seems to always come up with drawings of visibly disabled people, especially burn survivors. The one exception I will mention is a transparent face orthosis/mask (TFO) that facial burn survivors might wear while awaiting a skin graft early after their injury. But as the name suggests, it's transparent and doesn't work for the awful "ohh scary facial difference better cover it up and only reveal it in some hyper dramatic scene!!" trope because you can see right through it. (I will also mention that TFOs are a very modern thing. Your medieval burn survivor wouldn't be wearing one.)

No "body horror", no "gore" tags or trigger warnings or whatever. That's a human being. If you feel the need to warn your followers before they see a disabled person existing, you're better off not drawing them.

Some last notes;

Throughout this ask I used the term "burn survivor" rather than "burn victim" because that is, to my knowledge, the general community preferred phrase. Individual opinions will differ (because no group is a monolith) but "burn survivor" is generally the safest term to use and probably the best if talking about a fictional character.

Similarly, I used "facial difference" rather than "disfigurement". Just as the above, opinions will differ on what is the best to use but I personally, as someone with facial asymmetry and a cranial nerve disorder, heavily prefer the term "facial difference" over "disfigurement". (I am in this case The Individual Opinion Differing because you can notice that in the links above, facial difference and disfigurement are used interchangeably. The general community uses both, some people have specific preferences. I'm some people.) When talking about a fictional character, "facial difference", "visible difference" and "disfigurement" are all probably fine. Just stay away from calling a person "deformed".

mod Sasza

[narrativelysignificantturtleduck]

something that makes sokka extremely adhd relatable is that he's constantly looking for his Thing, the one Thing he's good at or useful for that makes up for any failings or flaws or ways he just can't measure up to others. at the beginning of the show he defines himself by being the oldest boy in the village & best warrior, but then he gets his ass kicked by zuko and suki and sees aang's raw power and he can't exactly think fighting is his special skill anymore. but he still thinks he has to be defined by fighting ('man of the house' daddy issues) so he calls himself the guy with the boomerang bc that's turned out to be his most useful and versatile and unique weapon, the one that other people can't outclass him at (after all, it's his most successful attack in his fight with zuko). when he loses it in "avatar day" he explicitly says it's like losing a key part of his identity and the moment katara goes "hey you're good at solving mysteries" he's like "yeah! i'm a detective! that's my new thing! and gets a new set of objects to signify it ("i believe in the power of stuff"). but detective sokka doesn't last bc throughout the entire episode he and katara are pretty equally matched in detective skills and he gets his boomerang back anyway. failed experiment.

and throughout all of this, he's figured out that people find his insistance on getting them fed & his grumpy comments funny and so he begins defining himself as the meat and sarcasm guy, and when he's a tough spot in "bitter work", bargaining with the universe to get him help, he offers that up as all he's got to give. it's obviously a Joke that he immediately asks for meat after telling the universe he'll give it up but it's also pretty indicative of how much he clings to these identities. it's all he's got (he thinks), of COURSE he can't actually give it up. they stuck that boy in a hole for 22 minutes and it revealed so much about how he sees himself.

at some point (likely around "the library" when he takes initiative to come up with a fire nation invasion plan) he also becomes the plan guy, the idea guy, and the gaang find themselves looking to him for leadership. this is perhaps the closest to fully encompassing sokka that any of his "[blank] guy" labels get, since coming up with plans involves planning when and how to fight (boomerang guy) & how to get everyone fed (meat), and people not following his plans is a major source of frustration (sarcasm).

this all culminates in "sokka's master", where the show finally names the underlying insecurity driving this quest - that he's a nonbender. katara being the last waterbender meant she was in danger and that keeping her safe was top priority, and even though hakoda and kya wouldn't have played favorites sokka probably felt a little like the unfavorite child for not being special like her. he lacks an ability, and believes his life has less value bc of it. almost like somebody with a disability and internalized ableism

(interesting, one of the people who most consistently mocks sokka for being a nonbender is toph, early on. toph has a lot of internalized ableism herself, a fear of vulnerability bc she doesn't want to perceived as weak like her parents thought she was. her bending is her disability aid, the thing that allows her to be stronger than people think, so she dismisses a nonbender until she learns better.)

piandao's response to sokka's lack of self-worth is not to train him to be great at one thing, but to introduce him to a variety of different arts, show him that his value lies not in having any one skill but in his capacity to learn and grow. there's no single thing that makes him worthy. it isn't even the combination of all of them that makes him worthy. he simply is worthy.

and i don't know if this is a unique narrative in fiction or anything but it really means a lot to me that sokka doesn't have One Thing that "makes up" for him not being a bender. he's of course extremely skilled and prodigious at many things he does in the show but there's no one savant talent that "justifies" him being in the group and i feel like so many disability narratives - especially for kids - go that route and i really appreciate that atla doesn't and simply says people are valuable because they are valuable, not because of their special abilities

[dandylovesturtles]

Sidelined AU Info Post

Alright, I guess we're doing this

CWs: mentions of internalized ableism, struggles with mental health

Timeline:

all of S1 is the same as in canon up until End Game

however, after Splinter turns over the helmet to Draxum, Draxum does not put on the armor, but chooses to put Leo inside instead, realizing that whoever goes in will probably have something horrible happen to them. that's detailed in this fic

unlike Draxum, who gets spit out of the armor immediately, Leo ends up trapped inside. from Leo's perspective, he is only vaguely aware of what's happening outside (it's a bit sunken place-ish, with him seeing snatches of events like through a grainy television), and he has only small amounts of influence over what the armor does

once Feral Shredder is on the loose, he pretty immediately starts destroying the Hidden City. Draxum realizes that he has inadvertently released a great evil on his people, the exact opposite of what he wanted, and he turns to the Hamatos to help him stop it. obviously they don't want to work with Draxum, but they have to get Leo back so they take the help

it takes them two days, during which the Shredder moves up to start terrorizing New York as well, but eventually they get him subdued. I'm not 100% on what goes down yet or whether Big Mama gets involved (I'm leaning toward not), but Leo fighting from the inside is a big help

Leo is removed from the armor and is in really bad physical shape; meanwhile the Shredder is subdued for now. in the immediate aftermath, the Foot Clan manages to get ahold of the Shredder and take off with him

he's too weak to do anything immediately but he is very much a Looming Threat the family is aware of

Draxum leaves for awhile at this point because none of them want him around and seeing Leo in the aftermath did wake him up to "oh yeah that's just a kid and I did that to him," also he's feeling real bad about that whole "accidentally almost destroying the yokai and also maybe the world" thing

meanwhile, Leo is severely weakened, but there's not anything that the family can do to hasten his recovery. they can only get him hooked up to an IV for fluids and nutrients and wait

it takes Leo a few days to become fully lucid again; during that time he tries to fight anyone around him off or sometimes pushes his family away to "protect" them

eventually Leo does regain lucidity, he tells everyone he's fine but he's Super Depressed. he's also lost his mystic powers completely.

Splinter also retreats a bit at this point, because he feels guilt for handing the helmet over to Draxum instead of trying to find a different way to rescue his boys, which isn't a great thing for him to do but his mental health is also not doing very well (someone get these guys some therapy)

in the meantime the bros and April manage the best they can, they all have different approaches but I'll go into detail about that in the next section

there's no treatment for Leo's condition outside the most boring one: time, exercise, and diet. unsurprisingly he hates this

Healing Bad Times abound, as shown in this fic

eventually the boys have to go out on a mission again. Leo, feeling useless, listens in on the comms from the lair, and ends up catching something the other boys' missed, meaning he's able to save them from a trap or something idk exactly what the point is he makes himself useful

this opens up a new path for Leo, one his brothers very heavily encourage

with a new goal in mind, Leo starts taking a lot better care of himself, actually following his physical therapy routine, spending time gaining new skills, and accepting help in the form of mobility aids. his physical and mental health both start making big improvements

this also helps his dad's mental health, everyone is doing better even if things aren't perfect

Donnie builds Leo a command center modeled after the bridge of Jupiter Jim's ship, he absolutely loves it. whenever the boys+April are on missions, Leo is in his command center helping from the background

eventually Leo has gotten to the point where he has enough strength for day to day life most of the time, he still isn't fighting baddies on rooftops but he can get to a store and back without collapsing on a good day and that's pretty good!

the Foot Clan has been a much bigger threat in this version of S2 and it's clear they're up to something big

of course right when Leo is starting to feel stable and happy again, that's when they launch their final attack

a lot of the finale events go down similarly to how they do in canon, minus Battle Nexus New York. they get Karai back but then she dies, Shredder destroys their home (including Leo's command center :c ), everything is Bad

Leo gets his mystic powers back the same way his brothers do, though he needs a little bit of an extra helping nudge from April/Karai, since he didn't think that was a thing he could still do

everyone getting their mystic powers is emotional but it's especially emotional for Leo. he didn't even know what ninpo was before today, but he knew after the Shredder it was like some part of his soul got locked away, and now that he can feel it again he finally feels whole

it gives him a burst of adrenaline so he can participate in the fight, though he doesn't do much of the actual battling, instead getting his bros where they need to be for the big hits (I mean this is basically what he does anyway haha)

it takes Donnie exactly .02 seconds to figure out how to use his own mystic powers to support Leo physically so that helps

after this, Leo becomes a more constant part of the team in the field, though he still primarily works as support and only gets into direct fights when he feels like he has to

instead of being made leader like in canon, Leo and Raph become co-leaders. Leo's own leadership abilities have improved massively, but Raph has more experience in the field, so having the two of them working together means they cover each other's blind spots, and the division of labor is less stressful for both of them

since Leo's already been through his character development and this tension is gone the movie events play out totally differently but I haven't gotten that far yet lol. I'm sure the apocalypse still happens somehow, though, I'd hate to lose Casey Jr

happy ending whooo

Relationships

Raph

Raph feels a lot of guilt about what happened to Leo; he was supposed to protect his little brothers and he didn't, and now one of them has permanent physical disabilities as a result. add to that it was Raph's idea to be heroes in the first place and yeah... he's not doing great

because of this guilt, Raph's instinct is to essentially baby Leo - he wants to take care of his every need as soon as it arises. this makes Leo feel stifled and infantilized, and drives a wedge in their relationship (the same one Raph is driving between himself and Mikey, in fact)

his and Donnie's distinctly different approaches to the situation also mean that they get into arguments often and can't really deal with being around each other, leaving Raph feeling isolated at the start (and thus pouring more attention and effort into Leo, which compounds the problem)

Raph dealing with his own guilt and trying to find the balance between helping Leo while also respecting his need for independence, boundaries, and dignity is a big part of his journey in the AU, and it also improves his relationship with Mikey and Donnie as he gets better at those skills

Donnie

Donnie is not dealing well with the fact that there's nothing to fix. they can only be patient and work incrementally to improve Leo's condition

he distracts himself by putting all his energy into making the lair accessible for Leo, building him mobility aids and doing everything he can to help

he also has a hard time understanding why Leo won't do the things that will help him (at first), because doesn't he just want things to go back to normal? doesn't he want to help himself? why won't he just do what he obviously has to do, Donnie does not understand

Leo is deep in denial at first, and he feels like he breaks down and starts doing physical therapy and using mobility aids and doing basically any of the things that will help him, that means it's not going to magically get better, it's going to take time and effort and it will probably never be fixed, just improved, and he hates that so much he's choosing to treat this like a temporary cold or flu that will blow over any day now

Donnie doesn't understand that so he takes Leo's refusal as a rejection and animosity abounds!

breakdowns and admissions of feelings will eventually happen

Donnie and Leo together come to grips with the idea that there is no fixing this and there is no return to how things were before but they can work toward a new normal that's just as good

Mikey

this one is a little bit too big for Dr. Delicate Touch and Dr. Feelings

Mikey tries, but he is just a kid, and with their dad emotionally retreating too there's just too many feelings for him to deal with on his own

he's gonna play family therapist until he breaks

he's frustrated because he can see what each of his brothers need to do to feel better but they just! won't! they won't do it, and he doesn't know how to make them

he's really stressed

it's Mikey that realizes that Leo needs goals to work toward to get himself motivated to take care of himself, and it's Mikey who pushes the hardest for Leo's new role in the team

sometimes Mikey will challenge Leo to something silly, like who can make the most throws of a paper ball into a trash can, just to push Leo into exercising

he finds other little ways to help the others too, but he still can't solve the big problems on his own

meltdown ensues

Mikey has to learn to take care of himself, too, while the others have to learn they can't lean so hard on him for all their emotional problems

April

the only one holding on around here. it helps that she doesn't actually have to live in the powderkeg

takes a rationally minded approach to all these problems, kind of functioning like family therapist along with Mikey but in a healthier and more controlled way

helps get them resources from above ground

Leo opens up the most about his feelings about his physical condition to her first, because she strikes the best balance between being a sympathetic ear without coddling him

she's also stressed, but she has an outside support network so she's handling it better

Splinter

fully blames himself for what happened to Leo and has a hard time getting over it

depression in full swing

it means he can't easily get out of bed to help his kids, but then he feels bad because he isn't helping them, which worsens the depression, which makes it hard to get out of bed... a vicious cycle

when Leo starts working on his condition he gets a pact out of his dad that they will both work on being healthier together

maybe they manage to find an actual therapist eventually idk lol

either way, Splinter and Leo grumpily sitting over their plate of broccoli and then Leo says "bet I can eat more pieces than you" and it's on son

he's trying his best

Leo's Condition

Leo came out of the armor severely dehydrated and malnourished, even more so than any person should realistically be after two days; just keeping him from dying of the dehydration was the most immediate struggle

the main issue is that Leo's life force, mystic abilities included, were basically sucked out, leaving his body catastrophically physically weak

his muscle mass can come back with time and diet

the bigger problems are the bone density and chronic fatigue. while Leo can improve these, they'll never be back to where they were before the Dark Armor

his reduced bone density means he has to be careful doing anything physical because the chance he can break a bone is much higher than average, and he stands to suffer more from that break than the average person

he'll eventually get to where he can go through his day-to-day life just fine most days, and can even do some of the physical things he enjoyed before, he just has to be careful and know his limits. he'll never be pulling the 1440 off the halfpipe again, but he can still skateboard as long as he's careful.

even when recovered (as much as he can be), he has bad days and days when the fatigue is really strong. how Leo feels on a bad day is up in the air; sometimes he's at peace with it and generally cheerful, happy to be around his family even if he spends most of the time in his chair or on the couch dozing in and out. other days the depression rears its ugly head and he can get a bit nasty and bitter again. his family is much more patient with him on days like that than he is with himself.

in the beginning Leo also has brain fog and sensitivity to light and sound. these clear up over time, especially once Leo starts making more effort to exercise his brain. he starts reading a lot more and doing puzzles, especially things like sudoku and word puzzles, which helps a lot. thankfully these changes aren't permanent

his inner ears were also damaged a bit, this also heals up largely on its own, sometimes he still has difficulties hearing his brothers if they're whispering or far away but it's not so bad he needs assistance

Leo's Devices

Wheelchair

this is obviously the one Donnie had the most fun building and it shows. this baby is tricked out. Leo also likes to suggest improvements often, some for actual functionality but many just because he thinks it would be cool (like neon lights on the spokes)

it is blue obviously. do you even need me to tell you that?

it's fully electronic but Leo can also wheel it around freely if he wishes. Leo likes to wheel himself when he has the energy because it's good exercise he doesn't have to go out of his way for and he just likes feeling like he's moving himself under his own power. but when he's not feeling up to it he just drives it with the electronic controls instead

it has handles that extend and retract. being allowed to touch the handles is a major sign of Leo's trust and initially it's only for his bros + April + Splinter. Leo hates being moved when he doesn't actually ask to be moved, and he also hates being tipped backwards so his fam knows not to do it even as a joke (and it's so heavy that tipping him is kind of hard, anyway). someone touching the handles or messing around with them without permission gets you immediate backlash from protective siblings

that said Leo has them extended often so he can hang things off them, even though Donnie constantly gripes that that is not their intended purpose!

Sr Hueso is another person who gets handle-touching-privileges pretty fast, and he's also the one Leo asks to move him most often because he thinks it's really funny. he hams it up every time. Hueso is exasperated but does it anyway

(if Hueso adds a few extra wheelchair-accessible tables to Run of the Mill no one has to know)

the chair can also be moved by S.H.E.L.L.D.O.N. this is mostly just for emergency situations, or times when the chair is somewhere Leo is not. Shelldon is a very good boy who does not move the chair without Leo's permission.

it has a billion storage spaces and little hidey holes and it can sync with Leo's phone to play music and it also has a charge port for his phone and yeah basically anything Leo and Donnie can come up with goes into this thing. it's a behemoth

Donnie also made Leo a lighter-weight chair with fewer features that he most often uses when he's good using his walker/cane/braces but wants to clear a larger distance first, and eventually Donnie makes him an athletic wheelchair so he can play games like wheelchair basketball

Walker

the walker is also blue but there's nothing particularly special about it

Leo hates using it because it feels like an old person thing. even if realistically he knows there are plenty of reasons people use them, including his own situation, culture is culture and it makes him feel bad no matter what rationality states

so basically once he doesn't have to use it he doesn't

as they all get more comfortable with Leo's situation and he starts openly using humor to cope, jokes about Leo's chair and cane become pretty commonplace in the fam (all good-natured of course). they know the walker is too much of a sore spot though, and poking fun at it is the fastest way to get Leo to do something stupid, so no one does. it's better to just pretend it's not there

Crutches/Canes

he eventually ends up with a variety of these, with different levels of support depending on what he's needing on a given day.

some of the canes are more fashionable than others. this is important to him.

Leo pretty much always has one of these on hand just in case, even on days where he feels alright to walk on his own

he is not afraid to bonk a brother with a cane or crutch but he does so knowing they are free to retaliate

Leg Braces

Leo doesn't need these every day but they're a pretty standard part of his wardrobe at this point

they start out plain but get increasingly elaborately decorated as time goes on because he, Donnie, and Mikey can't help themselves

like the walker, the braces are in the "don't make fun of" zone, though Leo is happy to get positive comments about them and doesn't really need their presence ignored

Other Mobility Aids

Leo has a variety of things to help with his loss of grip strength, difficulties bending over, tremors, etc. all of them are either made by Donnie or ethically "acquired" by April

he drives everyone crazy by leaving them in random places and then forgetting where they are. Donnie starts installing locator tags on everything they give Leo

jokes about these are fine, Leo makes them often himself and has silly names for all of them (this also drives Donnie crazy)

[verimuru]

Red on Maroon A 16-page IWTV (2022) fancomic about the vampire Armand and journalist Daniel Molloy visiting the Mark Rothko retrospective in 2024 Paris. Content mentions & warnings: The comic depicts Daniel’s internalized ableism. Rothko’s suicide is acknowledged but not discussed in detail. There’s angst, talk about kink and lots of fluff. Louis is mentioned as well as Daniel’s daughters. Marius is not named but is hinted at. The comic is set up in post-Dubai-interview time and based on my knowledge about s1 of AMC’s IWTV with sprinkles of book canon. Some notes about the comic below:

As with my last comic, I am not a native English speaker, so I hope you keep that in mind when reading <3 trying my best here meow meow

The Rothko retrospective can be visited until 2nd of April of 2024 in Louis Vuitton Foundation. I visited the place in January, so the comic’s surroundings are a mix of memories and some image searches, but in no way fully accurate. Since visiting Paris next week is probably not an option for most people, the foundation has a very cool free app, where you can listen to an audio guide about Rothko and paintings in the exhibition. I mostly used their app as a source for this comic, so in case you want to learn more, go here: https://www.fondationlouisvuitton.fr/en/events/mark-rothko

 I listened to a lot of Morton Feldman’s Rothko Chapel -album while making this. So put it in playing in the background if you’re into that sort of thing. Link to the playlist on youtube

Since I am Finnish and I found out that one of LVF’s first exhibition had some Finnish painter’s work, ofc I had to include them… Page 14 has Schjerfbeck’s “Dancing Shoes”  and Gallen-Kallela’s “Kullervo Cursing”.

Ok finally some headcanon stuff: in my head, while writing this comic, I imagined Daniel having accepted the dark gift from Armand, but both of them wanting him to live as a human as long as possible to enjoy the benefits of a… mortal body. :’D Since, you know, vampirism is forever anyway, so why not enjoy the variety of bodily fluids, body heat, aches and weirdness of aging? While having a chronic illness is shitty, his life is not, and while his disability marginalizes him, there’s a perspective there, a person living and enjoying things, allowed to take space and feel his thoughts develop from these changes (that also affect over 6 million people around the world with Parkinson’s).

After finishing the comic I am not so sure if Daniel is going to be turned into a vampire after all. So your guesses are as good as mine, would love to hear your suggestions, hehe!

I wish we knew more about Daniel’s daughters! I just came up with something here because I wanted to draw them and wanted to see their dynamics as a family.

I have now read the Devil’s Minion part from Queen of the Damned as a separate short story and appreciate the TV show’s changes to Daniel even more. I can’t wait for S2…..

My sincerest thanks to @anaid-queen for being a test audience, my informant and such a cheerleader the past week <3<3<3

Hope you enjoy xoxo

SORRY I POSTED THE WRONG IMAGE FILES FIRST WAHHH I had to repost ;_;

[steviewashere]

Dream Come True

Rating: General CW: Minor internalized ableism on Steve's end Tags: Established Relationship, Married Steve Harrington/Eddie Munson, Future Fic, Adopting a Child, Parenthood, Steve Harrington is a Sweetheart, Eddie Munson is a Sweetheart, Fluff, Domestic Fluff, Let Them Live a Quiet Life God Damn It, Mild Hurt/Comfort

For the @steddielovemonth prompt: "Love is about healing each other's wounds."

💕—————💕

They haven’t discussed children since the second month they were together. Was that probably a little too early in their relationship? Probably—Eddie will be brave enough to admit that right now. But, considering where they’re at now: Steve is forty-seven and Eddie’s forty-eight, their wedding bands are simple and gold (something easily spotted amongst the silver ones that Eddie still wears), the house they took a loan out for is painted yellow with white shutters installed (well, they paid Dustin and Will to do it. They were happy to help), they live in Massachusetts away from public eye, and though they don’t have a dog—not yet, the service dog process has been a long and weary one on Steve’s end—they have their little brown tabby cat. They’ve got a well furnished home. And years of love between them.

Nearly twenty-eight years in total. Nineteen years wedded. Six years of that are legally recognized. But that doesn’t matter. What matters is they stopped talking about the prospect of having kids.

Eddie’s initial answer at the beginning was, “Maybe. I think it would be neat. But, I’m gay, Steve. That isn’t really a possibility.” He chuckled a little bit. “I meant like adopting, but in a technical sense—Considering what’s in my pants, the possibility is still out the window.”

Steve’s was changed from what he told Nancy in that Winnebago. “I still want children. Or, just one. I want a quiet life. Even if you make it as some big rock star, I want a quiet private life.”

It was doable. What Steve had whispered on Eddie’s shoulder, that was doable. The question for years though was, When does he want that? And also, When will he leave to pursue that?

The answer was clear. Steve was never going to pursue that. That, sure, they’d have the quiet life. But never have children. And Eddie saw him wilt a little further and further. When they passed by the playground at the park. The daycare up the street from their home. After the seizure diagnosis, Steve stopped looking and thinking about it all together. It hurt Eddie’s heart.

He may have got the quiet life. And Eddie may have lived out his simple dream. He’d been a rockstar for a little bit in the late nineties and early two-thousands, retiring before they got married. But…Steve hasn’t lived his dream. Eddie hates that he thinks it’s being held back from him. Eddie’s determined to heal that hurt inside him.

——— Steve comes home from his Wednesday teaching shift around four in the evening. Eddie’s already on the couch, combing Poncho’s fur, watching the local news. He’s got a very important print out laid neatly on the coffee table. He hears Steve set down his briefcase on the dining table, his footsteps retreating to their kitchen to rinse out his thermos, coming back to the front door and placing his loafers on the shoe rack, and he hangs up his coat. Then, he enters the living room, hands scrambling to undo his tie, body leaning over the arm of the couch to press a kiss against Eddie’s mouth.

But then he pulls away, turning his whole body to watch the news. And that’s when he spots it. The flyer. He shuffles over on his mismatched socked feet, hands falling away from the collar of his dress shirt. He swipes up the paper. Behind his glasses, he squints.

It’s advertisement for the adoption agency some forty minutes out. Eddie hopes, by everything, that this will heal the pain in his own chest, and the emotional line of thinking in Steve’s brain. Hopes with everything that his body can physically give.

“What’s this about?” Steve asks. His voice is neutral. Almost…dare Eddie say, steely. Okay, maybe he made the wrong move. “We haven’t even—“

“I know,” Eddie immediately says. “I know we haven’t talked about it. But, sweetheart, just listen to me, alright?” At Steve’s confused and hesitant nod, Eddie tries to arrange his words. “This is something you’ve been wanting since forever ago. And I know that I haven’t really voiced my wants on it. But I also thought that it would never happen.

“That it would never be something people like me—“ He raises his eyebrows and points to the keyring attached to Steve’s belt loop. The short rainbow garland that sits discreetly among his keys. “—Would ever get the chance to do. But I—Steve, god, I want it so bad. I want to be able to be a dad and chase around a kiddo of our own while you’re busy at work. I want to see one off for school for their first day and cry like I’ll never see them again. Wanna make them a lunch they can bring to school, the same time that I make your lunch for your school. I want to watch them grow up with your goofy dancing skills and our combined love for music. And I—I want to be a better parent that I could’ve ever imagined.

“I want it with you,” Eddie breathes. “I want all of that with you. And I know that you still want it. Your forlorn looks at couples with babies. Every time you see Lucas and Max and their spitfire teenager, your eyes get this brightness to them that I—I have to be honest, I don’t think I’ve seen you happy like that since we got married.” He swallows at some of the implications there. And it’s not meant to be accusatory, but gosh does Eddie notice. The way his sunflower wilts. “This is just something for you to think about, okay? I know my decision on it. But think about it.”

Steve’s grip on the paper trembles. And his eyes are searing Eddie in a way that melts him. Blazing with adoration and love. “You want that?” He shakily asks. “You want to raise a kid with me?”

Eddie nods. “Yeah, baby. I really, really, really do.”

“Even though…Even though I have seizures that could scare them shitless? And I get so angry some days that all I can do is hide in our bedroom and cry? And I—You want that with somebody like me?” He hesitates to ask again. Eddie doesn’t answer, but his arms open in comfort and his eyes soften with earnest. Steve doesn’t move from his spot, though. He looks back at the paper. “What’s the—Our first step?”

“We apply. And they determine if we’re worthy and that it’ll be safe,” Eddie answers. “If they see us fit, they’ll look at our house and things like that. We’ll come back to that later on. If that’s something you still want.”

“Okay,” Steve states with fervor. “Let’s do this.”

——— After a tedious process, Eddie realizes how correct he was.

It’s a Saturday. The curtains are open. Dinner is simmering on the stovetop. And Eddie stirs the soup while he listens in on Steve’s activity in the living room.

“There you go, sweetheart,” Steve is cooing. “Good job, Carmen. Look at you.” He’s been supervising her tummy time everyday he’s able to. Loves being able to lay on his back on the floor, eyes watching their daughter, his fingers combing through her hair as she uses her wide brown eyes to wonder about the world around her.

Eddie bites back a smile.

“That’s Poncho,” Steve is saying. He’s introducing them like they’re all acquaintances around a water cooler. Eddie, maybe, snickers a little bit behind his hand. “He’s gonna be your buddy. He likes the space between his shoulder blades scratched. Just like you, huh?” And hears the moment that Steve dully traces his fingernails on Carmen’s back. She gurgles a little excited babbling. “That feels good, doesn’t it?” Steve murmurs. “Daddy likes that, too.” He’s talking about himself. Because he practically fought tooth and nail for that title. Eddie wouldn’t have it any other way.

From the kitchen archway, Eddie surveys the display on the living room floor. And Steve’s on his back in his pajamas. Glasses smooshed awkwardly up his face as his cheek is pressed against the carpet, eyes gone soft and glistening while Carmen is on her belly. Her hands are sprawled in front of her, squeezing at the soft toys they had gotten. He’s brushing his fingers through her short, curly wisps of brown hair. Then, his hand travels back down to massage and scratch at her back again. She’s wearing a pink striped onesie and a pair of white socks on her little feet.

He clears his throat to make himself known. Steve looks up at him, softly smiling. “I reckon things are going good in here?” Steve only nods, too enamored with petting at Carmen’s back. Eddie finally smiles at him. “Good,” he whispers. He leans his weight on the doorway. A dish rag thrown over his shoulder, arms crossed low over his belly, hair thrown up in a loose bun on his head. Domestic life has really begun to suit him, if he’s honest. He finds himself at ease about it now.

As he turns back to the kitchen, to serve up their bowls of soup, Steve calls his name. He immediately turns back around. Greeted with his husband’s soft face, his deepened smile lines, his messy hair spread on the carpet. He’s more youthful than ever, fatherhood has changed him for the better, at least Eddie thinks so. He hums to see what Steve needs, because by god, he’ll do anything for him.

“Thank you,” Steve whispers.

“For what?”

“Making my hurt go away,” Steve says. But Eddie’s eyebrows furrow in confusion. And Steve clarifies, “Allowing me to accomplish my final dream. I’m really happy that it’s with you.”

Eddie crosses into the living room, crouching down to kiss Steve’s forehead, pecking Carmen’s soft head, too. He combs his own fingers through Steve’s hair. Smiling at the way he keens. “You made me believe that I could be a good dad,” he admits. “I can’t wait to do this right.”

Steve brings a hand to Eddie’s cheek. His index finger softly tracing down the side of his face. “Love you,” he murmurs.

Turning his face, Eddie kisses the tip of Steve’s finger. “Love you, too,” Eddie easily says in return.

Sure, he got to be a rockstar, but he thinks that this life—Steve soft and middle aged and smiling at him, petting down their daughter’s back, cooing soft as if he’s not almost fifty—is much better than anything he could’ve ever dreamed. Maybe filling the hole in Steve’s soul, the remedy that their daughter brings—Maybe that heals something for Eddie, too.

💕—————💕

[saltwatersweets]

yknow, given the fact that it’s entirely possible wounds created by angelic weapons don’t fully heal (since vaggie’s eye never healed), and the fact that adam attacked alastor with an angelic weapon, and the fact i’ve seen a few fics in which alastor deals with chronic pain in his chest wound because of the injury, i’m surprised i’ve never seen anyone bring up an idea where adam’s axe landed just a foot or so above where it did in canon and ended up taking out alastor’s eyes, similar to how lute did with vaggie.

i’m not sure if i would be comfortable writing about this, given i am not physically disabled and i’m not sure if i could accurately portray blindness (especially with a character like alastor, who’s already so difficult to write), but i’d love to see this idea explored somehow. alastor is already someone who wants to be the most powerful (or at least in control) person in the room and so taking away his sight in a permanent way would definitely affect him badly. another reason i’m not sure i would want to write this out: the internalized ableism would be off the CHARTS. not to mention, a wound to the face isnt something he can hide like he could with a chest wound, so the other hotel inhabitants at least would see what happened as soon as they realised he was still alive after the extermination. he would not be happy about their endless concern one bit.

tl;dr: what if alastor was permanently blind after the extermination?

here are some ideas i have regarding this au (please let me know if any of them come off as insensitive):

alastor probably would try to use the recent lack of eyes to his advantage. after all, outside of one’s mouth, the eyes are typically the most expressive part about a person. even when he’s trying to conceal his emotions, you can tell what he’s feeling because of the expressions in his eyes. now, however, he’s even MORE difficult to read, which he likes to think gives him more control. the eyes are a window to the soul, they say? not anymore!

he looks rather similar to rosie now (based off how vaggie looked like when charlie first found her after she fell, with her eye socket just being dark and black)! once he’s accepted what happened to him, they’ll make an occasional joke about how now he looks more like a typical cannibal in hell, it just took him a century to catch up.

vaggie and him bond over losing one or more eyes because of adam (whether directly or indirectly). he hates the fact that he genuinely is more fond of her after this experience, because she never treats him like something about to break, for better or worse.

speaking of which, i feel the need to say that despite alastor likely viewing himself as weaker after the loss of his eyesight, he is not inherently weaker. it takes him a long time to know he is not ruined, he is just changed. doesn’t mean his musical mental breakdown in episode eight isn’t even worse than before now though. he hates that this has happened to him, that he has been permanently injured in this way, but he learns to live (or… exist? since he’s already dead) with it and accept his disability as a part of himself.

his staff (once repaired) and ears are incredibly helpful, especially since deer can hear extremely well. his shadow and microphone are also extensions of himself, so though he can’t see through them per se, they keep him from crashing into things when he’s in an unfamiliar area.

once mimzy gets over being “kicked out” of the hotel so to speak, they’ll still hang out and dance together! she doesn’t think of him as any lesser or any weaker after what happened, he’s still able to keep up with her on the dance floor even if it is a bit more difficult now.

the hotel inhabitants and some other people he regularly meets with will occasionally read his favourite books aloud to him (there were books in his room so i headcanon he likes to read in his free time). he never says it aloud, but he does genuinely appreciate this. he particularly enjoys it when niffty sits still long enough to read to him, especially if she’s reading out a cookbook and helping him make food. it is physically impossible for her to sound condescending to him.

on the other hand, charlie reading aloud is a mixed bag, because although she’ll always try to make it entraining for him (by being very animated in her voice acting), she’ll often interrupt herself to disavow the fictional violence. also, it is physically impossible for her to NOT sound condescending to him. he’s not a wayward sinner down on his luck for her to swoop in and save, after all! he doesn’t need her to try and “fix” him.

he has allowed angel to read to him a SINGULAR time, because while his voice acting is quite entertaining and he won’t complain about the violence (he has no room to talk, given the scripts he acts out), angel would rather die (again) than quit making sex jokes every two minutes. he could be reading a cookbook and sneak in a “that’s what she said” a good three times in a single page.

one of the first things charlie does upon seeing alastor is still alive after the extermination is ask lucifer to heal him, and lucifer has to tell her it’s not something that he can do. it’s actually something charlie initially responds with anger about, because at first she thinks he’s just refusing to heal alastor just because he doesn’t like him. it’s vaggie who steps in to calm her down, because she knows personally that angelic wounds can’t be fully healed. it’s been three years, she’s not expecting her eye back by now.

alternatively, it’s easy to imagine charlie still asking lucifer to TRY and heal him regardless, because maybe if they just try hard enough, they can do it! so lucifer tries. and it does not work. naturally, this only serves to make alastor more pissed off. he melts into his shadow and goes into his room, and doesn’t come back out until that night.

the next thing charlie does is spend no less than four hours looking up accommodations she can make to the hotel for someone with no sight. braille to all the rooms and other things that are labeled is among the first she gets lucifer to implement, as well as keeping nearly all of the floors loud tile instead of carpeted, so alastor can tell if someone else is in the room with him.

i swear i’m trying to think of something distinct for husk because his dynamic with alastor is so interesting to me, but i really can’t think of anything super specific. one thing that does stick out is that, like vaggie, he never regards alastor with pity, because he knows alastor better than most and knows he’s still extremely powerful. i’ve always thought alastor somewhat appreciates husk’s unflinching honesty (even though it’s a trait of his that undeniably pisses him off at times), and so he knows husk isn’t lying or acting when he still treats him the same way as before the extermination.

alastor will still make radio broadcasts, even if just for his own amusement. you don’t need to be able to see to be able to talk, after all! if anything, this experience only makes him hate television and modern day technology more. at least he revels in the knowledge that it is now impossible for vox to hypnotize him, if he ever dared to try.

he’ll make. so many eye puns. TOO MANY eye puns. you know that joke where people are like “we can’t ever let alastor know he’s asexual because if he does, the amount of ace jokes he’ll make will be through the roof”? yeah, it gets that bad.

i like the headcanon that alastor likes to draw on occasion (given the all but stated fact that he drew the hotel in the commercial in episode 1, as well as a few unnecessary but fun doodles outside of that), and he is initially saddened to realize that this is something he won’t be able to do anymore. however, niffty ALSO likes drawing, and she likes to rope him in to her drawings by force, giving him paper and crayons and always being completely honest if he ever asks what colour is in his hand. he’ll even occasionally let her move his hand to the right spot on his paper if he ever forgets where he drew the lines on his paper before. she likes to spend as long as she needs describing her drawings in vivid detail - she will talk to him about her gorey artwork, and no one will stop her!

[stobinesque]

27. things you said through a closed door (Steddie)

here you go!! love a good through-a-closed-door convo 💙 rating: M (for frank discussions of sex) | wc: 679 cw/tags: hurt/comfort, erectile dysfunction, internalized ableism

“Come on, Eddie, just talk to me, please.” Steve’s back is pressed against the bathroom door where he feels like he’s been sitting for hours.

“No.” Eddie’s voice is muffled by what Steve is afraid might be tears, and not just the barrier between them.

“You…you don’t have anything to be embarrassed or ashamed of, you know that, right?”

Eddie laughs, but it’s derisive. “Oh, I don’t, do I? That’s real rich coming from King Steve.”

Steve hisses and thunks his head back. “Don’t…don’t do that, Eds,” he says softly.

There’s a weighty silence on the other side of the door. “I’m sorry.”

Steve squeezes his eyes shut. “It’s uh…it’s happened to me before, too, you know?”

“Yeah?” Eddie’s voice is small.

“Yeah, with, ummm, Ali Langfield?” His eyes blink open, and he stares up at the ceiling. “We were making out, and I took her upstairs at whatever party we were at—she seemed down for going all the way, but” Steve twists a wrist back and forth in his other hand. “I’d had too much to drink that night, so I just…couldn’t get hard. No matter what we tried to do. And— yeah, I guess it was kind of embarrassing? But honestly I think she felt worse about it than I did.”

Eddie scoffs. “Yeah, of course she did, Steve. She was probably thinking it was because you didn’t think she was hot enough, or something.”

“Yeah, well, that’s not the point. And it’s not what was happening. I just— I don’t think you think that about me. And I don’t think you’re, like, less of a man, or something. It happens to everyone.”

“Steve, the only time it happened to you was because you were drunk. This happens to me all the time now, and it’s not because I’ve had one too many beers, man! It’s because I’m broken.”

“I don’t care— ”

“Gee, thanks, Harrington.”

“Fucking stop that, okay?” Steve reaches up to yank at his hair. “Let me finish. And stop trying to push me away.

“I don’t care if you can’t get hard, and I don’t care if you’re broken. I don’t think you are, but I don’t think it matters, either. Because if you’re broken, then so is everyone else! That’s what this means, okay? You can’t watch someone die, and find out monsters are real, and then walk into hell, and somehow come out on the other side of all of that whole, Eddie!

“All of us—each and every one—is broken in some way. Some visible, some not. But if you go around slamming doors and throwing up walls every time someone finds one of your cracks, some day you’re not going to have anyone left to help pick up the pieces and glue them back together.” Steve exhales, heart thudding like he’s just run a mile.

“I love you—and I want you—however you are. If you can’t get hard, then we’ll have sex you don’t need to be hard for. If you don’t want me to touch your dick when it’s soft, I won’t. And if you do—I’ll touch you wherever and however you want, for as long as it feels good, because that is what having sex is supposed to be about. Not whatever dumb idea you’ve let assholes like fucking Mike Lewenski or something get stuck in your head. Okay?”

There’s silence on the other side of the door.

“Eddie?”

Steve falls backward with a yelp as the door is yanked open on him.

“Oh, shit, I’m sorry!”

Steve rights himself just as Eddie starts frantically fluttering around him, his flapping hands hovering over Steve’s head, patting his shoulders, and eventually settling at the tops of his arms. Steve braces himself as his boyfriend clambers into his lap, and presses their foreheads together.

“I don’t even know who Mike Lewenski is, Steve,” Eddie murmurs.

That startles a laugh from him, giddy and free. “It’s a good thing he’s pretty unimportant, then,” he says, reaching up to pull Eddie into a kiss.

Eddie follows.

send me a pairing and a prompt!

[ashintheairlikesnow]

now i’m craving streetkid chris waaaaa

if you have some time and energy, could you be persuaded to perhaps write some streetkid chris with jake and the safehouse? i’ve never stopped needing comfort for him

CW: Heavily internalized ableism, referenced past dubcon and noncon, some internal dehumanization, referenced drug use

(Street kid Chris au pieces here and here)

-

He sobers up, more or less, on the bus ride out of the center of the city, his forehead resting against the cool glass window. It's all a blur that moves through and around him, steel and concrete shifting to grass and trees and little houses placed next to each other like a child's toys.

Baldur hides a smile, imagining a giant toddler hand lining the houses up one by one by one by one, picking doll families to live in the little doll houses. Giant baby god giving this family a dog and this family a goldfish and that one a pretty boy like Baldur to do everything they say-

A laugh catches in his throat, dies there with the chill of sudden grief. What is his Sir doing? Is he at home with some new pet, playing games? Was Baldur replaced that quickly?

Of course he was. He was never special, never really very good even. Pretty, until he got too old. Stupid statue-boy trying and trying to hold still and never winning any of Sir's games. Sir would've ordered someone else right away.

He's probably forgotten about Baldur by now.

His throat tightens even more, heat stinging his eyes, but Baldur fights it back. The only thing worse than his wrong words and his wrong hands is when he cries, of course. Sir always says-

But Sir doesn't want him any longer, isn't there to tell him never to cry and then play games and hurt him until he does it anyway.

"Hey." Kauri, sitting next to him, must catch something in the shift of movement in his throat when he swallows or the stare of his glassy green eyes. "What's up, buttercup? You need some water? I know coming down always makes me so thirsty I could scream."

Baldur shakes his head, curling up as best he can, pulling his knees to his chin with his heels pressed against the edge of the seat, pushing the dirty soles of his shoes against the cushioned fabric. "No thank you," He whispers. "I... I'm fine."

"Yeah, yeah. I've heard that before - or I guess I should say that I've said that before. And you know what, Chris? Never once was I actually fine. So. Here." Kauri holds a bottle of water out, shaking it a little as if trying to lure a stray cat with a can of tuna. "Come on, have a drink. It'll help hold off the headache, I swear."

Baldur's fingers are shaking when he takes the bottle, and it takes three tries to get the cap open, but the water is cool and clean on his tongue and down his throat, and before he realizes it the bottle is half empty, his chest feels cold on the inside as the water trickles through him, and he's gasping for breath.

Kauri's smile is soft, gentle, only a little sad. "There we go. Keep working on it, okay? Hydration is the best defense against hangovers, not that I ever take my own advice. But it is still excellent advice."

By the bus reaches a stop that Kauri declares is theirs, he's had all the water and it's an empty bottle he stashes in his backpack. He can refill it at the first sink he sees, have something he doesn't have to beg for or fuck for to drink later on.

Baldur steps off the bus and into a neighborhood right out of TV.

Houses line the street on either side, and Baldur stares at old trees that rise over his head, dappling the ground with shade that blocks some of the heat of the sun. The air smells like grass, and there's a drone from somewhere nearby that he realizes must be a lawn mower, a sound he's only heard from Sir's windows while watching the landscapers work far, far below.

There's a fence around the yard next to them - a white fence, even, with chips of peeling paint. Baldur moves to it, reaching out and letting his fingertips brush the rough wood, one nail scratching at a bit of paint coming free. He doesn't hear himself humming, low and tuneless, repeating over and over, until Kauri pops back into view in the corner of his eye.

"You never seen a fence before?" Kauri teases, but then Baldur flinches back and away and watches Kauri's smile falter, briefly, before it determinedly returns. "Sorry. I scared you, huh?"

"I'm fine," Baldur says too fast, realizing too late that he isn't answering the question Kauri asked - either of them. The blush heats his cheeks and he turns away, jamming his hands in his pockets as hard as he can, hunching his shoulders. "Fine. I'm... I'm fine."

The word sounds good in his mouth. Soothes his mind. He opens his mouth to say it again, fine fine fine - but Baldur catches himself this time. He can't repeat words he hears, that's wrong. Can't stammer, that's wrong. Can't move, or sway, or use his hands - wrong.

All wrong.

"Right. Well, come on. The house is this way." Kauri walks a little ways away, then looks back over his shoulder. Baldur hurries to catch up, keeping himself hunched. The weight of his backpack is familiar and comforting, all his things in there. The usual headache when the pills wear off teases around the edge of his mind, but it doesn't take hold. Maybe Kauri was right about the water.

Kauri talks, chatting brightly. His hands move constantly, in gestures and emphasis, and Baldur keeps staring at it. Sir would have slapped his hands if he moved them so much, but Kauri doesn't even notice he does it.

The house has people there like them, Kauri explains, although not like them like them, just - other pets. Domestics, mostly. The woman who runs the house, like the shelters Baldur has stayed at but they won't make him pray.

"Trust me," Kauri reassures, "I wouldn't stay there if they did. I've traded a bed and some food for having to go to their church and let them tell me what a bad boy I am enough for one lifetime, thank you. Sinners have more fun, anyway." He winks, and Baldur blinks back at him. "The last time I stayed at one, the pastor hit on me. The very, very married pastor. Which goes to show you - when you are as good in bed as I am, even God doesn't measure up."

Baldur swallows. He should say something - something witty. Kauri seems to have things to say about everything, all of the time, but Baldur's mind is still slow from the pills, even though he's sobering up. He can't think of anything except to say, "Really?"

"Really." Kauri's smile is bright, flash of sun off the hood of a car blinding but with something about it that seems cracked, too. "Once we get there, I'll make introductions. But I promise, everybody is nice."

"... Nice," Baldur murmurs. Nobody is, not really, in his experience. Everybody takes something in return for every bit of nice they offer. Everybody sees his barcode and knows they can do whatever they want to him, and then they do. And if he's lucky it's only to make him eat food that makes him feel sick, or talk to him about how he's walking a dark path, as if there has ever been a lighter one. Or sometimes they tell him to go lay down on the bed-

"We're here!" Kauri's voice cuts into Baldur's thoughts, and he looks up.

In front of him there's a two-story house with white siding, flat-faced with windows that look down on him like eyes. There's a porch with chairs on it, and sitting in one of them is a tall, thin man with a mess of dark hair and sharp, dark almost-feline eyes. He's fiddling with something in his hands, but when he sees them he shoves whatever it was into his pocket and quickly stands.

Baldur hesitates - but Kauri moves right up the overgrown path, flat stones half-covered by grass and weeds. "Hey, Ant! I brought someone."

"I see this," The man says, in a smooth, accented voice. He sounds like velvet. Baldur looks at him, trying to think. Just a blowjob, probably. Easy. Baldur has traded those for lots of things. He barely has to do anything, once they grab his head. "Kauri-"

"Oh, wipe that worry off your face, Antoni, he's one of us." Kauri waves a hand back at Baldur, then grabs at his arm to pull him forward. "I brought him to meet Nat and Jake. Chris, this is Antoni. Antoni, this is Chris."

Antoni looks at him, then turns and silently heads back into the house.

Baldur swallows, shifting to half-hide himself behind Kauri. "... he doesn't... like me."

"Nah, Antoni's just kind of a mood killer professionally. He's a softie once you get to know him, I promise." Kauri half-drags him up the steps and through the front door, into an entryway that has a pile of coats abandoned on a coat rack, shoes on a mat. The house smells like something cooking, and Baldur's mouth waters, his stomach twisting as it remembers how to feel hungry and not just emptied-out and light. "Jake! Hey, Jake!"

"Jake's out," A woman's voice says. Baldur stares as an older woman pops her head in. She has brown hair with bits of gray in it in a braid that lays over one shoulder, a flannel shirt over a t-shirt and ancient jeans, and a soft smile ringed in laugh lines that crinkles at the corners and near her eyes.

She's beautiful.

"Who's this?" The woman looks from him to Kauri, with curiosity - not trepidation, not worry, and not anger. "You brought someone by?"

"Yeah. This is, uh, this is Chris. He's one of us. Chris, this is Nat. She feeds me sometimes."

"Love that description." Nat's voice is wry with good humor, and she steps forward, holding out her hand. "I have hobbies, too, you know. Hello, Chris. I'm Nat, and this is my house. I help runaways from WRU start over."

He stares at her outstretched hand, then back at her, before hesitantly shaking. His grip is limp compared to hers, but she doesn't say anything about it. "I-... I thought... you were... a man."

"No, that's Jake," Kauri corrects him. "He insists on having a life outside of waiting for my beautiful ass to show back up, so we'll see him later."

"... Okay." Baldur studies the woman - Nat - thoughtfully. Then he offers, "I can... do women, too."

Nat's expression changes - so subtly he can't tell what the change is. But he sees it. Baldur knows how to tell when the mood of a room goes sour, to try to protect himself. "Romantic," She murmurs. "I see. Kauri-"

"Don't say he can't come here," Kauri interrupts, bristling, and Baldur stares at him in open terror as his heart drops to his knees. He's angry at one of them. Baldur didn't know you could do that. "He's got as much a right as anybody else does, and you let me come here, and he could use the help, Nat, so don't you dare-"

"Kauri. Hey." Nat puts her hands up, as if surrendering in a fight. "That's not what I was gonna say. I was going to say, Kauri, how about you set him a place at the table for dinner. Okay?"

Kauri's jaw is set, and it takes him a moment to stop looking ready to keep up the argument that isn't even happening. "I-... yeah. Okay. Yeah, I'll do that. Just-... Nat, you know that a lot of places won't-"

"I know. It's okay, honey. It really is okay. Just go get him set up. And you." Nat smiles at Baldur, and he tries to see the mean she's hiding, but it isn't there. Too buried underneath a kind face, maybe. Baldur can't imagine there just isn't any cruelty there at all. "We take all kinds here, and you're welcome. No one touches you here, and I'd prefer if you kept your hands to yourself at first."

Those words don't mean anything. The shelters say that a lot, too, but Baldur still wakes up to a hand over his mouth and a voice whispering to him to be quiet sometimes when he sleeps in one. He'll find out the real cost of staying here at some point.

But he'll find out with food in his stomach, and that's worth something.

"Yes, ma'am," He murmurs, looking up and around at the high ceiling in the entryway, carpet-covered stairs that curve up and disappear around an angle. Bookshelves, and off to one side the corner of a living room with a TV playing.

"Just Nat is fine. Kauri?"

"Got it." Kauri gives a mocking, if still friendly, salute. It makes Baldur smile - but he hides it behind his serious face when he sees Nat look at him. "I'll get him settled in. Maybe we'll stay over tonight? If that seems like a good idea, if not-"

"It sounds great."

Baldur watches her go, heading up the stairs - that creak as she walks, giving away the house's age. Wondering what she'll want him to do later on, to pay for the food, to earn the bed he'll sleep in.

He has more pills in his pocket. He can take some, and drift through whatever staying here costs, let his body and training do all the work. He's done it before, over and over again.

He'll always have to do it again, sooner or later.

When Kauri takes his hand again, he lets himself be led.

He doesn't notice the dark-haired man, Antoni, watching him from a doorway as Baldur digs out two small pills and swallows them dry while following Kauri into the kitchen.

[beep-beep-robin]

tw: meltdown, harmful stimming, slight internalized ableism below the cut

eddie‘s hellfire shirt‘s seen better days. the print is coming off, it‘s starting to smell old - even when wayne‘s finally succesfully forced eddie to take it off for a day so he can wash it.

the day eddie accepts that it‘s probably time to throw it away, he has a meltdown. he‘d been wearing this shirt for years now, not everyday, but almost. it‘s his one piece of clothing that he‘d always felt comfortable in, the only thing he could wear on bad days without feeling like he was gonna have to throw up.

so now he‘s sitting on his bed, wearing the shirt, rocking back and forth and pulling on his hair, trying to reason with himself - the shirt‘s old, he could make a new one, it‘s gross - but it‘s no use. his brain is in emergency mode.

he‘s so focused on his panic and anger at himself, that he doesn‘t hear the knock on the door before it opens. steve walks in, sees eddie in distress, and immediately drops to the floor to kneel in front of the bed, looking up at eddie with concern visible on his face.

steve asks what‘s happened, but eddie can‘t seem to find any words. he just points at his shirt, points out the print, fingers trembling, before his hand goes back to pulling at his hair.

somehow steve manages to understand and calm eddie down a bit. eddie is aware that steve‘s making empty promises, he won‘t be able to get him a shirt that‘s the same as the one he‘s wearing now. even if he buys the exact same shirt, eddie knows that it‘ll feel different to him because it‘s newer, from a different batch, just plain different. the print isn‘t the issue, because he can just pop that onto the shirt himself.

still, hearing steve talk to him in a calming voice, reassuring him that everything‘s going to be fine and that he will actively try to help eddie get the same shirt back, it helps. he calms down just enough to stop torturing his hair, looking at steve’s face properly now for the first time since he’d walked in. the thought that even though eddie just basically lost his mind in front of steve and is probably covered in snot and tears, the latter is still looking at him with pure relief, love (platonic. eddie’s not trying to get his hopes up even further) and something else eddie can’t interpret on his face, makes eddie’s heart flutter.

eddie‘s not the biggest fan of being touched during and after a meltdown, and steve knows that (they‘d been hanging out for a while, and steve‘s witnessed another meltdown just weeks before), so they just sit side by side on his bed after he‘s come down from it, the metalhead nursing the tea steve‘s made him.

eddie‘s positively shocked when steve shows up again the next day to hand him a hellfire shirt. by the smell eddie can tell it‘s probably gareth‘s, and eddie could kiss steve for the genius idea of retrieving one of the other shirts that he‘d bought for the original members of the hellfire club (maybe that’s not the only reason he‘d kiss him though but eddie‘s going to keep that to himself). it smells different, slightly like gareth and a bit like steve, but it feels the same and it‘s much less worn than eddie‘s, because gareth didn‘t live in it as much as eddie did in his, apparently.

the relief that washes over eddie is immense. for a second he doesn‘t even know what to say, so he just throws his arms around steve in absolute disbelief at having someone apart from his uncle in his life that cares so much about the stupid little things that upset him that he’d go to these lengths to fix them.

especially steve. eddie was pretty worried about scaring the ex jock off when he started unmasking around him, but their friendship (?) just grew even stronger and steve‘s turned into the one person he can always turn to when things go south.

releasing each other from the hug, steve squeezes the others shoulders and tells eddie to go put the shirt on, but the latter is still thinking about his first instinct from a few moments earlier. he thinks of the expression on steve‘s face that washes over it so often when he‘s looking at eddie, no matter what the other is doing.

he thinks of accidental touches of hands, knees brushing together, hugs that last longer than they normally should. thinks of how caring steve is, how accepted and loved he makes eddie feel.

his eyes flicker down to steve‘s lips, back up to his eyes, and apparently steve is right there with him because he asks eddie if he can kiss him - and there’s that look again. eddie just nods and then they‘re kissing and his brain is struggling to catch up with what just happened but for a moment everything‘s perfect and eddie‘s, once again, in disbelief.

when they break apart, there‘s nothing but steve, steve, steve and he barely catches it when the other says that he‘s really been wanting to do this for a while now.

and all eddie can say to that is yeah, me too.