#sometimes i just see it in tutorial pictures too

[brisquad-unit-4402]

luxiem as bad sex

don’t worry about it this is mostly for the lolz. might fuck around and do this for other livers next time i feel restless. make sure to properly communicate with your partner

tags: gender neutral reader, established relationship, smut, humor/crack, chatfic in shu’s entry, public sex, uki violeta cameo, cheating/ntr mention, just imagine the baldur’s gate 3 scene with the luxiem guy of your choice you know what i’m talking about

⚠️ nsfw under the cut. content not intended for minors.

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

🖋 Ike Eveland: anatomy

there is a chance that, when you sleep with ike, despite his title, it’s his first time.

25% chance says that he fully does not know what he’s doing, and asks you for a full-blown tutorial on how to stick part a into part b.

25% chance says that he fully does not know what he’s doing but he doesn’t even admit to it. it’s a lot of trial and error and insistence that no, don’t worry, i got this when he very clearly does not.

25% chance that, for the first time in his life, eroge has come in clutch. he understands! kind of. it’s more like as he penetrates you he tries to compare your sounds to the moans of eroge characters. the more you sound like a hentai protagonist the better. it’s also worth noting he pumps into you to the beat of a huniepop song that worked its way into his head while he was trying to figure out what’s a good or bad sound.

and finally 25% chance that it’s just fine.

but let it be known that he 100% does not know how to find the clit. barely knows how to find the prostate either. ike won’t admit to either of these things

.　 . • ☆ . ° .• °:. *₊ ° . ☆

🦁 Luca Kaneshiro: openness

never let it be said luca is solitary. he’s social and likes to explore different spaces. it means dates happen often, and so does getting dragged off to give him head in public.

this would be fine if it was a bathroom stall. you know, the standard couple spots. what you didn’t expect was in a fairly open alley. or an amusement park ride with automatic souvenir pictures. or on the shady side of a beach full of people.

hell, even when you get into a changing room while shopping there’s still a risk. he’s gotten you to jack him off while wearing not-yet-purchased jeans more than once and as exciting as it was you have no clue what happened to the poor retail workers that had to find them hanging on the return-to-hanger rack.

at home he leaves doors open since it’s just the two of you, including when he goes down on you. he leaves them open when there’s guests, too, and guides you into your bedroom when he needs a break from talking to people. the doors are still open. you’re a master at being quiet but sometimes his puppy wanders around looking for his owner, and…

(side note: not about sex but i just know he would leave the door open or walk in on you using the bathroom and that terrifies me)

.　 . • ☆ . ° .• °:. *₊ ° . ☆

👟 Shu Yamino: attentiveness

Me: hey

Me: hey

Me: are you awake??

taro_twink: abt to sleep

taro_twink: what do you want shu

Me: idk c:

taro_twink: so you blew up my phone??? bitch??

Me: fjakajsjsldj i wanted to talk to my friend!

taro_twink: wish granted

taro_twink: wyd?

Me: reader

taro_twink: don’t text on a date

Me: we’re at home

taro_twink: go spend time with reader then ffs

Me: i am

Me: reader feels really nice c:

taro_twink: wait

Me: and i like making reader say my name too

taro_twink: SHSKDKLSJA

taro_twink: WHAT FHE FUXK

taro_twink: ARE YOU SERIOUSLY TEXTINF ME RIFHT NOW

taro_twink: SHU YAMINO WTF IS WRONG WITH YOU

Me: dw reader hasn’t noticed my phone yet

taro_twink: THIS ISNT ABOUT READER ITS ABOUT ME

Me: my phone is by the pillow so it’s hard to see

taro_twink: ARE YOU SERIOUSLY TEXTING WHILE SCREWING SOMEONE????????????

Me: yea :homiekiss:

taro_twink: you are fucked up and i’m going to bed

taro_twink: so done with you jfc

taro_twink: gn

taro_twink: bye

taro_twink: if you say anything else i’m blocking your number

Me: you’re no fun

taro_twink: you are literally texting me while you’re doing your partner i don’t want to hear it

.　 . • ☆ . ° .• °:. *₊ ° . ☆

👹 Vox Akuma: names

vox is noisy. delightfully so. it’s easy to communicate with him because he’s unconsciously vocal whenever he likes something.

these sounds, however, are usually limited to grunts, moans and cries. all well and good, but when things get more intense, he’s more inclined to scream your name.

and when his dick is in your mouth he can’t think straight, in the worst way.

this is just to say that even when you’re not roleplaying, he’s cried out a lot of names that aren’t yours. usually celebrities or fictional characters. you’ve lost count of how many tall/dark/handsome guys with long hair he’s cum to, or sassy women. hell, his celebrity crushes don’t even look like you.

if you have cheating fantasies this is excellent. if you have ntr fantasies, excellent as well. what isn’t excellent, however, is how last time you poured wax on him while fucking him from behind, he buried his face into the pillow and whimpered out your coworker’s name.

he was very lucky you didn’t have more wax to splash him with

.　 . • ☆ . ° .• °:. *₊ ° . ☆

✧. ┊ masterpost ✧. ┊ kofi

[goobygnarp]

.

[artfromsaturn]

Collection of Free Art Tutorials

I don't usually make text post on this blog, but a nice artist I know was asking for tutorials a while back and I forgot to send some to them while in school. So here's a post on it since it's easiest to grab and go this way. :)

This list focuses on the basics. I'm focusing on the foundations of art, so medium is generally irrelevant and you can use physical or digital with these. You'll have to google more specific tutorials on things like character design and such.

One of the biggest pieces of advice I can give to you is strangely, introduce things to yourself one at a time. In art class, we took whole topics week by week. For high school, we did a few exercises then spent a week drawing/painting and doing your piece(s). For basic art 1 & 2 in college, we did 1-2 exercises and then did 1-2 drawings, followed by HW (which we turned in next week) and sketchbook practice (which she'd check at midpoints). For basic art lessons with a tutor, we did practice then our own art. You can see the pattern here - the point is don't be distressed if you don't get everything at once, or the lesson in 2 weeks, or the lesson in 3 years - we practice and do a lot over time, and you'll pick up on things you need to improve naturally and through help with others. Take time to be proud of your art in mini steps too, even if it's not the best! You tried and attempting to climb an obstacle over and over again before finally leapfrogging it is still progress to it.

Overall tutorials:

DrawABox.com is a site that's dedicated to art exercises and practicing when you can. They talk about the basics of art as well as how practice is important. It can get tough at times and it's ok to stop and do a balance of say those practices and doodles if you choose to try and do all of it's stuff - but you don't have to either. It's just a nice basic education done by some art nerds who like going hard.

Ethering Brothers - these guys are famous for their 40billion tutorials. If you need help on a specific idea, search their gallery and you'll likely find something.

Thundercluck's Art Fundamentals - She did a good huge ass tutorials on how things work, and it's the least overwhelming of the 3 I got in this section, so I suggest it as one of the first to look at for digital stuff.

Art Instructions Blog - Another good & simpler website that goes great into fundamentals. They focus more on traditional art but if you're digital, you can replicate most of the techniques - art fundamentals and subjects cover all mediums. Very important

Drawsh - Particularly notes on Construction: construction is the basics of building an illusion of a 3D image on a page. Figuring out how to build shape gives depth to your work, and learning how to see in 3D lets you be able to draw an item then move it around in your head (sometimes, when you're good enough, don't be afraid to pull out a reference or use live subjects). Construction is how to figure out the foundation of your drawing, and good planning = better picture! This link starts at the back, hit newer post to go forward.

There's a lot on anatomy and other nitty gritty details for when you want to practice those as well.

Griz and Norm's Assorted tips - Long time artist talk about various tips and tricks they use in art and how to avoid certain pitfalls. It's eclectic but great to look through.

James Gurney's Blog - He's got a lot of thoughts, a lot of tips, and a lot of adventures he catalogues. It's the least organized out of these but fortunately he has plenty of tags and most post have something neat going on. He's fantastic!🥰

BEFORE ALL OTHER BASICS….

How to Make Your Art Look Nice: Mindset

There's a lot of artist with different perspectives on how to approach art and your mindset while doing it, but the general consensus is that it's a process and sometimes you have to remind yourself to enjoy art!

Line

How to draw straight lines without a ruler. …but for the love of all that's good do NOT feel bad about using one! This talks about how to hold your pencil and how to do some good freehand stuff, some good practice.

5 grips for holding a Pencil for Drawing - This goes for pencil, pen, tablet, etc.. Get comfortable and figure out what's right for you and your pictures. I'd like to note that paintbrush holding will overlap, but some will differ.

A few line drawing exercises that help with line confidence.

Types of line drawings & what they are.

Contour Line & exercises with Mrs. Cook - Contour lines are one of the first art exercises I do in all the drawing classes I've taken. The good news is that they're surprisingly fun & look neat, even the blind contours!

Good deep thoughts on lines and how to use them.

Line Weight Tutorial

Lineart Weight Tips!

How to show variation in your line art: part 1 & part 2.

Some teacher's Drawing 1 & 2 lessons put online.

Light, Shadow, & Value

An introduction to tonal values.

Why values are important. The main reasons are that they give depth to a piece, and values literally shape our world.

Tonal Values: Everything you need to know

How does light work & the basics on Light

Light & Shadow in Art - much more in depth of the above! Highly recommended if you have time to spare.

Understanding grayscale/monochrome art. Great for shading & planning.

A guide to Cross Hatching (and hatching in general) - As a side note, crosshatching is one of the early things taught as it marries Line + Value into a nice neat package and helps add form with just a pen.

Crosshatching for Comics

Learn more about coloring by working in grayscale

How to Make Your Art Look Nice - Contrast!

Using lighting to make your art look nice.

Some light & shadow classifications.

Edges - notes on how they work in shading.

Color

A side note - color theory doesn't differ much, but color MIXING will change between mediums. If you're doing traditional colored pencil, you're overlapping 2 or more pigments on top of each other. If you're doing traditional paint, you're mixing & creating a solution/emulsion (depends on the pigment and binding) of pigments with the particles reflecting light in different ways. In digital, overlapping colors & blending colors depend on how the program you use calculates it if you're not just putting 2 color side by side. This just means you have to adjust your mixing when you switch between them. :)

Slawek Fedorczuk's Light & Color Tips - also shows how to guide through a scene.

The Color Tutorial Part 1 & 2 by Sashas - A personal favorite.

Color Studies 1-6 by Sheri Doty Amazingly nice breakdown on how color works in simple terms.

Sarah Culture's Tips on Color

The value of underpainting

A few notes on reflective light.

Experimental color techniques with Alai Ganuza: first post, second, & third.

Color zones of the face charts

Composition

Good Tips on Composition

Here's an example of how you can search the Etherington Brothers' stuff and get like 10 tutorials and tips on one subject. Composition & Cover Design, Shadow Composition, Two Line Composition - plus more.

How to make your art look nice: Thumbnailing!

And don't be afraid to make silly thumbnails or sketches.

Composition Examples - charts like these are great when you can't think of something yourself. There's no shame in using them.

Flow and Rhythm

Formulas for landscape composition.

Perspective

Perspective Drawing Tutorial by Julie Duell

Linear & Atmospheric Perspective Guide

One Point Perspective City Tut by Swingerzetta

Niso Explains Perspective - these are great for drawing figures in perspective!

Putting characters into scenes and drawing backgrounds

Backgrounds that make your character stand out!

Using background detail to guide the eye.

Odds and Ends

I shit you not, probably 1/3rd of my color, value, & structure knowledge comes from pixel art since I've done so much of it and it is all about challenging yourself to do the most you can with limitations. Check out lospec's tutorial database for fun and see how it compares to art techniques you're doing - even if you never try a medium, it's always interesting to see how it works. :D

How to Make Your Art Look Nice: Reference Images & Style, Pushing Proportions, and developing style.

Foervraengd talks about how he expanded his comfort zone with concept art & landscape drawing.

Luna Art talks about what they're thinking when doing concept art.

Repeating visual motifs in character design looks cool.

Eric's Thoughts on Drawing Backgrounds and Props.

Show vs. Tell: Why Visual is Not Optional in comics.

The Lost Vocabulary of Visual Story Telling Day 1, Day 2, Day 3, & Day 4.

Traditional Animation's 2 Digital Library books, The Know-How of Cartooning by Ken Hultgren & Advanced Animation by Preston Blair are two books from the golden age of animation they have up on their site for free viewing!

Animation resources dot org has a lot of cool stuff. Here's Nat Falk's How to Make Animated Cartoons (part 1). Their pages on Instruction & Theory are a good start.

Books

Good news: the internet archive has a TON of resources. Make sure to check around and toggle filters, it's a bit weird with organization. For example, a book can be under art or drawing - techniques, depending on who catalogues it.

Andrew Loomis is someone artist tend to die-hard reccomend. His work is collected here & here on the internet archive (one is Andrew Loomis, the other is Loomis, Andrew - thanks). I own Figure Drawing for All It's Worth and I recommend checking all of his stuff out, especially if you're having trouble with bodies and hands.

The Animator's Survival Guide by Richard Williams is mandatory in animation classes for good reason - it's fantastic!

Perspective for Comic Book Artist by David Chelsea is great for any type of artist. So is Extreme Perspective & Perspective in Action.

Scott McCloud's Understanding Comics, Reinventing Comics, & Making Comics. The first one is on the internet archive, the second two are likely avaliable at your library or at a bookstore as they're pretty popular.

Speaking of comics, Drawing Comics the Marvel Way has been a favorite of comic artist for years no matter what comic book companies and artist you like, it's a good introduction.

Anything by or endorsed by James Gurney, Color and Light: A Guide for the Realistic Painter is one of my favorites (this is his official page but you can get them elsewhere for cheaper too).

Art resource blogs with good tagging systems: @artist-refs , @help-me-draw , @helpfulharrie , @art-res , @drawingden , & @how-to-art

Lastly, I suggest if you find something you like online for free, SAVE IT! Whether it is through the Wayback Machine, screenshotting a whole webpage, reblogging/retweeting something, or putting it on pinterest, digital media is fickle and tends to go up in smoke when you least expect it. I have a partially organized Pinterest board that helped me find most of the stuff I wanted to keep. Figure out what works for you and save what you can.

[meanbossart]

Oh boy, VaM is kind of a trial and error experience LOL I couldn't really show you how to use the interface and stuff without a whole video or something, but it's not THAT difficult to get a hang of if you just give yourself a day or two to play around, not to mention the number of tutorials you find out there. Luckily, if you only want to use it as a reference software that makes the process far easier (to this day I have no idea how to animate on that thing, since that's not what I use it for)

As for how I use it, it's pretty self explanatory - if there's a complicated pose I want to draw but I'm either having trouble with it, or just want to double-check angles/anatomy, I will use it as a resource! I use for most of my "proper" pieces (y'know, the nicer looking ones) and every once in a while for my silly comics if I'm having trouble with a pose.

Lets use this drawing for example (the character on top of DU drow belongs to @namespara )

I don't draw a lot of mud-wrestling (shocking, I know) but I had an idea of the kind of pose I wanted them to be in. So the very first thing I did was make a rough sketch of what I was envisioning:

I often do a rough sketch first, even If I know I'm going to be pulling the program up because A) It's less tedious than adjusting the models over and over again until I pick a pose and B) because sometimes I'll decide I don't need the reference, after all, and so that's 30 minutes I'll have spared myself of playing around on the software.

Now, this is a pretty complicated pose! It's in a weird angle and the bodies are making contact in ways I'm not used to depicting, so I did choose to whip out VaM for this one. I went into the program and after some messing around, I flopped my little dolls together like this:

Now something really cool about VaM is that you can completely customize your models, and if you have the patience, I would definitely encourage you to do so! Obviously, you don't have to make picture perfect replicas of every single character you have, but as you can see here I have made a DU drow "decoy" to help me better understand some of his features when I draw him: he has a strong brow, a short nose, a square jawline - these are all going to look a very specific way from certain angles, and I might not always be sure of how to draw it right! So it's useful to have models that bear SOME semblance to the character so you can better understand how different viewpoints will affect their bone structure and mass.

Also thank fucking god for the elf-ear slider. Figuring out how to draw those shits from certain angles was a huge pain in the ass when I started drawing DnD races.

So, with the reference in hand, I go over the sketch again:

Now you may notice that I don't stick to the reference 100%. There's three reasons for this:

posing on VaM is tedious as hell. You can get something incredibly natural looking and picture-perfect to reference from if you wish, but it's going to take you hours to do. So, for the most part I just slap guys together until the results are "close enough" and use that.

In my opinion, you should always aim to ENHANCE your reference material, not replicate it exactly!

While VaM is a PRETTY DANG GOOD source of anatomical reference, it isn't perfect, I often supplement it with further reference from real life resources or make tweaks based on my own knowledge where I catch it falling short (and, antithetical to what I just said, I sometimes fuck the anatomy up further on purpose if I think it looks better that way LOL it's all jazz baby).

Then lines, color, yada yada. I don't have a tutorial on that and I don't think I could make one, because my process is chaotic as hell, but I do at times use Virt-a-mate as loose reference for lighting too when coloring - waaaaayyyy less so however, because that process is even more tedious and I feel like I often get better results by just winging it. It is a feature of the program though, and I'm sure it would be helpful for someone who has a difficult time visualizing lights and shadows. I only started using this program a few months ago, so I happened to already have a pretty good understanding of that kind of thing and just don't personally feel like I get much out of that particular mechanic.

Here's a few other examples of pieces that I made reference for (WARNING: Suggestive)

Now, for the question many of you may want to ask:

"Can I trace this junk?"

And to that, I say: Buddy, you can do whatever the hell you want with the reference material you created.

However,

If your goal is to learn and improve your art, and to recreate realistic proportions and anatomy from memory, tracing won't help you.

Developing your own style, your muscle memory, and personal technique will all be hindered by choosing to trace instead of drawing from observation, so I would encourage against it. Hell - even when tracing is employed as a technique, it's usually by high-skill realism & concept artists who are looking to either cut some corners, save time, or just double-check their own proportions in order to improve further - if you try tracing as a beginner, you will most definitely find the result to still look stiff and "off".

So trust me, there is so much more to be gained from drawing from observation. Make note of tangents, compare proportions, use all the elements of the picture to dictate where and how things should go - it will be a far more rewarding experience.

Hopefully this has been helpful! VaM is a really cheap program (you get it on the guys' patreon for I think 8 dollars, just google it!) and it's definitely been worth my money as an artist since I found it. Learning to use it can be a little intimidating at first glance, but as I said above you only really need a day plus one or two tutorials to get a hang of the interface.

A fair warning though, IT IS A SOFTWARE MADE FOR VIRTUAL SEX/ADULT ANIMATION So when looking it up expect to see a some spicy content.

[strawbeerossi]

The Party Trick

18+ Content. Minors DNI

Pairing: fem!reader x Spencer Reid

Description: After seeing a tutorial on how to pick a lock on handcuffs, reader decides to put it to the test to have a new party trick to show the others at the BAU. After doing it a few times with each hand, she gets bold and cuffs both wrists, leaving her trapped, until Spencer comes over and things get interesting.

Content Warning: Coarse language, panic, fear of embarrassment, restraints, Spencer laughs and teases reader, sub Spencer, Dom reader, mean reader, humiliation fetish, praising, degradation, orgasm denial, oral (m receiving), vaginal sex, unprotected sex.

Word Count: 3.2K

Y'all, I'm nervous as fuck to post this lmao. This has been in the drafts for a while. I'm not the best with smut because I haven't written it in a while. This is your warning. Read at your own risk.

Part two

Navigation || Masterlist || Join My Taglist || Request

“This is the dumbest thing I’ve ever done.” Y/N spoke aloud to herself, an agitated huff leaving her lips.

An hour ago, she’d been watching some random YouTube videos, just mainly to pass the time. There was all sorts of dumb shit she watched, although when she came across a video or a man showing how to pick the locks of a handcuff with a bobby pin, it captured her interest. It seemed simple enough, cuff one hand to something beside you then use the bobby pin to pick the keyhole and free yourself.

She had way too much fun as she figured out exactly how to do it, starting with handcuffing herself to the handle on the nightstand. It took about five minutes to get herself free, the woman switching wrists eventually and getting herself freed with more practice.

Then she got cocky. All she could picture was using this as a party trick, having someone handcuff her hands behind her back while she used the pin that she could hide in the palm of her hand to escape. Then everyone would be astonished and impressed. So, she was determined to make that dream a reality.

It all happened so fast. She had the pin in the palm of her right hand, securely held as she used her left to cuff right wrist. In an attempt to close it with her hand still clamped around the pin, she did her best to lock the cuffs around her left wrist. However, in the act of finding a way to lock it, the pin slipped from yer grasp just as she had her wrists cuffed behind her back. 

“Fuck!” She cursed, panic setting in from being trapped without anyone to help her. So, in an awkward attempt to lean down to grab the only thing that could free her, she was bending in all sorts of positions to try and secure the hairpin that was laying on the floor, almost taunting her. Well, now she’d be stuck in her apartment until someone figured out she was missing. Then she’d more than likely have a whole team of people to bust down her door and then laugh at her.

This was the opposite that she wanted. Now she’d be the talk of the team for trapping herself in handcuffs while trying some stupid attempt to free herself. She could already hear all the shit Derek would tease her with now.

“The amazing Y/N, going to show us the special trick that not all fbi agents should be trusted with handcuffs!”

“You know, you shouldn’t play with the tools we are given for the field.”

Derek fucking Morgan.

There was a sigh of defeat as Y/N was accepting her fate of being known for the idiot on the team who gets herself trapped.

However, she was pulled out of her thoughts when she could hear a knock against her apartment door. Thank God! Hopefully it was a family member or something. They’d understand that she did dumb things sometimes and would let her live it down more than her coworkers would.

While hurrying and running from her room like a criminal trying to escape capture with the cool metal of the handcuffs stabbing into their flesh, she was stopping at the front door. “Hold on!” She called, turning around first to try and reach the lock so she could unlock the door. However, when it wasn’t working out, she was huffing from irritation and turning around. She ended up having to use her mouth to unlock the top lock, same with the bottom.

“You’ll have to open the door!” She called, taking a few steps back. However, her heart dropped when she seen who was on the other side of the door. The only reason she was alerted of his presence early was from the way he was asking if she was alright. The moment that Spencer Reid came into view, Y/N face was bright red from embarrassment.

“Not a word of this to the team!” Her voice came out in a squeak, making the genius snort out a laugh as he walked around the woman after closing the door behind him. “How did you even manage to trap yourself?” He asked, not giving her time to answer.

“Y/N Houdini.” He snickered as he was stopping and bringing his hands to run over the metal of the cuffs restraining her arms behind her back. “Is this gonna be your debut into escapism magic? Cause I think you have to actually know how to escape to put on a show.” He continued on.

The words had Y/N’s face growing hotter from the teasing, a huff leaving her lips. “Get your laughs out. Come on.” She demanded while turning around soon after. “Piss me off and I’ll cuff you to your desk at the office and swallow the key.” Of course, all talk and no action from a woman who essentially trapped herself.

“Are you kidding?! I wouldn’t let you. Besides, I’ve seen enough of escapism magic to know how to escape.. Without losing the thing that will grant me freedom.” He commented while grabbing ahold of the cuffs while he chuckled. "Show me where the key is." He spoke, his tone level as the humor of the situation was losing it's power over him.

It wasn't fully lost on him though. In fact, he'd never let her live it down. "You know, the others would've probably forgot about this at some point.." He trailed off, looking around the walls decorated with tapestries, pictures, and some other miscellaneous wall decor. "I, however, will not." He smirked.

Stupid fucking eidetic memory.

"Ha ha. You're hilarious."

"I think you take the cake for being hilarious. Everyone is gonna love this story. I'm sure that even Hotch will get a laugh out of it."

"I hate you."

In reality, it was.. Kinda funny. The thought of seeing someone else on the team in the position she was currently in was enough to make her snort out a laugh of her own. "I'm a fucking idiot, huh?"

The words made Spencer wave her off. "Definitely not a genius but.. Maybe a little smarter than Morgan." His tone was teasing as he was grabbing the small box she showed him that contained the key to the cuffs suspending her.

His first mistake was freeing her, mainly because there was a form of blind trust after being the one to free him.

The minute that Spencer had those cuffs off and was handing her the metallic restraints and turned his back to her, she as using the opportunity to catch him off guard, the male's eyes widening the moment he felt the cold metal against his skin.

"Y/N! What the hell??"

Now it was her turn to laugh, her hands coming up to rest against her mouth. "Now who's the genius, Reid?" She taunted, all in good fun.

Spencer's face was red, eyes on the ground while he had to take in a breath. His body was tense, feeling powerless in the time being.

He was also incredibly turned on by the idea of doing whatever he needed to in order to get out of the cuffs.

The silence grew heavy, tension filling the air. "Oh, come on. Don't be mad at me, Spence. It's all in good fun!" She said while heading over to grab his upper arms. "You are so red," She pouted, her hands cupping the hot skin of his face as he was staring down at the woman, looking as submissive as ever.

That did something to her, a blush creeping up on her face as sinful thoughts began to plague her mind. The thought of leaving a whimpering, sticky mess. The way he'd definitely be the type to beg her for more while she was seated pretty on his lap, doing something like read a book while just being full.

The thoughts had her thighs tightly clenching, arousal surely coating her panties enough to make a wet spot.

Unable to help herself, it wasn't long until the tie around his neck was in her hand, pulling the man down to clash their lips together. The action had Spencer squeaking, although his lips were desperately slotting with hers in a messy kiss. He needed it. He needed her.

It wasn't abnormal for Spencer to have such thoughts, his coworker being on his mind since the moment she joined the team. How could he not be fond of her? She was beautiful, intelligent, plus she was probably the only person who would actually sit and listen to his ramblings whenever something came up.

She was perfect in every way really, however, he knew that there was a long list of things preventing a relationship within the team. Last thing he wanted was for himself or Y/N to be transferred to a different branch.

However his thoughts weren’t particularly on that right now, his body falling back against the plush mattress from a push, not even having time to register what was happening before the woman was straddling his waist. Her hands were on either side of his face, her lips pressing back against his in a more rough, needy kiss.

Spencer's wrists were fighting the cuffs, a huff being muffled against Y/N's lips as he realized that he was being denied the right to touch her, to let his hands caress her smooth skin. His heart was beating against his chest, almost as if it were dying to be released.

All of his thoughts were eventually going out the door the minute he felt the feeling of delicate fingers in his hair. However instead of savoring the feeling of her fingers threading through the messy head of curls, his mouth was agape as soon as her hand was roughly pulling Spencer's hair back.

"I'm gonna fuck you stupid, Dr. Reid."

Oh.

The words were enough to make a moan rip from Spencer’s throat, eyes trained up on the woman who was propping herself up on her knees in order to look down at the man. 

“Cat got your tongue, doctor?” Y/N taunted while she was looking down at the man with a soft smirk. She didn’t even have to touch him and he was already putty in her hands. The way his eyes were trained on her, looking like a puppy begging for more. “‘Cause you were very vocal earlier when you had so much to say.” She mused.

“I-I” The woman was bringing her hands to Spencer’s shoulders, her hips rocking against his while awaiting an answer.

“I’m waiting.” 

“I-I.. Fuck. I don’t have anything to s-say.” He stuttered, bucking his hips to try and relieve the pressure from his cock that was already standing at attention. “Who would’ve thought Spencer Reid would be quiet when someone is trying to talk to him? You don’t have any facts? Statistics?” She continued dragging on, nudging Spencer’s body back in order to have him lay down in the middle of the queen sized bed. 

“Give me a statistic about..” She was looking around her bedroom while sliding down Spencer’s legs. “Ooh! A statistic about dominant and submissive dynamics..” She dragged out the word ‘submissive’ as her hands were slowly moving to unbutton his pants. His head was spinning, brain mush.

“A study showed that,” He paused as her fingers were quickly tugging down the zipper before her hands were pulling the slacks down his legs. “I didn’t tell you to stop.” She commented, her eyebrow raising as her movements came to a halt. “T-that 51% of men and 39-” His eyes were fluttering shut the minute he felt her mouth now ghosting over his hard cock in his underwear, her tongue licking over the wet spot of his boxers.

“39% of women are attracted to the idea of having a d-dominant or submissive partner..” He stuttered out, now lifting his hips in hopes of feeling those delicate fingers in the waistband of his boxers. Which, his wish was granted. “That’s really interesting, isn’t it? Good job, baby.” She hummed.

As his cock was revealed to her, she was grinning. His tip was red, beads of pre-cum rolling down his angry, desperate cock. “So pretty!” She praised, laying on her stomach between his legs as her hand was wrapping around the thick base of his cock, thumb swiping over the sensitive tip to smear the mess around.”Who knew Dr. Reid was hiding this? Always the shy and smart ones, huh?” She commented, pressing a kiss to the tip of his cock.

Spencer could hear her talking, however he wasn’t responding. His brain was clouded, head falling back against the pillow that rested behind his head. “F-fuck.” He hissed, her tongue now running over the underside of the genius’ cock, cleaning up the mess that she’d already caused. 

Her hands came out to rest firmly against his hips, holding him down from bucking like he so desperately tried to do. “P-please..” He let out a slow breath as his eyes were fluttering shut. His voice was shaking, tone laced with need and more desperation than she could’ve expected.

She smiled while licking over his cock one more time before granting him yet another desperate plea that fell from his lips in the form of a whimper. As her lips closed around his cock, she let her eyes flutter shut. Her tongue was flat, her head beginning to move in a slow motion. She was hollowing her cheeks while bobbing her head, her own moans vibrating around his already desperate cock. As she let her grip tighten on his hips, her eyes were opening to peak up at him through her eyelashes.

His curls were disheveled, his head thrown back as his chest was rapidly rising and falling. The strangled sounds of whimpers and pleads for more falling from his lips. It was a beautiful sight, she knew that much. 

Spencer wasn’t the only one wildly turned on, Y/N’s panties being absolutely drenched at this point. From her position, she could rock her hips against the mattress, just wanting to relieve the pressure in her clit as she could practically feel her heartbeat in the bundle of nerves. She was growing desperate herself, needing to feel his cock inside her, stretching her out with the delicious burn that came with it.

She was pulled from her thoughts when she could feel the twitch of his cock, indicating he was close. That was her cue to pull off with a loud ‘pop’ echoing through the room along with a small whine falling from Spencer's lips. That whine was enough to make her clench around nothing.

“Shush.” She breathed while wiping the spit from her jaw with her thumb, a breathless laugh leaving her lips as she was eventually standing, enough to shimmy her pants and panties down her legs to reveal her glistening cunt. Spencer’s eyes were trailing slowly up her now bare legs, eyes coming to her pussy while his mouth was open, pupils blown out from lust. “Please let me touch you. Wanna- Fuck- Wanna be able to-” He was cut off by her lips, the two sharing a chaste kiss before her teeth were sinking into his lower lip, giving it a playful tug before letting it go. 

“Not this time.” She spoke softly, her lips kissing him once more before she was crawling over him again, her hands running over his clothed chest while moving between them.

As soon as she had his cock in her hands, all sense of reason went out the window. To be fair, neither of them were really thinking of a condom right now. 

After teasing herself by tapping his tip against her clit, she sucked in a breath. “Fuck, Spencer.” She whispered, eventually sinking down his base. Her head was lolling forward, her mouth agape as she was sinking fully, their pelvises now flush against one another’s. “Holy fuck.”

Spencer on the other hand had to think of anything other than cumming inside of her before she even got a chance to even ride him. However, he felt like she’d ultimately end up overstimulating him in that scenario. He didn’t want that now though. No, he’d rather wait until he didn’t have fucking metal preventing him from gripping onto her hips, letting him fuck up into her rather than be forced to watch her have every ounce of control and power. Even though he had to admit, he could get used to this. 

As her velvety walls were clenching around his cock, she was leaning forward slightly as her hips were rolling against his, her head falling forward as she cried out softly. With the length that Spencer had, the right angle would have his tip pushing perfectly against the spongy spot deep inside her that was making her see stars already. 

“F-fuck. You f-feel amazing.” It was Spencer's turn to talk, watching the way her tits were bouncing with every movement, even with a clothed torso, she had the man below salivating at the thought of what lay below that blue cardigan. “You take m-my cock so well.” Even through the grunts and groans, there was still a hint of him being unsure. This wasn’t really something he did often, so here we was, doing something he’d seen once or twice in the few pornos he’d consumed at some point. “Ah! Fuck, Reid. I’m gonna cum. Fuck, you- ugh.” Y/N breathed, continued her motions  while doing her best to quicken her pace, even though her bounces were growing a bit sloppy, her legs getting tired. 

With the grip of his tie and a loud cry of his name, it wasn’t long until she was creaming on his cock, a thin veil of sweat on her face as she was continuing her movements. “Fuck. You gonna cum, Reid? Wanna fill me up? She spoke, the words sending electricity through the man’s body as his cock was twitching once more.

He’d done his best to thrust his hips upward, a low groan leaving his lips as he only needed a few more movements before his vision went white.

Y/N was a whimpering mess, feeling the warm gush of cum that Spencer was coating her inner walls with, the woman’s upper body gently falling forward as her eyes flutter shut. 

They laid there for a while, the woman clutching tightly onto her close friend while trying to catch her breath. “Remind me to carry around those handcuffs more often.” She spoke, a light laugh leaving her lips as she was lifting her hips and moving off of him soon after.

“Maybe don’t get yourself trapped next time..” Spencer chuckled, now looking over at the woman as she was sitting him up, finally using the key to free his wrists from their restraints. “Feel like you owe me now..” He began, the woman laughing as she placed the cuffs on her bedside table. 

“Spencer Reid, are you really asking me for round two right now?” She asked, making the man give a cheeky smile.

“Maybe if you’re the one in the handcuffs this time.”

[catboybiologist]

Hi! I’m CatboyBiologist.

Formerly a femboy, now a trans woman just starting HRT, and a PhD student in molecular biology. I started using this online persona as a fun, shitposty way to explore gender a few years ago. I post selfies (generally sfw, but somewhat sexy, so minors and ppl who don’t like that have been warned), rambles about science, tutorials and advice from the stuff I’ve learned by being a femboy in the past, nature pictures, stuff about the ocean, my adorable grumpy little tortoise, and unsolicited opinions on random nerdy topics. Any pronouns are fine. I don’t plan to socially transition for a while, and still present as a man most of the time, so I’m used to whatever you wanna use for me (for now, I’ll update this if that changes). Please send me pictures of your pets or other cute animals in your life!

As a scientist, I’m also documenting my transition! This google sheet will be updated at least monthly. I also have additional metrics I’m keeping to myself, and pictures that go with this, but I’m not sharing them publicly yet. Keep in mind that this is just one person’s experience with HRT, and may not represent universal trends!

Adding a little something here, bc I think it was an interesting bit a writing: if you want to see me respond to a transphobe about what "biologically female" means, here's a thing I wrote about it. CW for transphobia and discussion, obviously.

Also, if any of my measurements look weird, its entirely possible I fucked up. Let me know if anything looks off!

Here’s some of my favorite pre-HRT pictures:

If you want to see more of my pre-HRT selfies, browse the “femboy” tag on my blog!

And as of this writing, I’m only 2 days after the start of HRT, so here’s a picture with my tortoise that’s technically post-HRT (but with 0 time for actual changes):

If you want to see my future post-HRT selfies, browse the “trans selfie” tag on my blog!

Also here's another really cute picture and fanart of my tortoise by @whalesharkcat:

I have affectionately given my tortoise the title of The Grumpus.

I also wrote a couple of tutorials and general vibes about being a femboy before I started HRT:

Sometimes I make shitposts of myself, I don’t take myself too seriously:

This includes the way I came out on tumblr:

And here’s an overly serious, long ramble about trans thoughts and things that I wrote shortly afterwards:

Later addition: Someone asked how I take selfies, so I wrote a quick and dirty guide with some tips on how I do so in response to their ask:

Oh yeah and apparently I was a 196 microcelebrity? I never to thought I was popular enough for that but apparently some people do 🤷‍♀️. So uh, hi 196 tags, I'm abusing you for my pinned post LOL

As for terminology, I personally do think of myself as a “man who is becoming a woman” as opposed to having always been a woman. If that doesn’t resonate with your experience, I totally get that! But that’s why I freely call pre-HRT me a femboy, while still calling post-HRT me a trans woman. I’m also keeping the blog name as CatboyBiologist for the forseeable future, because at this point, Catboy just seems like a gender neutral term to me.

I’m also trying to put together a script for a podcast regarding how studying biology influenced my perspective on sex and gender- lmk if there’s any interest in that! It’s probably gonna be way too long and indulgent but oh well.

So uh. Yeah. I don’t end these types of things well. Byeeeeee

[dazeddoodles]

Tips for drawing in The Owl House style?

I'm not very good at tutorials but I'll try to give some tips with this OLD drawing and the redraw I did of it two years later as examples

The main thing to understand when drawing in the Owl House style is proportions (the main difference between these drawings)

You're gonna have to get used to drawing skinny bodies with long legs cause that's most TOH characters. A majority of the characters legs make up like half of their bodies. (Though it's more noticeable on the teens and women than the men)

You notice how their necks are too sort in the first picture? The length TOH characters necks vary depending on height, most likely for a more defined silhouette. Because the Hexide uniforms have hoods, most of the teenagers have long enough necks so their heads are visible not touching their hoods

Although not all as shorter characters have shorter necks

Meanwhile tall characters, like the adults, have longer necks. Eda (and Lilith) actually have long necks while Camila who's short has a shorter neck. Raine's is normal but still visible shorter than Eda's. Same with Luz.

Should go without saying but the wider a character's body is the wider a character's neck should be (I see alot of people draw fat characters with skinny necks). More noticeable, most of the adult men have a broad build and therefore have much wider necks compared to the women and children

Also, the witches ears are not completely pointed at the end, they're slightly rounded.

This could be easily missed, but some of the female characters (like Eda and Amity) have thicker outlines for their eyes, almost like their wearing mascara

If shading matters to you, most of the time the shading is limited to under the nose (unless they have a hooked nose), under the neck and SOMETIMES on the ears. Of course it depends on the scene and the setting.

This last point doesn't matter at all but I've noticed alot of cartoons draw blush differently. Some do solid color horizontal ovals, some do a full gradient splotch across the nose, some just do lines.

In the Owl House when most characters blush its the gradient spots on each cheek, and sometimes they do the lines thing too. Or both.

The only exception (I think) is Amity (+Alador I guess) who blushes across her whole face sometimes and Raine who reapeatly blushes on their nose/across their nose. They both also do the line thing too.

Okay I reached the photo limit

[transfemarmin]

42!Miles x Sleepy!Reader

Ms. Rio loooovvveeessss reader and she even comes over when Miles isn’t there to hang out with her on days she’s not working

Most of the time reader takes naps in Miles bed with his shirts on and that’s when he usually gets home <33

(•̀ᴗ•́)و SLEEPY..

MILES G. MORALES X SLEEPY! READER

headcanons!

whenever you come to the house, mama rio welcomes you with open arms, now she isn’t gonna lie and say she liked you from the jump because she didn’t; it took some getting used too, before she even trusted you.. miles is her little boy and she loves him more than she loves anything. she just wants the best for him.

but after the three month anniversary, you had asked her about her dislike about you, and nervously gave her this big speech about how much you loved her son, and how you would do nothing but love him.. do nothing but show him how much you love him and show her how much you love her son.. is when she finally loosened up.

she feeds you, she has a photo of you and miles in her phone case, telling others..

“ this is mi mijo and his girlfriend! she’s beautiful isn’t she?”

whenever you come over, and you’re sleepy, she tries her best to keep you up until miles comes home

“ ah mija.. you wanna help me cook?”

“ I’m trying to learn how to knit… you wanna watch tutorials with me?”

“ let’s take a walk!”

it doesn’t take long before she’s giving up though, you’re a growing girl, and also a student at Vision’s Academy! It’s where you and miles met; she knows from a few sleepless nights her son has had that that school is tough, that doesn’t stop her from encouraging you two to do your best for your future.

so, now whenever she sees you walk through the door, with your bonnet in hand.. she sends a simple greeting

“ hey.. you sleepy? miles isn’t here right now.. I’ll tell him to get you when he comes back.”

“ okay mama.”

“ I love you.”

“ thank you, love you too.”

and then you’d be going into miles’ room; bonnet over your afro and falling down into his bed

the sleep would usually only last about a few hours before you feel the bed weigh down, your body going on high alert and waking you up, just to see your boyfriend in front of you.

“ woah.. mami, what’s wrong with you?”

“ nothing.. I just got a little scared.”

he would chuckle at your words, giving you a kiss on the cheek, his own bonnet on his own head as he laid down next to you

something he did whenever he got home and saw you fast asleep in his bed, he loved sleeping next to you.

BUT…

when he finds you in his shirts, is when he’s usually nothing but a giggling mess; the shirts go to your mid thigh, it’s never you wearing JUST his shirt, you always have a pair of his sweatpants on as well..

but he takes pictures of you, sleeping in his clothes ( sometimes even in his bonnet when you forget yours or come straight to his home on fridays)

he definitely sends the pictures to ganke; teasing him about how he has a beautiful girlfriend who wears his clothes & ganke doesn’t

“ look at my mami in my clothes..”

“ oh sorry.. I forgot you don’t know what it’s like..”

“ okay.. you know what-“

he had made it his profile picture on Instagram for a few hours.. a picture of you dressed in clothes that belonged to him, with drool running down your face, and sprawled out all crazy.. he only changed it after one of the guys from his old school that followed him said you were a baddie even while dressed casual

Yeah.. he wasn’t playing that, he loves to show you off, but if these niggas that was supposed to be his friends was showing out like that.. he was gonna keep his girl hidden from then on.

waking up in his arms though >>>

although when you first wake up, he’s sleep his damn self, and it’s a bit of a jumpscare; because miles is a guy who snores.. I will die on this, he snores.

it’s loud and obnoxious to the point he has to force himself to stay up so he doesn’t get on your nerves.

but you love him nonetheless.. and you love waking up to his gorgeous face too

[hobies-princealbert]

Im tryna have Fontaine kids...give this man a baby I swea he'll love his kids like m leaning more towards girl dad like I feel it in my nuggets

Toodles~ rey rey 💛

dad! fontaine has been haunting my subconscious for weeks now ｡ﾟ(ﾟ＾Д＾ﾟ)ﾟ｡ and he would be a girl dad

dad! fontaine hcs | (very sfw)

▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎♡▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎♡▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎♡▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎♡▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎♡▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎♡▪︎

♡ had no idea how to be a father. he never planned to be one in the first place. he didn't hate kids he was just indifference to most of them, expect junebug. plus he has a fear of fatherhood, since his dad was never in the picture. plus his lifestyle didn't reflect dad of the year. so becoming a father was the last thing on his mind.

♡ but when you sat on his couch that night and bawled your eyes out, after you told him you were pregnant. it was like his whole world stopped for a minute. he was rethinking everything he ever thought about parenthood, and he didn't know how to feel.

"you wanna keep it baby?" he finally broke the silence that surrounded the two of you.

you tried to answer but all that came out were sobs and hiccups. he could tell you hadn't come to terms with it either. so he decided it was just best to comfort you for now, and discuss later.

it's okay. he'll stay no matter what you decided, he's not going anywhere. And he always kept his word, stayed with you through everything.

♡ the day you went into labor, it was like a completely different side of taine came out. he was nervous, his hands were shaking and his eyes reflected how panicked he really was.

♡ he and the doctors went back and forth at times. some threats were thrown, and mama's were brought up. but he knew he had control himself, cause if he was scared, you would be too. "where the fuck is that damn epidural man. she's in fucking pain, get your head out yo ass". (thank god he left his strap at home).

♡ the man was riddening with fear and guilt. he told you how sorry he was that you had to go through this, he hated seeing you in pain.

♡ but once it was over. all those feelings left, and were replaced with happiness (and a little fear). he was happy that you gave him a beautiful baby girl. but dreaded the idea that he would fail as a dad.

♡ but no matter how scared he was, he vowed that no matter what, he would always be there for his girls.

♡ he'll stay up with you every night that the baby cried. whether it was a diaper change or a breast feed, he was up with you. If the baby wanted to be fed, he'll let you lean back on him. sometimes he'll hold her for you and just keep you propped up.

♡ would make sure to tell anyone who wanted to see or touch the baby that, "you ain' touchin' her or her momma with cho' dirty ass hands. an' if you smoking, put tha' shi' out before i do for you". He's a little overprotective ok.

♡ just picture his infamous cadillac driving through the glen blasting baby shark. and he would be bumping his head to it too.

♡ always had the baby near him. either she was cradled in his arms, or his makeshift baby sling. he watched a bunch of tutorials on how to make them. in all honesty, he didn't wanna put her down, he couldn't stand being away from, her for too long.

♡ he read so many parenting book during your pregnancy that he now quotes them daily when you catch him doing some dumb shit your baby.

"taine, why are you staring down my baby like that?"

"that nigga dr. holding say tha' doin' this builds a bond. and that nigga got a phd on this, so it gotta be a lil tru' "

"taine, baby?"

"yea, ma?"

"put my baby down"

♡ chronically attached at this point. and I bet you know what was her first word. if you need anymore hints, it cost you twenty bucks and your dignity.

♡ he cried the day she began walking. cause in his words, "she's practically gonna be in college next year and leaving her daddy for a bum nigga". dramatic much.

♡ is her designated stylist. buys any accessories she wants. simply holds them up, let's her pick and swipes the card. will wear a bow in his hair if she asked him to. the most gangsta baby daddy you've ever seen. "what you never seen a real ass nigga in a pinkie pie pattern bow before. fuckin punk"

♡ is her biggest hype man too. loves to hype both y'all up. tells her she's the prettiest princess with the prettiest mommy in the whole world.

♡ the same way he loves to help you do your hair, he loveeeess doing her hair too. will spend an hour getting the best colour bead pattern that matchs her outfit. spends his time making at home hair masks cause the ones in the store have too much chemicals for his angel. and also makes it his mission to get the perfect swoop angle on her edges. and best believe, they have matching bonnets.

♡ him and that damn baby conspire against you all the time. they will have inside jokes about you. even a secret language built around them practically shit talking you sometimes. After nine damn months, this is how she treats you three years later.

♡ it was hell to convince him to go on a date night or anything that involves leaving your daughter for more than 10 minutes. if you do, he'll make sure to prep everything his little angel could ever need while he's gone. and checks in every five minutes, and a hair strand turns gray everytime the phone rings.

♡ if you just so happen to forget to mention that you called over slick and yo-yo to watch his kid. that man will practically be losing hair follicles the whole night. cause he don't want to have to bust a cap in slick's fake fur salvation army coat.

♡ and if you think that's bad imagine her first day of school. the man spent weeks dreading this reality. almost bursted into tears at the orientation. his heart wrenched when she walked to class by herself, without even giving him a hug. yall were in that parking lot for an hour as you reassured him, she still loves her papa bear. "she still loves him, she's just excited to make new friends. No taine, you can't be her only friend."

♡ what can he say he loves his little girl.

[the-littlest-lily]

30 Days of G/t Self Care

I'm not fully sure where this idea came from, but here we go! I do enjoy a fun little daily challenge, and like most things my mind went to “but how can I make it G/t?” And here we are! Just in time for the new year, a 30 day self care challenge but… sizey. I wanted to make an actual calendar thing, just in time for the new year (though it can be started at any time, it's not specific to January). Check the days off, spread them out over a longer time, pick out just the ones that speak to you, whatever you want to do 😊 Here's the guide to go with it.

Day 1. Set aside a few minutes to take some deep breaths and focus on the present moment. To help ground yourself, perhaps wrap yourself in a blanket and imagine you are in a large, lovingly grasping hand, or hold a small item and imagine it's a tiny friend.

Day 2. Revisit some nostalgic G/t media. What first got you into this? Let yourself reminisce and remember why you love this in the first place.

Day 3. Make G/t art. It can be anything! Drawing, writing, crochet, pottery, you name it. No need to hold yourself to a certain standard or show anyone else, just take some time to be creative. Even if you don't deem yourself an artist, give it a shot and see if you enjoy it!

Day 4. Relax with a word search puzzle. I made a G/t themed one for you right here!

Day 5. Try out this journal prompt. If you could be tiny/big at will, what types of things would you do to relax? How might you extrapolate from this and apply it to your real life?

Day 6. Stretch your body today. What imaginary setting could you give yourself to make it G/t? Are you surrounded by gigantic furniture in your mind’s eye? Perhaps the yoga video on your phone helps you pretend you have a tiny instructor?

Day 7. Listen to some G/t music. This could be anything, from sizey music videos to songs with sizey lyrics to the Arietty soundtrack.

Day 8. Practice gratitude by listing out all the little things you're thankful for. (See what I did there?) Add some big things to the list for good measure.

Day 9. Practice stepping out of your comfort zone a little bit by talking about G/t, out loud if you’re able. Whether it's discussing with a friend (you brave soul), recording yourself on your phone (you can immediately delete it), or just mumbling to yourself in the shower. Maybe you’ll realize you want to make a G/t podcast and we all win!

Day 10. Here's a little creative prompt. Arrange everyday items to make a G/t scene (use toys, miniatures, or even fashion a tiny person out of paperclips or paper). Take a picture, share it if you like!

Day 11. Create a cozier space today to enjoy your G/t content. Grab some blankets, make yourself a snack or some tea, light some candles, whatever sounds nice to you. Sometimes it's making a mundane moment special!

Day 12. Make yourself something healthy to eat. While you prepare it, imagine how different the task might be to carry out if you were very big or very small. Maybe even have some fun making your snack in miniature too.

Day 13. Try out some affirmations today and see if you can make them both sizey and relevant to your life. Ideas of mantras could be “I am allowed to take up space,” “I choose to appreciate the little things today,” “I will achieve great things through small steps.”

Day 14. Go out into nature for some fresh air. Lean in close and pay attention to the small details, perhaps imagining a shrunken version of yourself or a small friend exploring.

Day 15. Challenge yourself to learn a new skill today to bring your Gt ideas to life. Maybe it's learning how to code, or making your own VR avatar, or learning a new art tool or technique. It's finally time to watch that tutorial you've been saving! 

Day 16. Pull out your dream journal, or start up a new one! Maybe we’ll figure out the whole lucid dreaming thing and come close to experiencing Gt, wouldn't that be the dream~ If this doesn't resonate with you, maybe start a journal to jot down your Gt daydreams instead!

Day 17. Relax with a crossword puzzle. I made a G/t themed one for you right here!

Day 18. Try to cross a few to dos off your to do list someday. Make it more fun by adding in some joke tasks in there, like “leave out a snack for the fairies” or “prep for borrowing trip tonight” or “meet with giant friend for coffee.” Maybe even schedule some real life Gt tasks - such as “work on chapter 2 of (Gt story you're writing)” or “plan a VRC hangout”.

Day 19. It's time to dress the part! Is there any way you can dress up or accessorize yourself in a sizey way? Maybe you have an oversized hoodie, or a necklace of a tiny Eiffel tower, or an old shirt with Tinkerbell on it. Did you know you can actually buy Arietty’s giant hair clip thing? Or if this better scratches your creative itch, maybe your objective is to make tiny accessories for a toy or figurine.

Day 20. Take some time to rest. Just allow yourself to lay down in a quiet, cozy setting for at least a few minutes and have some dedicated G/t daydreaming. 

Day 21. Try out a new exercise routine and use your G/t imaginings to make it more fun. Watching a new workout video? You’re a giant visiting the gym and that's your human instructor on the screen. Spontaneous dance session in your room? You're a fairy frolicking in a field of enormous wildflowers. Going for a swim? You're actually crossing a vast ocean, or maybe a small glass of water.

Day 22. Check out a new G/t story. Not a big reader normally? Just give it a shot!

Day 23. Give yourself a pamper night, whatever that means for you - face masks, cucumber water, a warm drink, candles, the works. Pamper night (face masks and stuff)

Day 24. Make or buy something for your G/t interests (miniatures or toys, “max”iature like a giant flower pillow, fairy-themed stationary, make a giant paper mache strawberry, etc)

Day 25. Relax with a coloring page. You can use any of your favorite artist’s lineart (just make sure to get permission and/or proper attribution if you want to post it). Here's an example option from me.

Day 26. Make a list of all the things you love about G/t. It's always nice to remember the various ways this interest might benefit our lives.

Day 27. Motivate yourself to try out a new hobby by making it G/t. Take that pottery class you've been meaning to take and make a giant acorn-shaped mug. Get into cosplay so you can dress up as a borrower. Dabble with watercolors and you may end up becoming a G/t artist. Study a new language and enjoy new sizey media you couldn't understand before. Whatever speaks to you! 

Day 28. Do a favor for your future self and make a self care kit for when you're having a hard time. This could include a journal or affirmation cards, or perhaps some grounding items like fidget toys, stress balls and mints. Add a little something G/t in there too. Perhaps some kind of miniature with an interesting texture, or a fidget toy in the shape of a person, or a stuffed animal of a giant ladybug to hug. 

Day 29. An act of kindness can do wonders for our mental health. Send someone in the G/t community a kind comment today, whether it's a long-time friend, someone you just met in a Discord group, or a comment to your favorite G/t artist. 

Day 30. Reflect on all the activities you’ve tried during this self care challenge and journal about it. What have you learned about yourself? What might you incorporate more into your self care routines going forward? Pat yourself on the back for investing some time and attention into yourself - you deserve it!

[vincentbriggs]

Good sir, I am hoping to pick your brain. I’m making an 18-century (“pirate”) shirt as a gift to my friend. He wants tie closures on the neck and cuffs instead of buttons. Might you have any insight or resources for this? I’ve seen the ties in at least one of the extant shirts I’ve viewed online. I’m still pretty new to the sewing gig and I’d like to minimize inventing metaphorical wheel as much as possible. Thanks in advance!

It's very unusual, but do know of one example! (Not that extant one though)

But first - Link to my most thorough shirt construction blog post. (It's a few years old and I've improved a few little things in my technique since then, and I mean to finish writing a new and better one before the year is over.)

Ok, ties on shirts! I'm assuming this is the extant one you're talking about? Tbh I'd discount this one entirely if you're looking for information on 18th century men's shirts because I don't think it is one.

Besides the attached ties, the sleeves are extremely weird. They're cut off and have no wristbands!! This would make it quite impossible to wear under a coat, the wristbands are an absolutely essential part of an 18th century shirt. I also don't see any reason to believe this is actually 18th century when it could just as easily be 19th century, and considering how short the slit is I think that more likely.

(Lots of auction sellers like to say "late 18th century" about things that are like... yeahh maaaaybe that's plausibly from a very fashion forward guy in the late 1790's but it's much more likely early 19th century. And with court dress they sometimes just straight up date it several decades too early. Look at lots of examples and always question everything, because museums don't always date things correctly either.)

I think I remember seeing someone mention once that it was a 19th century workman's garment of some sort, but I can't remember where, and all we've got to go on are a few pictures and a brief caption from a seller who doesn't know what they're talking about. It does look like it could have been worn over another layer though, and the fabric is very coarse. It could also have been altered at a later date for theatrical costume, which is something the Victorians did to A LOT of 18th century garments.

So just ignore that shirt!

The vast majority of 18th century mens shirts close with 2 or 3 buttons on the collar, but there is a style that uses ribbons. It appears to have been fairly common in the late 17th and early 18th century, and then slowly dwindles as the century goes on. I have a section for it on my shirts pinterest board with 64 examples. Ooh, wait, 65, just found a new one.

The collar is made with little to no overlap and one buttonhole on each end, and a ribbon is threaded through them.

Portrait of Carl Gustaf Tessin, 1728.

Sir Charles Howard, 1738.

I actually made one of these last year!

The collar doesn't sit as well with the ribbon as it does with 2 buttons, but once you put a stock over it it's fine.

Nearly every single depiction of an 18th century shirt I've ever seen (and I've spent a LOT of time looking) uses sleeve links on the wristbands. (Which I have a tutorial for! They're really easy to make!) I do sleeve links on most of my everyday shirts because I like them better than sewn on buttons. When the wristband is this narrow, sewn on buttons don't sit very nicely.

But! If your friend wants ties on the wrist in a historical way, I do know of one single example, and it's this guy!

Giovanni Maria delle Piane, Portrait of a nobleman. No date given, but if I had to guess I'd say 1680's or 90's. Very late 17th century looking fellow.

We can't see his collar closure, but I think it's very possible that he has a matching red ribbon holding that closed.

Personally I wouldn't want to try these, because they look like an absolute nightmare to tie by yourself one handed. But the good news is that you could make just regular wristband that take sleeve links and they'd work for this too, since both just have a buttonhole at each end! I aim for a finished wristband length that's 10-14mm longer than my wrist measurement, with the buttonhole being about 4 or 5mm in from the edge, which gives me enough ease to wear them comfortably with sleeve links, so if you do that then he'll be able to wear them both ways.

[viv-url]

Hey Viv! Do you have any tips for drawing anatomy?

weh... not really... after spending most of the year taking a break and only recently drawing again, I've come to the realization that my anatomy has so much farther to go. I will, however, share some things that I think are valuable for me and a part of how I draw:

in terms of the basics: aside from online tutorials, which are a lot of help, I have multiple books that I studied intensely off of. my favorite is this. I've seen artists be able to draw without guidelines and the infamous circles and sausages, but the way I draw is pretty similar to that wherein I draw very basic forms. some examples I can show that aren't too embarrassing:

everyone has their own way of problem solving anatomy/poses. mine is this: start with stickmen, really bad doodles that vaguely capture the essence of what I want to draw. and then I draw a really bad doodle developed off that. then I try a more refined sketch. and I redraw the entire sketch multiple times (as you can see in the examples above). oftentimes I'll duplicate the layer and continue reworking the sketch, and going back and forth to see which iteration works better. I think this would be tedious for many people, but that's what works best for me

sometimes, it's not just about drawing the pose anatomically correct. it's also about drawing it in a way that's convincing and aesthetically pleasing. a pose may be structurally sound, but is it the best portrayal? would it benefit from a bit of angle adjusting? is the way a knee or elbow foreshortened awkward? is there a better way to depict the kind of motion or pose you're trying to express, yet it doesn't totally adhere to logic? ironically, sometimes breaking the rules a little can make a pose more convincing. this only truly works when you have a good handle on the ways the human body can bend and move, though

I did already answer this kind of question years ago somewhere on this blog with different answers involving reference pictures and practice (you can check it out if you feel like it) so there's not much more I think I can say on the subject. but aside from that, I hope any of this was useful!!

[gia-d]

Do you have any recommendations on how to learn bookbinding? It looks super cool, but I don't know where to start.

It depends on the type of bookbinding you want to get into, my focus is primarily on hardcover case bound books, so if that is what you are keen on, here are some resources that I found incredibly useful while learning:

YouTube

DAS bookbinding has a whole bunch of really detailed, professional tutorials that are incredibly useful. He covers multiple types of binds and techniques and they are all very easy to follow. (I always laugh when I watch his videos tho because he’s Aussie like me and he has the EXACT same shitty tiles in his workroom that I have in my house.)

Sea Lemon does bookbinding amongst other crafts, and while her videos are shorter and less in depth, they are very friendly for beginners and offer alternatives if you don’t have all the tools/equipment at home

Omgreylo is great for if you are doing fanbinding, she also has videos on typesetting, which is something you’ll want to learn too if you are planning on fanbinding. Her videos are also very chill and sometimes I’ll just watch them to relax because I’m a nerd.

Ingenious Designs has some really good videos on some more advanced skills like edge gilding and working with leather bound books. He’s also really charismatic so his videos are fun and informative.

I’m probably forgetting a few, but those channels have all been super useful. The other thing that I do and highly recommend is just browsing the bookbinding and fanbinding tags on tumblr, reddit and instagram to see what other people are doing. A lot of people (including myself when I finally remember to actually take pictures and record the process) will post progress photos alongside the finished project and will talk about the process. Most people are quite happy to answer any questions you might have about their projects too so don’t be afraid to ask.

Also the most important piece of advice I can give, if you are serious about bookbinding, GET YOURSELF SOME SHORT-GRAIN PAPER. It makes all the difference in terms of quality, ease of use, and durability.

Anyways if anyone else has any other resources or tips they think are useful, please feel free to add!

[weebsinstash]

On the other hand, being someone who is chill with being average and a little weird is pretty comforting, albeit not as relatable or drama material. Like you have those insanely smart adopted family members, who are brooding, cool, fight crime, are insanely smart, privileged, rich and accomplished meanwhile Batsis is like,

"I watched some cool True Crime documentaries and helped Albert- Alfred with the laundry. Sorry about your shirt, Damien, added too much bleach. By the way, look at this drawing I made with a following a Bob Ross tutorial on YouTube! Looks kinda wonky but I made it myself, kinda proud of it. No mistakes, just happy accidents. Haha! :)"

By the very next morning Bruce has that shit framed on either on his desk or on the wall in his office and smiles every time he looks at it. Damian is examining the painting, "ah I see--" and waxing poetic about the different little experiential painting techniques you used on the canvas, Dick and Jason and the rest tease you about getting an exhibit at the Gotham art gallery

Like don't get me wrong I tend to write Reader inserts who are typically average (although I'd like to write a few more power fantasies lol) but I just. I feel like any feelings of inadequacy would be amplified by living with this family. For example, I get anxiety and guilt sometimes just knowing if a large or expensive gift has been gotten for me, feeling guilt about it. Just your every day to day life in the Wayne manor would occasionally be filled with all kinds of large and small splendors. A small walk through the house, passing under the crystal chandelier in the grand lobby. A weekly family dinner with actual silverware handed down for generations. Just the ever looming watchful eye of a literal actual butler, a trained professional butler who's been in service for this family almost his entire life

If anything else, I feel like you'd want to contribute in some way. Help around the house, help as a vigilante, do SOMETHING to "pay them back" which Bruce doesn't want to hear any of and also like. Realistically, if we're saying he's full yandere and you're either his adopted kid or a platonic family member or like even a romantic partner, and he's getting you gifts and taking you on trips and stuff, like. The amount of money being spent on you is a figure you will never in your life be reasonably able to pay back and it would STILL be pocketchange to him

You're just like have PANIC ATTACKS out of guilt and shame and you mention the money to Bruce and he's like "oh that? Psssh" like it's. It's nothing to him. It's more money you could make in your entire lifetime and it's nothing to him

Hey, here's a somewhat related and juicy idea. Recently I was thinking of a concept where Reader is a Gotham vigilante, educated and maybe from a well-off family but like, middle class suburbia kind of wealth, not billionaire Bruce Wayne rich. You eventually find yourself catching the eye of both him AND Catwoman and, kind of actually start having a rapport with both of them. You bump into each other on a mission, help each other out, are impressed with each other's work, and suddenly you're bumping into them out on patrol a lot more. Catwoman starts being openly flirtatious with you while Bat simply just, his shift in demeanor is more subtle for people who aren't familiar with him but. Essentially he actually talks to you now, he won't just be silent and mechanical, he'll communicate and banter and make small talk rather than just ordering you around and speaking solely about the current task at hand or future missions.

I picture everyone on a rooftop in the middle of a stakeout and it eventually becomes small talk to pass the time as you almost do a double take when THE Batman starts making idle chit chat with you (really more of you AND Cat, but you being included at all is kind of an honor, really). He's just looking through his binoculars and without moving "any plans for the rest of the evening" and Catwoman looks at her nails and he sees her throw a very obvious Look over to you "well there's a stray little kitty in my neighborhood I've been meaning to scoop up" and she's been calling you Kitty/Kitten so this whole convo has a double meaning for fucking you OR kidnapping you at this point, and you're just like, in full professional mode replying without any hint of sarcasm "that's good, a lot of people don't recognize the dangers of outdoor cats and the significant ecological impacts they can have on their local environments" and Batman is repressing a smirk as Cat is huffing because oh my god now she has TWO dense cuties to look after 😩 (bonus scene where Bruce catches you smirking and realizes you were politely putting her off or at the very least trying to make her focus on the mission and he smiles to himself about what a clever little jokester you are)

Basically the two of them start deciding they want you to be the filling in that BatCat sandwich and just. Imagine they're trying to seduce you and taking their clothes off and Bruce takes off his mask and you're just like "Whoa whoa whoa hold up, BRUCE WAYNE?" And like. YOU INSTANTLY HATE HIM, the switch FLIPS. You either have extremely personal beef with him like his company laid off a parent of yours and sent your family into poverty, or you just like, legitimately ethically hate him as a person, as this billionaire playboy. Like imagine the disgust if he kisses you as Batman and you think it's so hot and romantic and later on its revealed he's Bruce Wayne, who is notoriously An Enormous Manwhore who has kissed like tons and tons of women and been in all these love scandals. I'd feel GROSS?

Like literally you'd go from "oh my god Batman 🥰 he's so cool and dark and mysterious, I have so much respect for him, he works so hard, he's so smart, not everyone can do what he does" to "of fucking course it would be someone like you. Billionaire running around with his custom-made toys. Of course it's you, who else could AFFORD all this shit? No wonder the police just let you do whatever, you could just pay them off anyways! You'd never be arrested and go to jail and be punished like the rest of us, for anything! Of course you're running around in a suit beating people up, men like you always think they can just do whatever they want!!"

Like imagine you were literally about to fuck both of them and you take one look at their faces, "you're a billionaire and you're a millionaire" and just. Leave. Like they're both shocked and appalled because you just DROP THEM for stuff they kinda basically can't control (although a lot of it is like ethics of what they do and have they gain their wealth) and suddenly they're, showing up at your place of employment for lunch or a day-trip, you're trying to do hero patrols alone and one or both of them pops up to try and invite themselves along to qhayever you're doing (which would especially suck because like, Batman specifically could probably do everything you're doing and better so I imagine working in front of him would be extremely nerve-racking. You're just like trying to rewire a circuit board to hack a door and he just points over your shoulder "actually it's that wire" kind of shit and you have to either let him follow you or look like a massive asshole as you tell him to fuck off, which he might even refuse to do, stating that if this is to save lives or whatever then you need his help

Like legit, Vigilante Reader feels like these two rich freaks have basically been toying with you like some kind of pet and in an attempt to cut them out of your life you drive them to actually dig their claws deeper. Bruce meets Selina for coffee to decompress and he's all "so what have you been up to" since she's got this odd little smirk, "oh ive been feeling just awful lately about this little kitty running around all lonely in my nsighborhood so i just HAD to adopt them" and she just hands him her phone with a picture on it and it's. You with a little diamond studded collar that says something dehumanizing like Kitty or Kitten or Baby on it while you've clearly been crying and are maybe even visibly restrained and Bruce is just like "🙄 Selinaaaaa.... can I come visit to 😳 see this cat tho"

[pictureamoebae]

your post about ReLight is really interesting! I wanted to try it out but I understand nothing lol would you share some tips/tricks/little tutorial for dumbs like me on how to use it/setup for The Sims?

Hi anon!

It's not a massively involved shader, it's really simple, so a full tutorial would probably be a little over the top. Using it in TS4 is no different to using it in any other game.

The first thing I'd do is look at the preprocessor definition section at the bottom of the shader settings and change number of lights to 4 and hit enter. It'll reload and then you'll have 4 different lights to play with.

For the settings at the top, you want Use Smooth Normals turned on, and then all the boxes under Shadows ticked. For Shadow Mode you'll get the best quality with Trace All selected, and Ultra for Shadow Quality, but you can play around with these if your performance suffers (bear in mind I'm using a 980ti and hotsampling to larger resolutions and I'm fine with those settings).

Leave Shadow Sharpness at its default unless you want to go for a specific look, and you can keep Z Thickness at default too. You can play around with Z Thickness if shadows look like they're starting or ending in weird places. They're never going to be 100% accurate anyway, but you can sometimes coax them into not being truly awful.

One of the most important settings is down at the bottom: Visualize Light Position. Turn this on and it'll show you a round dot where your lights are positioned. This is really useful for lining them up exactly where you want them. Then, when you're done, you can turn them off (although they will disappear when you close the ReShade menu anyway, but this setting is useful for people like me who sometimes keep the ReShade menu open when taking screenshots so I can keep tweaking).

You'll see 4 sections that each start with a checkbox that says Active. Those are your 4 lights. Tick the ones you want to use. Then you can start moving them.

Next to Position there are 3 boxes, and they each represent respectively: left-right, up-down, backwards-forwards. Play around sliding each of them and see where your dot of light goes. You'll quickly get the hang of how to move the lights around using those position numbers.

Below that is Tint. It's easiest to click on the box of colour and colour pick than it is to manually change the RGB numbers. This controls the colour of your light.

Below that is Intensity. I think by default the lights are set up at the maximum level of 1.00 but that's super super bright, so bring that down considerably. You can use this to fine tune exactly how much illumination you want once you've set up the position.

And that's really it. You can use the lights to add more accurate light fall-off and shadows from in-game light sources like lamps, streetlights, windows, etc. You can also use it to just brighten a character's face a bit more for a clearer picture. Or you can really go to town and add completely fake and dramatic lights. It's up to you.

If you find that 4 lights isn't enough, you can't add more without editing the actual shader code. However, you can just duplicate the shader, so then you can have 8 lights, or 12, or 16, however many times you duplicate it.

To duplicate ReLight, create a copy of the shader in your shader folder, and give it a unique name (for example, qUINT_ReLight2.fx). Then, open it up in a text editor (I use Notepad++) and scroll all the way down to the bottom. You'll see a section that says

technique qUINT_ReLight

edit that so it matches the name you gave your copy, so in this case

technique qUINT_ReLight2

Then you can use them both alongside each other. I do start to experience a performance impact when using a second version, so bear that in mind.

I'm sure the better option would be to edit the shader code to add the ability for more lights directly in the first shader, but you'd need to be semi-knowledgeable about what to change. You're not often going to need more than 4 anyway, so it's overkill.

[tawaifeddiediaz]

gradient text tutorial

This tutorial is for @ladynephthyss​​ but y’all can have it too xD

We’ll be adding text so the final gif looks like this:

This tutorial assumes basic knowledge of gif-making, Photoshop, and coloring. I’ve only described the text tutorial in this.

Tutorial under the cut:

Couple things to note beforehand:

There is a lot of trial and error involved when doing any sort of text, and this is no exception! You might have to play around with the colors and the settings before you find something that looks good and readable!

This tutorial is inspired by the difference text effect in these tutorials: one and two by @anya-chalotra​ (highly recommend checking those out!), just done a different way.

This text effect works better on big gifs (540px width) that have quite a bit of movement below the text so you get that effect.

Find fonts that have bold shapes or some width to them, so you can see the movement.

This is my starting gif, after sharpening and coloring.

First, I position my text where I want it. (this can be moved around later, I just like to get an idea). Remember what I said about fonts? Try to use ones that are thick for this effect so you can see the gradient/movement underneath the letters. I’m using Intro. 

It doesn’t matter what color the text is at this stage, I just do white text so I can see it:

Then, add a gradient map in the color you want your text to be. For this one, I chose black and purple. The more contrast there is in your colors, the better it looks. You’ll be able to change this later though, if you don’t like the way it looks. 

This is how it looks with the gradient map:

Now, we’re going to go over into our layers panel, and where we have the white box (the layer box), we’re going to select and delete that...

...so it looks like this:

Then, while pressing Ctrl, we’re going to hover our mouse over the T in our text layer. Your cursor should show a white box with a dotted border. Press the T in the text with the specialized cursor, and you should get a dotted line all around the letters, like so: 

(I’m not able to get a screenshot of the cursor for some reason but I hope the instruction made it clear!)

Then, make sure you have your gradient map layer selected, and press the layer mask button (shown by a white arrow in the below image - it looks like a white rectangle with a black circle in the middle.)

This is what it should look like:

Right now, it’ll look like some solid color (which depends on your gradient). This is because we still have the text layer visible. Once we press the eye icon next to the actual text layer to hide it, you can see that this is what it looks like:

(You can also delete the text layer, but I don’t, just because if I decide to put these two words on two lines, or change their spacing or whatever, I don’t want to have to make a new layer. I can just edit that one before re-masking.)

As you play your gif, you’ll see that this is what the whole movement looks like:

You can see that the movement of him lifting the glass to drink his tea shows through the text, too. Almost like a weird color X-ray type thing, where the lighter color shows on darker shades of the gif, and the darker color shows on the lighter part of the gif.

Note: sometimes, depending on the way your gradient is made, you might get text that looks like the picture below. Just hit the reverse button (shown with a white arrow), and you should get the text looking like it does above.

This is the basic way to do it. Now, we can easily edit this, if we feel like there’s too much purple and not enough black. To do that, we go into the gradient, and change the slider positions of the colors. This is purely an aesthetic preference, but I’ll show you how to do it below:

For example, I moved those sliders so there’s more black and less purple, and the gradient feels more like two colors only, instead of all the various hues of dark purple/gray-purple. 

This is what the gif looks like:

In the gif before this one, the black was more of a muted gray. In the one directly above, you can see that it looks much more striking. So play around with that until you find something you like. 

It still doesn’t look very visible to me, so I’m going to add a drop shadow underneath (again, this is a preference thing). You’d do it just like you would with a regular text layer. Right click the Gradient Map layer and select Blending Options. Add a drop shadow.

This is what mine looks like:

And that’s it! You can keep playing around with the whole thing until you’re happy with it. You can even keep changing the color, and the great thing about that is you’ll be able to preview it as you change it to see what works with your scene. For example, I tried white and black text here:

And that’s it! Feel free to drop me an ask if anything’s confusing! Happy giffing!