#song: valerie (s2)

[gleesongtournament]

[roguecanoe]

[cryscendo]

kurt hummel in every performance

2x09 - Special Education

Valerie - Santana Lopez + New Directions

[tuiyla]

Ranking Santana’s solos based on importance to her character, part I

I can never make up my mind when it comes to ranking GCVs based on taste. On most days, I can’t even do a solid top 3 because it changes all the time. And in the case of Santana solos, where it’s banger after banger that task becomes even harder. So like I’ve done before for Pezberry duets, I’ve decided to do a different type of ranking. One where we’re not judging the song itself or the vocal but rather the role it plays in Santana’s journey as a character. Does it represent a huge character moment? Is it more subtle in showcasing one of her traits but symbolizes an aspect of her nonetheless? These are the important questions.

Of course, just as ranking based on how much I like listening to the songs, this one will be subjective as well. It’s according to how I see Santana and what beats in her story I deem more important than others. And it’s also all in good fun and more so a semi-serious overview of all her solos rather than an exhaustive character study through song. The girl is in 99 episodes and sings in 108 songs - can you imagine how long that analysis would be?

Alas, out of 108 we’ll only be considering the 14 solos Santana had in the series. This excludes Santa Baby as it was a cut scene and frankly, is a can of worms on its own. Also not included is Silent Night, the album-only solo that would have made Glee, Actually much more bearable. Before we get started with the 14, I wanted to shout out the two songs that, had they been Santana solos, would surely be high on this list. The first is Constant Craving, which by all accounts should have been a solo and, in-universe, even was one. But because this is IKAG and we can’t have nice things, Santana shares the spotlight in her own coming out story with student-fucker Shelby Corcoran. The other song, one that does an even better job of capturing the tension of Santana’s story is the Troubletones classic Rumour Has It/Someone Like You. This one’s perfect as is and wouldn’t work unless a group number, but I wanted to shout out what a tremendous character piece it is anyway. But you don’t need me to wax poetic about that particular mashup because I already have.

So, without further ado, the bottom 7 of said list. Only half of it because part two is coming to you very soon with even more reaching and more to say on each and every solo.

14. Science Fiction Double Feature

Starting us off is the obvious choice for last place. SFDF might be Santana’s very first solo but it’s also one that barely even exists in-universe, only acknowledged as something that truly happened in a throwaway 3x04 line. The song has so little to do with Santana that the confusion about who was even singing was (Entertainment) news-worthy back in 2010 and that should tell you about how inconsequential Science Fiction Double Feature is on a character-level. Don’t get me wrong, the vocals are on point but this is not about that. And it’s not like it’s unique in that on this list full of Santana solos, as vocal excellence is just the universal truth of every one of her songs. As far as character beats are concerned, though? The Lips will have to contend with 14th place.

13. Back to Black

I consider this to be a severely underrated Santana solo so it pains me to rank it so low on here but audition songs are what they are. Now, we’re far from the zero importance of the previous entry but there’s no denying that Back to Black as a solo has little to do with Santana’s character. The song choice itself anyway; it’s little more than an opportunity to capitalize on the immense success and popularity of Valerie. And don’t get me wrong, giving Santana another Amy Winehouse song to sing was the right choice and I’m grateful for it. But does Back to Black have much to do with Santana Lopez as a person and her character development? That’d be a no.

With this song I can at least make an argument for the context, which is to say that the song itself might not be important but its existence is. In the context of 2x21 Funeral and the race for a Nationals solo, Back to Black has a rather big importance and it’s something Science Fiction Double Fiction couldn’t deliver. Santana is in-universe acknowledged as a great soloist on par with the previous big three of the Glee Club, Rachel, Kurt, and Mercedes. And if we consider her growth from Sue’s spy to someone who grew to care about the club, or the out of universe importance of Naya’s increasing role in the show, that’s huge. Not only is Santana an actual voice within the club they consider and count on, but she’s among the now big four who are even considered for a task as big as a Nationals solo. True, Santana’s had a Sectionals solo before, much like Rachel before her, but you’ll see in my section on Valerie why that’s somewhat diminished in my eyes. Here, however, through her performance of Back to Black Santana’s acknowledged as the powerhouse she is and officially enters the ranks of the Glee Club’s best. The ones with the voice and, importantly, the ambition to want more.

12. Nutbush City Limits

Everyone’s but Tina’s favourite diva delivers on this one, no doubt no doubt, but much like Back to Black, Nutbush CIty Limits is little more than a song chosen because Naya Rivera had proven she sounded amazing covering the artists’ tracks. Like Back to Black, most of what we can take form this solo in terms of Santana’s character comes from context rather than content.

Nutbush being a Glee Club performance rather than an audition wouldn’t automatically put it one place higher but the emotional stakes of 4x13 Diva do. Nutbush gains its narrative relevance not from being Santana’s big return to Lima - after all, girl returned every two weeks for a while there in season 4. Though this particular return carries a similar status symbol to being part of the big four as it is Santana the Glee Club invites back for diva week and Santana who blows their minds. But that aside, the real selling point of Nutbush is the reason behind Santana’s return.

Granted, even with the Bram drama and Santana’s jealous scheming this solo isn’t all that juicy. Yes, it’s essentially her way of making Brittany jealous and an entrance worthy of Santana’s dramatics but Nutbush as a song is divorced from the episode’s storyline. As a song, it has nothing to do with Brittana or Santana’s journey in season 4. If we tried really really hard we could maybe reinterpret the lyrics to fit Santana’s Louisville life, which she says permanent goodbye to here, but even I think that’s be a stretch. So as is, here we have Nutbush City Limits coming in at 12th. Some contextual relevance thanks to the drama of Diva and an opportunity for Santana to further showcase her talents but not much else going for it.

11. Valerie

I debate each and every ranking with myself and the placement of Valerie is no different. See, if only it wasn’t so iconic and so obvious when we talk about Santana’s solos I’d have half a mind to place it lower. The same thing I said about the previous two entries can be said here and in fact, even what I said about Science Fiction Double Feature not being acknowledged in-universe save for a throwaway line in 3x04 kinda applies. Granted, Valerie absolutely is performed diegetically and also referenced in 5x12 100 when Brittana reprise the song. But still, I can’t help but feel like Valerie isn’t as appreciated within the world of the show as it should be and that fact keeps it out of the top 10.

Look, Valerie is obviously a big deal for Santana. I’d be willing to bet that if you asked fans, causal and hardcore Gleeks alike, what Santana solo comes to mind Valerie would be it. In the top 3, at the very least. And with good reason, as not only is Valerie the first proper Santana solo (sorry, SFDF) but also among if not the most iconic one. Everyone knows and with good odds loves Valerie. And it is significant that Santana becomes the second ND member to sing a competition solo with it, preceded only by Rachel and followed only by Tina. That’s a short and significant list to be on. And, since Sancedes were snubbed during 2x04 Duets, it’s the first time Santana’s singing talents are truly appreciated in the club. If her auditioning for a solo with Back to Black was a big deal then actually getting one certainly is.

But… we never talk about it. Not in the show we don’t, save for those very small references. A big deal is made out of Fabrevans getting the duet and even Bike’s dance showcase, but Valerie comes and Santana knocks it out of the park without so much as a “wow, Santana!” Or, “thanks, Santana,” or, “you’re getting the solo, Santana!” And really, Santana’s or rather Naya’s strange utilization throughout season 2 is a separate topic I could go on about, but you get what I mean. The song itself doesn’t even have to have significance because a competition solo is a big enough deal on its own and doesn’t need to have further meaning - Rachel’s DROMP being the outlier. But the thing with Valerie is, it gets so much more recognition beyond the constraints of the show than within it. For that reason, I cannot in good conscience place it any higher.

10. Love You Like a Love Song

I haven’t yet attempted to read much more into songs that were mostly there for performance value rather than character significance but I think it’s time we change that. And what other song to do that with if not, Love You Like a Love Song, the Santana solo everyone… just kinda forgets about, if I’m honest. In fact, you might be thinking: there’s no way this song is more integral to Santana’s character than freaking Valerie. Hear me out, my friend.

Context is key and for the first time on this list I can argue that the particular song choice is, too. Okay, maybe not as much as later entries will be but Love You Like a Love Song fills the purpose of, well, a love song. Crucially, and I’m kinda building my entire argument on this, it features one of Glee’s handful of pronoun changes. In Santana’s version, we can hear “constantly, girl you play on mind like a symphony” and that single change is elevated to a new level in the context of the performance itself. That being, Santana singing this solo at prom, that she went to with her out and proud girlfriend and where they’re up for prom king and queen.

I did tell you I would read into it but we have nine more songs to go, of course there will be a little reading into things. I’m aware that the significance of Love You Like a Love Song beyond being a generic prom performance exists solely in my head but, hey, maybe it exists in yours now too. Because isn’t that beautiful to think about, in terms of Santana’s journey? That she went to junior prom with her beard, miserable and deathly afraid, that she couldn’t dance with the girl she loved. And now here she is, a senior who might have been forcibly outed but survived and kept her head high, and now she’s proud and full of love. She wholeheartedly enjoys her senior prom with Brittany by her side and doesn’t even really care about prom queen anymore because she has love. A love she can sing about, with her girlfriend doing backup and with her changing the pronouns during a school performance because that’s who she is and who she loves. Girl, now that plays on my mind constantly.

9. Trouty Mouth

Yes, the joke song comes in at ninth. You think it should be lower? I think it should be higher but I didn’t dare. Even ninth place feels pretty audacious for an original song that was purely meant to be a joke, a joke about a cast member’s physical appearance at that. But Glee’s shittiness aside, I’m here to defend Trouty Mouth as a Santana solo. Put some respect on its name? Maybe not, but grabbing the shovel and giving a little depth to it at least.

So Trouty Mouth, in Santana’s own words, is an awesome heterosexual song she writes for Sam. How genuine she thought it was is another matter but we all know that at this point in the story, 2x16 Original Song, she’s fresh off from a semi-rejection from Brittany after she poured her heart out. So Santana, defensive as always and lashing out, doubles down on her own heterosexuality by writing her assigned original song to/about her boyfriend. And yes, sure, it is a joke. The joke here is that Santana is making fun of Sam’s mouth like she makes fun of so many people’s attributes, physical or not.

But here’s the thing, if we were to consider Trouty Mouth in earnest and examine why is it, exactly, that this was the best Santana could come up with, I think we reach an interesting answer. That being, that beyond insults being Santana’s MO she also has a history of making fun of guys’ physical appearance, particularly after being involved with them. Less so with Puck but her way of asking Finn out is already by insulting him and then she spends the rest of their interactions in the series really hammering the point home. And like with Sam, it’s the writers being asses about a cast member’s actual body and appearance, but putting that aside it’s Santana other MO of doubling down and going way too far. She makes a point of not only exaggerating Finn’s features but of highlighting just how unattractive she finds him. And though what happens with Sam is slightly different, it’s Santana hyperfixating on a physical aspect of a guy she’s involved with and making fun of it.

The way I see it, there are two main ways of looking at it and both circle back to the idea of comphet. One, Santana’s being genuine in her hyperfixation, at least with Sam because she’s desperately trying to make herself be interested in any part of this man. Even in this genuine attempt, if it turns into comedy then so be it, Santana does love insults. And if she’s being deliberately mean about it from the get go, like she is with Finn, then we can see it as an attempt to put these boys down in order to justify her own lack of attraction. See, no one could possibly be attracted to Finn, it’s not her fault. See, Sam’s mouth is ridiculous and therefore her own lack of feelings towards him despite dating is justified. So raw and confused immediately after the event of Sexy, Santana is reaching and coping in her own harmful ways. And if she makes fun of Sam in the process of trying to make herself feel better, so be it.

I told you we were gonna reach and I fully acknowledge this is way, wayyy more thought than the writers ever put into Trouty Mouth or indeed any of Santana’s body-shaming comments. And I’m not trying to exonerate her with this interpretation because she clearly made Sam uncomfortable and her relentless shaming of Finn was never okay. But doesn’t this make for a more compelling narrative, where it’s not just a joke? It’s Santana’s inability not to turn her attraction to men, or lack thereof, into a joke, because maybe then she’d have to contend with the fact that she is in fact gay. But no, she must still be straight because it’s these boys that are the problem, see. And so we have Trouty Mouth placed so high, relatively. But since I know this is a wild wild reach, I’ll contend with relatively high.

8. Don’t Rain on My Parade

Remember a few entries back when I said Rachel’s DROMP was the exception to the competition solo significance rule? Well, that comes back to bite us, bite me at least, as I struggle to place Santana’s version. This was originally not at the halfway point but placed fourth on my list that I jotted down back in April. Why for, I could not tell you now.

Well, I mean. There’s an argument there that DROMP is significant to Santana’s character, even if not as significant as it is to Rachel’s. But maybe that comparison and Santana’s complicated relationship with Rachel are the key to understanding Santana’s version. Season 5′s Don’t Rain on My Parade is an imitation of season 1′s version, where Santana basically retraces Rachel’s steps and, I’d argue, recaptures the Sectionals solo’s magic but does so by reinventing it. This more pop-sounding arrangement makes it clear that this is Santana’s version now and she’s going to leave her on mark on Rachel’s signature song.

Based on this, DROMP signifies several things for Santana. One, it’s an extension of Back to Black in that it firmly grounds Santana as one of the big players, now not just at McKinley but out in the real world, on Broadway. She makes an entrance and she does it well, matching Rachel’s talent to the point of scoring the understudy position. Two, because it establishes a potential career path for Santana, in a somewhat contradictory manner it also highlights how lost she truly is in the New York era and how desperate for a firmer sense of identity. Auditioning comes off as a rash decision and one she makes knowing full well it can jeopardize her relationship with Rachel. But Santana feels so stuck, so unwilling to be known as the Yeast Girl for the rest of her life that she barges in and barges in with DROMP, of all songs. Which leads us to three, Don’t Rain on My Parade (Santana’s Version) representing her intense and precarious friendship with Rachel.

Rather, the song choice represents it. The conscious decision Santana had to make to not just audition to be her roommate’s understudy, but to do so with a song that Rachel has such heavy baggage with. And look, I’ve seen several different interpretations of Santana’s performance. Some say it was meant to be insulting, intimidating towards Rachel. A call for war, even, since we’re talking about these two dramatic bitches. Some say imitation is the highest form of flattery, and it’s not like Santana’s attempts at bonding haven’t been misguided before. Some say she didn’t give the choice and indeed the audition itself much thought at all. I disagree with the last one and won’t decide between the other two today. The point is, it’s a layered choice and a layered situation between Pezberry. Throwing in the big question of what Santana should do career-wise, an arc throughout the New York era, we have a song that contributes… something to our understanding of Santana Lopez as a character. What, exactly, I’ll leave it to you to decide, but there is something there that’s worthy of closing our list of the bottom seven.

End of, for now

Aaaand that’s the list, for now. I promise this won’t be another situation where there are months and months in-between parts, I’m planning on doing part two this weekend. I just felt this post could use a break between the first and last seven entries as it’d be a looong long post all in one. If you agree/disagree with the bottom 7, feel free let me know, and I’m taking bets on the order of the top 7.

[thatonelesbianfander]

Full Sanders Sides Recap and Timeline as of the start of 2024

I’m bored so here is a full timeline recap of the Sanders Sides episodes (as well as a few important off-camera events and the more episodic Sanders ASides) before the season 2 finale!

Recap under the cutoff

Season 1- 17 Episodes (October 19, 2016 - July 15, 2017)

S1 E1- My True Identity

October 19, 2016

Lore revealed: Creativity/Prince, Logic/Teach, and Morality/Dad are introduced

Episode summary: C!Thomas and the sides talk about different aspects of Thomas’s personality

S1 E2- WAY TOO ADULT

November 21, 2016

Stove is introduced and then never seen again :(

C!Thomas and Morality discuss ways of becoming an adult and independent

S1 E3- Taking on ANXIETY with Lilly Singh!!

December 19, 2016

Anxiety is introduced

C!Thomas and C!Lilly Singh talk about the different ways to cope and deal with anxiety

S1 E4- A New Year of Lying to Myself… In Song!!

January 2, 2017

First song of the series, Lies, is sung

C1Thomas and the sides talk about goals for the New Year

S1 E5- The Dark Side of Disney!

January 9, 2017

No important lore discoveries or reveals

C!Thomas, Creativity, and Anxiety talk about the different messages Disney movies provide

EVENT- Vine shuts down, C!Thomas moves to making content on YouTube

January 17, 2017

S1 E6- I’M IN A DISNEY SHOW!!

January 23, 2017

No important lore discoveries or reveals

C!Thomas accounts his experiences being on a Disney show with the sides

S1 E7- The MIND vs. The HEART!

January 30, 2017

No important lore discoveries or reveals

C!Thomas, Logic, and Morality come up with compromises for past arguments

S1 E8- Alone on VALENTINE’S DAY!

February 13, 2017

C!Valerie is introduced

C!Thomas and the sides discuss how to ask someone out on a date using C!Valerie as an example

S1 E9- Losing My Motivation

Feb 28, 2017

Logic’s name is revealed to be Logan

C!Thomas, Logic, and Morality investigate to find out why C!Thomas is procrastinating on working on a new video

S1 E10- Sanders Sides Q&A!

March 7, 2017

No important lore discoveries or reveals

C!Thomas and the sides answer questions from the viewers

S1 E11- Am I ORIGINAL?

March 22, 2017

Prince’s name is revealed to be Roman

C!Thomas and the sides discuss different ideas trying to get an original idea

S1 E12- My NEGATIVE Thinking

April 4, 2017

No important lore discoveries or reveals

Logan and Anxiety have a debate after C!Thomas flunked an audition earlier that day

EVENT- First birthday of C!Thomas since the start of the series

April 24, 2017

S1 E13- Growing Up

May 1, 2017

Morality’s name is revealed to be Patton and the mind palace is introduced

C!Thomas and the sides discuss the proper steps to adulthood

S1 E14- Making Some Changes!

May 23, 2017

The sides are revealed to be able to shape shift

The sides shape shift into C!Thomas’s friends, C!Joan, C!Talyn, C!Terrence, and C!Valerie

S1 E15- Becoming a CARTOON!

June 9, 2017

No important lore discoveries or reveals

C!Thomas breaks into C!Butch Hartman’s office in an attempt to become a cartoon, and him and the sides become cartoons for a day

S1 E16- ACCEPTING ANXIETY, Part 1/2: Excepting Anxiety!

June 10, 2017

Anxiety ducks out, and the concept of the sides having their own rooms is introduced

C!Thomas and the sides find out that Thomas doesn’t have any anxiety and come up with a plan to go to his room to find out why

S1 E17- ACCEPTING ANXIETY, Part 2/2: Can Anxiety Be Good?

June 10, 2017 (Posted IRL on July 15, 2017)

Anxiety’s room Anxiety’s name is revealed to be Virgil, and Anxiety gets a redemption arc

C!Thomas and the sides discuss the positives of anxiety

EVENT- C!Thomas and C!Thomas’s ex break up (C!Thomas’s ex’s name unknown, but is referred to as an “Old lover” in the Wes Anderson Sanders ASides)

July 15, 2017

Season 2- 15 Episodes (September 1, 2017 - Present)

S2 E1- Fitting In (Hogwarts Houses!)

September 1, 2017

The sides get costume updates

C!Thomas and the sides discuss the idea of fitting in using the idea of Hogwarts houses from Harry Potter

S2 E2- MOVING ON, Part 1/2: Exploring Nostalgia

October 3, 2017

Patton’s room is revealed

C!Thomas and the sides go to Patton’s room so Thomas can cope with a recent breakup

S2 E3- MOVING ON, Part 2/2: Dealing With a Breakup

October 2, 2017 (Posted IRL on October 25, 2017)

Patton gets his iconic cat hoodie from Logan

The plot of the first part continues as C!Thomas and the sides discuss the negative sides to nostalgia after Logan leaves

S2 E4- The Sanders Sides 12 DAYS OF CHRISTMAS!

December 24, 2017

No important lore discoveries or reveals

The sides sing their rendition of the Christmas carol, The 12 Days of Christmas, with several different antics

EVENT- C!Thomas misses a reading of C!Joan’s play

February 2, 2018

S2 E5- Can LYING Be Good??

February 3, 2018

Deceit is introduced and it’s revealed that the sides can only be seen by C!Thomas

C!Thomas and the sides discuss the many different forms of lies through stage theatre after C!Thomas misses a reading of C!Joan’s play

S2 E6- Why Do We Get Out of Bed in the Morning?

April 12, 2018

No important lore discoveries or reveals

Logan and Roman have a debate about why C!Thomas does everything that he does

S2 E7- Crofters - The MUSICAL!

April 19, 2018

No important lore discoveries or reveals

C!Thomas, Logan, and Roman sing a song about jelly after getting a sponsorship from Crofter’s Organic and Logan gets his own jelly flavor

EVENT- Thomas is told about Lee and Mary Lee’s wedding

September 26, 2018 (date revealed by Logan in SvS)

S2 E8- Learning New Things About Ourselves

October 29, 2018

No important lore discoveries or reveals

C!Thomas and the sides discuss learning new things about themselves while using puppets

S2 E9- EMBARRASSING PHASES: The Nightmare Instead of Christmas!

December 24, 2018

No important lore discoveries or reveals

C!Thomas and the sides discuss the concept of phases using Halloween costumes

S2 E10- Selfishness v. Selflessness

March 31, 2019

No important lore discoveries or reveals

C!Thomas and the sides discuss selfishness and selflessness in a mock court room setting after Thomas gets a callback scheduled for the same day as a wedding for his two friends, Lee and Mary Lee

S2 E11- Dealing with INTRUSIVE THOUGHTS

April 2, 2019 (Posted IRL on June 25, 2019)

The Duke is introduced and name is revealed to be Remus

C!Thomas and the sides discuss the topic of intrusive thoughts after Thomas couldn’t get to sleep due to a really bad nightmare

S2 E12- Are There Healthy Distractions?

April 10, 2019 (Posted IRL on November 22, 2019)

No important lore discoveries or reveals

C!Thomas and the sides discuss different kinds of distractions while watching Disney’s Frozen

S2 E13- Putting Others First - Selfishness v. Selflessness Redux

April 13, 2019 (Posted IRL on May 1 2020)

Deceit’s name is revealed to be Janus

C!Thomas, Roman, and Patton discuss the concept of putting other people before yourself

EVENT- POF endcard scene

April 30, 2019

S2 E14- Flirting with Social Anxiety

October 10, 2020

Nico Flores is introduced

C!Thomas, Roman, and Virgil work out a way to try and talk to a guy in the food court of a mall

EVENT- The Return of the Jam!- The sides all get their own jelly flavors

February 19, 2021

S2 E15- Working THROUGH Intrusive Thoughts

April 20, 2021 (Posted IRL on July 31, 2021) (using the date that can be seen on C!Thomas’s phone in episode)

The orange side is teased for the first time through Logan’s outburst

C!Thomas and Logan discuss different kinds of intrusive thoughts while C!Thomas stresses about cleaning up his apartment

EVENT- Have I Grown? - Five Years Later (Sanders Sides 5 year anniversary special)

Posted: November 14, 2021

S2 E16- Can Plushies Improve Our Health? (Sanders ASides)

August 26, 2022

No important lore discoveries or reveals

C!Thomas and the sides discuss the many ways plushies can be helpful

EVENT- “Into the Unknown” - Over the Garden Wall Cover (Sanders ASides)

October 31, 2022

Janus sings for the first time in the series

EVENT- If Wes Anderson Directed the Sanders Sides… (Sanders ASides)

June 23, 2023

EVENT- The Sides Need a Nice Day (Sanders ASides)

July 16, 2023

S2 E17- Virgil Reacts to Anxiety from Inside Out 2 (Sanders ASides)

November 19, 2023

No important lore discoveries or reveals

C!Thomas and the sides discuss the different ways anxiety can present in other people after Virgil reacts negatively to the Anxiety character that was revealed in the trailer for Inside Out 2

S2 E18- What Makes the Perfect Gift? (Sanders ASides)

December 23, 2023

No important lore discoveries or reveals

C!Thomas and the sides discuss the many different types of gifts through a secret Santa type of activity when Thomas can’t think of a gift to give Nico

[mitochondriaandbunnies]

This is a re-post/archiving of a twitter thread from Oct 16, 2021, edited slightly for clarity.

Know what I haven't done for a while? Waxed philosophical about Miami Vice.

I'm currently stuck in traffic bad enough that people have turned off their cars and are chilling outside, so here goes.

So we have a houseguest who actually ASKED to be subjected to Vice, and Dan immediately suggested we watch Bushido, because let's face it, he's a Castillo Guy, and the "Vice Squad's Lieutenant is a Weird Weeb" episodes are some of his favorites. 

I expressed some hesitation— Bushido is an episode that is very slowly paced (purposefully) and works best when you know the characters and know what the stakes are. We watched it anyway, and it didn't really land the way it should've (although the guest appreciated the Battlestar Galactica connections).

(Traffic cleared. In line for donuts now.) I tried to explain the fact that while Vice is technically an episodic show, it's a precursor to arc based shows in the ways it handles all the characters and their *emotional* arcs— case in point, in Bushido Sonny and Rico both seem *happy.* Castillo earnestly smiles for the first time in the show, and we learn the depths to which duty and honor matter to him (and yet, how much actual RULES really do not— his own code of honor supersedes the law even if he finds ways to pay lip service to it.)

This got me thinking about how Season Two of Miami Vice telegraphs an enormous amount about the characters' eventual arcs and the decisions they'll make throughout the series; practically half of S2 is episodes about Sonny Parallels crashing and burning and how that predicts his own eventual crash. Of course, those are the OBVIOUS things the show tells us about its cast. The thing I find fascinating about S2 is that a LOT of information is broadcast through music and images rather than the script, and Vice expects you to be smart enough to pick up on this and how it will come to fruition later in the series. So much of who Sonny and Rico are isn't spoken, and a lot of the things they say and do later in the series make a lot more sense if you pay attention to music and visual cues early on.

(Gonna drive again, will finish this thought in a bit…)

This, on top of a friend on the Vice Discord asking for a listing of all the music in Vice got me thinking (aloud) about the music in S1&2, and Dan mentioned there were 14 licensed songs in Prodigal Son alone. That reminded me that a few weeks back I'd had a revelation: I had realized something about You Belong to the City, a song specifically written specifically for Vice (I.E., it's a significant piece of music thematically and lyrically), and which plays in Prodigal Son over a sequence of Sonny being distraught in NYC at night. 

I wrote about Prodigal Son last year (2020) and didn't mention that sequence at all except to talk about the weird aggressive roller skater who chases Sonny on a darkened road. At the time, I frankly thought it was a song that was chosen for its sound more than its lyrics, because the lyrics don't really fit with what we're seeing on screen.

The song starts playing about halfway through the first Prodigal Son episode, right after Tubbs reunites with Valerie and leaves Sonny alone in a city he doesn't know and doesn't have any connection to. I've mentioned before that I think, as the opener for S2, Prodigal Son is very much about home and belonging. And the thing is: Sonny doesn't belong in New York. The end of the episode confirms that, at least at that point in the series, it isn't really home for Tubbs either.

Sonny's a Southern Boy, most at home on a boat. You could argue there's some kind of ominous irony in the first 1/2 of the chorus:

Cause you belong to the city You belong to the night Living in a river of darkness Beneath the neon light

But it's not objectively TRUE.

When you start picking apart the rest of the lyrics:

You can feel it Starting all over again The moon comes up And the music calls You're getting tired of Staring at the same four walls

It really starts to fall apart. Sonny isn't *tired* of anything, he didn't choose to go out wandering or to be in the city at all, Tubbs just left him alone to be with his ex-girlfriend. This isn't wanderlust, like the song implies, it's aimlessness. The second half of the chorus and the second verse make it clear that this isn't an accident.

You were born in the city Concrete under your feet It's in your moves It's in your blood You're a man of the street

This... isn't a song about Sonny Crockett. 

You Belong to the City *is about Rico.*

The second verse says:

When you said goodbye You were on the run Trying to get away From the things you've done Now you're back again And you're feeling strange So much has happened But nothing has changed

These are exactly the circumstances Rico is in in this episode—he's the titular Prodigal Son, returned home after a long time to discover things are in some ways exactly as they were, and yet he doesn't fit anymore. It doesn't describe Sonny— Sonny isn't "back," he didn't leave NY "on the run." Rico did!

So, why, then, is a song about Rico playing when Sonny is wandering the city alone? 

Because the idea that Rico *belongs here in NYC* is Sonny's driving fear at this point in the episode. From his perspective, he's been abandoned. He's unmoored. (And I think this is what leaves his guard so far down with Maggie. He is painfully lonely at the best of times throughout the series; alone in NY he's bereft. First port in a storm and all that.) That the episode ends with Take Me Home is a repudiation of that fear—especially considering the more-or-less-overt flirting that occurs when they meet again.

Why is any of this important? Because Vice is a series that often takes Show Don't Tell as far as you can go without becoming French New Wave: Now on TV! I argued last year that Prodigal Son intended for a savvy audience to read Sonny as bisexual; the seemingly incongruous lyrical use of You Belong to the City both confirms that and adds the extra wrinkle that *Tubbs needs to be considered in that equation.* 

Which is to say: the first episode of Season Two decides to make a statement about where the season is going, and that statement is that *the relationship between Sonny and Rico is import\ant and vital and that they both have a concept of home that involves each other.* Considering where the rest of the series goes, that makes the eventual unraveling of their relationship as Sonny falls apart just about the closest thing the  series has to a full overarching plot. 

THEIR PARTNERSHIP IS THE MOST IMPORTANT THING, FOLKS

GLENN FREY WROTE A SONG ABOUT IT

(and I'm done)

[boltgunkiller-archive]

top 10 santana outfits. or top 10 santana songs 😘

okay i’m gonna rank her solos!! but jsyk if the list included duets/others it would def change a lot LOL

top 10 santana solos

valerie (s2)

songbird

alfie

cold hearted

back to black

if i can’t have you

science fiction double feature

don’t rain on my parade (i LOVE this solo so much ugghh)

mine (augh. emotional damage.)

girl on fire or nutbush city limits?? i like them both for diff reasons but they’re both amazing

top 10 santana outfits

okay a lot of these may just be headshots or smth cause finding fullbody pics is really difficult LOL

she has a lot but these are the ones i could remember that i really liked!!

[kuiinncedes]

Lol hoW do the Warblers not lose s2 sectionals

[backslashdelta]

Glee Soundtrack Rating Project Results: Series

Overall Results

Mean song rating: 6.542 Mean episode rating: 6.536 Mean season rating (by songs): 6.527 Mean season rating (by episodes): 6.525

Range of mean song ratings: 2.23-9.36 Range of mean episode ratings: 4.49-8.26 Range of mean season ratings (by songs): 2.23-9.36 Range of mean season ratings (by episodes): 4.49-8.26

Mean number of songs per episode: 5.8 Mean number of songs per season: 117

Range of number of songs per episode: 2-11 Range of number of songs per season: 71-137

Season Results

The mean and standard deviation for each season can be calculated by using the episode ratings for that season, or by using the song ratings for that season.

[ID: Two horizontal bar charts titled Mean Season Rating (by episode) and Mean Season Rating (by song), illustrating the mean rating of each season calculated according to episode rating and song rating, respectively. According to the episode ratings, S3 has a mean rating of 6.65, S2 has a mean rating of 6.63, S5 has a mean rating of 6.59, S4 has a mean rating of 6.47, S1 has a mean rating of 6.44, S6  has a mean rating of 6.37. According to the song ratings, S3 has a mean rating of 6.69, S5 has a mean rating of 6.61, S2 has a mean rating of 6.58, S4 has a mean rating of 6.5, S6 has a mean rating of 6.39, S1 has a mean rating of 6.39.]

[ID: Two horizontal bar charts titled Season Standard Deviation (by episode) and Season Standard Deviation (by song), illustrating the standard deviation of each season calculated according to episode rating and song rating, respectively. According to the episode ratings, S1 has a standard deviation of 0.87, S6 has a standard deviation of 0.69, S5 has a standard deviation of 0.68, S2 has a standard deviation of 0.67, S3 has a standard deviation of 0.61, S4 has a standard deviation of 0.56. According to the song ratings, S2 has a standard deviation of 1.32, S1 has a standard deviation of 1.3, S3 has a standard deviation of 1.16, S5 has a standard deviation of 1.14, S6 has a standard deviation of 1.07,  S4 has a standard deviation of 1.01.]

Episode Results

[ID: Two horizontal bar charts titled Top Six Episodes and Bottom Six Episodes, illustrating the mean rating of the top six highest and lowest rated episodes, respectively. For the top six episodes: S2E18 - Born This Way has a mean rating of 8.26, S5E03 - The Quarterback has a mean rating of 8.16, S1E06 - Vitamin D has a mean rating of 8.13, S1E13 - Sectionals has a mean rating of 7.99, S4E04 - The Break-Up has a mean rating of 7.75, S2E06 - Never Been Kissed has a mean rating of 7.7. For the bottom six episodes: S1E08 - Mash-Up has a mean rating of 4.49, S3E12 - The Spanish Teacher has a mean rating of 4.97, S5E08 - Previously Unaired Christmas has a mean rating of 5.06, S6E04 - The Hurt Locker, Part One has a mean rating of 5.11, S1E10 - Ballad has a mean rating of 5.31, S4E19 - Sweet Dreams has a mean rating of 5.42.]

[ID: Two horizontal bar charts titled Top Six Least Controversial Episodes (episodes with small SDs) and Top Six Most Controversial Episodes (episodes with large SDs), illustrating the six least and most controversial episodes according to standard deviation, respectively. For the six least controversial episodes: S1E04 - Preggers has an sd of 0.13, S1E06 - Vitamin D has an sd of 0.21, S1E09 - Wheels has an sd of 0.28, S1E19 - Dream On has an sd of 0.33, S6E08 - A Wedding has an sd of 0.34, S4E19 - Sweet Dreams has an sd of 0.4. For the six most controversial episodes: S1E03 - Acafellas has an sd of 2.53, S2E08 - Furt has an sd of 2.03, S5E05 - The End of Twerk has an sd of 2.01, S3E06 - Mash Off has an sd of 1.83, S5E07 - Puppet Master has an sd of 1.77, S2E09 - Special Education has an sd of 1.73.]

Song Results

[ID: Two horizontal bar charts titled Top Six Songs and Bottom Six Songs, illustrating the mean rating of the top six highest and lowest rated songs, respectively. For the top six songs: S3E06 - Rumour Has It/Someone Like You has a mean rating of 9.36, S2E09 - Valerie has a mean rating of 9.21, S3E11 - Smooth Criminal has a mean rating of 9.17, S3E14 - Cough Syrup has a mean rating of 9.17, S2E04 - River Deep, Mountain High has a mean rating of 9.11, S1E18 - Rose's Turn has a mean rating of 9.06. For the bottom six songs: S1E08 - Thong Song has a mean rating of 2.23, S5E05 - Blurred Lines has a mean rating of 2.66, S1E03 - I Wanna Sex You Up has a mean rating of 2.92, S3E12 - A Little Less Conversation has a mean rating of 2.94, S2E16 - Jesus Is My Friend has a mean rating of 3.03, S5E07 - The Fox has a mean rating of 3.23.]

[ID: Two horizontal bar charts titled Top Six Least Controversial Songs (songs with small SDs) and Top Six Most Controversial Songs (songs with large SDs), illustrating the six least and most controversial songs according to standard deviation, respectively. For the six least controversial songs: S3E06 - Rumour Has It/Someone Like You has an sd of 1.02, S2E09 - Valerie has an sd of 1.03, S2E04 - River Deep, Mountain High has an sd of 1.15, S2E18 - Born This Way has an sd of 1.31, S1E20 - Bad Romance has an sd of 1.36, S3E11 - Smooth Criminal has aan sd of 1.37. For the six most controversial songs: S2E14 - My Headband has an sd of 2.83, S2E16 - Only Child has an sd of 2.81, S3E07 - Girls Just Wanna Have Fun has an sd of 2.73, S5E08 - The Chipmunk Song (Christmas Don't Be Late) has an sd of 2.73, S2E21 - My Man has an sd of 2.69, S5E07 - The Fox has an sd of 2.67.]

[More detailed song results under the cut]

About the Project | Results Masterpost

Full Episode Ranking

Season/Episode - Episode Title: mean (sd) [range] number of songs

1. S2E18 - Born This Way: 8.26 (0.88) [6.75-8.89] n=5

2. S5E03 - The Quarterback: 8.16 (0.81) [6.95-8.89] n=6

3. S1E06 - Vitamin D: 8.13 (0.21) [7.98-8.28] n=2

4. S1E13 - Sectionals: 7.99 (0.78) [7.04-8.82] n=4

5. S4E04 - The Break-Up: 7.75 (0.78) [6.59-8.62] n=6

6. S2E06 - Never Been Kissed: 7.7 (1.28) [5.82-8.63] n=4

7. S3E17 - Dance With Somebody: 7.54 (0.8) [5.96-8.53] n=7

8. S3E21 - Nationals: 7.53 (0.87) [6.37-8.99] n=7

9. S2E11 - The Sue Sylvester Shuffle: 7.51 (0.95) [6.66-8.58] n=4

10. S1E22 - Journey to Regionals: 7.48 (0.89) [6.2-8.54] n=6

11. S2E21 - Funeral: 7.48 (0.56) [7.04-8.46] n=5

12. S5E15 - Bash: 7.35 (0.48) [6.79-8.11] n=6

13. S4E13 - Diva: 7.34 (0.58) [6.32-7.93] n=7

14. S1E09 - Wheels: 7.29 (0.28) [6.97-7.47] n=3

15. S3E11 - Michael: 7.28 (1.01) [5.59-9.17] n=10

16. S6E03 - Jagged Little Tapestry: 7.27 (0.61) [6.49-7.86] n=5

17. S3E15 - Big Brother: 7.19 (0.75) [6.27-7.98] n=5

18. S3E14 - On My Way: 7.17 (1.11) [6.15-9.17] n=6

19. S3E08 - Hold on to Sixteen: 7.15 (1.01) [5.43-8.42] n=7

20. S6E02 - Homecoming: 7.13 (0.98) [5.34-8.03] n=6

21. S1E18 - Laryngitis: 7.1 (1.41) [5.36-9.06] n=6

22. S2E09 - Special Education: 7.05 (1.73) [4.2-9.21] n=6

23. S4E07 - Dynamic Duets: 7.05 (0.89) [5.49-7.74] n=5

24. S5E12 - 100: 7.05 (1.04) [5.42-8.15] n=6

25. S6E13 - Dreams Come True: 7.05 (1.26) [5.55-8.72] n=6

26. S5E01 - Love, Love, Love: 7.04 (0.79) [6.17-8.22] n=8

27. S1E15 - The Power of Madonna: 7.02 (1.2) [5.24-8.9] n=8

28. S2E04 - Duets: 7.02 (1.68) [3.77-9.11] n=7

29. S3E02 - I Am Unicorn: 7 (1.48) [5.29-7.93] n=3

30. S5E04 - A Katy or a Gaga: 6.96 (0.91) [5.93-8.13] n=4

31. S1E07 - Throwdown: 6.94 (0.96) [5.34-7.61] n=5

32. S4E14 - I Do: 6.94 (0.76) [5.59-7.41] n=5

33. S3E06 - Mash Off: 6.89 (1.83) [4.81-9.36] n=5

34. S5E13 - New Directions: 6.89 (0.53) [6.16-7.6] n=6

35. S6E08 - A Wedding: 6.89 (0.34) [6.59-7.37] n=4

36. S1E19 - Dream On: 6.88 (0.33) [6.5-7.2] n=4

37. S2E20 - Prom Queen: 6.88 (0.9) [5.41-7.69] n=6

38. S3E16 - Saturday Night Glee-ver: 6.87 (0.49) [5.98-7.62] n=8

39. S2E05 - Rocky Horror Glee Show: 6.85 (0.89) [5.28-8.06] n=8

40. S4E21 - Wonder-ful: 6.85 (0.64) [5.87-7.68] n=7

41. S3E01 - The Purple Piano Project: 6.81 (1.46) [4.08-8.26] n=6

42. S4E05 - The Role You Were Born to Play: 6.81 (0.95) [5.59-7.86] n=5

43. S6E11 - We Built This Glee Club: 6.81 (0.97) [5.37-8.28] n=6

44. S6E12 - 2009: 6.81 (0.95) [5.72-8.15] n=5

45. S3E22 - Goodbye: 6.79 (0.58) [5.79-7.56] n=6

46. S5E09 - Frenemies: 6.78 (0.78) [5.58-8.04] n=7

47. S5E20 - The Untitled Rachel Berry Project: 6.77 (1.12) [5.09-8.01] n=7

48. S4E06 - Glease: 6.75 (1) [5.66-7.96] n=6

49. S3E05 - The First Time: 6.74 (0.77) [5.83-7.66] n=5

50. S4E17 - Guilty Pleasures: 6.74 (0.66) [5.73-7.52] n=7

51. S5E14 - New New York: 6.74 (0.83) [5.68-7.65] n=6

52. S2E02 - Britney/Brittany: 6.7 (0.74) [5.66-7.81] n=6

53. S5E10 - Trio: 6.7 (1.11) [4.54-8.22] n=7

54. S3E03 - Asian F: 6.69 (0.67) [5.79-7.31] n=6

55. S5E02 - Tina In the Sky with Diamonds: 6.68 (0.88) [5.62-7.8] n=7

56. S4E15 - Girls (and Boys) on Film: 6.66 (1.18) [5.19-8.51] n=8

57. S5E11 - City of Angels: 6.64 (1.16) [4.99-8.06] n=6

58. S5E16 - Tested: 6.64 (1.02) [5.63-8.01] n=4

59. S4E12 - Naked: 6.63 (0.57) [6.07-7.3] n=6

60. S5E19 - Old Dog, New Tricks: 6.62 (0.47) [6.18-7.32] n=5

61. S3E18 - Choke: 6.59 (1.71) [4.69-9.01] n=7

62. S5E06 - Movin' Out: 6.59 (0.92) [5.19-7.68] n=7

63. S2E03 - Grilled Cheesus: 6.57 (1.29) [4.71-8.81] n=7

64. S2E16 - Original Song: 6.52 (1.68) [3.03-8.49] n=11

65. S2E17 - A Night of Neglect: 6.52 (0.56) [5.97-7.29] n=4

66. S4E09 - Swan Song: 6.52 (1.38) [5.23-8.7] n=6

67. S2E19 - Rumours: 6.49 (1.25) [4.01-7.95] n=7

68. S1E14 - Hell-O: 6.47 (0.48) [5.62-7.1] n=6

69. S1E12 - Mattress: 6.43 (0.88) [5.89-7.45] n=3

70. S4E16 - Feud: 6.4 (0.6) [5.69-7.38] n=6

71. S6E07 - Transitioning: 6.4 (1.31) [4.15-7.97] n=6

72. S2E12 - Silly Love Songs: 6.38 (1.31) [4.44-7.9] n=6

73. S3E10 - Yes/No: 6.38 (0.75) [5.15-7.38] n=6

74. S4E01 - The New Rachel: 6.38 (1.42) [3.68-7.81] n=7

75. S1E05 - The Rhodes Not Taken: 6.35 (1.37) [4.5-8.11] n=5

76. S1E20 - Theatricality: 6.34 (1.39) [5.48-8.81] n=5

77. S2E14 - Blame It On the Alcohol: 6.32 (1.48) [4.47-7.84] n=5

78. S1E16 - Home: 6.3 (0.86) [5.53-7.61] n=5

79. S4E03 - Makeover: 6.28 (1.01) [5.4-7.72] n=4

80. S3E13 - Heart: 6.27 (1.45) [4.19-8.44] n=9

81. S4E02 - Britney 2.0: 6.21 (0.67) [5.12-7.05] n=8

82. S3E09 - Extraordinary Merry Christmas: 6.2 (0.95) [4.85-7.69] n=9

83. S6E05 - The Hurt Locker, Part Two: 6.19 (0.64) [5.35-6.93] n=5

84. S3E07 - I Kissed a Girl: 6.16 (1.07) [4.73-7.38] n=6

85. S3E20 - Props: 6.15 (0.57) [5.31-6.56] n=4

86. S4E22 - All or Nothing: 6.15 (0.57) [5.2-6.9] n=7

87. S4E10 - Glee, Actually: 6.14 (0.74) [5.39-7.46] n=6

88. S3E19 - Prom-asaurus: 6.13 (0.79) [4.82-6.71] n=5

89. S2E15 - Sexy: 6.11 (1.43) [4.38-7.79] n=5

90. S4E08 - Thanksgiving: 6.11 (1.51) [3.26-7.62] n=6

91. S6E06 - What the World Needs Now: 6.09 (0.5) [5.33-6.77] n=8

92. S1E11 - Hairography: 6.07 (0.91) [4.89-7.49] n=6

93. S2E22 - New York: 6.06 (1.09) [4.64-7.76] n=9

94. S5E17 - Opening Night: 6.01 (1.07) [4.74-7.5] n=5

95. S1E01 - Pilot: 5.99 (1.09) [4.65-8.2] n=10

96. S2E08 - Furt: 5.98 (2.03) [3.46-7.74] n=4

97. S6E09 - Child Star: 5.98 (0.86) [5-7.21] n=6

98. S5E18 - The Back-Up Plan: 5.95 (0.91) [5.04-7.07] n=5

99. S2E01 - Audition: 5.94 (1.05) [4.45-7.31] n=7

100. S1E02 - Showmance: 5.93 (0.74) [5.34-6.93] n=4

101. S1E21 - Funk: 5.92 (1.25) [4.04-7.4] n=6

102. S2E07 - The Substitute: 5.92 (1.18) [4.3-7.43] n=5

103. S3E04 - Pot o' Gold: 5.82 (1.52) [4.31-7.78] n=5

104. S4E11 - Sadie Hawkins: 5.82 (1.47) [3.41-7.31] n=6

105. S2E10 - A Very Glee Christmas: 5.8 (1.47) [4.63-8.97] n=7

106. S2E13 - Comeback: 5.8 (1.13) [4.64-7.58] n=6

107. S1E17 - Bad Reputation: 5.77 (1.32) [4.21-7.3] n=5

108. S1E03 - Acafellas: 5.72 (2.53) [2.92-7.83] n=3

109. S4E20 - Lights Out: 5.72 (0.68) [4.85-6.48] n=6

110. S4E18 - Shooting Star: 5.7 (0.52) [5.3-6.3] n=3

111. S1E04 - Preggers: 5.68 (0.13) [5.58-5.77] n=2

112. S5E07 - Puppet Master: 5.64 (1.77) [3.23-7.19] n=5

113. S6E01 - Loser Like Me: 5.6 (0.85) [4.78-6.67] n=5

114. S5E05 - The End of Twerk: 5.59 (2.01) [2.66-7.77] n=5

115. S6E10 - The Rise and Fall of Sue Sylvester: 5.51 (1.53) [3.49-7.35] n=5

116. S4E19 - Sweet Dreams: 5.42 (0.4) [4.75-5.78] n=5

117. S1E10 - Ballad: 5.31 (1.38) [3.97-7.24] n=6

118. S6E04 - The Hurt Locker, Part One: 5.11 (0.71) [4.49-5.84] n=4

119. S5E08 - Previously Unaired Christmas: 5.06 (0.73) [3.7-5.75] n=7

120. S3E12 - The Spanish Teacher: 4.97 (1.33) [2.94-6.61] n=5

121. S1E08 - Mash-Up: 4.49 (1.64) [2.23-6.78] n=5

Full Song Ranking

Season/Episode - Song Name: mean (sd), median [range] number of votes

1. S3E06 - Rumour Has It/Someone Like You: 9.36 (1.02), 10 [5-10] n=146

2. S2E09 - Valerie: 9.21 (1.03), 10 [4-10] n=150

3. S3E11 - Smooth Criminal: 9.17 (1.37), 10 [2-10] n=148

4. S3E14 - Cough Syrup: 9.17 (1.46), 10 [1-10] n=150

5. S2E04 - River Deep, Mountain High: 9.11 (1.15), 10 [5-10] n=147

6. S1E18 - Rose's Turn: 9.06 (1.47), 10 [3-10] n=151

7. S3E18 - Not the Boy Next Door: 9.01 (1.46), 10 [1-10] n=146

8. S3E21 - Paradise By the Dashboard Light: 8.99 (1.49), 10 [4-10] n=145

9. S2E10 - Baby, It's Cold Outside: 8.97 (1.8), 10 [1-10] n=147

10. S1E15 - 4 Minutes: 8.9 (1.54), 10 [2-10] n=146

11. S5E03 - If I Die Young: 8.89 (1.65), 10 [1-10] n=140

12. S2E18 - Somewhere Only We Know: 8.89 (1.74), 10 [1-10] n=150

13. S5E03 - Seasons of Love: 8.88 (1.54), 10 [1-10] n=138

14. S2E18 - Born This Way: 8.86 (1.31), 9 [3-10] n=148

15. S1E13 - And I Am Telling You I'm Not Going: 8.82 (1.61), 10 [4-10] n=138

16. S1E20 - Bad Romance: 8.81 (1.36), 9 [2-10] n=153

17. S2E03 - I Want to Hold Your Hand: 8.81 (1.61), 9 [1-10] n=145

18. S6E13 - I Lived: 8.72 (1.56), 9 [2-10] n=130

19. S4E09 - Being Alive: 8.7 (1.77), 9.5 [2-10] n=130

20. S2E06 - Teenage Dream: 8.63 (2.08), 10 [1-10] n=151

21. S4E04 - The Scientist: 8.62 (1.77), 9 [1-10] n=148

22. S2E11 - Thriller/Heads Will Roll: 8.58 (1.63), 9 [2-10] n=145

23. S1E22 - Bohemian Rhapsody: 8.54 (1.88), 9 [1-10] n=150

24. S3E17 - How Will I Know: 8.53 (1.67), 9 [3-10] n=128

25. S3E18 - Shake It Out: 8.53 (1.73), 9 [1-10] n=138

26. S4E15 - Come What May: 8.51 (1.95), 9 [1-10] n=138

27. S2E16 - Blackbird: 8.49 (1.66), 9 [3-10] n=148

28. S2E18 - I Feel Pretty/Unpretty: 8.47 (1.7), 9 [3-10] n=145

29. S2E21 - Back to Black: 8.46 (1.5), 9 [3-10] n=137

30. S3E13 - Love Shack: 8.44 (1.62), 9 [3-10] n=140

31. S2E09 - Dog Days Are Over: 8.44 (1.44), 9 [3-10] n=141

32. S5E03 - Make You Feel My Love: 8.43 (2.04), 9 [1-10] n=131

33. S3E08 - Survivor/I Will Survive: 8.42 (1.47), 8 [3-10] n=136

34. S5E03 - I'll Stand By You: 8.4 (1.65), 9 [1-10] n=120

35. S1E13 - Don't Rain on My Parade: 8.39 (1.7), 9 [2-10] n=150

36. S2E06 - Start Me Up/Livin' on a Prayer: 8.38 (1.69), 9 [1-10] n=143

37. S1E22 - Don't Stop Believing (Regionals): 8.32 (1.65), 9 [2-10] n=142

38. S2E18 - As If We Never Said Goodbye: 8.32 (2.13), 9 [1-10] n=135

39. S4E04 - Don't Speak: 8.3 (1.6), 8 [2-10] n=139

40. S6E11 - Take Me to Church: 8.28 (1.69), 9 [1-10] n=125

41. S1E06 - It's My Life/Confessions Part II: 8.28 (1.44), 8 [4-10] n=149

42. S3E01 - It's Not Unusual: 8.26 (1.76), 8 [1-10] n=141

43. S5E10 - Gloria: 8.22 (1.67), 9 [1-10] n=125

44. S2E16 - Misery: 8.22 (1.75), 8 [1-10] n=137

45. S5E01 - Got to Get You Into My Life: 8.22 (1.75), 8 [2-10] n=129

46. S1E01 - Don't Stop Believing (Pilot): 8.2 (1.69), 8.5 [3-10] n=152

47. S1E15 - Like a Prayer: 8.18 (1.64), 9 [3-10] n=139

48. S6E12 - Don't Stop Believing (Pilot/2009): 8.15 (2.01), 9 [1-10] n=115

49. S5E12 - Valerie: 8.15 (1.75), 9 [2-10] n=129

50. S5E04 - Marry the Night: 8.13 (1.74), 8 [1-10] n=123

51. S5E15 - I'm Still Here: 8.11 (1.87), 9 [2-10] n=114

52. S3E21 - Edge of Glory: 8.11 (1.71), 8 [2-10] n=132

53. S1E05 - Somebody to Love: 8.11 (1.59), 8 [2-10] n=150

54. S5E01 - All You Need Is Love: 8.11 (2.13), 9 [1-10] n=134

55. S5E11 - I Still Haven't Found What I'm Looking For: 8.06 (1.81), 8 [2-10] n=110

56. S2E05 - Time Warp: 8.06 (1.7), 8 [1-10] n=137

57. S4E04 - Mine: 8.05 (1.95), 9 [2-10] n=127

58. S5E09 - I Believe in a Thing Called Love: 8.04 (1.88), 8 [1-10] n=113

59. S2E11 - Bills, Bills, Bills: 8.03 (1.65), 8 [3-10] n=139

60. S6E02 - Home: 8.03 (1.77), 8 [1-10] n=110

61. S5E16 - Love Is a Battlefield: 8.01 (1.6), 8 [4-10] n=123

62. S5E20 - American Boy: 8.01 (2.05), 8 [1-10] n=133

63. S5E20 - Pompeii: 7.98 (1.69), 8 [2-10] n=128

64. S1E06 - Halo/Walking On Sunshine: 7.98 (1.65), 8 [3-10] n=151

65. S3E15 - Somebody That I Used to Know: 7.98 (1.84), 8 [1-10] n=143

66. S1E18 - The Boy Is Mine: 7.98 (1.65), 8 [3-10] n=139

67. S3E17 - So Emotional: 7.98 (1.88), 8 [1-10] n=125

68. S6E07 - Somebody Loves You: 7.97 (1.88), 8 [1-10] n=116

69. S2E06 - Stop! In the Name of Love/Free Your Mind: 7.96 (1.71), 8 [1-10] n=138

70. S4E06 - Beauty School Dropout: 7.96 (1.87), 8 [1-10] n=134

71. S2E19 - Songbird: 7.95 (2.14), 8 [1-10] n=127

72. S3E11 - Bad: 7.95 (1.66), 8 [3-10] n=140

73. S4E13 - Don't Stop Me Now: 7.93 (1.87), 8 [1-10] n=136

74. S3E02 - Something's Coming: 7.93 (1.95), 9 [2-10] n=127

75. S4E13 - Girl On Fire: 7.92 (1.94), 8 [1-10] n=138

76. S2E04 - Happy Days Are Here Again/Get Happy: 7.91 (2.01), 8 [1-10] n=136

77. S2E12 - Silly Love Songs: 7.9 (2.09), 8 [1-10] n=140

78. S4E04 - Teenage Dream (Acoustic): 7.9 (2.55), 9 [1-10] n=150

79. S2E04 - Le Jazz Hot: 7.9 (2.04), 8 [1-10] n=138

80. S4E05 - Hopelessly Devoted to You: 7.86 (2.24), 8 [1-10] n=137

81. S6E13 - Daydream Believer: 7.86 (1.87), 8 [1-10] n=120

82. S6E03 - Hand in My Pocket/I Feel the Earth Move: 7.86 (2.1), 8 [1-10] n=119

83. S3E08 - ABC: 7.85 (1.71), 8 [1-10] n=142

84. S2E14 - Don't You Want Me: 7.84 (2.12), 8 [1-10] n=135

85. S3E17 - It's Not Right But It's Okay: 7.84 (2.33), 8 [1-10] n=141

86. S6E02 - Tightrope: 7.83 (1.91), 8 [1-10] n=121

87. S1E03 - Bust Your Windows: 7.83 (1.98), 8 [2-10] n=149

88. S2E02 - Me Against the Music: 7.81 (1.93), 8 [2-10] n=128

89. S4E01 - It's Time: 7.81 (1.8), 8 [1-10] n=130

90. S5E02 - Hey Jude: 7.8 (1.97), 8 [1-10] n=129

91. S2E15 - Landslide: 7.79 (2.24), 8 [1-10] n=137

92. S3E02 - I'm the Greatest Star: 7.78 (1.88), 8 [1-10] n=130

93. S3E04 - Candyman: 7.78 (1.7), 8 [1-10] n=129

94. S5E05 - If I Were a Boy: 7.77 (2.19), 8 [1-10] n=135

95. S3E08 - We Are Young: 7.77 (1.97), 8 [2-10] n=141

96. S2E22 - For Good: 7.76 (2.04), 8 [1-10] n=122

97. S6E13 - This Time: 7.76 (1.97), 8 [1-10] n=111

98. S2E05 - Sweet Transvestite: 7.75 (1.89), 8 [1-10] n=136

99. S3E13 - I Will Always Love You: 7.75 (1.91), 8 [1-10] n=124

100. S2E08 - Marry You: 7.74 (1.71), 8 [3-10] n=145

101. S3E01 - You Can't Stop the Beat: 7.74 (1.69), 8 [1-10] n=137

102. S5E12 - Toxic: 7.74 (2.09), 8 [2-10] n=125

103. S6E03 - It's Too Late: 7.74 (1.9), 8 [2-10] n=105

104. S3E15 - Fighter: 7.74 (2.22), 8 [1-10] n=136

105. S4E07 - Some Nights: 7.74 (1.71), 8 [3-10] n=126

106. S1E22 - Any Way You Want It/Lovin' Touchin' Squeezin': 7.74 (1.93), 8 [1-10] n=133

107. S4E03 - Everybody Wants to Rule the World: 7.72 (1.81), 8 [2-10] n=129

108. S2E16 - Raise Your Glass: 7.72 (1.95), 8 [1-10] n=149

109. S5E12 - Defying Gravity: 7.71 (1.81), 8 [1-10] n=133

110. S1E13 - My Life Would Suck Without You: 7.7 (1.88), 8 [1-10] n=142

111. S3E09 - Let It Snow: 7.69 (2.2), 8 [1-10] n=132

112. S2E20 - Rolling in the Deep: 7.69 (2.01), 8 [1-10] n=140

113. S4E21 - Superstition: 7.68 (1.77), 8 [2-10] n=117

114. S5E06 - Just the Way You Are: 7.68 (1.9), 8 [1-10] n=110

115. S2E16 - Loser Like Me: 7.68 (2.18), 8 [1-10] n=142

116. S4E09 - Don't Dream It's Over: 7.66 (1.88), 8 [2-10] n=107

117. S3E05 - America: 7.66 (1.6), 8 [1-10] n=139

118. S3E17 - I Have Nothing: 7.66 (2.18), 8 [1-10] n=135

119. S3E21 - It's All Coming Back to Me Now: 7.66 (2.06), 8 [1-10] n=126

120. S5E14 - Rockstar: 7.65 (1.92), 8 [1-10] n=111

121. S1E18 - Jessie's Girl: 7.65 (1.78), 8 [2-10] n=144

122. S4E13 - Nutbush City Limits: 7.63 (2.12), 8 [2-10] n=131

123. S3E11 - Never Can Say Goodbye: 7.63 (1.87), 8 [2-10] n=123

124. S3E16 - Disco Inferno: 7.62 (2.14), 8 [1-10] n=129

125. S3E06 - Hit Me with Your Best Shot/One Way or Another: 7.62 (1.57), 8 [1-10] n=141

126. S4E08 - Home/Homeward Bound: 7.62 (2.15), 8 [1-10] n=112

127. S1E07 - Keep Holding On: 7.61 (1.47), 8 [2-10] n=145

128. S1E16 - Beautiful: 7.61 (1.81), 8 [1-10] n=128

129. S3E21 - Tongue Tied: 7.61 (2.14), 8 [1-10] n=130

130. S4E01 - Chasing Pavements: 7.61 (1.75), 8 [2-10] n=132

131. S2E12 - When I Get You Alone: 7.6 (2.06), 8 [1-10] n=130

132. S5E13 - Don't Stop Believin' (Season Five): 7.6 (2.13), 8 [1-10] n=125

133. S5E20 - All of Me: 7.6 (2.15), 8 [1-10] n=122

134. S3E11 - Human Nature: 7.6 (2.13), 8 [1-10] n=121

135. S1E07 - Hate On Me: 7.58 (1.83), 8 [2-10] n=132

136. S2E13 - Take Me or Leave Me: 7.58 (2.14), 8 [1-10] n=127

137. S5E14 - You Make Me Feel So Young: 7.58 (1.8), 8 [1-10] n=116

138. S3E17 - I Wanna Dance With Somebody (Who Loves Me): 7.57 (1.92), 8 [1-10] n=138

139. S5E15 - Colorblind: 7.57 (1.96), 8 [2-10] n=105

140. S4E06 - There Are Worse Things I Could Do: 7.57 (2.05), 8 [1-10] n=120

141. S2E20 - Dancing Queen: 7.56 (1.73), 8 [1-10] n=144

142. S3E22 - You Get What You Give: 7.56 (1.87), 8 [2-10] n=106

143. S6E02 - Take On Me: 7.55 (1.6), 8 [2-10] n=120

144. S2E20 - I'm Not Gonna Teach Your Boyfriend How to Dance with You: 7.54 (2.18), 8 [1-10] n=136

145. S3E11 - Wanna Be Startin' Somethin': 7.52 (2.14), 8 [1-10] n=129

146. S4E17 - Against All Odds (Take a Look at Me Now): 7.52 (2.36), 8 [1-10] n=122

147. S2E16 - Hell to the No: 7.5 (2.05), 8 [1-10] n=141

148. S5E17 - Pumpin Blood: 7.5 (1.65), 8 [1-10] n=115

149. S5E11 - More Than a Feeling: 7.5 (1.97), 8 [1-10] n=103

150. S1E11 - True Colors: 7.49 (1.74), 8 [2-10] n=147

151. S2E08 - Just the Way You Are: 7.49 (1.62), 8 [1-10] n=137

152. S6E03 - Will You Still Love Me Tomorrow/Head Over Feet: 7.48 (2.06), 8 [1-10] n=106

153. S5E15 - No One Is Alone: 7.47 (1.9), 8 [2-10] n=114

154. S1E09 - Defying Gravity: 7.47 (1.98), 8 [1-10] n=149

155. S5E02 - Here Comes the Sun: 7.46 (1.78), 8 [2-10] n=125

156. S4E10 - White Christmas: 7.46 (2.32), 8 [1-10] n=127

157. S3E15 - Rio/Hungry Like the Wolf: 7.45 (2.27), 8 [1-10] n=131

158. S4E13 - Hung Up: 7.45 (1.83), 8 [1-10] n=114

159. S1E12 - Jump: 7.45 (1.57), 7 [2-10] n=141

160. S1E09 - Proud Mary: 7.44 (1.74), 8 [4-10] n=135

161. S4E17 - Wake Me Up Before You Go-Go: 7.44 (1.98), 8 [1-10] n=131

162. S4E15 - Shout: 7.43 (1.79), 7 [1-10] n=120

163. S3E14 - Stronger (What Doesn't Kill You): 7.43 (1.91), 8 [1-10] n=137

164. S5E02 - Let It Be: 7.43 (1.88), 8 [1-10] n=119

165. S2E07 - Singing In the Rain/Umbrella: 7.43 (2.03), 8 [2-10] n=145

166. S1E07 - Ride Wit Me: 7.43 (2.05), 8 [1-10] n=131

167. S5E06 - Piano Man: 7.43 (2.15), 8 [1-10] n=124

168. S4E15 - Footloose: 7.42 (1.65), 7 [3-10] n=118

169. S4E14 - Just Can't Get Enough: 7.41 (2), 8 [1-10] n=123

170. S1E21 - Another One Bites the Dust: 7.4 (1.98), 8 [1-10] n=130

171. S2E14 - Blame It (On the Alcohol): 7.39 (2.02), 8 [1-10] n=142

172. S4E01 - New York State of Mind: 7.39 (1.91), 8 [1-10] n=133

173. S2E19 - Go Your Own Way: 7.39 (1.89), 8 [1-10] n=123

174. S4E16 - Cold Hearted: 7.38 (2.13), 8 [1-10] n=115

175. S3E10 - Summer Nights: 7.38 (1.77), 7 [2-10] n=136

176. S5E03 - Fire and Rain: 7.38 (2.08), 8 [1-10] n=105

177. S3E07 - Perfect: 7.38 (1.99), 7 [1-10] n=136

178. S6E08 - At Last: 7.37 (1.91), 8 [1-10] n=110

179. S4E06 - You're the One That I Want: 7.37 (1.67), 7 [3-10] n=130

180. S3E11 - Black or White: 7.37 (1.82), 8 [1-10] n=136

181. S4E05 - Everybody Talks: 7.36 (1.9), 8 [1-10] n=129

182. S4E07 - Holding Out for a Hero: 7.36 (1.76), 8 [1-10] n=125

183. S6E07 - I Know Where I've Been: 7.36 (2.33), 8 [1-10] n=100

184. S3E18 - Cell Block Tango: 7.36 (1.88), 8 [1-10] n=135

185. S6E10 - Rise: 7.35 (2.1), 8 [1-10] n=99

186. S4E07 - My Dark Side: 7.35 (2.11), 7 [1-10] n=119

187. S2E21 - Some People: 7.35 (2), 7 [1-10] n=115

188. S3E09 - All I Want for Christmas Is You: 7.35 (2.3), 8 [1-10] n=118

189. S5E06 - Movin' Out (Anthony's Song): 7.34 (2.02), 8 [1-10] n=119

190. S3E05 - Uptown Girl: 7.33 (2.23), 8 [1-10] n=144

191. S2E05 - Science Fiction Double Feature: 7.32 (1.92), 7 [2-10] n=133

192. S5E19 - Take Me Home Tonight: 7.32 (1.74), 7 [2-10] n=103

193. S3E03 - Spotlight: 7.31 (2.08), 7 [3-10] n=105

194. S4E07 - Heroes: 7.31 (2.18), 8 [1-10] n=109

195. S4E11 - No Scrubs: 7.31 (1.85), 7 [2-10] n=123

196. S2E01 - Empire State of Mind: 7.31 (1.65), 8 [3-10] n=147

197. S6E12 - Popular: 7.3 (1.95), 8 [1-10] n=115

198. S4E14 - Getting Married Today: 7.3 (2.01), 7 [1-10] n=125

199. S4E12 - This Is the New Year: 7.3 (1.97), 8 [2-10] n=113

200. S5E01 - Help!: 7.3 (2.03), 8 [1-10] n=133

201. S1E17 - Total Eclipse of the Heart: 7.3 (1.77), 7.5 [1-10] n=144

202. S3E07 - Constant Craving: 7.29 (2.04), 8 [1-10] n=123

203. S2E17 - Ain't No Way: 7.29 (2.34), 8 [1-10] n=105

204. S2E21 - Pure Imagination: 7.28 (1.92), 7 [2-10] n=131

205. S2E21 - Try a Little Tenderness: 7.27 (2.1), 7.5 [1-10] n=110

206. S5E09 - Don't Rain On My Parade: 7.27 (2.24), 7 [1-10] n=133

207. S2E03 - Losing My Religion: 7.26 (1.92), 7 [1-10] n=133

208. S3E06 - I Can't Go for That/You Make My Dreams Come True: 7.26 (1.97), 8 [1-10] n=131

209. S3E08 - Man in the Mirror: 7.26 (2.01), 8 [1-10] n=140

210. S3E16 - If I Can't Have You: 7.25 (2.09), 8 [1-10] n=124

211. S3E17 - My Love Is Your Love: 7.25 (1.9), 7 [2-10] n=113

212. S3E03 - It's All Over: 7.25 (2.24), 8 [1-10] n=105

213. S5E15 - Not While I'm Around: 7.25 (2.08), 7 [1-10] n=118

214. S1E10 - Lean On Me: 7.24 (1.83), 7 [2-10] n=132

215. S4E14 - Anything Could Happen: 7.23 (1.76), 7 [2-10] n=113

216. S2E04 - Sing!: 7.23 (1.89), 7 [1-10] n=135

217. S1E15 - Like a Virgin: 7.22 (1.98), 7 [2-10] n=141

218. S6E09 - I Want to Break Free: 7.21 (1.83), 7 [1-10] n=112

219. S3E21 - We Are the Champions: 7.21 (2.14), 7 [1-10] n=136

220. S3E11 - I Want You Back: 7.21 (2.18), 7 [1-10] n=123

221. S6E02 - Mustang Sally: 7.21 (1.92), 7 [1-10] n=106

222. S2E15 - Animal: 7.2 (2.11), 8 [1-10] n=137

223. S1E21 - Give Up the Funk: 7.2 (1.92), 7 [2-10] n=138

224. S4E12 - Love Song: 7.2 (1.82), 7 [3-10] n=119

225. S1E19 - Dream On: 7.2 (2.13), 7 [1-10] n=128

226. S5E07 - Into the Groove: 7.19 (1.97), 7 [2-10] n=93

227. S5E13 - Be Okay: 7.19 (1.94), 7 [1-10] n=94

228. S3E14 - Glad You Came: 7.18 (2.01), 7 [2-10] n=136

229. S4E14 - We've Got Tonite: 7.18 (1.85), 7 [2-10] n=122

230. S4E21 - Signed, Sealed, Delivered, I'm Yours: 7.18 (1.67), 7 [1-10] n=124

231. S1E05 - Maybe This Time: 7.17 (1.96), 8 [2-10] n=132

232. S2E02 - I'm a Slave 4 U: 7.17 (1.98), 7 [1-10] n=138

233. S4E05 - Blow Me (One Last Kiss): 7.17 (2.17), 8 [1-10] n=120

234. S5E10 - Hold On: 7.17 (1.84), 7 [2-10] n=90

235. S6E11 - Chandelier: 7.16 (2.13), 8 [1-10] n=124

236. S5E13 - I Am Changing: 7.16 (2.01), 7 [2-10] n=102

237. S4E13 - Bring Him Home: 7.15 (2.22), 7.5 [1-10] n=124

238. S2E22 - My Cup: 7.14 (2.5), 7 [1-10] n=139

239. S4E15 - Old Time Rock & Roll/Danger Zone: 7.11 (2.07), 7 [1-10] n=118

240. S4E11 - Locked Out of Heaven: 7.11 (2.05), 7.5 [1-10] n=110

241. S1E19 - Dream a Little Dream: 7.1 (1.9), 7 [2-10] n=115

242. S1E01 - Rehab: 7.1 (1.7), 7 [3-10] n=141

243. S1E14 - Gives You Hell: 7.1 (1.83), 7 [1-10] n=146

244. S3E01 - Anything Goes/Anything You Can Do: 7.09 (2.13), 7 [1-10] n=127

245. S1E22 - Faithfully: 7.07 (2.03), 7 [1-10] n=128

246. S4E21 - You Are the Sunshine of My Life: 7.07 (1.75), 7 [2-10] n=114

247. S5E07 - Nasty/Rhythm Nation: 7.07 (2.09), 7 [2-10] n=100

248. S5E01 - A Hard Day's Night: 7.07 (1.82), 7 [1-10] n=118

249. S3E01 - We Got the Beat: 7.07 (1.69), 7 [2-10] n=137

250. S5E18 - Doo Wop (That Thing): 7.07 (2.09), 7 [2-10] n=107

251. S3E22 - I'll Remember: 7.06 (1.97), 7 [1-10] n=114

252. S4E17 - Mamma Mia: 7.06 (1.6), 7 [3-10] n=127

253. S1E15 - Express Yourself: 7.05 (1.85), 7 [2-10] n=128

254. S4E02 - Womanizer: 7.05 (1.83), 7 [1-10] n=128

255. S5E04 - Wide Awake: 7.05 (2.12), 7 [2-10] n=110

256. S4E04 - Barely Breathing: 7.05 (2.16), 7 [1-10] n=118

257. S6E11 - Listen to Your Heart: 7.05 (2.24), 7 [1-10] n=101

258. S5E10 - Don't You (Forget About Me): 7.05 (1.73), 7 [1-10] n=108

259. S4E21 - Higher Ground: 7.04 (2.1), 7 [1-10] n=93

260. S1E13 - You Can't Always Get What You Want: 7.04 (1.74), 7 [1-10] n=131

261. S2E21 - My Man: 7.04 (2.69), 7 [1-10] n=113

262. S5E12 - Keep Holding On: 7.03 (1.98), 7 [2-10] n=115

263. S4E21 - For Once in My Life: 7.02 (1.99), 7 [2-10] n=94

264. S2E09 - Hey, Soul Sister: 7.02 (2.24), 7 [1-10] n=143

265. S4E02 - 3: 7.02 (2.14), 7 [1-10] n=121

266. S1E22 - To Sir, With Love: 7.01 (2.21), 7 [1-10] n=126

267. S3E16 - You Should Be Dancing: 7.01 (2.32), 7 [1-10] n=126

268. S2E22 - I Love New York/New York, New York: 7.01 (1.89), 7 [1-10] n=136

269. S1E15 - Vogue: 7.01 (1.85), 7 [1-10] n=141

270. S3E03 - Run the World (Girls): 7 (2.03), 7 [1-10] n=143

271. S3E08 - Control: 7 (2.13), 7 [1-10] n=127

272. S3E16 - More Than a Woman: 6.99 (2.26), 7 [1-10] n=123

273. S4E08 - Come See About Me: 6.99 (2), 7 [1-10] n=111

274. S5E14 - Best Day of My Life: 6.99 (1.76), 7 [1-10] n=109

275. S1E17 - Run Joey Run: 6.99 (2.33), 7 [1-10] n=145

276. S3E04 - Last Friday Night: 6.97 (2.01), 7 [1-10] n=141

277. S1E09 - Dancing With Myself: 6.97 (1.82), 7 [1-10] n=135

278. S4E13 - Diva: 6.96 (2.18), 7 [1-10] n=130

279. S5E03 - No Surrender: 6.95 (2.35), 7 [1-10] n=103

280. S6E05 - It Must Have Been Love: 6.93 (1.98), 7 [1-10] n=108

281. S1E02 - I Say a Little Prayer: 6.93 (2.07), 7 [1-10] n=148

282. S5E11 - America: 6.92 (1.97), 7 [1-10] n=95

283. S3E14 - Here's to Us: 6.91 (2.17), 7 [1-10] n=125

284. S5E15 - You Make Me Feel Like a Natural Woman: 6.91 (1.95), 7 [2-10] n=102

285. S5E09 - Breakaway: 6.91 (2.01), 7 [1-10] n=90

286. S3E11 - Scream: 6.91 (2.2), 7 [1-10] n=118

287. S3E10 - We Found Love: 6.9 (1.77), 7 [2-10] n=134

288. S3E13 - Stereo Hearts: 6.9 (1.85), 7 [1-10] n=133

289. S4E22 - Hall of Fame: 6.9 (1.99), 7 [1-10] n=112

290. S3E22 - In My Life: 6.89 (1.94), 7 [2-10] n=106

291. S1E15 - Borderline/Open Your Heart: 6.88 (1.9), 7 [1-10] n=121

292. S3E13 - L-O-V-E: 6.88 (1.92), 7 [1-10] n=119

293. S2E05 - Damn It, Janet: 6.88 (1.9), 7 [2-10] n=133

294. S4E12 - Let Me Love You (Until You Learn to Love Yourself): 6.88 (2.24), 7 [1-10] n=107

295. S2E05 - Whatever Happened to Saturday Night?: 6.88 (1.9), 7 [1-10] n=128

296. S3E03 - Cool: 6.87 (1.84), 7 [1-10] n=110

297. S5E09 - Brave: 6.85 (2.12), 7 [1-10] n=111

298. S2E04 - Lucky: 6.84 (2.09), 7 [1-10] n=136

299. S2E12 - P.Y.T. (Pretty Young Thing): 6.83 (1.88), 7 [1-10] n=127

300. S2E14 - Tik Tok: 6.83 (1.99), 7 [2-10] n=139

301. S3E16 - Boogie Shoes: 6.83 (2.2), 7 [1-10] n=118

302. S5E11 - Mr. Roboto/Counting Stars: 6.83 (2.14), 7 [1-10] n=105

303. S6E02 - Problem: 6.83 (2.01), 7 [1-10] n=110

304. S3E16 - Stayin' Alive: 6.83 (2.06), 7 [1-10] n=127

305. S1E18 - Lady Is a Tramp: 6.83 (1.78), 7 [2-10] n=126

306. S4E17 - Wannabe: 6.82 (1.93), 7 [1-10] n=121

307. S3E22 - Roots Before Branches: 6.81 (2.46), 7 [1-10] n=124

308. S5E10 - The Happening: 6.79 (1.98), 7 [2-10] n=97

309. S5E15 - Broadway Baby: 6.79 (2.13), 7 [1-10] n=116

310. S6E08 - I'm So Excited: 6.79 (1.62), 7 [2-10] n=106

311. S6E08 - Our Day Will Come: 6.79 (1.88), 7 [1-10] n=103

312. S1E01 - Respect: 6.78 (1.5), 7 [3-10] n=148

313. S1E08 - Sweet Caroline: 6.78 (1.54), 7 [3-10] n=138

314. S1E10 - I'll Stand By You: 6.78 (1.94), 7 [1-10] n=141

315. S5E19 - Lucky Star: 6.78 (2.24), 7 [1-10] n=100

316. S6E06 - What the World Needs Now: 6.77 (1.7), 7 [1-10] n=96

317. S2E02 - Stronger: 6.77 (1.87), 7 [2-10] n=120

318. S5E10 - Jumpin' Jumpin': 6.77 (2.14), 7 [1-10] n=98

319. S2E11 - She's Not There: 6.76 (2.1), 7 [1-10] n=114

320. S6E03 - You Learn/You've Got a Friend: 6.76 (2.11), 7 [1-10] n=96

321. S2E03 - One of Us: 6.76 (2.14), 7 [1-10] n=119

322. S3E05 - A Boy Like That/I Have a Love: 6.76 (1.96), 7 [1-10] n=119

323. S2E20 - Isn't She Lovely: 6.76 (1.84), 7 [2-10] n=131

324. S2E19 - I Don't Want to Know: 6.75 (2.18), 7 [1-10] n=106

325. S3E21 - Pinball Wizard: 6.75 (1.85), 7 [1-10] n=123

326. S2E18 - I've Gotta Be Me: 6.75 (2.03), 7 [1-10] n=110

327. S5E16 - I Want to Know What Love Is: 6.74 (2.01), 7 [1-10] n=94

328. S2E19 - Don't Stop: 6.74 (2.05), 7 [1-10] n=109

329. S1E07 - You Keep Me Hanging On: 6.73 (1.78), 7 [1-10] n=133

330. S5E13 - Loser Like Me: 6.73 (2.24), 7 [1-10] n=124

331. S1E19 - I Dreamed a Dream: 6.72 (2.16), 7 [1-10] n=119

332. S1E16 - A House Is Not a Home: 6.72 (2.18), 7 [1-10] n=121

333. S4E16 - Bye Bye Bye/I Want It That Way: 6.71 (1.94), 7 [1-10] n=136

334. S2E09 - (I've Had) The Time of My Life: 6.71 (1.76), 7 [1-10] n=138

335. S5E04 - Applause: 6.71 (1.91), 7 [1-10] n=120

336. S3E19 - Big Girls Don't Cry: 6.71 (1.95), 7 [2-10] n=130

337. S2E09 - Don't Cry for Me Argentina: 6.7 (1.97), 7 [1-10] n=135

338. S6E10 - Rather Be: 6.68 (1.94), 7 [1-10] n=102

339. S6E12 - I Kissed a Girl: 6.67 (2.06), 7 [1-10] n=103

340. S6E01 - Suddenly Seymour: 6.67 (2.37), 7 [1-10] n=127

341. S2E16 - Trouty Mouth: 6.67 (2.63), 7 [1-10] n=141

342. S2E11 - Need You Now: 6.66 (1.96), 7 [1-10] n=114

343. S5E14 - Downtown: 6.65 (1.93), 7 [1-10] n=102

344. S2E01 - Listen: 6.65 (2.35), 7 [1-10] n=116

345. S3E13 - Cherish/Cherish: 6.65 (2.01), 7 [1-10] n=113

346. S3E01 - Ding-Dong! The Witch Is Dead: 6.64 (2), 7 [1-10] n=135

347. S5E01 - I Saw Her Standing There: 6.64 (1.85), 7 [1-10] n=104

348. S6E11 - Come Sail Away: 6.64 (2.12), 7 [1-10] n=98

349. S5E09 - Every Breath You Take: 6.64 (2.08), 7 [1-10] n=109

350. S6E05 - All Out of Love: 6.64 (2.11), 7 [1-10] n=103

351. S6E13 - Someday We'll Be Together: 6.64 (2.02), 7 [1-10] n=86

352. S3E22 - Glory Days: 6.64 (1.8), 7 [2-10] n=105

353. S2E16 - Get It Right: 6.63 (2.39), 7 [1-10] n=134

354. S1E14 - Highway to Hell: 6.63 (2.08), 7 [1-10] n=128

355. S3E19 - Take My Breath Away: 6.63 (2.12), 7 [1-10] n=117

356. S6E06 - Alfie: 6.63 (2.3), 7 [1-10] n=102

357. S5E18 - Story of My Life: 6.63 (2.16), 7 [1-10] n=126

358. S5E19 - Memory: 6.63 (1.93), 7 [2-10] n=99

359. S5E05 - On Our Way: 6.62 (2.11), 7 [1-10] n=87

360. S4E15 - Diamonds Are a Girl's Best Friend/Material Girl: 6.62 (2.1), 7 [1-10] n=125

361. S3E12 - La Isla Bonita: 6.61 (1.97), 7 [1-10] n=123

362. S1E14 - Hello, Goodbye: 6.6 (1.91), 7 [1-10] n=116

363. S6E07 - Time After Time: 6.6 (1.77), 7 [1-10] n=105

364. S5E20 - Shakin' My Head: 6.6 (1.98), 7 [1-10] n=94

365. S6E08 - Hey Ya!: 6.59 (1.91), 7 [1-10] n=113

366. S2E07 - Forget You: 6.59 (1.92), 7 [1-10] n=144

367. S4E04 - Give Your Heart a Break: 6.59 (2.15), 7 [1-10] n=124

368. S5E17 - Lovefool: 6.57 (1.88), 7 [1-10] n=106

369. S3E20 - Flashdance...What a Feeling: 6.56 (2.12), 7 [1-10] n=107

370. S3E15 - I'm Still Standing: 6.54 (2.03), 7 [1-10] n=138

371. S2E17 - Turning Tables: 6.53 (2.28), 7 [1-10] n=120

372. S2E03 - Only the Good Die Young: 6.53 (2.03), 7 [2-10] n=122

373. S1E11 - Imagine: 6.52 (2.02), 7 [1-10] n=136

374. S4E08 - Live While We're Young: 6.52 (2.24), 7 [1-10] n=121

375. S4E22 - All or Nothing: 6.51 (1.85), 7 [1-10] n=115

376. S1E14 - Hello, I Love You: 6.51 (1.93), 7 [1-10] n=126

377. S3E19 - Love You Like a Love Song: 6.5 (2.12), 7 [1-10] n=121

378. S1E19 - Safety Dance: 6.5 (2.1), 7 [1-10] n=128

379. S4E10 - Have Yourself a Merry Little Christmas: 6.5 (2.28), 7 [1-10] n=108

380. S4E16 - How to Be a Heartbreaker: 6.5 (2.03), 7 [1-10] n=120

381. S5E13 - Just Give Me a Reason: 6.5 (2.03), 7 [1-10] n=112

382. S4E22 - Clarity: 6.5 (1.85), 7 [2-10] n=105

383. S6E03 - So Far Away: 6.49 (2.09), 7 [1-10] n=93

384. S2E13 - Somebody to Love: 6.49 (2.38), 7 [1-10] n=124

385. S2E02 - Toxic: 6.49 (2.24), 7 [1-10] n=140

386. S4E20 - We Will Rock You: 6.48 (2.02), 7 [1-10] n=114

387. S6E09 - Cool Kids: 6.48 (2.09), 7 [1-10] n=114

388. S6E06 - Wishin' And Hoping: 6.48 (1.91), 7 [1-10] n=106

389. S5E02 - Get Back: 6.48 (1.83), 7 [2-10] n=100

390. S2E05 - There's a Light (Over at the Frankenstein Place): 6.48 (1.98), 6 [2-10] n=124

391. S3E09 - My Favorite Things: 6.47 (2.14), 7 [1-10] n=127

392. S2E01 - Telephone: 6.47 (1.95), 7 [1-10] n=141

393. S2E22 - Light Up the World: 6.47 (2.34), 7 [1-10] n=120

394. S4E11 - Tell Him: 6.46 (2.02), 7 [1-10] n=108

395. S4E02 - Hold It Against Me: 6.46 (2.04), 7 [1-10] n=111

396. S3E16 - Night Fever: 6.46 (2.26), 7 [1-10] n=127

397. S2E01 - Billionaire: 6.45 (1.93), 6 [1-10] n=146

398. S3E20 - Because You Loved Me: 6.45 (2.09), 6 [1-10] n=94

399. S5E01 - Yesterday: 6.43 (2.16), 7 [1-10] n=118

400. S4E20 - Longest Time: 6.43 (1.93), 7 [1-10] n=108

401. S2E19 - Never Going Back Again: 6.42 (2.2), 7 [1-10] n=99

402. S6E09 - Uptown Funk: 6.42 (2.09), 7 [1-10] n=111

403. S3E10 - Without You: 6.42 (2.1), 6 [1-10] n=112

404. S1E03 - Mercy: 6.41 (1.85), 6.5 [1-10] n=116

405. S5E06 - You May Be Right: 6.41 (1.92), 6 [1-10] n=93

406. S5E05 - Wrecking Ball: 6.4 (1.92), 6 [2-10] n=124

407. S4E17 - Copacabana: 6.4 (2.08), 7 [1-10] n=123

408. S4E09 - All That Jazz: 6.39 (2.04), 7 [1-10] n=115

409. S5E10 - Barracuda: 6.38 (2.12), 6 [1-10] n=100

410. S3E21 - Starships: 6.37 (1.97), 7 [1-10] n=126

411. S5E01 - You've Got to Hide Your Love Away: 6.36 (2), 6 [1-10] n=114

412. S1E14 - Hello: 6.36 (2.07), 6 [2-10] n=112

413. S2E20 - Jar of Hearts: 6.36 (2.16), 7 [1-10] n=129

414. S5E07 - You're My Best Friend: 6.35 (2.37), 6.5 [1-10] n=96

415. S2E04 - Don't Go Breaking My Heart: 6.35 (1.98), 6 [1-10] n=130

416. S3E07 - I Kissed a Girl: 6.35 (2.37), 7 [1-10] n=143

417. S2E03 - Bridge Over Troubled Water: 6.35 (2.23), 7 [1-10] n=112

418. S6E11 - We Built This City: 6.35 (1.93), 7 [1-10] n=98

419. S4E02 - Boys/Boyfriend: 6.35 (1.99), 6 [1-10] n=113

420. S6E01 - Sing: 6.34 (1.92), 6 [1-10] n=96

421. S3E08 - Buenos Aires: 6.33 (2.27), 7 [1-10] n=117

422. S1E11 - Papa Don't Preach: 6.33 (2.07), 6 [1-10] n=134

423. S4E13 - Make No Mistake (She's Mine): 6.32 (1.93), 6 [2-10] n=111

424. S2E17 - I Follow Rivers: 6.3 (2.45), 7 [1-10] n=111

425. S4E18 - Say: 6.3 (2.14), 6 [1-10] n=88

426. S2E02 - Baby One More Time: 6.29 (1.94), 6 [1-10] n=133

427. S5E06 - My Life: 6.28 (2.05), 6 [1-10] n=98

428. S3E10 - The First Time Ever I Saw Your Face: 6.27 (2), 6 [2-10] n=116

429. S3E15 - Up Up Up: 6.27 (1.68), 6 [1-10] n=109

430. S3E20 - Mean: 6.26 (2.13), 6 [1-10] n=122

431. S6E05 - Father Figure: 6.26 (2.15), 6 [1-10] n=92

432. S3E09 - Christmas Wrapping: 6.25 (2.3), 7 [1-10] n=116

433. S4E22 - Wings: 6.24 (1.85), 7 [1-10] n=96

434. S5E02 - Sgt. Pepper's Lonely Hearts Club Band: 6.24 (2.09), 6 [1-10] n=101

435. S4E12 - Torn: 6.23 (2.1), 6 [1-10] n=108

436. S5E12 - Raise Your Glass: 6.23 (2.3), 6 [1-10] n=123

437. S4E17 - My Prerogative: 6.22 (2.22), 6 [1-10] n=110

438. S4E02 - Crazy/U Drive Me Crazy: 6.21 (2.03), 7 [1-10] n=107

439. S4E06 - Greased Lightning: 6.21 (2.07), 7 [1-10] n=126

440. S6E12 - Pony: 6.2 (2.13), 6 [1-10] n=99

441. S1E22 - Over the Rainbow: 6.2 (1.98), 6 [1-10] n=130

442. S5E16 - Addicted to Love: 6.2 (1.71), 6 [2-10] n=91

443. S5E19 - I Melt with You: 6.19 (1.96), 6 [1-10] n=88

444. S3E10 - Moves Like Jagger/Jumpin' Jack Flash: 6.18 (2.11), 7 [1-10] n=133

445. S3E09 - Do They Know It's Christmas?: 6.18 (2.43), 6.5 [1-10] n=122

446. S6E07 - You Give Love a Bad Name: 6.18 (1.95), 6 [1-10] n=89

447. S5E09 - My Lovin' (You're Never Gonna Get It): 6.18 (1.75), 6 [1-10] n=95

448. S4E08 - Whistle: 6.18 (2.5), 6 [1-10] n=129

449. S3E14 - Fly/I Believe I Can Fly: 6.18 (2.37), 6 [1-10] n=135

450. S5E19 - Werewolves of London: 6.18 (1.99), 6 [1-10] n=96

451. S5E01 - Drive My Car: 6.17 (1.97), 6 [1-10] n=109

452. S2E05 - Touch a Touch a Touch a Touch Me: 6.17 (2.41), 6 [1-10] n=138

453. S4E01 - Americano/Dance Again: 6.17 (2.16), 6 [1-10] n=117

454. S3E09 - Extraordinary Merry Christmas: 6.17 (2.48), 7 [1-10] n=127

455. S5E13 - Party All the Time: 6.16 (2.1), 6 [1-10] n=102

456. S3E14 - Stand: 6.15 (2.06), 6 [1-10] n=107

457. S4E03 - The Way You Look Tonight/You're Never Fully Dressed Without a Smile: 6.15 (1.8), 6 [2-10] n=115

458. S2E19 - Dreams: 6.15 (1.99), 6 [1-10] n=103

459. S3E05 - One Hand, One Heart: 6.14 (2.24), 6 [1-10] n=123

460. S4E08 - Let's Have a Kiki/Turkey Lurkey Time: 6.12 (2.59), 7 [1-10] n=142

461. S2E15 - Do You Wanna Touch Me (Oh Yeah): 6.12 (2.28), 6 [1-10] n=119

462. S6E07 - All About That Bass: 6.11 (2.06), 6 [1-10] n=115

463. S5E20 - Girls on Film: 6.1 (1.96), 6 [1-10] n=106

464. S4E01 - Call Me Maybe: 6.1 (2.17), 6 [1-10] n=133

465. S4E16 - The Bitch Is Back/Dress You Up: 6.08 (2), 6 [1-10] n=106

466. S6E06 - Promises, Promises: 6.08 (1.84), 6 [1-10] n=86

467. S2E13 - Sing: 6.08 (2.16), 6 [1-10] n=113

468. S4E21 - Uptight (Everything's Alright): 6.08 (1.94), 6 [1-10] n=89

469. S4E12 - Centerfold/Hot in Herre: 6.07 (2.12), 6 [1-10] n=114

470. S4E12 - A Thousand Years: 6.07 (2.11), 6 [1-10] n=115

471. S1E02 - Take a Bow: 6.07 (2.1), 6 [1-10] n=132

472. S4E05 - Born to Hand Jive: 6.06 (2.02), 6 [1-10] n=112

473. S5E20 - Glitter in the Air: 6.05 (2.34), 6 [1-10] n=85

474. S1E05 - Last Name: 6.03 (2), 6 [1-10] n=117

475. S6E06 - Arthur's Theme: 6.02 (1.87), 6 [1-10] n=94

476. S4E16 - Closer: 6.02 (2.03), 6 [1-10] n=96

477. S2E10 - Last Christmas: 6.02 (2.23), 6 [1-10] n=130

478. S1E20 - Shout It Out Loud: 6.01 (2), 6 [1-10] n=106

479. S3E07 - Jolene: 6 (2.23), 6 [1-10] n=134

480. S4E10 - Hanukkah, Oh Hanukkah: 6 (2.35), 6 [1-10] n=111

481. S4E20 - At the Ballet: 6 (2.32), 6 [1-10] n=130

482. S4E22 - I Love It: 5.99 (1.91), 6 [1-10] n=110

483. S3E16 - How Deep Is Your Love: 5.98 (2.18), 6 [1-10] n=117

484. S3E09 - Santa Claus Is Coming to Town: 5.98 (2.15), 6 [1-10] n=113

485. S2E12 - Fat Bottomed Girls: 5.98 (2.2), 6 [1-10] n=135

486. S1E12 - Smile (Charlie Chaplin): 5.97 (1.97), 6 [1-10] n=110

487. S2E17 - All By Myself: 5.97 (2.32), 6 [1-10] n=108

488. S3E17 - Saving All My Love For You: 5.96 (1.93), 6 [1-10] n=109

489. S3E19 - What Makes You Beautiful: 5.96 (2.06), 6 [1-10] n=126

490. S1E01 - Mr. Cellophane: 5.94 (1.93), 6 [1-10] n=150

491. S5E18 - Wake Me Up: 5.94 (2.27), 6 [1-10] n=99

492. S3E03 - Out Here On My Own: 5.93 (2.04), 5 [1-10] n=90

493. S5E04 - Roar: 5.93 (2.31), 6 [1-10] n=104

494. S5E17 - I'm the Greatest Star: 5.92 (2.25), 6 [1-10] n=105

495. S4E01 - Never Say Never: 5.92 (2.04), 6 [1-10] n=101

496. S3E13 - Let Me Love You: 5.92 (2.06), 6 [1-10] n=97

497. S1E01 - On My Own: 5.91 (1.8), 6 [1-10] n=137

498. S3E11 - I Just Can't Stop Loving You: 5.91 (2.04), 6 [1-10] n=99

499. S1E05 - Alone: 5.91 (2.02), 6 [1-10] n=108

500. S5E14 - People: 5.9 (2.2), 5 [1-10] n=93

501. S1E12 - Smile (Lily Allen): 5.89 (2.14), 6 [1-10] n=122

502. S4E03 - Celebrity Skin: 5.87 (2.38), 6 [1-10] n=105

503. S4E21 - I Wish: 5.87 (1.81), 6 [1-10] n=82

504. S1E21 - Loser: 5.86 (2.13), 6 [1-10] n=114

505. S2E22 - Pretending: 5.86 (2.46), 6 [1-10] n=111

506. S1E16 - Home: 5.85 (2.21), 6 [1-10] n=101

507. S2E07 - Make 'Em Laugh: 5.85 (2.05), 6 [1-10] n=124

508. S6E04 - Thousand Miles: 5.84 (2.15), 6 [1-10] n=107

509. S5E06 - Honesty: 5.83 (1.94), 5 [1-10] n=89

510. S6E06 - They Long to Be Close to You: 5.83 (1.92), 6 [1-10] n=89

511. S3E18 - Cry: 5.83 (2.28), 6 [1-10] n=100

512. S3E05 - Tonight: 5.83 (2.11), 6 [1-10] n=111

513. S2E06 - One Love (People Get Ready): 5.82 (1.84), 6 [1-10] n=106

514. S1E20 - Poker Face: 5.81 (2.37), 6 [1-10] n=140

515. S2E16 - Big Ass Heart: 5.81 (2.4), 6 [1-10] n=129

516. S1E01 - Can't Fight This Feeling: 5.8 (1.96), 6 [1-10] n=134

517. S6E13 - The Winner Takes It All: 5.8 (2.17), 6 [1-10] n=104

518. S4E10 - Jingle Bell Rock: 5.8 (2.18), 6 [1-10] n=108

519. S3E03 - Fix You: 5.79 (2.45), 6 [1-10] n=128

520. S3E22 - Forever Young: 5.79 (2.14), 6 [1-10] n=108

521. S4E19 - Next to Me: 5.78 (1.86), 6 [1-10] n=93

522. S4E02 - Oops!...I Did It Again: 5.78 (2.26), 6 [1-10] n=123

523. S1E16 - One Less Bell to Answer/A House Is Not a Home: 5.77 (2.38), 6 [1-10] n=113

524. S1E04 - Taking Chances: 5.77 (2.21), 6 [1-10] n=121

525. S6E05 - You Spin Me Round (Like a Record): 5.76 (2.22), 6 [1-10] n=105

526. S5E08 - Here Comes Santa Claus (Down Santa Claus Lane): 5.75 (2.57), 6 [1-10] n=97

527. S5E02 - Something: 5.73 (2.12), 6 [1-10] n=90

528. S4E17 - Creep: 5.73 (2.29), 6 [1-10] n=114

529. S4E06 - Look At Me I'm Sandra Dee (Reprise): 5.72 (1.98), 6 [1-10] n=112

530. S6E12 - I'm His Child: 5.72 (2), 5 [1-10] n=75

531. S1E18 - One: 5.72 (2.01), 6 [1-10] n=103

532. S4E22 - To Love You More: 5.71 (2.01), 5 [1-10] n=86

533. S4E16 - I Still Believe/Super Bass: 5.69 (2.42), 6 [1-10] n=130

534. S4E09 - O Holy Night: 5.69 (2.6), 5 [1-10] n=110

535. S5E08 - Rockin' Around the Christmas Tree: 5.68 (2.39), 6 [1-10] n=92

536. S4E10 - Feliz Navidad: 5.68 (2.34), 6 [1-10] n=119

537. S5E14 - Don't Sleep in the Subway: 5.68 (1.87), 5 [1-10] n=96

538. S1E21 - Good Vibrations: 5.68 (2.1), 6 [1-10] n=111

539. S2E02 - The Only Exception: 5.66 (2.32), 6 [1-10] n=127

540. S4E06 - Look At Me I'm Sandra Dee: 5.66 (2.08), 6 [1-10] n=118

541. S4E02 - Everytime: 5.66 (1.91), 5.5 [1-10] n=94

542. S4E11 - I Don't Know How to Love Him: 5.66 (2), 5 [1-10] n=102

543. S1E15 - Burning Up: 5.64 (1.98), 6 [1-10] n=96

544. S1E11 - Don't Make Me Over: 5.63 (2.32), 5 [1-10] n=101

545. S4E19 - Outcast: 5.63 (1.81), 6 [1-10] n=89

546. S5E16 - Let's Wait Awhile: 5.63 (1.82), 5 [1-10] n=91

547. S5E02 - Revolution: 5.62 (1.92), 6 [1-10] n=87

548. S1E14 - Hello Twelve, Hello Thirteen, Hello Love: 5.62 (2.4), 5 [1-10] n=100

549. S6E06 - Baby It's You: 5.62 (1.72), 5 [1-10] n=81

550. S1E20 - Beth: 5.6 (2.28), 6 [1-10] n=124

551. S2E03 - I Look to You: 5.6 (2.29), 5 [1-10] n=109

552. S4E05 - Juke Box Hero: 5.59 (2.04), 6 [1-10] n=116

553. S4E14 - You're All I Need to Get By: 5.59 (1.83), 5 [2-10] n=83

554. S3E11 - Ben: 5.59 (2.38), 6 [1-10] n=129

555. S6E04 - Bitch: 5.59 (2.36), 6 [1-10] n=102

556. S1E04 - Tonight: 5.58 (1.78), 6 [1-10] n=118

557. S5E09 - Whenever I Call You Friend: 5.58 (1.8), 5 [1-10] n=76

558. S5E11 - I Love LA: 5.56 (1.8), 5 [1-9] n=91

559. S2E12 - Firework: 5.55 (2.22), 6 [1-10] n=128

560. S6E13 - Teach Your Children: 5.55 (2.02), 5 [1-10] n=86

561. S3E18 - The Music of the Night: 5.54 (2.23), 5 [1-10] n=109

562. S1E11 - Hair/Crazy In Love: 5.54 (1.99), 6 [1-10] n=126

563. S3E04 - Take Care of Yourself: 5.54 (2.37), 5 [1-10] n=95

564. S1E16 - Fire: 5.53 (1.96), 5 [1-10] n=103

565. S2E22 - As Long as You're There: 5.52 (2.58), 5 [1-10] n=88

566. S6E09 - Break Free: 5.52 (2.12), 5 [1-10] n=96

567. S4E15 - In Your Eyes: 5.51 (1.66), 5 [2-10] n=90

568. S4E18 - More Than Words: 5.51 (2.08), 5 [1-10] n=94

569. S4E19 - Don't Stop Believin' (Rachel): 5.5 (2.44), 6 [1-10] n=128

570. S4E07 - Superman: 5.49 (2.03), 5 [1-10] n=100

571. S4E15 - Unchained Melody: 5.49 (1.86), 5 [1-10] n=92

572. S1E20 - Funny Girl: 5.48 (1.93), 5 [1-10] n=109

573. S2E10 - We Need a Little Christmas: 5.46 (2.3), 5 [1-10] n=108

574. S4E09 - Being Good Isn't Good Enough: 5.46 (2.19), 5 [1-10] n=92

575. S1E01 - I Kissed a Girl: 5.46 (1.98), 5 [2-10] n=147

576. S2E10 - The Most Wonderful Day of the Year: 5.45 (2.15), 5 [1-10] n=108

577. S5E08 - Love Child: 5.44 (2.62), 6 [1-10] n=97

578. S4E19 - You Have More Friends Than You Know: 5.43 (1.95), 5 [1-10] n=103

579. S3E08 - Red Solo Cup: 5.43 (2.38), 6 [1-10] n=136

580. S5E12 - Happy: 5.42 (2.14), 5 [1-10] n=102

581. S2E07 - Nowadays/Hot Honey rag: 5.42 (2.06), 5 [1-10] n=107

582. S2E01 - What I Did for Love: 5.41 (2.26), 5 [1-10] n=104

583. S2E20 - Friday: 5.41 (2.28), 6 [1-10] n=123

584. S4E03 - A Change Would Do You Good: 5.4 (1.93), 5 [1-10] n=100

585. S4E10 - The First Noel: 5.39 (2.28), 5 [1-10] n=99

586. S3E06 - You and I/You and I: 5.39 (2.1), 5 [1-10] n=107

587. S1E02 - Gold Digger: 5.39 (2.42), 6 [1-10] n=141

588. S6E11 - Mickey: 5.37 (2.09), 5 [1-10] n=93

589. S1E18 - Pink Houses: 5.36 (2.29), 6 [1-10] n=129

590. S4E20 - Everybody Hurts: 5.36 (1.84), 5 [1-10] n=107

591. S3E13 - Home: 5.35 (1.82), 5 [1-10] n=91

592. S6E05 - My Sharona: 5.35 (2.19), 6 [1-10] n=103

593. S1E21 - It's a Man's Man's Man's World: 5.34 (2.44), 6 [1-10] n=129

594. S1E07 - No Air: 5.34 (2.26), 5 [1-10] n=132

595. S6E02 - Viva Voce: 5.34 (2.1), 5 [1-10] n=74

596. S1E02 - Push It: 5.34 (2.46), 6 [1-10] n=149

597. S5E17 - Who Are You Now: 5.33 (2.31), 5 [1-10] n=84

598. S6E06 - I'll Never Fall in Love Again: 5.33 (1.93), 5 [1-10] n=83

599. S6E01 - Uninvited: 5.31 (2.37), 5 [1-10] n=96

600. S3E20 - I Won't Give Up: 5.31 (2.17), 5 [1-10] n=93

601. S2E22 - Yeah!: 5.31 (1.94), 5 [1-10] n=94

602. S2E16 - Candles: 5.3 (2.55), 6 [1-10] n=139

603. S4E18 - Your Song: 5.3 (2.06), 5 [1-10] n=103

604. S3E02 - Somewhere: 5.29 (2.1), 5 [1-10] n=99

605. S2E05 - Planet, Schmanet, Janet: 5.28 (2.02), 5 [1-10] n=101

606. S3E12 - Don't Wanna Lose You: 5.27 (2.17), 5 [1-10] n=89

607. S3E12 - Bamboleo/Hero: 5.25 (2.09), 5 [1-10] n=108

608. S6E09 - Friday I'm in Love: 5.24 (2.15), 5 [1-10] n=98

609. S1E15 - What It Feels Like for a Girl: 5.24 (2.21), 5 [1-10] n=121

610. S3E07 - I'm the Only One: 5.23 (2.11), 5 [1-10] n=100

611. S4E09 - Something Stupid: 5.23 (2.22), 5 [1-10] n=109

612. S4E20 - You've Lost That Lovin' Feelin': 5.23 (1.5), 5 [1-10] n=88

613. S1E17 - U Can't Touch This: 5.22 (2.2), 6 [1-10] n=125

614. S1E01 - Sit Down You're Rockin the Boat: 5.21 (2), 5 [1-10] n=145

615. S2E08 - Sway: 5.21 (2.05), 5 [1-10] n=118

616. S4E22 - Rainbow Connection: 5.2 (2.07), 5 [1-10] n=85

617. S2E10 - Welcome Christmas: 5.19 (2.33), 5 [1-10] n=103

618. S5E06 - An Innocent Man: 5.19 (2.23), 5 [1-10] n=91

619. S4E15 - You're All the World to Me: 5.19 (1.48), 5 [1-10] n=81

620. S2E13 - Baby: 5.18 (2.21), 5 [1-10] n=119

621. S5E08 - Mary's Little Boy Child: 5.16 (2.64), 5 [1-10] n=92

622. S1E17 - Physical: 5.16 (2.26), 5 [1-10] n=128

623. S6E10 - The Final Countdown: 5.15 (2.14), 5 [1-10] n=99

624. S3E10 - Wedding Bell Blues (Bill): 5.15 (2.08), 5 [1-10] n=94

625. S3E18 - School's Out: 5.15 (2.03), 5 [1-10] n=116

626. S5E08 - Away in a Manger: 5.14 (2.47), 5 [1-10] n=87

627. S4E02 - Gimme More: 5.12 (2.48), 5 [1-10] n=103

628. S1E10 - Don't Stand So Close to Me/Young Girl: 5.09 (2.42), 5 [1-10] n=131

629. S5E20 - No Time At All: 5.09 (1.96), 5 [1-9] n=81

630. S5E18 - The Rose: 5.07 (2.03), 5 [1-10] n=86

631. S2E14 - My Headband: 5.05 (2.83), 5 [1-10] n=126

632. S2E15 - Afternoon Delight: 5.05 (2.36), 5 [1-10] n=128

633. S5E18 - Piece of My Heart: 5.04 (1.97), 5 [1-9] n=85

634. S6E09 - Lose My Breath: 5 (2.1), 5 [1-10] n=83

635. S5E11 - Vacation: 4.99 (1.84), 5 [1-10] n=76

636. S1E08 - I Could Have Danced All Night: 4.97 (1.81), 5 [1-9] n=124

637. S4E11 - I Only Have Eyes for You: 4.96 (2.03), 5 [1-10] n=85

638. S6E01 - Dance the Night Away: 4.92 (1.84), 5 [1-10] n=78

639. S2E10 - Merry Christmas, Darling: 4.9 (2.1), 5 [1-10] n=102

640. S6E10 - Far From Over: 4.89 (2.08), 5 [1-10] n=76

641. S1E11 - Bootylicious: 4.89 (2.11), 5 [1-10] n=118

642. S1E01 - You're the One That I Want (ver. 1): 4.89 (1.9), 5 [1-10] n=135

643. S3E09 - River: 4.88 (2.39), 5 [1-10] n=116

644. S2E22 - Still Got Tonight: 4.87 (2.19), 5 [1-10] n=93

645. S3E09 - Blue Christmas: 4.85 (2.38), 5 [1-10] n=116

646. S4E20 - Little Girls: 4.85 (1.98), 5 [1-10] n=102

647. S2E13 - I Know What Boys Like: 4.85 (2.41), 5 [1-10] n=120

648. S2E01 - Every Rose Has Its Thorn: 4.84 (1.72), 5 [1-9] n=96

649. S3E19 - Dinosaur: 4.82 (2.46), 5 [1-10] n=129

650. S3E06 - Hot for Teacher: 4.81 (2.57), 5 [1-10] n=134

651. S3E12 - Sexy and I Know It: 4.78 (2.4), 5 [1-10] n=125

652. S6E01 - Let It Go: 4.78 (2.32), 5 [1-10] n=120

653. S4E19 - Fight for Your Right (to Party): 4.75 (2.12), 5 [1-10] n=111

654. S5E17 - NYC: 4.74 (2.1), 5 [1-9] n=78

655. S3E07 - Girls Just Wanna Have Fun: 4.73 (2.73), 4 [1-10] n=132

656. S2E03 - Papa, Can You Hear Me?: 4.71 (2.26), 5 [1-10] n=119

657. S3E18 - The Rain in Spain: 4.69 (2.34), 5 [1-10] n=132

658. S2E16 - Only Child: 4.68 (2.81), 5 [1-10] n=121

659. S1E01 - Leaving On a Jet Plane: 4.65 (1.98), 5 [1-10] n=121

660. S2E22 - Bella Notte: 4.64 (2.06), 5 [1-10] n=109

661. S2E13 - This Little Light of Mine: 4.64 (2.22), 5 [1-10] n=96

662. S2E10 - You're a Mean One, Mr. Grinch: 4.63 (2.32), 5 [1-10] n=117

663. S5E10 - Danny's Song: 4.54 (1.82), 5 [1-9] n=79

664. S5E08 - O Christmas Tree: 4.52 (2.19), 5 [1-10] n=81

665. S6E04 - Whip It: 4.51 (2.3), 5 [1-10] n=103

666. S1E05 - Cabaret: 4.5 (1.94), 5 [1-10] n=105

667. S3E04 - Waiting for a Girl Like You: 4.5 (2.17), 5 [1-10] n=92

668. S5E05 - You Are Woman, I Am Man: 4.5 (2.23), 5 [1-10] n=98

669. S6E04 - Rock Lobster: 4.49 (2.2), 5 [1-10] n=101

670. S2E14 - One Bourbon, One Scotch, One Beer: 4.47 (2.23), 5 [1-10] n=122

671. S2E01 - Getting to Know You: 4.45 (1.82), 5 [1-10] n=94

672. S2E12 - My Funny Valentine: 4.44 (1.88), 5 [1-9] n=104

673. S1E10 - Endless Love: 4.44 (1.96), 4 [1-9] n=107

674. S2E15 - Kiss: 4.38 (2.32), 5 [1-10] n=103

675. S3E13 - You're the Top: 4.36 (2), 5 [1-10] n=96

676. S5E07 - Cheek to Cheek: 4.33 (1.76), 5 [1-8] n=85

677. S1E10 - Crush: 4.32 (2.3), 5 [1-10] n=108

678. S3E04 - Bein' Green: 4.31 (2.25), 4 [1-10] n=127

679. S1E08 - Bust A Move: 4.31 (2.41), 4 [1-10] n=132

680. S2E07 - Conjunction Junction: 4.3 (2.27), 5 [1-10] n=103

681. S1E17 - Ice Ice Baby: 4.21 (2.59), 4 [1-10] n=131

682. S2E09 - The Living Years: 4.2 (2), 5 [1-9] n=96

683. S3E13 - Chapel of Love: 4.19 (2.04), 5 [1-10] n=80

684. S1E08 - What A Girl Wants: 4.16 (1.79), 5 [1-8] n=104

685. S6E07 - Same Love: 4.15 (2.31), 5 [1-10] n=97

686. S3E01 - Big Spender: 4.08 (2.66), 4 [1-10] n=105

687. S1E21 - Tell Me Something Good: 4.04 (2.16), 4.5 [1-8] n=106

688. S2E19 - Nice to Meet You, Have I Slept with You?: 4.01 (2.17), 5 [1-10] n=86

689. S1E10 - (You're Having My Baby): 3.97 (2.26), 4 [1-10] n=135

690. S2E04 - With You I'm Born Again: 3.77 (2.52), 3 [1-10] n=109

691. S5E08 - The Chipmunk Song (Christmas Don't Be Late): 3.7 (2.73), 3 [1-10] n=118

692. S4E01 - Sister Christian: 3.68 (1.98), 4 [1-8] n=79

693. S6E10 - The Trolley Song: 3.49 (1.93), 4 [1-8] n=87

694. S2E08 - Ohio: 3.46 (2.05), 3 [1-10] n=113

695. S4E11 - Baby Got Back: 3.41 (2.63), 2 [1-10] n=116

696. S4E08 - Gangnam Style: 3.26 (2.28), 3 [1-10] n=140

697. S5E07 - The Fox: 3.23 (2.67), 2 [1-10] n=125

698. S2E16 - Jesus Is My Friend: 3.03 (2.08), 2 [1-10] n=106

699. S3E12 - A Little Less Conversation: 2.94 (2.2), 2 [1-9] n=109

700. S1E03 - I Wanna Sex You Up: 2.92 (2.01), 3 [1-9] n=131

701. S5E05 - Blurred Lines: 2.66 (2.38), 2 [1-10] n=131

702. S1E08 - Thong Song: 2.23 (1.85), 1 [1-10] n=138

[satellitesunset]

I heard you wanted glee drama so I am providing you with a list of my opinions that I think could be controversial:

S4 Newbies were better than the S1 cast

S2's competition costumes were ugly (for all three competitions)

Santana's DROMP was better than Rachel's

The S6 sectionals outfits were gross

Rachel's best solo was It's All Coming Back To Me Now

The New Directions should have lost to the Warblers at S2 regionals

The Warblers should have lost the the New Directions at S2 sectionals

The team (throat??somthing???) that won S5 nationals was god awful and the ND's should have easily won

I love Unique but Starships was NOT IT

Lord Tubbington should have ended up with Mr. Puss not Lady Tubbington

oooo mimi my dear, drama i love it.

i get why, and i adore the s4 newbies (expect kitty), but the og 5 have my whole heart

yes yes i couldn't agree more

yes and no, i like santana's version because it's a fun twist on it, but i do appreciate the power rachel's version have.

the blue ones?? bestie, those are literally the best one ever.

objectively perhaps, i prefer glitter in the air

the fact 'hey soul sister' was tied with 'valerie', tasteless, you couldn't be more right

yes i have nothing to add

unique never had a bad song, starships gcv is a bop i don't accept her slander

the true otp, glee is homophobic for not allowing them to be canon

send me your most controversial unhinged opinions or headcanons

[gleesongtournament]

[sanchoyo]

danny phantom season 2, eps 1-5 thoughts! opening the new season with episodes like these kinda blew me away. we had multiple serious episodes INCLUDING a two parter!! also, valerie :)

see prev episode thoughts in this tag <3

-I don't know what I expected s2 to open with. but danny portal incident in more detail was not it. (also, I hate to break it to you, sam, but danny's parent's bigass ghost hunting rv def chugs more gas than those vehicles, lmao. unless it runs on ectoplasm or something...)

-WHY WAS DESIREE IN THE SEWER? HAVING TEA WITH IT DOWN THERE?? Her making the giant cow come alive is a boss move, we've almost had all of my fav animals as ghosts now <3 I also don't like how sam was expecting danny to just, haunt the place so the cars wouldn't get sold? I KNOWWW I know she's 14 (and I had a very annoying phase like this, I think I mentioned in a previous post, I GET IT) but they're HIS powers, and messing with (1) dealership will not really put a dent in sales overall because they can just move the cars to another sales lot, and it certainly wont change the industry anyway, it's more of a minor annoyance for (1) location. Also, usually people who work at car sales places work on commission, so if they dont make a sale, they don't have money to pay bills, or eat. sam baby if u wanna be an activist you need to like, actually look into these things. with as much money as her parents have, she could be doing a lot..more useful things for causes she cares about? it's frustrating to see someone with resources who doesn't know how to use them. but shes 14 so again. cannot be really upset :/

-IS THIS A PREDATOR VS TERMINATOR VS FREDDY KRUEGER MOVIE BUT THEYRE ALL WOMEN?? you know, sam is so right to be excited about this. /I/ want to see this movie. that rules

-paulina inviting danny and friends to her quinceañera, aw! even if it is just to get phantom to show up :') and there'll be a meteor shower, and we KNOW danny wants to be an astronaut!! there's not a meteor shower every night!! the tickets are non-refundable, but..she's rich? like. gotta agree with danny, they never get invited!! I KNOW it's the principle of keeping promises, but if she was that upset, she should've said something. directly. I hated how she was like, passive aggressive about it through the episode, like you SAID IT WAS FINE, THAT YOU'D GO TO THE PARTY TOO. MOVIES SHOW FOR A FEW WEEKS IN THEATERS. IF YOU HAD A REAL PROBLEM YOU NEED TO TALK ABOUT IT. WE'VE HAD THIS PROBLEM BEFORE, SAM. YOUR FRIENDS. ARE NOT. MIND READERS.

-MR. LANCER GOING AFTER THE GHOST WITH THE FIRE EXTINGISHER LMAO

-this outfit is everything . anytime the show does an over the top cutesty pink outfit i WANT IT. it looks like shit I wear JKASDHF I HAVE a bow like that and a pink sweater. I need leg warmers </3

-SAMS GOTTA RE-HALF-KILL HIM??? thats fucked up. but also, he finally got his logo!! it took until s2!!! this episode was lowkey very fucked and I felt like it glossed over a lot. does sam have guilt about like. kinda KILLING HIM?? I know, he also agreed and walked into the portal. but. she made the choice to redo it SO quickly (even if it was because someone had to beat desiree) and danny, during their fight, brought up a lot of stuff sam's done in the past, meaning he was holding onto those memories and resentment was building. (I KEEP SAYING HE LOWKEY NEEDS THERAPY, BUT I THINK MOST EVERYONE IN THIS SHOW KINDA DOES) which...is a red flag? and then they didnt even GO to the party URGH I know she tried to make up for it, but it really felt like Sam fucked up and barely faced any consequences and got everything she wanted in the end. I KNOW it's a kids show obv they aren't going to go too in depth, and she undid the damage, kinda, but...I DUNNO how to articulate it but it rubbed me the wrong way.

-but on a note about desiree, her powers of wishes were STRONG ENOUGH TO ERASE NOT JUST THEIR MEMORIES, BUT DANNY'S POWERS?! fuck, if I was danny I'd be like, trying to make friends with her. I know they always have horrible side effects as most genie-granted wishes do, but...c'mon, I'd at least TRY to be like 'I wish no ghosts would hurt anyone in my town' or 'I wish vlad would lose his ghost powers forever no matter What and also forget about my mom' LIKE. SHIT DESIREE IS SO POWERFUL. rewriting reality powerful, basically!! appreciate her. respect her.

-aww, sam helping tucker pass the nurse's office so he wouldn't see because he's afraid of medical stuff? very sweet. I also don't like medical stuff, I've gotten a lot better at handling it tho. but seeing blood and needles still makes me feel lightheaded x_x

-FOLEY, BY TUCKER FOLEY. I want to make my own perfume, that's so cool. even if his first attempt isn't good, he's pretty consistently shown to have an inventor/entrepreneur streak in the show, so like. I can see him inventing or making something (or several somethings) that make him $$$ when he grows up :) proud of my creative son

-I know the 'creepy abandoned hospital on the edge of town' is a joke and the creepy hospital trope is so Worn Out, but in my town we actually DO have a hospital like that! my dad was born in it, but its not in use and hasn't been for, like, 20 years! it needs to be torn down but I think the city doesn't wanna pay the money. the inside is horrible, spray painted and broken glass and shit everywhere. but there's still like, rusty equipment and fucking DOLLS all over the place. the cops drive by it pretty frequently to make sure no one is like, breaking in. (because of water damage, some of the areas really aren't safe. also, asbestos, but people still go in anyway) but also, some of my town was used in a filming for a stephen king show. So it's lowkey spooky all over. just a fun personal tidbit :) to lead into saying, any hospital abandoned for any period of time is NOT safe to quarantine these kids in JKSAHDKF like I KNOW it's a ghost trying to do this, but NONE of these parents are even like, 'well, why dont we keep them in the regular, working hospital'....YIKES. this hospital looks pretty accurate to the one in town. grungy and spooky.

-fentons are tax evaders confirmed by jack's fear of being audited, lol no one is surprised

-ghost sickness via ghost bugs. horrifying concept. I actually expected it to be a new villain, not dr. spectra again! this is a very elaborate scheme. her new form rules, love the new costume. the way none of the bg kids seem to recognize her as their old school councilor. did we just forget about that completely?

-dash watching romance movies in the fucked up ghost hospital. same.

-'oh please, you're ghosts, do you have any idea what YOU smell like?' no, tucker, what DO ghosts smell like? I genuinely didn't know they would even have a smell, I actually want to know now.

-it feels like a while since we've seen jazz!! i was happy to see her again, even if she was a head in a jar for most the episode. I want another jazz-focused ep!!

-we finally see danny doing space-related stuff!! him and his friends stargazing to open ep 3 of s2. cute :) until, GHOST PIRATES!!!!! ...ghost pirate captain is a small child?? VOICED BY TAYLOR LAUTNER???

-oh, the easy listening is ember's song instrumental slowed. 'vapor drone' THEY VAPORWAVED HER!!! ember in a pirate outfit tho >>>>. and the cruise being called m.bersback JKASDHJK. ember adopting a little pirate brother is also pretty cute. concerning this teen and little kid have such bad opinions of adults, like, who hurt you?? (how did you DIE ALSO?? im always lowkey curious about that. we know desiree died at an old age, but her ghost form is young, probably mid-20s, so I wonder how that sort of thing works...its a more mental thing, isn't it?) but ghost team-ups are always cool to see, even if ember bailed after danny took her guitar. I guess she probably thinks youngblood can handle it (which, he's been owning danny this far in the ep, so...fair)

-tucker got that sponsorship from nasty burger for their radio!!! again, opportunistic money maker king, love to see it!!!

-danny taking control of the kids SO FAST. he makes a pretty great leader. no one is surprised, im pretty sure I said I think he's the most mature of the trio, once again, correct, because he's taken on so much responsibility already. all the teens suiting up in the jumpsuits to go save the adults and taking the ship over with a BLIMP. OKAY LETS GO. this feels like it should be a mid finale or straight up finale.

-...speaking of finales. why is ep 4-5 of s2 combined into a 50 minute episode? I havent even clicked play and im concerned. weird placement, like, this season JUST started and we're getting a two parter? okay...why are the episodes placed like this? why not put this at episode 10 or something, for a mid-season thing?

-this is also a cute dress. possibly my fav dress so far. can her parents give ME cute dresses, I'LL wear them.

-it turns out the castle fright knight was in is called pariah's keep and there's something worse than fright knight in there! lovely! fuck off vlad wtf are you doing <3 your hubris <3 is going to literally get you killed <3 'ring of rage' and 'crown of fire' are great names tho. ...vlad turning into a super polite guy when he was scared of mr. pariah was hilarious. and fright knight doing the same...I mean, it makes sense, he's a knight, he serves a king? happy to see fright knight again either way :) vlad telling him to call him tho, lmfao. you WISH HE WOULD. (I wish hed call me, too. 😔)

-so...jack being genuinely concerned about vlad...maddie really didn't tell him what happened at the cabin, did she. damn. if I was her id immediately come home and be like 'YOU WONT BELIEVE THIS SHITTTT THIS CREEPY GUY--' like, I feel like that stuff you need to tell your partner!!! I know she didnt want Jack to think she was an irresponsible parent putting danny in danger at that time, but STILLLL. maddie spilling boiling tea on him. get his ass. how is jack this oblivious to his wife's discomfort with vlad!! ughhh

-fenton wipe (tm). trademarked toilet paper.

-DANNY AND VALERIE BEING FRIENDS??? :D that was a cute moment. 'hey val <3' and 'if you like him like him, make a move, or someone else will ;)' at sam...damn!! I love her. valerie go for it girl!!! I hate how sam and tucker treat val also, like I GET IT YOURE PROTECTIVE AND DONT TRUST but if anything him befriending valerie will help when she finds out or he tells her like I feel like she'll be more understanding that they think! ALSO I feel like her reason for not liking ghosts is valid, like you haven't really explained the full story to her anyway! she doesn't seem to have any other friends after being booted from the a-listers so im like :( but seeing them kick butt together again was nice <3

-the ghosts all RUNNING FROM PARIAH DARK IS NOT GOOD, I thought he sent them to attack or something, but no. why doesn't someone just tell desiree 'hey i wish pariah dark would die' lol. once again I think she can solve every problem <3 but seeing all the enemies in one place, being civil and hiding together? love it.

-you just know danny's gonna have to clean up vlad's stupid mess. also, jack being willing to put on the ectoskeleton pants to help maddie, as soon as vlad heard it could kill him, he suggested jack do it instead of helping maddie himself? this is why jack got the girl, my man.

-ghost skeletons. how do you end up as a skeleton ghost in your afterlife instead of a humanoid like most the ones we've seen? lmao

-the ghosts just making new homes in various stores. I'd totally be setting up in an expensive clothing store if I was a ghost.

-valerie's dad is possibly the most useful adult so far, with that ghost shield expansion!!! and valerie saving vlad and danny, even tho shes been thru it already, shes still so good!!! this family rules.

-danny: *gently caresses valerie* :)

-*then he immediately TELLS HER DAD ON HER. and his first response is 'are you okay?' :'( such a good dad...

-*me every time fright knight breathes* youre doing SO great sweetie :)

-the fenton suit thing is so silly looking. does anyone take this thing seriously

-ALL THE GHOSTS FIGHTING WITH DANNY <3 AAAAA. and the fact that pariah isn't perma-defeated, but just locked away again. yikes. he'll probably get out again, won't he? it wasn't too clear, but if vlad DID make a pact with fright knight, I am rabid. I will beat vlad to death with the fenton bat (tm). YOU DONT DESERVE A COOL KNIGHT.

-valerie being direct with sam and challenging her? kinda love that, even tho I normally don't like 'catfight' type situations. because sam has been very passive aggressive about it which is annoying. valerie knows wtf she wants and wasn't even embarrassed to tell sam, but she did tell her, giving sam time to make her own move! and sam denied it and got embarrassed/mad! and sam did have a chance when danny was about to go off and fight, and she hesitated and didn't tell him. I feel like she's hesitating because they're friends and it might make it weird between the trio (poor tucker would be third-wheeling) but if u snooze u lose, u gotta GO after what u WANT girl. smh this is a No Tsundere Zone. 😤

[n--emesis]

so i've got some (unpopular?) opinions on glee competitions:

s2 sectionals is my least favorite ND performance (except maybe for the gangnam style situation). i was so glad that rachel wouldn't be on the spotlight for once, but then quinn and sam were SO boring that i was begging for her to come back.

don't come for me, but i didn't love valerie either. i was thrilled to see my girl santana get her solo, but i don't like this song (mike and brittany were perfect though).

the warblers were so superior in s4 sectionals. they deserved the win despite marley's fainting.

speaking of it, i love how the warblers perform relying so much on their voices and harmonies, and using few to no instruments at all. i wish the new directions did that sometimes too.

fly/i believe i can fly is one of my favorite numbers ever, and this may or may not have to do with santana and blaine rapping.

this is debatable, but in my opinion the troubletones were better than the new directions during s3 sectionals. their vocals, dancing and song choice were on point. if they needed the TT to lose for plot purposes, they shouldn't have made their performance so good.

i found vocal adrenaline's setlist in nationals s3... questionable, to say the least. starships was kind of weird (higher than any other?). knowing jesse, the choices didn't feel like something he'd put together, and didn't showcase that epic feel VA had in prior seasons.

i know journey songs became somewhat of a joke in the glee fandom, but s1 regionals medley is just... *chef's kiss*.

that's it, i'm currently rewatching the show and i'm about halfway season 4. let's see the upcoming performances and i might do a part 2 if i have something to say about those.

[belleandkurtbastian]

here’s a completely random question: what’s your fav song and your least fav song from each of the o.g. glee club members

Now, when you say "OG", do you mean "original 5", "original 6" or "original 12"?

Rachel Barbra Berry

Okay, I like when Rachel goes OTT but in an ACTING way, rather than her "I'm just too emotional, I have to let it build inside me" way... So to that end, I like songs like "Hello Twelve"; "Run Joey Run"; "Ding-Dong"; "Paradise by the Dashboard Light"; "Kiki/TLT"...

I'm picking "Hello Twelve, Hello Thirteen, Hello Love" as my favourite. This is a song that LITERALLY ELEVEN YEARS LATER, I am STILL pissed off that they cut. This song ESTABLISHES St Berry so well, and I didn't *GET* it until I saw it.

Least favourite? There's a song that comes to mind but I want to save it in case you send a second ask in this vain (hint hint).. So I think "Roots Before Branches". I told you, I really don't like Rachel over-emotionally singing, and this song really plays into that with the vocals AND I just don't like the song. I think this was, bar none, the WORST final number of a season.

Kurt Elizabeth Hummel

I find Kurt REALLY hard to pick for... I think Kurt is one of the characters that I have the BROADEST opinion of in terms of music. I can't pinpoint exactly what I do and don't like in his numbers, beyond "I hate when they force him to go WAY too high and it throws off the balance of the song". And I like when they let him PLAY with a song, rather than singing it straight.

So, candidates include: "Defying Gravity"; "Rose's Turn"; "4 Minutes"; "Bad Romance"; "Pure Imagination"; "NTBND"; "Being Alive"; "Kiki/TLT"...

Yeah, okay, I did actually know which song I was going to pick from the start. I have no choice.

It's "Not the Boy Next Door".

Now, least favourite? This is TOUGH. "Animal" bugs me because of the sheer AMOUNT of processing on that song. "Candles" has the "making Kurt go too high and throwing off the balance" issue.

Yeah, I think "Animal". I don't like Candles, but I REALLY hate Animal.

Mercedes Jones

Let's speed this up a little... Candidates include "4 Minutes"; "The Boy is Mine"; "Beautiful"; "And I am Telling You"; "River Deep"; "Dog Days Are Over"; "Human Nature"; "I'll Stand By You"...

Oof, this IS tough... I think it's "Beautiful"... Yeah, that's the number that comes to mind the most often when I think of Mercedes.

Least Favourite? "I Look To You"? I dunno, I think episode context is why for that one. She doesn't REALLY have a dud number that I can think of.

Tina Cohen-Chang

Hoo boy. First of all... Girl, you were SHAFTED by the producers. Only Original 6 member to have under 100 songs. Only one solo in S1.

Anyway, I like "True Colors"; "I Follow Rivers"; "Dog Days"; "Hung Up"; "3"; "I Kissed a Girl"...

I am fully aware I just named more than half of her solos and duets...

I think it's "True Colors"... or "I Kissed a Girl"... Let's go for True Colors

As for least favourite... is "My Funny Valentine" too obvious a pick? Because it's "My Funny Valentine". (Yes, I like "Gangnam Style". It's awful, but I like it.)

Arthur Abrams

Candidates: "Dancing With Myself"; "Safety Dance"; "Dream a Little Dream"; "Never Going Back Again"... Huh, I think that's all of the ones that stand out to me.

So, yes. I think it's "Dancing With Myself". That's two in a row where I've picked the OG solo...

Least favourite? No contest. "Boys/Boyfriend"... though "Scream" and "Feliz Navidad" get special mentions because I *HATE* "Artie walks!" dream sequences.

Finn Christopher Hudson

I already know my favourite Finn song. I have said it MULTIPLE times, and I stand by it.

My favourite Finn song is, no contest, "Paradise By the Dashboard Light". In fact, I think it's not only Finn's best song, but the best New Directions competition performance.

Now, least favourite? "Girls Just Want To Have Fun".

Wow, Finn was easy.

Lucy Quinn Fabray

Ah, Quinnie...

Candidates: "Papa Don't Preach"; "It's a Man's World"; "Lucky"; "Time of My Life"; "Pretty/Unpretty"; "I Don't Want to Know" (yes, I just listed ALL FOUR of her S2 leads...)... And then that's it??!? Wow, she got shafted after S2, huh?!

Yeah, I think it's "I Feel Pretty/Unpretty". What a surprise. A Faberry song.

As for least favourite? "Up Up Up", I think.

Santana Diabla Lopez

... This is tough. "Science Fiction, Double Feature"; "Valerie"; "Songbird"; "Back to Black"; "River Deep"; "Smooth Criminal"; "Girl on Fire"; "If I Die Young"; "Here Comes the Sun"; "Brave"; "Hand in My Pocket/I Feel the Earth Move"...

I *THINK* I have to go for "Songbird", actually...

Now, least favourite? Does Santana have a dud number? At least, one that's her fault? Okay, I don't like "Take My Breath Away".

Brittany Susan Pierce

There are precisely TWO Brittany songs I will listen to on their own. Those are "My Cup" and "Hand In my Pocket/I Feel the Earth Move".

So yes, it's HIMP/IFTEM.

As for least favourite... "Something Stupid". NOT because it's a Bram song. I actually don't have an issue with Bram, per se... But I just feel like it's bland and doesn't add anything to the show, and doesn't really stand on its own.

Noah Puckerman

"Lady Is a Tramp"; "Mean"; "Glory Days"; "No Surrender"...

I think it's "Lady is a Tramp".

As for least favourite... "I Wanna Sex You Up"... is an Acafellas number cheating? If not, then... No, it has to be "I Wanna Sex You Up", sorry.

Michael Robert Chang, Jr.

This was mean of me to include... "ABC" is my favourite, I guess? And... yeah, "Scream" has to be my least favourite.

Matt Rutherford

My favourite AND least favourite Matt Rutherford song is [THIS SPACE LEFT INTENTIONALLY BLANK]

Jesse St. James

There's no point doing the original 12 and ignoring my boy.

Favourite: "Bohemian Rhapsody"...

Least favourite: "Like a Virgin", I guess... He doesn't ACTUALLY have a dud number.

[riverdale-retread]

Riverdale - S2 E18

- The Carrie Musical Episode, oh no, oh help.  I don’t think that there’s anything necessarily bad or wrong about the way Riverdale does musicals.  I just hate musicals in general, and these newfangled musicals (Carrie, for one) often have hideous songs.  All that said, this episode had much less sung-through and they limit most of the singing to on-stage and justify it with ‘this is rehearsal,’ which I am grateful for.

- I’ve been trucking on through this series at a clip and I ... really could not tell you why Betty is so pissy with Veronica right now, in this episode. She disrupts musical rehearsals and picks fights with V and say critical things about V while her boyfriend follows her around taking shakycam footage of all this. 

- And once. again. Betty doesn’t. say. that she’s. sorry.  Veronica ends up interrupting what should be a Betty I’m Sorry and says affirmatively that Betty is right.  So Instead of apologizing, Betty sings a song to Veronica saying the simple truth (that Veronica shines) and then that ends the dispute.

- Betty calling Veronica “privileged selfish, spiteful.’  KETTLE POT. Also Archie tries to make the musical about “we are here for Kevin” but you see, Archie, Betty is a disrespectful, lowkey-homophobic non-friend to Kevin, so she doesn’t care about that all.  She just skips over that part.

- Archie approaching Betty with ‘It’s weird we’re playing boyfriend and girlfriend’ while Jughead is standing right there with a camera, and it really makes me wonder why Kevin lets him do this.  Does he think Jughead will do anything other than follow just Betty around with the thing?

- Betty and Jughead trying to railroad Ethel was shitty and bullying. 

- Penelope Blossom coming in to the high school to tell her daughter that she would not be permitted to act out a matricidal fantasy was showstopping. A wonderfully crafted speech, well delivered. And Cheryl, in costume as Carrie, pouring a bucket of blood or paint or whatever it is, to terrorize her mother into emancipating her and moving out of the house, equally wonderful.  

- Fangs, the musical theater loving Serpent and eternal beta, being the cutest, being so into the musical, and now that I’m keeping an eye out for it, the constant touching of Kevin, drinking his tea, sitting just so, and reacting so perfectly to the musical key moments I loved this. 

- Alice having a nervous breakdown on the stage, with Don’t Leave Me Betty, because FP doesn’t want to jump right into a relationship with her.  She pretends that this is about Betty, but it’s all to do with FP saying No Thanks.  Um. Run Jughead Run, RUN.

- Along with the real estate theme being the real plot of Riverdale, the secondary plot is that children are a disaster upon their parents. 

Fred Andrews’ fatherhood is inexplicably a failure.  Fred is actually shown to be a loyal selfless person who has a lot of potential, into middle age, of being a hero and a force for good.  He thinks his son Archie is all of these things, and because of the power of Fred’s goodness, other people who have no reason to think this (like Kevin and Veronica) also believe this of Archie, but Valerie always saw it correctly. Archie can be bought.   Jughead sees this too, when he’s not in the sway of Protagonist Boy powers - Archie is stupid.  And I keep getting disturbed by how violent Archie is.  The desperate love that Fred has for his son breaks my heart (Luke Perry was such a gem of an actor).  Archie sides with Hiram in front of everyone, Archie accepts a bribe car and lies about it to Fred and then tells him to not be so dramatic and to calm down about it, Archie fails to attend the mayoral speech that even Mary, who is *divorcing* Fred knows is important to attend, and it’s all supposed to be fine now because Archie bought a jalopy to fix up with his dad. Fred Andrews is the victim of an abusive relationship with his son, poor thing.

Alice Cooper’s motherhood is a disaster, and each of her children visit horrendous torture upon her.  Polly almost drowns her in the fountain later, Betty brings Chic and then the Black Hood back into her life and also confronts her with the fact that while Betty can obtain the slavish devotion of a Jones Man (a thing Alice holds as a fetish object) Alice herself cannot. Charles is also a disaster person.   

Sort of like how I grimly enjoy the fact that anyone who has a fancy wedding in a Shonda Rhimes show will end up in a terrible heartbreak very soon, I kind of like how parenthood is a such a source of danger, menace and pain to people in Riverdale. 

[flaine]

Hey love 💞

U asked for some of my fav gcvs and u shall receive! I've split them up by vibe bc I couldn't think of a better way to organise them lol. Also I should warn u that as a very indecisive person, this list might be a bit long jfdjjfjs I am doing my best to keep it short 😔

Comforting but upbeat:

I can't go for that/you make my dreams (it's so cute!! I love it finn is just vibing n so am I!!!)

Valerie (usually s2 bc it's iconic but I like both versions)

brave (pls I forgot about it the first time I watched glee but after rewatching s5 it became one of my faves, it's one of my top 'love urself dumbass' songs)

If I can't have you (my heart goes 🥺💞💘💓 every time)

Be okay (big comfort one in the sense that I listen to it when I'm feeling good and it makes me feel so at peace n in love with the world)

Angsty but I will belt along to them bc they also slap:

cough syrup (ngl I prefer the original for this one and don't speak but the gcvs are really nice too)

don't speak

It's my life/confessions

Dance dance revolution (I can't dance but wow I wish I could sometimes):

Scream

My prerogative (!!! I love this one so much I can't believe no one ever talks about it)

Slave 4 u (simping for britt always)

Me against the music (simping for brittana always)

Mildly angsty softer songs that i can't stop myself from dramatically singing along to

I'll stand by you (s1)

A house is not a home (one of my fav kurt solos! Vv beautiful)

Make no mistake (she's mine) (I've never seen anyone talk about this one either and?? Idk why??? Santana and Sam should've had more duets pls this is SO good and I love singing along to it 😔💘💘 when will I have my own dramatic sing-off with someone about the person we both love.... or when will 2 people have this about me lmao)

Being alive

Ofc there are a lot more and I may have forgotten some of my faves but I didn't wanna make this wayyy too long hdjsjfjs I could list so many.....

Anyway yes have a wonderful day! I hope u and little u enjoy this mini playlist 💞💖💓❤️💕

On another note I am this close 👌 to changing my profile pic to the drawing of little me u sent 😔💞 but I also love the cat...

hey love! 💖

i love how many u gave me… i also have too much love in my heart for so many gcvs… and if u ever wanna list more i am still absolutely down!!

i will comment on some of these that r also some of my beloved gcvs!!!!

icgft/ymmd !!! yes probably my fav mashup in the ep… and an important one in my happy glee playlist :) everyone looks so cute n finn getting into it always makes me happy 💘

valerie, cough syrup, & being alive are all such top tier solos!!! easily!!

jake is SO talented i adore my prerogative. amazing and underrated. he sounds so good!!! it bops!!! and his dancing is amazing

it’s my life/confessions‼️ artie in this song!!! such a fuckin slapper i turn that UP when i’m driving

slave 4 u and me against the music… i am looking 😌

and mike in scream <3

also YES to make no mistake (she’s mine) it’s incredible wow… i did not give it the rightful appreciation it deserved when i first watched the ep!!! but i relistened to it awhile ago n it’s definitely a favorite now… it’s in a little handpicked playlist of mine of some glee duets that is one of my fav glee playlists to vibe to…

anyway yes…. all i see is FANTASTIC taste… i will be enjoying these 2day !!

also shdjdi your little cat icon IS very iconic to me… but i am very glad you enjoyed lil md <3 she is a cutie !

hope you have a wonderful day too 💞💓💞