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#sophie’s story is more interesting
im56bithc · 14 days
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i know it’s inevitable but a part of me will die when sophie isn’t on the unravelled cover
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the-way-astray · 4 months
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i must be the only (kind of) unironic aldella shipper in this entire fandom.
(ranting in the tags)
#kotlc#kotlc aldella#kotlc vackers#kotlc della#kotlc alden#alden vacker#della vacker#does it matter that i kinda headcanon them to be slightly toxic? no no it does not thanks for asking#they could be so interesting if their relationship was explored more in-depth#and i am NOT saying it's shannon's fault that it hasn't been explored btw i am NOT blaming shannon#obviously since the story is told through sophie's eyes we only get what she sees but augh i want more#hanging my hopes on that short story collection shannon claims she'll write after the series is over#i want more of them from THEIR perspective#just! the lack of trust! the regret! the performative (imo) relationship! the strangely idealistic marriage! the emphasis on beauty!#and! the stiffness around each other! going through the motions! doing their part in the relationship but something feels off!#it's so good i need more i need them to be more fucked up i need them to be more toxic#but in the end they still love each other (or at least they think they do) but it's . . . warped (maybe they really DO love each other?)#the perfect marriage with the perfect children in the perfect family . . . will the facade last . . . and is it really even a facade#just#THEM#they need to be head over heels for each other and yet it's performative at the same time do you see the vision tell me you see the vision#they each NEED to have a side the other has never seen and nobody else has ever seen and they are each terrified of it#and don't want the other to know#because then they'll be less perfect but in reality telling each other would make them stronger do you see what i see#the two-faced-ness would make them more fucked up and less fucked up all at once because they are scared of it but it brings them closer#*shakes you* DO YOU UNDERSTAND TELL ME YOU UNDERSTAND#anyway#*scoots away from you* totally normal about aldella nothing going on here nope no siree
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Hi Quil! I was having thoughts on media in worldbuilding, specifically on audio vs visual media (sorry if that's randomly specific). A lot of media in our world is mostly visual, like books and a majority of the internet. I was exploring how a fantasy world could have more audio-based media, like recordings and instruments. I was also thinking about theater and what plays might be like in fantasy worlds. Do you have thoughts about either of these? What do you like in worldbuilding? - Amethyst
Hello, Amethyst!! The first thought I had when you said audio media was podcasts and audiobooks. Telling stories either with audio in mind and having environmental story-telling sounds (like footsteps, echoes, crashes) as part of the media, or adapting something non-audio into an audio-format.
You could probably also find inspiration in technology pre modern tech--like how radio was so popular and people would have a big radio in their living room and it'd be a family entertainment sort of thing. You all crowd around and listen to the radio together. Or you could go more for CDs and record players, things like that. It seems like there's a lot more potential for communal enjoyment of media; instead of listening to music directly into your ears, you put it on in a common room and everyone enjoys it and it's a bonding opportunity.
As for plays, my first thought is that plays would be rather similar to they are in our world. Perhaps they'd have access to different kinds of props or means of telling a story--like magical abilities for special effects, different species as different characters and actors or something--but the core of a play is pretty universal. It's telling a story. So at the core they'd be the same, what would change is perhaps the execution or culture around it. maybe it's a demeaning job, maybe actors are revered. Maybe stories focus on a specific moral unique to the fantasy world, like enforcement of a certain power structure in the world. Or maybe plays are a space of open criticism that stick it to the system.
So essentially, I think what plays are like in a fantasy world depends on the fantasy world! The core of a play is universal, so outside of that I can't say.
As for what I like in worldbuilding, I think the best way to describe it is thoroughness? I don't have a preference for any specific part, but I think when it's done well and the author has put in the time for all the small questions and logistics. It feels so much more complete and immersive when I'm not constantly excusing and ignoring the gaps in a world. I don't expect every author to be thorough, I understand there's preference and priorities in different stories, but it's always so satisfying to see something well-planned and in-depth :)
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fangirlintheattic · 1 year
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Haven't seen a single person bring up Max's romantic storyline from this season, because it was that forgettable. Boo.
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frogbi · 1 year
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stories where the events only happen because of something someone did when they traveled to the past are so intriguing to me like the cyclic nature of it where the beginning of the story is the end and the fact that the story wouldn't even exist if they hadn't went to the past but they wouldn't be able to do so if the story hadn't played out and and and i just love them a lot
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nothing-tolose · 6 days
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Foolish One.
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warning: reader being so dumb bcs she always ignores every signs and dreaming too much <3
if you have criticism and suggestions to me, you can just knock my dm or send it to inbox <3
a/n: this whole fic was messed up like REALLY REALLY MESSED UP please bear w me ;) have fun anw
wc: 6K
daily click
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Cards are on the table. It's way past midnight, yet the living room is bathed in light, and laughs from your friends all over the room. Here you are, having a sleepover for four nights with your friends and now playing UNO cards with them. None of you all can sleep, that's why now you were sitting on the dining chair, with three cards on your hand.
"Ellie! It's your turn!"
You glanced at Ellie, who was sitting across the table, as Sophie called out her name. God, you couldn't help yourself but screaming inside your heart as you saw her smile on her face. Those freckles on her face, green emerald eyes, and the scar on her eyebrow, she literally got your attention.
You knew that you were already fell in love with her, ever since you saw her on Aimee's instagram story 3 months ago. Head over heels even. But one thing you can't help it from yourself everytime you fall in love, you were too afraid to reach her out. Of course, your friends giving you a lot of advice so you wouldn't be afraid to start a conversation with Ellie. You already tried on their advice, such as texting her through direct messagw but always ended up you delete it before you could even send the text.
So many negative thoughts when you tried to reach her. What if she doesn't like me? What if she call me a freak? What if she hates me? A countless what-ifs lives rent free on your mind. And it explains why you weren't close enough with Ellie, you were too afraid and too shy to start a conversation.
You knew all about her from your friends. They'd tell you what's her interest, what she likes and hates, what she afraid of, and so much more. You do realize that you can't just got her news only from your friends, so you've been following her instagram account by your not really a suspicious fake account named @/16candlesf00l. Thank God her account isn't a private account, and thank God she didn't block your account!
You've also been following her TikTok with another fake account since she was pretty famous there with around 8,000 followers she has, and that makes you can easily leave comments on every video she posts without worried about she's going to confused, you usually leaving comments like, "Oh, you're really pretty!" and other flirty remarks. Then one day, you comment, "Did you cut your hair?" and she responds with just "Yeah." Despite her brief reply, you respond enthusiastically with "Should we get married?"
A single word, 'Yeah,' had already sent you into an hour of rolling on your bed, giggling, and playfully kicking your feet against the pillows.
She didn't reply to your comment after that, and you didn't mind. At least there was a bit of interaction with you, right?
"Hey!"
Snapped back to the reality by Cassandra's tap on your shoulder, she leaned in and whispered to you, "Girl, I know you're head over heels for Ellie, but how long are you going to just stare at her, huh?"
"What-" You cast a quick glance at Ellie, unable to believe what Cassandra had just said. Yet there she was, looking back at you with that slight smile on her lips, her fingers idly playing with the cards in her hand. It was clear she had been watching you for at least a minute or two.
You quickly turned your head left and right, let out an awkward chuckle to Cassandra. Oh really, you lost your words.
"Uh- Cass- I.. Uhm, what color-" You stuttered, you started feel like this situation was fucking embarrassing especially when Ellie still looking at you, not moving even for a second. Cassandra and the others waiting you pull out your cards.
And for God's sake, you really wanted to hide yourself in a closet right now.
"Hey, why did you stuttered? It's blue, go pull out your card, babe!" Cass slapped your back (not in verbally way obviously. Immediately you pulled out your card, you didn't see the number first but the color.
You saw Ellie suddenly get up from her chair, she handed her cards to Chloe who's already won the game first, "Chloe, can you play my cards for me? Em—" she stopped, clearing her throat before she continued, "I have an emergency, I'll be back later,"
Chloe just nodded without giving her a glance, hands taking the cards. Meanwhile your eyes were never leaving her gesture leaving the dining room to backyard porch.
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3 hours passed after the moment where you got caught by your friends for staring at Ellie for too long. Everyone was asleep, except you. It was really really boring because you're being the only one who can't sleep, meanwhile everyone is drowning in their own sweet dream.
The silence in Sophie's bedroom was so quiet that the ticking of the clock feels so loud here. You get up from the bed really slow and careful as you didn't want  to disturb Cassandra's sleep, as she was a light sleeper. As you made my way out of the bedroom, you cast anxious glances at Cassandra, concerned that the door might creak loudly upon opening.
You turned your heels towards the backyard porch, then leaning your back against the fence. Your hands grabbed a cigarette and lighter from your pocket. As you took a drag, you sighed, your mind replaying the moment from two hours earlier. After revealing your cards, Ellie had turn aside her gaze, yet you couldn't shake the feeling that she was stealing glances at you every few minutes.
Okay, maybe you're really delusional.
"I thought I'm the only one who couldn't sleep?"
You fixed your position and looking around to find where the voice came from, an that's when you spotted Ellie from the house, pulling on her gray hoodie as she stepped to you. Did she just talking to you? Like, for the first time ever?
Jesus, 'No fucking way,'
You chuckled, "I guess my eyes weren't in the mood for sleep," you said. She joined you, resting her arms on the railing right beside you. "So," you said as you turned and tossed the cigarette into the trash bin below the porch, "What keeps you awake from sleeping? I mean, it's three in the morning and everyone else is asleep except us."
"I don't know," she shrugged her shoulders, and you tilted your head, "You don't know?"
"Yeah, I just… I don't even know what I'm doing before I realize it's already 3 AM. I guess I was thinking about something, getting lost in it, and then I forgot it once I realized I'm still awake," As she spoke, her smile broadened and she turned her head towards you, her gaze firmly fixed on yours.
You nodded in response. You couldn't look at her directly for fear of blushing, even as you sensed her gaze from the corner of your eye. Deep down in your mind, you found it hard to believe what had just happened. The girl you had a crush on since three months ago, the girl you always adored from afar because you were too shy and afraid, the girl you've been flirted on her TikTok post comment section are the same girl who just talking to you a few seconds ago.
The atmosphere turned really awkward when neither of you continued the conversation. The only sounds were from the insects on the ground and the occasional car passing by on the street. You humming, for at least the situation wouldn't be too awkward if you do that.. maybe.
Ellie opened her mouth, "How did you met Sophie?"
"Hm?" you glance at her and gasped the next second, "Oh, Sophie! I thought you were speaking some words," you fall silent, hummed, and let out a little chuckle from your lips, "I've known her since the first year; she was my first friend at school before she introduced me to Aimee, Cassandra, and Chloe. We've gotten along ever since… until today. And.. what about you?"
"Sophie has been my friend since childhood, we were on the same school when I was 7, her dad was my father's fishing buddy for years and we were on the same neighborhood. Now she's more like my.. older sister," she stopped, before pull herself away from the railing, "But whenever I'm with her, it feels as though I'm speaking to an old woman who lives for a long time. She told everything to me, the dos and don'ts, and even offers five minutes of advice whenever she thinks I need it!"
You groans between your laugh, "Really? No way, she did the same thing to me all the time! She's truly the mom, isn't she? Oh, you know what? One day I was scammed by someone claiming to sell tickets for my favorite singer's tour. I ended up losing about 200 bucks, they blocked my numbers and didn't say anything! And she—"
"Wait, 200?!" Ellie interrupted, her tone a mix of surprise and shock. You nodded and chuckled as you saw her mouth fall open. "That's… quite a lot," she added.
"I know! Jeez, I was so dumb at that time, and Sophie was the first person I told, and she really scolded me for an entire day. She keeps bringing it up in the middle of any conversation, as if I didn't hear her the first time," you paused for a moment, taking a breath before continuing, "She even said things like 'I told you so, I damn well told you!', 'If only you had been patient, you wouldn't have been scammed', and 'With that money, you could've bought your precious expensive book,' ugh, I wasn't born for those words!" you imitated Sophie's voice, laughing lightly as you did.
You both laughed, the conversation continues as you both found a lot common in each other's interests when you mentioned your favorite comic book. You swore she's the sweetest when she's talking, eyes always locked on you, the funniest jokes she tossed, it all raises your hopes too high. Two hours flew by, until you started feeling sleepy and decided to head back to the bedroom, but when you were already laying down, the sleepy instantly gone.
You were talking to yourself in whispers before you asleep, mind keep thinking about Ellie and there was no any signs to stop thinking about her. So many wishful thoughts and imagines if you were dating her. Yet, no matter how long you could keeping her in your mind, there's always some voices showed up in your head and saying such things like;
'You really never learned from your past,'
'There's so many girls out there who maybe caught her attention,'
'It'd seem so sad if you're the only one who fell to her and she's not.'
'Aren't you afraid if she end up with someone who's not you like how the last time you fell in love?'
And you really hate those voices, trying to block them all out without giving a single damn to it. Instead, you tried to believe that things will work out with Ellie, unlike the last time when you fell for Robin—the girl who started dating someone else the day after you confessed your feelings to her.
No, you're not going to end up the same like that. Not now, not with Ellie.
"What if she confesses her feelings to me?" you mumbled, biting your lower lip as you began giggling and buried your face in the pillow, "God, I'm so fucking delusional!" although you said that, you couldn't stop for imagining if she were tell you about her feelings, going on a date to somewhere, chilling at her house or yours, and discussing about every novel you both likes.
It was so.. cute, you thought. However, you didn't realize that you were projecting those images as hopes onto yourself and it'd lead you to breaking down if you weren't aware.
You push the pillow away from your face, shifting into a side-lying position. A smile remains ever-present on your lips. You breathe in and out slowly, then closed your eyes, it's literally five in the morning and you haven't sleep.
"Have a good sleep, Ellie,"
Ugh, you did not.
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Two months down the line. Returning home from Sophie's holiday house was quite late, a full day after everyone else had left. You had the option to ride with Cassandra or take up Ellie's offer, but you were waiting for your mom, who had promised to pick you up. She didn't show up for four hours, then she texted you that she would be a bit late, and you ended up waiting her until the next afternoon.
You've called her phone countless times, but she never answers. You can't turn to your dad for help either, as he's been in Greece for three months. And your brother? He would never waste his time just for drive ten hours from his place to Sophie's home and then take you to your apartment.
So, how did you managed to get home?
Ellie came back the next night after Sophie mentioned you to her. You were overwhelmed with guilt for having declined her offer to drive you home the day before, especially since she returned just to take you home, facing a five-hour drive. She knew you weren't really in a mood after waiting literally a night for your mom who texted you that she couldn't pick you up after you were already with Ellie. She knew that. That's why she made a stop at convenience store, bought a lot of foods and drinks before taking you to the closest beach for some relaxation.
You've been getting along with Ellie. Ever since the day she made sure you got home safely by driving you home, there hasn't been a day without texting, talking, and even meeting up with her. And indeed, for heaven's sake, she made you fall deeper for her, more than ever. The way she acts around you, the way she talked to you, the way she is paying her attention at you every time you tell her your story. She really keeps your hopes still high.
She always asks you to go out at least three or four nights a week, and you've never said no. After all, it's not a waste of time when the girl you have a crush on—the same one you always comment on her posts—is asking you out. Every time you went out with her, she was incredibly sweet, as if you were girlfriends. But sometimes, she'd leaving you too soon, she would be saying sorry because she had an emergency. And it wasn't just once. But you didn't mind at all since she still brought you out to any places.
Ellie would purchase everything for you; even when you babbled thoughtlessly, she would disappear for a bit and come back with an item you had mentioned in her hand. You have always warned her against purchasing such items without your consent-literally all the time, and although she agreed, she never heard your warning.
"I swear to God, Ellie. I just told you an hour ago to not buy me some things I babbled about!"
She smiled, "Oh.. really?" you scoffed, couldn't hide the smile from your lips, "You're smiling."
"Shut up, Williams!"
A couple weeks had gone by, you started to questioning yourself about what were you to her? Girlfriend? Or were you just trapped in situationship? The worse, you were only a friend to her. You couldn't find the answer. It seems like she might have the same feelings towards you. She made you flustered, made you felt like you were the luckiest person alive. On the other hand, she never mentioned what relationship you both are in right now. You couldn't even tell if you were deserve to feel hurt or not.
Despite everything, you know how to pretend you're fine when you're hurt, right..?
Now go back to the present, you found yourself resting your head on Ellie's shoulder, half-watching the netflix show on the TV. Instead of watching the show, you were busy on your own thoughts. Confused. Who are you to her? Just friends? Situationship? You knew it too well, it felt like you can call her as yours but in reality you were not.
"Everything's alright?" Ellie interrupted your thoughts as she spoke. You nodding your head in response, lied. And unfortunately you weren't good at hiding expressions. She can feel that you were far from alright.
"Are you sure?" she asked, paused the show. Then she pinched your cheeks, leaving you laughing and grabbing her wrists as you pleaded with her to stop, "You know, you can tell me if there's anything wrong. I'll help you," she added, her fingers stopped pinching your cheeks now.
You chuckled, "That's so nice of you, Williams. But trust me, nothing's wrong now."
You keep resting your head on her shoulder, your gaze wandering around her apartment. Three minutes later, you find yourself sinking back into your daydreams. About someday, when you both are older, these moments would be the things you always laugh about over the tea every morning while Ellie watching the news.
"It was so funny back then,"
"Yeah! Oh, remember when you drove me home but the you stopped at the beach!"
You huffed, realizing once more that it was all just a dream.
"Ellie," you called her name all of the sudden, with you playing with your fingers, "Yeah?"
"Do you ever... believe that if we were patient enough to wait someone we had a crush on, they'll coming to you?" you don't know, why the question was suddenly came out from your mouth.
She hummed at first, and laughed, "No.. I guess. Because, what if you were already waiting them patiently but apparently they weren't the one for you?"
You went silent, she tilted her head to you, "Why did you asked suddenly though? Did someone caught your attention for a while and you're waiting for them?" and you nods.
"Who?"
'It's you, dumbass.' you secretly rolled your eyes.
"I won't tell you," you sigh out, "I've been waiting them for these past 5 months, and for God's sake, she's too hard for me to reach!" you slammed your hands into your thighs, inviting her laugh.
"It's almost half of a year, and you still waiting?" you nods to her question, biting your lower lip and avoiding her gaze. You heard her letting out a heavy sigh, "What if they never come to you? As if their love were never gonna come either?"
You froze, losing all your words. Why was she asked you like she knew you were talking about her?
Thereafter her phone buzzed leading Ellie quickly flipped her phone like she doesn't want you to curious, "I'm going out for at least ten minutes, you don't mind?"
And who are you to said no and pleaded to stay here? You were her guest on her house, nothing more like that. In the end you answered okay, almost whispered.
You were spying her through the corner of your eye as she walked out onto the balcony and closed the door. You could see her from inside when she walked back and forth with a big grin on her face, occasionally laughing. You really wanted to know what was going on, what the conversation was about that made her laugh so freely. But you knew your boundaries; you weren't supposed to ask her personal questions.
At one time she talked too loud you could even hear it from where you sit, "You'll come back? You're kidding, right? I swear to God, Emma, I missed you so much!"
Wait, who's Emma?
Ellie looked so excited on conversation with someone she just called Emma. From what you've heard through friends, Ellie didn't have many friends, and they mentioned only Jesse, Dina, Aimee, Chloe, and Sophie when you first confessedyour feelings about Ellie to them. So.. who's Emma then?
What if she were Ellie's girlfriend? No, there's no fucking way. Five months ago your friends said she was single, so that.. can't be. You immediately get rid all your negative thoughts about the girl Ellie mentioned on her phone call.
Enough staring her too long and overthinking. You shrugged your shoulders, act like you didn't care at all, 'I shouldn't think about this.. No. Please, please, please, try to think how sweet Ellie when she's with me..'
You changed the show into the romance one, you cannot stop smiling, you dream up if those romance scenes you watched right now was you and Ellie. The thought from you think about when you were couldn't sleep at Sophie's holiday house came back, 'Will Ellie ever open up about her feelings for me?'
It was so dumb. Do you ever think like that? The answer is yes, but who cares?
Your phone buzzed, and as you glanced at the screen, a notification was displayed.
911 sophie
hiiiii babe let me tell u i'm at aimee's rn
You
helllooooo what r u doing w her?
911 sophie
aimee was about to inviting you to her house tonight, and the others too. but her phone was DEAD RN she's planning on making a whole fucking meal like.. for 6 people??!! anyway wya???? she told me to buy some foodstuff at supermarket but i'll be fucking bored if im alone since she cant go out she's too busy with her other food creation or idk whatever she called it sooooo do you want to accompany me say yes i'll pick you up RIGHT NOW
You chuckled as you saw her text. Aimee was definitely too focused on what's her doing right now. You could tell how bored Sophie was there.
You
does she invite ellie too? anw pick me up pleaseeee ms. torres;))) at ellie's house love u!
Your gaze went to Ellie's, seems like she already finished the call. It's been 4 hours since you got here, and maybe it's enough for today even though you haven't finished the show you're currently watching.
911 Sophie
yeah she invited ellie too why? huh you were at what??? ellie?? GIRL HOW
You
mmmm i'll tell u later ;p JUST PICK ME UP ALREADY
911 sophie
OH CMON okay i'll be there in 10 xo
You paused the TV show and rose from the couch, reaching for your sling bag on the floor. At the same time Ellie, had came back from the balcony, you could tell how good her mood is by her smile.
"Where are you going?" she asked, noticing that you had already slung your bag over your shoulder. She made her way over to you, her fingers were scratching her back neck.
"I… Uh… Sophie asked me to go out for buy some foodstuff.." you pointing your thumb to behind before falling silent for a moment. "Is… is it okay if I leave now?" you ask, feeling a wave of regret wash over you immediately after, cursing on yourself for even questioning why she wouldn't be okay with you leaving.
'God, I'm so weird!'
"Oh… Okay," Ellie glanced back before turning her head to stare at you, "I was about to leave as well. Where will she meet you? And maybe I can drive you—"
You cut her off, shaking your head, "Actually… she said she'll pick me up here in ten minutes." Ellie nodded in response, her mouth forming an 'O'. She made her steps into her bedroom after she smiled at you and came back with her wearing her green jacket.
Your other side was sooo curious. Where is she going? Why did she smile so happily after the call? And what made her so excited during the call earlier? Will she be with someone, or will she be alone? You don't know, and you want to know. You really want to know. Curiosity inside you feels like started to eat you up. You immediately shook your head, pushing away your curiosity. You started talking to yourself in a really low voice, as if you hadn't said anything, "I should stop doing that."
"Ellie, I…" you were staring at her as she hummed, her gaze was met yours, "I think I'm gonna wait on the front porch." You were about to make your way to the front door, but her hand grabbing your wrist stopped you. "Ellie?"
Your eyes locked on hers; her expression was different from a minute ago. It was... guilty? Sad? You couldn't even tell. What's going on now? Was this related to her call minutes ago?
"I just... want to say sorry,"
You tilted your head. Seriously, what's going on?
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"So, did you mean she was saying sorry to you without explain everything?"
Now, you were in Aimee's kitchen with Sophie, picking up the conversation that had been put on hold hours earlier. Aimee was in her bathroom, and here it's only you and Sophie whereas the rest on the dining room. You did tell her everything what happened today, once you asked her who's Emma, but Sophie wasn't sure if she know that girl because Ellie never told her about Emma. You already asked Aimee too, and all she said was, "I think I've heard that name.. I don't know." they literally left you all disappointed.
"I was about to ask her why she was apologizing to me, but I couldn't because you came to pick me up," you said, rolling your eyes at Sophie, which was followed by laughter from both of you.
"Whoa, so it was my fault, young lady?" her tone was changed along with the tip of her lips moved down shaping like upside-down 'U', "Maybe she did something wrong and you didn't notice it. Don't take this seriously because I'm just trying to speculate."
You scoffed at Sophie, "I don't know, Sophie. As far as I remember, she didn't do anything wrong that would make me mad or upset," you said, turning your shoulders down and positioning the knife between the apple slices you had cut earlier.
"Try to ask later, babe. I'm pretty sure she'll tell you later," Sophie placed her hand on your shoulder, before she moved to your left side. You gave her a disagreement gesture, huffed so loudly, made her expression was changed in seconds.
"She haven't talk to me since she arrived here, Soph," head down as you resting your hands to the counter surface, "What?"
You huffed once again. Indeed, Ellie hadn't spoken to you or even glanced your way since she arrived. It was as if you had done something to pissed her off, but you hadn't. She didn't text or call you like she always did after you left her apartment, the last message was when you told her you were already at her house. You were too desperate to find an answer or even to asking her. She seemed like a different person, completely changed from when she last spoke to you hours ago.
You both went back to dining room, sitting right next to each other while Ellie was sitting in front of you. She didn't give you a single glance, as if you weren't there. It's not like what she did when the night at Sophie's holiday house back then. She checked her phone every 10 minutes like she's waiting something important.
Your eyes were never left her gestures during the dinner. Even when your friends tried to talk to you, you just answered them briefly because you weren't in the mood to talk. Twenty minutes later, Ellie excuses herself and leaves everyone else, including you. She takes her steps to the kitchen. You see her hiding her smile by biting her lip.
Does she even realize you're here?
"Is everything okay?" asked Chloe, sitting next to you. "You seem a bit off, and I noticed Ellie haven't been talking to you either. Is there something wrong between you two?" she moved her chair so she can move closer to you.
"We're fine," you claim, but it's not entirely true. You might be pretending, yet you're actually okay with Ellie since you've never argued before. Chloe grunts, sensing the dishonesty in your words.
"I know you're lying. C'mon, you can be honest with—"
You shake your head, you don't want this conversation to continue too far. Enough for tonight. "We're really fine, Chloe. Believe me."
Chloe nods, she's back to her position, "Okay then. But still, tell me—no, I mean, please tell us if something's wrong with you two, we can help."
You excused yourself to the bathroom, but Ellie's voice in the kitchen halted your steps. You never realized what are you doing in front of the bathroom door, until you found yourself leaning on the wall right next to the kitchen where you heard her voice. She sounded so happy, laughs between her words, saying jokes that she had already told you.
The ache in your heart was undeniable. Who could she be talking to on the phone? Emma, perhaps?
You bite your lower lip, your hands wiping away the tears that threaten to fall from your eyes. You enter the bathroom and sit on the toilet, head bowed.
"Why does it hurt so much? I'm just her friend, right?"
Right, you had no right to be jealous or hurt when Ellie never thought about you being her girlfriend even though she treated you like one.
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The next day, neither Ellie nor you started the conversation on messages like you two always did every morning. It felt so empty to you as you woke up and didn't find any signs of Ellie texting you.
You did your morning routine as usual without giggles and smiles. Everything went too quiet. You didn't mumbled or even talking to voice notes that you'e always sent to Ellie.
As night fell, time passed quietly. You didn't venture out, choosing instead to isolate yourself from the world, turned on the do not disturb mode on your phone even though Ellie hadn't sent any messages. The conversation remained where it was left off yesterday morning.
You couldn't resist the urge to text her, yet it all seemed no use when you deleted every word you were about to send.
You walked back and forth in your bedroom, hand holding the phone as your fingers scrolling through TikTok. None of the videos you watched, all you did was scroll and scroll, not really in a mood though but you were bored. Really bored.
Fingers stopped as you saw the profile picture, recognizing it too well, more than your own profile picture. It wasn't a video, but photos with a song called 'The Perfect Pair'. You knew who the figure in the photo was: auburn hair, sitting in the driver's seat, wearing the same jacket you saw yesterday, and the gray baseball cap she always wears.
Your eyes caught the other figure: long wavy ginger hair, sitting in the passenger seat, her hand holding the person you recognized before. God, your heart was beating faster than you could pant.
Slowly you sit on the floor, leaning onto your side bed.
You saw the caption, 'Soft launch' with some hashtag she always put in there. And the user she tagged, @/user3291emms.
That was the time you felt like something crashed your heart and broke into hundreds pieces. You know if you were too curious, you'll get the consequences. You opened the comment section, there was she commented on her own post, 'Welcome back to Boston, sweetheart.'
You feel like you're the most foolish girl who ever lived. Suddenly, you remember something that you had forgotten when you had a conversation face to face with Chloe.
"I heard from Dina, Ellie had been talking to someone for a while, the girl named Emma or something."
You didn't listen to Chloe that day because you were too busy adoring Ellie, who was playing her guitar far from you. You cursed yourself, mind repeating all those moments you always thought it meant nothing to you and her. All those moments became signs that Ellie wasn't the one.
The moment when she excused herself in the middle of UNO games, the moment when she always left too soon after she took you out, the moment when she was on the call on the balcony and she got too excited. The moment she was about to go, she was going to pick up Emma from the airport. And when she left the dinner party earlier than others, she was going on a date with Emma.
You were crying so hard, you put your phone right beside you while you buried your face between your arms.
"How could I not see the signs?" you spoke between your tears.
The voices in your head were right; you never learned anything from the past. Now, the voices were telling you why did you always ignore the signs. Because you were too busy loving someone, which led you to forget the worst-case scenario if they weren't loving you as you did to them.
Maybe you'll finally learn your lesson.
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You sit there alone on the bench, at the park that Ellie always used to take you. Eyes never leaving two figures from afar, they seemed having fun on their own. Ellie hugging Emma tightly, giving her a lot of kisses while laughing at something. Thoughts of imagining if Emma were you came, which immediately you push away.
Ellie never texted you again or called you, or even talking to you, and you were trying to get used to it. Every single day, you tried to resist the urge to check the messages that had started to be abandoned.
You smiled slightly, you stood and picking up your bag, ready to leaving the park soon. Taking a small step into the exit.
You didn't know, Ellie noticed your existence right after she's done hugging Emma. Her eyes locked on your gestures, she didn't move even for an inch. As you get up from the bench, she did the same thing like she was about to take her step to you.
Oh, she did it anyway. Your wallet dropped without your knowledge. Ellie told Emma to wait for a minute and hurried over to you. She picked up your wallet and noticed the Polaroid of you and her from when she took you to the beach before. Something stirred in her chest as she wondered why you still held onto the Polaroid despite her having hurt you by avoiding you like a completely stranger.
"Hey, your wallet dropped," she tapped your shoulder twice, before you turned around.
You were surprised, Ellie was right standing in front of you. After all these months of being a stranger to each other, she showed up suddenly. You cleared your throat, took the wallet immediately, and put it in your bag. "Thanks," you said.
Everything went quiet again between you two, none of you were talking or leaving.
You felt like the goodbye was screaming in the silence. You seeing the visions of the past, maybe you just got her longing glances while Emma got her rings. You huffed, doesn't know if this was the last time you'd see her or not.
"Ellie," her smile disappeared as you called her name.
"Is it okay if I tell you that I still love you even though we haven't talk since Emma came to Boston? I'm sorry, Ellie. But I couldn't bear my feelings," you confessed to her, all those words just out from your mouth.
With furrowed eyebrows, she averted her gaze before fixing it on yours. "And would it be too late if I told you that I haven't been able to stop thinking about you for these past few months, even after avoiding you? God, I wish I could have told you sooner."
Your eyes widened. Just before you could say something, she left, leaving you all alone with her words lingering in your mind until God knows when.
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a/n: i made this because i just found out that the girl that i had a crush on for months already have a girlfriend <3 (i've been crying nonstop) ANYWAY big thanks to taylor swift for the names <33333
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katelfiredemon · 9 months
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List of some movies that I enjoy and the books they’re based on which often have different vibes than the movie but both are equally good in different ways
Howl’s Moving Castle: The book is titled the same but has very different vibes (movie is more whimsical fantasy while book feels more like realistic fantasy if that makes sense) and also has two companion books in which Howl and Sophie make appearances! Book by Dianna Wynne Jones
Kiki’s Delivery Service: The book is titled the same but again very different vibes (Movie Kiki deals with depression and losing your passion and Book Kiki is cute little witch dealing with people’s problems in cute little witch ways) Book by Eiko Kadono
Stardust: Book titled the same but different vibes (movie is intense and life threatening adventures, book is more fun travel adventures and much slower paced) Book by Neil Gaiman
The Secret of Moonacre: The book is titled The Little White Horse (similar to Stardust the book is a lot slower paced and less life threatening adventures but just as fun and interesting as well as a lot of characters have more depth to them than in the movie) Book by Elizabeth Goudge
The Last Unicorn: Book has same name (from what I remember the book is almost word for word exactly like the movie) Book by Peter S Beagle
Ella Enchanted: Book has the same name (ok this one is a little more controversial. In my opinion the book has a lot more depth and is a lot more interesting in the world building and characters, and the movie is a horrible adaptation. But if you look at the movie as a completely separate thing it is still enjoyable and has fun songs and is a classic from my childhood) Book by Gail Carson Levine
Mary and the Witch’s Flower: The book is titled The Little Broomstick (I have yet to read it but I have just checked it out so I will make sure to update this once I’ve read it! I expect the book will probably have better world building as the movie was fun but didn’t have time to go into depth and the mechanics of the witch’s world) Book by Mary Stewart
Earwig and the Witch: Book titled the same (I also have yet to read this book but have just checked it out and will update later. I think it’ll probably be similar to what I expect with the Little Broomstick where it will probably show a more developed world) Book by Dianna Wynne Jones
Ronja the Robber’s Daughter: Technically not a movie but a tv series. Book has the same name (I also haven’t read it but have just checked it out and will update but I think the show was very well done story wise though the animation wasn’t my favorite and I expect that it probably followed the book fairly closely) Book by Astrid Lindgren
Avalon High: Book has same name and similar plot but characters are switched around (this is actually one where I like the movie a lot better. I feel like the book is extremely predictable and does exactly what you expect to happen while the movie switches it up in a fun way that I feel like also makes sense and isn’t just doing it for the shock factor) Book by Meg Cabot
Tales From Earthsea: One book from the Earthsea Cycle has the same name (I’ve only read the first two books and so technically haven’t gotten to the book that the movie has been adapted from but it’s on my list and I will update once I eventually get to it. So essentially I’ve read the prequels that lead up to the events in the movie and I’ve heard the movie is vaguely different but has similar themes and plot points to the book) Books by Ursula K Le Guin
That’s all I can think of for now but if you have any suggestions to add let me know and I’ll see if I’ve watched the movie and read the books and if so I’ll make an addition to this post!
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batboyblog · 20 days
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My Super Gay/Queer Reading List
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The Long Run by James Acker
Simon vs. the Homo Sapiens Agenda by Becky Albertalli
Another Dimension of Us by Mike Albo
Wonders of the Invisible World by Christopher Barzak
Alan Cole Is Not a Coward by Eric Bell
Alan Cole Doesn’t Dance by Eric Bell
The Darkest Part of the Forest by Holly Black
In Other Lands by Sarah Rees Brennan
Felix Yz by Lisa Bunker
Last Bus to Everland by Sophie Cameron
Dragging Mason County by Curtis Campbell
The House of Impossible Beauties by Joseph Cassara
Peter Darling by Austin Chant
Carry the Ocean by Heidi Cullinan
The Love Interest by Cale Dietrich
Half Bad by Sally Green
Half Wild by Sally Green
Half Lost by Sally Green
Heartbreak Boys by Simon James Green
Gay Club by Simon James Green
You’re the One That I Want by Simon James Green
We Contain Multitudes by Sarah Henstra
Totally Joe by James Howe
After School Activities by Dirk Hunter
At the Edge of the Universe by Shaun David Hutchinson
The Past and Other Things That Should Stay Buried by Shaun David Hutchinson
We Are the Ants by Shaun David Hutchinson
The Five Stages of Andrew Brawley by Shaun David Hutchinson
A Complicated Love Story Set in Space by Shaun David Hutchinson
The Boy Who Couldn’t Fly Straight by Jeff Jacobson
Haffling by Caleb James
The Lightning-Struck Heart by T.J. Klune
A Destiny of Dragons by T.J. Klune
The Consumption of Magic by T.J. Klune
A Wish Upon the Stars by T.J. Klune
The Extraordinaries by T.J. Klune
Flash Fire by T.J. Klune
Heat Wave by T.J. Klune
The House in the Cerulean Sea by T.J. Klune
Openly Straight by Bill Konigsberg
The Bridge by Bill Konigsberg
Destination Unknown by Bill Konigsberg
The Gentleman’s Guide to Vice and Virtue by Mackenzi Lee
Two Boys Kissing by David Levithan
Every Day by David Levithan
Boy Meets Boy by David Levithan
Ryan and Avery by David Levithan
How to Repair a Mechanical Heart by J.C. Lillis
Take a Bow, Noah Mitchell by Tobias Madden
When Ryan Came Back by Devon McCormack
Red, White & Royal Blue by Casey McQuiston
Fraternity by Andy Mientus
The Song of Achilles by Madeline Miller
The Art of Starving by Sam J. Miller
Hero by Perry Moore
I’ll Give You the Sun by Jandy Nelson
More Than This by Patrick Ness
Junior Hero Blues by J.K. Pendragon
The City Beautiful by Aden Polydoros
When Everything Feels Like the Movies by Raziel Reid
Kens by Raziel Reid
Emmett by Lev A.C. Rosen
Jack of Hearts by Lev A.C. Rosen
Camp by Lev A.C. Rosen
Carry On by Rainbow Rowell
Wayward Son by Rainbow Rowell
Rainbow Boys by Alex Sanchez
Rainbow High by Alex Sanchez
Rainbow Road by Alex Sanchez
So Hard to Say by Alex Sanchez
The 99 Boyfriends of Micah Summers by Adam Sass
The Darkness Outside Us by Eliot Schrefer
All Kinds of Other by James Sie
They Both Die at the End by Adam Silvera
History Is All You Left Me by Adam Silvera
More Happy Than Not by Adam Silvera
Grasshopper Jungle by Andrew Smith
Freak Show by James St. James
Ray of Sunlight by Brynn Stein
The Dangerous Art of Blending In by Angelo Surmelis
366 Days by Kiyoshi Tanaka
The Language of Seabirds by Will Taylor
Cemetery Boys by Aiden Thomas
Wild and Crooked by Leah Thomas
Because You’ll Never Meet Me by Leah Thomas
Spin Me Right Round by David Valdes
Always the Almost by Edward Underhill
Hell Followed With Us by Andrew Joseph White
Tumblr got rid of yellow so I couldn't do pride colors, sorry!
If you want help picking something out just send me an ask with what kind of thing you're looking for and I'll select something for you, and if you end up reading something because you saw this list, please let me know
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sodasa-was-taken · 2 months
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Romantic foils done right: How G-Witch uses romantic foils
Or why none of the characters who showed interest in Miorine and Suletta ever posed a threat to them getting together.
So, after the unexpected response to my last analysis and some recent discussions, I felt inspired to make another one. This time about romantic foils, a frequently misused but great tool in romances. I hope you enjoy it.
As far as I can tell, G-Witch has five romantic foils: Guel, El4n, Shaddiq, El5n, and Sophie.
In romances, when a character is in contrast to one of the main characters as a romantic option, they're a romantic foil. Having romantic foils in a story can be a great way to show what the principal characters see in each other. This is done by showcasing what the characters like and dislike about characters with contrasting attributes to the one they'll end up with.
Sometimes, it can feel like a romantic foil is just there to create cheap drama, often when they're a romantic rival, i.e., actively trying to get in the way of the main characters becoming a thing. Other times, when one of the focal characters isn’t the best person, an author might have a character who’s a romantic rival be even more of an asshole to make the character look better in comparison. This doesn’t make the character look better; it just creates a pick-your-poison situation. Furthermore, jackass and even more of a jackass ain’t foils since there isn’t any contrast. That isn’t to say that romantic foils can’t be antagonistic. Many of the romantic foils in G-Witch are also antagonists. In cases where a romantic foil is an antagonist, they emphasize the virtues of the characters they’re a foil to by being everything they’re not.    
Guel, foil to Suletta – At the beginning of the show, Guel is everything Suletta is not regarding their treatment and intentions towards Miorine. Suletta is apologetic to a fault, while Guel pushes Miorine around like he owns her. Guel is abrasive, while Suletta is considerate. He’s ostentatious, and she’s shy. Crucially, Suletta’s shyness doesn’t prevent her from having pride in herself. She just doesn’t need to show off like Guel.
Miorine grows fond of Suletta for the same reason she dislikes Guel. He’s the embodiment of everything Miorine hates about her predicament, and Suletta is the opposite. Although Miorine sees them as two sides of the same coin at first, both are out to insert themselves into her life, just in different ways. Except as Miorine soon enough learns, Suletta had no intention of doing so but just couldn’t stand by while seeing someone in distress. Side note: It’s ironic how opposed Miorine is to Suletta interfering in her life when Miorine later follows Suletta around like a lost puppy and insists on helping her any chance she gets. 
Attributes Miorine likes about Suletta that Guel notably lacks include, but are not limited to, her humbleness, her upbeat nature, her gratefulness, and her commitment to doing what she thinks is right. Also relevant if you think Miorine is a Lesbian; Suletta is a girl.   
When it comes to why they become the Holder, Guel is doing it for himself, and Miorine is simply a prize to be won. Suletta, on the other hand, ends up as the Holder unintentionally, dueling to help out Miorine rather than to have her. In fact, when she learns that being a woman does not exempt her from being Miorine’s groom, she goes full blue screen of death. 
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Guel, foil to Miorine – Straight from one character’s romantic foil to the other. Guel is Suletta's foil until he catches feelings for her and shifts to become Miorine's. After being the first demonstration of Suletta's extreme discomfort with someone coming on too strong Guel denies his affection for Suletta. This happens shortly after Miorine has Suletta donning the uniform which shows the two are engaged.
In episode nine, while Miorine does everything she can to guarantee they win the duel against Grassley House, Guel won’t even fight because Dad told him he wasn’t allowed to duel. He doesn’t want Earth House and, more specifically, Suletta to lose, but not enough to disobey his father.
At the backend of season two, Guel becomes a regular foil to Miorine instead of a romantic foil since he’s no longer interested in getting with Suletta or, as he puts it, there are more important things than whatever feelings he might have for Suletta. This means he isn’t being motivated by those feelings the same way Miorine is by her love for Suletta and can, therefore, look a bit more objectively. It also means that he doesn’t stop Miorine from doing something he sees as fruitless because helping her break Suletta’s heart is a prize he’s willing to pay to save Jeturk Heavy Machinery.            
Side note: Guel does his job as a foil quite well, but because he’s a foil, his prominence is completely unwarranted. It might’ve been a little more reasonable if he was the only romantic foil, but this story has five. Giving this much attention to a romantic foil in a romance about a straight couple would be unthinkable. Still, because the story is about a same-sex couple, they can’t be the image of their own story.     
El4n, foil to Miorine – El4n is the only romantic foil in the story, highlighting the flaws of the one he's a foil to. His function in the show is to get Miorine worked up and showcase that Suletta isn't the type to pine. Side note: Suletta appears to be quite binary when it comes to others having feelings for her. Either they like her romantically, or they never will.
From very early on, El4n shows a fondness for Suletta, which Miorine is having none of. Later on, El4n asks Suletta out to get to Aerial. Side note: Gotta love how Miorine compares Suletta and El4n to Romeo and Juliet, considering that if any characters in this series have their budding relationship sabotaged by the feud between their families, it’s Miorine and Suletta. 
When El4n learns that Suletta isn’t an Enhanced Person like himself, his demeanor towards Suletta changes on the spot. The progression of Suletta’s relationship with El4n is an inversion of her relationship with Miorine. Where Miorine had to overcome a misconception about Suletta for her fondness for Suletta to grow, a misconception about Suletta is what El4n's fondness for Suletta initially sprung from. Additionally, El4n asks Suletta out because he wants something from her, while Miorine pretends she wants something from Suletta, but in truth, she wants to prevent Suletta from becoming the one who got away. Girl didn't pass up the chance to go to Earth in order to save Suletta because she needed a shield. 
Despite Suletta having an interest in El4n, spurred on by him showing an interest in her and El4n eventually reciprocating, a relationship between them would never work as their goals are diametrically opposed. If El4n wants to keep his life and be allowed to live his life as he pleases, he needs to win a duel against Suletta and take Aerial away from her. Something she can’t let happen because, for one, she wouldn’t even give up Aerial for the person she’s excited to marry, and two, losing would be letting down Miorine, someone she cares deeply about, and Suletta’s not about that.
When Suletta wins the fight, she also wins back El4n’s heart, but their relationship is doomed before it starts because El4n fails to secure Aerial for the Peil company and has to die for his failure. El4n accepts this and doesn’t fight to stay in Suletta’s life, instead thanking her and letting death take him.
In the last episode, El4n apologizes to Suletta for standing her up to which Suletta basically tells him not to sweat it as she’s come to learn that the person for her wasn’t him.           
Shaddiq, foil to Suletta – Here’s someone who starts out coming off as approachable but who’s revealed to be more and more deranged as the series goes on. Shaddiq is willing to do whatever it takes to get what he wants all the while keeping his friendly appearance and calming smile.
Throughout episode nine, it becomes clear that while Shaddiq and Suletta are both upbeat go-getters, their views on Miorine couldn’t be more different. Shaddiq does, to some degree, care about Miorine, but what he thinks is best for Miorine is at odds with what Miorine wants. He justifies his attempts to control her with her being stubborn and unreasonable. She doesn’t know what would be the best for her, and Shaddiq’s been nothing but kind to her, so he doesn’t get why she keeps turning him down. This guy sure is tipping his metaphorical fedora.
The epitome of Suletta and Shaddiq’s conflicting views is shown when Shaddiq runs into Suletta after being at the greenhouse. He fails to reason with Miorine, so he tries to get Suletta to talk some reason into telling her that as Miorine’s groom, it’s her responsibility to talk some sense into her. Suletta doesn’t agree with the sentiment and instead thinks that her role as Miorine’s groom is to stand by her and support her. A very how the spouge of a woman should aim to protect and provide for their wife vs. they should treat their wife as an equal and encourage them to do what they want schools of thoughts. As Miorine seems perfectly content to be the primary breadwinner in the relationship, that first idea has less than no appeal to her.
Suletta ultimately turns out to be right, with the show taking a shot at the whole strong man who’s the sole protector of what’s deemed to be his mentality. After his defeat, he tells Miorine that he should have offered to fight for her, which most likely would have gotten him nowhere. Before Miorine met Suletta, she wouldn’t let anyone fight for her, and a good part of why Miorine rolled with Suletta becoming Holder was because she had no intention to. There’s no way of having the intention to become Holder and do what Suletta did. The intention is there, and that’s the problem. It cannot be overstated how little Suletta would care about being the Holder if Miorine hadn’t wanted her to be.
When Shaddiq learns that Miorine will be at Plant Quetta, he callously shrugs off the idea that he should try to stop her from getting hurt and leave it up to fate if she makes it out alive. This becomes somewhat vindictive when he probably justifies this kind of thinking by making it Miorine’s own fault for rejecting his protection. She doesn’t want him to keep her safe so he will do no such thing.                            
El5n, foil to Miorine – There’s not much to say here. El5n  showcases Suletta’s aversion to someone coming on too strong and her commitment to be with Miorine, as by the time El5n first makes a move on Suletta, she’s already hopelessly in love with Miorine. He and Miorine are also opposite extremes when it comes to their interactions with Suletta. El5n insists that Suletta should get with him while Miorine rejects that she has any veto over who Suletta can be with.
Sophie, foil to Miorine – Mostly qualifies for acting antithetically to Miorine and self-identifying as someone who sees Miorine as an obstacle to getting to Suletta. Although Sophie technically doesn’t express interest in being with Suletta romantically, since she goes full Yandere mode at the mention of Suletta being with someone else, she might as well be. One of a romantic foil’s main functions is to demonstrate why a relationship with them wouldn’t be in the best interest of the person they’re interested in having a relationship with. Declaring that she’ll have to kill Miorine to get the relationship she wants with Suletta makes Sophie succeed with flying colors in that regard.
Being a Yandere, Sophie doesn’t understand what would be offputting about telling Suletta she’s going to kill her loved ones. In her mind, she’s setting Suletta free to become a ruthless killer, which really shows how much she’s misjudged what Suletta is like as a person. As the cherry on top, it turns out Sophie’s obsessed with Ericht and not Suletta.  
This is another case of a character being the opposite extreme of Miorine. Concurrently with the event involving Norea and Sophie, Miorine is at the point where she’s blaming Prospera for Suletta’s actions, as she can’t see her little ball of innocence killing people unless she has been manipulated. 
            
From a meta-perspective, El4n, Guel, and Shaddiq are also the antithesis of what a romance protagonist should be due to their inability to fight for love. They’re defeatist and, at points, almost deterministic. After one major setback, they turn back to the person of their affection in the sense that they leave the person’s well-being up to fate. Something Suletta and Miorine never do to each other. Even when their insecurities get the better of them, they still have the other’s happiness and well-being in mind.
Furthermore, having the romantic foils display philosophies associated with determinism is a sort of social commentary in a sense. A part of Japanese culture is the acceptance of bad things happening and a willingness to make the best of an unfavorable situation, sometimes expressed through the word shouganai and similar words. This is a perfectly wealthy mentality until it gets used in situations people can and, more importantly, should be doing something about or, at the very least, be less accepting of. Case in point: whatever is up with Japan being behind on queer rights despite its several partnerships with multiple Western countries. So, having characters that act like their hands are tied and just shrug it off makes them foils to Suletta and Miorine, where needing to do something about a bad situation is a major part of their characters. The fact that the characters in question are products of the elite and two queer people who keep getting screwed over by the system is quite reflective of the contrast between activists in Japan and the country they live in.         
As the show is now, pairing these guys with the heroines reeks of heteronormativity. It doesn’t matter whether or not that’s the intention; it still does. Two female characters can go through thick and thin together, always having each other’s back whenever possible, and some people see their relationship as equal or even inferior to their barely existing or one-sided relationship with a man. The level of hypocrisy is astounding. It feeds into the idea that guys are entitled to have their feelings returned just by existing. That’s a big part of the reason there are guys who feel threatened by sapphic couples. It messes with their indoctrination that a woman would rather be with another woman than them.
It’s almost amusing how any of these characters come across as having a chance with either Miorine or Suletta when they’re never presented as such in the narrative. Unless the series was going to do a storytelling faux pas, Suletta and Miorine getting together is an inevitability by episode three. Having all this build-up just for them to end with someone else would be narrative nonsense. Good thing that didn’t happen.
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im56bithc · 26 days
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i completely forgot that keefe gets deadass BRANDED by a ruewen pin in lodestar (it was brant btws)
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hayatheauthor · 1 year
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How To Write And Create A Subplot
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A subplot is an essential aspect of any book. It helps drive your story forward and hook your readers in with a compelling narrative. A good subplot raises the stakes for the main character by introducing side characters, creating plot twists, adding another dimension to the story or revealing information from the past or future. 
However, if executed incorrectly subplots can overshadow your main plot and deviate from the heart of your story. Unsure how to create and execute a subplot? Here are some helpful tips to get you started! 
Why Are Subplots Important? 
A subplot is a narrative thread that supports the elements of your main plot. They often build conflict or shed light on a secondary character’s story. Subplots help you create multilevel narrative arcs and build complexity and depth. 
Your readers certainly don’t need to know what your antagonists were doing while the protagonist underwent secluded training, but adding this subplot builds tension, heightens the stakes and easily portrays personality traits and character flaws. This is especially true for genres such as SFF or horror where your characters often don’t know their enemy’s plan until the last moment. 
Subplots are often what make your readers connect with your characters and world-building. To put it simply, if Harry Potter was written without any subplots Rowling could have wrapped up the entire series in one book. 
Types Of Subplots 
It’s important for authors to branch out and implement more than one subplot in their manuscript. Sticking to one subplot can often result in a poor portrayal of an important moment or make an interesting arc fall flat. A simple way to avoid this is by combining different subplots when working on your manuscript. 
Mirror Subplots
Mirror subplots are essentially a subplot that mirrors what your protagonist or antagonist is going through in order to illuminate their personality traits and how they dealt with said situation. A great example of a mirror subplot would be Sophie and Agatha’s dynamics during the first book of A School For Good and Evil. 
Sophie and Agatha both start off with essentially the same introduction to characters like Tedros, the faculty, their roommates, etc. but while Sophie uses a negative outlook to harm those around her Agatha focuses more on a problem-solving approach. 
Contrasting Subplot 
A contrasting subplot is when a smaller character faces the same situation as your protagonist/antagonist but handles the situation differently. For example, a protagonist allowed themselves to be injured in order to safely evacuate a nearby citizen but an antagonist in a similar position used the civilian to shield themselves from the attack. 
Contrasting subplots cannot exist unless both characters undergo the same situation, which is why it is important to plan this subplot out before executing it. 
Complicating Subplot 
Complicating subplots are the most common subplot used in literature. They’re pretty self-explanatory and involve a secondary character creating complications for the protagonist. This can be as simple as your love interest’s sister spreading gossip about the protagonist, or as complicated as a grand political scheme created to turn the protagonist’s allies against them. 
Romantic Subplot 
Romantic subplots are often confused with romance written as a subgenre. The difference between the two is simple—a book with romance as a subgenre simply includes romantic themes, however, a romantic subplot uses romance to deviate from the main plot. 
For example, if your protagonist left their usual environment to attend an event with your love interest for a couple of chapters, that counts as a romantic subplot. However, a character simply having a romantic moment does not constitute as a subplot. 
Things To Keep In Mind When Creating A Subplot 
Now that I’ve divulged all of the facts associated with writing a subplot, here are some personal tips writers should take into consideration when creating a subplot. 
A Subplot Is NOT Its Own Story 
This is an important factor many writers often forget when creating a subplot. Subplots are meant to tie into the main plot and move the story forward. They are supposed to be an arc in your story, not a story of their own. 
Subplots are a great way to foreshadow events, drop hints, reveal character traits, etc. however, you need to consider whether or not your manuscript needs to have these characters. Your deuteragonist’s tragic past with the antagonist might make for a good story, but you could probably summarise those events within one chapter. 
The same can be said for past love interests, ex-friends, training arcs and backstory arcs for minor characters. These factors would all propel your plot forward, however, incorrectly implementing them can ruin your reader’s immersion and deviate from the actual plot. 
If you’re unsure whether or not your subplot should be included in your novel, take the time to consider these few questions: 
Does your subplot help your protagonist accomplish their main goal? Or does it drastically deviate them from their initial purpose? 
Does this subplot introduce a new character, a new side to an old character, or the ‘true’ version of a seemingly good/bad character? 
Would your character be unable to attain their long-term goal without this subplot? 
Would your world-building, character development, or a certain aspect of the main plot feel confusing if not for this subplot? 
If your answer to these was yes, then you probably have a valid subplot on your hands. If not, then you should genuinely consider questions and take into account why you want to include this subplot, to begin with. If your answer is something along the lines of ‘it has so and so scene/dynamic which I really enjoyed or think the readers will like’ then your manuscript would probably do better without that subplot. 
Create Conclusive Arcs 
Unlike your main plot, subplots are supposed to have a start and finish. They need to have a complete arc and some semblance of a conclusion. 
For example, if you were writing a contrasting subplot where the side character decided to abandon another character in order to save themselves, you need to consider what happens once you write out this scene. How do the other characters react to it? Does this impact your side character’s position in the story? And most importantly, how does this impact the rest of your plot? 
You need to know where you’re going to go with your story once you have concluded your subplot, and figure out a way to tie your subplot into your main plot. 
I hope this blog on how to create and execute a sub plot will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.  
Looking For More Writing Tips And Tricks? 
Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and marketing tools for authors every Monday and Thursday. 
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susansontag · 9 months
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studio ghibli ranking list let’s go
(will include nausicaä and the red turtle)
the these-are-actually-bad section:
24. earwig and the witch
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actually the only one I haven’t watched so it’s cheeky to put it here. but I won’t be watching it and no one will blame me.
23. ocean waves
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who sincerely cares about these teenagers they’re so annoying. if the boys had been gay it would have honestly been homophobic.
22. pom poko
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this film is about shape-shifting raccoon dogs waging a war on humans and there’s copious jokes about their testicles. so on paper a perfect film. execution wise it’s so long and so boring and you care about none of them.
the cure-for-insomnia section:
21. tales from earthsea
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hayao miyazaki was right to walk out of this one even though he probably is a terrible father for having done so. some of the animation was really nice but these protagonists made me yearn for the ocean waves cast because at least they have semi-personalities.
20. castle in the sky
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proof miyazaki was judging his son too hard for earthsea because this is basically his version of the same thing: a nice idea with good animation and the most boring boy/girl protagonists imaginable. has got that whimsy he does so nicely however.
the passable-films section:
19. the cat returns
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but should he have? was that really necessary? has a scene of cats walking in a procession on their hind legs though so that’s a plus.
18. arrietty
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visually gorgeous but otherwise a very run-of-the-mill adaptation of the borrowers, which in something that should feel wondrous is less than ideal.
17. my neighbors the yamadas
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some harmless and inventive fun that you can put on in the background whilst eating lunch or doing some light yoga stretches.
the don’t-harm-me-I’m-right section:
16. howl’s moving castle
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yes I do in fact understand the intricacies of the plot and I still don’t care. this is one of ghibli’s messiest films for sure, it can’t decide what it wants to be or focus on and the plot just seems to happen and then not happen for no good reason. I also think howl’s a whiny bastard and hate that sophie has to mother him and endure his contemptible man tantrums. a shame because she’s actually cool.
15. grave of the fireflies
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it was sweet but I’ve watched more moving animated films set in war-time, even. I don’t have much desire to watch it again honestly but maybe I will at some point.
the this-is-getting-there section:
14. the red turtle
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I liked it! an acquired taste but I really felt the harshness of the elements and the cruelty and the love. it's also very beautiful to look at, one of the most visually arresting ghibli productions.
13. only yesterday
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a tale of two films with this one. the parts where she's a young girl are much more interesting, but if this had stuck the landing and it'd been more even overall, could have potentially been a favourite. alas.
12. the wind rises
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a genuinely weird one in ghibli's lineup, in which miyazaki meshes two different stories together (one of inventive 'genius' and a doomed love story, respectively) in a likely attempt to try and grapple with his having chosen his career over all else, including family (noteworthy is that his wife was not able to retain her career as an animator). as a piece of art it's less whimsical and more mature than many of these films, but I struggle to not let my distaste for what it potentially represents get in the way of my appreciation for it as a film, but it's so blatantly personal that it's impossible.
the that-was-just-a-good-fun-time section:
11. nausicaä of the valley of the wind
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aesthetically one of the coolest films on this list but I don't remember the story as well. great protagonist too. must have been great to experience when it first came out in the '80s.
10. porco rosso
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I love this film about a tomboy mechanic and some pilot guy who went off to war and was so changed he is now a pig. watching it feels like if the mediterranean was so small it fit into your back pocket and was also populated by all your friends all your enemies and your ex-lover also.
9. from up on poppy hill
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I found this one boring the first time I watched it but it really grew on me with subsequent rewatches. I really like her predominantly female household and the community they share in the backdrop of the rest of the drama is sweet. the bit of drama midway through is still batshit though but in a loveable, disney-would-never way.
the near-perfect section:
8. the tale of the princess kaguya
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probably takahata's magnum opus with the studio, if slightly overlong. folktales are tricky because they tend to feel moralistic and the characters one-note if you're not willing to build on them but kaguya herself feels very spirited and alive. the prettiest on the list too I'd say.
7. my neighbor totoro
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cozy late summer comfort film. perhaps even more special now because I was able to see the london production. cute!
6. when marnie was there
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surprised this one has ranked so high for me but that's the power of tomboy lesbians heck yeah etc. also the fantastical element of this one is so up my alley and touches upon a particular kind of childhood nostalgia I have of being in old houses and imbuing them with magical qualities. the image of anna facing the house across the marshland is burned into my retina.
the I'd-die-for-her section:
5. princess mononoke
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aesthetically too cool for school and has one of the best ghibli villains and female characters (lady eboshi). they really said all the spirits of the forest are going to die in this one but well it was a nice thought.
4. ponyo
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my comfort movie of all-time! heartwarming! with another great female ghibli character in lisa, sosuke's mum who is legally allowed to drive like that apparently. also one I actually watched for the first time in my childhood when I was around 7 or so at an after school club. the subtitles taught me the useful and now underused gem of a phrase "bog off".
3. kiki's delivery service
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asks the important questions such as: what if you were a young witch from a dying tradition who moves to a gorgeous town in sweden? what if your remarkable gifts were no longer appreciated due to rapid advancements in aviation technology? what if you could live in a bakery?
2. spirited away
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when you're just a timid child who is scared of admittedly a lot and your parents manage to mess everything up spectacularly so now you're forced to work at the age of twelve for people who steal your identity. still one of the best honestly they may never top this as the peak of their artistic achievement.
1. whisper of the heart
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have you ever been a struggling artist? have you ever been in love? have you ever been obsessed with john denver's take me home, country roads? in all seriousness love a story of two artistically inclined people inspiring each other and this has a unique feel compared to other ghibli films forever favourite probably. it feels like basically no one has watched it and that's a shame. rest in peace yoshifumi kondō.
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ninchen1909 · 1 year
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The wrong groom
Pairing: Ivar the boneless x female reader
Word count: ~ 2.500
Hey,
this is the first time I write for a Vikings character. Also English isn‘t my first language, so I apologize in advance for possible mistakes.
I hope you have a great day!
Warnings: mention of killing disabled children, mention of alcohol, kind of arranged marriage but also not
"How can you ask this of me father?" you turn to him angrily, your dress swinging elegantly around your body. All of your father's advisors look at the floor, not daring to say a word. Even the priest, who always follows your father like a faithful, obedient dog, stands before you with his head bowed.
"How can you ask me to marry one of these barbarians, they stand for all that we despise. How in God's holy name can you ask me to marry one of these sinners?"
Your face is flushed red with rage, your hands clenched into tight fists. You have always been different from all the other princesses you have known. You never let anyone tell you to shut up and you always stood up for your convictions. At some point your parents realized that they could never chastise you and made a deal with you to control your temper at least in front of visitors and other nobles.
"You must do it my beloved daughter, for our kingdom, for our freedom and for our people."
Tears well up in your eyes, whether from anger or sadness you can't quite tell yourself. A few days ago, you were simply the princess of one of the smaller kingdoms in England, never attracting the interest of the Northmen until they suddenly and without warning attacked your city. Half of your army have already been killed and it is almost certain that your city could not withstand another attack.
"But why me father, why not Sophie, you've wanted to marry her off for a long time, she's older and wiser than me." Your tone has by now lost its sharpness, desperation winning out over fear.
"Sophie does not have your strength, my child, she would perish in their world, but you can become stronger in it." The look in your father's eyes becomes softer, you even think you can recognize pity in it.
"Do I even have a chance of getting out of this unmarried?" your father shakes his head, a defeated sigh escaping your throat.
"They are already on their way to us, King Ragnar with his sons and some retainers, we will discuss the details at a feast today."
"May I at least know the name of my intended?" you cross your arms stubbornly in front of your chest, a behavior for which other princesses would have experienced great suffering, but your father has to suppress a smirk.
"Prince Sigurd"
A few hours later, the feast is in full swing, together with your sister, your father, and his closest confidants, you sit on a raised table in the back of the Great Hall.
Your appetite has left after a closer observation of the Nordic table manners. Disgusted, your mouth tightens as you see them talking with their mouths full and not seeming to understand the meaning of cutlery at all. The wine flows in streams and soon you realize that they seem to be able to hold more alcohol than the men in your town.
All evening you feel the eyes of one of Ragnar's sons on you, you know from the description your father gave you of your future husband that it is not Sigurd. Crutches are leaning against the wooden bench next to him and his attentive, alert eyes follow your every move. His dark brown hair, like the hair of the other Northmen is worked into beautiful braided hairstyles. Your father seems to be able to interpret your gaze clearly, as unobtrusively as possible, he leans in your direction and whispers to you:
"This is Ivar, he is the youngest son of Ragnar and according to stories also by far the most bloodthirsty and brutal among the brothers. So stay away from him."
A silent nod is your answer, but to your own dismay, your father's words don't repulse you, but rather make the interest in  Ivar grow in you. During the whole time, his ice-blue eyes are constantly directed at you, even when you look directly at him, he does not avert his gaze from you, but gives you an arrogant smile, much to your astonishment.
Throughout the evening, your eyes meet again and again, and each time anew goose bumps cover your body, the dangerous aura that surrounds him captivates you, and as if automatically, your hand finds its way to the cross that hangs around your neck, you clasp it tightly with your fist.
The festivity goes on like all the previous ones. Everyone gets drunk and all the noble, God-fearing men, as time passes and alcohol consumption increases, look for a young woman for the night, who in no way resembles their spouse.
With your father's consent, you get up from the table as inconspicuously as you can and leave the hall almost in a hurry. You hold up the skirt of your dress to get ahead faster and so you walk quickly straight towards the stables.
Your entrance is accompanied by the excited neighing and nervous scraping of hooves as you make your way as quietly as possible to the last stall. In it stands your most faithful friend in the kingdom, the only one you don't have to worry about betraying you. Carefully you push the latch aside and enter the box with slow steps. Dark, loyal eyes beam at you as you lovingly bury the flat of your hand on the snow-white fur.
"Greetings, my old friend," you carefully lean your forehead against his and close your eyes, the smell of fresh hay rising to your nostrils, and for the first time this evening, you seem to be able to breathe properly. You tenderly stroke your horse's nostrils as you hear a steady clacking sound in the front of the stable. With a jerk, you turn around, prepared to spot the potential danger and fight back if necessary.
However, you would never have expected to meet the person who is now standing in front of you. You watch as he moves slowly but smoothly toward one of the hay bales and drops onto it, his crutches leaning next to him within reach.  Now he looks at you through his thick lashes. The sky-blue of his eyes makes you shiver pleasantly and for a brief moment you think your legs would give out their service and make you fall uncomfortably to the ground. Quickly you try to hide this.
"What are you doing here my prince, shouldn't you be out in the hall getting drunk with the other men and lusting after the women?"
You yourself are taken aback by your direct words, but you don't let this show. Unlike expected, your words do not make him angry, but rather seem to amuse him. For a short time later, a raucous, throaty laugh fills the stables.
"You're different little raven, aren't you? Most of the other princesses I know are obedient and well-behaved, but you carry the fire of Freya in you." An arrogant but also admiring smile spreads on Ivar's face.
"You are also different from most people I know, because most people I know have two functioning legs and can actually walk of their own free will."
no sooner have you said these words than you regret them. You never wanted to be someone who limited others only to physical attributes. His smile begins to stiffen and the playful spark has also disappeared from his eyes.
"I guess you're right about that little raven" you notice him reach for his crutch and tense his upper body to hoist himself up. You hurry to place a hand on his forearm, an apologetic expression coming to your face.
"I'm sorry, I shouldn't have said that. It's just you they don't get many people like you, most of you are..." you dare not finish the sentence, which Ivar takes from you though.
".... Killed or left for dead. I know."
Under your hand you notice how his muscles relax again and Ivar seems to loosen up again. An uncomfortable silence spreads over you, only the scraping of hooves and the flaring of nostrils can be heard around you.
"You said before that I had the fire of Freya in me."
With a nod, Ivar indicates for you to continue talking.
"Who is Freya?"
a slight smile spreads across his face after your question and he leans a little further towards you.
"One of our goddesses, especially in times of war we think of her and make sacrifices to be in her favor."
"So you're comparing me to a goddess who brings death and disaster to people?"
you raise an eyebrow.
"Believe me that is an honor, she is one of our Most Favored Gods, but if it soothes your Christian heart, she is also the Goddess of Marriage and Love."
Slightly you nod to yourself as you soak up this knowledge.
"You said Freya is one of your gods, who else do you make sacrifices for?"
Ivar looks into your face trying to find some form of dishonesty there, however the only thing Ivar can discern there is genuine curiosity.
Eagerly, you listen to his soothing voice as he tells you about the father of the gods, Odin, Thor, Loki, and all the others gods.
After the feast, King Ragnar has decided to stay with his whole troupe until your and Sigurd's wedding, so that you can then sail back with them to their homeland and a new life.
Against all expectations, you spend most of your time with Ivar instead of your future husband. You realize that none of the stories do justice to Ivar's character, at least not when he is with you. Of course, you recognize his gruff, sometimes even sadistic manner when he is with other people. With you, however, he is tender and attentive, always giving you his complete attention and patiently explaining everything you want to know. He tells you stories of his adventures and of what awaits you in your new home.
With each passing day you notice how your feelings for Ivar increase and your interest in Sigurd decreases until it finally ceases to exist, each day your heart yearns more for the man with the crippled legs. Never does he treat you as if you were beneath him. Every day he tells you stories about his travels, his homeland and his gods and to your own amazement he listens attentively to your stories about your god. After only a few days you realize that his mere presence makes you happy, every day you wake up in anticipation of spending your day with him. And he seems to feel the same way. In all this time Sigurd never once seeks your company, nor does he make any effort to get to know you better. Ivar even more so.
Three days before the wedding you can't take it anymore, you have to stand by your feelings or you will be unhappy for the rest of your life.
With quick steps you make your way to the throne room with one hand grasping the skirt of your dress so as not to trip without knocking you push open the heavy wooden door and look into the astonished faces of your father and King Ragnar.
"Daughter, how dare you..."
"Father, please forgive the intrusion, however, I need to talk to you about something that has been depriving me of sleep for several nights now."
At your words, your father's features soften and his voice loses some of its original sharpness.
"Speak then, my daughter."
"I don't want to marry Sigurd, I don't think we're right for each other either..."
Your father interrupts you, before you can finish your sentence.
“You are going to marry one of King Ragnars sons, that’s not something I’m going to debate with you, daughter.”
“Yes father I know and I’m going to marry one of his sons, just not Sigurd..”
Your father sinks back into his chair, your eyes briefly fall on the King of the Northmen, his bright blue eyes patterning you with interest.
"Why don't you want to marry my son Sigurd, he's a good man".
The Northman squints his eyes slightly, eagerly waiting for your answer.
"I do not question that he is a good man, however I have the impression that we would not be good for each other."
"And why do you think that?"
Ragnar rises from his chair and walks toward you with slow steps, his eyes not leaving yours for a second. Nervousness rises in you, but you try to suppress it with all your might.
"And I want to hear the real reason."
"With all due respect King Ragnar, I am not under the impression that Prince Sigurd is interested in finding a wife and starting a family. Besides, I don't think I have the physical attributes your son desires in a partner."
A smile creeps onto his lips, while your father is shocked and enraged by your bluntness.
“Daughter, how dare you to speak to King Rag..”
“Fair enough…”
The Northman interrupts your father without sparing him so much as a glance.
…..which one of my sons do you want to marry princess (y/n)?“
“Prince Ivar, my king”
The shocked gasp of you father fills the thronroom and even king Ragnar seems surprised by your demand.
“I noticed on our first day here, that you weren’t really found of him, so what changed?”
“That’s true, at first I was scared of him, I heard many stories about how brutal and violent he can be and to be honest I don’t doubt that for a second. But as I spend time with him, he showed me, what I believe is the real him. He is soft and caring with me, he lifts up my spirit every time I see him. And he never gave me the feeling like I was inferior to him because of my gender. He is smart and a excellent strategiest, I wasn’t lucky enough to see him fight so far. But from what I heard, he is a outstanding warrior too.  And I would be honored to become his wife.”
After your speech you lower your head slightly, not daring to look at your father, a short but intense silence falls over the three of you. It feels like an eternity, until you hear King Ragnars loud an clear voice.
“Then so be it.”
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vanessagillings · 27 days
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Please talk about your favorite animated movies and what makes them special to you! I'm really curious about what you enjoyed about them both in the past and now?
haha, okay you asked!
I LOVE animated movies. My theory on this is that it took me a long time to emotionally relate to most media growing up, where I felt next to nothing watching most movies and shows as a young kid, and didn't relate to books until I was quite a lot older (I read picture books until I was around 10, and then suddenly in middle school, I hopped right to adult novels like 1984 and the entire Darkover series by Marion Zimmer Bradley, ha). But even before I emotionally related to fiction, I really enjoyed watching animation. It was nice to look at, and I enjoyed watching everything move and change. I grew up in the 90's where animated movies were largely 2D, and I spent hours watching and re-watching my favorite movies just studying how the characters moved -- it's definitely a lot of where I got my understanding of human expressions from. But I also think as I got older and started to relate more to fiction, animation was easier to parse emotionally than live action. The body language is clear. The stories are direct and not as forgiving of bad human behavior (I get frustrated sometimes with the defeatism in adult media, that assumes that People Just Act Badly, and that just needs to be accepted). Facial expressions are also exaggerated and more stylized -- think of a single arched eyebrow, for example, an expression that's commonly drawn to express one particular emotion in animation/illustration but which you next to never see on a real human face. My first introduction into serious reading was also manga -- a highly visual medium -- which uses a lot of the same tactics stylistically as western animation: big, expressive faces, bold gestures and big stories. Compare manga with western comics being printed at the time and it's even more obvious to me why I didn't particularly like comics until I was given manga as an option -- and thankfully I lived close to a kinokuniya, so I could spend all my allowance on untranslated books and magazines, which is also where I learned Japanese (もうたくさん忘れてしまいましたけど).
As far as my favorite movies? THAT IS SO HARD. The first animated movie that BLEW MY MIND was The Lion King. I saw it in theaters when I was eight and I was obsessed; it was definitely one of my first special interests. I know that entire movie line by line, frame by frame, and I had the stuffed animals and the trading cards and the clothes (man, was I teased for those clothes!). My other favorite movies as a kid were The Land Before Time, American Tale, and The Secret of NIMH (I was a big Don Bluth fan!) which have left deep impressions on how to approach storytelling for children; I warn you, I go hard on emotions for kids, because I needed that as a kid, and I know I'm not alone. Some of my other favorites are anything Miyazaki but especially Howl's Moving Castle (I relate to Sophie a lot), Cloudy with a Chance of Meatballs (what I watch when I'm In A Mood), Ratatouille (a huge source of echolalia for my husband and me, we often detect nuttiness, let me tell you), Wallace and Gromit and Fantastic Mr Fox, which I watch every fall as an autumnal tradition. Even as an adult who likes live action, too, I still tend to like slightly over the top directors like Wes Anderson and Guy Ritchie, or movies that are highly cinematic like Road to Perdition, which is still one of my favorite films of all time.
In my opinion, animation is a super important medium outside of it being a very beautiful one. I truly believe it helped me access and understand emotion better as a child, and as an adult, it's a massive source of inspiration in my own work 💛
(Sorry for length, but you did ask!)
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sea-owl · 2 months
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You know I've been thinking of how the show uses sex scenes between the couples to help tell the story and they're not just throw aways.
With Saphne, it was a learning experience for them. Simon had been a rake. We saw him hoeing around but now I call it us learning about his teaching qualifications. Daphne was brand new to this and part of her journey was learning about her sexual side. As we saw she was a very willing student to Simon's teachings.
With Kathony, we didn't have much, but one could also look at it as them holding onto their control. Both Anthony and Kate refused to let go of that control so until they did they both kept their clothes on. There was a lot of tension which we could take as their control slipping despite how desperate they are to keep hold of it. When they finally let go of that control we see them enjoying themselves and each other.
Polin will be an interesting one. The love we've seen them both express has been up until now very innocent, and I would argue the show has gone out of it's way to desexualize Colin. I believe there will be two switches for both of them. The obvious one being the oh. Oh I love person faults and all. The second one and probably the first switch to be flipped will be one of desire. Once that switch flips, at my guess after the first kiss, we'll see both Colin and Penelope starting to head to a more mature type of love where they desire each other physically and carnally.
Benophie will be an interesting one to watch, too. Benedect has arguably been over sexualized by the show, which I'm hoping is by design. Because I can see Benedict being desexualized in his season. For Benophie, I see the show going down the same route as Kathony, and there will be a lot of tension but only one or two sex scenes from them. For them, it won't be a battle of control but rather morals. Benedict having none, and Sophie holding on tight to her's.
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So, I know that most of us would agree that Fitz isn't actually "overrated" because a lot of the fandom dislikes him. But I always find the perception that he's overrated interesting because it plays so much into his character. His entire character is about chasing perfection, about trying to be the perfect elf.
But more than that, I think it's wild to call him overrated when so few people actually understand his character and how critical it is to the story.
Fitz's character is about privilege. It's about being raised to believe in systems, and it's about how systems of oppression hurt even those who are most privileged. He thinks that he can have control; he was told that he would have control. And he's angry because he's realized that he doesn't have control, that society isn't the way he was told it was, and that the way it is is bad.
In fact, all of the characters play a role in the story that relates to privilege and being a part of a corrupt society. Marella plays a victim of ability-related oppression; Sophie plays someone who was born outside the system and can see its flaws more clearly; Tam and Linh play victims of twin-related oppression and show how parents' bias is particularly harmful. Keefe and Fitz are especially interesting because they play complementary characters. They show how two different people could be born privileged, benefiting extremely from systems, and still be victims of it. Keefe is a victim because he doesn't want to participate in it, and Fitz is a victim because he falls for the system and has to unlearn his whole bad belief system.
Fitz's character is akin to every one of us who grew up believing we lived in a good world and then realized we didn't. Fitz is those of us who realized that we didn't have the control we thought we did, those of us who had to unlearn our biases, and those of us who were mad about that.
It's wild just how twisted around his character gets, when I think he should be one of the most relatable characters to Gen Z! Like, I know this is a whole lot of theming and allegory and symbolism packed into a series that jokes about butts, but that's part of the brilliance. KotLC takes these complex concepts about society and oppression and brings them into a story that an eight-year-old can understand. And I think that's a big reason so many of us are attached to the series despite our age—it's so much deeper than it looks on the surface level. There's always something more to uncover.
I love this series. I love Fitz. And I really think that dismissing his character as "the worse love interest" (same with Keefe's character!) means that you will never understand the series in the slightest.
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