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#sorry. bulky fans forever
yellosnacc · 1 month
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(sorry u have to see them undressed)
This is not a final look but let's say there are some small changes to uniima. (There's very little practical change because these were already a thing, it just wasn't visually clear.) The hair has been like this forever but I never drew the bamboo feathers themselves so here they are.
So yeah, different plates/parts of the unii-skin have slightly different functions or store other things. The back of the neck contains many hard roots from which the node hair grows. The skin itself is leathery but flexible. Its biggest strength comes from the roots that function like osteoderms. Hard pieces like this are easier to see in older individuals whose skin is less fatty and more wrapped so they might look somewhat spiky at times.
The neck is another strong armor piece because it needs to protect multiple organs - primarily lungs/part of lungs. But in most individuals, the "roots" inside don't grow outside of the skin.
You can see here that compared to "islanders" (or coastal etc), "centrals" are pretty small and less bulky. One thing is that centrals are more arboreal than many other groups and being heavy makes climbing liiittle harder. Other ethnicities are also not the biggest fans of powered flight but it's getting around. I will talk in more detail and more informatively another time. I still need to do some sloman things. For now, enjoy the plate designing wip.
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Have this snack while you consume information. Harvested in the morning.
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stunticonbreakdown · 4 months
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I think the reason I don't like Knock Out that much isn't because of his character itself but rather how he affected fan interpretation of Breakdown's character which has potentially ruined the character forever for future media. All people want for Breakdown in Earthspark is to have Knock Out show up so they can be together again, completely failing to see that he is not the same as TFP or IDW Breakdown. He is a different character.
I wish people could see that. G1 Breakdown isn't TFP Breakdown. He doesn't need to be with G1 Knockout (who TFP KO isn't even based on). Earthspark Breakdown isn't TFP Breakdown. He doesn't need to have an Earthspark Knock Out in order to make him a "complete" character. Breakdown predates any character named Knockout or Knock Out in transformers by 5 years.
It's so obvious that this is how people see Breakdown most of the time. When Breakdown was in the Earthspark part 2 trailer, everyone just assumed Knock Out would be there and that KOBD would be canon in the show. Plus in the Windblade comics even, the TFP is watered down to nothing but a slow, bulky guy married to his abelist husband Knock Out.
When I saw Breakdown in TFP for the first time I felt represented. I have very bad sensory issues and I saw that in Breakdown. I then watched some G1 episodes with him in it and related to his paranoia, and then found out G1 and Prime Breakdown have more in common than it seems at first glance. TFP Breakdown is just as paranoid as G1 Breakdown. They both have agoraphobia (which I could relate to as well!!), and then later on I discovered that TFP Breakdown had upgraded his body from a small muscle car, and had a similar engine-vibration ability as G1 Breakdown too. Breakdown has so much character depth but it gets ignored because no one seems to care about him, only the character relationships they want him in, whether it be romantically with some character, or his rivalry with Bulkhead- which I'd love to go on more about how Breakdown joined the war immediately on the side of the Deceptions, and not the Autobot wreckers, but I'll keep it all for another post.
Earthspark Breakdown likes racing because he likes racing. That's it. It's not a code for "Knock Out is back." TFP Breakdown gave up his speed to fight Bulkhead evenly. Earthspark Breakdown might think that'd be so crazy, and he could never give up such a thing.
Sorry for ranting have a good day y'all!!
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crystalelemental · 1 year
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Nothing special this time.  Well, categorically speaking, anyway.  I decided that, instead of focusing on some kind of "challenge" clear, I'd just emphasize damage dealers I don't usually focus on.  No limitations on what they can bring, just aim for the kill.
Vs. Acerola Ghost-weak, and after looking at my roster, I realized there are only two Ghost-types I haven't really focused on ever.  One is base Morty, who maybe I should focus on a bit.  The other is Agatha though, and like...we just had a cool story bit with her, so I had to.  She's not too bad.  Not quite Shauntal, although the finale of a match is smooth as a shark.  Denial on left, take out center just before sync with DPS alone, Hypnosis the right quickly and vaporize.  Granted, a lot of this success can be chalked up to her partners.  6k under Zone is not a ton for DPS, but it's serviceable.
Vs. Olivia After dunking on Lodge May for just around forever, I decided to give her an honest try on-type with CS.  She's...decent?  I mean, look at her partners and you get a sense for where this is going.  Surf DPS is okay.  The split is usually something I accept, when the sync pair in question can still perform a denial on the left, or is blitzing so hard it doesn't matter.  Lodge May can do neither of these things, and that's with Rain and debuff support.  I needed to use Brine on the left to perform the denial, Surf wasn't getting the job done, and this is with SEUN on the first shot.  So like.  That's pretty bad.
SS Mina is also kinda limiting.  It's never a great sign when I can go through a match and feel like man.  I sure wish SS Kris were here.  I do have to acknowledge that SS Kris means May takes two turns to set up her offenses, but also SS Kris means stacks of special moves up next out the wazoo, and more stable rain.  Mina's rain ran out before final sync, with no means of bringing it back.  It's just not a good show for her.  I admit, I was fairly excited to give SS Mina a try, but I keep coming back around to "She's fine but not as good as I'd hoped."
Vs. Kahili Still using V!Lorelei to justify poor decisions, but man I really wish she were 3/5 for this one.  I forgot about Kahili's Funtime Go Viral Toxic Salamence, which went just great thanks.  More importantly though, I finally got to make an attempt at SS Hau supporting a Cakewalk/Inertia nuker.  Which he does a pretty good job of, especially with Gordie having a Max Move to perform the second denial.  You know.  If he doesn't miss the crit.  Like he did.  Also on sync.  Because Gordie just loves failure, it turns out.
Vs. Molayne There aren't many Ground-type pairs I haven't used for offense, and in the interest of giving her a moment in the spotlight, here's Courtney.  Sonia is an absurdly good partner; if she gets the MPR, she caps every need Courtney could ever have.  Nanu was to debuff defense really fast, because the condition for this match was half time to sync.  I think realized I forgot to uncheck the Interference Immunity condition, so we almost died.  Thankfully, Courtney is very bulky and not weak to Ground, so she handled it okay.
Vs. Hau Guys.  Guys, I might EX base Iris.  I'm sorry, this was fun.  Base Iris actually hits like a truck when confused.  Granted, this is under the conditions of (1) boosted physical damage per the stadium rules, (2) EX support, and (3) H!Caitlin EX support for max attack and speed.  I fully acknowledge that Iris is not going to be that good.  But I've been breaking her out a little more regularly, and as a general fan of Iris, this has been pretty positive.  Oh, and Kukui's here for Leer.  Because Courtney worked out, I once again forgot to uncheck the Interference Immunity condition, or we would've beaten Hau even harder.  Next time, then.
Final Thoughts Among the damage dealers used, the only one that surprised me was Iris.  I've used her against Latios and Latias at times, just to help clear stuff, so I know her DPS isn't too bad.  But I also know it's not too good.  12k in one attack, even with the conditions she had, is fairly impressive.  For context, Shauntal hits about 10k with the EX condition, at least.  So Iris is not doing too bad.  It's really just the constant Confuse hazard that hurts.  Well, that and low stats and bad sync and okay there's a lot of downsides to being an early grid story pair.
Agatha did well for her role, though I admittedly like her better as the support.  It's nice to know she can take stuff down herself, but the sleep chaining is just so valuable, and nothing replaces my girl Shauntal.  I will admit, I hadn't thought of the fact that Mega Evolution would kick off Healthy Healing again.  So that was a fun little surprise for potential Gauntlet shenanigans.
Gordie wanted to do well and kept missing crit.  Better luck next time, loser.
Lodge May was solidly decent but thoroughly underwhelming.
Courtney...look, I know from Gauntlet that Courtney is actually obscenely good for a general pool unit.  I know.  I am aware.  I just don't love it.
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byulsgrease · 3 years
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i rlly liked your "what are the chances" fic, and i just want to request something similar with the reader being a "hero" typa concept! Could you write a idol!hwasa x reader, and in there hwasa gets swarmed by paps and starts to struggle or panic, but the reader (who hwasa knows) just happens to be there at right place/time and takes care of her during and afterwards at the comfort of hwasas home?
o thanks anon! what are the chances truly came out of nowhere so it's a relief you enjoyed 🥺 so sorry this took me a while, my brain got a bit stuck at first on where to go with this one but I hope you like it
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it's been a long time
(hwasa x gender neutral reader, ~1.3k words)
cw: food mention (are we surprised?)
a/n: the more I write the more I realize how much my own experiences influence my ideas? obviously it makes sense but just interesting that one could probably figure out a good bit about me if they knew where to look
A soft rain falls from the blanket of gray clouds above your head as you exit the 7-11 with a bottle of chilsung cider and a shiny plastic-wrapped inkigayo sandwich, your default lazy day dinner. The hood on your windbreaker comes back up to shield your hair from the rain. You're about to turn on your heel to head home but a swarm of people out of the corner of your eye turns your head toward it.
Squinting, it dawns on you: Oh... it's her.
Ahn Hyejin - or Hwasa, as most of your friends now called her. Weird to see her here, you knew her essentially a lifetime ago. Hyejin and Wheein in middle school were some of the nicest classmates around, despite the fact that they were picked on a ton. But you weren't super popular either so you usually found solace in talking to them, even if just in passing. Sometimes regret crosses your mind during their promotions. Could you have stood up for them back then? But they seem to be doing well, and the past is the past. Mamamoo's doing great. You long ago gave up pursuing music professionally after realizing you didn't have the means, so a hobby it became, but it meant a lot to see how far your fellow classmates had come to make their dreams come true.
The 10 minutes of your own internal existential reckoning really only takes about 10 seconds. You tread closer to the swarm as an endless number of camera shutters simultaneously create a loud flurry of clicks. A cacophony of voices renders you unable to make out whatever they're badgering her about, but she looks visibly agitated. Closer now, she wears that same expression she used to - when people in middle school endlessly mocked her for her body or not looking "Korean enough". That feeling of a lump in your throat where your words get caught and you can't tell whether a cry or yell will emerge when your mouth opens. Maybe she's changed less than I thought. Well, time to stand up to all those people I never did back when we were kids.
"Hyejin!" you whisper-yell. By some miracle your voice cuts through the noise as her head whips around to face you. You falter a bit when confusion leaps to her face - her not remembering your face didn't exactly cross your mind before approaching her. But desperation wins out as she takes your outstretched hand, mind racing, and bolts out from the crowd of cameras. There'll probably be a Dispatch article about this later.
With no bulky camera gear or bag to speak of, losing the crowd proves to be surprisingly easy. Slowing to a stop, you pause to take down your hood and unzip your jacket, an uncomfortable sweat forming on your back from the exertion. I should really start exercising again.
"Sorry," you nearly pant, a bit winded. "I'm not even sure if you remember wh—"
"Wait, I do!" she exclaims incredulously. "Holy crap, how long has it been?"
"A looong time. Sorry for sneaking up on you like that, but you wanted to get out of there, right?"
The hand not holding her purse runs itself through her hair as she sighs. "Yeah, absolutely. People think artists are perfect and will answer any call of the press on a whim, so this happens a lot more than I'd like it to. It’s just one of those days."
“I’m sure,” You're shifting weight from one foot to the other, unsure of what to do or say. It's a stretch to even claim to know her. "Um... were you headed somewhere? I could walk you, if you want— but no pressure!" Please. Get a hold of yourself.
The corner of her mouth turns up and she turns the proposition over in her head for maybe 2 seconds. "Sure, you can walk me home. I'll be more ready to run this time if they come back for us."
"This'll probably turn into a bigger story than whatever they were pestering you about, won't it...?" your tone apologetic.
She waves you off reassuringly. "Yeah, but that's tomorrow. Point is you got me out of there today, on a day where I didn't want to do... all that," her hand waving in the general direction from which you came. "Let's go."
~~~~~
It took everything in you to not say anything weird about how her place in real life looked so much like it did on I Live Alone. Can't be out here admitting I'm a fan.
She dropped her bag in the doorway and took a seat on the floor in front of her tv, running her hands through hair. Hesitating to follow her lead, a little overwhelmed from taking in her space, you ask, "Did you want some water or a snack?"
"Oh shit, sorry. Terrible host here, I should be asking you that."
The sandwich plastic crinkles in your fidgety hands, realizing you're still clutching it alongside your now luke-warm bottle of chilsung. "Wanna split these? Chilsung might need some ice, though." Your hands raise up the convenience store fare. "And don't worry about it, seriously. Relax - it's not every day you have someone to talk to after an ordeal like that."
"I have my members."
"Right, and where are they right now?" you posed, butt finally finding the floor in a spot next to her as she gets up to grab ice.
"Okay, okay, fine. What've you been up to since middle school anyway? It's obvious that you know what I've been up to - you could've caught some flies in your mouth with how low your jaw dropped when you walked in here," a small chuckle leaving her as you shielded your eyes. Caught.
"Mm, not much. Moved back in with my parents after getting a business degree and I have a typical 9 - 5. Or, well. 9 to 'whenever work is over', so basically never."
Sitting back down beside you and twisting the cap off the chilsung, she tilted her head at you. "Didn't you say back in the day you wanted to be a cellist?"
You sigh, resignation palpable. "Yeah, stupid kid dreams. There was no way I could afford to get through formal training and cross my fingers hoping for someone to give me a chance. You're financially in the red for essentially that entire time - I couldn't do that to my parents. But I'm really glad you and Wheein got to where you wanted to be," your tone brightening before taking a sip,
She smiles close-lipped, pensive. "Middle school feels like forever ago. Couldn't do it without her, that's for sure."
"It was meant to be, that she didn't debut with Moonbyul and all that," not caring anymore about exposing yourself after getting called out. "We've all got our own paths - it's inspiring to see you two walking down it together."
"I think you know full well that it's not quite that simple," she countered, her gaze coming to rest on you. "But, who says you have to stay on the path? RBW has an in-house string department, you know." Your head whips around to stare at her incredulously, blinking. What did she just say?
"You don't mean... um... I only play cello for fun now," excuses pour out but your mind soars at the hypothetical. You could leave business behind and at least be doing something you'd legitimately never tire of, even if the awful work-life balance remains.
She waves you off again. "Oh please. One thing I for sure remember is that you were always too modest for your own good. But I'm serious, if it's what you want." The ballooning feeling in your chest gives way to silent tears of joy streaming down your face.
You blubber, "Yes. Absolutely. Even if it doesn't—" She cuts you off with a hand on your shoulder and a dead-on look in the eye, her other hand already clutching her phone to make the call.
"It will."
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missamyrisa2 · 3 years
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✨ how would you tickle someone who has very ticklish toes (*totally 100% not me haha*) (*~*)✨
The delectably teasy thing about toe tickles is that it is the furthest possible tickle spot from your eyes. Which means you get to watch helplessly from a distance as I slowly and methodically twine soft fuzzy threads between each toe. I wrap them lovingly, carefully. Occasionally I'll lean down and either let my long blonde locks caress them or I may even plant a tiny kiss on the pillowy underside of each toe. You'll struggle of course, but thankfully I have secured you in an obnoxiously cute purple straightjacket. Your arms are crossed in a self hug, your body secured in a reclined position. You can't look down at my progress on your helplessly sensitive ticklish toes without also getting an eyeful of the feathery designs and laughing emojis etched on your straightjacket. I'm humming happily as I work, undeterred by your squirms and whimpers though you'll catch me smirking and grinning knowingly as I thread another piece of the soft material around and between the toes.
"Now, now. Don't fuss. It'll just take me longer to prep and I knoww how much you're looking forward to this."
I sigh contentedly, one foot complete. I grasp your heel and inspect my work. Each toe is adorned with a colorful winding thread, which I am now pulling back gently on each end to snuggly present them in front of me. "So adorable. Just so cute. You have the prettiest little toes with the softest pillows underneath." I run a finger from your small toe all the way up in a tickly glissando, strumming each toe to elicit your sweet helpless giggles. I start to hum and work on the other foot, but can't help but be distracted, casting sideways grins and reaching to suddenly tease in the crook under your toes, or dance a nail between two of them. "I can't help it. I simply can't help it! Your toes are too cute. They are just too cute and they need to be tickled. I'm sorry~" Before tying off your other foot, I hold both ends of the thread and inspect your toes, planting tiny raspberries on each and every one of them. "Muuuah! Bzzzzz! Aww it's just little buzzy bees coming to see the pretty material between these cute toes. Hold still now!"
At last, your binding is complete and I stand up. Your giggle therapist is working casual today, wearing a cute white tank top with the word "Smile~" written in girly script. A tiny slash of my tummy is visible above my little shorts, an impossibly ticklish zone that is completely out of your reach even as I lean over you to gently affix a silver necklace around your neck with a shiny oversized metal heart charm. "Collars are so bulky and cold. This cute heart will remind you of your ticklish place while you watch me do tickly things to these delightfully ticklish toes~"
In an instant I'm back at your feet. I'm wasting no more time, lovingly stroking my fingertips along the outline of each big toe. "Tickle tickle toesies!" I coo, gliding my nail tips on the curvy layouts before darting outward to the next toe. I work each one, probing and testing for reactions. Every giggle makes me giggle and coo. Every squeal has me delighted. "Aww, that's a good spot huh? Ticklish toes. Ticklish toes. You have ticklish toes and aaaaahhhm tickling them!" I spend extra time on your tiny toes, so very sensitive. "I've heard these ones get super ticklish because they don't get touched much. Do you touch your tiny toes ever? Can you tickle yourself? I mean not now, silly. I see you struggling in there. You like your cute jacket? You look so adorable like this! Coochie coochie toesie toes!"
For a moment I have my five fingers carefully held against each toe, just lightly gyrating them to get all your feet digits tickled at once. "Awwe it's like we're dancing together. Don't worry, I'll lead. I'm an experience tickle tangoer after all." I giggle with you, working your toes, slipping between them, massaging over each one, vigorously testing the tender skin underneath each toe. "How about some feathers? Feathers? Yeah, I think I heard feathers. Yes the feathers. Tickle tickle feathers on your ticklish ticklish toes. Tickle tickle toesies. Ticklish toes."
I tease and coo, drawing stiff tipped feathers along each dancing toe. "Call me your tickle mama~" I snicker, enthralled at how even such wispy tools have you fruitlessly struggling on the table. "Come on, say it. You can't get away. I'm not gonna stop feathering under these toes until you do. No? Okay. We'll get there. Coochie cooo" I saw the feathers between each toe, trail them at the tips of each toe, and playfully fan your soles with them as I plot my next attack.
Without a word the buzzing sound fills the air, and I'm polishing your toes carefully with sonic toothbrushes. I'm all business for the moment. The vibrating brushes follow your every move. They set off the fabric between your toes. The relentless buzzing stimulates those sensitive nerves. You know what I want to hear, but you still struggle and fight. So I try a combination attack. One toothbrush exits, and a paddle bamboo brush is applied to your sole and instep. I use the paddle to make you laugh and wiggle, and follow your squirms with random tickles from the toothbrush.
You can't hold out forever. I flash you a knowing warm smile and retrieve a bottle of baby oil. My eyes flicker, sending the Now you're in trouble nonverbal message. I grin evilly, working the oil between my hands in front of you, and then dribble more from high above onto each toe. My hands move to start massaging the oil into your skin slowly, gently at first. A rush of sensual sensation fills your body for a moment. I wait until I see your eyes shut slightly in bliss before pulling up my hands to let my fingers tickle madly.
I dance my fingers frantically on each toe, sliding and gliding your softened sensitized digits. I'm cackling with you, nodding and cooing and "uh-huhing" all over. I move at a breakneck tickly pace, gliding a feather between your big toe and its neighbor for a moment then leaving the feather there to pick up the paddle to stroke your instep twice before dropping it to retrieve a paintbrush to start painting the undersides for a bit.
When you finally give me what I want, I balk and smile in a most bratty fashion. "Too late hot plate! Now your giggle mama has to punish you. Yes, oh yes. Tickle tickle punishy for ticklish ticklish toesies!" With your feet and toes hyper tickled, I pull out a particularly fiendish implement, the metal back scratcher. The smooth cool claw-like tool is just perfect for raking lightly on tickled feet and toes. I take it down each toe, under each one. Over the curves, in the crook. I barely have to touch you, and I make sure you know that. "I'm barely touching. I think I'm not even touching now. Not touching, you can't laugh. Noooot touching you can't laugh!!"
It probably doesn't last hours. The tickles definitely don't go on for days. But it's certainly feeling like an eternity where your toes go in and the tickles never leave. At some point, I've brought out two powerful fans, and affixed to their blades are a multitude of colourful strands. "You know where this is going~" I grin as you heave with laughs. I flip them on, positioned right in front of your helpless toes. The fans oscillate back and forth, randomly sending the flipping soft strands against your over sensitive toes.
I stride up to you and plant a loving kiss on your giggly cheek. Now I can just tease you to bits as the fans keep you laughing. "So cute. So cute!! Did you ever have your toes tickled so much? Mmm? What was your favorite tool? Which was your favorite giggle? I loved when you squealed like a balloon. But also when you screeched like a kitty. Your toes are so cute and pretty! Yes, they are. Ooh yes. So pretty. I could tickle them all day. And such a perfectly adorable sweet giggle you have. It's addictive! I can't not tickle you, I'm sorry I just can't. And you can't not laugh. No you can't. Tickle tickle toes. Ticklish toes~"
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Imagine #65 ||  okay, first off... Sorry for not updating right away. It’s been what? A year? Hope everyone’s doing good and staying at home for your frontliners (observe social distancing when going out to buy groceries!) Warning: It can be graphic? Idk? Y/F/C means your favorite color
As usual, if there are any errors I’m sorry! Not Beta read and I wrote everthing at like 3 or 4AM.
~~~
You flew as fast as you could, almost hitting a tree because you glanced behind you for a second to see if they were still following – which they were. You knew for a fact that your friends weren’t really up to anything tonight right after the wild party yesterday, yet here you were, being chased by the very same pack you were a part of. 
“What the hell was that?!” You heard Stiles exclaim just as he stopped his jeep and got out, the door to the passenger seat slamming close as well as Scott hot out.
Poor Rosco was already making a strange noise from running too fast – as fast as it can go at least – and too long in the dead of the night while a clear outline of another car - a sleeker looking one- followed behind them.
You struggled with your extended limbs as you landed on a thick branch and rested, the sudden exertion of muscles making it ache from not being used for a long time. You were only a few trees from the main road but it was still close enough to see what was going on.
“What was it?” The owner of the sleeker car spoke as he smoothly got out of his ride and walked to where Scott and Stiles were already standing by the jeep, his brows furrowed in confusion.
“That was definitely not some person with special effects, Liam.” You can hear Lydia over the phone when she was put on speaker, her tone seemingly annoyed at the joke the youngest member of the pack made about some random person using green screen; adding that he was getting tired and that maybe the whole situation will resolve itself tomorrow.
“Resolve itself?!” Lydia grew more annoyed. “We can’t let that thing roam around!” 
“That bird flew from my roof, who knows what it might’ve left here or what it might’ve taken.” The banshee was almost screaming, making Stiles jerk a little at the loudness she was emanating from the phone, it made you smile a bit at his silliness.
“Okay, okay…” Stiles suddenly turned off the speaker before placing the phone to his ear to try and settle the rage his girl was in at the moment, choosing to have the conversation between themselves and not have it broadcasted to the others.
It grew quiet for a while as Scott, Brett and Liam looked around the side of the road – Brett almost close to where you were. You tried not to take this chance to fly away because you knew you were going to cause more noise from fluttering and restarting your own ‘engine’ of escape so you settled on resting for a while and waited for them to leave. But while you planned your getaway, what Brett said caught your attention.
“Brett, what’s wrong?” The Alpha asked, his brows furrowing as he looked at the taller werewolf before him.
“It’s Y/N.” He answered, suddenly more alert than before with a look of worry and fear etched in the tone of his voice “I can smell her.”
Just as Brett mentioned it, both Liam and Scott noticed it too when they walked over to where he was.
“Well don’t you and Y/N, y’know…” Stiles spoke from the other side of the jeep after ending the call with Lydia, his arms folded and rested on the hood of his jeep. “ Do it in the car?” 
Stiles shrugged his shoulders at this while Scott cleared his throat to hide a laugh. “Maybe that’s what you’re smelling.”
Brett only looked at Stiles in disbelief with arms crossed over his chest as he leaned on his car door, all the while Liam looked almost appalled at the information that was being thrown out in the open when he was just with Brett in the car ride going to where they were now.
“I’m serious!” Brett almost growled as he started walking back to his car, opening the door before slamming it closed rather loudly. He took his phone and dialed 1.
“Who are you calling?” Liam asked, he was now walking back from the wet soil to the cemented main road.
“Did Lydia tell you where Y/N is right now?” He asked as he placed his phone to his ear, ignoring Liam’s question – too afraid to grasp that you might be the one taken by the humanoid that flew from Lydia’s house and to who knows where.
“She said that Y/N actually disappeared right when we heard the thing…” As Stiles answered, his words started to trail off at the sudden realization that there was a big possibility that whatever Brett was thinking was correct. He looked to Liam then to Scott, the same thought registered in his head and everyone seemed to panic even more. But before he could continue, they all turned their heads to the direction of the sudden noise they heard above them. 
Shooting up to the sky, you didn’t gamble a glance to see the boys and swiftly flew away. Brett and the others immediately went back in their cars and sped up chasing you. The cold wind that was hitting your face made your eyes water but not before hearing a sound that whooshed just past your face making you stop and search where it came from, your heart beating faster from the sudden adrenaline to defend yourself.
“There! Shoot now!” You heard shouting before another sharp-bladed arrow flew past you. 
“Shoot to kill!” It reminded. 
The order was repeated over the radio as more hunters started to gather from below you, you dove back down in the trees to deter from being out in the open and hopefully blend yourself in the environment. But it didn’t take too long before you were spotted again, this time their guns were now being aimed at you.
Perching on a thick branch, you then proceeded to cocoon yourself by having your wings fold around you that also acted as an armor shielding yourself from the rain of bullets that came your way. But what you did not expect was what felt like a grappling hook that managed to lodge itself on your wing before it pulled you down to the cold hard ground.
The hunter with the grappling hook gave a sharp tug that unfortunately, made you hear your extra limb pop. 
A cry of pain escaped your throat as you felt your body get dragged a few feet away from where you landed earlier.
Looking up through the few hairs that fell down on your face, you saw several hunters pulling at the slider of the guns while you heard the bowstrings of the archer's crossbows stretch - all aimed at you. 
You saw their weapons follow your every move as you stood up and steadied yourself, a face of determination plastered on you that seemed to unsettle with the newer hunters included in tonight's hunting activity. Your wings ruffled as it spread wide to display dominance in hopes that they would frighten or at the very least intimidate them.
It was quiet for a moment as you observed each of the big bulky men that had you trapped in their circle, a mix of bows and arrows and guns in their hands. You deciphered each of their position and eventually spotted the one person who was in training and aimed for him, turning sharply to your side you extended your right wing and let out a few sharp feathers fly towards the person with a whish sound and hit his gun - effectively disarming him.
This triggered a round of gunfire and arrows heading your way, your defense mode activated immediately as you cocooned yourself back with your wings. But before you can fully cover yourself up, a grappling hook managed to grasp your wrist and another on your wing pulling at it painfully.
You felt like you were getting torn in half as the hunters with the hooks started to pull in the opposite directions, your back muscles trying its hardest to retract your wings around yourself.
“Steady her.” The ring leader commanded as he slowly neared your struggling form. The tug-of-war to the ground on your body forced you to kneel with both your arms and wings spread wide.
Your eyes were full of tears as it frantically looked for an exit, trying as much as you can to calculate your escape from this hell hole you managed to get yourself in.
“What a beauty,” he commented with his hand caressing your cheek, your nose scrunching up as you moved your head to get away from his foul breath that fanned your face when he spoke. 
"Couldn't say the same thing to you, though." You replied almost cockily, not really knowing where that little confidence came from.
The smirk on the hunter's face in front of you turned into a scowl at your reply, he clicked his tongue before he revealed to you the sharp sword he held on his side as he took a few steps back.
“Always bring back a body.” He said as he raised the weapon up in the air, his voice loud enough for all his minions to hear. “Even if it's just a piece - as a souvenir.”
“You’re sick.” You spat.
"No body, no kill." He spoke again, ignoring you before he raised the sword in front of your to strike. 
You closed your eyes already accepting defeat, tears free falling down your cheeks and onto the ground.
You waited.
You waited for the sharp swift pain that would cut you in half starting from the top to the bottom.
Waiting for the pain that you would forever lose the ability to feel the air as you glided, and the thrill of free-falling just before you spread your wings.
Waiting for the defeat that you won't get to see those green eyes you keep falling in love with every day.
But it never came.
At the sound of the familiar growl, your eyes snapped back open as you released a breath you weren't aware you were holding.
Looking for your predator, you felt more tears run down your cheek as you watched him take hit after hit of his own sword with the occasional swipe of claws. Brett’s back muscles rippled under the shirt he wore as he struck the man to death, the front of his shirt already splattered with blood. 
When Brett stumbled upon the scene before him - the sight of you knelt down in front of a sword, the wolf in him did not hesitate to attack the threat his anchor was in. The wolf took full charge of the situation and Brett was not holding it back 
The grappling hooks connected to you suddenly lost its grip as you saw Liam and Scott finally take down the people concerned. Taking the claw of the hook off your wrist and wings, you felt relieved despite the lacerations you saw on your limbs and a dislocated wing joint.
“Y/N,” Your eyes looked towards the direction of the voice.
“You’re okay,” you were suddenly being engulfed in an embrace as Brett was finally able to calm down from the rush of adrenaline and anger, his nose taking a deep breath and smelling the scent he drew comfort from.
Your waterworks were nonstop as you dwelled in the feeling of being in the safety and security of Brett Talbot.
You tried to stop the sobs that lingered in your throat as Brett pushed himself away from you but still at arms length to scan you of your injuries, eyes looking, searching and taking notes from head to toe.
He could only sigh when his eyes landed back on yours, one hand cupping your cheek before the other splayed itself on your back and pulling you back against his chest in an embrace.
"So glad we got here in time," Brett could only bury his face further into your neck as his own tears threatened to spill out.
"C'mon," it was Scott who spoke up, breaking the trance the two of you and Brett were in. "We have to get you to Deaton."
"Can you walk?" You heard Brett ask beside you, his face seeming determined to carry you back to his car.
"Yeah, I can." You answered rather softly, the adrenaline in your system already losing its effectiveness making you feel tired. "Don't worry"
“Halloween was yesterday, why are you still wearing your costume?” It was Stiles who cracked a joke when he came with a bloodied bat on his shoulder.
“I’m…not wearing one?” You answered.
This is why Stiles isn't just the ½ of the brains (Lydia being the other half) but he is also a whole portion of a person who had a sense of humor, or rather, sarcasm that always lightened your mood. It looked to you that it was his top priority at the moment to keep your mind distracted from the events that occured, and you let him of course.
“Okay, correct me if I’m wrong but you didn’t have wings yesterday.” 
~
As you all walked back to the cars at a slow and careful pace with your heavy wings and it's feathers dragging behind you, it was Stiles and Liam who started to converse over what just happened (and of the elephant in the room).
"So I'm back to being the human, then?"
"Yeah, sorry." You gave a light laugh, smiling to him as he gave a sigh of defeat.
"Did you know about this?" Liam asked Brett.
"Nope, not a clue." He answered. "Though I wasn't exactly sure either if you were human or if Y/N's scent is just different because she's my mat-anchor."
You looked at Brett who matched your pace beside you despite having long legs, one brow raised questioningly at him. You weren't sure if the others were able to catch what he almost said, but you were sure as hell caught it.
"So what are you exactly?" Liam asked again.
"Avian humanoid?"
"N-no-" you answered. "-when you put it that way, it sounds like I've been experimented on."
"Were you?" Stiles asked.
"No, I wasn't."
"A Phoenix then?"
"I don't think Y/N does fire-do you?" Liam seemed to be entertained at the thought when we looked at you with the question.
"No." Brett was entertained as well as you answered, the laughs you let out bringing back a smile to his face as he watched you interact with your pack.
"Nephilim." You answered.
A chorus of Oh's came from all three of them.
“But why are your wings Y/F/C?” Stiles asked again.
“Why not? Can’t an angel custom fit the color of her wings to her liking?” You asked back with a laugh.
~~~
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babyfrogz · 4 years
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PSA on Disability: Before you draw/write/otherwise create content of Kaz Brekker
Hi there! My name is Scooter and I am, among other things, disabled, a cane user and a fan of Six of Crows! With the announcement of the TV cast (!!!!) I figured we’d get some new fans with it and I thought I’d share some tips/things to keep in mind to make content of Kaz accurate with regards to mobility aids & disability. I love you guys but some things I’ve seen in the SoC tags made me lose brain cells lol
First I’d like to share a short video on how to properly use a cane, since... a surprising amount of people get this wrong?
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Two major takeaways here:
A cane should reach the bottom of the hip, about crotch height. Any higher or lower reduces the effectiveness and can potentially cause further injury to the shoulder, elbow, etc.
When walking with a cane, you always hold it on the opposite side of the injured/weaker leg. I don’t think it’s ever said in the books which leg he broke, (personally I’m team left because ahaha I do that.mp4) but whichever you pick, the cane goes on the other side. When walking, if the injured leg is on the ground, so is the cane. Standing still, typically, the weight goes on the better leg and the cane is used for balance.
And some more notes, just from my experience with being disabled, using a cane and also consuming fan content:
Just.... for the love of everything do NOT be weird and fetishy about his disability/disabled characters in general. Didn’t think I’d have to write this one out, but if you spend enough time in the Grishaverse tags..... you see some shit. Stop It Please
A popular pose I’ve seen to draw Kaz in is with his cane in his hands/tucked under his arm/otherwise not on the ground. Not inherently an issue (unless... he’s walking...... literally what do you think it’s for you’re killing me here) but it just... doesn’t make a lot of sense? It’s not there for no reason. I feel like a lot of people, consciously or not, see his cane as a weapon first and a mobility aid second, and draw it as such. While Kaz weaponizing his cane is one of my favorite parts of the series, it’s important to keep in mind that drawing it swinging around without reason sets kind of a bummer tone for disabled people in this fanbase.
^ Plus the fact that canes made for actually bearing weight are pretty bulky, especially ones that are specially crafted with the ability to break bones. I think he tucks it under his arm in canon only once or twice, and still never for very long. I myself only ever hook my cane on my elbow when I need to use both hands, and only for about a minute or two at a time, during which I put my weight on my better leg.
Speaking of going without the cane: yes, it does happen. It doesn’t mean he’s less disabled or doesn’t need it. Remember that after being without his cane in the books, Kaz is shown to be fatigued and in pain. If you’re going to write him into a situation where he can’t take his cane going somewhere/to do something/whatever, don’t forget how it affects him.
One thing I love about the Six of Crows books is the little things about being disabled that I relate to on a VISCERAL level, which I attribute to the fact that Ms. Bardugo also knows what chronic pain and using a mobility aid is like. So in case you don’t know what it’s like, here’s a few things that will add a little bit of authenticity to your portrayal:
Stairs, and I absolutely can’t stress this enough, are the enemy. They suck they hurt and it’s so SO easy to accidentally stumble on. Which, you know, makes it that much funnier that Kaz has chosen to roost up three flights of them. (Side note: I can’t tell you the terrible things I would do to be able to read a fic where he has to begrudgingly bunk with Jesper because he can’t make it up to his own quarters on a particularly bad pain day. if anyone wants to write this please tag me I will literally love you forever) edit: my good buddy Jenn has written the fic in question and it’s pure gold please give it a read and uuhh like comment subscribe
It’s not very fun to be a cane user in the rain. Very slippery. 0/10 would prefer to not fall on my ass thank you. AND DON’T GET ME STARTED ON SNOW AND ICE
You don’t usually have anywhere to put a cane when you sit down or are otherwise occupied. Sure, you can hold onto it, but then you’re down a hand. Leaning it against something runs the risk of it falling down, which makes an INCREDIBLY LOUD NOISE and OFTEN HURTS TO BEND DOWN AND PICK UP AGAIN. life is pain
As mentioned above, when using a cane, you’re down a hand until you sit down again. (I’ve seen my fair share of fics where people forget Kaz doesn’t have three arms and have him do something that requires both hands while allegedly using his cane. do the math lol) You learn to make do with one (or ask for help but we all know how in character THAT is) but it’s still ANNOYINGGG
Maybe most importantly, don’t write him as the pitiful cripple. (Don’t put the word “cripple” in the mouths of characters you’re trying to portray as sympathetic, either. THAT INCLUDES YOURSELF) Kaz exists as a capable and badass AND disabled character, which is SUCH AN INCREDIBLE RARITY I CANNOT EVEN BEGIN TO TELL YOU!!! He clearly does not feel sorry for himself, so don’t you start doing it for him. (And if you write anything about magically healing his leg I will come to your house and whack your shins with my cane and make you reread the pages in CK where he shuts down that exact proposition, and I will make you read it over and over. don’t try me it will hurt) Yes, being disabled in a world built for abled people can be very frustrating, and it does carry a kind of grief with it. It’s okay to write him struggling, but please for the love of everything don’t make him pathetic.
Lastly, when in doubt: ASK! RESEARCH! (But mostly ask. Often times online resources on disability written by abled people, well intended as they are, come across as condescending. They’re good for factual information, but usually lack the actual experience of being disabled.) My inbox is always open for questions and I know I’m not the only cane user in the fanbase! (Please ask if questions are okay before asking a disabled person about their experiences, though!)
If you took the time to read all of this, thank you so much!!! I hope this post can become a good resource for creators, and if you’re also a cane user, feel free to add anything you think is worth sharing!
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chessiesystem · 4 years
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StEx Appreciation Month, Day 31: Nitpicks
SO, I have a LOT of nitpicks about literally every aspect of the show, like I could go on and on, but then this post would be the embodiment of this gif:
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So for today I’m just going to focus on costume nitpicks! Like with everything in the show I have an ideal version of everyone’s costume/wig/makeup, so today I’ll just go over my main nitpicks with the various costumes and post my favorite versions!
Obligatory JapanAus picture because those tours overall had the BEST costume aesthetics.
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Let’s get started:
(Also just to go ahead and get this out of the way, this post is almost completely ignoring the 2018 redesigns, like. Those don’t live in my head. I’ll just be focusing on the Broadway/Bochum/tour designs.)
Rusty:
Okay so with Rusty my main nitpick is!!! That stupid empty black space that’s above his chest plate in SO many of the costumes!! Like WHY is that there?! Here’s a good picture of it:
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It drives me absolutely insane aljsldf. Luckily Bochum eventually corrected this but that it was ever there drives me up a wall.
Another nitpick is his headband… I can tolerate it when it’s paired with the hat, but I can’t stand it on its own, it just looks ugly to me. And speaking of his hat, I love most versions of it, EXCEPT for the New Starlight Express one where it was styled after a baseball cap. That bothers me on a level I don’t even fully understand alsjflds.
Anyway, I think overall my favorite version of Rusty’s costume is the 2018 version… I think the silhouette looks strange, especially from the side, like kind of too baggy? But overall it’s really cute, I love the colors and the new chest plate design, and the HAT. Also really like the new makeup!! It was looking rough for a minute lmao.
This is Peak Performance (not the Pearl…definitely not the Pearl):
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Pearl:
Being as I’m in love with most of Pearl’s costumes I actually don’t have a ton of nitpicks. I think my main one is that I’m not a fan of the salmon/gold tones that were sometimes used for the bodice. For example:
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I think moreso than the costumes I’m critical of Pearl’s wigs. I HATE when she has straight wigs… the only exception to this rule is Stephanie Lawrence’s and Nikki Belsher’s because those wigs were also big and fluffy. But that lanky thing Bochum had in the early 2000s? Terrible. Pearl should have big, dramatic curls. Also, this should go without saying but her hair should be PINK. Blonde Pearl actually gives me acid reflux.
Also I don’t think much attention is given to her headpiece, but I really love when they’re big and princess-y. Like, this headpiece with these earrings? I love:
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As far as a favorite Pearl costume, that’s really hard because I love so many of them, but I’ll say this one. I think it’s a nice balance of pink and white:
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Greaseball:
I don’t have a ton of nitpicks about Greaseball’s costume… like, it fucks pretty hard? I moreso have beef with his makeup. NONE of these men know how to blend and it looks terrible. I get that it might be a stage makeup thing that looks better under stage lights but I still don’t even really buy that because every other character blends?? Also, I don’t like how the makeup is just contouring… I get that it’s to make the actors look more masculine, which does suit Greaseball’s character, but PLEASE give that diesel some character makeup!!
I really stan the Broadway makeup for this reason. Look at this Jareth-looking bitch, he looks amazing! And it’s just SO cool:
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Idk even this London makeup is pretty okay imo… anything to make him more visually interesting 😭:
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Dinah:
My main gripe with Dinah’s costume will forever and always be the apron lmao. I’m very, very picky about it because it’s SO easy to make look tacky as hell. The 2018 apron is the ugliest its ever been, I’m sorry:
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LIKE WHY IS IT SO BIG AND LONG. Also the silver strap around her chest is WAY too high now. I swear they tried to make the 2018 coaches more modest in the ugliest ways possible. But anyway.
I prefer for the apron to only be beneath the belt, but if it also has to be above the belt I can tolerate it if its small, like the Broadway design or the earlier Bochum designs. I also prefer when her leggings are on the more silver/metallic side than just straight up blue. Broadway and Japan-Australia had the right idea with how metallic they made everyone look.
As far as Bochum goes, I feel like the costume’s peak was from like 1997 to 2007:
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PERSONALLY, though, my ideal Dinah costume would be Debbie Wake’s from the Japan tours. The color, the leggings, the wig, it’s all so… Peak! I also really love how the top of her skirt is divided into sections?? It’s really cute. The only thing I’d change is I’d remove the part of the apron that reaches above the belt and adjust the color of her wig. But otherwise I love this one so much 🥺🥺🥺:
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Electra:
I have a lot of very disjointed thoughts on Electra’s costume, but bottom line is I’m rarely content with it… but my MAIN nitpick is definitely the color scheme. I know that it’s intended to be blue/red/silver but instead it often looks blue/red/white to me and I just CANNOT dissociate that from the American flag/overzealous patriotism alsjdlf, it kind of gives me heartburn. I’ve seen some fan redesigns of the costume that incorporate a blue/red/gold color scheme instead and I think that could REALLY fuck, though I don’t know how it’d translate to the stage/irl. Or just?? Design his palette after the bi flag colors??
Another nitpick is how boxy and bulky his chest box often is. I feel like I can’t criticize this TOO harshly because, in my opinion, this musical should be FIRMLY 80s, and that’s probably what counted as “futuristic” in the 80s, but it’s just a personal preference of mine that I wish his chest piece was more slender and streamlined. I think it’d make the silhouette better and just?? Look better??
I also don’t like most of the mohawk wigs… they just look… VERY cheap and fake to me most of the time. I prefer the looser/wilder wigs because they look softer and more natural.
ANYWAY I’ve found that the costume that actually sates most of these complaints for me is the Japan-Australia costume. The palette actually looks blue, red, and SILVER to me, and the body suit is just?? Sooo shiny and metallic and sparkly?? It’s so pretty. The wig is a perfect balance of the looser/wilder London wigs and the early mohawk wigs, and the MAKEUP is so good, it’s the only time I’ve seen a silvery/metallic base on Electra work and NOT whitewash the fuck out of the actor. Not to mention the base in JapanAus matched the body suit REALLY well and aaaah idk I could wax poetic about this costume all night aljsfld it’s really good and I appreciate it for being the, like, one (1) Electra costume I vibe with 😭.
Again, I’d streamline the chest box if I could but overall? This is peak performance:
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CB:
Off the bat I’ll say I hate how big his shoulder boxes have gotten over the years. Like they are just ridiculously massive, it looks kind of awkward when the actors can’t even rest their arms by their sides due to it. They look like little kids wearing arm floats. Also not a fan of how much lower the neckline has gotten, and how much smaller the bandana has gotten?? His chest and neck are SO exposed now when they use to be completely covered and it irks the hell out of me.
Funnily, this one picture pretty clearly displays all three of these nitpicks:
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Compare this to back when the neckline was higher/the bandana larger, he’s completely covered. He also isn’t fucking DROWNING in his shoulder boxes:
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Also not a fan of the hair piece Bochum has used in recent years. Like it was just so much cuter when the actors used their real hair :^//. And I just Do Not Vibe with how straight and neat the hair piece is, CB has wild, curly hair and I’ll die on that hill.
ALSO, and this is more specific to just one actor, but I kind of hate Dan Ellison’s makeup aljsldf. Like it’s well done but it just has far too much going on. All what CB needs done is his cheeks, his eyes, and his lips— all that extra that Dan does on his jawline and with the laugh lines around his mouth and eyes is just… too much. And it frustrates me so much because he would be SO much cuter if he went with a simpler makeup!! Ugh. But anyway.
This was 100% the makeup at its best, like. Absolutely peak, thank you Thierry Gondet:
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And my favorite costume comes from the 1990 Japan tour. I ADORE how this chest box is fitted and designed, and it just looks so shiny and red? Like it was freshly washed and painted 😭. Not to mention the red contour on his temples is kind of a Look:
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The only thing I’d adjust is I’d give him the suspenders present in most of his costumes, because they’re honestly adorable. And, of course, he needs his Chessie System sticker. But otherwise? This is Peak Performance.
Okay I was gonna do more but this thing is fuckoff long as it is, so I’ll just stick to the Big Six. If you made it this far you’re a trooper, thank you for taking the time to read my ramblings aljsldfs.
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sadaboutniall · 4 years
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something about you;
introduction | masterlist | tag | wattpad
Twenty Seven. November, 2017. 
‘Are you sure you think I look okay?’ Isla’s smoothing her hands over the front of her trousers, eyes meeting Niall’s in the mirror. He can see her hands trembling slightly, an anxious look in her eyes.
Maybe he’d been naive to think that taking Isla to the AMAs would be smooth sailing. He half thought that the glitter and glitz of Hollywood would outshine her anxiety, that she would realize that, although the things here are pretty and expensive, the people are no different, and she fits right in. He’d thought she’d feel confident and sexy with him showing her off in front of everyone else tonight—not nervous and shaky and unsure of her worth. 
‘You’re beautiful,’ he tells her, wrapping his arms around her waist from behind, letting one hand travel up to rest on the skin of her belly. After making Niall’s suit, Paul Smith had offered to make Isla a dress as well, and Niall’d joined in on the meetings, flipping through pages of fabric samples and silhouette sketches with Isla, Ellie, and Paul. At the end of it all, though, Isla’d settled on a custom suit instead: tight, curve hugging trousers and a matching blazer, low cut enough to expose an intricate, lace bralette and more than a little bit of skin. He couldn’t keep his hands off her the first time he saw it, and he doesn’t feel any different now. He rests his chin on her shoulders and keeps his eyes locked on hers in the mirror.  ‘Everyone’s going to love you.’
Isla sighs shakily, her hands coming up to cover Niall’s, to entwine her fingers with his. ‘Sorry,’ she says. ‘I know it’s not about me tonight, I shouldn’t be—’
‘It’s always about you,’ he drops a kiss to her neck. ‘You feeling comfortable is more important to me than any awards show.’
‘Don’t be an eejit,’ says Isla quietly, but there’s a small smile pulling at the corners of her mouth. Niall feels triumphant, heart soaring in his chest. 
-- 
He walks the carpet alone. They’d agreed that they’re not ready for any kind of public appearances just yet—that what they have is special, precious, and shouldn’t belong to anyone other than the two of them. Still, he lets his mind wander a little as he poses, thinks about what it would be like to smile for the cameras with Isla on his arm, his hand resting on her waist, the look in his eyes showing the entire world how lucky he is to call himself hers. For all Niall values keeping his private life private, he’s been feeling an itch lately, a pull to make sure every single stranger knows how much he loves Isla. 
It started with Colm’s comment and Isla’s confession, Niall knows that. But he doesn’t think that makes it any less genuine, his desire to start bringing her to more work events, to ease her into his world. It’s a mad, mad place, but he doesn’t want to be in it without Isla, and it makes his stomach churn to think she ever felt excluded. So, slowly but surely he’s been bringing her along where appropriate, introducing her to more and more of the people he works with. But tonight feels like a test of its own, her very first big event, coupled with her first ever trip to LA.
With Tara by his side, Niall stands for quick interviews along the carpet, dodging relationship questions and One Direction digging. He hugs and kisses friends for the camera, talks about his album and tour plans, and tries not to worry too much about Isla, inside the theater with Mully and Emilia. It feels weirder than he anticipated, being separated from her and having to do his job while he knows she’s watching him. She can’t sit with him either, won’t be able to hold his hand when they call out his category, kiss him when he loses—or wins. 
But this is better than nothing, he tells himself, shoving his hands in his pockets as he and Tara make the final stretch down the carpet. Having Isla here, even if she can’t be next to him, is as good as it gets for them right now. 
-- 
Winning hadn’t even occurred to Niall. 
When they call his name it’s genuine shock—enough that he almost thinks he’s imagining it for a second, until Shawn claps him on the back and Tara launches into a hug and holy shit, fuck, he’s actually won it, an AMA, all on his own. 
He stumbles up to the stage shaking with adrenaline, heart soaring, and it’s not until he gets to the mic that he realizes he hasn’t prepared a speech at all, hadn’t even let himself consider the possibility that he would actually, for real, win this thing. For a split second he’s staring out at an expectant room, filled with the faces of his friends, his colleagues, his idols, with nothing to say. 
And then he spots Isla. She’s next to Emilia, only a few rows back but all the way on the side, so it’s no wonder he hadn’t seen her before, and she’s got this glint in her eyes that Niall thinks might be tears, her hands covering her mouth, Emilia’s arm over her shoulders. It’s enough, just seeing her, to wake him the fuck up. 
The speech comes out easy, then: thank yous to his team at Capitol and at Modest, and a hearty thank you to the fans, for making this possible. It feels like his heart is screaming at him, though, as he clutches the bulky, heavy award with both hands and raises it into the air. 
All he wants to do is be able to thank Isla. 
-- 
Someone, Niall can’t remember who, suggests ditching the afterparty, and somehow they all end up at his house: Shawn Mendes, Nick Jonas, Selena, the lads from The Chainsmokers, Julia, everyone. It feels a bit like sneaking out on a school trip, like they’ve escaped the teachers and can spend the night doing what they want, instead of something boring and educational, and Niall feels like he’s at the center of it all, like the hero of the night, like the most important person in the room. 
That might have something to do with Isla, though, the way she’s taken off her blazer so she’s just in her trousers and her bralette, the way she’s talking to Julia and Emilia but keeps glancing back in Niall’s direction, smiling privately when she catches his eye. It’s warm in here with all the bodies and Niall’s slowly shedding his clothes, too: his jacket is off and so is his vest, and he’s already undone the first few buttons of his shirt. He keeps catching Isla trailing her eyes over his chest, his collarbone, his neck. The feeling of her eyes on him is like lightning in his lower belly. 
‘She’s stunning,’ Nick tells Niall, jerking his head in Isla’s direction. They’re in the kitchen, him, Nick, and Shawn, leaning up against the counter and sipping on gin and tonics. ‘Good for you.’
Niall feels a rising in his chest, pride, happiness. It outshines even the feeling of winning his award tonight. ‘She’s brilliant,’ Niall says. ‘I’m lucky.’
‘Where’d you meet? She’s Irish too, right?’ 
‘They’ve known each other since, like, kindergarten,’ Shawn answers for him. ‘Dated in school, broke up when he made it big, got back together after things settled down. The whole nine yards.’
‘Oh, hometown hero?’ Nick’s smirking. ‘That’s sweet, bro. You keeping her around for a while, then?’
‘Forever, hopefully,’ says Niall. He and Isla haven’t talked about that in explicit words, but he can’t imagine anything else. He watches Nick raise his eyebrows, tipping back another sip of his drink. 
‘Good for you,’ he repeats, once he’s swallowed. ‘She seems like a good one.’
--
As the night cools off, Isla does, too. Slowly but surely Niall notices her loosen up, expanding her circle from just Mia and Julia to include Selena, and then Nick and Shawn. By the time he and Mully come back up from the basement, where they’d gone to fetch more wine, Isla is in the middle of it all, sandwiched between Tara and Mia but chatting excitedly to Shawn and The Chainsmokers, laughing into her vodka soda. He feels a swell of pride again, a twinge of hope in his heart. She can fit in here. He’s known it all along. 
He and Mully join the group to cheers and shouts, hands reaching out for the full bottles of wine. Tara squeezes over, closer to Selena, and Niall’s able to fit in between her and Isla, his hand coming to rest on her knee. With a soft squeeze he meets her eyes, mirrors her smile. 
‘Okay?’ He mouths, just for her. 
She nods, hand coming up to rest on top of his. 
‘Isla was just telling me,’ says Nick, who pronounces the ‘s’ in Isla’s name. Mully snorts, but Nick doesn’t notice. ‘About school in Ireland. I never knew you played soccer, bro.’
‘Star of the team, he was,’ says Mully. He squeals when Emilia elbows him in the stomach. 
‘We should play,’ Nick carries on. ‘Five a side or something. Isla?’
‘Oh,’ she blushes, shaking her head. ‘I’m pretty shite at football, honestly. Sean, though—’
‘Fuck yeah,’ Mully interjects. ‘Five a side is my shit. I’ll get jerseys made up and—’
Nick looks a little put out and Niall can’t help it: he feels smug. He snakes his hand around Isla’s waist, resting his palm against the bare skin of her back, his fingers playing gently with the lace of her bralette. She casts him a sly look and he feels on top of the world, like a king beside her. And what a fucking feeling it is.
--
‘You know,’ he says, later that night, Isla resting against his bare chest in bed. His limbs are heavy with exhaustion, alcohol, post-orgasm bliss.  ‘I think Nick Jonas has a crush on you.’
‘If you told 2008 Isla that one day she’d have to choose between you and Nick fucking Jonas,’ she glances up at him, her eyes glinting with supressed laughter. She looks heavenly like this, Niall thinks: naked, hair cascading down her back, legs tangled up with his, bed sheets pooling around her waist. 
‘You’d totally choose me,’ Niall finishes for her, leaning down for a kiss. Isla laughs into his mouth, hand coming up to cup his cheek. When they pull away Isla presses her nose to Niall’s, holding him there for a moment. 
‘Thank you for tonight,’ she says eventually. ‘For including me, for being so patient with me.’
‘I always want you included,’ he tightens his arms around her waist. ‘I don’t want to do this without you.’ 
‘Me neither,’ Isla whispers, eyes locked on Niall’s.
‘Not even with Nick?’ He asks, smile tugging at the corner of his lips. Isla laughs too, crinkles at the corner of her eyes, nose scrunching up, giggles carrying through his quiet bedroom. Contentedness settles over Niall’s body like a warm blanket, like Isla on top of him. 
‘Not even with Nick Jonas,’ she kisses Niall gently, lips brushing his as she speaks. ‘No one but you, lover.’
####
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So 5x18...
...Well hot d*mn.
Man when Supergirl fires on all cylinders...HOO BOY.
Case in point: *gestures to all of 5x18*
To be clear: I liked this one.
A WHOLE LOT.
Not that I disliked 5x17, necessarily. It’s just that 5x18 was more... Entertaining? ...I dunno. I dunno how to explain it.
...Okay yes I do and that explanation is: Someone remarked on Kara’s use of language and Kara overcompensated on the ‘NOooOOooOO I’m totally 100% normal!’ AND there was a musical quote AND it was WHILE TEAMING UP WITH ALEX TO FOLLOW A LEAD.
But I’m getting ahead of myself let’s backtrack...
TO THE TOWER! WITH ALEX! NIA! KARA! AND M’GAAAAAANNNNN!!!!!!
June Foray voice: WOULD YOU LIKE TO STAY FOREVER?!?!?!
I know I’m not the first person to make that reference but it’s always fitting and, for real, recurring character status WHEN. (I mean. Obviously I would prefer series regular but that feels like a big ask considering that all future TV production is...uh. Ah. Erm....
...Up in the air. At the moment.)
And then we check in with the Luthors and Non Nocere isn’t working???
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I am shocked! Shocked, I say!
And then we’ve got Obsidian doing something ill-advised which is basically the company’s MO at this point but KELLY AND WILLIAM ARE ON THE CASE REGARDLESS.
(So that’s kinda the one thing I’m sad about re: the Crisis reset; Andrea’s character development. But she’s sticking around for next season so I’m not too upset that she remains...kinda...one note for now.)
And THEN the library scene. 
It was so gooooood.
Then Leviathan and okay. Alright. Okay. Huge points in this episode’s favor: Rama Khan feels like a far more significant threat. And I feel like 80% of that is the fact that they just let him wear normal clothes. Thank you, show. Thank. You.
Also the rock effects were way better in this episode because they weren’t footing the bill for a giant crossover episode this time around
I am a little confused, though, by what has and has not happened with regards to Rama Khan on Earth Prime. Did the pre-Crisis stuff...happen? The dialogue...kinda made it hard to decide one way or the other. ‘He hasn’t been seen on this Earth for 100s of years’ but then also, ‘a chilly place you know quite well.’ So...he...did go to the Fortress. And fight Kara? But...all that stuff before Crisis...???
...Not gonna bother with that right now.
POINT IS...Leviathan is finally like...invested in killing Supergirl* and menacing in a very real way which both raises the stakes and makes it personal and that’s way more interesting than ‘nebulous evil organization that must be stopped.’
*I know they kinda sorta already did the whole, ‘let’s kill the Kryptonian!’ and invaded the Fortress but I don’t know what to tell ya, it was just lackluster.
J’ONN AND M’GAAAAAANNNNN
I am firmly in camp: I don’t care if they’re never green again I love seeing them in the super suits with their human faces IT’S GREAT.
Love that Nia’s snoring interrupts the moment.
Also love the deck of Rama Khan playing cards, that must’ve been a fun project for the graphic designers.
Then we’ve got William and Kara at CatCo and it’s baked goods! A hilarious line delivery by Staz! A ridiculous fabrication involving a shy, violent cat!
...Now I want Alex to actually own a shy, violent cat!
“Cats love me, for some reason.” “Of course they do.”
Side note: Love Kara’s blazer.
And then it’s ALIEEEEEENS TO THE RESCUE!
WHAT A TEAM UP, FOLKS.
We love to see it.
The interrogation scene is good n’ tense and ramps up to a very impressive showdown in the DEO (but BEFORE the sparks really start flying we get that rad shot of Kara leaping through the window and doing the superhero landing and it’s just
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Perfection.)
Also perfect? Lex playing a game of transmatter pickle with the prisoners.
Then we jump back to the DEO where things are not going well!
Like, really really bad! 
But J’onn and M’gann save the day! If not the building!
RIP DEO. 2016-2020
Obituary: The DEO headquarters is survived by its elder sibling, the DEO desert base.
Look none of the favs work there anymore save for Kara and Brainy and they’re both gonna be better off working freelance for J’onn but I do expect Brainy to at least pick up some additional cash by working as a Lyft driver next season.
Me, watching the characters struggle to make it in the gig economy: I feel so seen.
The final portion of the episode is just ALL ACTING and I must say...good stuff.
Like. This cast, man. They take the plot points I’ve been ‘meh’ about all season and they turn in some stellar performances and suddenly I’m like STANDING OVATION, CAN’T WAIT TO SEE WHERE THIS GOES.
Also, reason #342 I love Jon Cryer’s Lex: that scene with Lena.
Terrifying.
Full disclosure: I went in to this episode fully prepared to be really annoyed with whatever was going to happen with Lena and I still don’t...love the trajectory of this season, being so tied up in her personal drama but. 
But.
Katie McGrath’s performance...went an awful long way here. In making this...not as bad as it could have been.
Like tearfully admitting she was hurt? And that hurt was the basis of all the nonsense she pulled? Finally owning up to the fact that this was never truly about the greater good but that it was all rooted in some personal issues and OUTRIGHT STATING SHE WAS BEHAVING LIKE A VILLAIN????
I am. Extremely impressed.
EVEN MORE IMPRESSIVE THOUGH: Kara remaining distant both physically and emotionally throughout that scene! Not in like, a cold uncaring way, but in a, ‘I have emotions and I have a right to feel them and set boundaries in regards to my trusting you right now given all that has transpired’ kind of way.
GOOD. YES. GOOD.
(Lex’s outburst has that kind of same Nice Guy undertone--albeit more pronounced and rage-y--as Lena’s in the Fortress. Like, ‘I supported you and you still rejected my plot to take over the world’ and ‘I was kind to you and you still messed up my mind control’ which...I dunno I might just be digging in too deep here in order to further justify the character turn but I think Cryer’s performance regardless is a really sobering wake up call for Lena, different than Lex stuff we’ve seen before. It’s close and intense and uncomfortable in a way that really sells the motivation.)
“You’re a monster...but that doesn’t mean I have to be one too.”
Wow. Might be...the first time I’ve liked Lena all season.
...whispers: might be the first time I’ve liked her ever at all
For real: credit where it’s due, that was an excellent line read.
*insert applause here*
CUT TO ADORABLE J’ONN AND M’GANN MOMENT 
D’aaaawwwwwwwwww
But, look, it’s a little undermined by the fact that they both gotta try and embrace in those bulky super suits, I’m sorry, it’s true
...Maybe it’s more endearing that way?
HEY remember how I foolishly assumed that the now-unemployed Alex would simply continue to work with J’onn in an investigative capacity and, ya know, NOT jump straight back into costumed badassery? 
HA. HAHA HAHAAAA.
Those leaked set photos make sense now.
OH NO, WILLIAM!
Real glad Staz confirmed he’s returning. Otherwise I would not be able to DEAL WITH THE STRESS.
I already talked a little bit about the loft scene but some additional points! Beautiful lighting. Wonderful score. Excellent performances all around.
A truly great end to a truly great episode.
Like, it makes me retroactively sad, that we’re only getting 5x19, as opposed to 5x19 and 5x20 because I wish that the crew/writers/actors had a little more space to let all of this good work they’ve done settle and breathe. 
(But also, it was good that they stopped production, from a safety standpoint, so. Can’t be too upset.)
And, regardless of how the next episode goes down (b/c I’m gonna be real, SG always does really great set-ups for their season finales and then kinda...rushes to the finish line and that can only be further exacerbated in this particular case) I’m just really impressed with this effort here.  
...but also LET’S TAKE THIS OPPORTUNITY TO MAKE SOME WILD GUESSES. Specifically, what is Alex’s vigilante name gonna be??? 
...
Alright I generally try to avoid addressing specific fandom complaints in these things b/c I generally try to avoid the fandom itself but of course some stuff has already leaked through all of my blocks/muting so:
‘Lena didn��t apologize!’ The words ‘I’m sorry’ were not said, sure, but 1.) season’s not over and 2.) for Lena, admitting she was wrong is huge. HUUUUUUUGE. It’s solid character growth and I really wish various subsets of fandom would recognize that it’s not fun, when fans hold on to negative stuff from characters’ past and refuse to acknowledge that the characters have changed.
‘Brainy should have seen this coming!’ This one is kind of more down to personal preference I guess but I feel like they’ve established that Brainy’s got a bit of a blindspot due to his feelings about his friends, so I don’t take this as a knock against his intelligence so much as him being stretched fairly thin because he’s playing all sides, and worried about the people he loves. YMMV, though. 
All the ‘fix-it’ stuff re: the last scene, by making Kara immediately forgive Lena. Lose me with that nonsense, bleh. 
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polygamyff · 4 years
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I have woke up to my mobile being so alive, I am so shook. The amount of drama has drained my battery, well I am shook because I am verified. Leon was straight screaming in my messages about it, I mean who would have thought being with a billionaire alone makes you verified, but I am excited as shit. In celebration of my verification I thought I would post a little throwback of Maurice and I when we went to Bey’ home, it’s also Thursday so it’s throwback Thursday. I mean it wasn’t a real old picture but still, I mean I just want to add to the fact I am verified. This picture Bey took of us when we were discussing the clubs, I look like I am listening but honestly I do not know what they are saying, Jay is looking at me talking and I am just staring into thin air. Adding a caption to the picture ‘Photo by @Beyonce: The Carters x The Davenports’ I mean it’s simple and cute and I am flexing, I giggled to myself “you creating all that noise man” Maurice complained at the side of me “please, let me have fun. I am verified! Aye!!” I shouted, Maurice huffed out turning in the bed, I have officially woke him up “I told you Rich would be on it, and look at that” Rich didn’t lie to me, looking over Maurice stretching out “how is the gym coming along?” his skinny ass is something else “why do I need the gym? I am not fat” I snorted laughing “you’re not fat but what about bulking up a little bit?” Maurice frowned at me “that is rude, so you don’t love me for who I am?” Maurice turned his face to me, I grinned at him “I love you; I am joking. I just love to you annoy you, you are literally my dream man. I don’t like those big bulky men anyways, but please celebrate with me, I am verified” Maurice rolled his eyes as he turned onto his side and hugged onto my torso “move your arm up” Maurice said, moving my arm up so he can rest his head on my chest “on my boob though” I spat, resting my arm on his head.
Bey’ fans are crazy and have taken over my Instagram comments “are you ready for today, meeting my dad at Sacramento, I got a jet for us. I said a jet because my sister is still using mine” moving my phone a little away from my face just seeing Maurice rubbing my stomach “my stomach that big? It ain’t that big just yet” he is cute “nah, just you know. Letting Jell-O know I am here” he is stupid “to be honest I am not looking forward to seeing your dad but I am going to have to do this run through but knowing your dad we will like the venue, he likes luxury so it will be just that. I just find it weird how your dad can switch off his feelings and act like he didn’t do what he did and is acting like everything is ok, but I am not tripping. I am going to do this because this bitch needs to get married, I am sick of just fucking around now. This is our time” Maurice has yet to tell his dad who we don’t want there, pressing a kiss to the side of his head “yeah, just you know dad be driving me crazy, he is going to start talking about the family name and I really don’t care about it. I think he will listen to you, it’s like he respects you. He hates my ass I guess; I think he knows that you will take Reign away from him. He kept texting saying about Reign, I am like don’t worry she is coming. I am just nervous, about us getting married. Not in a bad way just like wedding nerves. I want it to be so perfect for us, and also experience marriage properly for the first time” I cooed out “you going to cry when you see me in my dress?” I grinned “I will cry seeing you and Reign, damn. I will be crying that I have to deal with your bougie ass, you bougie but be fronting” I laughed out “lying ass” I mean he isn’t lying but I like to think I am not that at all, I think I am not spoilt.
Leon shrieked out “he is my verified bitch, come here!!” Leon ran at me “I am stank right now” I said but Leon hugged me anyways “girl, seeing you at the event. I was feeling it so much, the dress, the look, the poses. Jacob and I was straight vibing seeing you on CNN too” Leon is such a sweetheart “I always said you was destined to be big” hearing Reign yelp out “sorry baby, I am coming” Leon ran around the couch “what y’all got going on there?” peaking over “we playing dolls, I don’t know what is even happening anymore” I chuckled, “morning mommy” walking into the kitchen “morning Robbie” kissing her cheek “you preparing for a feast?” I asked laughing “well we are going on a trip Robbie, I need to be prepared” my mom is here packing “we are coming back, by tonight we will be back” I chuckled “you never know, so Thomas called” letting out an oh “he said that a lawyer has contacted him about this home” I smirked “he said he doesn’t want things to be so bitter but if you want to play that game we can” pulling a face “you know what, he wants war I will give it him. He is jealous and spiteful, mom don’t worry. He got a lot coming to him-” I stopped midway as the conversation got interrupted “he will be also getting a cease and desist; he is trying to put a story out about me hitting him. Robyn, can you make me food” Maurice came out of nowhere “he is!?” I spat “yes, it’s nothing. Lorraine is dealing with it but make me something. I am hungry” nodding my head, Maurice made his way to the dining table with his Macbook in hand.
Watching Maurice talking to Shawn, he is busy working. I can tell he is on work mode “if you not going to help then girl, get out of the kitchen” my mom nudged me to move, I chuckled “calm down woman” I huffed out “I am just trying to hear what he saying to Shawn” I said in a whisper, let me just stop being a creep and just sit next to him, he won’t mind. Making my way to the dining table, peaking over at Leon and Reign before I did, they are just fine together. Pulling the chair out and sitting down, I wonder what they saying to be honest “yeah well I am busy you know, I really want to punch your face; you got my sister pregnant and you here running around making my sister a single mother? That is not cool, you need to fix yourself, no joke player. I am angry with you but then I know how long we been down, you just so fucked in the mind bro. I just don’t see how we can be cool again, you were supposed to be my best man, now I ain’t even got that. I honestly don’t see how we can just be cool together, how? Look you getting me very aggy, I just need time, and that means you won’t be making the cut for my wedding, let your parents know” he disconnected the call “that is not good” I said to Maurice “you right, it isn’t but I can’t just let him come. Same with Leon” I shushed him “Maurice, can you please not do this. He is my friend” Maurice got up from the chair “where are you going now” Maurice is on something today “I don’t want you to argue, seriously” I don’t want this.
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I am cutting niggas left, right and center, I am not fucking with anyone that don’t know how to fuck with me, I am done with the shits. Seeing Mi Amor playing, she is building something with her blocks “girl, that is going to fall” Leon said, Reign held out the block to him “ok, one more” Leon took the block and placed it above, Reign clapped her hands before pushing it all again “girl you bugging, you just enjoy the mess and drama of it falling” clearing my throat, Reign looked at me but Leon didn’t “your daddy is there ain’t he, he is staring at me too” Leon said to Reign, she don’t care one bit she is picking up those blocks again “Maurice, can we be nice” Robyn said “I will respect your mom’ home, but I need to let him know how I don’t fuck with what happened” sitting down on the couch “I did want to speak to you Maurice, I did. I am just you know, a little scared to say anything” Leon got up from the floor “because you know you did wrong, you openly told Robyn you wanted to get at me. What kind of friend is that!?” I spat “a friend to her because you upset Robyn! Robz is my friend, I didn’t mean for that to happen, I would never do that to her. We have been out before, have I ever left you like that!? We were all lit, even before you came around we went out” Leon pointed at Robyn “we did go out, Leon knows how I felt” Robyn said “well know he can know how I feel, I helped you. Those fucking Gucci shit you wearing is because of me, I helped you and you did that to me. I liked you but you just seem like another nigga I can’t fuck with but for Robyn I have too, I don’t even want to see your face. You have really got me angry as shit” Robyn sat next to Leon “I am sorry Maurice, I know you don’t like me. Even when all this shit happened I have never let out a secret about any of you, I have never done you dirty like that at all. I knew my friendship was a mess with Robyn, I didn’t know what to say to her. But I never did any of you wrong by selling stories like everyone else did you, I don’t have much people in my life. Terry is a mother to me, I don’t have much and I will forever be in debt to you and appreciate what you did for me Maurice, I was in a bad way and you helped” Leon’ voice broke “I feel bad and I don’t think you will ever see how bad I feel because you made your mind up about it but I am sorry. It went wrong and it was never that” Reign is stumped right now; she is staring at Leon crying “he made that mistake Maurice” Robyn said.
“Your breakfast is done Maurice” Terry said, getting up from the couch because I can’t be bothered to be hearing the water works, I just don’t fuck with that shit. He fucked with the woman I love, she is just too damn friendly I guess “thank you for this Terry, you be going all out” I chuckled “aww thank you, and I just moved your laptop to the side a little. I hope you don’t mind” waving her off “it’s all good” sitting in the chair “Maurice I am sorry, maybe we won’t be thee same but I am sorry and I do care about you all so much” shuffling my chair in, he is not going to leave it and he’s really not going to leave my life either “shit will take time, that is all I am going to say” shaking my head “that is something Leon, he is hard headed so things take time with him” Robyn said “ok psychic, you know me so well huh” let me just eat my breakfast “I do actually, let’s leave him to eat. Don’t choke now” smiling at Robyn sarcastically “you kids!” Terry sighed out saying.
Staring at my laptop “man” I sighed out saying, it’s like I am applying pressure about this whole Hilton shit that now it’s turned on me, I feel like I have too much on my schedule. Typing out to Ally to skype me, something has to move around. Sitting back on the chair, because this is all new to me because I have added other shit, people want to do business with me which is amazing but one at a time, the skype call came through. Answering the call “ah, we are doing video call now. Oh wait, it’s a team thing. I think I have had enough of you all. Who got biggie on loud? I don’t pay you to have fun now” I laughed, Lorraine eyeballed the camera “listen here, I am in my own damn home! You don’t own my home” she pointed “she was twerking earlier, let’s not start her off” pulling a face “ok, I won’t be a moment, y’all can do whatever y’all like after. I see the schedule and everything, there is a lot of shit on there. So, the whole Hilton thing is yes my idea but what the fuck? Am I touring or some shit?” I am confused “you ain’t touring anything, Maurice. You are the owner of the company now, you have to meet everyone, you need to see your workers. You need to visit. I am sorry but if you want to be not involved with that then you going to look bad, I don’t mean visit every hotel in the world, just the busiest ones in the world, you do a little meeting with them, get to know them, show them you care. I mean the only way around this is split it between you and Nalah” rubbing my chin now even sure “I just don’t think will be able to do every place you telling me, I have a pregnant partner here. I think what I can do, Malik. I will have him with me, teach him. That is an option, also I see London is the place where I make the official announcement for the international takeover for Hilton, that is a day after I will be back in New York. Make it three days out from that because I have something else to do” I have that scan with Robyn “noted, we were just preparing ourselves having to put up with you” Ally said “oh wow, you all are funny. Anyways, I am going to see the wedding. See you all there” disconnecting the skype call, I am actually very busy when it comes to this takeover so I will need Malik to be on his game.
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ogcassiopeia · 4 years
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M+M Answers Kpop Questions
1.     Which group have you thought about stanning, but never seem to get around to it? 
I’ve essentially only ever stanned TVXQ and never deviated from that but I could totally see myself stanning Shinee or Monsta X.
2.     Do you have any irl friends that like kpop?
It depends on what you mean by irl. As of right now, I only have one irl friend, who lives in Canada, that enjoys kpop as much as I do. We met back in the early 2000s when both her and I were massively into TVXQ. She moved on to stanning BTS after TVXQ broke up but she still loves TVXQ and we talk about kpop and other life happenings often. The kpop friend I had here physically in my town with me eventually moved to a different city and we lost contact a few years ago. I am not even sure if she still enjoys kpop or not.
3.     How old were you when you first got into kpop?
Oh gosh…I think I was 13 at the time.
4.     What song(s) took you a while to warm up to? 
A lot of f(x)’s earlier stuff like Nu Abo and Chu as at the time when they came out I found them to be grating and irritating. Most girl group songs take me a while to get into since I am more of a boy group kind of kpop fan.
5.     Have you ever disliked a group/idol? If so, why? (You don’t have to say who it is if you’re scared of getting hate).  
I wouldn’t say I dislike or hate a lot of kpop singers/groups but I would say I am either just not a fan of their personalities and/or their work. For girl groups, I especially am not a fan of BlackPink, Red Velvet or Girls Generation. I like one of two of their songs, but I find their voices irritating and feel like their talents are limited. I do feel this way about some boy bands too…but the one I do not care for is one that I may regret speaking ill of due to their fanbase.  
6.     What annoys you the most about kpop?   
As of right now, it would be the fans. There seems to be constant harassment of people, celebrities or other fans who have differing opinions.  Just let people like who they like and hate who they hate. What does it matter if they don’t agree with you? If you like the boy group/girl group/solo singer GREAT...leave it at that. You don’t need to harass or bully someone else into liking your faves.
7.     What do you love the most about kpop?  
The music. It brings diversity and color into my consumed media and it’s just generally enjoyable pop music fluff that I do not get from American media.
8.     Do you only listen to kpop? 
Nope. I listen to all kinds of music outside of kpop.
9.     Who are you favorite western artists (if you have any)?   
Paperwhite, The Band CAMINO, The 1975, Bad Suns, Lennon Stella, LEON, ASTR, Ralph, The Midnight
10.  How long have you been into kpop? 
Since 2003…so it’s been a while…17 years or so. (P.S. I am old and boring.)
11.  What music did you used to listen to before getting into kpop? 
Mostly American pop music, J-pop, J-rock and indie-pop.
12.  What fandom(s) were you in before getting into kpop? Are you still in them?
I was super into anime and manga back then…I was a part of the Sailor Moon fandom and I still love me some Sailor Moon. I also really loved the Backstreet Boys and still do…I am going to their concert in August (as long as it doesn’t get cancelled due to coronavirus)!
13.  Which group did you used to think was overrated but ended up loving?   
Shinee
14.  Is there a kpop song that annoys you? If so, which one?  
Uhm…there are a lot of them. Some of the songs I find annoying are: I’ve Got A Boy + Oh! + Kissing You – Girls Generation, I Don’t Know What To Do – BlackPink, Everyday – WINNER, Snapping – Chungha, Dog and Cat – TXT, Seventh Sense - NCT  (I am sorry to all of you who may love those songs)
15.  What aspects of kpop make you cringe/feel secondhand embarrassment?  
The Aegyo and overly cutesy, child-like concepts that girl groups always seem to have to participate in. Even though I know it comes from cultural differences in sexual attractiveness (I lived in Japan for years...I’ve seen it first hand), it still just creeps me out. I don’t like it in J-pop either, btw.
16.  Which concepts do you love?  
I LOVE dark, sexy, horror-like concepts that have been used by groups like VIXX and Dreamcatcher. I also love slick, retro themed songs based in the swing/jazz age (Something or Spellbound – TVXQ) or 80s nostalgia (I Feel You – The Wonder Girls).
17.  Which concepts do you hate?   
Anything overly aegyo or cutesy.
18.  If you could trade places with an idol, who would it be?  
I would totally love to be in Shim Changmin’s shoes….being part of an idol group considered gods in the kpop realm.
19.  What do you look for in a bias?  
(1) Intelligence, (2) Sassy/Funny, (3) Honest, (4) Hardworking, (5) Talented, (6) Humble
20.  Which kpop company do you hate the most?  
Cube or Pledis
21.  What are you opinions on shipping?
It’s fine as long as fans don’t push participation of it onto the idols they’re shipping.
22.  How did you get into kpop?  
I saw a Kpop Countdown show on cable TV back in 2003 where they showed BoA and TVXQ and I was hooked instantly.
23.  Has anyone ever made fun of you or looked at you weird for liking kpop?  
I mean, yes…1000x yes, I was made fun of for loving kpop all the time. Once again, I got into kpop in 2003 y’all….which was before the internet was easily accessible in my home so I felt like the only person in America who liked kpop at the time. Not even my closest friends were into it and they felt like I was just a massive weirdo for loving it as much as I did. Thankfully, I found a community online of international kpop enthusiasts like myself to talk to in around 2005 (since I finally was able to save up for a bulky ass laptop) and that helped me feel less alone and bullied.
24.  What is the cringiest thing you did when you were starting to get into kpop? 
By the time kpop came into my life, I was already a set up Weeaboo, so…really I just became a deeper version of that…I was like an embarrassing kaiju cultural appropriation combo of Weeaboo and Koreaboo. I would make my own tshirts for TVXQ and just wear them out and about. They were SO BADLY MADE because I had no idea what I was doing but I thought I was so smart and stylish at the time. I also made CDs of Jpop and Kpop for people around school to hand out at lunch...I cringe just thinking about it.
25.  How long does it take you to learn the names of each member in a group?
I’ve stopped learning members names nowadays LOL…I am too old for that shit and just don’t care enough anymore. (For past reference though, it took me about one week to remember all of TVXQ.)
26.  Are you a gg, bg, or middle/coed stan? 
Boy group stan
27.  If you could hang out with one idol, who would you hang out with? 
Shim Changmin of TVXQ….he’s my forever bias and I wanna hang out with his puppies and have a meal with him...ask him what he wants to do with the rest of his life once idol-dom is over.
28.  Who is the bias to your third favorite group? 
I guess that would be Monsta X so…uhm…it was Wonho but apparently, he isn’t in the group anymore…
29.  What name from your native language would you give your ult bias? 
What would I name Changmin in English? He already has a stage name that’s in English, which is Max. I am not sure what this question is asking LOL  (also, who the fuck still calls Changmin, Max? I thought we dropped that shit back in 2006.)
30.  Thought on fanfiction/AUs/etc?  
I think it is great and gets fans to think more creatively and figure out where their talents lay! I used to write a lot of JaeMin and HoMin fanfiction back in the day…now I write mostly Destiel (Dean and Castiel from Supernatural) fanfiction.
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Worried that Tony Stark is going to die in Avengers: Endgame? Do you want proof that he logically shouldn’t and the citations needed to die on that hill in the event that the powers that be do the unthinkable? Well step right up, fans and friends, because @whimsicalethnographies and I have compiled everything you might need, from canon quotes to future promotional appearances, that prove Tony Stark is not destined to die, and if they do kill him, they are ignoring the path that they laid out themselves and are thus causing his character arc to fail.
Here we go:
Canon evidence
“Don’t waste your life, Stark”
“A man with everything and nothing”
Both of these quotes are referencing family. Yinsen was referring to his own loving family, and Tony revealed that he didn’t have one (of course it’s hinted that this is Pepper—she’s supposedly his frantic text when they’re first attacked—but he doesn’t explicitly have it or her yet). Yinsen’s sacrifice was not for Tony to become Iron Man. It was for Tony to have a life, to have a family. What he didn’t have in the beginning and what he wanted to stay alive for. Tony ultimately fulfilling Yinsen’s true wish for him to stop isolating himself and make a family would be the most satisfying way for Tony’s story to end.
Yinsen is able to die peacefully because he has family that has already passed, and he wants to see them again. There is no way Marvel can properly parallel this because Tony’s family (the ones he genuinely loves anyway, other than his mother) are still alive, or still in the future (his children). If he dies he will leave everyone behind. The love of his life will still be here, and he’ll never be able to have children. If Pepper is pregnant, this is even worse. He will have a child, as he wanted to do, as he was looking forward to doing, but he will never meet it. This is especially cruel.
This would be a gross subversion of Yinsen, and ruin any meaning the character actually had in Tony’s life. He wanted him to be more, to have more, and to Yinsen, more was a family who was waiting for him.
In IM3, a little boy in a restaurant ominously whispers, “How did you get out of the wormhole?” It’s heavily implied that that line is entirely in Tony’s head as he’s descending into a panic attack and represents his fear of the unknown, and his fear of how he’ll handle the unknown, essentially finding the man behind the Mandarin mask who is coming after the people he loves AND fear of what he’ll do if he doesn’t have his armor to protect him. He obsessively spent a year(ish) building suits (of questionable quality) to keep that unknown away. By the end, he’s faced *that* fear, the fear of who he is without the suits. His anxiety/PTSD shifts from that point to Thanos himself, but he doesn’t yet have a face or an actual explanation until Infinity War, even though the magnitude of it is ramped up in Ultron by Scarlet Witch using the power of the Mind Stone. This is the start of facing an unknown, and if it follows the narrative comparison, coming out on the other side victorious, better, and stronger as a person.  Rising above and moving on, not dying in the process, continuing to carry the self-inflicted weight of the entire universe.
“A famous man once said, ‘we create our own demons.’”  Dying when he comes into contact with and defeats his true demon—“my only curse is you”—is not giving Tony his good ending.
An article on Iron Man 3, arguably the most important movie in Tony’s arc https://filmschoolrejects.com/finding-the-place-of-iron-man-3-in-the-marvel-cinematic-universe/
“Tony is defined by his desire to set arms down and leave war behind; Steve is defined by his inability to do the same”
“If Marvel really wants to give Tony the ending he deserves, they’ll let him live. Fans will continue to push their predictions down the pipleline until they eventually come true, but the arc laid out for Tony, starting in Iron Man 3, is clear. He needs to let go, but he can’t. The conclusion of Tony Stark’s arc isn’t death; it’s learning to pass responsibility on not to an army of robots, but to the people he trusts. After ten years, Tony Stark deserves his time in the sun.”
Tony’s PTSD - it would be a punch in the face to those of us with anxiety/PTSD/OCD who identify with him. He's got one of the most realistic portrayals of mental illness in film, and the powers that be acknowledge that, and it would SUCK for a company like Marvel to rip it all away when he's almost to the point of letting go of the responsibility he's carried—rightly or wrongly, because Thanos would still be collecting those stones even if Tony had never been in that cave—since the beginning of his story. Dying? That's not letting go. That's saying "sorry you went through all this, it sucks and then you die, because it really was all YOUR responsibility and you have to suffer to fix it."
In Ultron, Helen Cho says Tony’s “bulky metal suits will be left in the dust”. Tony says that’s “exactly the plan”. He wants to retire. He wants to be able to stop being Iron Man so he can live his life.
“Isn’t that why we fight? So we can end the fight and go home?” Tony in Ultron. None of this has ever been continuous for Tony. He’s consistently been heading towards his future goals and fighting when he has to—he gets derailed because he feels it’s his duty to step back in. He does not seek out the fights, and he doesn’t necessarily want to be a part of them. He wants to make his life and that’s where his narrative is heading. If it doesn’t make it there, it fails. He fails.  
“Maybe I should take a page out of Barton’s book. Build Pepper a farm, hope nobody blows it up.”  “The simple life.”  “You’ll get there one day.  “I don’t know. Family, stability...the guy who wanted all that went into the ice 75 years ago. I think someone else came out.”  End of Ultron conversation with Steve. Tony wants to settle down, buy a farm for Pepper (representing retirement and the start of his family). He is the one, out of himself and Steve, that is actively seeking to “tap out” of the fighting life so he can be with Pepper, and start a family. Steve says “I’m home” when he hears the soldiers chanting.
Wedding conversations in Civil War, Homecoming and Infinity War. The amount of mentions this has is huge. It would be a major hanging thread if it never happens.
The original plan was for Pepper to be pregnant during CW, however this was changed to put Tony in a darker place. They are going for Dad-Tony eventually, and that wasn’t conducive with where he was in CW. Yet.
Happy has been carrying “that thing” since 2008. Would they really do that to Happy/Jon Favreau, perhaps the other father of the MCU as he directed Iron Man—have him carry the ring for 10 goddamn years just to cut that storyline off with no resolution? Happy deserves to see this man-child he’s chased around forever get married and settle down.
Specifically, “Wong, you’re invited to my wedding.” It would be a terrible subversion if instead he goes to his funeral.  
And per the writers (who also wrote the CA movies),
Markus: Things always shift in the writing, but I think we all knew where it was going and it was a matter of how best to get there so that it feels most satisfying or most earned.   What was that adjustment process like? How much did the script have to change from when you were breaking it in 2015 to when they went to film it? Were there big things that you had to account for that you just hadn't had any idea about? Markus: Because of the other movies? No. I don't think there was anything massive that we had to change gears for. There were things that became better because of the value that the other movie had acquired. https://www.etonline.com/how-the-avengers-endgame-writers-arrived-at-the-most-satisfying-ending-possible-exclusive-123477 That would be an absolutely collosal shift to wipe it away entirely
The baby conversation in Infinity War. Why set all this up so blatantly if they weren’t going to use it?  For a cheap emotional rug pull? Tony wants children, not just another set of his genes in the world.
And Pepper’s response; she doesn’t want children if he’s still Iron Man, for fear that he’ll be distracted, or something worse. If she’s going to have a kid with him, she wants him there. If the point was simply a baby, not a baby AND Tony, this is pointless exposition. Also, Pepper has thought Tony was dead at least four times: IM1, Avengers, IM3 and IW. Would they really make her watch it happen for real after that? Rob her of her family and make her worst fear come true, right in front of her eyes?
Tony as Odysseus - A lot of us—who've watched and identified with this character—realize that this is an Odyssey, not a Tragedy. Odysseus makes all kinds of mistakes while trying to get home, but he gets there, after 10 years. And then,
“As for yourself, death shall come to you from the sea, and your life shall ebb away very gently when you are full of years and peace of mind, and your people shall bless you. All that I have said will come true.” He makes it home. He got super lucky a lot of times, but he made it home, to his family. He found his everything.
“You’re a hard man, Odysseus. Your fighting spirit’s stronger than ours, your stamina never fails. You must be made if iron head to foot.”
Alternate translation- “You’re a hard man, Odysseus, stronger/ Than other men, and you never wear out, / A real iron-man.” (both quotes taken from starkravinghazelnuts, http://starkravinghazelnuts.tumblr.com/post/181064173168/so-i-did-more-research-about-tony-steve-and-thor)
Promotional
https://www.themeparkinsider.com/flume/201812/6461/ Tony Stark is heading up a new rollout in Disneyland parks. Speaks for itself, they’re making Tony have a very strong presence in the parks. Disney is for kids, kids love Iron Man, and they will be aware of his death and reminded of it when they see him and Stark Industries everywhere on their family vacation. Longtime fans will also have to deal with this. If they were actually going to kill him, why would they make his presence in the future of these parks so big?
“In California and Paris, Tony Stark is retrofitting two of his father’s Stark Industries sites into new hubs for training and innovation. Through partnerships with S.H.I.E.L.D., Pym Technologies, Masters of the Mystic Arts and the new Worldwide Engineering Brigade, The Avengers and their allies will forge new global campuses to champion the next generation of heroes.” We know Hank Pym hates the Starks because he feels Howard betrayed him by trying to replicate the Pym Particle.  As Scott says, “Hank Pym always said you could never trust a Stark.”  How does this work, unless there is something forward that allows them to establish a better relationship? This can’t be retrofitted to anything before a potential Endgame end.
https://youtu.be/0tW77VFKQC0 https://youtu.be/EVIu43xSeYY In the Ant-Man and the Wasp ride, they collaborate with Tony/Iron Man in their ride mission. You see him, they speak to him, and it seems like a new storyline. It connects to the Iron Man Experience’s storyline, the ride they already had there in Hong Kong.
https://www.playstation.com/en-us/games/marvels-iron-man-vr-ps4/ upcoming Iron Man VR game. It would be very morbid playing this game, from Tony’s POV, if Tony is dead.
That giant Iron Man statue for Endgame in Hong Kong (https://www.timeout.com/hong-kong/news/a-giant-4-5m-iron-man-installation-and-life-sized-avengers-have-taken-over-hysan-place-041219). Imagine coming across that thing if you just saw him die. It’s staying up until May 13th. Do they want it looking like a place of mourning? A monument with flowers and notes? Shit, that’s a spoiler in itself that I don’t think they want. It would also be incredibly depressing.
https://www.tmz.com/2018/01/12/avengers-4-wrap-party-cake-drops-clues/ Endgame wrap party cake. If Tony died, he would be on this thing. It wouldn’t even be considered a spoiler because Iron Man is literally the face of the MCU, so people wouldn’t look twice at it. But his absence does say something—that they didn’t think they needed to pay tribute to him here, because he is still around to pay tribute to later, if need be. This cake is implying different characters are in peril, with certain hands shooting up out of the ground. But Iron Man is only represented with his logo on the bottom, as are all the rest of the heroes. If he died, he’d be the centerpiece. More on this theory by starkravinghazelnuts http://starkravinghazelnuts.tumblr.com/post/180160474003/the-cake-theory-proposes-that-cap-nat-and-bruce
Cast quotes regarding Endgame
Gwyneth - (on a picture of her and RDJ) “you know I will be this guy’s Pepper any time he needs me” why would she say this if he’s dead? If he was dead and she didn’t want to spoil, she didn’t need to say anything at all.
And this wasn’t a one-off referring to playing opposite him, she was referring to Tony/Pepper, after an interview in which she said she was probably done, but would come back for a day if they wanted her.
Gwyneth again - https://www.etonline.com/how-the-avengers-endgame-writers-arrived-at-the-most-satisfying-ending-possible-exclusive-123477 “Pepper and Tony have had a real long journey together. She obviously starts as his dutiful assistant, and then the relationship evolves, and now this decade later they're married, and they have a child. Their relationship has evolved in all of the ways that great romances evolve.” Now, I always saw this as—Gwyneth was done filming when this quote was given. She was aware of the end of her character’s journey, so this is obviously something that happens at the END chronologically. Why would she reference something smack dab in the middle of the film, especially if it was just going to be erased by time travel/quantum realm shenanigans? She’s also wearing an engagement ring and a wedding band in some interview photos where she’s in costume. Plus, possible/probable spoilers…….Pepper is going to be suiting up as Rescue, which really knocks off the possibility of a mid-movie child for Pepper and Tony. It would be completely against her character to suit up and leave a kid behind, considering how much flack she gave Tony for his suits before, and how her hesitation to have a child hinged on Tony re-inserting his arc reactor. Plus, on a more emotional note, Gwyneth refers to Tony/Pepper as a great romance, and it is. But I feel like she and Robert combined would not be happy at all if the writers were to destroy this great romance by killing one of its members. That way it falls flat, it never finishes, it doesn’t get its rightful end. I feel like she and RDJ (who has significant sway over what happens to Tony) would argue against this happening. This is a great romance, and those end in happily ever afters. This isn’t West Side Story. This is a Disney movie.
Evans -  https://youtu.be/bH0frwdtmXM (when asked to describe the movie in one word on GMA) “Satisfying. It’s like TV shows, the final finale—how many times do they stick the landing? How many times do you walk away saying that went exactly how I wanted it to go? This movie—I think they deliver, I think they really do stick the landing in terms of, you know—addressing the arcs and really finding a completion.” I think this definitely speaks for itself. The arcs are important and we know what they are. One of our main concerns is them tossing out the true endings to these arcs for cheap, cruel emotional shocks. If Chris says specifically that the arcs are addressed, then we know what that SHOULD mean for each character. Plus, saying “that went exactly how I wanted it to go”? I don’t believe any genuine fans want deaths. Especially fans with children. People who genuinely care about these characters want to see them succeed and live to reap the rewards. So saying it went “exactly as I wanted it to go” and that they “stick the landing” bodes well for things ending up nicely for our heroes. Nothing in his speech here screams death.
Hemsworth - https://www.digitalspy.com/movies/a27110673/avengers-endgame-chris-hemsworth-interview/ also uses the word cathartic. Nothing about Tony dying would be cathartic. It would be sickening and depressing and we wouldn’t get anything out of it.
Taika Waititi https://www.express.co.uk/entertainment/films/1082838/Avengers-Endgame-Korg-Taika-Waititi-Thor-Ragnarok-Avengers-Infinity-War-MCU-Marvel “They keep their cards so close to their chests, but from what I’ve heard, it wraps up everything in a really great way." “It feels like the fans are getting rewarded for hanging around for 10 years and watching all these films.” “Because the more you know about the characters and the stories and stuff, the more satisfying this film will be.” These feel particularly important. A reward would not be killing the biggest character in the MCU. And he mentions the fact that really knowing the characters makes everything more satisfying. We all know where Tony is heading, and what he wants. These quotes particularly point to Tony surviving, and maybe everyone surviving.
Scarlett - https://wegotthiscovered.com/movies/scarlett-johansson-calls-avengers-endgame-beautiful-valentine-decade-madness/ “a beautiful valentine to a decade of madness” Not ‘my bloody valentine’. A gift full of love for the people that have been here for ten years watching these characters grow.
RDJ - https://twitter.com/our_rdj/status/1118891286763798528?s=21 https://twitter.com/caplovesfondue/status/1118764023397249024?s=21 https://twitter.com/MCU_Direct/status/1119043210553249792 “I guarantee you that this will pay off. This Avengers Endgame, I’ve said it before, is our finest hour.” “The last eight minutes of that movie are maybe the best eight minutes in the entire history of the whole run of them, in a way. Because everyone’s involved. So I was delighted.” Both of these quotes, from the man himself, the man who loves Tony Stark with his entire being, do not feel like a Tony death at all. Because if we know Tony, we know what a payoff for him is. It’s getting the life, the family he’s been fighting for since the beginning. And as for the second one, logically, eight minutes does not feel like enough time to send Tony off in an out-of-left-field death. And I think our final battle will be longer than eight minutes. So I personally believe he’s referring to the wedding. He loves Tony/Pepper enough to hold their wedding in extremely high regard. He’s always delighted with Tony’s happiness and Tony advancing in his journey, especially with Pepper by his side.
“Cathartic” - https://www.latimes.com/entertainment/herocomplex/la-et-hc-avengers-endgame-press-conference-20190407-story.html said by the Russos at the press conference
“Satisfying” - https://www.digitalspy.com/movies/a27110673/avengers-endgame-chris-hemsworth-interview/ , https://www.etonline.com/how-the-avengers-endgame-writers-arrived-at-the-most-satisfying-ending-possible-exclusive-123477
“Earned” https://www.etonline.com/how-the-avengers-endgame-writers-arrived-at-the-most-satisfying-ending-possible-exclusive-123477 When you think about Tony, you do not think his death is earned at this stage, because so much is left hanging that his story has been calling for since moment one. What would be “earned” for Tony is him marrying Pepper. He has more than earned that. She has earned this wedding, too.
Misc (POTENTIAL SPOILERS)
Tony has sacrificed over and over and over again, in almost every movie we see him in. Doing it in Endgame would be a rehash of the same storyline, and sacrifice is not something Tony has to learn. He already knows how, he’s already willing. He needs to learn how to live. Bringing him to that realization at the end of it all would be the most appropriate route to take.
Iron Man 1 - he implores Pepper to hit the button, even though she tells him, “but you’ll die.”
Iron Man 2 - while it could be said he would be killed by the presence of the reactor itself, JARVIS explicitly says the use of the suit is accelerating the palladium poisoning that is killing him. Tony doesn’t stop. Part of this could be attributed to his reckless end-of-life attitude, but it’s clear from the Senate hearing—he wouldn’t have stopped
The new element is obviously something in itself. While the IM2 novel called it vibranium, this was retconned in CA, and then set up for more in Captain Marvel when it was revealed the project involving the Tesseract was called Project Pegasus, first called that when Fury dropped off Howard’s things at Tony’s mansion. Tony withstood the power of the Mind stone in A1 with the arc reactor, and then again in IW when Thanos unleashed the power of the Power stone on him and the suit merely blocked it. The suit is literally powered by the Space stone, much like Carol is, and for IM2-IM3, the Space stone literally powers Tony, which is more than you can say for a Mad Titan. Even Hulk doesn’t have the power of the Space stone behind him. You don’t hang a gun on the wall unless you plan on firing it later.
Also tied into IM2 - “if you could make a god bleed” … Tony is the only one to actually injure Thanos.  
Avengers - Tony lays down on the wire. The arc set up by Steve’s comment is fulfilled when he flies the nuke through the wormhole. He knew it would probably kill him, which is why he tried to call Pepper.
Iron Man 3 - he sends his suit to Pepper first, when the “Mandarin” comes for him. Then in a deleted scene, he removes his arc reactor to save Harley’s bully, and nearly dies before Harley puts it back
Age of Ultron - Tony, despite wishing to go home and buy Pepper her farm, is willing to stay with Thor on the flying rock, even though he knows he could die, it’s his responsibility to fix this.
Civil War - this is a bit of subversion, as Tony is in a dark place and never needs to sacrifice his life. But as we saw in IM3, Tony IS Iron Man. And he’s willing to turn over power of Iron Man, which he wasn’t in IM2, to a higher power. He’s willing to give up his autonomy to keep the rest of the team out of jail and assuage his guilt (he’s starting to see the repercussions of bearing it all on his own). We can have discussions about who was right about which part, but Tony was willing to sacrifice a big part of himself.
Infinity War - duh. He got on that spaceship. He was planning on it being a one way trip (which incidentally, is why Pepper wasn’t keen on a kid). And then he took Thanos on one-on-one. And then, the look of despair when Strange gave up the stone to save him? He was more than willing to die.
Endgame - eventually, he will be willing to try, even if it means his death, because he’s always been willing to sacrifice himself. Remove that burden from his shoulders.
(It is interesting to note that the one time Tony is not in the position to sacrifice his life is in Spider-Man: Homecoming. When he is in the overseeing/mentor position, which could be his role in the MCU after Endgame, and when he’s starting to take up the role of “father figure”, which he should also be after Endgame, but to his own biological children as well.  He is however, appalled and terrified at the thought of someone else, this crazy Spider-child who’s just a bit too much like him, being reckless and willing to sacrifice himself.  Maybe Tony needs to take a bit of his own advice.)
The endings of the Iron Man movies are all tonally upbeat and to end Tony’s story for good on a “downer” note does not go along with his storyline --from starkravinghazelnuts http://starkravinghazelnuts.tumblr.com/post/181110494893/avengers-endgame-is-said-to-be-the-end-of-many-of
The Infinity Saga is Tony Stark’s arc. Every other character, including Cap, is ancillary. Every character is where they are because of a Stark. What happens to him will be the defining characteristic of the Saga, and it isn’t set up to be a Tragedy.  
RDJ says the last eight minutes of Endgame has “everybody” involved, which would obviously include Natasha, who is extremely important. Which contradicts the reddit “leaks.”
https://twitter.com/stevcrogvrs/status/1118853707280601088?s=21 Chris Evans says if Steve had a choice, he would go back in time to be with Peggy. Since he was able to say this, there’s no doubt that it doesn’t happen, as the Marvel spoiler snipers would have switched from Mark to Chris and put five holes in his head before he hit the ground. This contradicts the reddit “leaks.”
https://comicbook.com/marvel/2019/04/19/avengers-endgame-hawkeye-black-widow-relationship-jeremy-renner/ Jeremy Renner also says Clint and Natasha’s relationship will last “forever”, which seems to underline their closeness and how much they mean to each other. All of this contradicts the reddit “leaks”, which describe a horrible thing happening to the two of them that wouldn’t ever actually happen if they were to stay in character. Plus, Chris Evans apparently called these dudebros out and straight up denied their “leaks”, so these “leaks” have no veracity either way.
When asked to draw their favorite characters, Anthony Russo drew Iron Man and Joe drew Spider-Man. The Iron Dad relationship is obviously going to be important in the movie, and it would bode well for these characters to get a good ending in the movie if they’re the very favorites of both directors.
RDJ is screening Endgame at his house for family and friends on Easter Sunday. Would he really ruin a holiday with a movie in which his character dies an unwarranted death?
There has not been a wedding in the MCU yet. What would be a better way to end the MCU’s first romance than with the MCU’s first wedding? We’ve had a funeral already, for a side character, and that was bad enough. Imagine how horrible it would be to witness Tony Stark’s funeral as the ending for Endgame. That does not seem like the kind of feeling the Russos want to leave us with. The wedding seems far more appropriate for a movie of this scale and importance.
The chess theory (courtesy of starkravinghazelnuts) — “The last piece to discuss on the chess board is the King piece. This piece is the game winner. Once your king is check-mated, the game is over, and your opponent wins, regardless of the score. The king chess piece is the piece you must protect the most and the one you cannot live without. Many experienced players may find themselves utilizing the king in an attempt to gain an advantage over an opponent, something weaker chess players are leery of doing. No matter how you choose to use your king piece, he must stay alive at all costs.” Tony and Thanos are the Kings on opposing sides. The king must be kept alive in order to win, which is why Tony should make it to the end of the film intact. Thor also literally mentions someone “playing an intricate game” and says that person “has made pawns of us” at the end of Ultron when discussing the Infinity Stones. http://starkravinghazelnuts.tumblr.com/post/181491397743/starkravinghazelnuts-quite-frankly-this-is-the
Two very important meta pieces by starkravinghazelnuts, who has essentially been funding my positive attitude for a while now http://starkravinghazelnuts.tumblr.com/post/182086909963/looking-back-over-everything-i-still-feel-really http://starkravinghazelnuts.tumblr.com/post/182017989478/i-agree-with-you-the-rhodey-show-sounds-good-but-i
https://fanfest.com/2018/08/16/the-russos-reflect-on-iron-man-being-the-heart-and-soul-of-the-mcu/ “I think, in a lot of ways, he is the heart and soul of the Marvel universe,” Infinity War co-director Joe Russo said during a video interview with Wired. “He’s a fascinating character, a character that we love because he is imminently flawed and we like characters that are challenging and express their humanity and I think Tony Stark does that as well as any of the characters. He started off as a narcissistic alcoholic and grew into a hero which, I think, makes him imminently relatable and signifies what the Marvel universe stands for, which is character first and the heroes are defined through the choices that they make.” The Russos love Tony. And you cannot live without your soul, you cannot live without your heart. No matter what you say about Tony, losing him to death would leave a massive, gaping hole in the MCU. Keeping him available to return is the safer bet in almost every regard.
https://youtu.be/f0Ai05cUQoM “If there were no RDJ, there would be no MCU.” - Kevin Feige. RDJ started it all, and Tony shouldn’t die, his presence should remain. He should be able to pop in and out as he sees fit. They know his star power and how important Tony is to the MCU.
https://www.newsarama.com/39526-rdj-as-iron-man-irreplacable-but-will-eventually-leave-says-avengers-infinity-war-directors.html “One closeup from RDJ is worth another actor’s entire performance, he’s incredibly gifted and insanely talented” - Joe Russo. May be a weak reason, but would they really...make him permanently lost to them? They’ve expressed interest in coming back. Would they really banish their most talented and lucrative actor to the darkness of a character death for a cheap shock?
https://youtu.be/5ljluGA4dQU (around ten minutes in) In the Jimmy Kimmel interview, they show the clip they’ve been showing everywhere of Carol’s meeting with some of the Avengers. Jimmy points out that RDJ isn’t in the clip, and he asks if that means something bad for Tony. RDJ says “No, no, no. Not in the slightest.” He could and probably is referring to the fact that Tony is definitely alive at this point, sure, but his attitude and the way he says it points to an overall confidence about Tony that bleeds over to the viewer. In fact, Robert’s whole demeanor during this press tour has been one of pure joy. He is having the time of his life, dancing and laughing, moreso than we have seen before. It could be a man enjoying his last tour with a very special group, but, somehow, I don’t believe someone who loves Tony as much as RDJ does would be this happy if Tony died. Especially if Tony’s death was unwarranted and out-of-left-field, which it absolutely would be if it happened. And this is in contrast to Chris, who has been, while not sad, far more reserved.
Some on-point thoughts from some of the few sane people on reddit:
“After Infinity War went out of its way to establish Thanos as a physical embodiment of Tony’s PTSD (“he’s been in my head for 6 years,” “My only curse is you”, *author’s note:  see also above with coming to face an unknown fear like in IM3*), the idea of him ultimately defeating Thanos by killing himself is like... morally reprehensible as a message. I’d like to think Markus and McFeely would know better than that, but honestly, I’ve felt since Civil War that they don’t have the best grasp on his character. Edit: someone asked me in a PM to elaborate on this, so I’m just gonna go ahead and post what I wrote just in case anyone’s interested. Ok, this is gonna be kinda long, but I’ve been sitting on this for a while. so Iron Man 3 was the beginning of Tony’s new character arc that’s gone from phase 2 up till now. In phase 1, his whole journey was learning not to be selfish, and to be willing to put himself on the line to protect others. Avengers 1 completes that arc, and Iron Man 3 sets up a new conflict, where he’s driven entirely by his trauma from the events of The Avengers. He’s obsessed with protecting the world from threats beyond his control- we see it in Iron Man 3 with the house party suits being products of his anxiety, and in Age of Ultron with the Ultron program. He feels like it’s his responsibility to be everyone’s protector, and he’s desperately clinging to any sense of control he can still have in a world that he now realizes is much bigger than him. In Infinity War, he finds out that the event that left him traumatized was orchestrated by Thanos, and for the rest of the movie is driven by a single-minded need to confront Thanos directly and put an end to him, in order to finally be free of the PTSD that’s dominated his life for 6 years. By taking on that responsibility and ambushing him on Titan instead of reaching out to his support system (Steve + the other Avengers), Tony inadvertently puts everything he cares about at risk. In the context of Tony’s story, Thanos is his trauma- and Tony’s defeat on Titan is a direct result of his compulsive need to carry the burden of that trauma alone. So to then have him sacrifice himself to defeat Thanos in Endgame essentially sends the message that “yes, it is a good thing to bear that trauma on your own, and in fact, if you can’t see any other option, killing yourself is an acceptable solution.” It sends a horrible message in the context of the ongoing story, and it doesn’t tell us anything new about Tony as a character- we already know he’s self-sacrificing, it’s been his defining character flaw for four movies already. It’s just a really poor way to end his story.” — msg53
“This. Tony’s arc has been about letting go of his ego while learning to rely on others. His first step was handing Stark Ind. over to Pepper. He tried letting go with Ultron, but it failed cuz Ultron was just an extension of himself. Then he started seeing how being a mentor/father figure could help a kid in need of both (Peter) and the eventual next step should be family and real retirement while others defend/avenge Earth, once he’s done with his Thanos curse. Aside from Thor, His death would feel the most gratuitously out of sync with his journey of all the OG Avengers.” —VictorVonDoomBots
(special shoutout to cuddlebirb over there, consistently fighting for Tony rights)
The absolute nastiness to take out their main character, their cash cow, the one that started it all, when he’s got so much still hanging simply makes no sense. They would leave people with a sick feeling in their stomachs over this movie. People would not be happy with the turn of events, they would feel cheated out of a proper ending for the main character of the whole franchise. It would not be an event movie, it would be the movie that Killed Tony Stark. It would be tainted, and I don’t think the Russos want that. I know they say they think about their own reactions when writing these films, but they’ve gotta be smart enough to realize what a mistake this would be for the die-hard, longtime fans.
Plus, this is an ending to one generation and a lead-in to another. They don’t have Stan anymore to do their cameos, and some people will be on edge about whether to continue. Having RDJ hang around to do cameos and show up here and there to help the new heroes will put people in those seats for the upcoming films. His fifteen minute presence in Homecoming made many people go see the film that wouldn’t have otherwise. They need a hero that people know and love to remain a constant, even if he’s not in a starring role, and Tony Stark is the perfect person to do this. He always helped the younger heroes in the comics, and he’s already taken the mentor mantle with Peter. It’s a natural progression.
The amount of suffering that Tony has been through in the entirety of the MCU and in Endgame in particular, should lead to him finally getting something good in the end, a retirement where he gets to relax and let someone else carry the weight of the world instead of him, for once. Endgame will begin with Tony in extreme anguish, sick, hurt, sad and alone (save for Nebula). In the end, he should be healthy and happy, surrounded by the people who love him, with his future bright, full of possibility, and free of threats because Thanos is gone. That is simply good writing and good bookending. The writers shouldn’t be in the business of torturing Tony for torture’s sake. If he begins in such a dark place, he should end somewhere promising.
Happy’s behavior in FFH trailer. Tony is Happy’s best friend. Would the man be acting so chill, flirting with May, if his BFF just died? It is confirmed that FFH takes place minutes after Endgame. Plus, in a deleted Infinity War scene that featured Happy, Tony says that he and Pepper should set him up with someone. Would that someone be May?
Pepper is literally Tony’s endgame—he says it himself, “in the end, it’s always you.”
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pangtasias-atelier · 5 years
Text
Best Birthday Bash
I had an idea and it became this compromise since I didn't have the mental focus/span to flesh it out. So have this 2.5k story instead that I may or may not expand upon with each individual.
This was also inspired by tumbyrumblings writing since I love their style and wanted to try and emulate it.
_______
Fanning himself, Corrin leans his head back, resting against the counter. Chugging a bottle of water, he sighs. Picking at his shirt, the collar clinging to his neck, be pats himself with a paper towel. Checking his phone for the time, the day still has much to go with it only being 1pm. Several messages wishing him a happy birthday, Corrin smiles. Throwing a dinner, he forbade any gifts to him during this party. Why need a gift when they'll all definitely pale in comparison to the gift he has planned for himself. The oven beeping, he focuses back on his war plan of a feast, everything going perfectly so far.
At the same time, Kaden and Keaton are getting ready for Corrin's dinner party, both of them currently dressing. Both nearly immobile, getting ready without Corrin's help was proving to be a huge ordeal. Kaden is currently in just boxers, his ass straining against the fabric. Keaton has pants on, the clothes much larger than he thought.
Kaden has a large ass, his but losing any definition and resembling more like lardy squares. His thighs following suit, the press up against each other, walking an ordeal. His stomach is no slouch either, the container for his feasts dropping down to his mid thighs. 
Keaton has a larger stomach, his nearly reaching down to his knees. His breasts bigger than most womens', he still forgoes a bra, both of them sagging to the side. His body has an apple shape to Kaden's pear shape. Both of them are in the 600s, immobility getting closer.
"Hey, those are my pants!" Kaden yells, a flabby hand on his wide love handle. 
Keaton looks down, ears drooping. "It took me forever to put these on….," Reaching below his stomach, he struggles to reach his belt, gigantic gut in the way. 
"I'll do it," Reaching down, Kaden unclasps the belt. 
Unbuttoning the pants, Keaton shimmies out of them. Huffing, he steps out, leaving them on the floor and sitting down on the bed. 
"You can at least hand them to me!" Kaden shouts, hands crossed over his chest. 
"Too tired," Keaton whines, face flushed from taking off the pants. Grumbling, Kaden picks up the pair. Leaning down, his hand wobbles as he uses it to support himself. Stomach grazing the floor, he picks them up, now as tired as Keaton. Sitting on the bed, both of their bodies pressing up against each other, they sigh. 
"We really gotta get ready," Keaton comments, tongue sticking out. 
"Yeahhhhhhhhh. It starts soon and we still gotta drive," Kaden complains. "Help me get ready,"
"Fine. But you gotta help me," 
"Sure," Hands on his knees, Kaden huffs as he stands up, tired. Handing his pants to Keaton he places them on the floor for Kaden to step into. Kaden in place, he shimmies them up. Keaton struggles to shove Kaden's ass inside them. 
"You're ass is too huge,"
"Careful back there. Corrin is always delicate with me,"
"Well I'm not Corrin and we have to hurry," Kaden's ass contained, the pants outlining them perfectly, Keaton button them. "Now where are my pants?"
Kaden rolls his eyes. Opening Keaton's drawers, he finds them right away. "Get ready," Doing the same for Keaton ends up much easier. 
"Here's my shirt," Keaton hands Kaden a wrinkled shirt that he chooses not to comment on. The design is a simple black and red plaid print. Keaton lifts his hands up, the fatty arms dangling. "Hurry up, this is exhausting," Kaden slaps his gut in response. 
"It's not my fault you're too fat," The button up on, Kaden begins buttoning it. The process a bunch of fat squishing into fat, he takes breaks to rest his tired arms. All of it buttoned, Keaton's gut still shows, the shirt not quite fitting. 
"This is perfect. Corrin loves it when my gut shows," 
"Whatever. Now do mine," Kaden grumbles. His plain white button up proves easier with his smaller gut. 
"We're done!" Keaton shouts, proud of himself. 
"No we're not," Kaden shoves Keaton onto the bed, the mattress shaking along with his fat. A brand new pair of socks in hands, Kaden not trusting Keaton's slobbish ways, he gets on his knees. Getting then on along with a pair of black sneakers, the task nearly impossible for Keaton to do by himself, he pants. "Now help me up," Keaton grabs Kaden's hand, the two grunting. Kaden now up, Keaton does the same thing. 
"Now we're done!" Keaton shouts, tail wagging. 
"Yeah," Kaden groans, putting on clothes an ordeal for the two of them. "You're driving first,"
"My gut touches the wheel. You should drive first,"
"My ass hits the divider. And I already have the directions and nearby food, so you drive first,"
Keaton complaining, the empty kitchen seals the deal. "Where's the nearest place?" He asks as he grabs the keys.
Meanwhile, Yarne is at his small apartment, holding back tears. Close to Kaden and Keaton's size, Yarne is also nearing immobility, his cravings for Corrin's baked goods as wanton as the others.
"Nononononono," he repeats, the pants he planned to wear torn. All his searching only reveals no other pants to wear, the only other fitting size his sweatpants. Searching again, he ends up finding slacks. These ones far too big for him he scours for a belt. The pants a gift from Corrin, he wonders why they were so big. He blushes when it hits him. While Yarne's weight went a bit more to his stomach, his ass was no quitter, the meaty buttocks gaining weight alongside the rest of his body. 
Pairing it with a navy blue shirt, he slowly buttons it up, his wide gut in the way. The shirt buttoned, he unbuttons his pants and tucks his shirt. Buttoning up his pants again, he finds it all so constricting. He feels how his stomach pushes into his shirt, each outline and roll visible for all. Sighing, he heads to the train, hoping a seat will be available and also hoping that people won't stare like the other times.
Unlike Yarne's concerned state, Ranulf sits pretty in his house, fully dressed and eating. Embracing the lazy lifestyle, he lies down on his couch, eating a slice of pizza from yesterday. Wearing some jeans and a green shirt, Ranulf sighs as he finishes the slice. Patting his stomach, patting his stomach, he shifts to sit up. 
His ass straining against his pants, it's proportionally his biggest asset. His stomach rests on his thighs. Not Yarne's size, Ranulf still has a good grasp on mobility, a grasp he wants to keep for the near future. Though he does enjoy all the stuffing sessions he has with Corrin. Ranulf turns off the TV when he sees that his Uber is here. He smiles when their eyes widen, unused to seeing a literal fat cat.
Rushing, Skrimir complains and mutter to himself the entire car ride. Having to get a last minute resizing for his suit left him in a grumpy mood. Despite previously teetering on the edge of obesity, Skrimir was now in said territory. Despite that, his suit fits him immaculately, his expanse completely covered. Everything went equally on Skrimir, his entire body bulky.
Checking his phone once again, Corrin smiles at the time. "Soon," he thinks, greedily rubbing his hands from seeing the food on the table. Taking a quick shower to clean off the day's grime and sweat from cooking all day he sighs from relief. 
Buying a large secluded house and inviting all of his boyfriends over, initial awkwardness be damned, soon he'd have it all. 
Finishing and changing, he wears light layers, Corrin always preferring less clothing. A simple t-shirt and jeans with sneakers, he grins as the first person arrives, the doorbell buzzing. 
Calming himself before he opens it, he smiles as Skrimir rushes inside. Embracing Corrin in a bear hug, he lifts him off the ground, Corrin pressed up against his fat. 
Sniffing the air, Skrimir visibly perks up from the smell of Corrin's food. 
"We still have to wait for everyone else," Corrin says, breaking Skrimir out of his trance. 
"Of course," 
Thankfully the wait shortens as someone else rings the doorbell. Opening it, Corrin finds Ranulf. "Guess I'm not the first one," Ranulf smiles as Corrin hugs him. "Whatever you cooked smells damn delicious," He laughs when he sees Skrimir. "A bit overdressed, no?" 
Another doorbell quiets their little quarrel. Corrin smiles at Yarne, a face red. "Sorry I'm a bit late, had to walk from the train station," 
Corrin laughs, giving Yarne a kiss. "You should've told me so I could've picked you up," Ushering him inside, Corrin scours for Kaden or Keaton. Closing the door, he doesn't miss the way Skrimir's eyes nearly bulge out from seeing the wide Taguel. 
Having them sit in the living room for the while, Corrin doesn't catch the slightly dead small talk, his brain overstimulated from being so close.
"I'll get it!" He shouts before apologizing, realizing his volume. Opening the door, Corrin beams at his last two guests having arrived. The two fighting to see who gets in first, they only stop when Corrin scowls at them. Kissing Keaton first, he gives Kaden a kiss second. 
Letting them inside, he smiles as Skrimir keeps glancing at the other four, clearly the skinniest of the bunch. 
"Dinner is ready and still warm," Corrin announces, everyone's attention transfixed on his message of food. 
Using his secret ingredient in his pastries for all of today's feast, Corrin also exponentially increased the quantities. The addictive spice already taking hold of them long ago when they first met Corrin, the heavy scent of it catches all of their stomachs' attention. Everyone seated, Corrin brings out the food, joy visible with every step. A loud happy birthday thrown his way, Corrin doesn't care, the best part of his birthday about to begin.
His own food not laced with the stuff, he doesn't even look at it, only hungry to see everyone else stuff themselves. He hungrily stares at everyone else, waiting for that first bite to secure their fate.
And then it happens.
Mouth parched, Corrin's focus constantly shift, unsure of who to stare at. Unable to get a perfect picture, he does get too see them all struggle, the small rational part of their brain attempting to resist. 
Watching Keaton, Corrin marvels at the way his hands make quick work of the food. Hands working faster than he thought possible, Keaton shoves the food into his mouth. Several specks of food ending up on his face instead of his mouth, Corrin's focus shifts to Keaton's plaid shirt. His body bulging, the button strains against it. The popping buttons disturbs no one, Corrin the only one to really notice. Hairy chest shown off, Corrin stands up, unable to restrain himself. Standing behind Keaton, he reaches around, grabbing his hefty chest. Fondling them in his hands, he lifts them, feeling their heft. Keaton ignores him, food more important. Placing his hands on Keaton's stomach, he presses down. His hands sink in the yoga ball of fat. 
"So good," He whispers in Keaton's ears. "There's more food," Keaton's eagerness kicks in despite his largening hands. Another plate consumed, the deftness of his hands lessen, his body gaining more weight.
A loud tear catches Corrin's attention. Turning around, he catches sight of Kaden's pale rear. Feet leading him behind Kaden, he rakes his hand through Kaden's hair, ruffling the soft plush hair. A hand digging its way past Kaden's torn boxers, another on his thigh, he squeezes them. Kaden squirms, unused to such forcefulness from Corrin.
"So obedient," He wheezes, hot breath on Kaden's neck. "Let's get you nice and immobile," Hands exploring Kaden's body as he sits on his knees, Corrin pants. His breathing quickens as Kaden only eats more, the already large chair struggling to contain his ass. 
A whine steals his attention next. Yarne the culprit, Corrin laughs at his predicament. The food too enticing, he continues to shovel it in with one hand. His other hand tries to unbuckle his belt, the loose pants no longer loose. Corrin helping, he unbuckles the belt himself. Yarne's guy surging forward, he rubs the round surface. Yarne's embarrassment still slightly there, he slows down his eating. 
Corrin tugs Yarne's ear, supplying more food as he opens his mouth. "Who said you could stop?" An eye closed as he chews, Yarne complies, the delicious taste reeling him back in. "That's a good big bunny,"
"What about me?" Corrin turns around from Ranulf's voice. T-shirt straining, he leans back against his chair, hands resting on his belly. Corrin by his side in an instant, he sits on Ranulf's lap, a whine leaving his mouth. Corrin grabs plates, hand feeding them to him. A couple of huffs leaving his mouth, Corrin silences them all with more food. 
"You wanted my attention," Ranulf nods his head, heterochromatic eyes transfixed on each new forkful Corrin brings him. Pressed up against Ranulf, Corrin shuffles, rubbing against him. When he stands back up, the laced food does its job, Ranulf caring more about it than Corrin.
A chair falling, Corrin smiles, wondering who broke their first. His smile turns upside down, a frown marring his face when he sees Skrimir standing. Skrimir facing him, his eyes widen. Suit absolutely stuffed with his weight, Skrimir's getaway ends up finished with a tackle from Corrin.
"If you didn't like the food, let me give you some more," Forcing bread down Skrimir's mouth, Corrin leans on him. "I made a lot of food. I'm sure you'll find something you like," Straddling Skrimir, he continues his torrent of food. Skrimir the skinniest by far, he intends to help fix that. 
The mini stuffing session with Skrimir reaching an end, Corrin gets off. The desired results reached, he smiles as Skrimir rubs his stuffed stomach, his suit torn. Skrimir nods his head when Corrin asks him about seconds, Corrin helping him sit back down. 
Standing up, Corrin marvels at the sight. Five fattening men desperate to stuff themselves with more food. The table near empty, it becomes a fight to see who can grab it first. Unfortunately for all of them, their weight pins them to their chair, unable to reach the centerpiece, a 3 tier chocolate cake. 
Reaching it himself, he smiles at their faces, a mixture of panic and fear, unsure of what Corrin will do with the cake. 
"Who wants it the most?" The innocuous question poses, Corrin inhales, lungs at near full capacity from his cheer at the cacophony of voices. He grins, all five rendered needy under his special ingredient.
"Best birthday ever," He moans, five happy to be fattened men under his care now.
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Just A Small Town Boy
Clark grew up with his parents telling him how he fell from the sky. He wouldn’t believe them if it hadn’t been for the other things: that he’s strong enough to lift a tractor, that he can start a fire a hundred metres away with just his eyes, that he can fly. They tell him that he’s a miracle child: a gift. And that everything he can do just makes him more perfect, even if they have to hide them away for now. 
Not yet, they insist, they’re not ready for you yet. 
He accepts it, practicing to control his powers at night in the field next to their house. He wades through the wheat stalks that rise to his shoulders and is careful not to face anything important (he’d accidentally demolished far too many walls growing up, and even though his parents were more than happy to keep up with the continuous renovations, he still tries his best to keep everything in one piece). He learns to avoid certain bright lights that bring about a burning in the back of his eyes, to keep headphones with him for when his hearing runs rampant picking up anything said for miles and to always have an elastic around his wrist to keep him present and remind him to use human strength rather than super strength. (The Kents have an entire draw devoted to the elastics and other such trinkets ready for them to give way).
Clark’s gotten better at controlling his powers over the years, with the reports of alien sightings around Smallville dropping as he gets older. But he can’t stay forever.
He loves his parents dearly - loves the farm too, it’s the only home he’s ever known. And as much as he’d love to stay here, he can’t. He can do things no one else can, he can help people no one else can. But there’s not that many people in Smallville, and not much to save them from.
So he leaves, heads to the big city to pursue a career in journalism (because how else is he going to know who’s in trouble). Clark considers working with the police, but a quick read of the papers tells him of the high levels of corruption - all of them probably aren’t bad, but Clark has never been good at reading people and thinks he’s better safe than sorry.
His spotless record, good grades and glowing letters from his high school teachers is enough to land him an internship at one of the bigger newspapers in the city. The Daily Planet.
Clark turns up for his first day bright eyed, watching the chattering reporters move around the cubicles on the office floor - some darting forward with bundles of papers in their arms as they reach a breakthrough while others meander slowly and chatter greetings to their coworkers.
He doesn’t know what he expected - certainly not his own office and free reign, but maybe something more than cramped square metre cubicle with a desk crammed in (the walls of the cubicle barely reach his ears so the full-time, seasoned journalists can see if there’s someone to make coffee for them). 
Occasionally, someone drops off a list of some kind for him to grab files on:
“I need the profit margins of these companies on my desk by six”
“Can you get the M.P.D crime stats to me by this afternoon?”
“I want you to pull up all our previous stories on the mayor and check what our bias is.”
It’s not exactly saving anyone, but it’s a foothold as a journalist. He’ll get there. 
And he does - after a few months or so of perfecting his coffee-making skills and navigating the achingly slow computer he’s been given, a file is dropped unceremoniously into his cubicle. Clark pulls the headphones from his ears, letting the office chatter settle around him and turns to see one of the reporters looking down at him. The dark-skinned man would be shorter than him if he was standing, bulky and dressed in a neat, navy suit - Clark recognises him instantly as one of the more senior reporters.
“What do you need Mr. White?” Clark asks, one hand moving to fiddle nervously at the hair at the nape of his neck. It’s the latest manifestation of his fiddling - he doesn’t have his parents stockpile of rubber bands and always seems to lose them in the mess of his tiny desk. 
Mr. White, Perry as Clark recalls, “I want you to write this report. Twelve lines. Puff piece: local orphanage.” 
“Write a- write a report?” Clark stutters, surprised it’s not just another files request.
“Yes, Kent,” Perry White says slowly and Clark jumps at his own name, “You do want to be a reporter, don’t you?”
“Y-yes, of course,” Clark stammers, pulling the paper-thin file closer, “I’ll get on this right away, sir.”
“I’m not ‘sir’, Kent. Not yet anyway,” Perry says turning away. He calls back, “On my desk, tomorrow at five.” Clark’s too nervous to remember he doesn’t know which desk is Perry’s. He supposes he’ll just have to work it out when he comes to it.
As he goes to open the file, he notices a face watching him over the cubicle divider. A fellow intern, with long black hair and pale blue eyes that make her features seem sharper. Colder. Like she could open her mouth and freeze him to the core.
“Um, hi?” he starts, “We haven’t met, I’m Clark-”
She cuts him off. “A newbie.”
He doesn’t know what to say to that. She’s not wrong or particularly rude. Just matter-of-fact in a way his southern hospitality hadn’t prepared him for. 
“Yes, a newbie-” He replies with a grin. She cuts him off again by picking up the file from Perry and flipping it open. 
“What are you doing?” Clark questions, hoping he’s not going to end up in a fist fight with a fellow intern for this story. 
“Just checking this out, don’t worry,” she mumbles preoccupied scanning through the loose sheets, “I’m making sure the big dogs aren’t screwing me over.”
She looks up at him and her face briefly contorts into a smile - not a warm one, a happy one. A cold, practiced greeting to show no harm done, a I don’t mean to be a weirdo going through your files I’m actually a rational and normal person kind of smile. “But Perry’s right, this is a bludge.”
“Okay?” Clark replies, honestly confused by the whole interaction more than anything, “Well, it was nice meeting you Ms…”
“Lane,” she answers him, “Lois Lane, the top intern. That’s not an official term, but it’s the truth.”
He offers her a smile and a nod before turning his attention back to the file that has once again been dropped on his desk. It’s only two loose sheets, almost no info and a basic piece. But at least it’s him who’ll be writing it. One step at a time.
(When it’s printed in the lower corner of page twelve two days later, he cuts it out and sends it back home to Kansas. Ma and Pa are deliriously proud and request copies of all future articles. He doesn’t find out until Christmas that they’ve turned one of their walls into a display for his published pieces.)
Three weeks after his first article, a new intern moves into the cubicle next to him. (Ms Lane’s now one of the people bringing bludge stories and requests to his desk. She must have been right about being top intern). The new intern, Ms Lang, is a city girl. Born and raised in Metropolis. But she has a warmth that reminds him of home. Warm brown skin and wavy brown hair and warm brown eyes that seem to shine when she smiles.
He’s more than a bit enraptured. 
She leans over half way through her first day to talk to him. “So, how long have you been an intern here?”
He grins back and the office fluorescents suddenly shift to the warm summer sun reflected off the wheat fields. “Almost five months now.” 
“Huh, good to know,” she replies and he notices her nails are painted the same shade of pink as her dress. 
“Why’s that?” he asks before she can disappear back into her cubicle.
“Because on my tour round here I heard you were the new top intern. And I want to get there faster than you.” Then she’s gone, back to becoming the hardest working journalist of Metropolis.
It took Clark a moment to let her words sink in. He knew the Daily Planet requires journalists to show their replacements around. He cranes his head over the wall of his cubicle and catches sight of Ms Lane on the other side of the floor. She’s arguing with a colleague over something or other and doesn’t so much as glance at him. It’s kind of surprising that she thinks so highly of him. It’s also kind of the best.
It’s around this time he makes his first appearance as superman. He puts on the suit his father left him (the one Pa and Ma kept for him until he turned sixteen) and sets out to help people. It’s strange, giving in to the sounds and sights and smells he’s been blocking out all his life. He can hear the whole city buzzing beneath him as he floats above it, tuning in and out of conversations like a radio.
He decides to start small - he picks cats out of trees, clears trees off of roads and flies the dying to the hospital at super speed. An alien in primary colours zipping around the city catches the attention of the Daily Planet pretty quickly. He reads the article one of the reporters, Mr John Corben, writes on him and is happy to see it’s mostly good (wary, but still praising his actions).
Clark steps up his attempts at heroism - he now shows up to confront active shooters and floats above witnesses for particularly nasty cases. Praise starts getting thrown his way, with t-shirts and fan-blogs. They treat him like a celebrity.
Then his first supervillain arrives. He calls himself the Ultra-humanite and the papers obligingly print it in their headlands ‘Superman vs Ultra-humanite: Shocking Defeat for the Man of Steel’. The Ultra-humanite - Clark doesn’t even know his real name - isn’t like the regular street thugs and gun-wielding cowards. He can’t match Clark physically, so he does it mentally. He outsmarts Clark at every turn with automations and traps and a thousand other misdirections. 
The Ultra-humanite also introduces Clark to a new weakness: a small, almost fluorescent green rock he calls Kryptonite. It leaves him weak and dizzy. All the hyperawareness sinking away as the world dulls and blurs. He can safely say he doesn’t like it.
It dawns on him that he’ll need help. So he turns to the person he thinks he can trust. 
“Right,” Lana says slowly as he hovers in front of her, work shirt unbuttoned to show his famous emblem, “So you’re the superman with the superpowers who wants help taking down a supervillain. Super.” 
“You don’t have to be apart of the fighting or anything,” he assures her, “I just need a plan or something to get the upper hand on him.”
They’re on the roof of the Daily Planet. It’s the only place he could think of that wouldn’t have security cameras or be too suspicious to visit. Enough people still smoke to make it an acceptable break spot.
“You want me to outsmart a supervillain. Outsmart a supersmart evil genius supervillain.”
“Or help, just offer any insight,” Clark says, bringing himself back to the floor and doing up his shirt. That seems to calm Lana down, and she tilts her head slightly, gazing dazedly out at the horizon
It takes her a minute, but when she looks at him again he knows he made the right decision to come to her. “So he’s found ways to outsmart all your super powers.” Lana starts slowly, “Because he studied Superman.”
“I guess so,” Clark says.
“So,” Lana continues, “Use your abilities as Clark Kent. The ones he doesn’t know about. Track him down in his lair like a reporter - with paper trails and good old investigation.”
He does, tracks down all the stores that sell the fancy equipment the Ultra-humanite - a man, Clark learns through his investigation, who is called by the far-less threatening name of Gerard Shugel - and traces the sales back to accounts and addresses. 
He finds Shugel’s lair, crashing in dressed in full Superman regalia to see that very man tinkering on his next trap. It’s easy for Clark to apprehend him on his own turf. Just carrying him to the police station and leaving his address for them to search through. Clark was raised to believe that everything gets easier with practice, so he knows he’ll be ready for the next supervillain to threaten his city. And he knows he has someone to turn to when he gets out of his depth. 
 After a year of intern work, Clark finally gets a position as a full-blooded journalist. (Investigative, which is the same department as Ms. Lane. There are some whispers going around that two newbies handling a department is risky business, but those are shut down by an icy blue glare.)
They work side by side in matching offices, with Clark dibsing the police corruption case. (Which Ms. Lane thinks is undignified but lets him have it so she can keep working on her inquiring into the company practices of one of Metropolis’ largest businesses. Something called Lexcorp.)
Lana inherits the role of top intern, a placement which Clark confidently informs his replacement of. He knows it’s not long until she’s on the detective side of the office and looks forward to it.
He knows that the people are ready for him now. And more importantly, he’s ready for them.
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honeymoonjin · 5 years
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A/N: chapter two is early too because I’m a real slut for procrastination it seems. Also, just a heads-up, the title chapters are all from actual lyrics of songs, but they aren’t necessarily songs on ZODIAC. I want to keep that stuff separate for the actual chapter content. Just so you know!
Synposis: Your boyfriend, Kim Namjoon, has gone missing. After acting erratic for a few weeks, spending all his time locked away in his studio, he suddenly vanishes into thin air, leaving only an unreleased album behind. Zodiac.
Chapter Two – I often dream of the past and how beautiful it was
“…but we don’t have audio, so if you need us to come in and get you out of there, you need to give us a visual cue, okay?”
You nod distractedly as Detective Park pulls you to a gentle stop outside the door. Jeon, trailing behind the two of you with a dark scowl, huffs in annoyance. “This is highly irregular,” he complains, “if he confesses in there, we’re still stuck with his word against hers.”
“Or he could let a vital clue slip that Y/n can pass onto us as a potential lead,” Park counters, turning to you. “Are you ready to go in? Remember, you just wave at the mirror at any point, and one of us will come in and get you. We’ll be right behind that glass.”
You don’t reply, and simply slip in the moment he scans through and opens the door. It closes reluctantly behind you, and you stare at the man who lazily turns to watch you sit down across from him.
He’s wearing a bulky multi-colored jacket and a cap on backwards, with a shock of bright blue hair poking out from underneath it, at odds with his dark eyebrows. You recognize him; of course you do. Apart from your boyfriend, he’s the biggest name in Korean music right now. Famed rapper Agust D sits across from you in a set of handcuffs chained to the table, taken into custody for…
“Did you kill him?” you ask weakly. “Or is he still shut up in a basement somewhere, wondering if he’ll ever see the sun again?”
The man sighs and reaches a hand up to adjust his cap, sticking his tongue into the side of his cheek when the chain pulls taut inches away from his head. He lowers his hands back onto the table with a metallic clink. “I wouldn’t know.”
You bite your lip and sniff. The room is so quiet with just the two of you. The sharpness of the stark fluorescent lights reflecting off every surface has you feeling a strange mixing of dread in your stomach. “Everyone I’ve talked to seems pretty sure you took him.”
Yoongi lets his head rest on an angle, observing you. “You met the incompetent detectives?”
“Th- What? Incompetent how?”
He scoffs, eyes sliding to the two-way mirror behind you. “RM’s been missing for what, a few hours? And yet they’re already locking me up like I showed up with a bloody knife. You think disappearances are that easily solved?”
You feel impossibly small, caught between the two forces on either side of you. “What do you mean?”
“This is a high-profile case,” he responds with a bored drone, as if it should be obvious to you, “and yet they’ve made no effort to track him down. Haven’t sent out any alerts, haven’t checked for any credit card trails. Nothing. They just busted into my studio and put me in handcuffs. There’s something else at play.”
“What?” Your brain is too addled to discern if he’s making sense or spouting nonsense.
“I don’t quite know yet,” he admits, “but something doesn’t add up. Either they want to get rid of me or they’re convinced they’re never going to find RM again.”
Your hand shoots up to cover your mouth. You muffle a sob and clear your throat. “They’re going to find him,” you say resolutely, although you’re not sure who you’re trying to convince.
He leans forward, dragging his cuffs against the table, causing you to flinch back. “Don’t you get it,” he growls, “they’re not even looking.”
You blink into the bright lights. “Why are you telling me this?”
He sits back, casting a wary gaze at the mirror behind you. Even though it’s just the two of you, he lowers his voice anyway. “If you want your boyfriend back, you’re going to have to find him yourself.”
“I don’t know why you care. Aren’t you two rivals or something?”
Yoongi rolls his eyes. “Grow up, Y/n. All of that, it’s a show. You put a few insults into a verse and suddenly the fans go wild. We haven’t felt threatened by each other in years. It’s just business.”
You avoid his gaze, scratching at your wrist absentmindedly as you think back to what Joon had told you about his competition. Had he ever actually complained about it? You can’t recall.
Yoongi grows impatient with your silence. “He left behind something, didn’t he? He loved you, he wouldn’t just leave you with nothing.”
Your eyes shoot up to lock onto his. You go to lie, but you know he’s seen the truth in your reaction. “…an album,” you reveal reluctantly, “when I got to the studio, he had emptied everything off of his computer except a new album.”
Yoongi darts forward, leaning fully against the table, piercing you with his gaze. “Listen to it,” he hisses, “find someone who knows the industry, who knows about music. Someone you trust. Don’t listen to the detectives but don’t let them get suspicious.”
A noise from the glass behind you cuts off your reply. You hear footsteps in the hallway. Your eyes flicker worryingly towards the door, not yet opened. You swallow hard. “Why are you helping me?”
His face relaxes into something more vulnerable. “Music is my life,” he explains, “and if you don’t find RM and prove my innocence, I’m going to rot in here forever, unable to produce ever again.” The door opens and he slumps back into his chair, fire from his gaze completely extinguished.
“Y/n, are you okay?” Park frantically asks, rushing in to check you over as Jeon grabs the rapper by the shoulders and pushes him down into the chair roughly.
You watch the aggression with wide eyes, missing the way Jimin looks up over your head and glares meaningfully at his partner, who relaxes his grip into a more casual hold.
“Uh, I’m fine,” you say hurriedly, “it’s fine.”
“He didn’t tell you anything…useful?” Jeon asks.
You shake your head, wilting under his heavy gaze. “I- I don’t think it’s him, Detective Jeon. Maybe you should look into where Namjoon could’ve gone if he ran away?”
Jimin leans on the table and fixes you with a sympathetic gaze, rosy hair glowing against the lights. “We just need him to confess, Y/n. Then he can tell us where Namjoon is. Besides, didn’t you say Namjoon wasn’t the type to run away?”
“Come on,” Jeon commands brusquely, picking up Yoongi and marching him towards the open door. You stare after them, but Yoongi doesn’t turn his head again and the two of them disappear around the corner.
Don’t let them get suspicious. You look up and send Park a sheepish smile. “You’re right, I did say that. Sorry, I’m just…It’s a lot to handle.”
His face softens, and his hand comes forward to pat yours as it rests on the table. “I know, I know. It’s been a stressful time for us all. Now, the younger brother called, he stopped by the studio to find we had all left! I told him I’d drop you off at Kim Seokjin’s house, that’s where he is at the moment. I think you should spend the next few days with your loved ones and let us handle the hard stuff. Give yourself time to grieve, you know?” His eye twitches.
“Grieve?” you question in an incredulous tone, “he’s been missing for less than a-”
“I misspoke,” he hastily interjects, “that’s not what I meant at all, I apologize.” He sends you another warm smile, but his eyes don’t crinkle at the edges. “Alright, let’s go.”
You hold your tongue, but you make sure to take a note of the strange gut feeling you receive. “Okay.”
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Taehyung takes you into his arms the moment you step into the foyer of Jin’s massive home. “Y/n,” he gushes, “I was so worried about you!”
You let him squeeze all the air out of you, secretly relishing in the tight embrace yourself. “It’s okay,” you muffle into his shoulder, “I’m here.”
You had spent plenty of time with Taehyung before…all of this happened, and he was almost like a brother to you. A little younger than you, he had quickly latched on when he saw you were getting close with the middle Kim.
“Y/n.” A little less close to you was the eldest Kim. Neither Namjoon nor Taehyung seemed to talk about him that much, although you had gleaned that he was a heavy hitter in the legal sector, a named partner in one of Seoul’s reputable law firms. He was busy, and generally seemed happy to keep his distance. In fact, you hadn’t met him properly, since he didn’t even attend the family Christmas parties Joon had taken you to over the past few years.
“Jin, it’s good to see you. A shame that it’s under such bad circumstances, but…”
“Have a seat,” he says simply, looking simultaneously casual and unbelievably expensive in white shirt and charcoal trousers. “Do you want a drink?”
“Oh, n- no thank you.” The tall man downs the rest of his own glass, a dark amber liquid, then disappears to refill it. You turn to the artificial redhead in front of you. “Taehyung, did you hear about Min Yoongi?”
He nods somberly. “Crazy, huh? And that guy won’t even tell us what he did with hyung.” His face crumples and you wince at your poor choice in conversation.
“I, uh, I don’t think it was him, though, T.”
He looks up at you with miserable eyes. “How come?”
“I’m sure one of the detectives told you I went to talk to him. He didn’t do anything, I’m sure of it. He thinks there’s som-” You cut yourself off, not trusting that Tae wouldn’t immediately pass on anything you tell him to Park and Jeon. “I think maybe Namjoon did run away,” you end lamely.
Taehyung breathes out slowly, rubbing the back of his neck. “I don’t know, Y/n. It just doesn’t seem like him. I think we need to leave this to the experts, you know?”
You shift, feeling the USB stick dig into the flesh of your backside. “Yeah. Okay.”
Taehyung continues on, undeterred by your lack of conviction. “Besides, I gave them a bunch of ideas of people who didn’t like him. Min, obviously, but there are plenty of other artists who he rapped about that maybe did something?”
You bite your lip. “I just hope they explore multiple avenues instead of waiting for Yoongi to confess when he might not even have done it.” You let out an unsteady breath and bury your face in your hands. “Even if we couldn’t have him back, I just wish I knew where Namjoon was. If he’s oka-” Your voice breaks and all the coughing and swallowing in the world won’t remove the lump in your throat. You fall into a melancholic silence until Taehyung sighs and stands up.
“I’m sorry,” he murmurs, bending over to give you an awkwardly angled hug, “I wanted to stick around longer, but I’ve got work this afternoon and it’s too late notice to get cover. Besides,” he adds as an afterthought, “I think I could do with a distraction to get my mind off this. I might go crazy if I think about it any longer.”
You smile sadly and squeeze his hand. “I know what you mean.”
Taehyung leaves quickly, and before you can wonder about what’s taking the eldest so long, he’s returning seconds after the front door closes.
Even though you declined his offer, he’s carrying two glasses, and he places one in front of you. You glance up at him questioningly as he sits directly beside you on the couch.
“I’m not condoning alcoholism, but a drink to take the edge off might do you good,” he explains, “you look like you’re a piece of glass ready to snap.”
“Thanks,” you mutter bitterly.
He shuffles a little closer and gives you a soft smile. You’re startled at the sweetness behind it, and the way his cheeks puff up when he does, making him look less business-savvy and more kind. “I wanted to ask,” he says gently, “if you’d like to stay here for a few days. I know we don’t know each other as well as we perhaps should by now, but I couldn’t forgive myself if I let you sleep alone in that apartment.”
You stare into the cloudy depths of the glass in front of you. “I don’t know. All of my stuff is there. All of his stuff is there.”
“I can send someone over,” he assures, “it’s no trouble at all. I think we all need to stick together in a time like this.”
He wraps an arm around your shoulders. You reach out to take a sip from your glass, wincing as it lights up your throat. “I guess so.”
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