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halcyone-of-the-sea · 5 months

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FROM FAR DISTANT WATERS

PAIRING: Merman!John Price x F!Artist!Reader

SYNOPSIS: There’s something in the water - you're going to figure out what it is, and why it chose to save you.

WORDCOUNT: 16.8k

WARNINGS: Blood, murder, death/near death, assault, injury, gore, mystery, mentions of suicide, angst, protective!John, pining, sickness, etc.

*I do not give others permission to translate and/or re-publish my works on this or any other platform*

The little boat rocks as it slips through the expansive water, a thin hanging of mist in the air. The curtain-like film it leaves makes it nearly impossible to see the dark rocks of the shore a far distance away, and the dip and push of the oars through the chilled waves leaves splashing droplets connecting to your cheeks. You touch the flesh delicately, brushing away the spray as your eyes slide over dark, lapping water—deeper than anything.

In your lap, sitting below the high waist of your skirt, was your sketchbook; the tweed material was all the rage these days, though you never focused much on that. The thick item kept out the chill of the, very, early morning, and that was all you cared about, though, it seemed you lacked the foresight to pack a proper coat. A large woolen shawl sat over your shoulders, hiding the plain white blouse but not its cuffs; not the slight poof of the bottom part of the sleeves.

Your numb fingers fiddle with the pencil in your hands, your open sketchbook filled with page after page of images ranging from the common sea-bird to great ships and shorelines.

“I still have to ask why you feel the need to tag along,” is the voice that breaks the silence, and you blink away from the cloud of condensation from your exhalation. Your ear twitches, but only a small flick of a smile pulls your lips at the older man’s garbled words. “So cold my damn hands are going to fall off. Why am I always the one bloody working the oars?”

Otto Whitworth was a man far into his later years—one who entertained your fascination with the raging waters and the need to immortalize them on paper; that draw to the sights and sounds. Graying, covered now in a large coat and his boots, with the long fishing rod knocking around by your feet, he grumbles more than he speaks sentences, content with only the pipe in his breast pocket and the promise of fresh fish for breakfast.

“Oh, it’s not so bad,” you chuckle, glancing over at his wrinkled face—the glare of dark eyes set into a deep browline that’s more for show of annoyance than genuine emotion. “Gets the blood pumping harder, Mr. Whitworth.” Your vision slides to the shadows of the black rocks, and your pencil finds your palm before the sound of it meeting parchment echoes over the nothingness. “Isn’t it lovely? Listen to the Gannets.”

“Don’t need my blood pumpin’ harder,” the old man grinds out, scoffing. “Gonna make my fuckin’ heart stop, Girl…” Otto sighs, shaking his head as you chuckle. He growls under his breath. “And, no, I’m not listening to the birds—they’ll be trying to steal my fish soon enough. Greedy bastards.”

Your eyes roll in their sockets, pencil shading in the rough shapes of misty rocks, your face cold but still eager for something. There was a type of magic to this place—to Southern England and the small coast town you had settled in nearly a year ago: Redthorpe.

It seemed your talent for the arts was appreciated here, you had a shop to your name and friendly compliments from the locals every time the door was pulled open. People here liked the attention to detail in a place where they had most likely lived for a good ninety percent of their lives.

You tilt your head at the paper as Otto lets the oars drop back into the water, grasping for his fishing rod that you kindly move closer with your foot.

The man takes up the item and sets the line, whipping back the pole and snapping it forward with a wizz and a grunt—a cracking of old bones.

“Now hush,” Otto sighs, settling back.

You send a silent look upward, and at the same time as he does, you say out loud in a soft voice.

“You’ll scare away the fish with all that blabber.”

A heavy glare is leveled at you, but you raise a hand innocently and laugh under your breath.

“I’m as silent as the fish, Mr. Whitworth.”

“Cheeky Bird,” Otto sighs loudly, shifting in his seat until he faces the water, eyes glinting. “You’re too wild for this place, then, eh?”

“For most places,” you breathe, smiling as you study the rocks again before going back to your work. It’s only after there were the wiggling bodies of three fish set into a fisher’s basket that the oars are taken back up and the silent water is again forced back by ripples.

Pencil finding the middle of the spine, you close your sketchbook, the routine is as simple as it always is. Otto will complain about having you at his dock, he’ll begrudgingly invite you in and cook three fish: one for him, the second for his cat, Harriet—older than England itself and missing most teeth; as blind as a bat—and then, finally, you. After that you’re back in your shop finishing up your piece of the misty shoreline, working until the candle burns through both ends and the oil paints are swirling colors as your eyes bug. Bed, and finally, repeat.

A splash of water makes you blink quickly, your head jerking over at the slide of movement from the corner of your vision. Eyes wide, you swear a fin had cut the surface of the water like a knife through butter.

Your body moves closer to the side of the boat immediately, leaning over eagerly.

“Hey!” Otto barks, steadying himself as the vessel shakes back and forth. Your eyes shimmer, a smile overtaking your lips. “Watch yourself—you’ll send me overboard!”

“Did you see that?” Your eyes dart over the water. “I think I saw a fin.”

“You got excited over a fish?” The older man’s voice is unimpressed, hissing in the crackling of age. “Hell, I got three in the basket if you’re that bloody impressed.”

“Shh,” you wave one of your hands, unblinking. “It was bigger than a fish, Otto!”

Your ears twitch to his scoff, his hands grasping the oars harder before he shoves the boat forward. Body looming, the intense pull of adventure dims the longer nothing happens, and after a minute or two of dead mist and water, you hum under your breath like a fool and sit back.

“Lost it,” your numb lips murmur, breath puffing out softly. “Damn.” You shake your head as the wooden dock gets closer, more boats tied and shifting with the waves. “It was strange,” you admit. “Like a deep navy color—with specs of silver along the spine.”

Otto pauses, his hands tight over the oars. He blinks over at you, face for the first time showing an emotion other than annoyance. You barely notice before the sheen of crafted blankness is back.

You smile down the length of the boat, curiosity plain to see. “Do you know of any animal like that around here?”

“No,” Otto grunts out quickly, and your excitement dims sharply, blinking through shock.

Your brows furrow after the silence falls stiffly—the boat had never been uncomfortable to you, the atmosphere quiet, of course, but always easy to charter. Now the air was…muddy. Something had changed as fast as a fish being yanked out of water.

Fingers twitching, you sit back slowly onto the plank, pulling your sketchbook the tiniest bit closer to your abdomen. Face open, Otto continues to row and the entire ride is silent until the boat is docked and tied to the pole by calloused hands. Your digits grasp your shawl and wrap the fabric harder, shifting down to hide your chin into the wool as you shiver.

“...Need help?” You ask, eyes still shifting back to the water like always.

There’s something now that makes your attention drift like the waves themselves—and it wasn’t only the shadows of the rise and fall, it was Otto’s strange behavior. The man wasn’t one to just say one word and nothing more. He could bounce off you like it was a game; you often thought he enjoyed your company just so he could insult someone. Jokingly, of course. It was the companionship he craved, it was why he always let you on his boat in the mornings.

Otto lived alone. You never asked about it.

“Don’t need any help,” he grumbles out, tying off the last knot to the pole and stepping back with a smirk of satisfaction. “M’not in the grave yet, Girl. Been working the boats since I was out my mum’s womb.”

“Feel sorry for her.” Your mutter meets the air as light streaks through the mist. Breathing hot air into your free hand, you rub it over your arm repeatedly and sigh, fingers of the other limb tightening over your book. Absentmindedly, your head turns back to the open water one last time, for one last glimpse of anything you want to commit to memory while you paint—

The fin is back.

“Otto!” Feet swiftly dart to the end of the dock, you stop only an inch away as your skirt whips over. “It’s back! Look!”

A hand grasps your wrist and yanks you away.

Gasping sharply, you stumble until the harsh bark of, “Get back!” echoes across the dock just as it does through your ears.

“Whoa!” You’re quickly let go of, a shadow shielding you from the view of the water as you scramble to make sure your sketchbook won’t slip from your hold. Head jerking to stare in shock at the middle of Otto’s curved spine, your heart stutters in confusion and a bit of hesitation befitting one who was just manhandled. Standing up straight again, your tight face pulls in, the pound of your heart telling you something is wrong.

Glancing past a still frozen Otto, the water is utterly devoid of life again—only ripples to show there had ever really been something there at all.

“You go back to the ocean,” Otto yells, spittle flying from his mouth, fishing boots stomping against the wood as he moves forward a step, pointing. “Go back to the bloody hole you swam out of! There’s nothing for you here! Nothing!”

You watch, struck dumb.

“...Mr. Whitworth?” Your lips mutter out, eyebrows shifting from the waves to the man—utterly confused down to your chilled bones. Who was he talking to?

Perhaps time had caught up to him—was he mistakenly taking the rocks for people? The waves for whispers? All you had seen was a fish’s fin, nothing more, nothing less.

“Otto,” you call again, concerned. You should get the man inside; get him warm and let him cook his breakfast. “Let’s just go.” Your eyes blink lightly, fingers twitching over your book. “Alright…? My eyes must have been playing tricks on me, it’s nothing important.”

His form waddles past you, more in tune to his sea legs than the ones on land, and under his breath, you hear him snarl out a low, “You’ll not take her like you did Eleanor. Mark my words, I’ll be stringing you up by the tail first.”

Withered hand connecting with your shawl’s edge, you’re dragged back with more force than you’d anticipate Otto still having, but you go with him nonetheless.

Looking at the water, there’s nothing to see beyond the stretch of nothingness.

—

You dare to ask when you’re pushing the fish bones over to the side of your plate, slipping some mashed-up scraps to Harriet who lays in your lap purring. The rough scrape of a tongue licks your fingers, and deep gray fur caresses your palm.

“Who were you talking to back there?” Your voice carries over the small hut that Otto calls his own, the sounds of the water meeting the rocks plainly heard seeing as his property was as close to the cliffs as you could get without going over them. “I never took you for someone to believe in spirits.” The joke was a small jab, but even your own amusement was dim in the situation. Your hand puts down the fork and moves to rest along Harriet’s back, lightly petting the old cat as her half-missing tail flicks in satisfaction.

The man’s back over at the sink tightens.

“You watch yourself near the waters, Girl,” Otto grunts, dark eyes glancing over his shoulder. “By God, you watch yourself. There’s things out there—terrible things.”

“What kinds of ‘terrible things,’ Otto?” Your head tilts, sketchbook resting still on the table, your gaze flickering to it. Terrible had a nice ring to it. But something else was swirling in your gut now, a hesitation of a special sort that only comes out with the unknown paths of life.

What could make a man born and bred on the waters so reserved when speaking about them? Your interest had been piqued—your curiosity unsated until you were given a clear answer. You’d only been here a year, that wasn’t enough time to know the secrets of Redthorpe; to be let into those deeper circles.

Otto licks his cracked lips, the wrinkles of his face leaving behind something akin to a scrunched dog’s visage—worn by time and improper care from the damage of the sun. He’d been at work on his boat for decades, and while you took his advice with a grain of salt usually, this time he carried himself differently: you wanted to know why.

He glares with no venom, taking out the scrubbed pan from the soapy water and barking, “What’s it with the younger generation and their bloody pushing? Listen to what I’m telling you and take it as it is, Girl. You don’t go on the water,” he blinks, face grim, “unless I’m the one ferryin’ you through it, eh? That’s the end of it. I’ll say no more.”

Frowning heavily, you sigh under your breath and shake your head. Letting your eyes slip down to Harriet, you scratch under her chin and stare into her milky eyes as she lets out a little chirp.

“So much for answers,” your lips mutter.

But a fire had been lit in your breast now—a low simmering pull like a rope had been tied to your wrist, drawing you closer and closer to the rocky shore, to a boat tied on the dock which you knew was steadily rocking to the deep, dark waves of this isolated place.

To a navy-colored fin in the water, and a shape far larger than any you’d seen before.

Blinking to look out the window of Otto’s home, your eyes find the ocean, and the longing that you’d always had for it grows ten times larger as your sketchbook begs to be filled.

—

It was only fate, you guessed, that you had come to Redthorpe—a tiny, unimportant dot on the map—when the way of life you’d chosen had led you astray. This place was a way to start over. Fix yourself. You’d picked the least-known town in all of Europe, and that was exactly what you wanted.

One trait, though, that could never be squashed from your psyche was the lust for the unknown. It was an obsessive lover; a toxic hand on the back of your neck that dragged you back over and over, until there was only yourself to blame for the repetition of disappointment.

It was the reason you found yourself on the shore two days after you sighted the dark fin that cut the water.

Your lace-up boots were atop a large boulder, shifting as your body turned from left to right, eyes patiently dragging the expanse of nothing. Waves lap only inches below, spraying up to get absorbed into your skirt, shawl whipping with the wind. The breeze is stuck with the sounds of birds, the very beings darting above your head, playing their games with varying cries that sound like throaty groaning.

Bending, your arms wrap your waist, lips flickering. You were cold, limb-numbingly so, but even if you saw nothing today, or tomorrow, the push and pull of the ocean was enough—the call of the birds, the hypnotic sway of water. Calling to you, even if it had no lips to do so.

Taking down a lung-shaking inhale, you chuckle, sketchbook sitting in the small purse around your shoulder.

“What am I doing?” You ask yourself, shaking your head. “It was just a big fish—that old man was just being paranoid, anyways.” Eyes caressing the line where water meets the sky, your smile pulls your chilled cheeks. “There’s nothing out here worth my time. I need to finish my work.”

Leaning back, you rub your hands up and down your biceps, nonetheless enjoying your time despite the burning of something in the back of your head. A knowledge that the fin was nothing documented before? A hope of discovery? A need for adventure? Oh, who can really say—what can be known are only three things:

One, the weather was getting worse, two, the water was getting wilder, and, three, you had forgotten the way the rock you were standing on had shifted when you stepped up to it. Shuffling, your boots connect to the right corner, and your hands extend to keep your balance as you hiss a low breath, purse beginning to slip.

There’s a gruff call from the water.

“Careful, then.”

Your head snaps up to the sound of a man’s voice, and you startle sharply, gasping as your foot slips. A quick cry is all you get out before you’re suddenly plummeting downwards headfirst into the frigid water.

The feeling of liquid is all-consuming as it seeps into your nostrils and ears, all sound muffled entirely beyond the roar of it leaving you so stupendously—a flare, and then nothing. Eyes bugging, limbs slashing through the waves, the chill hits you in the chest with the force of a stone, smashing through your ribs to weigh you down with concrete stuck in your lungs. It was entirely a bodily reaction to gasp.

Through the blue and the bubbles, you start to drown.

Fingers twitching, you claw at nothing as the darkness settles its hands over your panicked eyes, not for a moment thinking about who had called to you in the first place—or who was poking a head out of the water before you’d gone over. Obviously, it was a trick of your senses; no one could survive being out in water like this.

You certainly weren’t going to.

Legs slashing, something is darting in the corner of your eye before your vision fails, but the rapid fear in your heart masks the hand gripping at your shirt’s collar. It hides even the feeling of strong arms until the point where you’re yanked upwards with little effort as one curls your waist. It doesn't hide, however, the way you vomit up water as you’re heaved to the rocky shore moments later.

Choking, you hack up salt that burns your esophagus until your lunch quickly follows—all spilled with little care for your hands caught in the crossfire. Spine arching as if a cat, air can’t come sweeter as it is drawn in rapidly; nearly hyperventilating on the ocean-smooth stones as your clothes are utterly ruined.

Panting, gasping, shivering violently, your head pulls itself weakly upward. It doesn’t take long for your mind to scream at you, and your head snaps behind you in a panic.

But there’s nothing but the raging water and the splash of a large navy-colored tail as big as your entire body disappearing back into the depths.

Your fear can only stay for so long before the threat of a frigid death becomes more and more probable. In your race back up the cliff face to your shop, your purse is completely forgotten, trapped on the top of that shaky rock where it had fallen from your shoulder before the great plunge.

Your shawl is seen floating out to the open water before it’s grasped from below and suddenly plucked—vanishing without a single trace.

—

The fire rages with the inferno of a million suns, and it’s not nearly hot enough. Wrapped in every blanket, sheet, and warm item available, you still can’t stop shivering hours later. A teacup was stuck in your hands, the liquid sloshing over the edges to slip over your quivering fingers and absorb into the cocoon of heat.

Breathing through your shaky lungs, you keep the rim of the cup to your lips, eyes wide and horrified. In the still moments after you’d stripped and tried to stop the onset of sickness that you could already feel coming, there was a flash of realization from your strange and fantastical ordeal.

There had been a man.

The sensation of hands around your waist—the gruff voice that had spooked you so violently. A man. In the water. Every time you blink, you see a shadowed image, a tiny glimpse as you’d turned to the sound of human speech above the shriek of birds.

Short brown hair and narrowed blue eyes set into sockets of pale skin. A bearded face, mustache…square jaw…

“What in God’s name?” You stutter in question over your tea, shaking your head. “That isn’t possible.”

Outside your shop, the wind screams, pushing against your exterior shutters as night sets in. A storm was coming; there’d be no other adventures for you. Sipping your drink, you shiver again, curling in tighter to yourself as wood crackles. The light dances over your easels and side tables, piled high with jars of brushes and pallets—bottles of linseed oil and liquin, labeled with little pieces of hanging paper at the necks.

There are paintings in the tens—in the twenties—hanging on the walls and set to the corners, all blue and gray; misty and clear. The water is a staple in all of them, and the cliffs as well. Perfect imitations of this place, as if you could reach a hand through the canvas and enter a mirrored world. Great ships are in some of them, or little fishing boats, with the birds overhead. Sometimes, it’s only the water itself, and to you, those were perhaps the best of your work.

There was a beauty in the nothingness. A mystery. Who knows what’s under that thin surface? Well…apparently, it wasn’t human.

You swallow down saliva and your lips thin.

The thing in the water wasn’t… unattractive, you had to admit. Beyond the waterlogged hair and dripping beard, a large nose sat—full cheeks with an odd mole over them. The more you thought about the brief flash of a visage, the more you grew to hang onto it, strangely. And that navy tail? It had been incredibly unique.

Spiney, nearly—four thin bones going down on both sides, branching out from the tail starting with the shortest that was perhaps only as long as your hand until the final was as lengthy as your entire arm. There was webbing between each spine to help the thing through the water quickly, it spread to the end of the barb until it sunk back in a ‘U’ movement, before once more arching out again to connect with the next spine. Small gasps in the caudal fin calling to either battles or a natural state of being—for show in it…his?...species.

Could you even assign it a human gender?

You close your eyes tightly in your shop, trying to will the image away from yourself. “What in the hell is going on?” Your voice is scratchy and low.

Yet, the undeniable truth was that the fish-man had saved you. It couldn’t be overlooked. Not by you, who now can sit in front of this very fire because of it. Like a moth to the flame, the surge of cautious confusion is burning your wings.

Deep blue eyes like the ocean. A navy tail. A gruff, hard voice.

You open your eyes and glare into the fireplace.

“What has this place been hiding in the water? And why did it bloody save my life right after it nearly ended it?”

More importantly…you had to think of a way to get your sketchbook back without getting on its bad side.

With a heavy chest, and more than a little fear in your heart, it was resolved to do something about all of this tomorrow. There was no use leaving the shop now. Glancing at the shaking window, you could hear the ocean rampaging over the cliffs; hear the slam of the rain hitting the roof like pounding feet.

But that voice played in your ears like a gramophone's bleated chorus.

You shiver again, not from the cold.

Careful, then.

—

There was no question if you’d gotten sick because of your impromptu bath in the ocean—the evidence was in your salt-covered shirt and the stockings that were still drying on the hearth.

Pressing a handkerchief to your mouth as you cough haggardly. You’re bundled in a nice fur dress coat, walking along the street with a skipping heart, a simple cloche hat over your head to protect you from the elements; dark blue in color.

The irony was not lost this morning when the hue had a striking familiarity to a fish-like tail, but it hadn’t stayed in your hand. A small drizzle slapped the fabric, and you were thankful you had brought the hat and coat along with you on the move from the big city.

You weakly smile and nod to the locals you consider friends—at the very least acquaintances. But before long, you’re at the place you feel you need to be to gain answers, too nervous to go back to the shore immediately.

The library.

Something Otto had said came back to you last night, in the throws of insomnia. The two sentences he’d called out on the docks that day—You’ll not take her like you did Eleanor. Mark my words, I’ll be stringing you up by the tail first.

Eleanor? Who was that and how did it correlate to the beast in the water that wears a man's face? Maybe, the local records would tell you the answer—there had to be something about this person, ‘Eleanor,’ in them, right?

If not, there was only one option left, and that was going down to the shore and getting the results first hand…you’d rather exhaust all of your resources on solid land first.

Slipping into the library with a deep breath and a cough in your throat, you sigh and nod slightly. Time to get to work.

“Oh,” the librarian looks up from her desk, standing as you shuffle over. “Hello, Dear,” she breathes through a chuckle, eyebrows pulling in softly. “My, you look a bit under the weather, don’t you? Would you like me to get some tea going…?”

“No, thank you,” you wave an easy hand. “I’m here on a bit of an errand, actually, and I was wondering if you could help me with something? I need to ask about your records.”

“Records?” The woman’s face shifts to confusion, her body slipping out to stand next to yours, you bring back up your handkerchief and sneeze into it, groaning. “What kind were you thinking, then?”

After you can push away the sheen of sickness to your eyes you take a breath and clear your throat of the stuffiness. “Births and work records? Addresses?” You make a small noise in the back of your mouth. “I guess I don’t know…anything that might help me?”

The librarian chuckles a bit, amused. “How about you tell me what it is you’re looking into, and I’ll try and grab any public knowledge that I can find. We’ll work together, then.”

Weight is loosened from your shoulders and you nod appreciatively. “Deal.”

“Go on then,” she walks over to a shelf on the far side of the room, standing as her fingers run the spines. “Occupation I can start with, Dear?”

“Well…” you pause, shuffling after as your head looks from one sizable book to another. “No, unfortunately. Only a first name.”

“You’re lucky Redthorpe is small,” the woman laughs. “Otherwise I would have told you you’re lacking your senses with only something like that to go off of.”

“Eleanor,” you comment, licking your lips and staring at a spine labeled ‘1890-1900 financial records - Redthorpe’. “E-L-E-A-N-O-R, or at least that’s the common spelling, I believe.”

The librarian’s body is stone-still. Comparable to the immovable rocks of the shore as the waves bash against them; the raging of the wind. When you glance over, confused at the silence that infects the building, you’re reduced to a meek hesitation at the blank eyes that dig into your face.

“...Or…maybe it’s N-O-R-E?”

“I’m sorry, but I can’t help you,” is the hurried answer, and then the woman moves past with fast feet, heels clicking over the hardwood rapidly. “There hasn’t been an Eleanor in Redthrope. You’re mistaken.”

“Wait,” you follow, stuttering. “I don’t understand, there has to have been—Otto was talking about her not days ago!”

“You’re mistaken,” is the repeated, firm answer, the librarian’s body swirling to face you again, pointing a finger at you. “Go back to your shop. Mr. Whitworth is old, he sees things that aren’t there. Don’t take what he says to heart—”

“I saw it!” You bark, fed up. Your mind was sick of these games being played, left out of the loop like you hadn’t formed a relationship with the people of this town.

The woman’s mouth locked shut with a clack of teeth, something darting over her expression…fear?

She backs up slowly. “I…I don’t know what you’re talking about, Dear.”

Your lips twist, a threatening sneeze in the back of your nose. “I’m done with the word games! It dragged me out of the water like a sack of flour and tossed me to shore! It saved me!” Her hands are held in front of her as you stalk closer, trying to brush what you’re telling her aside as she struggles to string words.

“It…it wouldn’t do that—that’s not how it acts. You’re just imagining things; you’re under the weather!”

“Who’s Eleanor?” You huff, stubborn as you cross your arms in front of you. “And what in the hell is a man with the tail of a fish doing living just below these cliffs?”

Wide eyes meet glaring ones, and the librarian’s lips move up and down in a panic.

“I…” she begins, feet tapping the floor nervously as the rafters creak above the both of you. “I can’t talk about it. It’s not something to be said out loud—especially so close to the water.”

You bark incredulously, “There’s a bloody monster that lives down in—!”

A hand is snapped over your mouth and you startle, blinking through the twitch of your body.

“Shh!” The librarian panics, shaking her head, with flaring eyes. “Stop it or you’ll end up being dragged down to the ocean floor like Eleanor was!” You tense behind the hold, shoulders pulled in. It’s a quick spit of whispered words like a fast breeze. “Do you want your body showing up on the rocks?! Stay away from it!”

Your heart pounds in your chest, vision darting back and forth before she finally lets you go in a quick jerk of her body. The woman backs up, quivering as her eyes go to the window, nearly panting from fear.

She looks back at you, blinks, and mutters out a quiet, “If you’ve already seen it, it wants you. Don’t go back to the water,” before she rushes into the back room and slams the door shut with the slipping of the lock.

Left standing in the open library, the shelves sit stationary as if sentinels to your raw distress—this had only left you with more questions and a handful of jumbled answers.

“Careful, then.”

You shake your head harshly and pivot to leave the library in a stupor, shoving your chin back down into your coat’s collar as the wind slaps your face once more. The call of the ocean is like a knife to the back of your neck.

—

Call you whatever name in the book, but you wanted your sketchbook back.

No one in town was giving you anything that was of use, and Otto was tighter-lipped than a lockbox. There was only so much you could do—could speculate—before the need for your belongings was too strong to ignore. It took two more days of pacing your shop before it was decided.

Taking up the heavy cast-iron pan above your fireplace, you slip the thing into your coat, shove on your hat with a defiant grunt, and force the front door open. It’s a ten-minute walk to the shore, and all the way there, dread fills you up like soup until you’re bloated with it by the time your boots hit black rocks. Yet, there’s a point where a woman’s courage outweighs the sense of caution, and today was currently that day.

Taking a deep breath to steady your nerves, you grab your skirt and hike it up, placing your boot carefully on the first of the larger stones leading out to where you’d been previously.

“Don’t look at the water,” you mutter quietly as you move, not shuffling forward until you know the rock isn’t going to topple this way or that. “Don’t even think about it.”

But that tail…that face…

With a growl under your breath, you grind your teeth and continue on.

The weather today was much more agreeable, but cold. It was always chilled in Redthorpe—dreary as if the clouds never left far above. You didn’t mind, and in your coat pocket, the reassuring weight of your pan left you much warmer than you’d like to admit.

The heat of protection, so to speak.

“Even a fish-man can die, I’d wager,” you utter, grunting as you ascend a larger rock, palm slapping the wet stone before you heavy upwards, slamming your boot to the top much like a schoolboy as your skirt bunches. “If I hit him hard enough in the skull. I wonder though,” you sneeze, shuddering, “if he even bleeds? If I crack his head open…will blood seep out, or salt water?”

You shiver, and it’s not from the cold. “Fucking hell, you do like making it harder on yourself, don’t you.”

Lightly panting, you brush down your coat on the top of the rock and turn to look at the boulder where you’d fallen previously, blinking. Pausing, your eyes find not only your sketchbook sitting there…but also your shawl.

Struggling for a moment to try and justify your actions, you swiftly look over the surface of the water, seeing the gentle push and pull of waves. No fin. No tail.

You aren’t sure if the feeling in your chest is joy or disappointment.

Licking your lips, you take a large breath before your face turns grim.

“Grab it and run,” your voice echoes in your own head, heart pounding with adrenaline the more steps you take to the boulder, water sloshing at the sides. You had thought perhaps that the rain—the storm—would render all of your lost belongings null, but as you bent and snatched your items to you, shawl hanging from your arm, you were pleasantly surprised. It was all dry; impossibly so.

Amid your shock, your slack jaw, and the weight of your pan in your coat, your shaky fingers open your book with bated breath.

Everything was in pristine condition, if not only slightly curled at the corners due to…your eyebrows pull in, expression struggling to take on the emotion of anything other than pure awe.

“Fingerprints?”

Eyes slipping from one page to the next, flipping them only to see the press and pull of a long gone thumb, shiting the paper to gaze at the back, where a forefinger would have been. A hand laced in water had been turning the pages, just as you do now—and, yet, there wasn’t an inch that was damaged; nothing smeared.

Shoulders loosening from their tensed position, your wide stare is utterly transfixed as your digits rub the material softly, feet shifting.

Lowering your sketchbook, your small huff of amazed laughter, mind running.

He’d been going through your drawings—he’d somehow protected these items from the rain and salt. How? Why? But another question wrapped its hands in your skull.

Did he like them?

Shuffling the book into the crook of your arm, you carefully wrap your shawl over the material to further keep it safe, not able to find your purse, though the only thing it ever held was your sketchbook in the first place; it wasn’t too important.

Rising your head again, you gaze openly outward, lips opening and closing in a small stutter. Was he out there, this strange creature with a strong face and those deep eyes? That navy tail, looking like a beautiful imitation of kelp…was it just under where you now study the waves?

So many questions, so few answers.

You clear your throat, holding your items tighter. There’s magnetism in your blood, and it sits on your tongue like salt.

“Thank you!” Your voice calls high, joining the chorus of birds far above on the cliffs. Eyes skating the rocks, the shore, the ocean, everything. Call you prideful, but perhaps the best way to gain your favor is to know that someone, whatever bit strange and fantastical, had enjoyed your work to the smallest degree.

The way your eyes spark is still embarrassing, though, but it comes naturally after the heat that simmers over your face.

“Truly,” you shout to the wind. “You have no idea how much this means! If you’re listening, I’d like to extend my gratitude…” Your face is beaming, and you can convince yourself that all of your fear over this is gone, even if that would just plainly be untrue. “My artwork is everything to me, I do hope you enjoyed it!”

A creature so easily curious about your skills wouldn’t drag you to the bottom of the ocean…right?

Hell, he’d already had a chance to do that—a perfect one—and yet, here you are. What the Librarian had said had to be false, it made no sense otherwise.

Seeing nothing, and knowing that you were needed back at your shop, you chuckle under your breath and back up swiftly, walking the distance back to the surrounding rocks and slipping off softly. Grunting under your breath, your boots hit the stone, and you carefully begin back-tracking.

“You’re good at it,” you halt in a fraction of a second. “The images. Where’d you learn to do that?”

It’s a long moment before you turn with a cautious tilt to your head, and find the very same visage as you had a glimpse of days ago. You fight a fast inhale, but your straightening spine tells all the story it needs to. Like a fool, you lose the words in your mouth, as if trying to catch a bird of prey with a butterfly net.

A strong face is poking out of the water only a mere five feet away.

Your eyes slip to the soaked beard, the peak of bare shoulders—broad, of course—and the prying orbs that you feel will never leave; he wades there, arms under the dark water only a flash of pale skin before they’re gone again.

“I…” you lick your lips, blinking through the moment of animalistic panic. You were on land, there was nothing to fear. The sight was still something to be remembered, though. “I was self-taught, Sir.”

Blue eyes blink, serious face only made more so by the twitching of his large nose, which water drips from periodically. Droplets stay stuck to his dark lashes, and you’re near bursting with questions.

But silence persists long after your sentence filters out to nothing.

“You pulled me from the water,” you state slowly. “And I don’t even know your name.”

The man looks you up and down, not arrogant, no, but in a way that is comparable to how you did the same to him. Studying you as if your body was strange to him. The realization almost made you laugh—perhaps it was strange to him.

You want to see that tail of his again. Your fingers itch to sketch its likeness and commit it to muscle memory.

“I scared you,” he grumbles, sighing. “It wasn’t my intention to send you over.” Eyes still stay stuck. “My own fault.”

“I won’t deny you there,” you huff, gaze shifting away for a moment before filtering back. A slash of amusement curls in the thing’s eyes, and he hums. “Forgive me,” your breath wafts out over the air, face going what you can assume to be sheepish. It astounds you, though, that the conversation comes easily. “But I haven’t the faintest bloody clue as to what to call you.”

“John,” is the reply. Accent like gravel. He doesn’t waste his breath, seems.

“John?” You lick your lips, legs shuffling over the stone. The name leaves you holding back a loud laugh. “Well, I suppose I could have guessed that, then. I’ve met more than enough ‘Johns’ so far.”

“Funny, are you?” The response, however dry, is tinged with something you can’t name.

“I try,” you nod jokingly, motioning with a hand. “Just didn’t expect a man with a fishtail to act so….human. Certainly not be named like one, either.”

“Hm,” John grunts, blinking slowly. A hand slips above the water, and you watch it flex and drag to itch at the back of his neck, hair over the arm slick to the flesh. Your face heats, and your eyes dip to see the small shadow under the water almost graze the surface, rippling the waves intimately, as if tail and liquid were of the same sound mind.

It wasn’t out of the question to say you longed for a glimpse.

What would it feel like to touch it?

“You live here?” Your voice is hoarse before you clear it quickly. “Right below the cliffs?”

“You’re the woman that goes out in the boat,�� John firmly interjects, and you blink, taken aback.

“Yes, that’s me.” You explain, pulling at the lip of your hat to force it down further over your head. “Otto goes fishing in the mornings—I like to sketch the shore. He isn’t the worst company, of course. He’s kind enough to let me along with him.”

But you won’t be kept down. There’s magical curiosity in your chest now.

“Your tail,” you take a step forward, boots being licked by icy water. John’s eyes widen a smidge, not expecting you to actively move closer. His head tilts as if a bird, confusion brimming though he hides it expertly. You imagined he considered you a bit mad. “Forgive me, Sir, but I must know,” your uttered rambles make his hidden lip twitch, a little twist to your expression that shows wonder. “Is it attached to you, or do you slip out of it like a pair of pants? O-or even like wearing a stage costume? Oh, it’s like nothing I’ve ever seen before.”

John can’t find the words for a moment, only able to watch and assess as he always did in times like these. You were…different, he supposed. But he knew that the moment you had shifted your body over the side of that old man’s boat—looking for a glimpse of something unknown. He could see it in your eyes.

The water calls to you. It lives in your veins already, waiting. More salt and seaweed than earth and grass. Sand, rock, gulls, they all cry in the back of your mind, and your fingers itch to catalog them into immortality in a way that John was fascinated over—the skill of parchment and memorization. Mastery over detail.

He doesn't know why he’s speaking to you, truly. He’d done his penance; saved your life. But he knows he doesn’t dislike it, and that in and of itself needed to be understood. John couldn’t leave his analytical brain lacking an answer to a question as big as that—a woman of all things? A human one?

Blue eyes can’t seem to slip from yours, as you await a gruff reply.

“No.” You blink, pulling back a smidge when John’s voice is low and graited. “Go back to your home. It’s late.”

“Hey, wait—!”

But he’s already gone under the waves, and you’re left with a waterlogged boot, a cast iron pan, and the two items that had survived because of a grizzly creature's compassion. Your lungs heave, and the cloud of condensation rises into a gray sky.

You stay there far longer than you’d like to admit.

—

You struggled, slipped, and climbed your way back to that point on the rocks every other day, and yet, there was nothing more to be seen of the man with the tail. You knew he was out there, felt it in your bones, and still…you were left here staring out at far-off boats and half-hopes. Wondering. Waiting.

In the days that passed, you would explore the shore further, going in nooks and deep bends that extended into the cliffs during low tide, cringing away from the slippery fingers of kelp stuck to the walls. Dead fish, mucus-lined snails—you had made the important decision of leaving your sketchbook at home, the pages already filled with the perfect reflection of a man’s face peeking above the water.

Taking off your hat, you huff on a similar day to those others, this time slipping inside a cave with a direct connection to the ocean. There wasn’t any wind in here—and you sigh in relief as your breeze-bitten cheeks can finally get a rest. You didn’t know what you expected to find doing all this fruitless searching, but it didn’t erase the fact that you enjoyed it; looking for a glimpse of something out of the ordinary.

Brushing your hat of sand and other such items, your head swivels softly, a delicate smile on your face as water drips from the rock ceiling, stalactites like broken fingers reaching for the ground. A pool of sorts takes up most of this place, the thing extending to the ocean through a medium-sized opening in the stone.

You turn in a half-circle.

“Beautiful,” your lips murmur, voice echoing.

Walking forward, every so often your body stoops to carefully grasp shells and smoothed shards of colored glass, beaten down by waves and reduced to harmless trinkets. Continuing, you care little about your boots or your coat, only for the pull in your chest that tells you to keep going until your legs are weak and weary—shaking from a day long spent in selfish adventure.

When you find the pile of rings, sitting in soft kelp, you nearly walk right past them until the glint of metal takes you by surprise. Pausing, your pulse warms as your eyes slash to the side, getting sucked in as easily as cookies to a child.

Only hesitating a second, you slowly walk until you’re inches away, seeing different styles and gems like starlight sitting as if unaware of their raw beauty.

“What are you doing in here…?” You ask yourself, your own voice responding from the walls as it bounces.

Picking up one of pure gold, you shift the band to stare openly at an emerald nearly the size of your knuckle set into it. Lips parting, it’s as if your breath is stolen by a quiet thief. But the sudden arrival of splashing snaps you out of your stupor quite quickly.

Dropping the ring immediately back into the pile, your hand jerks to your chest as an increasingly common face shows itself once more from the water.

You clear your throat, face burning as John raises a slow brow, glancing at the stash of rings silently.

“One day you’re going to make me keel over,” your voice berates, pointedly avoiding his blues. So the items were his.

“A thief as well as an artist?” John asks after a moment, tilting his skull as his body drifts closer to the rocky side of the pool. The next sentence is no question, only a statement. “You’ve been looking for me.”

You take a long breath, sighing, before you shove your hat into your coat’s pocket, glaring lightly. “You left so abruptly, I never got to ask my questions. Quite rude of you to keep a lady waiting, John.”

As you say his name, he glances over, but not before his sizable hands slap to the side of the rock and he hoists himself up with a single push of his forearms. The man grunts, lips pulling, before you’re left breathless.

Eyes stuck on the upper half of his body, the water dripping down the hair-layered bulge of visible muscle, your wide vision skates from one point to another, flesh on fire the more you stay mute. But the tail—that was something you could never describe.

The beginning was all you could see; scales of dark navy and a spread of muddled silver-like dots, nearly impossible to make out except at this distance. They began at the top of where hips should be, the scales, smaller and blending into the skin easily, only becoming larger the more the tail extended down; the appendage was far larger than legs would be, that you can tell easily. You can’t see all of it, as perhaps a little less than half still sits swaying in the water…but even this was enough for now.

This moment would be stuck in your sketchbook for all of eternity.

It’s only after your jaw is slackened that you realize John has been watching you the entire time.

Forcing it shut with a tiny clack of teeth, you try to regain any composure you can. The being’s beard curls in a smirk, cheek pushing to show the lines near his eyes.

“If someone’s avoiding you, Sunshine,” he grunts out, voice low. From the corner of his eye, he watches as his hand rises to itch at his beard. “They usually don’t want to have a conversation.”

“I think it’s fair,” you huff. “You can’t just disappear when I have so many unanswered questions.”

John blinks, attention not moving for even a second. Your own is less than firm, fighting to not dart down to openly study every dip and bend of his bones. He was so…stoic. Gruff. But there were moments of amusement—even annoyed interest.

“I don’t have time to fuckin’ entertain others,” he thins his lips.

Your arms crossed, face dripping into seriousness. “And what else is so much more important, then?” You raise a brow. “Scaring other women into the water?”

He huffs under his breath. “It was an accident—wouldn’t have happened if you weren’t so jumpy, eh?”

“It’s not like I expect to see fishmen pop out of the water,” you defend.

“Mer-man, Love,” he licks his lips, sighing, as his eyes shift to glance at the opening of the cave. Your face bleeds into a slight expression of satisfaction, arms over your chest tightening as your feet rock back on their heels.

“Well,” you chuckle. “Now we’re getting somewhere.”

An emotionless glare is all you receive.

It was no surprise that you ended up blurting out inquiry after inquiry—what does having a tail feel like? How do you breathe underwater, or do you only hold your breath like a human? Do you have gills somewhere, or lungs? What other creatures are out there like you?

You have no idea what time it ends up being, and you have no intention of stopping soon. It’s a pleasant surprise, then, that John answers all of your quick words with full answers; giving slow, but not condescending explanations.

A few times there had been tiny chuckles, and the little conversations amounted to you sitting on a rock right near the water, only feet away from where the tail drifts in the waves; John’s hands keeping his upper half straight as his palms meet slippery stone.

“And the rings?” You breathlessly wonder, attention darting to the pile. “Do you find them out there? Keep them?”

John tilts his head in an affirmation. “Shipwrecks. There’ll be hundreds of them—I’m not one to keep many belongings, but the bloody things were nicely made.” He sighs. “Seemed a waste to leave them down there.”

You huff a sound of amusement. “I see. Fascinating.”

In the small pause, your eyes once more study the cave, seeing little breaks in the walls where cubby-like indents are. In them, your focus drifts from one glimmering object to another, all previously missed by you when you’d first entered.

You blink. “You live here?”

“Affirmative,” John stares. His body shifts, tail flickering as your focus snaps back to it, almost lost in the way the ends so nimbly slice the water. Like wispy fabric. Your eyes soften like molten metal. You look back at him and find his eyes already locked to yours.

Breath caught in your throat, you chuckle meekly to dispel your embarrassment. John’s face minutely relaxes, stern brow loosening.

“And…” you lick your lips, knowing it was time to leave. The sun no longer shines through the crack in the rock. “If I were to come back, would I be able to find you here?”

There’s a flash of that same indecipherable emotion as before over his bushy face.

The man was anything but small—everything to the swell of his tail; body hair for, what you assume, is to keep out the constant chill of the water. You’d never imagined that you’d find it all so attractive down to the navy scales that shimmered above the push of his side. That healthy layer of meat was eliciting far more of a physical reaction than you’d care to admit to anyone, let alone a priest of any religion during a confession.

Perhaps that fall into the water really had killed you.

“I’ll be here,” John responds lowly, gravel in his throat.

Swallowing down saliva, you push back the ravenous smile that threatens you.

“...Okay.”

—

And this affair became such a constant, that most of the people in town had begun asking about you as you snuck to the waters. Otto was largely concerned, but would not say anything more for some unseen fear—nor the Librarian, who avoided your eyes any chance she got.

Dragged to the ocean floor. Body on the rocks.

The sheen of discovery could be a powerful vice, and for those first two months, you never asked John about the woman named Eleanor or who she might be—what correlation she had to beasts of the water. Then again, you didn’t have to ask. He managed to get around to it himself.

Your eyes blankly stare at the page of your sketchbook, the merman’s rough shape chicken-scratched with small lines into the parchment, and your pencil stays still to it, immobile. From across the cave, John’s face tightens as his eyelids narrow. You’d been quiet today, he had noticed. Usually so bright with your words, the walls had barely echoed with the symphony of your speech, and, more importantly, John’s ears hadn’t twitched to it.

He had become fond of your company, he admitted to himself. A strange human woman with her fur coat and hat, the little sketchbook that held such wonderful imitations of life. John was anything but dull—he knew you drew him, and he entertained the activity. In fact, the thought at one point or another may have made the brute of a man blush a bit. So, when you were as still as the stone you sat on, he had concerns.

He liked it when you spoke, even if it was only a tease. And the tightness of his chest when you don’t look his way is enough to leave his tail twitching in confusion as it sits in the water.

“You’re quiet today,” he starts, frowning.

Your fingers jerk, sending a line over your paper as you blink, looking up as your heart skips a beat. Glancing at John’s face, the thoughts inside of your head slip until you can understand what he said.

“I’m sorry,” you sigh, and the man’s face pulls. “You can speak if you want. I'm just a little distracted.”

“I didn’t mean it like that, Love, yeah?” John grunts, hands shifting over the stone. He looks you up and down, tail sitting still below him. “What happened?”

“Nothing happened,” your lips mumble, and you shake your head. “It’s one of my questions again.” You pause, closing your book. “A difficult one.”

John’s lips flicker. “Well, we’ve been at this for ages. Can’t see how this one is more difficult than the others.” He nods softly, voice a low and somewhat smooth mutter. “Go on.”

“I don’t know if I can,” you huff, standing and placing your sketchbook in the driest part of the cave before walking closer. Bending right in front of John, your face is tight. The man likes it like this—having you closer. He can feel the heat roll off you, and his eyes flutter even when nothing on his face gives away the pull he senses in his chest.

John hums and swallows stiffly.

“Why not?” His head tilts, and he clears his throat to get rid of the raspy scrape of his vocals. “Something going on up there?”

Up there.

The Merman had asked about Redthorpe, as well as the rest of the people who lived there. The atmosphere, the way of life. Your meetings were more of an exchange of information and stolen glances than anything else, the other none the wiser to this magnetic attraction. It was a delicate thing, knowing that there was something more and yet unable to fully express the way it makes you feel. Neither of you knows what to call it.

“More so in here,” you smile tinily, pointing at your head as your cheeks grow hot.

“Then speak to me,” John frowns, trying a low smirk. “Think we both know I’m a good listener then, Love. There’s time,” he glances at the entrance. “Won’t be near dark for a few more hours—don’t want you climbing at night.”

“Awe,” you breathe, beaming suddenly with that glint back in your eyes. John hides the sagging of his shoulders, only offering a hum under his breath as he looks over at you. His kelp-like fins twitch, and he wonders what it would feel like to have you touch them. It was obvious you wanted to.

Not yet.

“Hurry up, Sunshine,” John grinds out, that accent all the more sandy.

There’s a small grunt and a shuffle, and, soon, a warm body is plotting itself next to his own, arm touching his, and a pair of bare feet slipping into the pool. Blue eyes widen in surprise, head darting to where your form rests so simply—so near the crook of his shoulder that he could reach over and draw you to him if he so wanted.

Your feet shift as the hem of your skirt gets soggy with water, and John barks out a firm, “You’re going to get cold.”

“It’s not as cold here as it is out there,” you shrug to him, smiling with a side-eye. “Besides, I’m right next to you—you’ll keep me warm, won’t you, John?”

“Fucking hell,” he puffs out, shaking his head as he rips it forward once more, clenching his jaw. Your scent seeps into his nose, and when your leg slips along the side of his scales under the water, he all but goes a blank-faced scarlet.

You hide a chuckle, shivering at the chill but more so at the unimaginably smooth sensation of John’s tail over your flesh. Your legs move through the water to cross at the ankles, your right hand resting to directly touch John’s left. With every pump of your blood, his own mirrors.

Yet, your mood sobers, and the joy leaks.

“There’s a woman that no one speaks about in Redthrope,” you begin, and John settles to listen, brows furrowing in concentration as your skin sits so well next to his own. “Eleanor.”

The man pauses abruptly, and you keep talking.

“And for some reason,” you sigh out a low breath, turning to look at John and his still face; emotionless. “Everyone seems to blame you for whatever happened to her. I don’t know if she’s missing, or…”

Your words trail off, insinuation clear.

Not noticing any chance on John’s face, you lightly bump him with your elbow, expression going concerned. “Hey, are you alright?” Your opposite hand raises, moving out between the two of you. “I didn’t mean to insinuate anything, I would just really appreciate anything you might know about it.” Eyes imploring, your heart pours itself. “I don’t think you’d do something like that.”

John blinks slowly, finally opening his mouth. “What makes you say that?”

“If you were some murderous creature,” you shrug, “I don’t think you would have tried to pull me out of the ocean in the first place.” Lashes caressing your cheeks, you smile. “Am I wrong?”

“No,” the man huffs, quirking a brow. “No, you’re not wrong.”

“Knew it,” you whisper, eyes crinkling as you side-eye him.

John chuckles, half rolling his eyes as he leans to your ear as he grumbles. “Gettin’ cheeky, are you?”

If you were a bird, you’d be preening your feathers, eyelids narrowed. “Perhaps, John.”

It is a wonder, then, that the two of you don’t lock lips that very instant—long fins curling around legs and shoulders stuck together, pinkies unconsciously sitting atop the others as if pieces of parchment. Blue eyes shift smoothly to your lips, but before you can register that they have, John’s head is already moving back and his spine is straight.

The man flattens his lips, tilting his skull.

“I knew of a woman named Eleanor—she would come down with her husband, Noah, and they would walk along the shore. Got close to this place a few times.” Dark brows tighten. “Found her body in the water after a storm about two years ago; brought it back to the rocks so someone could retrieve it.” Your face loosens as the information settles in. John makes a noise in his chest. “Interesting that I’d be roped into it, but it’s understandable. Always someone to blame, eh?”

“I don’t blame you,” you whisper. “That must have been horrible.”

Blue slips over to you silently, and it’s a long moment before John only hums under his breath, blinking away softly.

“Scared me when you fell in.” Listening, your heart clenches in your ribs. To think about what must have been going through his head at that instant was sad to you, and even worse so when you know he would have blamed himself if you might have ended up seriously hurt.

“Well,” you lean into him, face on fire, “it was a good thing you were there to drag me out, then. A little water never hurt anyone, so long as a handsome merman is there to take them back to shore.”

John huffs out a laugh. “Handsome?”

“Oh, very,” you joke. “The tail is a bonus.” Your expression lightens, eyes glinting. “Since when did you know that navy is my favorite color?”

The feeling of the cold water is only a back-drop to the way John’s fins twitch against your bare legs intimately, and you chuckle as the beard can only hide so much red skin.

“Bugger off,” he grunts.

You’ve never heard a smile so clearly before in your life.

—

Your paintings were selling far better than they ever had, and you had to thank the new muse of them for that fact.

John’s appearance in your work had started small—a glimpse of a fin, the presence of a shadow in the water—and had steadily grown. Now, hidden like a present, there was the image of some fishtailed man somewhere in all of them, a steady injection of magic into the veins of cerulean blue and ivory black. It showed you that fewer people knew about John than you had previously thought.

Initially, you had imagined that everyone knew and the reason you didn’t was because you were relatively new here, but no. Most had been enamored by your work when they found the ‘strange fish-man’ in one, pointing and chucking to themselves, talking about how adorable it was. No one was shocked, no one sent looks.

By the end of the week, you had been convinced that it had been narrowed down to Otto and the Librarian—

The bell of your shop dings.

Looking up from your easel, you smile and stand automatically, thinking about closing soon so you can go and see John. Nowadays, even the thought of him makes your blood pump heavy.

“How can I help you today, Sir?” Your brushes find the side table you had set up, locking eyes with a tall, thin man in his late thirties. He wears a suit, and in his breast pocket, there’s the gleam of a gold chain attached to a pocket watch.

“I’m here to ask about a detail in your paintings, Miss.” He’s well-spoken as well, and you’re shocked to know you haven't met him yet if he lived in Redthorpe—he doesn’t seem familiar at all.

“Of course,” you nod, perplexed. “I’m sorry, I think I missed your name.”

“Noah Moore,” is the even response. Noah is already walking around, bending to look into some of your work which hangs on the wall. “My neighbor brought home one of your pieces; I found I liked it very much. Had even considered commissioning.”

Noah? You blink slowly, watching. Wasn’t that Eleanor’s husband?

“Thank you,” your lips move, thinning. “That’s very high praise, Mr. Moore.”

“This creature,” Noah stands, and dark eyes set on you. For some reason, the hair along your arms stands on end. “The man with a fish tail. Have you seen him?”

Your instant reaction is to lie, and that in and of itself is a telltale sign that something is wrong. Noah makes the alarm in the back of your head go off for no reason other than the way he’s trying to pry with that unblinking gaze of his. The rich apparel; the attitude. He isn’t right.

“Seen him?” Chuckles echo off the walls. “Who? The beast? No, Sir, that…thing…is just something I made up.” You wave a hand, but back up a step, trying to create distance. Your hip lightly bumps the side table, and your materials jerk. Gasping under your breath, your head snaps down, catching your brush before it can fall. “Oh my, clumsy me.” you laugh stiffly. “Apologies, Sir, but that’s the truth. I wanted to create something that all of Redthrope might enjoy; a local legend of sorts, see.”

Your eyes had siphoned back with a dread in your heart. The man mutely stares, a deep frown pulling his lips. As if the conversation had never happened, after a long stretch of tension, Noah smiles widely.

“Ah,” he huffs, “of course. It was silly of me to ask.” Dark eyes are emotionless, and the pull of his eyelids is not there. Spine so tight it could snap in half, and your fingers curl around the brush before you place it down stiffly. “Though,” Mr. Moore clicks his tongue, taking one step closer.

Your eyes widen, but you say nothing. Your mind flashes to John, and there’s a longing for the ocean so strong, it seems a good idea to you, to rush out the door right now and sprint for it; hurl yourself to the waves, if need be. He’d find you—you know he would.

“Though,” Noah continues, tilting his head. “There is a striking resemblance to a creature I recall seeing from the cliffs, the day my wife’s body was found at the rocks.”

Backing up another step, your muscles ache with how you hold them like a shield to your organs.

“As far as I know, only two others were searching at my side that day. And in it I am certain,” he hums, “you weren’t even here.”

Otto and the librarian, you think quickly, mind a mess of information and fear. It’s why they’re so spooked. They think John actually killed Eleanor and left her—they saw him bring her body to shore.

It’s a lack of foresight on your part, that the next bark is more of a reaction to the panic than proper knowledge, cracking under pressure.

“John would never kill an innocent woman!”

It’s as if a switch goes off, and, suddenly, there’s a ruthless hand grabbing at your throat. Yelping, you stagger back and snap your fingers to Noah’s wrist, clawing until there’s blood under your nails; air is sucked in with a wheeze. In the back of your head, there’s wild screaming, and you can’t tell if it’s the pounding of your blood or the internal sensation of primal fear.

Raging eyes shove themselves right in front of yours, faces so close you can feel Noah’s hot breath moving over your burning face. You try to cough but find you can’t as one of your hands struggles to slap to the side table—searching fruitlessly.

“John?” Noah sneers, holding tighter. “The thing has a name?”

Your easel clatters to the ground, back being shoved right into it. Mouth opening and closing, the cut of oxygen reduces your mind to acting purely off instinct—breaking down like glass to fracture to only one thing: survival.

“It was perfect,” Mr. Moore growls, eyes ablaze. “I had it all planned out, only to be ruined by a freak of nature at the last moment!”

Your nails gouge the wood, dragging, searching, slapping. Anything—anything at all to help as your boots scrape from under you. You can’t even comprehend the words being said; all of it is a blur as blackness peels the side of your vision.

Tears splatter down your cheeks.

“Two years, and then you had to come along and fucking speak to it! What did it tell you? Eh? What did it see that night?”

Your hand curls the glass bottle where you store your brushes and without another thought, you slam the side of it to Noah’s head.

Shouting, the man releases you in an instant, glass leaving long lines of blood splattering out to sprinkle your face as it shatters, collapsing into itself. Connecting to the ground, your hacking can only take place for under two seconds before your boots scramble for purchase, stumbling and flailing at least once; lungs gasping.

Shoulder connecting with the side of the door frame as you bang it open, an enraged scream follows you into the rainy afternoon, the rumble of deadly thunder far overhead.

Running, you don’t know how to stop, and it’s even harder to catch your breath by the time you’re down to the rocks, looking over your shoulder as if Noah would be right behind you. He wasn’t—but the fear was enough to keep you going until you were bathed in sweat and barely strong enough to fall into the entrance of John’s cave, fingers cut up and raw from grappling over stone.

There’s a quick call of your name from across the enclosed space, but your ears are ringing too loud to hear—whipping around to stare at the entrance as you struggle back on your hands, legs shaking.

“Love!”

Your eyes slash to the side, and through the quivering of your lashes, through the blur of tears, you lock onto the desperate slash of grayish-blue that’s a near-perfect reflection of the ocean itself. Painting, the realization comes a moment too late, as pale fingers touch your cheek and you flinch back with a deep pain in your neck.

Pulsing veins echo along your entire body, but there, at the point of where hands had wrapped your flesh, it burned with a horrible fire that made thin noise escape your lips.

“Hey,” John breathes, having dragged himself at a moment’s notice across the floor of the cave. “Hey,” he repeats slower, eyes slashing you up and down for any sign of injury.

His hand is outstretched, but he doesn’t try to touch you again seeing how you’d jerked away. The man’s heart had stopped at that—his concern shooting up similar to how he felt when you’d raced through the entrance as if a fire was on your heels. A near panic at the fear on your face, leaving his body on high alert; eyes skating the surrounding quickly.

But the splatters of blood on your face were something to reduce him to an enraged beast.

“What is going on,” he tries to keep the rough anger from his tone, attempting to leave it soft and smooth. There’s only so much he can do, though, as you shake and pant.

Your body gradually slows itself, attention seeping back to allow you to take control of your limbs. The first thing you see clearly is John’s outstretched hand, and, then, the clench of his jaw—the eyes that follow every teardrop down the flesh of your cheek.

Openly gazing, when John sees you’re back, his blues slip to a softened caress.

“Love,” he mutters, face tight.

You shove yourself into his arms and let off a sob that echoes louder than any laughter could. Curling into his chest, water seeps into your shirt, but the all-expansive hand that keeps you close is worth every clothesline you would have to hang.

“Shh,” John breathes, knowing that he’d get an explanation when he calmed you down, even if his mind was breaking itself to try and understand. “I’m right here, Sunshine. Breathe, then…I’m right here, yeah?”

His nose pushes itself into your scalp as your head hides away, quivering body curled like a cat around a fish—no air between the two of you, chests running across the others. So little space, and yet this breathlessness was one you could welcome time and time again.

John watches, eyes always open as he glares into your hair, grip tightening the longer you cry; a feeling so potent brimming in his chest, he would be a fool to ignore it.

You were more precious to him than any ring, than any trinket he could stash away and forget about. The way his heart bent to yours was stronger than any storm.

Breathing down your scent, John sighed, kissed the top of your head, and lightly rocked you back and forth.

He’d wait as long as it took.

—

When it became apparent you couldn’t speak beyond broken little coughs and wheezes, John was quick to bring you to the water of the pool.

Now, perhaps hours later, you sit with the burn and fatigue of crying eyes, sniffling as you shove away the stain of red on your cheeks.

“Careful,” John lightly comments, grasping your hand and pulling it away. His own replaces it, wet from the water he now wades in to help. “Let me get it, eh?”

Your eyes stay stuck to his nose as fingers push away the crimson of blood easily, firm but still utterly delicate.

“I’m not glass,” you croak, one hand near your throat.

Blue eyes blink at you. “Never said you were,” he grunts, frowning, and you see his Adam’s Apple bob. “Don’t like seeing you with blood on your face, Love.”

Like it had never happened, the fingers return, and a moment later, he grumbles out, “And stop talking—you’ll make it worse.”

You hadn’t explained, not yet, but by the utter rage you see John trying to hide from you, you know he understands how you might have gotten the swelling now present on your neck. His heart had been visibly pumping the entire time you’d been here; you could hear it when he was holding you, a relentless, thump-thump-bump, thump-thump-bump in your ear.

The brunette had been clenching his jaw more as well, grunting as if a boar after every sentence, a nervous habit, perhaps. He was trying to mask it for you, but you weren’t blind.

John pauses his cleaning, glancing at your throat.

He studies your face after he hums under his breath, having to dart his gaze away for a moment.

“...Can I?” You pause, swallowing as the burn persists.

Nodding after a minute of slow contemplation, cold hands shift to press carefully—not tightening, not holding you there—resting to give relief. You only tense a little, but as the seconds draw, John watches you sag forward with a large sigh through your nose.

He lets a small sliver of calm enter him.

“Easy,” John whispers, blinking. He keeps the chill of his hands at your neck, fins shifting the water to keep him still. “When you’re ready, explain it to me, eh?” His head tilts, voice a low tease. “Glass or not.”

Your lips twitch, and the way your eyes melt could only be compared to safety. You open your lips, and John mutters lowly as your fingers brush over his own, “Quietly, now. Can hear just fine—don’t push yourself.”

Blue flickers to your touch, fingertips trailing his knuckles as the man grunts, attention fluttering back.

All you say is one name.

“Noah.”

There’s a moment of confusion on John’s face, skin wrinkling, before the understanding settles swiftly—he wasn’t a fool. From there, his expression changes ten times over; that rage, then fear for you, confusion, and stubbornness. It’s of little surprise to you that a man so loyal was reduced to a dog.

A dog with scales, that is.

Your body is still running hot—your heart still pumping, though the adrenaline has left with all of its stimulation. You’re tired, yes, that much is obvious. But you want John to hold you again.

When you shift your body, the man’s eyes widen, and he blinks quickly in shock as your legs then slip into the waves inch by inch.

A noise exits the back of his throat, and John’s mouth moves in serious question. “What are you doing? Fucking hell, would you just stay still and let me have a look at you—”

Arms grapple around his waist, and a warm head burrows into his neck.

You rest against him, body suspended in the water of the deep pool, a merman’s tail swishing to shove you the tiniest bit closer unconsciously. John’s chest bounces with every emotion, but all he does is stop you from sinking by holding you. Your eyes close at the dig of his hands, and, letting the water move the both of you, the smooth scales along your legs feel as if the finest silk. A thumb caressing up and down your spine; breath at the top of your head.

You both say nothing, and it’s a long while before either of you takes any action to leave.

—

When your words could be strung together and not broken every other sentence, you explained all of it, and the hunch you’d strung together in the meantime.

You fiddle with one of John’s rings—the emerald one—as you glance up and speak softly, voice still delicate. The pain still blossomed, but some things needed to be explained.

“I think he killed his wife.”

By the way John stops massaging the flesh of your neck, letting you rest your head in the crook of where his tail begins and skin ends, you knew he already pieced that together a while ago. Your clothes were still heavy with water, and a puddle had formed around the both of you on the rocks.

“Hm,” is all John says, fixing the position of his lips as he looks away.

He shakes his head, growling out, “You’re not going back up there. Not while he’s still walking the streets.”

You frown, but John glares without any venom. “It wasn’t a question, Love.”

“What will you do,” you whisper, voice hoarse. A brow quirks. “Run after me, John?”

The man stares, not taking it as lightly as you. “If I have to.”

Your breath hitches, hands resting numbly over the ring as John’s fingers once again continue their touching—as if he can rub away the swelling; the damage of the veins.

“You don’t have legs,” you utter, having to pause in the middle of the sentence to breathe deeply.

“I’ll crawl,” he grunts.

“The rocks are sharp.”

His face is immobile. “Then I’ll bleed.”

Your mind memorized the stubbornness of his expression—the pull of the crow’s feet beside his eyes. There wasn’t an ounce of a joke in John’s eyes; no lie. Watching him, your face is loose with wonder, and water drips from your temple to connect with those dark navy scales, glinting with the light from the outside sun growing low.

The ring in your hands is frozen, stopping its turning as your pulse soars.

John licks the corner of his mouth, glancing at the item of gold and green.

“Keep it,” he mutters, tilting his head to the ring. “More of a use to you.”

Larger fingers capture yours, and in one deft motion, the elegant item is slipped onto your digit, sitting comfortably as if made just for you.

John shrugs. “The rest of ‘em, too, if you want the damn things.” His blues card over the view of your hand, and imagines fingers filled with every bit of gold and silver obtainable to him, brought up from the ocean just to sit pretty atop your flesh. Necklaces, bracelets, belts, and accessories; the things he’d seen from far distant waters.

Oh, but they’d pale in comparison to how you would wear them.

A muse to a song. A painter to a portrait.

A women to the water.

He’d seen your latest sketches—you’d brought them down to him here—and when you were exploring this cave, he had taken a peak. Unlike him, yes, but there was a pull to it, that parchment bound by leather. He’d not seen anything like it, and as he had watched you work on occasion, he was entranced as he’d listened to you explain it. You’d told him that you could even manipulate color, and that had left his eyes widening in awe.

You were incredible, and when he saw his own likeness littering page after page, John had been unable to take his eyes off of you. A silent appreciation—a voiceless devotion. He’d never been…captured like this, so to speak. A mirror image. Details he didn’t even know himself, and yet there they were.

Beauty marks across his cheeks and nose, the scars that littered his flesh that he’d all but forgotten about, the list was endless.

But he looks at you now, and he can understand why there’s a draw to immortalize the mortal.

His fingers stay at yours, and they brush skin as they dip along your hand, falling to your wrist. You stare up into his eyes, he stares down into yours. There’s little air to be taken in between the two of you.

“John,” you utter, blue gaze stuck to your lips.

He hums, tilting his head, his body looming over yours like a shadow. By the time his face is so near to yours, you don’t want to fight it, you don’t want to think about the strangeness of this predicament you’ve found yourself in—a creature living in the cliffs, handsome and half-inhuman.

When smooth lips brush over yours, and your eyelashes begin to flutter, the shouts from outside break whatever spell had just started weaving itself.

Head snapping up, John’s body tenses as you push upward quickly. Attention slashing to the cave entrance, it’s not long before you realize what’s going on with a sharp breath and a leap to your pulse.

The smash of something connecting to rocks echoes like a feral killing song. Yells. Yowls.

“John,” you say hurriedly, flinching from the pain in your throat. Your eyes dart to his tension-ridden form, his arms wrapping above your body. “You need to run,” you choke out. “Go! Quickly!”

You only get a glance, and the clench of his jaw is as stubborn as it always is. Your brain already knows it’s fruitless. He won’t leave you here alone.

“They’ll kill you!” Your hands push at his chest, finger grasping at the bristle of hair to try and shove at an iron will.

“Stay under me,” John mutters, voice low and nothing more than a chilled order. Yet, even he knows there’s little that he’d be able to do. His eyes flashed to every trinket and bauble he had collected, the new ones he’d yet to show to you, but there was few in the way of weapons. A dagger or two from a trench, a sword from under a ship—a spearhead. All too far away and rusted for it to even matter.

There was a sharp feeling in John’s chest. A need. An oath that he gave to himself the moment he’d seen the way your little stick could breathe his image onto a sheet made of fibers.

He was to watch over you whenever you were in his sights, and that had extended itself to gliding through the water as he watched you climb and grunt your way to his cave; a careful eye that he had no need to tell you about. That was just how he was.

“John!” You try to bark again, growing desperate.

Yet, it was already too late, and the merman hadn’t shifted even an inch before Noah, Otto, and the Librarian burst through the entrance like bats from hell. They hold all manner of weapons, though the more you blink in a panic, the less afraid of them you seem, at the very least, the older man and the woman.

Otto held a cut-up and dented club, nothing more than something you’d keep for a home invasion beside the bed—the Librarian, a heavy book that seemed to contain every bit of information available to the world, so large it strained in her hands. Noah, though, was a different story.

He had a sharp, long knife and eyes that could cut flesh by themselves.

Half of Mr. Moore’s face was sliced up, cuts leaking blood to the ground—skin hanging and an eye completely poked with glass; shards in its gentle makeup.

You swallow saliva and stutter through a shaking breath, and John’s glare could burn cities as he feels it reverberating against him.

“There!” Noah shouts, balking closer. “See! I knew it was here—seducing the next woman to take to the ocean!”

Your wide eyes try to take it all in, hands slapping the ground sending droplets of collected water flying. John’s face hones in, digging in like how the glass from your brush container had into Noah’s visage, and, somehow, you think that dead stare can cause more damage. Grasping the merman’s waist, you attempt and silently urge him to go.

“Girl!” Otto calls quickly, eyes darting from you to John and back. Even if you could yell, you’re not sure you would. You wouldn’t even know what to say. “Get away from it!”

“I’d put that down,” John grunts to Noah, disregarding the old man and the librarian entirely. He clenches his jaw. “‘Fore you end up hurting yourself. Leave.”

“Otto,” you start, glancing at the woman beside your friend who looked like she was about to pass out when John had started to speak. The man in question’s face pulls, wrinkles thinning. “You have to listen to me, please, it’s not how Mr. Moore told you—”

“It speaks!” Noah barks, pointing his knife harder at John. “Freak of nature, it already has its hold on her.”

“Oh my,” the Librarian gasps. “Noah, it’s horrible—look at the tail.”

Your eyes flare with rage as John doesn’t react.

“Hey!” You shout, but instantly slap your free hand to your throat, coughing raggedly until your spine hunches. The merman brings you closer, but you’re already pushing until you’re on your feet, stumbling for a moment as John gives you a sharp look.

“You watch your bloody mouth,” you grid out, glaring, whipping your hands to get rid of the water droplets. Noah licks his lips as John grabs onto the back of your knee, fingers resting firmly. Sending a look down to him, your shoulders loosen at the expression he levels. You can almost hear the words.

Steady. Keep your head on.

Though, a slash of silent pride made your heart stutter a small bit.

Your eyes glint. “Drop your weapons,” your sentence is crackling but nonetheless sharp. “Leave. John is innocent—he told me all of it.” You turn to Otto. “Mr. Moore attacked me in my shop, I smashed a glass container into his head so he would release me.” Otto tenses, club getting strangled by his fingers.

“Noah killed Eleanor,” you breathe, John’s grip pulling a bit tighter as if sensing something you have yet to see. Noah shifts quickly, boots squeaking along the rock as he growls.

“Absurd—!”

“He pushed her over the rocks and blamed John when he saw him bringing back her body,” you interrupt as fast as you can, pain bouncing off your throat. “You all saw it on the shore, the lie was simple enough for a man like him. Saying she drowned to a creature.”

It didn’t surprise you that John was quiet, that he was studying more the stance of men instead of talking or trying to defend himself. While he could be hard-headed and stiff, he was never dull—he never missed ques. So when Noah launched himself at you, Otto and the Librarian more confused and concerned than anything, there was only a heavy push on the back of your knee that left you buckling with a gasp, and then the explosion of water as John sent you both quickly to the water.

Hands whipping to snare around the merman’s shoulders, you’re only able to get a quick breath in before you’re completely enveloped in water, with John’s hand setting itself over your mouth just in case. The sudden rush is comparable to a heavy wind, yet far more cold and nearly like a slap to the back of your spine.

You both disappear into the deep with a spray, Noah’s muffled yells of terror seen far above near the surface, arms captured by the Librarian and Otto—held at his sides. There’s a flash of those dark eyes, horrible things, and then John’s fins hide the rest as they slash through the water.

When you both resurface, retreating far back near the watery entrance of the cave, John keeps you firmly behind him, your arms around his waist as you gasp for air. He keeps his head slightly turned to the side—always having you in the corner of his vision. Above the spread of his shoulders, you peek softly, legs suspended below.

“Lier!” Noah screams, face contorted. “She’s lying!”

You look at Otto and see the grim way he’s already looking back, struggling to keep the younger individual from breaking free. He was sensical, but stubborn in his ways. Otto had a choice just as the librarian did—believe a woman who’d been here a year or someone they’d known nearly their entire lives.

“Noah,” Otto grunts, gritting his teeth. “Breathe, boy! Stop spitting, let her speak—”

The knife in Noah’s hands slashes the air, and suddenly there’s a yell from the librarian and a spray of blood.

“Otto!” You scream, fingers flinching.

The old man stumbles, hoarsely crying out as he grasps at his neck. Your eyes widen, mouth ajar as John pushes his hand into your head, shoving it into the back of his hair as he watches blankly, eyes glinting with a deadly hate.

“Don’t move,” he utters quickly, sternly, to you as your breath breaks, mouth slack to stare at nothing. Scales skate your legs, great kelp-like fins curling your ankle. “Keep still. Focus on my words, Love.” Under his breath is a tight, “Fuck!”

John speaks above the gargling—the spillage of blood to stone. He mutters through the screams of the Librarian as Noah slips trying to run to the entrance, scrambling with bulging eyes.

“Don’t look,” John says to you lowly, shifting his body as he keeps your face hidden away and let him hold you like a corpse to the earth. The sounds…oh, the sounds were horrible.

But the man holding you tries very hard to hide them.

Your body quivers violently as the slam of a body hits the ground, the frantic calling of the woman still here with the both of you; the loud calls from the fleeing murder outside the walls.

“That’s it,” John’s fast lips are on the top of your head, muttering and trying to make his voice as even as possible. “That’s it, then. Doing good, don’t move until I say so, alright?”

When you don’t answer, only shoving your visage deeper into his neck, his spine-breaking-hold squeezes once, and his pounding heart bounces opposite yours. You don’t have to say you know him to understand that he’s only holding onto a thread of good manners, and that was certainly only for our own sake.

Otto was dead.

John leads you out, the gold and emerald of your ring glinting in the moonlight as he holds your body to his, the powerful make of his tail doing the work as it shines in the water. He leaves you outside, where the still running form of Noah is visible, yet the only person noticing is John himself. Your hands are so shaky that it would be impossible to hold your sketchbook, let alone a pencil.

John takes one of them as Mr. Moore gets too close to the shoreline, slipping and getting his foot caught in between two stones. He panics, yelling loudly, as water is lapping up to his knee.

“Hey, hey, you hear me?” John asks, uncaring to the man, as he sets you down softly on a flat rock shelf. Fingers move to sit at your chin, and, through tight sniffles, you make delicate eye contact. He blinks, trying a tight smile—a flash nothing more. “There she is. Good...I need you to listen one last time, yeah? Just like before; don’t look until I say so.” Your face creases lightly, blinking through a haze of senses and horror. Otto was dead.

The man that brought you out on his boat—the man that cooked you fish and acted as if a guardian to you. His cat, who would take care of her? It seemed a silly thought given the circumstances, but you can’t stop your mind from running. The house, the boat, the cat. The blood.

“There’s nothing out here that can hurt you,” John grunts, grasping your hands and holding them, letting calluses and scars speak. “So long as I’m here, I won’t let it.”

He nearly growls out the words. In one movement, he puts your hand to his heart, and your brain latches onto the rhythm as your own rampages in your ears.

Noah is still screaming, but now it’s for help.

John’s voice lowers as he utters, “Hey,” the man licks his lips, eyes dancing to the side every once and a while. You stare, swallowing down bile. He says as fluidly as possible, keeping constant locked gazes.

“Stay here. I won’t be long.”

Fingers glide down your neck again, feeling that swelling, and just as you register the kiss that’s leveled to your hand, to that gifted ring, John’s already away; his tail slipping over your flesh, fins gripping, writhing with their film.

Yet, you have no trouble following his advice.

The rising screams from Mr. Moore are numb to you, and the following wave of water that swallows him is only accented by the hand that grapples for his neck.

John always seemed the one for revenge.

—

With the Librarian's newfound cooperation, the story became simple.

Mr. Moore, distraught over the death of his wife, had finally lost it all when down on the beach with Otto, yourself, and the local Librarian—attacking and killing the old man in response to being so near to where he and his wife always traveled to. Afterward, he’d walked into the sea and had taken his own life.

The authorities weren’t going to dispute it.

You sold Otto's house a week after his death, seeing as he’d named you the sole inheritor of his estate and belongings. There was no need for two properties, and sitting in that small place was akin to torture. After all, he’d been doing what he thought was right, and dying for a lie is nothing short of cruel to those left behind who knew the truth.

Harriet stays in the shop with you, where she’ll probably live out the rest of her nine lives peacefully. She’s quite fond of the fireplace.

Most days, people find you near the water, and it’s something that wasn’t going to change even after Noah’s body was found in the rocks—freakishly close to where Eleanor’s had been. Some were calling it poetic and you’d have to agree…but for different reasons.

“You shouldn’t be giving me all of these,” you huff months later, sitting on the rock looking out over the water. A large collection of John’s trinkets is piled high in a wrapping of seaweed, shining bright as you mess with your pencil, leaning to stare at him.

John’s lips flicker into a smirk. He hums, content to watch you, from where he rests not an inch away. You lean into him, sighing, as the innumerable glinting rings on your fingers shimmer.

“Want to,” he grumbles.

Rolling your eyes, you look back down to your book, three of four replicas of the man’s scale pattern sitting, shaded and duplicated—lifelike. His tail sways with the water, half of it lost below.

Your hands reach for them now, the scales closest to you, and you lightly poke and prod as John grunts above you, silent but willing in a way that speaks volumes. He’d let no one else touch him like this for the rest of his life—the softness of your fingers and the care on your face more precious than gold. You revered that tail of his; as if it gave over magic like a wishing well.

Shivering, John’s breath hitches as your exploring moves, pushing lightly at where the top of his hips would be.

Your talent was fascinating to him, just as you were. If you wanted to ‘paint’ him, he’d allow you to do all the studies needed. Not only to give you a distraction….but because he can’t bear to be away from you anymore. It makes him nervous, and that in itself is an incredible feat.

“Where do you come from, John,” your question moves the air, and the man moves to pull your jacket higher up your body to stave off the chill. You glance at him, smiling, before your attention returns to your drawings. Sketching more, John resets his lips and tries not to stare at your face. It was getting harder to deny that pull.

That near kiss.

“No answer, Love.” You stare as he quirks a lip, voice lowering. “I won’t be going back to distant waters anytime soon.”

John glances down at your sketchbook, seeing every scratch and bend of care. The both of you were strange creatures, perhaps. Unique—made for one another despite the obvious.

He nods his head to it softly. The water laps at your boots from below, but you care little before John shifts your feet carefully further up with a push from his tail. You chuckle at him breathily, face heating.

“Getting water on you, Love,” he breathes. “New painting soon?” John asks when the silence settles once more, with you shifting your legs to sit under you. He still isn’t sure what painting entails, but you had told him that you would show him soon, so he knows to be patient. But yearning for anything regarding you is ingrained into his mind now—instinct.

“Mhm,” you smile softly, sending a look at your paper and the images. A huff escapes your mouth. “I think I’ll make this one a portrait.”

John blinks, tilting his head slightly. “Portrait? Why’s that?”

Your lips find his, moving back up in an instant.

For a second, the man’s surprised eyes pull back; only lowering as he hums moments later, fingers curling up under your chin as he sags. Lids flutter closed, and his tail twitches lightly.

“I have a subject that’s caught my eye.” You mutter into his flesh when you pull back, face burning as deep blues sear your mind, turning it into mush. Your skin tingles as chilled digits trail your chin, dripping water down your healed throat.

John watches, lips parted, as you continue on.

“And I’d be a fool if I let him swim off.”

The both of you were going to be perfectly fine.

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rustedhearts · 11 months

Text

Raise Hell (Nascar!Steve x fem!reader)

summary: nascar driver steve harrington is a hot mess. literally. but when he keeps coming into your diner, staggeringly drunk and adorable, you can’t help but grow fond of him.

uses she/her pronouns and female anatomy.

hot wheels masterlist main masterlist

tags: nascar!steve, reader is referred to as ‘bunny,’ just fluff and flirting.

author’s note: i don’t know much about the mechanics of nascar because i’m more of a formula one fan, so some of the racing terms/descriptions might seem a bit more f1. sorry!

raise hell, praise…harrington?

talladega, alabama, summer 1995

In Talladega, a girl’s got two things to be: a country beauty queen, or stuck at her high school job. Stupid or stuck. You were stuck—specifically, stuck balancing trays of sweet teas and cokes, and burning your palms on the underside of steaming hot burgers and flapjacks. Stuck in the same stupid powder blue uniform and frilly lace apron you’d been swearing since you were seventeen. Sometimes, you started to wonder if you were no longer stuck—just plain stupid.

But two years ago, Nascar saw a new face on the tracks: one Steve Harrington. Donned ‘Pretty Boy’ for his princely good looks and boyish charm, he burned rubber like nobody’s business, and Alabama’s been in an uproar ever since. You normally didn’t welcome midwestern men with such open and loving arms in a place like this, but as the folks say: he’s one of us, honey.

And one of you he became. He even had the slight slur of a southern twang to prove it, and you came to hear it firsthand when he sat at the end of your counter one night last October, bleary-eyed and pink-cheeked.

“What can I get you, Hot Wheels?” You hadn’t meant for the name to slip, but once it was out there, you couldn’t take it back.

Luckily, Steve just laughed. Slumped on his palm, draped over the counter full of old crumbs and sticky syrup, he pointed toward a laminated menu beside him.

“You guys sell fries?”

You gave him a basket of hot, golden french fries fresh out of the fryer, salted to perfection by yours truly. When Steve saw them sitting in front of him, practically overflowing in their red plastic, newspaper-lined confines, his eyes got huge. He devoured the basket in five minutes flat. You turned your back to clean the coffee pot, and when you went to check on him, offer a glass of water to rouse him from drunken stupor, he was gone.

Sitting in his empty, grease-splattered basket were two hundred dollar bills. It’s still the largest tip you’ve ever gotten on such a small bill to date (or…on any bill).

When Steve Harrington stopped by the diner, you went home with a thicker wallet, a swollen heart, and a burning blush on your face.

You always heard his arrival before you saw his face. The smooth, low grumble of his Ferrari engine. His headlights blared through the blinds on the diner windows, whipping with effortless expertise into the front spot near the door. The headlights cut off, and moments later the door chimed as his lean figure stumbled through.

Designer sneakers scuffing the floor, black leather racing jacket with endorsement patches ironed on neat gleaming beneath the white fluorescents of the diner. He smelled like gasoline and boozy cologne—or maybe that was just the booze. Steve's favorite bar was just up the road: a swanky wood-paneled joint with a mechanical bull, and girls just out of college in skimpy denim shorts and leather cowboy boots. He always left with pink-tinged cheeks and a sway in his step, and though you disapproved of getting behind the wheel under the influence, you didn't mind that he raced all the way here just to get to you.

Tonight, like every night, he strode straight toward the counter and took his seat on a squeaky metal stool at the end.

He patted the counter, shot a finger gun at you, and smiled a half-cocked grin. "Hey, pretty girl."

Cheeks blazing, you rolled your eyes as you collected the coffee pot—freshly brewed just for him—and his basket of sizzling, golden fries. You placed the fries in front of him and flipped over a porcelain mug, pouring a steady stream until it pooled around the rim. No room for cream or sugar: how Steve liked it best. He was already five fries in by the time you placed the coffee pot back.

"Hey, Hot Wheels. Catch anythin' good tonight?"

Elbows pressed against the counter, you leaned over the stack of sticky menus and extra ketchup bottles to flash him your sweetest smile. You always laid it on real thick for guys like him. None of 'em tipped like Steve did, and none of 'em were nearly as handsome. None of 'em made you laugh like Steve did. Jesus, how stupid was that?

"Nothin' worth bringin' home, Bun," Steve sighed, head falling to his palm as his fingers made quick work of delivering fries straight to his mouth.

"Better luck next time." You shrugged, though you knew what this game was.

"No," Steve mused, eyes narrowed with a twinkle of mockery, lips coated in shiny grease and flecks of salt. "No, I don't think so. Know who I'd love to take out, though?"

You pulled away from the counter, that familiar flutter in your chest. You reached for the damp rag previously soaked in lemon sanitizing spray, wiping at the crumbs behind the counter. Steve always came in right when you were closing up. The first time he stumbled in, you threatened to kick him out, but something about those stupid puppy dog eyes and that sly, halfway smile made you stop. You always agreed to close on weekends, just to stay back and clean up after the strays and Steve Harrington. The diner was quiet, only the buzz of old lights and the distant whoosh of cars on the road keeping you company until he appeared.

"Who?" you asked, eyes flicking his way as he munched on his fries. The newspaper in his basket crinkled with his eager snatching.

Steve lifted his head, movements slow and bleary, and in your periphery, you could see it follow your every motion. His jacket made his shoulders look broad and big. You could smell the cigarette remnants still on his hands when you moved in front of him again.

"Come on, Bun," he huffed, that poor, sweet attempt at an Alabama drawl clinging to every word. The way he said your given nickname made your heart squeeze.

"Come on, what?" You flashed him a smile, pursed lips and scrunched nose, and he shook his head amusedly at it. He thought you were so beautiful, even in this ridiculous 1950s getup, hair frazzled and face gleaming with heat.

"When are you gonna let me take you out, sweetheart?" he pouted, hand bumping his empty, grease-stained basket when he dropped it to the counter.

Though your insides were stirring and the back of your neck felt like someone was giving it a pinch, you spun on your heel and reached for the coffee pot again, feigning an air of cool ease. You never wanted a man to have the upper hand on you, no matter how pretty that man might be. Your daddy taught you better than that.

Pressing close to the counter, you held the pot midway in the air, hovering, and caught Steve's eye. His were all whiskey brown and muddy green, more hazel than anything. It was only at this moment that you heard the Willie Nelson song humming on the jukebox in the corner. His lips parted when your eyes narrowed, catlike and dreamily charming.

You inched closer, leaning in like you were fixing to whisper a secret. "When you come in sober, Mr. Harrington."

You topped off his untouched coffee, placed the pot back, and sashayed toward the tables to wipe them down (for the second time tonight). Behind you at the counter, Steve gnawed on his lip, head tipping to admire the backs of your thighs where they caught the plump flesh of your ass beneath your shorts. He scoffed to himself, snatching the mug thrumming with heat, slurping at the potent black liquid.

If sober was what you wanted, sober you would get.

♡ ♡

Nascar was always on channel two, and when your manager Rod was working, he insisted on playing it on the tiny television behind the counter. He paced between the office in the sticky kitchen and the space behind the counter, munching on peanuts and sipping a jumbo Pepsi from the morning.

"Rod, maybe you should have somethin' else to eat." You whooshed a platter of burgers and fries over his head as you rushed toward your table.

"Nah, I'm waitin' for that-that Harrin'ton kid to come on," he excused, motioning toward the tv with a salted peanut palm.

You bit back a grin, sliding the plates onto the table for your eager customers. Wiping your hands on your apron, you headed back to the counter and leaned on the other side.

"What, excited to watch his engine crap out again?” you teased, giggling at Rod’s offended expression before flouncing off toward the kitchen for your break.

“That kid might not be from here, but he’s one of us now, Bunny!” Rod called after you, accent thick and slurred loose.

You waved a hand, eyes rolling. “Why d’ you think I give him such a hard time, Rod?”

You heard his hoarse chuckle as you hopped up on the empty steel tabletop in the kitchen, snatching a soggy fry from a half-empty basket. The cooks all murmured about a table that sent back a burger (there’s always one), and asked you about your shift today. The occasional ‘how are the kids,’ and ‘your garden holding up well in this heat?’ ensued, but most of them knew that when you had a moment to yourself back here, you preferred it in silence.

Billy, a line cook a few years older than yourself, whizzed by with a greasy silver spatula and a plate of perfect, crispy grilled cheese. He slipped it onto your lap as he passed, eye dropping in a wink, before he returned to the grill. You grinned in thanks, picking up the warm, shiny sandwich.

You were halfway through the first triangular slice when a holler jolted you on the table. You dropped the slice, rushing to place the plate on the table and skitter into the dining room again. Head whipping around, you searched for some sort of disaster—a hurt child, a choking customer—and found Rod screaming at the television, red-faced and glistening with sweat.

Huffing, you collapsed against the counter. “Rod, what the hell?”

Rod didn’t tear his eyes away from the television as he smacked his hands together. “Aw, come on! His car’s crappin’ out, he’s gon’ have t’ leave the race.”

You shifted toward the television, preparing to scoff at the urgency of Rod’s statement when sparks skidded over the track on the screen. Even in their pixelated form, the sparks were bright and sharp as a firework on independence day. You watched the cherry red car bounce, jostling the driver inside—clear cause for a biting backache. The car veered left, then right, then toward the off track where Steve stopped it.

Rod cursed, slapping his knee and shaking his head.

“Got-damnit,” he shrilled, easing up from the stool. “When’re they gonna put ‘im in a car that actually drives?”

Rolling your eyes and attempting to ignore the ball of worry the size of Texas aching in your chest, you slid away from the counter and headed back toward the kitchen where your food waited.

“When are you gonna get t’ work, Rod?”

“Eh.”

♡ ♡

That night, you soaked the linoleum in lemon cleaner and scrubbed at the vinyl booths, lights dimmed to keep customer count low until you actually closed. Rod left a few hours ago, and only a handful of cooks lingered in the back, shooting the shit and sharing smokes. You liked having the dining room to yourself while you closed up, humming along the radio and watching the road through the windows. You fantasized about a life with enough money to never wipe a table again.

Given the day he had on the track, the last person you expected to see that night was Steve Harrington. So when the door chimed open and shoes squeaked across the freshly-cleaned tile, you whirled around with a customer-approved smile in preparation for a sweet but curt “we’re about to close.” However, the customer service facade dimmed at the sight of that familiar pretty face and those colorful ironed-on insignias.

“Hey, Bun.” He sounded breathless and beat.

"Hey," you squeaked, dumbfounded by the sight of him.

The outline of his helmet still sat on his face: aggravated red lines indented around his eyes, across his cheeks and nose. His hands, Ferrari-red and raw, trembled as they swept through his tousled hair. "Mind if I sit, Bun? Long day."

Which is how he ended up slumped in a clean booth, head of slick locks thumped against the glass. It felt odd to see him in an actual seat instead of his usual at the bar, but he needed the rest. You could only imagine the sort of strain a car going 200 miles an hour while jerking around had on someone.

You slipped into the kitchen, and with a meek and quiet plead, had the cooks make one last batch of fries fresh for Steve before they left. Just enough for the driver to get his strength back up and feel at home again. The fried pile of grease glistened and sizzled in their plastic confinement on the way out of the kitchen, a cold glass of Pepsi fizzing in your other hand.

You brought them to the man still drooped in the furthest booth, head tipping to find his eyes. "Steve?"

"Hmm?" Blearily, the racer sat upright and blinked at you.

Flashing him a fond smile, you pushed the basket of fries closer to him. "Food."

"Oh."

He munched on the crispy golden potatoes for a while in silence. The back door clinked with the absence of cooks. You thought about getting up to flip the sign over to 'sorry we're closed!' but you couldn't find it in yourself to leave the table. Eventually, you slid into the booth across from him and watched him eat. He sucked down the Pepsi through a striped straw like a toddler gulping apple juice.

"Why did you come here tonight? I mean...you're in no shape, Hot Wheels," you remarked, watching him rub his fingers free of salt.

Steve's eyes flickered toward you below his brows, chin tipped toward his food. He straightened up when he saw you watching, giving his shoulders a shrug. He smelled like scorched rubber, gasoline, and a bit of bourbon-whisky.

"Had a shit day," he muttered, eyes returning to his fries with urgency. "Knew seein’ you would cheer me up."

A flutter disrupted the rhythm thumping in your chest. You felt it in your throat, too, settling like indigestion. You swallowed harshly to clear it away, easing the wonderment in your face with a little grin. Steve went back to finishing the thin strips of fry remnants sitting at the bottom of his basket.

Stripped free of liquored charm and that 'pretty boy' suave, Steve Harrington actually seemed...sweet.

"Hey, Hot Wheels?"

Steve looked up, lips glassy with grease. "Yeah?"

"You can take me on that date now."

♡ ♡

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chronically-ghosted · 5 months

Text

go west, to the southern plains, go west to breathe (lover, share your road - part i) series masterlist | AO3 Link | prologue | part ii

chapter rating: T

word count: ~21K

chapter summary: at the end of the line, you make a business proposition to Joel Miller. He brings you and Ellie home to the last sanctuary left in this world in exchange for your skills. What you find there and what you find out about Joel Miller is not what you expect.

chapter warnings/tags: depictions of going hungry and poverty, sexual harassment, period accurate sexism, depictions of a sick child, reader depicted as skinny but due to lack of food not her natural body type (and this will change), allusions to domestic abuse, hurt/comfort, pining, the beginnings of a praise kink, let the idiots in love begin

a/n: shout out to the ever incredible @jennaispun for beta-ing the prologue and this first part!

“After a long walk in hell, I found you. You made hell feel like home, you made the flames feel warm. It’s true, you haven’t saved me but you were the closest thing to heaven.” — Maram Rimawi

part i:

Beneath the soot-gray fingertips of your gloves, the dust of the high plains sits coarse and heavy on the tattered, yellowing strip of paper. You hold it down flat as a brutish wind snakes up the empty dirt road through the center of Dalhart, grabbing hold of the brown dust that clings to everything — and tugs. Underneath your pale blue dress, with the hemline torn and the collar in need of stitching, your heart pounds as you read the small, almost guilty, advert:

Help wanted. Can pay.

Contact Joel Miller.

The promise of actual money should have had every able-bodied American scrambling to answer the advert, but by its place near the bottom of the announcement board outside of the country store, buried beneath slashed prices for milk and eggs and headlines out of Washington – it seems certain to be relegated into obscurity.

For all you know, this could be months, even years, old. Miller, whoever he was, could be long dead, or gone with the rest of the exodus to California. Or he could have gone the way of your “Uncle” Robert – a huckster, discovered too late; one of many who prey upon the desperation that sticks to the country like the acrid smell of smoke. Your hand shakes as you pluck the yellow card from the wooden plank. There is no contact number, no address. Another trick? Dust stings the corners of your eyes when you pinch them close, your breathing quickening, your pulse sharp in the sleeve of your ratty glove.

Oh, God, what are you going to do? What if this is nothing, just like Robert’s promise? What if there’s nothing here for you? What if –

A small hand on your forearm centers your spiraling thoughts. From beneath a faded blue baseball cap, two brown eyes peer up at you, firm and reassuring.

“You okay?” She keeps her voice low, just like you asked.

“Yeah, El–Ellie, I’m fine.” You squeeze her too-thin hand, your stomach toiling with guilt and its own emptiness. “Just figuring out what to do next.”

“Is finding and murdering this asshole Robert still off the table?”

You frown, your niece’s quick temper more from your dead sister than you. “It is. Now, I’m going inside to ask about this advert. Maybe this Miller still has a job or two open.”

Ellie’s eyes fall to the slip of paper in your hand, her aggressive scowl tightening into something that too closely resembles fear. She knows what’s at stake just as much as you do and you hate that that knowledge ages her youthful face.

“You stay close and don’t let anyone get a good look at you, okay?”

Ellie nods, already familiar with the routine, and scoops up your luggage case, her tattered satchel hanging off her other shoulder. She had been wearing pants long before reaching Dalhart, but it soothed you to think the eyes of cruel men passed right over her, their interest rarely in young boys.

A bell above the door tinkles when you open it, but by the dull, muted sound, it most likely has a few dents. Behind you, the afternoon heat follows you in, the sunlight illuminating the floating dust mites in the air. The door whines as it closes, brightening the inside of the store, where the mites settle back into the silver layer that sits over cans of tomatoes and peaches, linens, boxes of gum and cigarettes. Nearly everything sits untouched and unmoved, old dust settling between cracks and grooves, patrons not having enough money to buy something and the owner not having enough to change out stock. Struck still, frozen in a single, long exhale. The slow, creaking death of the economic system has reached Dalhart too. You shudder, suddenly cold as if in a mausoleum.

The further away from Boston the train took you, the further back in time you felt. Here, you are reminded of the old general stores of cowboys and pioneers. But maybe, that is exactly where you are: out of time.

A man in long white sleeves, coiffed hair, and perfectly round glasses, looks up from the wilted newspaper spread out over the counter.

“Can I help you?” His accent hails from the east, North Carolina most likely. However, his manners are not reflective of that famous southern hospitality. He looks at you like you’re a bad dream and it unsteadies you.

“Y-yes. I, uh, I’m hoping that you know a-a Miller. Joel Miller? I have his advert and I’m, um, I’m looking for work.”

The man’s thin eyebrow jumps mockingly. Aren’t we all, sister? But eventually, he shakes his head.

“Look, I don’t know what you’re doing all the way out here, but this ain’t no place for a young lady out on her own, job or no job. Where’s your husband?”

“Dead.” Your voice doesn’t waver, but then again, why would it?

The clerk’s eyes soften, if only slightly. “I see. But I’m sorry to say, there is no job here for you.”

Your mouth instantly dries out. “What do you mean? Where’s Mr. Miller?”

“He’s a mean ol’ sunuvbitch, livin' God knows where. Comes in twice a month for supplies and he’s back out into the prairie.”

“I’m sorry, I don’t see why that’s a problem –,”

“He ain’t fit for civilized life, ma’am.” The clerk drops his nose, eying you seriously over the rim of his black glasses. “Whatever he’s offering, you don’t want no part of it.”

“I think we’ll be the judges of that.” Beside you, Ellie drops your suitcase and it loudly clatters to the ground. “Thanks for the tip though.”

The clerk’s eyes widen – this is terrible behavior even for a boy – his mouth unfurling to give a nasty tongue-lashing, when you interject, your voice thick with pleading.

“I would just like to meet the man. Please, sir.” The clerk, like most men without scruples, can barely resist the sound of a woman begging. Those uncanny blue eyes find you again. “Has he come in recently?”

You can feel Ellie’s wicked sneer behind you, the clerk’s gaze switching between the unlikely pair in his shop. Finally, he shrugs. Who gives a fuck if one more woman goes missing?

“He’s due for a resupply.”

“How soon?” Your palm sweats under your gloves.

He narrows his eyes, evidently annoyed that a woman would reject his warnings. “Soon. We have a parlor in the back if you’d like to wait for him. But you have to buy something,” he adds vehemently.

You nod, unsteady on shaking knees as you walk towards the door in the back of the store.

“Thank you, sir. You have been so kind. We very much appreciate it.”

Any chance that the clerk finds you sincere is lost when Ellie wraps her knuckles on the counter as she passes.

“Buh-bye, dude.”

The parlor is small, dark, damp, and smells faintly of kerosene and leather. A woman, most likely the wife of the clerk you just annoyed, glares from behind a counter as you and Ellie walk in.

“Lunch.” Not a question.

Ellie looks up at you, eyes wide, fearful. You hadn’t let her see what is left in your purse, but she knows it’s low.

With your stomach in knots, you wouldn’t be able to eat anyway. You pluck out a dollar, bringing your total down to three dollars, and giving it to your niece.

“Order whatever you want.”

The beating heart of the blazing Texas sun edges downward across the open sky, falling, until it drops completely behind the harrowingly flat horizon. Purple erupts in its wake, the last pump of blood of a dying muscle, and nearly instantly, the temperature drops. You watch the explosive coronary of the sky from a table at the back of the parlor, your own pulse doubling the later it gets. You squeeze your hand between your thighs to keep your fingers from drumming uneasily on the table. But for once, Ellie doesn’t pick up on your nerves.

A dollar went farther out here and, as a result, Ellie is allowed her first big meal in months. Twice now, she’s nearly forgone the silverware to shove food directly into her mouth with her fingers, had it not been for your glares to remind her to slow down.

“This is slow,” she grumbles as she licks her bowl of mashed potatoes clean. Of course, half of what she ordered sits waiting for you, but you know she needs this meal more than you do – even if your rumbling stomach disagrees. You’d already had lunch at the train station; one more missed meal won’t kill you and less for you means more for Ellie.

Suddenly becoming a parent to a very opinionated fourteen-year-old girl was not something you had anticipated, and most times you figured you were doing it all wrong. The least you could do is give her everything you could.

“You think he’ll show?”

You tear your eyes away from the parlor door, blinking back into your body out of your cloud of thoughts. Ellie’s little hands grip the bowl, a white smear sitting on her bottom lip, her eyes dark as they watch you.

You grin as her pink tongue swipes up to lick her mouth clean. How easy you forget she’s only fourteen, with her loud mouth and provoking eyes. “Eat your food, Ellie.”

The words have barely left your mouth when the door to the parlor bursts open. Two men, clearly drunk and smelling of it, stumble in. This is the part where you wish you too could believably dress up like a man. Your pulse thrums in your neck like a heightened prey animal.

One pushes the other’s shoulder, smirking, and grunting something. His friend, also in a cowboy hat but half his size, nods and makes an unsteady line for one of the tables, while the other does his best to get to the bar.

The man at the table has light green eyes, overly thick eyebrows, and a flat mouth, loose with drink. He flops into a wooden chair and you watch as the Texas Rangers badge on his chest flashes in the firelight behind him. Your stomach tightens.

He stretches out, feet crossed over his ankles, limp hands crossed over his denim jacket, hollering at his friend and the woman working, who looks equally displeased to see them as she did you and Ellie.

Smirking, his eyes slide from the wooden bar top, over the back wall, and right onto you.

You watch as his gaze blurs for a moment, a film of beastial hunger smothering the color of his eyes. You can feel your pulse in your ankles now.

“Well, now, what do we have here?” The lilt in his voice calls out two unspoken words: fresh meat. Distressingly steady, he climbs to his feet, his hat tilted obnoxiously on his forehead. “Where did you come from, you pretty little thing?”

He saunters over, his thumbs stuck in his belt, the gun at his side snug in its holster. The grin on his face is hideous. You’d smack it off if you weren’t suddenly overcome by a debilitating fear. A look like that on a man is never, ever a good thing.

“Whatcha got there, Lee?” his buddy calls out from the bar, beard drenched in beer foam.

“I dunno quite yet, Knapp,” he says over his shoulder, his livid green eyes never leaving your face. He nearly folds in half to press his spider-like hands on the surface of your table, coming inches from your face. His breath smells like corn whiskey and cheap tobacco. “Guess I’ll have to find out. What’s your name, pretty thing?”

“Or she could not tell you her name and instead, you could fuck off.” Ellie’s scowl wrenches her mouth open, her knuckles white around her spoon. There’s a part of you that fully acknowledges and accepts that if given the signal, she’d scoop the fucker’s eyes out with the silverware right here. “We’re eating here, or are you too busy smelling like a fucking whiskey barrel to notice?”

As with most adults when Ellie decides to show her teeth, Lee stares stunned before the self-righteous anger sets in. Your heart stops for a moment when you think he’s going for his holster, but instead, he uses the flat of his hand to swat her hat off her head.

“Shut up, you little fucker, where’d you learn your fucking ma–,”

Ellie’s long hair tumbles down her shoulders, the baseball cap on the floor behind her.

Lee is stunned into silence once again. The parlor goes deathly silent.

It’s Knapp who sets off the explosive spark again. “Holy fuck, you’re a little girl.”

Ellie snatches up her hat, cheeks flaming red, but Lee’s hand grabs her wrist.

“A kinda cute one at that,” Lee sneers. He twists her arm and she yelps. Knapp at the bar laughs, his paunch shaking as beer sloshes over the side of his glass. The woman is cleaning something with a rag, turned away from the scene, her shoulders hunched to her ears. You’re on your feet, your hand on her purse. “What are you thinking, hm? Dressing this sweet little girl up like a boy?”

The trigger clicks and Lee and everyone else in the parlor freezes. The edge of your lash line is wet, fear rolling through you like fog on the bay. Your hand is steady, miraculously, but your voice isn’t.

“L-l-let–,” your voice cracks and you try again. You only have one gun drawn on Lee and you pray to whatever god is listening that Knapp doesn’t remember his. “Let her go.”

This small pistol is your last line of defense against those who would take everything from you. You couldn’t keep your sister safe, your husband didn’t want to be saved, but you’d die before you’d let anyone come within an inch of Ellie. You pawned off your wedding ring long before you ever considered selling this weight in your hand. You couldn’t physically win a fight but you’d be damned if you weren’t going to take someone out with you.

There’s more than one reason you never let Ellie look into your purse. You won’t make eye contact with her now.

Lee’s eyes harden into black flints in his head. “Yeah? You’re shaking like a leaf. You ain’t gonna do shit about it.”

He twists harder, forcing Ellie to her knees, his mouth smearing into a sickening sneer, Ellie’s cries loud – “get off me, you fucker!”

All you have to do is miss. Once.

Your arm shifts right and you fire. You meant to hit the floor, but instead the leg of a chair at a nearby table shatters, wood and smoke sparking into the air. Lee and Ellie jump, their struggle broken, but Ellie’s quicker, smarter. Hunched to avoid debris, they are nearly eye to eye and Ellie doesn’t hesitate; she jerks her head back and then launches her forehead forward – square into his flat nose.

The crunch is sickening and it turns your already empty stomach. Lee shrieks, releasing Ellie, his hands flying to his misshapen nose to staunch the river of blood pouring from his nostrils.

“You bitch!” he whines, voice wet and gummy as blood trickles down his throat, eyes watering. You hear a roar of anger as Knapp stands, no longer finding any of this funny.

“Get behind me, Ellie.” You snap, eyes on Knapp as he lumbers forward. She hesitates, looking like she’d like nothing more than to kick Lee up the balls, but obeys the closer Knapp comes. She slots behind you, eyes sharp on the squealing man on the floor.

“She broke my fucking nose, man,” he cries, face already purpling.

“Yeah, and don’t you forget it, you fucker!” She snarls over your shoulder. One hand holds your elbow, and the other brandishes her mother’s knife that had been at the bottom of her satchel seconds ago. Fuck.

Ellie Williams is not, and never has been, nor will be, one to deescalate a situation. Knapp responds in kind. His drunk fingers fumble with his holster, his face contorted with rage.

“Shootin’ at an officer of the law – you’re gonna hang for this, you thieving little c–,”

“Knapp.”

A fifth voice – low, deep, a mammalian bark that grinds the chaos of the room to a halt. The large man stalls, his engine snagged by the rough grain of that voice. On the floor, Lee lets out one quiet whimper as he cracks open a pulsating black eye.

In the glow of the firelight, you watch as beads of sweat swell on Knapp’s big forehead beneath his wide-brimmed hat. His wide eyes flash between you and the man who just walked in.

“M-Miller, the fuck you want?”

Your heart seizes in your chest. Miller.

Joel Miller.

You never thought your saving grace would come in the shape of a hulking, dark-eyed man.

A well-worn handkerchief around his neck, crusted over with dust, his broad shoulders stretch a denim work shirt, the unbuttoned collar loose and just as dirty. Worked-over hands, dry and brown as the earth, curl into fists at his side. Tight jaw, flared nose, eyes black, his presence expands in the cramped room, a leviathan cresting dark waves to command the roaring void.

“Back off, both of you.”

Knapp sneers, desperately tugging at some misguided sense of bravery, with sweat running hot and fast and smelly down the sides of his rubbery face. “Y-yeah, or what?”

“You fuckin’ know what.”

Knapp visibly swallows and lowers his pistol, hands trembling. Lee whines from the floor, his eyes open as wide as the swelling will allow, abject terror on his face as he stares up at Miller. Neither of them move.

A guard dog satisfied by the corralled sheep, Joel’s heavy gaze roves from the two men, across the room, to you.

His expression doesn’t change.

The weight shifts across the stiff planes of his shoulders, and he turns, leaving as quickly as he appeared. Beneath his thick boots, the wooden floor creaks and it rouses you. Your mouth is so dry you can feel the skin of your lips split apart.

“Mr. Miller, w-wait.”

He doesn’t.

With a single glance to the men still frozen in terror, you follow him through the now-dark and empty store. The cold desert air cracks hard against your overheated cheeks when you burst through the door, into the black night. The moonlight illuminates the threads of silver hair in his beard that the dark parlor hid. His fingers work slowly, unhurriedly, as he tightens the leather buckle beneath the wide girth of his off-white horse. It lifts its head as you stumble out onto the dusty road, its round eyes watching you with more interest than its rider. White ears twitch forward, a snort from the long snout, and Joel rubs the soft place between two giant nostrils without looking up.

“J-Joel – Mr. Miller, please, I need your help.”

“Already got it.” His shoulders flex and roll as he loads up another loose sack onto the rump of the horse, then tightens the securing belt. It snorts again and shifts on its hooves, its long tail flicking back and forth.

You shake your head, swallowing the hot rush of embarrassment. The wind licks at your ankles and you fight back a shiver, bringing a hand to your shoulder to warm the goosebumps. “No, sorry, I mean – I’m here to help you. I saw your advertisement and I was wondering if the position was still open.”

The buckle quiets. The dirt at his feet crunches as he faces you.

There are no trees in Dalhart, Texas. There are barely any clouds, no coverage. Overhead, the few buildings not yet folded up in the wake of the financial collapse throw shadows over his angular face, but you can still feel the trace of his gaze over you. A curious search, the investigation of scent.

Then he shakes his head.

“No.”

Your entire chest tightens. “Has the position been filled?”

“No.”

“Then why–,”

“I don’t need you.” He lifts up the third and final sack and you feel your hope being carried away with it. “Need a farm hand. You’re not the type.”

“N-n-no, I’ve worked on a farm. I-I’ve only planted seeds but I’m a quick learner and I–,”

“No.”

“Sir – please, I’ll do anything–,”

“Then go home.” He unties the reins from the wooden post and clicks to the horse. Its big eyes watch you as he turns them for the road. “There’s nothing here for you.”

You absolutely will not cry in front of this gruff stranger. Panic icing down your spine, you follow him on weak knees. In the wake leftover from the wheat boom, Dalhart is quiet as soon as the sun goes down. Empty of people, of light, of any sort of guiding hand, you try to appeal to the last human you’ve found at the end of the world.

“Mr. Miller, there must be something you need. I’m a hard worker, smart, you won’t have to train me at all. Please. I’ve been a housekeeper, a seamstress – a nurse. I —,”

The horse huffs when Joel pulls tight on the reins.

In the moonlight, all of his hair looks gray. Your heart plunges in your throat. You can feel your stomach trying to digest your spine.

“Done any work with kids?” He asks, after a moment.

His brisk question is not what you expected. You can barely hear him over the pounding in your heart.

“Y-yes. I’ve treated children before. A-and I was a teacher, briefly. I’m very good with children, actually.”

The scarred hand at his side tightens, flexes open and closed, the tips of his thumb and forefinger twitching over the other. Over his shoulder, you think his head tilts a centimeter towards you.

“You know what? Fuck this.”

Out of the shadows of the county store, Ellie tears down the steps, her face pink and her hair stuffed back up her ball cap. She loops her small hands around your forearm and tugs, her eyes like chips of bark, glaring hatefully at the man in the middle of the street. Faint dust churns beneath her faded sneakers.

“She’s fucking begging you and you don’t give a fuck, you old shithead!” She tugs again. In the flash of the moonlight, a glassy film has settled over her eyes. “C’mon, we don’t need him. We – don’t need – him.”

“Ellie, please!” You grab her by the shoulders, a soft hand in a swirling tempest, and she settles, her mouth twisted up in anger and embarrassment. She hates that you have to beg anyone. “Please.” Shielding her from him, you squeeze her shoulders. “I know, Ellie. I know. But I have to keep you safe.”

Ellie finally turns that hot glare at you, eyes damp. Petulant when terrified, your sister was the exact same way.

Fuck, Anna, it should have been me.

“She yours?”

Joel rests his weight on his left knee, fingers loose around the reins. He’s lowered the mask around his mouth. You snap your head up, your voice thankfully steady. “She’s my niece. She . . . I’m responsible for her.”

Below your palms, Ellie stiffens.

Fifteen feet from you, Joel nods, the muscle in his jaw tight. The horse huffs and he glares at it like it just yelled at him too.

“I’m not in the habit of pickin’ up strays,” he says as if that means a lot.

Hope springs in your chest and it snags the air in your lungs. “We’re not. I-I mean, we’ll work hard. Please, give us just one chance.”

“And you expect me to take on the both of you.” It isn’t a question, but his eyebrow arcs all the same. “That’s two mouths I gotta feed, ‘steada one.”

“She can have mine.” In the silence, you think you can hear the faint choir of crickets. You remember the tarantulas and centipedes that lived inside the walls of your husband’s prairie dugout, and your stomach twists. “Ellie can have whatever you give us.”

She makes a brief cry of protest, but you squeeze her shoulders. The sharp flair of his nostrils smooths and the corners of his eyes pinches, tilting his eyebrows up. He’s still glowering, but somehow, his expression has suddenly opened, just a crack.

And then he nods.

“Stay here a night. I’ll be back in the morning with the wagon.”

And that’s it. You have a job.

You’re so elated it takes a minute for his words to sink in. He turns back down the road, the horse's hooves clipping on the dry ground. You follow after him, hand outstretched.

“Oh, no, w-we can walk, it’s no trouble. Let me just get our things and–,”

“Too far to walk. And there’s things out in the dark more dangerous than those fuckin’ rangers.” He nods to the country store, eerily quiet. It sits, ugly, like a brown old frog. “There’s a hotel just up the road. It’s not much, but it’ll do for one night.”

“But, sir, we really can’t stay. I don’t – there’s no –,”

You stumble to a stop when those merciless dark eyes root you to the ground. The leather reins squeak when he tightens his fist around them. Again, you are under the impression of a dog sniffing out your scent for any deception, any treason. He takes you in, all of you in – your ratty gloves, your torn hemline, your tattered collar – and by some miracle, he doesn’t say anything. Instead, the groove above his nose softens.

Wordlessly, he reaches into his back pocket and takes out five dollars from a brown leather wallet. He offers it to you between two fingers.

Take it, his eyes command.

You do, with a shaking hand. You hate charity, you hate that you’re at his mercy –

But Ellie has a bed for the night. Inside, warm. Where, hours ago, she didn’t. You smother your pride and nod, gaze at the scar on his cheek that you only now notice at an arm’s length away.

“One night,” he says. “For you and the kid.”

You nod again because that’s all you really can do, his pity clutched in your fist and held against your heart.

Ellie scowls as he swings up onto the horse and readjusts his mask.

“What a guy,” she murmurs to you, her eyes still narrowed. Joel clicks his teeth, and the horse trots off into the dark, a lone man riding out into the featureless night.

Evidently still feeling slighted, Ellie sticks her tongue out at the denim back.

“Better keep that tongue in your mouth, kid,” he hollers before digging his heels into the horse’s flanks. “Liable to be chopped off like a copperhead.”

Ellie’s mouth snaps shut.

The money Joel gave you is more than enough to cover a room and another plate of food. You even spurge your own money on some small candy for Ellie, determined to give Joel back every cent left over and then some, once you’ve proven you can earn your keep.

For you and the kid.

You shake your head, lost in your own thoughts, the gnawing hunger in your belly satiated, as you pull back the covers to the twin bed. The metal frame squeaks as you climb in, your night dress thin and ragged as the rest of your clothes.

“C’mon, Ellie, time for bed.” When she doesn’t move, you stop rearranging the pillows and look at her. In her own white nightie (because she’d outgrown all her other pajamas), she sits in front of the roaring fire, her chin on her knees, and her arms wrapped around her shins.

She’s quiet - either a good sign, or a terrible one.

“Ellie, sweetie, we’ve gotta get some sleep. It’s gonna be a long day tomorrow.”

You watch as her narrow back expands and falls in one slow breath, her skin bright in the firelight.

She nods mutely and climbs into the space beside you. She rolls onto her side, away from you, her hands tucked up under her head, her knees curled up beneath her.

This is where Anna would know what to say. How to soothe this girl with so much awareness in a world that is raw to even those willfully ignorant. You can’t bullshit Ellie the way you can some kids. She knows too much. Seen too much.

You settle down next to her in the shadow of her shoulder. Your fingers hover, locked between the yawning gap of touching her and not touching her, when she finally speaks.

“Is this really going to work?” Her voice is quiet, soft, dust-covered and buried. “Is Joel really gonna . . . are we safe?”

You cannot bullshit Ellie Williams.

“I don’t know. I’d like to think so. I know you don’t like him, but I think we can trust him.”

She’s quiet again, only this time because there’s something she doesn’t want to say.

“Not like Uncle Robert – or Robert, if that’s even his real name. I’d never met the man in person, but I wanted – so badly – to believe . . .” You swallow, your own shame boiling your skin. “I think we’re safe with Joel Miller.”

The god’s honest truth.

She hears it in your voice.

Ellie tips back to look you in the eyes. She’s lost so much weight recently. “Yeah?”

You tuck a strand of her hair behind her ear, the ghost of your thumb across her cheek. She allows the show of affection. “Yeah, El. I do.”

You want to say: you can trust me. I’ll always take care of you.

But you know it would only come out hollow.

Neither of you would think it was honest.

She pulls away from your grasp, her eyes almost golden in the firelight. She nods and stares at the burning wood.

“Okay.”

“So . . . is your car, like, broken or something?”

You elbow Ellie and she sits up from hanging over the edge of the wagon. She frowns at you – what? – and you both glance at Joel at the front of the wagon. If the question annoys him any more than he perpetually already is, he doesn’t show it.

“Don’t have one.” He says to the back of the horse. The wagon rocks and sways over the clods of dust and stone in the road. “Never did.”

“Uh, why?”

“Cars break down in the dust storms. Short out. They end up being more trouble than they’re worth.”

Again, that half-centimeter turn, his tone implying what his eyes can’t, faced away from you. Ellie narrows her eyes at the back of his head. She wrenches her mouth open, fire in her eyes, but she catches you glaring, and her mouth snaps shut. Pouting, she chucks a lone pebble off the back of the wagon.

The sky is strikingly blue, bright as a livewire, the air warm and crackling with the early summer heat. Away from Dalhart, away from the collection of dust on every surface, dripping through every crack, you find the clarity and distance of the southern plains to be . . . unexpected. So careless and abrasive one minute, but then, in moments like these, it became hard to believe that nature could ever be so cruel as to make the earth rise up and swallow it all whole.

You swing your legs off the wooden edge, the sunshine warm on your knees. It’s no use trying to hide how badly your socks need darning, so you lean back and stretch your legs as far as you can, your face tilted towards the sky, the still air peaceful. This morning, you’d put on your yellow plaid dress, torn cotton lace around the sleeves that stop at your elbows. You tucked your hair up and pinned your straw hat to your head. It was a reflex, to present your most beautiful self to a man, even one you barely knew. By the way Ellie had rolled her eyes, she felt no such compulsion.

Demure, your mother always told you, you’re not very pretty, you’re not very bright, the least you can be is demure.

The wagon shudders, clicks, over the empty road and you open your eyes. Ellie is turned away from you, eyes out to the fields on either side of you. You don’t understand what she’s looking at, until you realize that’s exactly it: there is nothing to look at. On the other side of those loopy barbed-wire fences through cock-eyed posts, there are miles and miles of nothing but churned-over dirt. A lazy wind spins over a patch of emptiness, tossing clods and sand into the air, an aimless sadness as tangible as the dust itself. Phone lines stand, corroded and chipped, along the side of the road like tangible manifestations of a deadly infection.

“There’s no crops here either.” Ellie says, voicing loudly what you only thought. You can’t see her face but she sounds as stunned as you are. “What happened?”

You watch over her shoulder, eyes level with the earth bleached of all material, all life. With the drought, your husband’s field shriveled up in months, the cracked ground peeling away from the sodhouse in some places. You still have nightmares about waking up with grit between your teeth, choking and coughing up bloody chunks of mud.

This is desolation on an epidemic scale.

“Ask different people ‘n they’ll tell you different things.” Joel says in his slow drawl, the crackle of the earth soft beneath the wooden wheels. “No one really knows. But nothing like this happened when the buffalo grass was here, ‘steada wheat.”

“Wait, you were here before Dalhart?” Ellie twists on the wagon, leaning over the lip where Joel sits and drives the horse.

“My family was. Here before anything. My grandpa befriended the Comanche Indians and –,”

“You got to hang out with Indians?” Ellie nearly hurls herself over the edge of the wagon to try and look him in the eye. “What are they like – did they teach you how to shoot a bow and arrow – can they really ride horses like that –,”

“Ellie!” You want to grab her by her collar and yank her back into the wagon. “Not so many questions.”

The noise Joel makes is somewhere between a grunt and the word no.

“It’s fine –, “ he looks down at Ellie, still curled around the back of the seat, her eyes wide with a giant smile on her face. His ever present scowl doesn’t seem any deeper, nor does it deter her. Joel turns away again and in the sunlight, his hair is gooey, caramel brown. You stare at the dirt road while listening, the back of your neck hot. “They’re good people. Didn’t deserve what happened to them – to any of ‘em. But they taught my grandpa and grandma how to take just what they need, nothing more. But then everybody needed grain, offered money for cheap, easy labor. They poured in here, into the prairie, and in years, it became this. Folks blame the drought, but it’s more’n that.”

Ellie’s inordinately quiet. She knows exactly what your husband did to you, to your family, and now, maybe to the entire land.

“‘Next year’ people, they claim,” Joel continues, his voice deepening with anger, “‘next year’, things’ll be better. ‘Next year’ the rains’ll come. ‘Next year’ the wheat’ll return.” He shakes his head, boots creaking against the toeboard. “Anyone who thinks that is lyin’ to themselves. Anyone’s who’s been here, seen what’s here, for us it’s been –,”

“The end of the world.”

The silence that follows your words stretches long, an anchor dropped off the end of the wagon and rattling around the wheels. You swing your legs, fingers curling around a tear in your hemline. It wasn’t the first time you’d heard those words to describe the state of things. That’s what your husband called it and you believed him.

Evidently, Joel agrees. His wide shoulders taught, the denim blue faded beneath the boundless sky, he nods.

“Griiim,” Ellie mutters as she curls up and drops her chin on her knees.

You’ve been watching a single cloud chase the sun from the floor of the wagon when Ellie, silent for all of about fifteen minutes, lifts her head from her hands draped over the edge. Her eyes go wide, her ears pink from the sun, and says:

“Whoa.”

The horse huffs as you sit up, a soft wind snagging the loose hairs on the back of your neck, and your mouth drops.

Grass.

Fields of it.

The air is fresh, warm, and filled with the scent of living, breathing earth. Tipped with lush purple seeds shaped like paintbrushes, a sea of stalks bend and ripple in the cooling breeze, undulating like waves on solid ground. The wind is soft here, teasing, rolling through the tall grass, carrying the scent of growth and green in the air. You’re suddenly aware of how dry your mouth is, cracked and padded with dust.

“We left it be.” Joel offers simply, voice too gruff to surely be filled with pride. “It’s endured and survived, and so have we.”

Further back, you can see where the line of his property ends – a harsh division of paradise and purgatory – and marked to the north by a dip in the ground and even over the crunch of the wheels over the ground, you hear it: water.

A river. An oasis in a wasteland.

Ahead of the white tufts of hair on the horse, the road curves, disappearing into the sea of grass, but letting your graze drift up, you see an a-frame home, white like a lighthouse at the edge of a storm. The instant the home comes into view, Joel clicks his tongue, urging the horse faster – eager.

He leads the horse up through the road, through the grass, and on the other side, by the river, two cows chew up the green, oblivious. Beyond them, tucked behind the house is a barn. Low to the ground but wide, hunched like a fighter with a heavy center of gravity, it looks ready to endure and survive. As this entire secret world had.

Joel tugs the horse to a stop, the wagon rattles as it slows, by the wide porch of the a-frame. It sits also low to the ground, wider with a dark roof, held together with something black and smeared. You’re so distracted by the unique qualities of this house in the middle of paradise that you miss it when the door creaks open until you’re staring down the barrel of a shotgun.

“Who are you?” The voice behind the gun is deep, even if the barrels shake slightly. In the dark of the doorframe, you can’t quite see their face, only their short stature.

You see Ellie’s hand twitch towards her knife, which she now carries in her sock since the night of the county store.

However, Joel is less concerned. In fact, the boulders of his shoulders loosen, ease to simple muscle and blood. He makes a noise that on anyone else, it might be considered a laugh, a chuckle, but he isn’t even capable of smiling –

He slings down from the seat and pats the horse.

“Easy there, Annie Oakley, it’s just me.”

The shadow in the doorway stiffens.

“Dad?”

The shotgun lowered, the shadow staggers into the light. Brown eyes, just like his, scrunched against the blinding sunlight, a girl with the most beautiful head of curls blinks at Joel, her thin hand held up to shield her face.

“Hey there, baby girl.”

In a single leap, she jumps down from the porch but all too quickly, the smile slips from Joel’s face.

“Hang on, not too fast–,”

She stumbles towards him as best as the metal braces around her knees, down to her ankles, will allow, defiant and smiling, despite the beads of sweat that have swelled over her forehead. Joel surges forward, faster than you thought possible, and reaches for her, nearly on one knee.

“Slow down, please, Sarah.”

“Dad, I’m fine,” she huffs before tossing her arms around his neck. “I’m fine. Just – missed you, is all.”

You can’t see his face, but he straightens up still holding her. With one hand he flattens those curls to her cheek, and kisses the other.

“Enough to forget all the things I taught you about gun safety? You just tossed that thing aside,” he scolds fondly. She rolls her eyes as he sets her down.

“Okay, but if you didn’t know it was me, you would’a been totally scared, right?”

She watches as he chuckles, a deep, warm sound, but her own smile flatlines when she spies Ellie climbing down from the wagon. You ease off the edge, your lower half sore from the ride.

The girl, Sarah, narrows her eyes.

“Who are you?” She positions her body slightly in front of Joel’s. “And why are you dressed like a boy?”

Joel’s soft scolding – “Sarah” – is lost beneath Ellie’s scoff. She adjusts her satchel.

“Why are you dressed like Raggedy Ann?”

Her father’s massive hands clench down on her shoulders, Sarah’s scowl evident that she’s about half a second away from launching herself at Ellie, leg braces be damned.

“Now, let’s slow down here.” Joel’s deep baritone is light, but just as firm as his grip. If you knew him better, you’d think he is about to laugh, the lines around his eyes thick, while his mouth stays flat. “We got off on the wrong foot. Sarah, this is Ellie and her aunt. They’re going to be staying with us for a while to help out with your schooling.”

Those curls go flying, her frown now pinched in worry. Another girl caught between a child and adult – for the sake of their single parent, you notice, your chest tight.

“I thought you needed a farm hand. You were going to teach me.”

“You know you already read better than I do.”

“Dad–,”

“Miss here is also a nurse.”

“Oh. Oh.” She glances down at the metal braces as if she’d forgotten they were there. The skin on her knees is chaffed, rubbed pink. “She can . . . help me?”

Twin pairs of brown eyes settle on you, one hesitantly curious, the other aggressively determined.

You can, right?

Ellie’s staring at the braces, her gaze distant, heavy. She’d seen this before, but everything back then moved too fast. Back then, there was no time for braces.

Braces only help a small percentage of polio patients. The lucky ones.

You nod, your heart hammering under your chest bone. “Yes – yes, sir. I think with Ms. Kenny’s therapy, we might be able to alleviate some pain.”

Those eyes, exactly like and so unlike her father’s, widen.

“Really?”

You introduce yourself with your first name, pressing the crease in your glove between your nail and your thumb with your other hand.

“I’d like to try, Sarah.”

You suddenly understand that Sarah is Joel Miller’s most guarded secret, out here in paradise, paradise as the most beautiful prison in the world. He continues to stare at you from under thick eyebrows after Sarah moves away from him. Ellie, caught off-guard by her forward movement, takes a significant step back.

“I, um, got some marbles out back,” Sarah starts, thumbing over her shoulder, and every other word sounding like an apology. “If you wanna play.”

Ellie jerks forward, her eyes round with excitement, but stops. She looks at you.

“Can I?”

Soft when eager, just like her mother. So unlike you. You nod.

“Stay close, okay?”

You and Joel watch as Ellie and Sarah toddle around to the back of the house, Ellie quietly narrating every thought she has as she keeps pace with Sarah.

Those look actually really cool, you know?

Yeah?

Totally. Have you read Amazing Stories? You look like you could be part of the Space Family Robinson.

Who are they?

Oh, you’ve never read those!? Okay, so they’re a family who live in space and they go on these awesome adventures together to different planets and . . .

The farther they go, the faster Joel turns back to stone. His gaze lingers just a hint longer before those dark eyes pin you to the ground.

“You said you can clean? Cook?”

You nod quickly. “Yes, sir.” Guard dog Joel. Stocky pitbull, teeth long and wet Joel.

He tilts his chin towards the house.

“Kitchen’s in the back. I gotta clean up the wagon and the horse, then gonna tend the field. I’ll be back in a few hours, but Sarah knows where to find me if y’need somethin'.”

You nod again, but he misses it, turning away to unbuckle the horse. You slide your trunk and Ellie’s satchel off the end of the wagon and head into the shadow of the house.

The white clapdoor snaps shut behind you, followed by the softer snik of the screen clicking into its frame. Slipping the bobby pins out of your hair to release your hat, you take in the Miller home.

The air is cool. Dust motes float in the sunlight streaming in from the second floor over a staircase with wooden wainscoting leading away from the open front room. With a brief glance up, you can see the faded white walls of the upper hallway, some not-yet-seen window drawing in bolts of morning light that pierce the air in bullet holes. It’s quiet and it smells warm, like lace kept in the back of a drawer near a wall that faces the heat outside.

A blue two-seater couch faces a squat fireplace, with a Queen Anne table sandwiched between the two. Behind you, a large grandfather clock ticks and waits, a server waiting in the shadows with a watchful eye to report back to its master on the going-ons of the house. With only a cedar hutch, a few daguerreotypes, a smattering of books, the room is sparsely decorated, but kept clean and organized. You could see Sarah, a focused look in her eyes, sitting on the steps of the stairs and making Joel move and rearrange furniture over and over again until the room felt right.

Through a white arched doorway, you find yourself in the kitchen. The light sparks more brightly here, the sky a stark blue through the four square window over the kitchen table and above the sink, reflective of the sun. You realize then the house runs north to south at an angle, where there are limited windows in the walls on the east and west sides, thereby limiting direct sun exposure and, more importantly, heat. Both the kitchen and the front rooms had been built out of the line of the sun, making cooking and cleaning and living bearable without a painful glare.

A thoughtful and patient consideration.

Someone had attempted to add some levity with brown and blue plaid wallpaper around the cove of the dinner table, all the way to the other side of the room around the kitchen counters and stove. But unfortunately for everyone else, the wallpaper is hideous, only tampered by the off-white counters and cupboards.

The cupboards have glass doors, blurring ceramic cups and plates on the tops of the shelves.

It reminds you of the small apartment Anna and you lived in back in Boston, when it was just the two of you. It wasn’t much, but it felt sturdy, secure. Safe.

A door to the right of the stove has a latch, and you lift it and poke your head inside. A chilly darkness greets you, along with the scent of wet, deep earth. A basement? No. Not this close to the kitchen. Curiosity pulling you forward, you descend the sturdy wooden stairs, into the sunken darkness. You count ten until a draft licks your ankles. You keep going, one squeak of wood after another until - you touch soil. The heady scents of pine bark and peat moss soothe the air from where your feet press into the ground, fertility thick like mushrooms in the gut of a lichen-drenched tree. But it’s dark, too dark to make out much, barely your own hand in front of your face. With your fingers outstretched, as if you’ll bump into a gas lamp conveniently on the ground, you shuffle forward and almost immediately a cold chain tickles your face. You grab out of instinct and pull.

Nearly blinded by the light that erupts from an exposed bulb directly in front of your left eye, you stagger back, wincing, your footsteps muffled by the earthen floor. You blink through the tears as the secret at the end of the stairs finally reveals itself.

A pantry. A cellar.

At least twenty feet deep and ten feet high, with rows and rows, stacks and stacks, wood shelves cover nearly the entire length of the underground room. In between the rows, large barrels sit, quiet and sturdy, with bottles of vinegar and olive oil sitting on their rims.

You realize two things within seconds of each other.

This house has electricity. It stands above the ground, proud, independent, full of heat and light. So unlike your husband’s dark hole in the ground.

and

there is so much food.

Pickling jars. Seed pouches. Culled wheat. Cans of fruit and vegetables and eggs. Olives with squash and pumpkins. Crates of potatoes and half bottles of wine and syrup. Onions and carrots and spices and garlic.

A feast. Meals for days and days and days. The bounties of earth stored, safe beneath the ground, like a secret.

It’s more food than you’ve seen in years.

A hunger like you can’t remember having roars in your stomach out of nowhere and everything pitches to the right. The edges of your vision blurs, your shoulder knocking into stone wall, and breathing becomes a nearly impossible task. You turn, nearly stumbling up the dozen steps that have turned into a thousand.

The tacky memories that stick to the crevices of your dreams yawn awake, bringing with them dry mud in your mouth and thick salt to your eyes. Mud, dirt, dust – everywhere. In that stinking hut in the ground, the dust replaced your molecules, your atoms, until you too might blow away, until you are cracked and empty and dry. The static from the dust storm memories shoots down both of your arms and you sway on your feet. Your heart suddenly pounding so achingly fast, you have to drop your forehead against the flat surface of the closed door to keep the room from spinning.

You had forgotten what safety looked like.

You had forgotten what living could be.

You know the ringing sound of that gunshot is just in your head, it’s not real, but you shudder all the same, your hands curling into claws under your chin, your nails tearing up the white paint.

You’re here, not there. You are safe. Ellie is safe. That house and him have been entombed together under piles of dirt, with the bugs and the rot and the stench from the weak stove. Rivers of sweat rolling down the back of your neck, you beg yourself to stop shaking. You feel like cheap terracotta pottery – made from dirt, left too long to bake in the sun and made brittle; one good tap and you’ll shatter.

You breathe in and taste wet salt. Breathe out and cry – cry from the fear and the dread and the relief and the hope. God, that hope tastes worse than all the dirt in the Panhandle of Texas.

You cry and cry and cry until you don’t feel so brittle anymore.

Sunlight has struck copper, heavy, tangy in the mouth, when the back door opens and the house is instantly filled with the sound of girls’ rabid conversation. You step back from the stove, cheeks warm and arm sore from continuously stirring the rice and vegetable soup. It’s not as thick as your mother once made, but without milk, it would be nearly impossible to improve. You smile at the girls as they tumble in, more dust mite than human, whispering about some secret.

“Having fun?” You ask with a grin on your face as Ellie helps Sarah take off her shoes, already attentive to what a girl with her health concerns might need.

There’s an overlap of chatter as Ellie and Sarah both answer you and then, answer each other.

“Well, good,” you say, turning back to the stove, making sure the bottom of the soup doesn’t burn, “but whatever you got up to, it’s all over your faces so please wash up before dinner.”

“It smells real good, miss,” Sarah says as she hobbles over to the sink and starts rinsing off her arms and cheeks, while Ellie takes off her own shoes. “What is it?”

“Something my mom used to make when the cupboards were bare.”

Sarah stills, the water rushing over her soft skin. Those inquisitive eyes are just as captivating, just as forceful as her father’s, but for entirely different reasons. She tugs the words out of you by the sheer, needling strength of her gaze.

“I mean – I found the cellar, the house is incredibly well stocked, but I didn’t see any preserved meat or dairy and I didn’t – I didn’t think your dad would want me poking around out back.”

Immediately Sarah softens and rolls her eyes. “Dad’s all bark and no bite,” she huffs. “We’ve got stored beef and cheese in an ice chest downstairs. I’ll show you around tomorrow.”

You smile and those brown eyes go warm in the coppery light. “Thanks, Sarah.”

“Bunch up, I gotta wash my hands too.” Ellie none-to-gently bumps Sarah with her shoulder to get to the sink but before you can scold her, Sarah swings back, using her precarious momentum, and pushes Ellie back. They both giggle. Something that’s been cramped far too long in your chest loosens.

“So, Sarah, tell me where you are with your schooling. Do you have books, diagrams?”

She thinks for a minute as she opens a drawer that leaves her back to you and takes out two, then four thin cloth placemats. She hobbles back to the table to carefully spread them out.

“I was up to seventh grade before the school shut down. That was about two years ago, so Dad’s been trying to make sure I don’t forget anything. He got me a Midsummer Night’s Dream by Shakespeare a while ago and made me read it out loud to him. He has me work on my letters every day – including cursive.” She adds, with a bright spot of joy cranking her mouth open. You imagine someone like Sarah would have beautiful penmanship. “He shows me around the yard, asking me to identify plants and animals, especially anything that might be poisonous. I don’t think he really understands it but he explains what happens when you add water to a seed and keep it in damp earth. Oh, and he has me help balance the books for the farm – what we made, what we sold, how much we have left, stuff like that.”

You smile at her over your shoulder as Ellie hands her bowls. “Accounting.”

“Huh?”

Ellie rolls her eyes. “It’s so boring, don’t worry about it,” she whispers conspiratorially.

“What your dad is teaching you is called accounting,” you say a bit firmly, eyes tracking your niece as she shows no shame. “It’s a very special skill to have, especially if you work on a farm or in a business. Do you like it?”

She nods rapidly, those cork-screw curls bouncing around her thin face. “Yeah! I do! I’m much faster than Dad when it comes to figuring out the sums and dollar value.”

In the front hall, the clap door creaks open then slams shut, heavy footfalls proceeding the man that makes them.

“Does that happen a lot?” you ask softly as Sarah sidles up next to you to peer into the pot.

“Where I know more than my dad?” Sarah smirks up at you, all devious youth. “More often than you think.”

A mini sun bursts from the ceiling as Joel flicks on the light switch and is almost immediately tackled by Sarah. The copper sun on the horizon finally, in the distracted moment, slips down and drags the night behind it. It’s purple twilight outside when Joel lifts his head from the embrace around Sarah’s shoulders to stare at the two strangers in his kitchen.

“Dinner’s almost ready,” you say brightly and you can almost picture your mother in the same exact position in front of the stove, stirring soup until her cheeks were pink, her hand resting low on her back, her tummy round and full in her second attempt to keep her husband’s rage diverted from her. It’s a boy, she promised.

The memory makes you so violently ill out of nowhere, you lose your appetite. But you persevere; you carry on and load up the bowls Sarah stacked for you. Ellie saves you from having to dislodge the prickly knot in your throat when she snags a bowl and eagerly yells, “get it while it’s hot!”

The arrangements from the stove to the table are a bit of a blur, the slick anxious weight from earlier today curling around your lungs again as you remember shadows in chairs like these, but so different from the flesh-and-blood bodies that occupy them now.

You’re dazed, a little light-headed, but not so much to miss the glance between Joel and Ellie. A junkyard puppy skirting the territory of an older watchdog, a bone in each of their mouths and dragged to opposite corners of the battlefield. Satisfied with the lines of demarcated territory that had been drawn, they call a temporary truce by eating in complete silence, until Sarah groans.

“Oh my god, this is better than it smells!” she hums, her mouth full of potatoes.

“Just wait till she adds chicken,” Ellie grumbles, mouth cupped open to keep from spilling. You watch her, a faint smile on your face, and the slippery feeling fades. When cleaning up, she missed a spot on her left nostril and you fight the urge to clean it with your thumb.

“There’s more.”

Your gaze snaps to Joel hunched over his bowl. The spoon that Ellie and Sarah have to both clutch in their fists to eat barely swings between his massive fingers.

Joel’s dark eyes trace down your nose, your chin, your neck, to where your hands lay flat on the table in front of you. Your own bowl and spoon sit on the counter behind you. You worry you might have upset him, with the way he’s frowning.

“There’s more,” he repeats, same tone.

“I'm sorry?”

He puts his spoon down and clears his throat, then nods to the pot on the stove. Ellie watches him out of the corner of her eye.

“I saw how much you made. If you’re hungry, you should eat.”

As though speaking a language only you could hear, he looks at Ellie the same time you do.

She frowns. “What? Is there something on my face?”

Sarah begins to giggle, nodding, when Joel starts again.

“You should eat. There’s enough.”

It’s like his eyes can see through your blue veins and clammy skin, to your yellow bones and clawing stomach. You choke on the mudball that’s been hovering in your throat for months and nod.

“Alright.”

You don’t know if you’re actually hungry – you can’t really remember the taste of warm food – or if you’re doing it just to appease him, but something about the heat of the bowl and solid spoon in your hand, it rouses you from this sinking you find yourself in. Your bones feel like jelly.

“How’re the fields, Dad?” Sarah asks with her big eyes, seemingly unaware of the layered exchange between you and her father, or kind enough not to address it.

He responds to her, his voice deep in the cavern of his chest. It’s an easy way he speaks to her, heavy with the seriousness she’s earned to be talked to like an adult, but gentle enough that for all his low grumbling, it comes out as a thick murmur. You find yourself listening to their conversation, their interactions, as soothing as music turned low from a well-tuned radio. Ellie is even roped in when Sarah tells Joel all about the Space Family Robinson and Ellie’s knife. “It’s really cool, Dad,” she says preemptively. “She knows how to use it and she’s really safe.”

“Well, if it’s really cool . . .” he fills his mouth with potatoes, tamping down the ghost of a grin on his lips around the spoon.

Ellie shuffles in her seat, her own hesitant smile glittering in her eyes, and with only minor prompting, she holds no prisoners when gleefully telling Sarah that she’s got the story of finding a mess of wriggling worms out by the back of the barn all wrong.

“Just keep ‘em outta my side of the bed, alright?” You grin at her, spooning another dribble of soup into your mouth. You’ve realized too much, too fast can just as easily twist your stomach so you focus on cradling a digestible amount of food – broth, potato, carrots – in the well of your spoon.

But the landscape beyond the silver lip has stilled. Both girls are happily slurping up the last bits of their meals, throwing quips back and forth, but Joel’s shoulders have locked up again, the bones of his wrists flat, a static alertness that you’re sure would travel all the way down to his ankles if he was standing up right. You aren’t sure if Sarah has picked up on the subtle change in his breathing – from the deep well of his lungs to shortened and shallow – but somehow you have.

You’re staring at him far too long.

Those thick eyebrows pitch down again. Beneath the loose button that pins your dress closed over your chest, you feel a swell of heat and you wish you were like Ellie, capable of making an easy joke – what, is there something on my face? The heat bubbles almost uncomfortably under his weighted gaze.

“I hate bugs,” you blurt out, desperate to give him what he wants, if only you knew. The girls glance at your sudden outburst. “I don’t like worms especially. I don’t mind straw beds, as long as they’re clean – I mean, I–I hope they are, the straw beds, not the worms.”

Another eternal second of being pinned down by Joel’s frown, this one decidedly less hostile, before understanding breaks open the harsh lines of his mouth and around his eyes. His eyes go wide for less than breath, then he drops his gaze to the bowl. His shoulders shift, muscle redistributing weight as he settles his thick forearm closer to the edge of the table.

Oh, that relief of muscle says.

“You’re not sleeping in the barn.” Joel says, head tucked down. At that, Ellie slows her ravenous eating and frowns at him.

“Then where are we sleeping?”

Joel lifts his head, a new, special emotion just for her tugging on his mouth: exasperation. “My room. You two in there and I’m takin’ the couch.”

Shame and embarrassment drip down over your skull, between your ears, like a cold, runny egg.

“No, we couldn’t possibly–,”

He shakes his head, eyes still on the split potato chunk at the bottom of the bowl. His hand flexes briefly and you think of it around the bridle of the horse.

“It’s not up for discussion.”

Beside him, Sarah frowns at him and you’d wonder how many times in her life he’s ever said that to her – if you could think properly over the roaring of blood in your ears.

“Joel,” you say, something syrupy under your tongue molding the words Mr. Miller into a tone you’d use for an old friend. “I can’t ask you to–,”

Hand flexes. The seat of the chair squeaks.

“You’re not askin’, I’m tellin’.” You’re still vastly underprepared for when those eyes - those deep, dark eyes - suddenly snap on you, as if your very presence commands his entire attention. You notice the dirt underneath his nails and around the knot of his wrist on the table. He’s filthy.

Quietly, with the surety of a dog slipping its snout between its paws, he cuts the last chunk of potato in half with the curve of his spoon. “The new mattresses’ll be here next week. We’ll make do ‘till then.”

The slurp of soup between his lips seems to signal the end of the conversation, but you can’t quite mash together your kaleidoscope-spinning impressions of the man across the table from you.

“Thank you . . . Joel.”

He nods, back teeth breaking apart the soft mush of the potato. He swallows and glances back up at you.

“It’s good,” he says, briefly holding his spoon aloft. “You did good.”

His words burst the choking bubble in your chest and warmth drips down your spine, splashing in the cradle of your hips. Hunger rises, but it’s a different kind of hunger. A growl of neglect. One you sometimes wondered if it was even possible for you to ever even feel.

Even while you were married to your husband.

You put your spoon down to keep your hand from shaking. The soup won’t feed this new churning hunger and, frankly, you don’t know what will.

You did good, he praised, parsed out like torn bread tossed across a black lake.

It makes you warm in places food never could.

The immediate next morning, you meet the sun early, eagerly. Eager to wake and rise and become so useful, you are intricately tied to this house; if you are removed, a vital piece of the land, the prairie is torn up along with you. Ellie sleeps softly next to you, curled up in the same position she was in the hotel bed, tucked in so tightly as if to take up the least amount of space possible. She sleeps, unbothered, blissful, and again you fight the urge to brush the hair that covers her sleeping eyes. You settle for tugging the beautiful quilt, with its stunning blue and red and green patches, up to her shoulders.

As you tie your dress up, your suitcase partially open and on the ground, movement from outside in the dawning pink catches your eye. A brisk shadow, those thick shoulders proceeding a taught waist are unmistakable as they move towards the barn. You stand, transfixed for a moment as broad hands slide open the barn doors, you hear a faint creak, and he disappears inside. The capability of those hands; the surety, where every action is deliberate and intentional – it makes something arc up your throat. A warm piercing that bursts through bone and muscle alike. Trembling fingers tug at the wilting lace around the cuffs of your dress, imagination stretching out into the dark morning, inspired by curious and impossible ideas of those hands.

Something – most likely Sarah next door – squeaks the floorboard and those tendrils of thought snap back as if someone had slammed a lid shut. You glance at the clock and make a mental note to wake up earlier tomorrow, to beat him to the kitchen.

You are also desperately eager to get out of the room where you can practically smell Joel on the walls. It’s simple, just like the rest of the house, but amongst the hand-drawn sketches of himself and birds (likely gifts from Sarah), the half-spent candles and well-read books, you find him in everything. You wonder, briefly, if the indentations made on the cotton mattress are from him or you – the scent of his hair in the pillow from sweat or soap.

The encroaching feeling that you don’t belong here in this house nearly swallows you whole as you dress in a room you definitely don’t belong in.

Joel remains a distant figure, a familiar shadow across the lightning horizon, long after you finish the eggs and toast. You consider perusing the pantry for blueberries or something similar, when Sarah comes down. Fresh-faced, dressed with the care most people reserve for church, she stumbles in, her braces clacking as she finds a seat at the table.

You notice a brief flash of pain across her face when you bring over a plate of food. She unconsciously rubs a circle with her thumb on her left knee as she picks up her fork.

“Pain today?” You ask, eyes on her knee, even though it’s obvious.

She nods, strained. “Just a little bit. But it’s nothing. I’m sure it’ll go away when it warms up outside.”

You doubt that is remotely true, but you let her hold the comforting lie. She doesn’t seem like the type to swallow pity with ease, and neither was Anna. You put on that detached but focused "nurse's" mask, your lips a straight line and brow furrowed, your voice slipping on something more commanding too.

“Let me see.”

Sarah blinks at you briefly, evidently surprised by your shift in demeanor but eventually, she obeys. She drops her fork and slides the chair back, the chair legs squeaking against the rough wooden floor.

You crouch in front of her, gathering up her ankle first and testing its mobility.

“When were you diagnosed?” you ask, as soft as you are firm.

“Never, technically.” She watches you and occasionally winces. You wonder how long she’s grown stiff like this. “The doc had left over braces that Dad bought before the guy skipped town.”

“So then how did you know it was polio?”

By her sudden stillness, you know this is the first time that word has been uttered under this roof in a long time. You lower her ankle, rising gaze meeting hers. Her mouth is pulled tight. You can practically read the familiar headlines as they scroll across her mind.

New Polio Cases by the Thousands

Polio Claims Life of Infant

Polio Outbreak: Thirteen Dead

“Not every case is serious,” you say, gently, using the word serious in place of fatal. You don’t want to scare her unnecessarily. But by her wide eyes, you know the word sits in her chest all the same.

“I know. And I know it can be made worse by moving too much. That’s why Dad’s always on me about resting and going slow.”

You return to your examination. Her skin is rubbed raw in some places by the braces. You remind yourself to ask Joel for some old sheets to make better padding.

“That’s not always true,” you say, shifting to her other leg. “Even though she was sore after, Anna often said she felt the stiffness go away after walking around the neighborhood block.”

Curious, Sarah tilts her head, those lovely curls swaying like leaves in a breeze. “Who’s Anna?”

Your skin around your eyes tightens – how could you be so careless with such a secret – when you hear feet thundering down the stairs and a second later, Ellie swings around the lip of the doorway.

“Is that toast?” She asks, eyes wide and hopeful. “If you got bacon, I’m gonna start kissing faces.”

You and Sarah exchange a small grin before you stand up right and Sarah returns to her own meal.

“No bacon today, but who knows what else is stored in the pantry?”

“Oh, fuck yeah,” Ellie exclaims as she slides into a chair, her own plate pilled far too for a girl her size. “Treasure hunt.”

You see the tips of Sarah’s ears go briefly pink at Ellie’s language but the muffled smile on her face hints at awe, impressed – so you let that one slide. A stream of light through the half-shut curtain tugs your thoughts outside, to the man literally toiling in the fields.

“Does your dad want me to bring him some food?” You ask, standing from the chair and glancing out the window. You can’t see him any more and for some reason that makes your chest go tight.

Sarah shook her bouncy curls. “No. He’ll come in and get it when he’s hungry.”

You didn’t like the idea that you weren’t going to be directly feeding the man who employed you literally to cook for him and his daughter.

“Does he like coffee?”

Sarah arches an eyebrow at you. “Yeah, he loves it. But I’ve tried for years to make it the way he likes and he always drinks it, but I think a little piece of him dies inside every time he does.”

“Then you must be a great cook too,” Ellie smirks up at her. In response, Sarah smiles impishly around a mouthful of eggs.

You hold that little bit of information about Joel - something you knew that he didn’t know you knew - close, like a dollar bill in your pocket. You drum your fingers, searching for memories of how Anna used to shoe-string coffee when you couldn’t afford a maker in Boston.

“Did you eat?”

Ellie’s voice tears your gaze from the window. Her plate is only halfway empty. Her fingers uneasily move the fork around.

“Yeah,” you answer truthfully. In fact, you are rather ashamed by how much you took, sitting at the table in the purple dark, before you remembered that you had to feed three other people. “I’m good, Ellie. Thanks.”

She nods, returning to her plate and shoveling two bites into her mouth without slowing down.

“What’s first today?” Sarah asks, her eyes bright. “I can show you my sums. We have a chalkboard in the barn.”

You smile at her eagerness to show off while Ellie dejectedly pokes at her remaining floppy eggs. She had never been one for school, another thing you found hard to relate to about her. Fortunately for her, Anna nor you ever had the time to be as diligent about her education as Joel had been for Sarah. And unfortunately for her, you intend to fix that as quickly as possible.

“I’d love to see them, Sarah, but would you mind showing me around the cellar first? Maybe there is bacon hiding down there somewhere.”

You don’t miss the small smile that creeps across Ellie’s face.

“Junk or keep?”

Sarah looks up from the tip of her stick dragging nonsense through the barn’s dirt floor, her chin flat in her palm, elbow on her knee. She frowns at Ellie holding up . . . something that might have been a tractor part at one time.

“I don’t even know what that is, so – junk?”

Ellie shrugs, tosses the piece back and forth in her hands, and then chucks it like a ball to the opposite end of the barn. It collides loudly with the wall and Flora, the white and black cow, lifts her head at the noise from her stable and lets out a low groan.

The entire barn smells of hay and animal but in a way that is warm, almost comforting. The two cows lazily munch from their troughs in their stalls, occasionally eyeing you as you carry items back and forth. It’s fortifying in a way only working outside and with your hands can offer.

You turn to her disapprovingly but she’s already back, elbow-deep, in the pile you had designated hers to sort. Sarah, to whom you suggested rest this morning, goes back to boredly drawing circles in the dirt. Even though she clearly hates the idea of being idle, you are surprised she takes your medical advice without any fight.

If you had successfully completed your duties as cook, now it was time to take on your other task as teacher. Sarah had a few textbooks, but mostly outdated and only one copy. You know trying to find a full library in times like these is laughably impossible, but there is nothing wrong with hoping for a blackboard. You’d made one before when the school district you tempted at didn’t approve new funding, and you feel confident you could do it again. Trouble is, you have nowhere to put it, much less set up a laughably impossible classroom for two students.

Until Sarah casually mentioned the unfortunate pile of junk in the back of her father’s barn, “taking up at least half the space in there.”

She wasn’t wrong.

“Yuck – is your dad a hoarder?” Ellie asks with slight disgust as she pulls up a stack of newspapers held together by twine. “Why does he even have this stuff?”

Sarah grins, delighted by Ellie’s prickly teasing. “This place actually used to be pretty organized. This was his space for a long time – where he went to think, or figured out what crops we needed for the next year.”

Her smile crumbles. “But, uh, then I got sick and now he doesn’t come out here unless it's for work.”

Ellie pinches the soft of her cheek with her teeth, nodding, her eyes downcast.

“So . . . junk?”

“Yeah, I guess so.”

The stack of newspapers comes up to her knees and Ellie struggles, off-balanced, to carry it across the hay-covered floor.

You reach for it and she gives it to you gratefully. You take it with a smile; you never know what she’s going to appreciate or just see it regretfully as charity or pity.

“I think your dad is losing it,” Ellie says as she wipes sweat from her brow, shaking her head far too seriously. “Losin’ it, big time.”

Sarah giggles.

You drop the stack of papers in the corner, but when you let go, the string snaps and the papers spill everywhere. With a sigh, you kneel down and gather them back together, but not before a few headlines catch your eye.

Your heart twists.

Paralysis Takes Three Children

Join the Mothers’ March on Polio

QUARANTINE: POLIOMYELITIS

Why would Joel keep these? Everyone knew how devastating polio could be to children, even infants. Why would he –

Roughly dispersed throughout the article, sentences and phrases were underlined in blue pen. Sentences containing, “iron lung”, “bedrest”, “antibiotic” –

No cure.

Warmth spread out across your chest. Joel was looking for a way to treat his daughter, the only way he could in a town without a doctor: outside information. Something about this makes the space beneath your chest bone hurt so badly, you get a little nauseous.

Now you consider conserving these papers as if they are important historical documents. Behind you, where Ellie and Sarah are lobbying jokes back and forth, you see more stacks of neatly contained newspapers. He looked everywhere and found nothing.

You reshuffle the stack that fell, when you spot something else that hardens the warm feeling in your chest and makes it brittle.

Mob Over Breadline Kills FIVE

Experts Say There is No Way Out of This Depression

Mother of Drowned Children Claims She Did “What Was Best”

The rough floor hurts your knees. Eyes closed, you try to ignore the flood of images of what you witnessed in Boston, how desperate and cruel people became in Oklahoma. With each memory, your heartbeat pounds harder.

Red. Blood. Pink. Skin. White. Bone.

The riots got to be so terrible, but people were just hungry.

Ellie calling your name jerks you out of the sinking muck of memories.

“What? What is it?”

She eyes you with distant concern then glances at Sarah. “She wanted to know where you learned all this stuff.”

“About cooking, and teaching, and nursing,” Sarah clarifies. “I think I’ve read every book in our house probably four times and I still feel like I don’t know anything.”

“You probably know more than you think,” you offer as you scoop up the uncomfortable newspapers, easily switching tracks of thought to mute the swell of horrors from the rotting box in your mind. You leave them in the corner for Joel to do what he wishes with them and stand, dusting your dress off. “What do you call the process by which plants get energy from the sun?”

Sarah’s eyes brighten immediately. Where her body fails her, her mind is as sharp as a tack.

“Photosynthesis!”

“Good,” you nod, smiling. “And what’s the primary source of energy in animal cells?”

“The mitochondria!”

“Very good.”

Ellie sighs angrily from her pile and puts her hands on her hips. “I think I’m gonna make like mitosis and split, if we keep talking about all this boring stuff.”

Scorned for her love of learning a second time and already in a bad mood from the pain this morning, Sarah frowns.

“What’s your problem? Why do you act like school sucks? You had your mom teaching you –,”

“She’s not my mom!” Ellie snaps back, her knuckles white around a rusted bucket. “She’s just my aunt!”

“Yeah, well, I have an uncle I never even get to see!” Sarah stands up as smoothly as she can, but her knees and ankles are pink again. Her calves shake. “You’re lucky!”

Ellie’s teeth clench in the back of her jaw, lip curling.

You remember distinctly more than once having to pick Ellie up from school early because she’d been caught fighting and you take a step in her direction, even if Sarah could no doubt land a few solid ones in.

“And you’re–,”

“Ellie.” You know how rough Ellie can be. You remember the tone to take with unruly students, even if you don’t mean an ounce of it. “Don’t. Just let it g–,”

“Why do you always take her side?” That ire whips around to you. Loyalty, that was another trait her mother favored. Ellie’s shoulders roll forward, her fists clenched. “Why do you let her talk like she knows anything about us? About Mom?”

“I’m not taking a side, Ellie,” you say firmly, your chin tilted down to her. One day she’s going to be taller than you, you know it. “Both of you, this is enough.”

That was the wrong thing to say. Ellie tosses the broken bucket in her hand to the ground and storms towards the barn doors.

“You just like her because she’s a fucking dork like you,” she growls under her breath before shoving open the large square door.

It swings shut, the metal clattering against the wood. The brief stream of light filtering in is shortly swallowed up into the shadows again.

“I’m sorry,” Sarah says almost immediately, her brown eyes swiveling on you. Her skin is tinged a little lighter and there’s sweat along her hairline. With a fleeting flash of worry, you wonder if she’s in more pain than she lets on. “I didn’t mean it . . . I mean, I think she is lucky to have – but . . . I shouldn’t have said that.”

She drops your gaze and you think those dark eyes might be softer, wetter than usual. She plucks at the hem of her dress, her mouth twisted to the side.

Where Ellie explodes outwards, Sarah implodes inwards. You never could understand Ellie’s inclination to destroy everything around her.

You hand her a broom, with a smile on your face.

“Do you want to tell me about your uncle?”

She takes it slowly from you, eyebrows furrowed down. This is a look you are familiar with, even when it comes to Ellie. She is stuck between answering like a kid, getting it all off her chest to be free of the emotional burden, and swallowing it all to please the adults in her life.

You’ve also found Ellie tends to open up when she doesn’t have to look you in the eye. Sarah’s own gaze is stuck to the floor as she vaguely sweeps at the hay.

“We don’t talk about Uncle Tommy a lot,” she mumbles.

You focus on untangling an old bridle. “Oh? Why?”

“Dad’s still pissed at him for moving out to California. Said he left what’s really important for a bullshit dream.” Her eyes pop up, wide and shocked. “Sorry, that’s what he said.”

Despite your limited time with him, you can easily see how Joel Miller might take something like that personally, but you just store that away too, another breadcrumb leading the way.

“Why California?”

“It’s–,”

The barn door opens again and Joel’s shadow breaks through the almost painful white light. Behind him, Everett (the horse) snorts and huffs, pulling along the giant creaking plow, the air suddenly pungent with the smell of warm dirt, leather, and animal sweat. Joel murmurs something to the frothing snout and wipes his own forehead with the back of his arm, smearing sweat and dirt across his browline. He stops when he sees you two staring.

By Sarah’s wide eyes, it’s clear Uncle Tommy is a subject that is not often brought up in this house either. Joel frowns, but just as he opens his mouth, you interject – you know how to deflate a potentially angry man.

“We were just cleaning up the back of the barn,” you say, careful not to use words like junk or scrap heap. “I’m hoping to use the space as a school, for Sarah and Ellie.”

His gaze settles on you, like the dust at his feet.

“Mhmm.” His tone scrapes something low in your stomach.

“I’m sorry – I should have asked – I didn’t think –,”

“No, it’s –,” he shakes his head. His eyes catch Everett’s foamy nose and he pats it, noting the long sweaty forelock. “Smart. Next spring, we’ll come up with something better, but there’s no time now, with the harvest comin’.”

You nod, peeling off what you were going to say from the back of your teeth with your tongue. Joel casually drags his fingers through Everett’s forelock before stepping back to unhook the plow’s leather buckles. It’s when he shifts towards Sarah, looking to her, that he grimaces.

He put his weight on his right knee and it immediately caused him pain.

“We could help,” you offer, eyes on his knee, his thick fingers rubbing into the muscle just above his knee cap. "Ellie loves being out in the sun and I can teach her how to plant–,”

“‘M fine,” he mutters gruffly, straightening up and wiping his hands on the cloth around his neck. “Sarah, go inside for a bit. There’s something she n’ I gotta discuss.”

His tone indicates this is not the time for eye rolling but she does it anyway.

“I’ve said for years that you need help, Dad. She’s just offering to–,”

“Sarah, inside. Please.”

Sarah scowls and drops the broom against one of the stalls. She hobbles out of the barn, first scrunching her nose up at Joel’s obvious smell, then muttering something about having to go look for the hell spawn. You finger the scrap metal in your hands, a fluttery nervousness growing in your stomach the closer Sarah gets to the door. With one more disapproving shake of her thick curls, she shuts the door behind her.

Everett nickers and paws the ground, eager to be returned to bed after a long morning of work. Light streams in gold from the slanted windows above the loft, separating the front stalls from the back of the barn where you stand, fidgeting. There’s no escaping the hot animal smell now, and it’s your turn to be intercepted by Joel.

Another apology is nearly out of your mouth when he speaks first.

“Do you know how to shoot a gun?” He asks, his mouth set into a firm line. In the half-darkness of the barn, you can’t quite make out his eyes.

You swallow against the encroaching dryness in your throat. “I-I have a gun. Keep it in my purse, o-only for emergencies and I–,”

“That’s not what I asked.” He shakes his head, tone soft, almost gentle. He glances past you to the stacks of newspapers you had moved into the corner, the ones about violence and pestilence. He rubs his fingers between the bridle and Everett’s thick hair. “Found a hole in the barbed wire fence today.”

You frown, the tension of his voice indicating a severity you are utterly unprepared for. “What does that mean?”

“Someone tried to cut through.”

A white hot panic lurches up your spine out of nowhere. Fueled by fear, you see the outline of your husband shambling across the propertyline and you go cold.

“W-why would someone do that? What are they after?”

His hand stills as every muscle in his body briefly tenses. Eyes dark beneath a tight brow, the tightness in his jaw is an answer and a threat all at once. He looks almost offended by your question.

You know exactly what they would take.

All you can do is nod.

Everett nudges Joel’s shoulder, impatient to get out of the harness, for that bath he so very much deserves. As though you had disappeared, Joel unbuckles the restraints, taking a brush to the gray coat as he goes. Maybe you’d misread that last signal and he thought he told you to fuck off.

You move towards the back door when his voice, timbre deep and low, stops you again.

“I’m gonna to teach you to shoot.” He announces to the lathered withers of the horse. “But you keep that gun on you, at all times, especially when you’re out with the girls. You got that?”

He pauses just as he slides the hitch off the horse's back, his arms covered in dirt as dark as the leather. It’s minute, the shift in his weight, but you suddenly realize he wants verbal confirmation.

“Y-yes. Yes. I’ll take it with me.”

The minutia shifts again, a lessening of tension across his broad shoulder, his thick back. He nods.

“Good.”

The aching need for him to say more, for that good to turn into you did good or good job – or good girl – it sparks so fast and hot inside of you, you think you’ll choke. Instead, you leave through the door on unsteady legs, jaw locked tightly shut.

You find comfort in the monotony of sewing.

Anna always scolded you for it, that you were “giving into women’s work.”

How are they ever going to take us seriously when you actually like doing this dainty shit?

But where Anna seemingly delighted in her mile-a-minute thoughts, you need an outlet – some way to settle, to ground yourself in the here and now. Furthermore, you could sew anywhere – on the train, on the bus, in a foreign house in the middle of nowhere where you were, again, dependent on the kindness of a complete stranger –

It isn’t sewing specifically that you enjoy. If there was another activity where your mind could detach itself from your body, you would have liked it too. Here, in this space of blank concentration, you separate further from yourself with every stitch you pull together. Here, you are not a sister, a housewife, or an aunt. Not a nurse or a teacher or a failed fieldhand.

Not scared of living or scared of your husband or scared that you’ll fail your sister over and over and over again –

For a handful of minutes, you are not scared and you are the closest thing to yourself you can possibly be. You think, as a child that might have been the closest you’d actually been to understanding your own wants and dreams and desires, but now it is through this act of repetition, of delicate guiding, do you find yourself remembering what it was like to exist unafraid, as thoughtless as a child.

You sit on the edge of Joel’s bed, eased into something vaguely like relaxation by the needle and thread in your hand. You’d found some old pillows in the barn earlier today and surprisingly the stuffing was still intact. After watching Sarah struggle today, you knew you couldn’t spend another second watching the poor girl hobble around on painful braces.

It’s twilight, the sun gone beneath a blanket of scarlet and indigo, everyone fed and full – the girls almost instantly forgetting their first fight in favor of a discussion about their most effective marble-flicking techniques – and you already have at least one leather-bound pad that is twice as thick as her old one. You grin, excited to share your creation to her. You wonder what Joel will say.

Through the wall over your shoulder, in Sarah’s room, you can hear the low murmur of their voices, as quick and fast as two co-conspirators. You can’t quite make out what they’re saying, but the words don’t matter. It is the high joy in Sarah’s voice, or the creaky laughter from Joel. They could be speaking in a completely incomprehensible language but the sentiment is unmistakable: you make me happy and I love you.

I love you.

The needle and thread stills in your lap.

You glance out the window, to a much smaller shadow in front of the barn as it cuts and darts in the blurry half-light. The silver tip of Anna’s knife winks in the glint of the light from the windows as Ellie slashes and digs in the open air. Alone.

In the late hours, in the hours when the veil between life and death felt so especially fragile, Anna made you promise that you'd look out for Ellie, to raise her as your own. To finally give her a childhood like the two of you never had.

You had done that. You raised her. She’s alive and healthy and fierce.

But would she find your sentiment about her unmistakable? Do you know hers as intimately as you knew your sister’s?

Do you make her happy when both of you are constantly reminded of the ghost between you?

Sarah’s chatter echoes throughout the dark house, disembodied and entirely untethered.

It’s one week into this new, adjusted life in a house you haven’t yet found a home in when the unthinkable happens.

A loud, wet cry startles you awake and immediately your hand flies towards Ellie, panic like ice in your jaw. Your palm touches her shoulder, but she’s already sitting up, eyes towards the door. She glances at you and from your stumble out of a dreamless sleep, you realize it wasn’t Ellie who made that noise.

It comes again, as sharp as a bone crack, and you both scramble out of bed.

Sarah.

Up against the far wall, in the corner where her bed tucks up into the corner, Joel holds her like a lion clutches to prey.

Giant, fat teardrops pour down the sides of her ashen cheeks, those bright eyes clamped shut, her mouth twisted in agony and she claws at her father’s forearm across her shoulders. His other hand is going white from her fingers crushing his in a bone-cracking grip. His voice is soft, firm, and fast in her ear, comforting and scared as hell, as she whimpers.

Every muscle from her thighs down is stretched taut. Every muscle unwillingly tightened, flexed, the chemicals in her brain battling the commands of the bacteria. The pain, as described in medical journals, is crippling.

Ellie glances at you out of the corner of your eye. Muscle spasms.

“Sarah, darling, how long has this been going on?” She’s trembling from the pain and exhaustion. You wrap your robe around you before kneeling down to inspect her — and you feel Joel’s glare nearly singe the skin from your face.

“Don’t touch her,” he snarls and pulls her closer. Sarah whines and buries her face in his shoulder, trying to stifle her sobbing to keep from shaking and causing more spasms. “She’s–,”

“I can help her, Joel.” Your training became a bulwark – strong, immobile – in moments like these. Maybe it was all an act but that first rush of hope that you could ease pain, soothe what hurts, made you feel like you were made of gold. You let that unbreakable shine pierce Joel’s gaze. “But you need to listen to me.”

Sarah squeaks and you watch his resolve instantly break. Shakely, he nods.

“Ellie,” you instruct over your shoulder. “Go start boiling water. There’s a pail out on the porch.”

She is out the door before you finish your sentence. She knows exactly what you need.

Help on the way, you turn back to Sarah, her feet twisted in grotesque contortions.

“How long has this been going on?”

“About ten minutes,” Joel grumbles. She squeezes his hand so hard you hear his knuckle pop. She sobs, open mouth, and he presses his cheek to her. He murmurs softly, “I’m sorry, I know, I’m sorry.”

“Is this the longest fit she’s had?”

Joel reluctantly nods.

“Sarah,” you say and gently touch her knee. She peels her eyes open, cheeks stained with tears, eyes wet with fear. “We need to loosen your muscles, okay? That’s what’s causing you pain right now. So, we’re going to use heat and pressure to do that.”

She nods, gaze solidifying with your every word, every word a new step out of the path of pain. Joel smooths her curls off her sweaty forehead, his own wide-eyed stare never leaving your face. You roll up your sleeves and curl up your hair off the back of your neck just as Ellie stumbles back into the room. She’s got at least five towels around her neck, and she’s red-faced and straining from keeping the pail of boiling water from spilling or burning her. She eases it down next to you and hands you a towel. Both of you each take a side and immediately tear the one in half.

Before you wore gloves, some sort of protection, but now there is no time. You hear Ellie inhale sharply, recognizing what you’re about to do a second before you do it.

You dip the towel into the steaming water, let it soak, and pull it out. You grit your teeth against the immediate burn on your palms, the trail of fire over your knuckles and wrists, as you squeeze out the dripping water, Sarah’s soft cries in your ears enough to push past your own pain.

Half-way between an inhale and an exhale, you think you hear your name.

Ellie already has another dry towel loose around one of Sarah’s legs. She glances at you, her brows knitted together.

Ready? She asks without words.

You drape the hot towel around her leg and Sarah yelps. She thrashes in her father’s arms as you wrap the towel tighter and tighter. Expecting Joel’s inevitable bark, a hard shove against your shoulder, get away from my daughter – but it never comes.

As soon as you tighten the towel as firmly as it can safely go, Ellie slides in next to you and begins to massage the muscles in her calves, her feet, her toes.

Sarah whimpers again, but the sound isn’t as sharp, pain-choked. Joel holds her tighter, as if her torso is also knotted and could be relieved with warmth.

On an inhale, you pick up the other half of the towel, drench it in boiling water, and wring it out with your bare hands. A silent prayer for lotion is fleeting as it drifts through the dense focus of your mind. You squeeze out the dripping water and wrap Sarah’s other leg, prepped again by Ellie. She watches you as you tug and tuck the steaming towel, her own focus as sharp as a tack, mirroring your motions as you knead and massage the muscles.

After a few minutes of faint whining, a couple of sobs, the room slips into an exhausted silence. Her breathing slow on his chest, Joel draws back her damp curls and finds her face relaxed, asleep. His mouth parts and the skin around his eyes goes slack.

Relief.

With a shudder, Joel knocks his forehead against hers, his thumb on her chin as if to feel her breathing. You look away, the moment so tender it shouldn’t be witnessed.

You realize then how badly your palms ache.

The towels have lost their immediate heat, so you unwind them. Ellie’s small hands overlap yours as she helps. For some reason, you can’t bring yourself to look her in the eyes. The both of you fall back into roles most comfortable to you.

The wet towels gone, you wrap her legs more tightly this time, slightly past the edge of comfort. You ease her back, flat into the bed, and some small part of you is aware Joel is letting you guide her. He slips out from behind her when you tuck her in, tight with another blanket around her legs. She could be exhausted for days after this.

“We’ll need to keep heat on her legs every thirty minutes, fifteen if we can manage,” you say as you fold up the damp towels. Joel hasn’t moved. Stares down at Sarah’s small body. “I’d like to keep a warming pan here, to have hot water on hand if she wakes up in pain again. When she comes out of it, she needs water and food. Have her eat it slowly, small bites at first.”

You remember a doctor at the hospital where you trained as a nurse give advice to a newer doctor: medical mysteries and illnesses are one thing. Nervous parents are something else.

You call his name and he doesn’t move.

You step forward, touch his forearm, and he blinks at you. He feels so remarkably solid.

“Joel. She’s safe.”

“Do you want me to go get more towels?” Ellie’s gathered the damp towels off the floor, her chest wet. She stares at Sarah’s bed frame.

“Get breakfast first. Then I might need your help later.” She nods, turns to go, but hesitates. Her mouth is pinched tight, eyes wide, looking for something to ground her, to calm the vortex that the adrenaline in her veins widens with each beat of her heart. She looks so . . . childlike.

She looks so much like Anna.

The momentary fortified strength shatters and you're afraid again. What do you say to comfort her? What would Anna say? Good job, I'm proud of you, thank you -

But then she turns away, carrying the dripping towels, and you lose your chance to parent.

Joel has curled himself into the rocking chair by her bed, so close his knee touches her mattress. He holds her thin hand in the cup of his two massive palms. His heel taps loosely, quietly against her rug, every possible outcome of this morning striking him in the chest with each drop of his foot. His face is a blurred, dark shadow, hanging between his shoulders.

To describe Joel in this moment, nervous seems quaint.

In silence, you gather up the tepid pale of water and exit the room, closing the door after you.

The rest of the day passes in haze, tendrils of sleep still between the cracks in your brain left there by the harsh break into consciousness.

You have Ellie feed the animals, and you start a load of laundry. The ratio of dry towels to wet is rapidly becoming unbalanced and you know after the initial attack is over, pressure is more important than heat. Sarah has barely moved all day but she is responsive and drinks water when she comes out of her deep sleep. You’ve made soup again – a heavy meal that doesn’t require much managing and can be easily re-served – and it gives you time to think. Sarah mentioned the doctor skipping town, that he had all but dropped everything and ran. You wondered what else might be in the doctor’s old shop. Morphine seemed too valuable to have been ignored in any ransacking, but often doctors kept a secret supply, unbeknownst to even most nurses for special cases or when supply was low. You think about that and stir the pot as the sun crawls across the sky.

With your head bent over the pot, something moves in the field outside and you watch with surprise as Ellie leads one of the cows, Fauna, out of the barn. Through the rippled glass, you watch her talking to the cow, her face scrunched up in concentration, and shockingly, Fauna appears interested, her big ears flicking back and forth. But Ellie leads her only a little bit from the barn, in the grass but visible from the house. She drops to her knees and takes out a wooden stake and a hammer — nevermind where she found those – and then ties Fauna’s lead rope to top of the stake sticking out of the ground.

Ellie wags her finger, her back to the window, her stance very serious. You smile to yourself and to Anna as she marches back inside and shortly returns with Flora, the other cow, to do the same. She gives them both a stern talking to, as evident by her hands on her hips, before turning back to the house. You glance down, knowing she wouldn’t appreciate it if you saw her babysitting the cows. It was what Joel did every morning – let the cows out to graze – but she did it in her own Ellie way: on a smaller scale and perhaps with a little more gentleness.

See, Anna, she’s all grown up.

By nightfall, both of you are exhausted. You don’t know how Joel manages to run this place by himself, especially with a sick child, but after one day, you’re ready to curl up into bed and never leave. Ellie looks like she’s about to face-plant into her soup, her eyes half-shut. You smile, stretching, before gently shaking her shoulder.

“Go to bed, Ellie. You’re exhausted.”

She blinks harshly, indignant and scowly, as you take both your bowls to the sink. “‘M fine. Just a lil’ –,” she yawns deeply, “sleepy.”

“You’re right. My mistake.”

“Besides, we got coffee coming, don’t we?”

On the counter, your make-shift coffee press gurgles, the cap steaming from the bubbling water over the grounds you found in the cellar. You eye her over your shoulder.

“You don’t even like coffee.”

“Yeah but you’re staying up, right? You and Joel?”

Neither of you had seen Joel leave Sarah’s room all day. Ellie eyes the ceiling as if she can see right through it.

“I’m taking him some food and a cup of coffee,” you say as you finish drying the plates. There’s a rigidness to your hands as you delicately lay the plates flat, unconsciously careful to keep them from making a sound as they touch. “But at St. Joseph’s, some of the nurses would offer to keep vigil, to give the parents a chance to rest.”

You know in your heart he won’t take it. You just hope he finds your coffee inoffensive.

But Ellie doesn’t respond. She sits still, staring at the ceiling.

“Ellie, she’s going to be okay.”

Those bright eyes fall on you. “You can’t know that.”

In your hands, you wind the damp towel between your fingers. They’re pink and still ache but the rough linen is a welcome distraction from the churning acid in your stomach.

“This isn’t going to be like last time,” you say, your hips against the counter. “Sarah’s infection is nowhere near her lungs. And she’s been responding to treatment.”

Ellie drops her gaze, her bottom lip curled between her teeth.

“Don’t say that unless you mean it. Unless you can swear to me.”

One of life’s simple truths: parents lie.

You recognize there is a part of her that wants you to look her in the eyes and lie. She’d be angry, eventually, if your lies were exposed, but in that moment, as she sits in an unfamiliar house, at an unfamiliar table, with you and this wretched ailment the only things she knows to be constant – she wants a comfort you can’t give her. You are not capable of parental truth.

“I can’t promise anything.”

She inhales, breathes shaky, and exhales, the spoon in her hand trembling. “I know.”

Hands full of a white, chipped food tray, you knock twice carefully with one hand like you had been trained to before opening the door. The lamplight has been turned on, but the room, blanketed in darkness and shadows, looks the same. Sarah sleeps deeply, if not well, her hand curled by her face against the pillow, her heavy storm of curls cradling her head gently. Joel watches her, as still and silent as the moon. His foot has settled, but now he breathes so slow he might not be breathing at all.

Of all the terrible things you had seen during your time as a nurse, witnessing someone like this is always the hardest. Feeling helpless is a sentiment you are all too familiar with and the thought of someone just sitting there and watching you with your grief makes your skin itch.

“Joel.” A formality, because those trapped in a cyclone of worry require a slow approach, easing a startled animal. “I brought you something to eat.”

Speaking, it lets him acclimate to your voice.

You set the white tray on Sarah’s dresser, a piece of furniture meticulously crafted. Like Joel’s room, there are books everywhere, but more animal drawings, some directly on the walls. Sarah’s brilliant personality expanded here, in the blues and pinks, not capable of being contained in a single body.

A body that seems so small and fragile in that little brass bed, while her father looms impossibly large.

“Joel.” Again, soft, but this time you put a hand on his bicep. Never near the neck, an older nurse warned you, that area is sensitive. His denim shirt is soft beneath your fingers, nearly bleached white from the sun and worn smooth from dust and dirt and wind. You think you smell churned earth and hot leather in the instant it takes you to kneel down beside him, your grip sliding from his shoulder to his forearm. With the other hand, you tip a steaming cup into his open palm.

“Sarah told me you liked coffee.”

Slowly, as though he had blinked and reality disintegrated and reformed around him, Joel’s gaze slides from Sarah’s waxy face, to yours, and then the hand on his forearm. The back of your scalp prickles, the bulwark of courtesy shaking, before you remember you’d done this hundreds of times, to people of all ages, men and women. He seems to understand this – a professional gesture – and he takes the mug from you. With an almost perplexed expression, he stares into the nearly black liquid, his jaw tight.

And then he drinks, without saying a word.

You think you might have heard a low rumble from him, a pleased groan as heavy as the plow in the barn outside, but the floorboards creak when you stand up, so you might have been imagining things.

“This tastes good,” he says bluntly, voice weather-beaten. You smile into the bowl of soup as you wave a hand over the steam to cool it down to something bearable. “How?”

Despite his monosyllabic responses, you take this as a good sign. Something tells you that you’ve made exceptional progress by getting him to talk at all.

“I got pretty good at making cowboy coffee, as my sister used to call it, before we moved to Oklahoma. You already had the beans in the cellar,” you say, shrugging as you bring the soup over to him. He eyes it warily, as if this is not the appropriate time to eat, as if his own suffering would make Sarah’s lessen.

You’d only ever seen that instinct in a handful of parents while in the hospital and it made something wide and warm press up against your chest bone.

So you don’t give him a choice. You push the soup into his hands with enough speed that he has to take the bowl or drop it entirely. He, like most people with common sense, takes the bowl. He has a second to frown at you before you turn away to Sarah.

“And I suspect they were hidden down there on purpose?” You ask as you take out another blanket from the basket beside her bed and flutter it over her legs. You remember stories about the women working with Elizabeth Kenny filling quilts with rocks or beans, anything with weight, and putting them over the affected limbs of polio patients. The compress soothed the ache.

Sarah snores gently in her sleep as her father behind you laughs, a soft rush of air from his nose, his mouth preoccupied with a half-grin.

“I try not to hurt her feelings,” he admits quietly. You hear the clatter of metal on porcelain as you fold and refold the blankets to carry more weight. “That girl is a lot of things, but good at making coffee isn’t one of ‘em.” He slurs around the soup in his mouth.

It’s hard to believe she’s only a year older than Ellie. They have both lost things, indescribable things at too-young an age. But where Ellie carries it in the grip of her hand around her knife, Sarah takes it on the chin.

Polio, a disease of freezing agony.

You wonder how much of Sarah’s inner world she keeps to herself.

Like with Ellie, you fight the urge to brush a lovely curl away from her cheek.

“You have a special girl here, Joel.”

You feel his gaze on the back of your neck and you drop your gaze from her pristine face, remembering it’s not your place to look at her like that. Not like how you want to look at her.

Not like how you might want to look at him.

Joel shifts on his feet, leaning forward to put the now empty bowl on the ground.

“I know.” By the strength of his tone, he admits to knowing that you see the bright light about Sarah like he does and so he lets you look. Your heart stutters at this silent transference and you grab blindly for that mask of noble duty.

“How has her breathing been?” You sit down next to her and pick up her wrist, feeling for that steady pulse. You relax slightly when it’s easy to find. The beat of it is a little faster than you would like, but it hasn’t woken her up.

“Good.” A disgruntled groan from the chair as he adjusts behind you. His voice is rich like molasses, dripping warmth down the knots in your spine. “Woke up here n’ there, like you said. Gave her food. Got her water. But she just went right back to sleep.”

“But she ate and drank?”

He nods out of the corner of your eye. You check the mobility of her joints and they seem to be back to their natural looseness. Whether she’ll feel strong enough to walk is another matter entirely, but it’s not good to worry him unnecessarily.

“That’s good, Joel. That’s really good.”

You smile at him and finally, finally, the corners of his eyes soften, his brows pluck up, and he breathes deep. The tension leaves his body the way steam leaves a lake in the hours before dawn, the cup of coffee resting on his thigh. His gaze falls from your face to hers, shrouded in shadow.

“She’s never slept this long after an attack,” he says quietly. “Always restless, pain flaring up. We once stayed up a whole day and night when it got bad.”

He shakes his head, clears his throat a bit as if the words in his mouth leave behind a mucky, sour taste.

“Thank you. For treating her properly.”

For doing what I couldn’t.

It’s true. But no amount of reassuring – I’ve just had training, you did the best you could – would dissipate that repugnant scent of guilt lingering in the air. You are forced to let it linger, unable to say a single damn thing that would mean anything to him.

As he finishes the last dregs of coffee, Joel unwinds his long legs from beneath the seat and his knees crack. Stiff joints after a long day of stillness, but immediately his fingers fly to that same spot he touched in the barn in that afternoon, his mouth tight from the unexpected flash of pain.

Immediately you kneel down, worried at the slight hiss he made, fingers inches from his thigh when he straightens.

“You don’t have to–,” he shifts as if he can pull away from your touch and stay seated. “It’s not that bad –,”

You frown at him. “Can the person here who has had actual medical training determine that?”

Something light flickers over his eyes, so fast it might not have been real, smoothing the lines around his mouth. Joel nods, glancing to the floor.

“Yes, ma’am.”

That single word almost splits your skull in half like lightning.

You are immediately grateful for the heavy shadows in the room. Your palms, smarting all day, are now blistering with heat. Mouth shut tight, you don’t trust whatever sits behind your lips, so you begin your inspection of his muscles. Thumbs down, you feel along the lines that lead down to his knee.

Hard, firm, you notice. Made solid by work and toil. A few of the bricklayers and farmers you’d attended to had muscles like these. Despite the rough denim and how unsettling it is to be this close to him, it’s easy to lose yourself in the methodology of the human body. You’ve learned to read sinew and bone and scar tissue like a map and you come to find that the topography of Joel Miller is mountainous.

“So, mhm, where’d you learn to make coffee?”

You thought the stiffness in his thigh was due to lingering pain, but when you look at him and his guarded expression, chin tilted into his chest, fingers tight around the bottom of the seat, you realize he is uncomfortable. He is made uncomfortable . . . by you. Something sharp pokes through a slot between your ribs and you sit up straighter, trying to make your touch even more clinical if possible. But what he says next, you aren’t sure if it’s genuine or genuinely meant to hurt.

“Your husband?”

You shake your head. “My sister, actually. Ellie’s mom. We’d trade night shifts when she was a baby. One of us would come home from our second job, and the other would leave for their first. Anna said she’d never have survived those first years without coffee.”

You can hear the question he wants to ask buzzing in his head, your thumb rubbing therapeutic circles around the inflamed area. But instead he asks:

“And you . . . you like coffee?”

You shrug. “I don’t think I ever slowed down enough to ever taste it in the first place.”

With Joel Miller, silence means a thousand things. It’s not the way he looks at you, but the way he looks into you.

“Anna always said we’d be fine, that two unmarried women with a baby could make it in the city. But I wasn’t so convinced. There wasn’t much time for something like enjoying the taste of coffee because I was always busy taking every job I could get.”

“Like treating sick kids.” He says it like he just found a piece of you off the ground and added it to a sprawling puzzle. He politely stares over your shoulder.

You swallow, throat tight. “Actually, um, Anna had it - polio - too. I took the job as a nurse to learn how to treat her from home.”

Those heavy eyes swing into you full force and you can feel your stomach roll and collapse against your spine.

“Every case is different, Joel. What I did for Sarah, it wouldn’t have helped someone like Anna.”

“But she died?” A third unwelcome presence.

“Yes. She went fast. There was nothing anyone could do to save her.”

There was nothing you could do to save her.

Your thumbs are starting to ache, but you don’t want to leave just yet. You want to sit and listen to his voice, even if it’s pitched in anger towards you.

But it’s not. His next words come out soft, if not a little bit disbelieving.

“Where did you come from?” Joel asks. “You said the city, Oklahoma. How’d you end up in fuckin’ Dalhart, Texas?”

You use your elbow on the thicker muscle up his thigh and he tries very hard not to wince.

“We grew up in Boston. City girls all our lives. We had big plans of catching the bus line and going all over the country, just the two of us, but then Anna got pregnant and overnight, everything changed.”

He nods, knowingly. You add that to your own Joel Miller mosaic.

“I met the man I’d marry while I worked as a maid in a motel. He was a banker, or so he told me, and he wanted to whisk me away. We were three months behind on our rent, so I told him yes, I'd marry him after knowing him for a week — as long as I got to bring Anna and Ellie with me. All he talked about was money, so I thought he had it. What he did have was enough to get us to Oklahoma, buy some farm equipment for the wheat boom, and then lose it all in a handful of years.”

“And then we lost Anna. We lost my husband. I went back to trying to find a job in town with no jobs.” You pull your hands back, the deep tissue of his thigh flushed with blood from your therapy, and having nothing more to do, little more to say, you drop them into your lap. “Just after we missed the payment for the equipment for the second month, I got a letter from a man claiming to be my long lost Uncle Robert. I hadn’t eaten in three days and Ellie just got tagged by the police for shoplifting. I sent him a letter back and he said if I sent him our last twenty dollars he’d get us set up in Dalhart where he had a successful car dealership. I did and he didn’t and if you hadn’t picked us up, I don’t know what we would have done.”

You sit with the hot truth of it and he sits with the both of you. It’s silent in a way that only a house in the middle of nowhere can be. Sarah stirs in her sleep, her legs rustling the sheets, but doesn’t wake up.

“You don’t have to do that here, you know.” He straightens his legs, just as quietly as the rest of the house. He crosses his arms over his chest and you think about the muscle just under his forearm, thick and immobile as sea-drenched rope. “Not eat . . . for Ellie’s sake. There’s enough for you and her. Always.”

You think of the cellar with its soft dirt, cool air, the endless rows of stored fruits and vegetables and meat, buried like a still-beating heart beneath the dust-whipped house in a paradise on the prairie.

“But I understand the inclination.” With you on the ground before him and Joel leaning forward, elbows on his knees, his broad back arching under the stripe of white moonlight, he looks at you.

Really looks at you.

Like recognizing like.

A passing in a distorted mirror that might be me but it’s not but I think I know you all the same there is a thing just like me out in the world and it sees me.

Slowly, hesitantly, as if he’s afraid you’ll bite, he reaches forward and takes your wrist from your lap. The calluses on his thumb brush roughly against the knot of bone as he twists your palm upward. Pink, too pink, a stinging color, even in the low lamplight. Joel works his jaw back and forth, staring at your palm with weary concern, as if it told him things he didn’t want to know.

His gaze lifts and your fingers curl instinctively in. He’s trying to make you look and you don’t want to. He sees your sacrifice and you don’t want it called that, there’s certain nobility in sacrifice, in a sort of suffering for other people, but it’s not sacrifice if you go willingly and despite you not wanting to look, not wanting to put a name to it, not wanting to take up any space at all, he looks at you like he, a man as broad and wide and powerful as he, is grateful.

For you.

Every bulwark inside of you, every foundation that you had built yourself because you never had the chance to grow hearty roots somewhere permanent, rumbles. Shakes, beneath a single solitary, rolling earthquake. A landslide of earth behind the strength in his eyes.

“For her, for Sarah, I’d do the same,” he says.

For her. For the children in your lives.

Do you even like coffee? All you know is how to make it. What would you do with it if you did? If you liked coffee? If you loved it.

If there was someone outside yourself and Ellie to make you coffee simply because you wanted it. Because you were in a circle of people for whom people would do things for. For her. For you.

The heart of Joel is like coffee: dark but warm.

Your wrist slips between his fingers, finding refuge again in your lap.

“I know.”

You wonder what it would be like to be within Joel’s circle of people for whom he does things. To be given coffee, just because you want it.

You bet it’s warm.

You stand up, collect the empty, used things, and wish him a good night.

A noise and sunlight startles you awake. Your eyes tear open, hand flat on an open pool of sunlight in the center of the mattress, head twisted and knees bent up by your chest. In your sleep, your body twisted itself into a Gordian knot, unable to escape the dreams about the cellar ground turning into coffee beans, and the cramped bloodflow leaves you disoriented until you can roll onto your back and remember where you are. The smells that surround you.

You hear the noise again and you think of Ellie and in that instance where complete consciousness returns to you, the weight of her is gone. Literally.

Ellie is not in the bed beside you.

The room’s brightness is suddenly too bright, the clear, electric blue sky too blue – it’s too beautiful and it lulled you into a sense of comfort. Stupid, so stupid. You ignore the warm floorboards against your bare feet, the faint birdsong from outside, as you rush towards the source of the sound, towards Sarah’s bedroom – oh god, I was wrong it’s too late it took her in the night and I –

The sound you do not recognize, the sound you could not comprehend while buried in dreams and memories, is the sound of laughter. Loud, full laughter.

The brass bed creaks as Ellie uses the mattress to fling herself into the air. On the other end, just as determined to reach the ceiling, is Sarah. Hands outstretched and reaching, her legs bend and flex and propel her up and up. Every time she gets within a handful’s reach of the ceiling, Ellie’s laughing, cheering her on, and then it’s her turn, Sarah giggling as Ellie’s face scrunches up as she reaches out towards the blue sky on the other side of the roof.

“Oh, hey!” Ellie says, pink-faced and causal, half-way out of breath. Sarah spins, mid-way through a jump, her eyes bright, sweat peaking on her brow line. “Sarah bet – I couldn’t touch – the ceiling — so we’re taking turns – loser has to shovel – the barn!”

You watch, dumb-struck, as the bet continues, the girls laughing and criticizing each other and offering techniques as they work in tandem to fling the other one higher. Sarah is flush with vitality, with life, with a dewy glow reserved for spring mornings when the earth stretches awake after the death of winter.

And Ellie . . . she looks her age.

The earth has shifted beneath your feet, while you were sleeping, and a seedling has been planted, the dawn of something new, something fresh and utterly unexpected. You can feel it in your bones. Hear it in their laughter.

“Not a bad thing to wake up to.”

Joel, arms crossed, eyes soft, leans up against the door frame, blue striped pajamas low on his hips, a thread-bare white undershirt cupping his biceps. He eyes you from toe to head and stops when he meets your eyes. You wonder how long he’d been standing there – if he too woke to noises he couldn’t explain, rushed in here, and found something miraculous.

The smile crinkles his eyes as it unfurls across his face.

“I haven’t heard her laugh like that in a while,” he says quietly, head tilted towards the bed, as if there could be any other meaning. “I owe you one.”

You could say the same thing about Ellie.

There’s the line, the boundary of the circle to the place of being warm. He’s not cleared the way for you, not invited you across, but he’s shown it to you. You can see it, feel it, and know what it takes to get there.

Your smile blooms. The girls’ laughter rings throughout the house and into the sunlight.

But, outside of paradise, away from the river and the white a-frame house, from the horse and the cattle and the long strands of prairie grass, where there is not enough to eat and the earth is in its death rattle, the wind blows. It swallows up dust, and dirt, and fine sand, gluttonous. It swirls and pulses, agitated and restless and seeking violence. Spinning with the power to blind with a single whip of dust, it spins up over the earth in its death rattle, where there is not enough to eat, towards the prairie grass. Towards the horse and the cattle. Towards the river and the a-frame.

Towards paradise with the promise of total ruin.

END OF PART I

series masterlist | AO3 Link | prologue | part ii

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dailyoverview · 1 year

Text

A superbloom of wildflowers blankets the Carrizo Plain in Southern California. This phenomenon, which follows an unusually wet season in California, occurs when a high proportion of wildflower seeds that have lain dormant in desert soil germinate and blossom at roughly the same time. Common plant species involved are brittlebush (yellow flowers), California poppies (bright orange), and lupine (purple).

35.191358°, -119.792908°

Source imagery: Planet

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cowgurrrl · 5 months

Text

Keep the Wolves Away

Pairing: Joel Miller x fem!reader

Author's note: Dedicated to my real life Andies. Thank you for making me feel easy to love.

Summary: The worst decision [5.2k]

Warnings: platonic threatening, discussions of bad mental health, so much flirting that (spoiler alert) might be real, possible THE shittiest ex I ever could've written, all the southern pet names, alcohol consumption, the resurgence of an old nude of readers, gaslighty behavior, smoking cigarettes (don't smoke kids), Joel talking reader out of a spiral, two (2) kisses

"So, it's a date." Andie declares once you're done explaining everything to her over FaceTime. You pause your blush application to roll your eyes at her.

"It's not a date!"

"I'm sorry, so I'm just supposed to believe you when you say you're going to be just friends with the hot, sweet single dad who sounds like he's head over heels for you?"

"He is not head over heels for me." You sound a little petulant, and Andie laughs like she did when you were in high school and trying to hide a crush from her.

"Babe, he willingly went on a high school field trip just so he could see you."

"His daughter was there. I'm sure he wanted to spend time with her."

"I'm sure he did because he's a great dad, but he also wanted to see you in your element. It's sexy watching someone do the thing they love."

"Yeah, yeah." You brush her off, and she scoffs. You toss your makeup brush back into its bag and check out your outfit in the mirror. It's nothing insane— just a plain black slip dress— but now that Joel's arrival is getting closer and closer, you're rethinking everything. "Do I look okay?"

"You look stunning!" Andie chirps. "I'm sure your not boyfriend will think the same thing."

"I'm going to get a plane ticket to Austria just so I can choke you out with my own two hands." You threaten, but she laughs so hard you can't stop smiling. Once the trans-Atlantic giggling dies down, the line goes quiet, and you take a deep breath as you pull your mascara out.

"Are you nervous to see him?" She asks gently. Andie came home for the summer dubbed The Dark Days. She stayed over when the one-bedroom apartment felt too big and got you out of the house when you couldn't stand the four walls anymore. She took whatever he left behind to his new apartment so you wouldn't have to (and gave him a piece of her mind while she was at it). She made you believe in love again. Not sticky, frustrating, unpredictable romantic love but pure, easy, all-knowing love that can only come from long-enduring relationships such as yours.

For a long time after he left, you thought you were hard to love. Too loud, too bright, too much. Until you were out at a bar with her one night, trying to find the remnants of your independence and self-esteem tucked under sweaty beers and cracked leather chairs, when someone pointed out how similar you and Andie were. "Like two sides of the same coin," the woman told you. Andie is one of the easiest people in the world to love with her quick wit, creativity, and smile. And you realized for the first time if you had even a shred of that, even if only by dint of knowing and being loved by her, then you must be easy to love too. You must be worth the mess and heartache and stained fingerprints.

So, yeah, Andie was less than pleased to hear that all that hard work could be undone by seeing him again, but she was supportive.

"I don't know," you sigh. "I'm not a kid anymore. I've had more years without him than I did with him, but it's still scary."

"I know."

"I don't even know what I'm gonna say to him."

"He'll probably be too busy with the gallery and everything. Maybe you won't even have to." She says, and you groan at the uncertainty of everything.

"God, why did I say yes?" You ask as a knock interrupts your whining. You end your call with a quick "I love you, thank you, I'll text you" before throwing your phone down. "Come in!" You yell from the bathroom as you rapidly finish doing your makeup. There's a pause on the other side before he jiggles the knob and finally comes in. "I'm just finishing up in the bathroom. Give me a minute."

"D'you always leave your door unlocked?" Joel asks. The sound of his unsure footsteps reaches your ears, and you smile at the thought of him looking around your apartment like a lost toddler.

"Only when I know someone's coming over," you say. "Sorry, it's a mess."

"Oh, this is nothin'. You should see Ellie's room." He says, his feet pacing the floor. You swipe on a cute lipstick you never wear and finally step out into the living room where Joel is waiting. He's wearing a black button-up shirt with nice pants as he stands with his back to you, looking at some of the things on your wall.

"Well, don't you look nice?" You compliment, making him turn around with a shy smile. His eyes roam over you, taking in every detail or sliver of skin he hasn't seen before. His intense gaze reminds you of how he looked at you in the bar when you were sure his eyes would melt you. He looks dumbstruck, and his Adam's apple bobs when his eyes finally settle on your face.

"Wow… you look-"

"Choose carefully." You tease to take some of the tension out of the room.

"Beautiful," he says, thwarting your efforts. "You always look beautiful."

"Thank you. Not so bad yourself."

"You like it? Ellie helped me pick it out," he anxiously fiddles with the sleeves of his shirt. "Feels weird."

"What specifically feels weird?" You ask, stepping closer to him to examine his outfit. He smells like aftershave and the cologne he's prone to wearing. Why the fuck do you have his cologne memorized, you think to yourself.

"I dunno. I think I just feel outta place."

"Well, you don't look out of place," you say. "These might be what's doing it, though." You tap the top buttons of his shirt, the ones buttoned all the way up to his chin like a toddler going to Christmas mass.

"Ellie said I should do all of 'em since it's a fancy art thing."

"Well, you should stop taking fashion advice from a fifteen-year-old," you laugh. "I promise it's not fancy enough to justify being uncomfortable."

"I'm takin' your word for it." He says as he reaches up to undo his top two buttons, revealing freckles across his chest and collarbones and the tiniest sliver of a gold chain resting against his throat. For some reason, you can't tear your eyes away from the veins in his neck or the delicate necklace stuck to his warm skin. "What, it really looks that bad?" He thankfully breaks through your thoughts, and you try to recover by shaking your head.

"No, no. Not at all. You look really nice," you say, clearing your throat. "Let me get my purse, and we can go." You don't even wait for him to respond. You just turn on your heels and walk to your bedroom. In the security of your bedroom, you let out a long exhale and try to get your mind back on track.

You're just nervous. He's being nice. You're being nice back. It's nothing. It's nothing. It's nothing, you mentally chant. When you catch a glimpse of yourself in the mirror, you almost have to laugh at the fierce blush on your cheeks and the distracted look in your eyes. "You better get it together." You say, pointing at yourself in the mirror like it's gonna do anything to make tonight smoother.

The gallery is packed when you get there. Joel curses under his breath as he tries to find a parking spot, and you try to keep your anxiety at bay. All you have to do is show your face, look at the paintings, and leave. Maybe you can manage to steal a bottle of the cheap wine they're undoubtedly serving. It'll be an hour. Two tops. You can do this.

You're so in your head that you didn't notice that Joel parked the car or that he was looking at you until he bumped your knee with his.

"You okay?" He asks. You take a deep breath and nod.

"Just need a second." You mumble. You fiddle with your earrings, your dress, anything to keep your hands busy as you psyche yourself up.

"When's the last time you saw this asshole?"

"He wasn't always an asshole," you try to redirect, but he raises his eyebrows at you. "Since I graduated college."

"We don't have to go in." He offers easily, and you give him a look.

"Yes, we do. My name's on the list and everything."

"So?" He shrugs. "The world's not gonna end just cause one person didn't show up."

"But you drove all the way here."

"And I can drive you all the way back. Besides, it's nice having a pretty girl in my truck. It wouldn't hurt to have you here next to me for a little while longer." He says, and you laugh, feeling some weight lift off your shoulders.

"You get many pretty girls sitting in your truck?"

"Just my pretty girls."

"Right." You say, and he smiles, creating familiar crinkles in the corners of his eyes. They look a little deeper in the moonlight, but his eyes shine differently. Your fingers itch to draw them if only to critique your work and find the answer to why he has such an effect on you. You're aware that you're staring, but you also can't find it in yourself to look away. Not when he's staring back at you so fondly.

"What can I do to help you?" He asks. You feel like you could cry at the sincerity in his voice. You've talked to Ellie about her anxiety, so you know he has some practice in dealing with it, but he's acting like it's second nature. Like this is what he was meant to do. He bumps you again when you start messing with your purse. "Do you want this to be like at the bar? Do you want me to take you home and pretend like we were never here? Do you want me to go in there and crack some skulls? You say the word— any word— and I'll do it for you, darlin'."

Darlin’. It's what he called you when you promised revenge for almost kissing you at the bar. Normally, you'd be against any form of pet name. Henry was not openly affectionate in that way, and you learned not to expect it from him. But here's Joel, dropping the term of endearment almost every time he's been alone with you. It could be that cowboy accent or his knee pressed against yours, but the nickname fills your chest with warmth and pushes away your anxiety.

"Any word, huh?" You ask, and he chuckles.

"My mama raised me not to make promises I didn't have every intention of followin' through on." He says. "What'll it be?"

"I think… I just need you to be there with me."

"Then, that's what I'll do."

"Okay." You mumble, and he smiles as a new wave of comfort washes over you.

"Okay." He says.

"Okay." You take a deep breath and look at him in the driver's seat one more time. "Let's do this." Finally, you open the door and step down from his truck. He's quick to come to your side and offer you his arm before he can even finish locking the car. You smile, tuck your hand under his bicep, and let him keep you upright as you walk in.

The gallery is full of people who look way more qualified than you— art critics, journalists, and other artists who can actually sell a piece. They barely glance at you and Joel when you breach the doorway, which you're silently grateful for. When a waiter walks by with champagne glasses, Joel quickly snatches two glasses from the tray and hands you one.

"Here's to us." He says, and you cock an eyebrow at him.

"Us?"

"Well, we're sure as hell not toastin' to that asshole, are we?"

"I guess not," you laugh as you clink your glasses together. "To us." You each take a sip, and Joel tries to hide his reaction to the champagne, but you see right through it. "Not your speed?"

"Not at all." He groans as he chokes it down.

"Don't worry, maverick, we'll get you something else later." You promise and tuck your hand back under his arm as you start walking through the gallery.

A lot of his newer work resembles his work from college— normal portraits of things like fruits, beds, or people but with unexpected lines of colors lining them like they're vibrating. You even recognize some from your college days. You just never expected them to actually be displayed in this way, not even when you were dating and telling him what a good artist you thought he was. Some have vague titles like "$12" and "Jack," while others are untitled. You can see why it would get taken in by a gallery. There's a very clear skill in how he paints and manipulates everyday objects into something new. It would be impressive if it was interesting.

Maybe you're just used to the way he paints. Maybe this is exactly what you expected of him. Maybe you thought he would've grown, if not in attitude than, at least, in skill. But it's clear that too many people told him good things about his work, and he saw nothing he needed to change or fix. Somehow, it makes you feel better, not worse, about your own art.

"So, are these supposed to be good or bad?" Joel whispers to you as you get closer to the next section, and you laugh a little too loudly. The people around you give you nasty looks, but you can't find it in yourself to be sorry.

"Like I said at the museum, I can't tell you that, but…" you glance around to make sure nobody's listening to you. "As someone who saw him make a lot of art, this is definitely not his best."

"Okay, that's what I thought," he says before pointing at a specific part of the painting. "The shape is really weird right there, like he ran outta space or somethin'." You let go of his arm and step between him and the painting, smiling knowingly.

"Did you study for this?" You ask, and he nervously plays with the chain around his neck.

"I may have… snuck a look at Ellie's notes." He admits sheepishly, and your eyes widen.

"You were actin' like you were gonna have to rely on me this whole time! You don't need me to tell you what good art is!"

"Yeah, but I want you to."

"Oh, whatever. C'mon, I wanna hear what else you think." You pretty much drag him to the next section of the gallery, but he's pliant and almost giddy at your hold on him. You take more time in the next part, and he ducks so his lips are near your ear to point out little things he notices. He said he was scared of being wrong in front of people "smarter than him," but all the observations he makes are valid and accurate. He lets you add your own analysis to his and watches you with a smile when you start talking with your hands excitedly. Suddenly, you're not nearly as miserable as you thought you would be, and you're even laughing together as you jump from painting to painting.

"See, this isn't so bad!" You say as you move to the final part, but your smile and enthusiasm die when you step over the threshold. There, staring at you unashamedly is the painting Henry did of you when you were twenty and topless. He told you it was for his own artistic development, and you were more than happy to do it for him. You just never thought he would've kept it after all these years. Thank God your face isn't visible in the painting, but your rigid posture tells Joel everything he needs to know. He politely turns his back to the painting and steps between you and your likeness.

"You wanna go?" He whispers at the same time someone calls your name. You take a deep breath and grab Joel's hand for support as you turn around and face Henry. His wavy blonde hair frames his face like it did in college but he's matured. His beard is a little more filled in, and he's gotten a little broader. Other than that, he's still the same person you met freshman year.

"I'm so glad you could make it!" He says as he approaches. He doesn't try to hug you, and you don't move to let go of Joel's hand. "You look great. I mean, you always looked great, but you know what I meant," he says, looking over you. Only when Joel clears his throat does Henry even look at him. "Oh, sorry, man! We're old friends. I'm Henry." He holds his hand out for Joel to meet halfway, but he doesn't. You think it probably took fighting every single bit of southern hospitality in his veins to stop himself from shaking Henry's hand.

"'M Joel." He says, and Henry awkwardly drops his hand.

"Nice to meet you, Joel. How are you enjoying the exhibition?"

"'S alright." Is all Joel offers, not willing to gas up Henry's ego anymore, and you have to stifle a laugh at the expectant look on Henry's face. "Well, I think we were just goin'."

"Oh, so soon? You haven't even seen the last few pieces."

"Are those any better than the thirty identical ones I already saw?"

"Joel," you scold quietly, and his jaw flexes when you look at him.

"It's okay. Not everyone understands art enough to enjoy it." Henry says.

"Oh, I understand everythin' just fine." You swear Joel would've punched him if he wasn't holding your hand so tight. You step in between them and raise your eyebrows at Joel. His shoulders are squared, and you can feel the molten anger rolling off him, but it softens just a bit when he meets your eyes. You squeeze him twice to let him know you're okay, and he nods.

"Can you get me a refill on champagne? I think they're still walkin' around with some." You suggest. He gets the hint, but he obviously doesn't like it. He glances between you and Henry like he's trying to make a decision but folds when you mouth, "please," at him.

"’Course," he says through gritted teeth. "Anythin' else I can get for you, baby?" Baby, that's a new one, you think.

"No, I'm alright. Thanks, though." You say. Without thinking, you let your other hand rest on his jaw and kiss Joel's cheek. His jaw unclenches when your fingertips graze his stubble, and his shoulders relax when your lips make contact with his skin, but you know he's still upset because you're still upset. Joel smiles and walks away before you can get a good look at the blush creeping up his neck, and you're resigned to watching him disappear into the crowd.

"He seems nice," Henry says the second Joel is out of earshot, and you have to resist the urge to laugh.

"He is."

"How'd you two meet?"

"Through work." You say, knowing that bringing up teaching will make his skin crawl. He sucks his teeth and nods, the champagne in his glass sloshing slightly.

"Ah," he says. "That's nice."

"Yeah," you agree. An awkward silence falls over the two of you quickly, and you're itching to find Joel in the sea of people. Henry notices your lack of attention on him.

"It's really good to see you," he says. "I feel like I haven't talked to you in forever."

"Yeah, that's usually what happens when you leave someone."

"That's kinda why I invited you here tonight. I wanted to apologize for the way things ended," he acts brokenhearted and torn up about it, but he's years too late for the pity party he's expecting. "I should've talked to you about what was going on. We were just... becoming so different, and it felt like you were always talking to Andie or other people in the program, and there was no way to reach you."

"What are you talking about? I asked you multiple times if we were okay, and you said yes every time. I was talking to Andie so much because I needed someone who would understand me and be able to help." You say, and he waves his hand like he's swatting flies.

"Let's not do this. My therapist says it's not healthy to rehash the past like this. I just wanted to make amends and let you know I'm sorry for how you felt." It's not an apology. Not a real one, anyway. Jesus Christ, what did you ever see in him? Before you can even open your mouth to say something, he gestures to the gallery. "So, what do you think about all this? Crazy, right?"

"It's... something," you say. "Wish you would've given me a heads up about that one before I brought someone with me." You point in the direction of your half-naked body on the wall, and he gives you a confused look.

"I thought I did in the email."

"Nope, I think I would've remembered if you said something about a half-naked painting of me from college being displayed," you shake your head. "Why do you even still have that? I thought you would've thrown it away or painted over it or something."

"Why would I do that? It's a good piece."

"I know it's good because it's my body. What's weird is you leaving me without a word one day and then keeping a naked picture of me all these years."

"I didn't even think of it as your body. After a while, it was just a body," he says with no remorse, and you think you might hit him yourself. "Besides, you should take this as a compliment. Not many women get the opportunity to be depicted as art. It's a wonderful thing. You might even thank me one day when you're older." Finally, you see Joel walking toward you with a glass of champagne, and you take refuge in the fact that he's returning for you. "But, from what I can see, they've definitely stayed the same, so you probably don't have anything to worry about." He says like it's a secret or a compliment. You don't even wait for Joel to say or do anything. You just grab the wine from him and throw it in Henry's face. The people in the immediate vicinity gasp as you slap him and shove the empty glass into his hands.

"Out of all the stupid things I imagined for myself when I was younger, thinking I would marry you was the stupidest," you spit. "Don't you ever try to fucking contact me again."

You feel like a fucking idiot. What did you expect? An apology? Repentance? Regret? He barely apologized when you were together. Why would he start now? God, was he always that bad? How could you have been so blind? How could you have shed so many tears over him? How could you have let yourself be so vulnerable with him and for so many years? It's a miracle he didn't call the cops and try to get the two of you arrested, even though Joel didn't do anything. You think, at least. The second you finished your sentence, you ran to the bathroom to cry and then snuck out through the back to wait outside Joel's truck. For all you know, Joel (rightfully) beat his ass and is on the run from artsy Austin hipsters.

You put the lit cigarette back in your mouth and take a long drag, the familiar burning in your lungs a sick relief. You quit during The Dark Days because smoking was something he did, and you wanted to rid yourself of any reminder of his impact on your life. Apparently, at the same time you were scrubbing his fingerprints from your bones, he was in possession of and doing God knows what with the visual reminder of your vulnerability and love-sickness and acted like it was nothing. Like it was a compliment. Like it was just an object instead of your body. Andie would be pissed if she were here but especially if she saw you smoking after she braved all those shaky days and nights of nicotine patches and dried fruit and whatever other remedy recommended to help you quit smoking. You half-expect the same anger when you see Joel walking toward you.

"Before you even start, I know I shouldn't, okay? It's a bad habit from when I was a kid, and I've mostly kicked it. I just... had a lapse. I'll be back on my best behavior tomorrow," you say as he stops in front of you. He doesn't look angry or upset. He just looks concerned and maybe even a little sad. Suddenly, you regret running away from him when all he probably wanted to do was help. You probably wouldn't have bummed a cigarette from a busboy if you let him. "Don't tell Ellie." You plead. His eyes flick over your face before he takes the cigarette from your fingers, puts the lipstick-stained filter in his own mouth, and inhales deeply, making the ember glow in the dark of the night. When he exhales, he blows the smoke away from you and lets the wind carry it in the opposite direction. A considerate smoker. You should've guessed.

"Don't tell Ellie," he says, handing the cigarette back to you. "Are you okay?"

You shake your head and take a long drag. It's quiet between you two for a while, the only sound being the cicadas and the distant chatter of the gallery. They're probably still talking about the psycho bitch who threw her wine in the artist's face. You don't really care. "I'm sorry for tonight. I don't know what I was expecting, and I sure as shit didn't know that painting was gonna be displayed. I swear, if I had any idea how bad this was gonna be, I wouldn't have invited you."

"Why are you apologizin'? It's not your fault."

"I shouldn't have roped you into this. I should've just said no, ignored the email, or came by myself. It's not fair that you got put in the middle of all this, especially when you were just trying to be nice. You're the parent of one of my students, and for you to see that side of me is just inappropriate. I just-" he stops your rambling by putting his hands on your shoulders and making you look at him, the cigarette falling to the pavement in the process.

"Hey, hey. Stop. Take a breath." He says. Your head hurts from crying, and part of you wants to crawl into a hole and stay there until these feelings go away, but his eyes are gentle, and his hands are warm. You think he might be the only reason you're holding it together right now. "None of this is your fault, okay? Not the painting, not the conversation, none of it. We're both adults, and we can handle these things rationally. I'm not scarred for life just 'cause you lost your temper."

"But I-"

"No, buts. You told me the situation, and I didn't care. You warned me bout the art people, and I didn't care. You threw a drink in that asshole's face, and I didn't care," he says. "The only thing I care bout right now is makin' sure you're okay. Fuck everythin' else." You search his face for anything to tell you what he's telling you is going against his inner monologue but find none. He's completely and wholly concerned about you and nothing else. Not how fast he can get out of this. Not how this might look. Not what other people might think about him. Nothing. You take a deep breath and nod.

"Fuck everything else." You agree.

"Now, you're gettin' the hang of it." He jokes, and you roll your eyes at him. He takes it in stride, his smile never fading as he looks down at you. You stop messing with the hem of your dress and let yourself relax for the first time all night.

"Thank you for being here, Joel. I really appreciate it."

"Not our best not-date, but definitely a memorable one." He says, and you laugh. You seem to realize how close you are at the same time because you both fall silent. His curls are beautifully draped over his face, and you can't stop watching his tiny expressions. An eye squint. A purse of the lips. A bite to the inside of his cheek. You want to blame your bad night or the emotions, but you can't. There's something more there. Something that's been brewing beneath the surface since he came into your classroom. Something that will kill you if you don't act on it.

You let your hands come up from your sides and tentatively brush against his waist as you stare at him, waiting for him to say something, but he doesn't. He just stares down at your lips, and the hands on your shoulders slowly move across your skin and up your collarbone— leaving goosebumps in his wake— until his hands are on your jaw and your pulse is thrumming against his palm. You pull him closer by his belt loops, and he doesn't hesitate to crowd your space, pushing you into the side of his truck with his body. His lips ghost over yours, just barely touching, and his nose bumps yours.

"This is a bad idea," you breathe, tightening your hold on him. He nods and presses his forehead against yours. He's still close enough to breathe the same air as him, but the distance feels like miles. You lean forward a fraction as a test, and he doesn't move. If anything, he seems annoyed you didn't kiss him.

"D'you want to stop?" He asks, sounding just as breathless as you feel. You shake your head and swallow hard when he brushes the hair off your shoulder, and you can feel his heavy hand holding you. Your hands skate over his ribs, feeling muscles and a crazed heartbeat, and his jaw clenches. "Then you better do somethin' cause you've been drivin' me fuckin' crazy for weeks."

Finally, you catch his lips with yours. He tastes like nicotine and smoke, and you know it's going to take a lot more than patches to get you to want to stop doing this. It's gentle and sweet, all relieved sighs and shy touches until you pull away for just a second to second-guess yourself or ask him something. You don't even start to form the words before he's back on you with more fervor. Suddenly, it's like he's everywhere but not nearly close enough. He nibbles at your bottom lip and tests a hand on your sternum, long fingers grazing your throat. The metal of the truck digs into your back, but you stop caring when a little moan slips from his lips when you pull him closer.

This is a bad idea. A horrible one. A bad habit you're gonna need to kick.

But he might just be your favorite bad idea so far.

TAGLIST: @abbyhaslongshorts @kiwiharrykiwi @sumsworldz @myloveistoolittle @anavatazes @marantha @cosmoscoffeee @shyminnie07 @beezusvreeland @eddiemunsonsbedroom @harriedandharassed @doodlebob-mp3 @ignorethisplz2004 @buckyispunk

#hippies and cowboys #joel miller au #joel miller x reader #joel miller x f!reader #joel miller x female reader #joel miller fic #joel miller x you #joel miller fanfiction #joel miller #joel tlou #the last of us au #tlou au #joel miller tlou #the last of us fic #the last of us x reader #the last of us hbo #the last of us fluff #joel miller fluff #i fucking love this

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mostlysignssomeportents · 8 months

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One of America’s most corporate-crime-friendly bankruptcy judges forced to recuse himself

Today (Oct 16) I'm in Minneapolis, keynoting the 26th ACM Conference On Computer-Supported Cooperative Work and Social Computing. Thursday (Oct 19), I'm in Charleston, WV to give the 41st annual McCreight Lecture in the Humanities. Friday (Oct 20), I'm at Charleston's Taylor Books from 12h-14h.

"I’ll believe corporations are people when Texas executes one." The now-famous quip from Robert Reich cuts to the bone of corporate personhood. Corporations are people with speech rights. They are heat-shields that absorb liability on behalf of their owners and managers.

But the membrane separating corporations from people is selectively permeable. A corporation is separate from its owners, who are not liable for its deeds – but it can also be "closely held," and so inseparable from those owners that their religious beliefs can excuse their companies from obeying laws they don't like:

https://clsbluesky.law.columbia.edu/2014/10/13/hobby-lobby-and-closely-held-corporations/

Corporations – not their owners – are liable for their misdeeds (that's the "limited liability" in "limited liablity corporation"). But owners of a murderous company can hold their victims' families hostage and secure bankruptcies for their companies that wipe out their owners' culpability – without any requirement for the owners to surrender their billions to the people they killed and maimed:

https://pluralistic.net/2023/08/11/justice-delayed/#justice-redeemed

Corporations are, in other words, a kind of Schroedinger's Cat for impunity: when it helps the ruling class, corporations are inseparable from their owners; when that would hinder the rich and powerful, corporations are wholly distinct entities. They exist in a state of convenient superposition that collapses only when a plutocrat opens the box and decides what is inside it. Heads they win, tails we lose.

Key to corporate impunity is the rigged bankruptcy system. "Debts that can't be paid, won't be paid," so every successful civilization has some system for discharging debt, or it risks collapse:

https://pluralistic.net/2022/10/09/bankruptcy-protects-fake-people-brutalizes-real-ones/

When you or I declare bankruptcy, we have to give up virtually everything and endure years (or a lifetime) of punitive retaliation based on our stained credit records, and even then, our student debts continue to haunt us, as do lawless scumbag debt-collectors:

https://pluralistic.net/2023/08/12/do-not-pay/#fair-debt-collection-practices-act

When a giant corporation declares bankruptcy, by contrast, it emerges shorn of its union pension obligations and liabilities owed to workers and customers it abused or killed, and continues merrily on its way, re-offending at will. Big companies have mastered the Texas Two-Step, whereby a company creates a subsidiary that inherits all its liabilities, but not its assets. The liability-burdened company is declared bankrupt, and the company's sins are shriven at the bang of a judge's gavel:

https://pluralistic.net/2023/02/01/j-and-j-jk/#risible-gambit

Three US judges oversee the majority of large corporate bankruptcies, and they are so reliable in their deference to this scheme that an entire industry of high-priced lawyers exists solely to game the system to ensure that their clients end up before one of these judges. When the Sacklers were seeking to abscond with their billions in opioid blood-money and stiff their victims' families, they set their sights on Judge Robert Drain in the Southern District of New York:

https://pluralistic.net/2021/05/23/a-bankrupt-process/#sacklers

To get in front of Drain, the Sacklers opened an office in White Plains, NY, then waited 192 days to file bankruptcy papers there (it takes six months to establish jurisdiction). Their papers including invisible metadata that identified the case as destined for Judge Drain's court, in a bid to trick the court's Case Management/Electronic Case Files system to assign the case to him.

The case was even pre-captioned "RDD" ("Robert D Drain"), to nudge clerks into getting their case into a friendly forum.

If the Sacklers hadn't opted for Judge Drain, they might have set their sights on the Houston courthouse presided over by Judge David Jones, the second of of the three most corporate-friendly large bankruptcy judges. Judge Jones is a Texas judge – as in "Texas Two-Step" – and he has a long history of allowing corporate murderers and thieves to escape with their fortunes intact and their victims penniless:

https://pluralistic.net/2021/08/07/hr-4193/#shoppers-choice

But David Jones's reign of error is now in limbo. It turns out that he was secretly romantically involved with Elizabeth Freeman, a leading Texas corporate bankruptcy lawyer who argues Texas Two-Step cases in front of her boyfriend, Judge David Jones.

Judge Jones doesn't deny that he and Freeman are romantically involved, but said that he didn't think this fact warranted disclosure – let alone recusal – because they aren't married and "he didn't benefit economically from her legal work." He said that he'd only have to disclose if the two owned communal property, but the deed for their house lists them as co-owners:

https://www.documentcloud.org/documents/24032507-general-warranty-deed

(Jones claims they don't live together – rather, he owns the house and pays the utility bills but lets Freeman live there.)

Even if they didn't own communal property, judges should not hear cases where one of the parties is represented by their long term romantic partner. I mean, that is a weird sentence to have to type, but I stand by it.

The case that led to the revelation and Jones's stepping away from his cases while the Fifth Circuit investigates is a ghastly – but typical – corporate murder trial. Corizon is a prison healthcare provider that killed prisoners with neglect, in the most cruel and awful ways imaginable. Their families sued, so Corizon budded off two new companies: YesCare got all the contracts and other assets, while Tehum Care Services got all the liabilities:

https://ca.finance.yahoo.com/news/prominent-bankruptcy-judge-david-jones-033801325.html

Then, Tehum paid Freeman to tell her boyfriend, Judge Jones, to let it declare bankruptcy, leaving $173m for YesCare and allocating $37m for the victims suing Tehum. Corizon owes more than $1.2b, "including tens of millions of dollars in unpaid invoices and hundreds of malpractice suits filed by prisoners and their families who have alleged negligent care":

https://www.kccllc.net/tehum/document/2390086230522000000000041

Under the deal, if Corizon murdered your family member, you would get $5,000 in compensation. Corizon gets to continue operating, using that $173m to prolong its yearslong murder spree.

The revelation that Jones and Freeman are lovers has derailed this deal. Jones is under investigation and has recused himself from his cases. The US Trustee – who represents creditors in bankruptcy cases – has intervened to block the deal, calling Tehum "a barren estate, one that was stripped of all of its valuable assets as a result of the combination and divisional mergers that occurred prior to the bankruptcy filing."

This is the third high-profile sleazy corporate bankruptcy that had victory snatched from the jaws of defeat this year: there was Johnson and Johnson's attempt to escape from liability from tricking women into powder their vulvas with asbestos (no, really), the Sacklers' attempt to abscond with billions after kicking off the opioid epidemic that's killed 800,000+ Americans and counting, and now this one.

This one might be the most consequential, though – it has the potential to eliminate one third of the major crime-enabling bankruptcy judges serving today.

One down.

Two to go.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/10/16/texas-two-step/#david-jones

My next novel is The Lost Cause, a hopeful novel of the climate emergency. Amazon won't sell the audiobook, so I made my own and I'm pre-selling it on Kickstarter!

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usnatarchives · 5 months

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A Culinary Journey Through Presidential History 🥪🍰🍽

Delving into the culinary history of the White House is a fascinating exploration of taste and tradition. This article embarks on a delicious journey through time, highlighting five remarkable recipes from the kitchens of past U.S. Presidents and First Ladies. These recipes not only offer a taste of history but also reflect the diverse palates and influences that have graced the Presidential table.

Bess Truman's Bing Cherry Mold

Bess Truman, known for her skill and style in the kitchen, contributed a variety of recipes that satisfied many. Among these, the Bing Cherry Mold stands out. This dessert, a perfect blend of sweetness and texture, reflects the simplicity and elegance of the Truman era. Truman had specific dietary preferences, famously disliking onions, and maintaining a healthy diet, but this dessert was a family favorite, indicating a balance between health and indulgence.

Rosalynn Carter's Plains Cheese Ring

Rosalynn Carter's Plains Cheese Ring is a savory delight that hails from the Southern culinary tradition. This cheese appetizer, named after the Carter's hometown in Georgia, is a testament to Rosalynn's commitment to bringing a touch of home to the White House. Its rich, creamy texture paired with the tang of sharp cheddar and the sweetness of strawberry preserves, offers a unique and memorable flavor experience.

Laura Bush's Cowboy Cookies

First Lady Laura Bush’s Cowboy Cookies are a testament to her Texas roots. These chunky, flavorful cookies, packed with oats, nuts, coconut, and chocolate chips, offer a hearty taste of the American Southwest. They were notably a part of her husband's Presidential campaign, symbolizing warmth and hospitality.

Dwight D. Eisenhower's Apple Pie

President Eisenhower was not only a leader but also an enthusiastic cook, particularly known for his apple pie. His version of this classic American dessert is said to be a delightful mix of sweetness and spice encased in a perfectly flaky crust. This pie represents Eisenhower's love for simple, home-cooked meals, a contrast to his high-profile public life.

Gerald Ford's Red Flannel Hash

Gerald Ford's Red Flannel Hash is a colorful, comforting dish that combines cooked beets, potatoes, and corned beef. This dish, with its vibrant red hue and hearty ingredients, is a nod to Ford's Midwestern roots and a symbol of the simple, wholesome American fare.

www.fordlibrarymuseum.gov/library/document/0126/1489765.pdf

Exploring these recipes is not just about the flavors and ingredients; it's a journey through the different eras of American history, each dish telling a story of the time and the people in the White House. From the elegance of Bess Truman's desserts to the rustic charm of Laura Bush's Cowboy Cookies, these recipes offer a delectable glimpse into the nation's past, one plate at a time.

#Food #FoodHistory #Cuisine #FirstLadies #PresidentialHistory #History #NationalArchives

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idkfitememate · 3 months

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In Eden’s Garden

૮꒰˶ᵔ ᗜ ᵔ˶꒱ა Pairings : GN! Adam/Eve Reader x Lilith + Obey Me Character

૮꒰ྀི∩´ ᵕ `∩꒱ྀིა W.K. :

໒꒰ྀིᵔ ᵕ ᵔ ꒱ྀི১ Tags/CW&TW : fluff to angst, character death, Reader is basically a angsty teen

໒꒰ྀི˶˙Ⱉ˙˶꒱ྀིა Author’s note : Got bored, got too many brainrots and obsessions rn and wrote this “super fast” just to prove a point *AHEM*

(Also you kinda have a “set” look in the beginning, but that’ll change! It’s for stories sake I’m sorry-)

((Also also, I’m so sorry guys… you start off as a Texan I’m so sorry-)) [Fun fact I have a slight southern accent and it’s wild when I hear it-]

Yes this is the Adam/Eve!Reader x Obey Me. It has been rotting my mind for months I’m not sorry-

The Garden of Eden.

Never was it, nor its human counterparts spoken of in a negative light in the Celestial Realm.

Talk of trees that grew above the clouds and lakes so crystalline that you could see every grain of sand under the perfectly glowing sunlight flew out of Angel’s mouths, some even admitting small amounts of jealousy at how finely those mortals were living.

It interested Lilith.

Youngest of seven siblings and one of the Seven Heavenly Virtues - that Virtue being Patience - she was of high status and importance among those lucky enough to live under their Father’s light and guidance.

She wanted to know more than what those baseless rumors and tales could offer her, so one night, beneath the many star like moons of her home, she flew down beneath the clouds but above the stony bridge that would have snatched her away, down into the depths of the Devil’s Realm.

Her wings, as pure as a dove, flapped endlessly to carry her over gorgeous mountain ranges and wide plains of golden grass, over the bluest of oceans, to find this fabled Garden.

And finally? She came upon it.

Landing gracefully on the emerald green grass, she took in the sight. She supposed this Garden truly was what one would get if you took a piece of The Celestial Realm and placed it in the Human Realm.

Colorful birds filled the sky with trees of every type surrounding her. Animals she had never seen before lunged around her. Feeling giddy, she began to run with the multiple groups, eventually taking off.

She flew over a lake, lowering herself right above it to gently grace her fingers over the top, ripples feathering out and creating small waves behind her. Fish kept from the water around her in grand arks, and with a giggle she pushed herself higher with a great flap.

Liliths giggles bubbled into loud laughter, as she soared over tree tops with beautifully colored birds, spinning and diving with no one to tell her no.

She felt free.

That was, until she didn’t manage to catch herself in a dive and crashed through the treetops.

She slammed into the grassy floor of the forest, dragging through the dirt as rocks flung out of her way, eventually being stopped by a tree. It took her a moment to really get her bearings, but when she did she was suddenly all too aware of her surroundings.

It wasn’t nearly as bright here as it was out there.

The shadows of the trees were long and bird song was suddenly silenced. The winds picked up and branches shook harshly, leaves being pulled from their trees.

She could barely make out the sun, clouds blocking its path, and the lack of other creatures was deafening.

Something was watching her. Not unlike the gazes of her elders when she made a small mistake on a document or once again had a day where she stole her closet brothers away to just have fun.

Its gaze was attached to her back, and she curled into herself. She was wrong, this gaze was worse.

It wasn’t scrutinizing her, it was observing her. Watching her movements. Taking her in.

She felt something she couldn’t identify. She hadn’t felt it before. Something crossed of anxiety and that feeling when someone was angry with her.

She was… scared?

That word flew through her mind. She heard it scarcely with fellow Angels. It wasn’t something usually felt in her home, as it’s wasn’t truly necessary. They were supposed to be happy in the Celestial Realm, and fear was not positive, it was a negative, something Demons would usually deal with.

So why was she…

A branch snapped in the background, echoing through the empty forest around her. She jolted upright, grabbing her knees and wrapping her arms around them.

Her breath grew heavy as she began to look around wildly, her wings puffing up as she curled into herself tighter. Her knees to her chest, she instead took her arms from her legs and wrapped them around her head.

“Whoever is there… please…”

Her voice was weak. She shook in the breeze, the delicate flowing fabrics of her gown dancing wildly in the wind with her hair. Her sniffed, trying hard to hold the tears that had suddenly formed in her eyes at bay.

“Please…”

Suddenly, she heard footsteps, fast and steady, rushing towards her. Her head shot up as they grew closer, fight or flight kicking in immediately. She jumped up, arms cradling her chest.

“W-wait!-“

Deciding against talking, she ran.

She hadn’t thought she’d have to fight, so she saw no need in bringing her holy weapon. Her bare feet pounded against the earth. Wildly thrashing through branches, leaves and sticks got stuck in her hair, scratching her face, ichor slipping from the wounds. She pushed through the forest, looking for a space to take off. She heard the footsteps growing closer and faster, nearing her with animosity.

Finally she burst from the forest line and down a hill, tumbling down and landing on her wing awkwardly, causing a dull pain to scream through the joint. White feathers flew as she fell, small screams falling from her throat. She finally rolled to a stop, tears and ichor mixing on the ground. Her shaken sobs making her body shiver on the ground.

She turned and laid eyes on mask, painted with gold and black accents.

Long flowing golden hair trailed behind them as they walked towards the fallen Angel. A tight black top clung to their chest, sleeveless and cut off right below the pecks. A pure white sash wrapped around their shoulder and down onto their waist, a bow on their thigh tying it together. Large, black flowing pants with golden accents ended at their ankles where their feet were wrapped in bandages. Armor clung to their arms - black with golden trimmings - one arm having slimmer armor that ended at the wrist, revealing an archer’s glove, the other arm ending in a gauntlet with sharpened claws for fingers. A small amount of the same armor rested on their waist, held together with a golden chain. A white scarf that flowed behind them covered the bottom part of the white mask with golden inlays that hid their face from Lilith.

What brought it all together were the feathers that attached to one side of their mask. A large golden one, two pure white ones on either side of it, and a small row of black feathers behind them.

A bow rested on their back, large and black in color with golden accents, made of the same metals that made the armors that covered their skin. A long sword rested on their back as well, under the bow. A circular shield rested atop the bow, though from the angle she lay at, Lilith could not see the design on its front. The sheath was beautifully decorated with golds. A quiver rested on their hip, filled to the brim with arrows begging to be used, surrounded in smaller bags and satchels. And finally, in their hand, was a large and imposing spear. Long and thin, yet it looked to be made of a strong metal, one light enough to glide through air if thrown.

They slowly and antagonizingly made their way towards the fallen Angelic girl, who in a last ditch effort shot a weak burst of light from her palm. It was hot, but if not hot enough to injure then it would be bright, to blind. Though unfortunately, the person just smacked it away with their spear.

They made it in front of the still downed Lilith, who was preparing to prey to The Father for safety, before they crouched down and kneeled before her. They both stared - Lilith assumed they were anyway - at each other for a moment. Then, the clawed hand came to their mask, and slowly pulled it above their head.

Lilith’s eyes widened.

“A genuine Angel..? Here..? Well, I do apologize for our horrid meeting. Hadit been in my hands I’d’ve had you land safely into m’ arms, pretty lady. Now, what can this a-humble human do for a graceful lil’ thing such as yourself? Father got any new messages f’ me?”

Soft (e/c) eyes stared back into Lilith’s with a soft smile as well. A hand was offered to her as well, which she took. The spear in hand was safely placed on their back as they pulled her up gently, their un-clawed hand gently wrapped around her waist.

“Oh! Where are my manners! S’cuse me, but I’m The First. Eh, heard from the last Angel that visited that ya’ll might call me Adam? Or Eve? Couldn’t really tell. You can pick though, pretty lady. Speakn’ of, what’s your name dove?”

They gave her a toothy grin as she stared wide-eyed at them. They were… Adam… and Eve? Looking at their body they looked neither feminine nor masculine, a perfect mix of the two. As did their face.

“L-Lilith…” “Well nice to meet you, Lilith! As I said, Adam or Eve I don’t mind neither, course you could come up with somethin’ of yer own!”

Lilith continued to stare at the human-you as you walked her through the forest she just ran through. Taking her through a small yet visible path into a small clearing, sat in the center was a small little hut of wood with a high standing brick chimney.

“Oh! Darn, yer wing! Ah, my apologies Lilith, I assume this happened when ya took that real big tumble down the way? Now, I ain’t ever heal no Angel wing before, but I’d be a fool not to try for you, dove.” Their hand brushed over her wing gently, smoothing down some feathers. Lilith looked at them, taking in their features once more. They looked… young.

“How long have you been here..? Alone..?” The looked at her with widened eyes, before turning back to the hut.

Silent with a thoughtful look on their face, they opened the polished, wooden door and showed Lilith inside first, closing the door behind them. With a flick of their wrist, a flame enveloped their hand, and with another, shot out of their grip, startling the Angel.

It flew to different corners of the house, bouncing off walls and other surfaces until they found their placement in various lamps around the room, bathing the small house in a warm glow.

“How did you… you spoke no words-“ “Yeah, been doin’ things of that sort for as long as I can remember. Didn’t mean to startle you. But to answer your other question… I don’t know, truly. Been left with my thoughts for ‘bout as long as I’ve been alive, not countin’ the few Angels that may come down with a message from The Father anyway.”

They sat her down in a small chair, and she really took in her surroundings.

It was all one room really, only a wall separating what she assumed was the kitchen from the living/bedroom. The kitchen had the bare minimum, a wood fire stove and a couple small chests and cabinets. In the living room was the base of the chimney, a fire having been lit inside it with a large pot rested against it. In front of it were two wooden chairs, each draped with thick woolen blankets. Behind the chairs was a bed that took up a large corner of the home, pressed to the wall next to the door. A small window rested above it, as well as a shelf with small pots containing various flowers of different sizes, shapes and colors. Beside the small kitchen area was a small circular table - where she was sat now - with four chairs surrounding it. It sat in the corner opposite to the bed, with a window beside it as well and a potted flower in the center.

It was small, but cozy. As she looked around, Lilith barely noticed as the human, who had placed their weapons at the foot of the bed and mask on a hook next to it, took a look at her wing, gently flexing it and feeling up the joint to get a better feeling for the injury.

“S’nothin’ too bad. Pulled a muscle, might be a sprain. I’d say stay off it for a bit, maybe ‘bout a… week?” Lilith looked at them incredulously.

“A WEEK!?! I NEED TO BE BACK BY TONIGHT!!! I can’t stay here… I need… I can’t-“ She kept up from the chair, causing it to clatter against the floor. She flinched as it fell but the human simply stared.

“Is there anything you can do?? I need to leave, this was a on a whim trip and no one knows I’m here-“ “No one knows?” They interrupted.

“Well now dove, ain’t that a bit irresponsible of you?” Lilith sighed with a grimace.

“Well… yeah. BUT I WAS CURIOUS!! I couldn’t help myself! I just had to see the Garden of Eden. It sounded to pretty a magical and and… oh isn’t there anything? I’m not the greatest at healing magic, my brothers usually take care of all my cuts and scrapes…” The human smiled at her while gently rubbing her back.

“Now don’tcha worry your pretty lil’ head dove, ya interrupted me ‘fore I could say that’d be if I couldn’t heal it, which I can. So you just sit back down an’ led me work my magic, alright?” They picked back up the chair she had knocked over and sat her back down.

“Plus, a week ain’t that bad compared to what it woulda been f’ me. I’da been outta commission for at least a month. But with y’all’s fancy Angel bodies, healing is all quick like. Notice here? Ya face scratches are all gone dove.” Lilith gently placed a hand on her face, noticing the dull throb of any of the scratches she sustained in the chase were gone.

“I-I guess I never noticed, considering we don’t regularly get hurt in The Celestial Realm…” She mused. The human chuckled.

“Heh, wouldn’t expect y’all too. Anyway, gonna have this wing fixed up faster than double-struck lightning.” The Angel looked that them.

“What?” “Eh?”

They both stared before the human chuckled.

“Don’t mind me, let’s just get this here wing fixed up. I’m gonna count to three, and then you’re gonna hold ya breath, alright?” She was confused, but Lilith nodded.

“Alrighty, one…” She closed her eyes and took a breath.

“Two…” She felt the humans hands wrap around the injury.

“THREE!” A loud *SNAP* sounded through the room, and her eyes shot open. Before she could scream or anything of the sort, a cooling sensation flowed through her wing, the dull pain she felt washing away. She sighed in relief and leaned into the touch of the human. She couldn’t see it, but a sweet smile crossed their face.

“Thank you… so much…” “It’s no problem, dove. My fault you even got hurt in the first place. Again, my apologies f’ that.” Lilith huffed.

“No, it’s my fault for even getting in this situation in the first place, I shouldn’t have left without permission. Maybe I would’ve known where your dwelling was and could have made a safer landing.” That human chuckled and gently pulled her up.

“Now now, don’t go gettin’ your knickers in a twist over this, alright? Here, we both take blame.” “No no, I did more harm in the long run-“

They placed their hands on her shoulders, mindful of the claws on their single gauntlet.

“Nope. Not hearin’ you out ‘bout this. Anyway, you best be getting outta here now dove. Wouldn’t want’cha getting in no kinda trouble just cause you came down and visited this mortal. Come one now, let me show you out.”

A arm wrapped around her waist, gently leading her back to the front and out the house into the small clearing.

“Next time ya come ‘round here, make sure ya got some kinda permission, alright?” They asked. Lilith blushed as she looked back, an embarrassed chuckle following.

“I will. Promise.” The human smiled back.

“Alright then. Now then, it’s time f’ you to swap spit an’ hit the road.” The Angel looked back, aghast.

“It’s time for us to WHAT?!” She screamed, leading the human the lift their hands in surrender and laugh.

“Sorry, I just meant it’s time for you to leave, dove.” Lilith sighed and chuckled with them.

“Alright, thank you again! I will visit, I hope you know that!” They nodded and she smiled.

With a final smile, she leapt into the air, wingbeats echoing through the landscape. As she cut through the sky, she took a glance back and noticed them enthusiastically waving her off with a big silly grin, causing her to grin.

Yeah, she’d be back.

૮꒰づ˶• ༝ •˶꒱づ ˚ʚ ꒰⁐⁐⁐⁐୨🍮🍯🍧୧⁐⁐⁐⁐꒱ ɞ˚

Belphegor had begun to notice Lilith’s absences were increasing.

It wasn’t odd for the youngest of the seven to go missing on one of her little adventures, but for them to be happening so often?

And on top of that, she seemed happier. Now, don’t get him wrong, Belphegor loved seeing his sister so happy, but the thing was he couldn’t tell what exactly was making her so happy.

Also she called him “as pretty a peach”??? Whatever that means??? What even was a peach???

Anyway, he was determined to find out what it was, especially since last night she came home THREE HOURS after dinner all giddy and stuff.

Today was the triplets day off and with Beel out for the moment and her in her room, Belphegor figured this would be the best time for questioning.

Knocking on her door and waiting for the muted ‘come in’, he entered the room and closed the door behind him.

“Yeah, Belphie?” Lilith was sat on her bed on her stomach, legs swinging above her. Her head was resting in her palm as her other hand held a letter.

“I just had a question, nothing serious. May I sit?” Belphegor asked from the door. He pointed beside the laid down girl who giggled.

“Yep! Go right ahead.” She said, rolling over and sitting up. Belphegor sat by her feet and looked at his sister.

“My question is… what’s been making you so happy lately?” A sour look crossed the man’s face as Lilith only stared… Before bursting out into laughter over his expression.

“PFFFT- WHAT KINDA QUESTION IS THAT BELPHIE???” She laughed. Belphegor coughed into his fist to hide his now embarrassed expression, causing Lilith’s laughter to only grow in volume.

“W-Well I only ask because you’ve been so... so… Giddy! Lately! Like your head has been in the clouds!!” Belphegor defended, Lilith’s laughter quieted.

“Well for one, aren’t our head technically always in the clouds?” Belphegor stared at her as she grinned. With a chuckled, she continued.

“Besides, it’s nothing super important. I just maybe… kinda… might think I’m in love?” Belphegor did a double take.

“You might be… what?” “Okay head me out Belphie-“ Belphegor shook his head in shock. His little sister? In love? With who? What were they like? Likes and dislikes? How old? So on and so forth. Questions ran through his mind a mile a minute.

“Before you ask ANY questions, they’re younger than me, super nice and take my wants into consideration, cares for nature, and is just the sweetest person I’ve met. They even cook and clean and can sew and even crochet! Isn’t that just amazing…” Lilith immediately looked away from her brother, clutching the letter she was holding to her chest.

Belphegor figured the letter might be from the person in question, so in a moment of selfishness - to which he knew he would pray about later - , grabbed the letter from her, causing a gasp from his sister.

She immediately complained, pushing at her brother to get it back, but he stood up and held her back with one arm, reading the letter aloud.

“- Don’t worry about the bruise, it isn’t nothing to worry about. Anyway, those Celestial flowers you brought me are doing wonderfully. You were right, all they needed was a bit more sunlight than the regular flower, like a sunflower. Might show you the sunflower field I found the other day if you want. Don’t feel rushed to come back down, however. And please say thank you to Yael for making the trip to and fro. Glory to The Father, may he smile upon us. Goodbye, my dove.

- A.E.”

Belphegor looked at his sister who was flushed in embarrassment. She had given up fighting in the middle of his reading the end of the letter, and was sitting on her heels on her bed.

“A.E.? What kind of name is that? And why are they acting as though they don’t live here? “Those Celestial flowers you brought me are doing wonderfully.”? That’s not something someone who is here would say, Lilith. Just who is this?” Belphegor looked to his sister whose blush had disappeared by then.

She sighed as she looked to her brother, gaze clouded for a moment before huffing again.

“If I tell you… promise to not tell anyone?” Lilith’s voice was uncannily soft compared to her usual loud and outgoing self. A little uneasy with her sudden change in tone, Belphegor nodded.

Lilith hesitated and opened her mouth, then shut it, then thrust her hand into her brother’s chest, pinkie out turned.

“Pinkie promise?” Lilith’s eyes held… worry? Fear? Belphegor couldn’t read it well but whatever it was it immediately sent signals off in his head.

“Yeah… yeah of course.” Belphegor held out his hand with pinky extended, wrapping it around hers.

“I may have… gone to the Garden?.. And talked to a…” she hesitated, “human..?” Belphegor looked to his sister with now widened eyes.

“You went to… the Garden? Like, THE Garden? Of… Eden? Where the… humans live?” Belphegor spoke their name like a taboo, which made Lilith cringe.

He knew why, humans were still relatively new and were more or less a hot topic. Either you never spoke a word or they were all you could talk about. They were something of a passion project, as was rumored. Something that was aloud to have varied results, and more importantly:

To make mistakes.

The was the supposed “beauty” of what would soon be humanity.

Or so Belphegor was told, anyway.

He never got it, as the Virtue of Diligence, it was literally ingrained in his being to always be alert to any mistakes and correct them as quickly as possible, to ensure everything ran smoothly. Sure, sometimes a mistake could prove to be beneficial, but more often than not, that was untrue.

So how an entire race could be conceived from the idea of mistakes propelling them was… Belphegor just couldn’t understand.

So to hear his sister, LITTLE sister mind you, had gone down and… interacted with those things?? He was a little upset but… her eyes.

Lilith’s eyes shined with a wonder he hadn’t seen in them in a while, life finally growing bland after their millions of years of existence. She had something new, and it clearly brought her happiness. Who was he to take that from her.

In the grand scheme of things it didn’t affect her work to much, and Father had never explicitly told them to stay away…

“Does this human seem to have any intentions of hurting you?-“ “NO!”

Lilith raised her eyes and flinched back in indignation at the words, looking offended, a hand landed on her chest.

“They would never! I’m impressed you’d even say such a thing!” Chuckles rung from her as she began to kick her legs slightly, covering her mouth with a hand. Belphegor smiled.

This may not have been his favorite predicament, but she was happy. Perhaps he could give these humans a chance.

…

This would be his first time making a “mistake”.

૮꒰づ˶• ༝ •˶꒱づ ˚ʚ ꒰⁐⁐⁐⁐୨🍡🍬🍩୧⁐⁐⁐⁐꒱ ɞ˚

Years went by and Lilith’s visits to you didn’t stop.

Nearly every weekend was spent with you, sharing stories and otherwise. You’d taught her a few tricks of your trade as well, such as sewing and wood carving.

All was well.

Of course, until it wasn’t.

Yael, the Angel you and Lilith had trusted to take your messages to and from each other, had “crumbled under the pressure” and told a higher up. Who told someone higher than them, who told someone higher than them and well…

You hadn’t seen or heard from Lilith is weeks.

You were getting worried, but you had no way of getting to the Celestial Realm to check on her. So you waited.

And waited…

And… waited…

Lilith, meanwhile, was trying her hardest to convince the others to allow her back down into the Garden.

she had been forbidden, Angels weren’t meant to meddle in the affairs of mortals unless explicitly instructed too, after all. The Realm was still figuring out the logistics of Guardians, so no one Angel - without permission - was allowed down there.

Lilith begged and cried and sobbed, doing everything in her power to convince them that she deserved to go back down. That nothing had truly changed or happened. That’s she hadn’t fully interfered with the mortals.

All it took was an image of your now sullen face staring at the sky awaiting her return for the council to agree that she would never again be allowed to see you again.

She had exposed you too much.

You’d most likely not move on for years.

And she sobbed.

Her brothers had never seen her cry like this.

She fell to her knees and sobbed and pleaded with the council to reconsider, to give her another chance;

To at least allow her to say goodbye.

All requests were denied.

And her brothers were forced to watch her fall into something they had only heard from Demons, a “Depression”.

No longer did she go on spontaneous adventures, nor did she make jokes or try anything new.

It was simply work, eat, sleep, and staring longingly at the gifts you had given her.

Her colors dulled as time went on, and she slowly lost her glow.

Lucifer just couldn’t take it.

He tried to reason with the council. Asking them time and time again.

Always getting denied.

He only got more desperate as days past and she got duller and duller…

And finally he snapped.

Lucifer didn’t know how it happened. Once second he was asking peacefully.

The next he was chocking someone.

He let go after regaining control of his body, breathing heavily and palms shaking. After which a shouting match broke out.

And soon after that meeting, things only got worse.

Chocking turned to punching, punching turned to full on fighting, and fighting turned to the first angelic death by angelic hands in history.

Then the declaration of war.

૮꒰づ˶• ༝ •˶꒱づ ˚ʚ ꒰⁐⁐⁐⁐୨🍪🎂🧁୧⁐⁐⁐⁐꒱ ɞ˚

The days seemed to pass like a blur to you.

From days filled with planing of what new thing you could introduce to Lilith and where you could take her, now filled with the monotony of what like was before.

Farming, hunting, animal watching.

Barely did you touch your loom or carving tools, only when you needed a new utensil or blanket.

You hated it.

You missed her smile, and her laugh.

You sighed as you polished off another deer skull, taking a hammer and smashing it across a rock. Picking up the pieces, you take them to a small plot of land and begin to bury them beneath the tilled dirt.

though your eyes immediately met those of a dove, and you smiled.

“I’ll wait as long as you need, dove.”

It fluttered softly onto your upturned hand, cooing softly at you. Your eyes softened and you ran your free hand through the feathers on its head.

“As long as you need.”

૮꒰づ˶• ༝ •˶꒱づ ˚ʚ ꒰⁐⁐⁐⁐୨🍮🎂🍩୧⁐⁐⁐⁐꒱ ɞ˚

Years passed without much thought.

You remained oblivious to the war raging on above you.

Angels blood was technically on your hands and you couldn’t be the wiser.

Masses fell into their graves, simply because you needed to morn.

And now here you were, staring into the sky in shock as you watched the body of the woman you loved streaked across it, obviously mortally wounded.

You cried, and with a yelp, leapt into action, rushing behind her as she fell.

Your weapons discarded, you ran through rivers, jumped over rocks and basically glided through fields, all to catch her.

You barely noticed when you left The Garden.

Rocks dug into the skin of your feet but that was the least of your worries as you screamed her name, begging the Father to wake you from this awful nightmare.

Your arms raised high to catch her, begging her to please land in your grasp, barely paying attention to the cliff before you-

You fell.

You had never fallen from such a hight before.

Your long hair billowed through the wind with your clothes as you watched through tears as she hit the earth.

Then you hit a cliff.

A *SNAP* rang through the air as you landed on your back, head over the edge, perfectly positioned to see her and her… brother?

Two other men came as your breathing shallowed, a conversation you were too far away to hear taking place before you, before the man with the leathery wings performed some kind of spell, and her body ignited in a flame.

Your vision grew blurry as blood seeped from your mouth, coughs mixed with crimson bubbles escaping your lips as she disappeared. Her brother - who you realized was Lucifer, though his color pallet was much different than what she described - kneeled before the men.

With what little strength you had left, you clasped your hands together.

‘My Father who art above, please heed this prayer. Let be me reborn and find my love once more. Let us continue to be the star crossed lovers we believed ourselves to be. Please Father… and if one must be punished let it be me, for I had forsaken her from your land when my mortal lips met hers. Allow me this repentance and… let me… see… her once… mo…r…’

Your thoughts were silenced as you slipped away.

૮꒰づ˶• ༝ •˶꒱づ ˚ʚ ꒰⁐⁐⁐⁐୨🍪🍯🍫୧⁐⁐⁐⁐꒱ ɞ˚

You hated that prick in the sky.

You had given Him your everything, pledged yourself to Him.

You thought He was merciful, well apparently not.

Hundreds of thousands of fucking years.

You’ve had to watch her descendants live their lives, always finding a way to bump into them.

If this was His idea of a cosmic joke, then you wanted to bash your fucking skull in.

I mean, you’ve tried but he made you immortal on top of everything.

You had been reborn, as you asked, then to find that she’d been reborn as a human too. Great! You even had all your memories so you assumed she had her and…

…

…And then you were getting invited to her wedding as her ‘best friend’.

Never did you ever think you could’ve experienced a pain like that, like your soul shattering and being crumbled into dust but there you were. Watching her get wed off.

And have children.

And die.

You grew numb after a while, because why wouldn’t you. Seeing them grow became a past time, seeing where they ended up and then how many people attended their funerals.

Morbid game but it helped pass the time.

You got to watch as humans evolved and took over the planet, eventually coming to a point where they might destroy it if they aren’t careful.

You’ve watched technology grow and tack over and magic users be forced into hiding.

You’ve watched kingdoms rise and fall, nations grow and shrink, the belief of Angels and Devils become lesser and lesser.

You remember when Solomon, the big bitch of magic users and demon pact collector extraordinaire, was born. That was fun.

You remember when The King of the Devildom went to sleep, that was also neat, though you’re pretty sure that happened just a while before you died… time was a blur.

And naturally, you remembered when the brothers officially became “The Demon Brothers.”

You never forgot.

When out with “friends” - they were more people you surrounded yourself with to numb the pain of life - you just said you had Hyperthymesia, which led to more questions and other shit you couldn’t be bothered with.

The Father only know how many times you’ve gone through Highschool and Collage for the hell of it, there was shit else to do and at this point you were a hidden billionaire with how long you lived, plus it was nice to stay up to date on current affairs.

You had cut and dyed your hair same near every color under the sun at the this point, now at (h/c) for the time being.

One of the shittiest parts, however, was your morals.

The Father must’ve thought he was the funniest fucker in reality because he basically singed the Seven Virtues onto your soul, the on top of that made you the living example of the Seven Sins.

You couldn’t do shit without feeling torn apart.

Couldn’t spend large amount of money on yourself without feeling the need to give it away, but when you did you just wanted more money.

Never got a good nights sleep anymore because part of your brain would want to stay up to make sure nothing bad happened.

Couldn’t gouge yourself on a mountain of food without wanting to hurl halfway through because it “was enough”.

So life was shit in every way.

And then, the fucking cherry on top?

When a friend - who you knew full well was a decadent of her - got a letters from the Devildom about some “exchange program”. They tossed it because they thought it was a scam, which was fair.

You only read it out of curiosity, and when you say your jaw dropped? I mean it fucking dropped.

You knew all about Diavolo’s little “re-connection” thing, had since he announced it really, but to see it actually coming to light was… an experience you weren’t expecting.

Honestly you didn’t want them to go.

This descendent, MC was their name - such a weird fucking name - was one of your favorites. They were a chaotic little shit and you lived for it. Unless you had to pull them from a problem they caused. Then you didn’t.

But soon you got involved with their shit and completely forgot.

And there you were when they got sucked to hell, hand in hand…

… Also handcuffed but we don’t talk about that-

૮꒰づ˶• ༝ •˶꒱づ ˚ʚ ꒰⁐⁐⁐⁐୨🍯🍡🍫୧⁐⁐⁐⁐꒱ ɞ˚

“AW FUCK-“

“SHITTY TITTES AUGH-“

Both you and MC gripped each other, them screaming and you gritting your teeth with arms around them to protect them.

It took a second for them to stop and you to finally look up.

Before you was a judges seat with eight seats, five of which were filled. Though, a man stood beside the tallest standing seat.

Wait…

Orange, blond, strawberry blond, ravenette, red head - literally, and deep blue to teal?

Oh fuck-

The man in the tallest seat began to speak.

“Welcome to the Devildom MC… and friend?”

Diavolo looked down at the two of you, MC looking confused and you well… you looked uncomfortable but not unknowing.

“We can deal with that in a moment but, pardon my abrupt introduction. Feeling a bit shocked, I’m sure? Well that’s understandable, you’ve only just arrived, after all.”

MC looked around at the men confused and obviously scared while you just sighed with a hand pressed to your forehead. MC tried to stand only to trip back when the cuffs holding you both together. You noticed some of the brothers staring at you two, but you looked away. Diavolo seemed to ignore you both, however.

“As a human, it will probably take a little while for you to adjust to things here in the Devildom.”

“What the fuck is a Devildom-“ MC was cut off by a glare from Lucifer.

“Haha! Calm yourself Lucifer they were just asking a question! Now, before we introduce ourselves, who are you?”

You glanced over at the male and glanced at everyone else. Tugging on your shirt and running your hand through your hair, you finally met Diavolo’s eyes again.

૮꒰づ˶• ༝ •˶꒱づ ˚ʚ ꒰⁐⁐⁐⁐୨🍩🍭🍦୧⁐⁐⁐⁐꒱ ɞ˚

“Now I call you dove, you ain’t got any kinda name f’ me?”

You both were sat on a cliff you had just recently found overlooking your home with a great view of the sky and sun, which was setting at the moment. She was sat beside you, head on your shoulder with you both in the grass. A small wind blew through, making your hair wave like a sea of gold. She ran a hand through your hair, you humming at the feeling.

Your easygoing grin made Lilith’s heart melt, but she focused up back on your question after a moment, humming.

“Well… I want it to mean something.” “Dove means somethin’!” Lilith giggled.

“Oh yeah, and what would that be?” “Well you’re an Angel… n’ doves are connected ta Angels n’ stuff…” you groaned after, shoving your face in your hands, causing the Angels laughter to grow.

“Don’t laugh at me! It was cute how you reacted when I first called ya it!” Lilith continued to laugh, you whining and wrapping an arm around her waist, pulling close and placing her head on your chest. Then, you grabbed her face in a huff. You forced her to stare at you as she bit her tongue with blush on her cheeks.

Finally you both broke out into laughter, her falling onto you. You both fell back into the grass giggling. She laid on top of you and you both breathed and took the moment in.

“… I think I have an idea.”

You glanced at her. Wrapping your arms around her waist, you pulled her up and rested your head on top of her hers. She nuzzled into your neck.

“Idea for what, dove?” “A nickname.”

You smiled and looked down at her, causing her to look up.

“Well then get on with it, I’m excited as a cow to a good wooden post.” “A what… to a what?” “Heh, nothin’ dove.”

She smiled and snuggled into you.

“I think you deserve your own name. Not what they call you up there. Something like…”

૮꒰づ˶• ༝ •˶꒱づ ˚ʚ ꒰⁐⁐⁐⁐୨🎂🍩🍯୧⁐⁐⁐⁐꒱ ɞ˚

You stared Diavolo in the eyes, and smiled somberly.

“…(y/n).”