The manga industry, especially JUMP, needs to hurry up and do away with weekly scheduling for mangaka. There needs to better regulations put into place for their health and safety because this is pitiful. Two weeks - monthly updates should’ve already been the standard for the manga industry at this point. These money grabbers will only continue to put the lives of these artists at stake for the sake of capitalism unless some serious changes are implemented.
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nbc hannibal is a romcom purely because the central conflict results from hannibal not understanding his feelings for will and being a total loser about it because he’s never had a friend or been in love before which makes him act so silly and do the most insane things that will interprets being framed for murder as hannibal having something against him (as anyone would), and this series of misunderstandings is not resolved until hannibal’s ex girlfriend and former psychiatrist tells will that hannibal is so in love with him it makes him look stupid. after that will does not hesitate to break hannibal out of jail and douse himself in blood which is this show’s equivalent to the protagonist running to the airport to stop their love interest from leaving the country and marrying someone else before they’ve had the chance to confess that they’ve loved them ever since they’ve known them
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The sensation of waking up next to you ❤️💙
+bonus doodle:
…and they mimir’d happily ever after the end. ❤️
(ID under cut!)
Miles is roused from sleep by sunlight shining on his face. Slowly, his eyes adjust to the light, until finally, his scope of awareness broadens to a body he had been sleeping on.
Page 2
Miles looks up to the figure that holds him, and upon seeing, his eyes widen in recognition.
Miles looks up to the figure that holds him, and upon seeing, his eyes widen in recognition.
The bottom panel of the page shows minimal details of a window shedding light onto the bed and blankets as seen from a higher view in the room.
Page 3
On the other side of the bed, Phoenix rests, his head propped by the headboard. His hair is messy from sleep, and his expression is thoughtful. The light of the morning highlights his features.
The sun shines through the blinds of the window.
Phoenix finally notices his observer, and turns to look at him.
Page 4
Phoenix takes Miles’ hand in his, and lifts it to gently kiss the ring on Miles’ finger. They both move to share a kiss, and their hands shift to hold one another. Miles’ ring sparkles in the sunlight.
Page 5
They link their fingers as they kiss, and the morning creates a quiet atmosphere around them.
They part, but remain close, their fingers fully interlocked. Phoenix greets “Good morning,” with a tender, loving expression as he looks at Miles. Miles’ own expression is soft, unguarded, and fixed on Phoenix.
Page 6
Phoenix and Miles settle back into their shared bed; the morning sun illuminates them. They both smile softly, seeming happy and at peace. Miles rests his head under Phoenix’s neck, and his hand on Phoenix’s chest. One of Phoenix’s hands rests over Miles’ own on his chest, while his other hand holds Miles closer, revealing a matching ring of his own. Both rings shine softly in the sunlight.
Bonus image
A small simple drawing of Phoenix and Miles having fallen asleep again while holding each other as in the final page of the comic.
End ID.]
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the intro she posted makes it sound like she’s trying to be accepted into the tortured poets department and is bringing forth proof that she is indeed a tortured poet in her own right, perhaps because someone made her feel like she wasn’t one. now that she’s a member of the department, she can say whatever she wants, because all is fair in love and poetry.
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“Refill my cup, daughter.”
[Image Description: a colored drawing of Petyr Baelish with Sansa Stark as Alayne Stone. Baelish sits in a chair, apparently eating dinner while Alayne carries a clay pitcher. Baelish reaches out and grabs her arm, catching her attention as she walks by.
Baelish wears a high-collared dark purple doublet trimmed with grey fur at the collar and some buttons going down his throat. Over this he wears a minty-teal tunic and a grey cloak pinned with a silver mockingbird. His face is in profile. He appears to be talking amiably. He is holding Alayne’s arm just above the elbow.
Alayne wears a dark green dress, a deep sky blue apron with the mockingbird Baelish sigil on it, and a white veil covering her hair, which is in two long twist-plaits. She wears golden hoop earrings, a gold choker with a blue stone pendant, a gold ring, a red and blue belt, and hanging from her belt a gold chain with a tiny golden cage hanging from it. She looks down at Baelish, appearing as if she’s about to speak, looking worried or tired. She holds a red clay pitcher with both hands.
Baelish’s wine cup is silver edged in gold, thoroughly decorated with gemstones. His spoon is silver with blue stones, his plate is white porcelain with blue at the border. His chair has Arryn symbols on it. The tablecloth is a deep sky blue. The background is a bluish purple gradient, bluer on Alayne’s side, more purple on Baelish’s. /End ID.]
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