#stop being interesting and different :(

[fumifooms]

Kaka compilation

Because everyone is sleeping on him. Witness his greatness!! First two Kaka colored icons were colored by me, lineart by Ryoko Kui though!

Kaka & Kiki are kinda like Laios & Falin… Kaka being stoic and giving repressed energy like early Laios, Kiki being cryptic and always smiling and kinda soft-looking. Autism siblings 2, ostracized and othered as kids and have a deep bond due to sticking together through it all, though unlike with Laios their parents are very loving so Kaka developed family as a big value more than Laios (bc asides for Falin Laios doesn’t care much about it).

In the gnome festival comic you can see Kaka is more emotive than he seems! Full with a :3 face, and he’s the one crying at the end. He’s insecure about his legs and being tall… It really got to him. Conceal don’t feel. In the gnome festival comic you also see him sensing others’ gaze on him and that something is off unlike Kiki, again Laios-like in the way that judgement from others gets to him more than her.

[larphis]

As an adhd person I just want to say that I love every autistic person on this website.

You guys are literally the best fandom archivers out there. I’m so serious.

If you are new in just about any fandom search for the one autistic person whose special interest your newfound fandom is and it’ll be like you just met god at a nightclub.

You guys are too powerful and I thank you for your service from the bottom of my heart.

[wolves-in-the-world]

the thing about eliot spencer as a character, right. the thing about him.

(and as always your mileage may vary on my analyses so if we disagree that's cool actually)

is that he is in fact a somewhat emotionally constipated idiot who is occasionally sensitive about his perceived masculinity and gets defensive about emotional intimacy around other men (largely hardison, who's much more comfortable expressing affection and embracing a softer kind of masculinity), but eliot displays enough emotional awareness and sensitivity and respect for women etc etc that anyone who's been subjected to that era of television will put on rose-tinted glasses without even looking twice.

(and he is, don't get me wrong, incredibly emotionally aware for a professionally punchy guy with enough trauma to sink the titanic. it still startles me to see.)

on top of which we have the layers and the accessories and the excellent hair with the secret braids and the way he barely has an ego and he's good with kids and protective of his team without taking it too far, and some of us never stood a fucking chance.

[arctic-bookclub]

god i can’t stop thinking about how the (core) death family really is such a well fitting puzzle that when even one piece js gone it shows and affects the rest :(

like the death family is incomplete without qmissa, he carries such a huge role in the emotional wellbeing of things, he shines were qphil lacks; the death family is incomplete without qphil, the man consistently keeping the kids alive and fed, he can keep the kids alive but he struggles with the things beyond it, things beyond mere survival; and the kids, we saw how thoroughly their absence affected qphil and qmissa, how tallulah sleeping alone at her old home made the bunker feel so empty and incomplete, how without chayanne this little family would’ve never been formed in the first place. they all fulfill roles that no one else can perform in their place, tallulah and qmissa carry the artistic side and emotional knowledge of the family, qphil and chayanne carry the survivalist aspect of the family with experience and cooking. the family has had to adapt to the absence of members in the past, especially when the kids disappeared, and the toll it takes shows so clearly every time. they are only truly complete with each other, they are a family with so many troubles and ailments that could so easily be fixed by just them all being present, and yet they’re cursed to always miss one. they are always stuck adapting and filling roles to make up for an absence, and crumbling under the pressure each time

[alyona11]

Ok time for my big Hadestown hot take and that’s that West End Hadestown doesn’t give you a 100% Hadestown experience. It’s still ridiculously good and 100% worth seeing, don’t get me wrong (I used my opportunity and saw it twice and will likely see it again if I’m in London), but it kinda made me realise a couple of things about OBC production that will always be my Roman Empire and make me deeply upset Broadway is too greedy to give us an OBC proshot.

So, here are some of my thoughts and reflections based on seeing Hadestown live on West End + seeing different versions (including London National theatre proshot) in boots. I think you can pretty solidly say that in Hadestown there are 2 main stories: Orpheus/Eurydice and Hades/Persephone. And even though arguably Orphedice is the main most important story, it my opinion it also wins from Hadesphone story being strong. Which works perfectly in OBC due to Amber Gray and Patrick Page delivering a very deep nuanced performances as their characters.

I think part of the success of Hadestown when it works on its fullest is how it creates a very deep emotional journey. And I feel that regardless which pair of Orpheus and Eurydice you have (if we take Broadway/tour/West End take on the characters) it’ll still work! Like you need to try really hard to mess up orphedice the way people wouldn’t root for Orpheus or wouldn’t empathise with Eurydice because they are so relatable and cute. You instantly love them, they are so so lovable. So orphedice part is one thing in Hadestown that imo works if not always then in 99% of the cases.

Hades and Persephone’s part of the story in the contrary is VERY hard to nail on 100%, in my opinion, and this is literally driving me crazy. Maybe seeing Amber Gray and Patrick page in professional recording awoken some feelings in me, I don’t know. I will state straight away that I also do enjoy other actors’ takes on characters and I do see some very interesting character moments there and there. However, I keep returning to the thought that Amber/Patrick’s characterisation works SO WELL for the main narrative. I’ll try to explain why I think so. Consider it my love letter to the OBC.

First and foremost, I feel like Hadesphone story has a very fine dynamic that the actors have to nail, so you would feel that: 1) these two still love each other; 2) these two are buried under their problems and see no way out, only a miracle (aka Orpheus and his song) can save their marriage.

And if the first one usually works at least due to Epic 3, the second one, imo, often (at least partially) falls victim to acting/directing choices which can cause troubles with point 1 as well. I think one big thing I’ve noticed is that often Persephone’s alcoholism gets forgotten in the acting performance. Like yeah sure her choreography includes drinking from a flask but in comparison to Amber you never get a feeling that she is absolutely wasted. Which, is in my opinion something that you should feel when you’re watching the show and something I was constantly forgetting about when I was watching the show on West End. I feel in Amber’s performance you can constantly see that her Persephone’s feel good attitude is a façade of a broken person who knows that her marriage is going to hell in front of her eyes yet she is too passive and hopeless to try to make an active change (well, she does try in Chant and nothing happens), so her only way is to chase the sense of normality that the “medicine” gives her. But when she is alone, if you get to catch a moment when people are not looking at her, you can see a deep sadness under her positive front and her memory of the old days when everything was more simple. Nevertheless, the main point that the lyrics literally say is that Persephone is blinded by the river of wine. And this is crucial to her character and her relationship with Hades because the story states that even though Hades is a problem and he is an active actor in creating more problems, he is not the only failure in this relationship. Persephone needs to be woken up from her apathy almost as much as Hades does and this is something that we see during If It’s True.

From Hades’ side I feel like it’s not a good decision to make him a total villain because when he is irredeemable you don’t feel like the whole “song that will fix the world” has any chance of working long term. I think Patrick nailed a deep antagonist very well. His Hades is weird and lowkey creepy and alien. He does objectively bad things but when you look at him you can’t stop thinking that he doesn’t operate in regular human logic or morality. When I look at him in Chant, it feels to me that his words about building stuff to impress Persephone are absolutely sincere, and I can absolutely see that his Hades doesn’t understand why she is so upset about it when his intentions are so so clear. Maybe it’s my vision but even before Epic 3 when he is so far gone and buried in his projects and messed up ideas I don’t have a single doubt that Persephone is a single motivator and goal of Patrick Hades’ life and that he literally doesn’t need any other being to care about. And tragically this fixation is what makes him blind to all other things he does even if those things ruin Persephone’s life (and other people’s but tbh I don’t think he cares).

I feel like by removing Persephone’s Chant 2 verse Hadestown created more problems for Hades and Persephone part of the story making it a much harder job for the actors to prove to the audience that Hades and Persephone have a chance to make their relationship work. Like I get that maybe it was a necessary things to do (even though I think the show is much better with it) but it made it so much harder to empathise with this particular part of the story unless the actors use the choices that work in the narrative. Because for example when I was watching the show on West End part of me was wondering “what is Persephone’s deal in all of that, what does she win by staying with Hades?” With the verse, and with Broadway Previews or London 2018 in particular this part was clear: Persephone still loves Hades and believes that he has the opportunity to change and become a better man he used to be. Without the verse, however, the actors should give you the same idea during the show which is a hard task considering Hades and Persephone have only 2 big conversations together (Chant and How Long). So apart from those songs there are only subtle mostly silent moments they get together through which the actors have to convey the same thought which is hella difficult and probably hardly will be appreciated by anyone apart from the people who sit closely.

So, maybe because in the actor combo I saw (Zachary and Lauren), I got a feeling that even though they were great separately, I didn’t feel much chemistry between them as a pair. I think, Persephone seemed pissed and tired of Hades all the time until How Long and I didn’t feel that she still believes in his willingness to change. And Zach Hades despite being entertaining, kinda gives the impression of Hades who has other options, he is not into Persephone enough. The only sparkle appears between the two in Epic III which is still cute but I’m not sure if it works just as well if that’s the first time you see the show? Also considering Zach Hades gives more malicious intent in His Kiss, The Riot it seems that he is not even slightly interested in Orpheus having any opportunity to succeed with his quest. Which is not bad, don’t get me wrong! But in comparison to Patrick who is deeply self projecting into Orpheus to the point where you could see that even though he doesn’t want to let him go, part of him does because it would prove he too could succeed in his challenge of waiting for Persephone, this take seems a bit lacking. And overall because of His Kiss, their promise in Wait For Me doesn’t seem as giving much hope that the story won’t repeat itself next Sunday. Which in its turn makes Orpheus’ sacrifice feel a bit… worthless. If on Broadway, when Orpheus turns, but spring comes again you feel like it is the start of something new: hopefully a kinder and softer time. On West End the show also wants you to feel it but when you think about Hades and Persephone you feel…less certainty that this sacrifice will have a long term effect?

I guess the creators wanted to concentrate on Orpheus and Eurydice more and forget about Hades and Persephone by making them more secondary story or maybe there was a lack of director’s involvement to give the cast some hints on how to make this particular part of the story work better, but it feels to me that in its current state the show works in its 85% power which is still great but once you know there is something missing you can’t stop thinking about it and wishing the show would give you those 15% you crave.

[coldbrewnette]

Strong teasing/gentle bullying as a method of flirtation will NEVER work on me. I like my men tender and real sweet to me 🚶🏻‍♀️‍➡️

[imminent-danger-came]

MK: "We don't have any other option! We have to trust him." Red Son: "*laughs* Great speech noodle boy! Super motivational!"

(2x00 Revenge of the Spider Queen)

-

Red Son: "*laughs maniacally* I, Red Son, will bind the powers of the celestial artifacts with Spider Queen's own venom, save my father, and reforge the world as I see fit! *more maniacal laughter*" Mei: "Red Son that was amazing!" MK: "Such a good hero speech!" Red Son: "-Villain speech! And perhaps my best of all time!"

(2x00 Revenge of the Spider Queen)

-

Lady Bone Demon: "Save your hero speech child—I've existed long enough to know when it's over. MK: "You still think that the universe really wants anything, from any of us?" Lady Bone Demon: "Don't you?"

(3x14 Destiny Fulfilled)

-

Sun Wukong: “ENOUGH! I’ve never let anyone dictate my destiny in the past, and I’m not about to start now. None of us are! We can’t change who we were yesterday or in a past life, or a hundred life times ago! We live with the choices we’ve made, for what matter is the choices we make RIGHT NOW! Only we decide who we are and what we do with the power we have!”

Curse MK: "Nice hero speech bud! But I know better—deep in your hearts, you don't believe a word of that."

(4x07 Pitiful Creatures)

-

Hero speech.

[idliketobeatree]

rereading the book omens again and I must admit, Aziraphale really is That Bitch most of the time. that being said, I really enjoy the special kind of uwu and sluttiness Michael brings to the table

[mintjeru]

taking a break between tasks, time to post old kvthm doodles

open for better quality | no reposts | ID under the cut

[Image description: A page of uncolored digital sketches of Kaveh and Alhaitham.

The topmost sketch is a redraw of a scene from the Archon Quest in which Kaveh frowns while looking up to meet Alhaitham's gaze.

The bottom left drawing depicts Kaveh and Alhaitham in an embrace. Alhaitham is nestled into Kaveh's chest and looking forwards with a neutral expression. One of his arms reaches around Kaveh's waist. Kaveh smiles as he looks forwards. One hand loosely caresses the back of Alhaitham's neck while the other lightly touches his jawline.

The bottom right drawings depict a chibi Alhaitham and smiling chibi Kaveh. An arrow with the phrase "do not separate them!!" points at them.]

[nellasbookplanet]

I just caught up with ep 63 and I'm fucking vibrating. The difference of the Bor'dor reveal and the Dusk reveal! Dusk spending their entire time with the party stirring up drama, once caught out still openly provoking and trying to find an angle to straight up kill Fearne's parents, and the party still struggling to find every reason to let them go, let them live. And Dusk never gave a shit. Why would they! They were a fey assassin! And still the Hells fought and argued for them and let them walk away despite openly remaining a threat.

And then we get Bor'dor, wet paper tissue of a man, tragic backstory up to the gills, genuinely spending time to bond with them, having his little practice session with them being his proudest moment, sharing vulnerabilities. And though he drew first blood, he did it trying to run away, not kill! He did it having seen these people murder his friends and drag their dead bodies out of the hole! He was helpless on the ground, all but begging them to end him because he saw no reason to keep going! There was enough turmoil and doubt in him that he could probably have been deradicalized! He hated them but he loved them too!

And had this been early campaign, in all likelihood they would have let him live. But this is a Bell's Hells who have already been betrayed once by an ally, who lost Eshteross to the Ruby Vanguard, who lost half the fucking party to the Ruby Vanguard, who went on a grueling journey to get Laudna back, who struggled and struggled and still failed to stop Ludinus and ended up separated and scared and not knowing whether the world is about to end or not, whether their friends are alive or not.

And they were done. They did not fight for him. This is war. Were Dusk to show back up now, I doubt they’d survive the encounter.

[smoshingatut]

I'm kinda tired of dungeon meshi fans blatantly misinterpreting Kabru's goals, motivations, and character so they can ship him with Laios...like obviously it's awesome if you enjoy Laikabu but can you nooot twist Kabru's intentions for involving himself with the guy who constantly triggers his monster trauma and pisses him off so bad he gets brain damage so that he turns into "the guy who wants to suck Laios's dick" as his entire character? I've even seen people cut off Kabru's words to make it seem like he is admiring Laios because it would disrupt that narrative

[bonefall]

Are you keeping Hallowflight's and Ivypool's odd friendship they had going on in the DF as apprentices? I know the Erin's forgot about it after the great battle, but honestly thought it was kinda sweet how they became friends in literal cat hell and how Hallow tried to comfort Ivy after she perma-killed Ant. I just thought it was neat and something unique.

I see Hallowflight, after the BOTTE, as really wanting to distance himself from the friends he made there.

With his new Honor Title and this almost immediately legendary story, he went from an outcast loser to suddenly being a hero. His bully Mossyfoot died, and his other bully Troutstream changed her tune. Cats wanted to know him, calling him brave and commending his turnaround.

But that's not the case in the other Clans. ShadowClan outright exiled Redwillow, with the other two being killed in the fight. WindClan is furious at their trainees, and ThunderClan has the guy that almost snapped his son's neck.

Hallowflight's life got better because of his time there, but everyone else is worse off, and associating with them hurts his own shiny new reputation.

And like... that isn't something he's proud of. He knows better than anyone that ALL of them got pulled into the DF because they were angry, lonely, looking for meaning. Almost everyone who was a hard ideologue (Thornclaw, Whiskernose, Ratscar) DIED fighting for those ideas.

And yet, still, he is willing to stay quiet about Dodderheart, Shredbloom, and everyone else, only exchanging an awkward nod at Gatherings, not offering himself as a counterexample in their defense.

If they want to think he's a coward... so be it.

But of all the DF trainees, he's definitely closest to Ivypool, and I think he's willing to throw an endorsement of Harespring once he's out of his Dishonor Title and acting as deputy. He simply won't endanger his own reputation; Hallowflight has a family to consider.

(And then he loses two of his kids to the Impostor anyway, on both sides of the conflict, and Harelight's view of him is forever damaged... so, see how well neutrality worked out in the end.)

[micechicken]

The Internet recognizing there are more forms of sign language than ASL, GO

[ciderjacks]

why are the takes in this fandom so bad do you people even like what you’re watching actually are you even watching the show Where Are You Getting These Insane Person Takes

[volivolition]

suggestion do you have... any wants? like obviously you do but like? suggestion my guy my ourple boy. both the easiest and hardest to write. you need a skill to say something to move conversation along but it doesn't fit any skill in particular? about 80% of the time you can have suggestion say it and it will make sense. but like actually characterizing him... how do i define you dude... what makes your character tick... urgh. i dont get you yet. im trying to understand but you are difficult.

[asterdeer]

better ending for "bondage and beta male sexuality": right when britta is feeling down on herself for losing her friends and her activism in one night, abed texts her and tells her that hickey's unlawfully detained him with handcuffs and she brightens up and goes immediately to kill hickey with her bare hands while unwittingly doing a kickpuncher quote about justice or whatever