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bobfishpresents · 8 months
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graphicpolicy · 11 months
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Dauntless Dames is some awesome comic history highlighting classic women characters & their creators
Dauntless Dames is some awesome comic history highlighting classic women characters and their creators #comics #comicbooks #graphicnovel
Dauntless Dames: High-Heeled Heroes of the Comics highlights the audacious exploits of ten great adventurous female stars from the Golden Age of comic strips. In the 1920s they were socialites and flappers. In the 1960s they were homemakers and heartthrobs. But from the late 1930s to the early 1950s, female stars of the newspaper comic strips were detectives, spies, soldiers of fortune, even…
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gallifreyanhotfive · 4 months
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Now, now, we all know that the One Who Waits must be *shuffles a deck of classic and EU character cards and they all go flying everywhere* Shit. Uh. It must be *gathers up cards hastily but they spill out over my fingers* Shit. Shit. I'm so sorry. I'm so, so sorry. Fucking hell. We all know that the One Who Waits must be *dramatically selects a single card and holds it up for the audience* the Doctor’s Aunt Flavia.
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themetalhiro · 1 year
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Was feeling pre timeskip today
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felassan · 2 months
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Article: 'Dragon Age: The Veilguard took "so long" as BioWare "wanted to make sure we got this one right" - that, and "it takes a long time to record 700 characters" and 140,000 lines'
The Veilguard is "the best version" of itself that it could be
Excerpt:
"BioWare reveals why Dragon Age: The Veilguard has been in the works for a long, long time - and it sounds like the upcoming RPG is downright massive, from dialogue to voice acting. The 10-year wait for a new Dragon Age is coming to a close as the fall season approaches, meaning that excitement for the game is at an all-time high. Why did The Veilguard take "so long" to come to fruition, though? Speaking in an interview with GamesRadar+, creative director John Epler and creative performance director Ashley Barlow explain why work on the beloved RPG series' soon-to-come entry was seemingly slower. "We had other projects going on at BioWare as well," Epler says. "We wanted to make sure we got this one right." The developer continues, calling The Veilguard "the best version" that the new Dragon Age "could possibly be." Barlow then chimes in, describing how she's been working on the game for five years now alongside its cast of actors: "We started casting five years ago. The team, the talent has been on for five years." And, according to Barlow, five years isn't that long considering the amount of work the cast had to do: "It takes a long time to record 700 characters, you know - 80,000 lines or 140,000 lines with all the Rooks. It just takes time to make good."
[source]
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adrian-paul-botta · 1 year
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Lillian Gish ''Why I've Never Married'' Sunday World Herald - Omaha NB January 16, 1938
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lazzarachan · 7 months
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Notable bands in emo music history from Alternative Press, November 2017.
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the-emblematic · 1 year
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the cycle currently is :
play totk for several hours -> convince myself to take a break and do some work-> turn off game -> be productive for five minutes -> get bored, get on tumblr -> go through totk tag -> “huh that looks fun i wish i was playing” -> turn game back on -> repeat
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pinkrose05 · 5 months
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Sungenti & Robinhill would go on the most terse double dates in history. That's it that's the post.
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adamdforever · 4 months
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Sunday mood
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Andrew Scott, The Sunday Times - Style
📷 Ward Ivan Rafik
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fantasykiri5 · 5 months
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Day 6 of @hermitadaymay and it’s the one and only Sans Undertale!!
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k-wame · 7 months
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lol what spending time with mostly queer ppl does to a man
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umlewis · 3 months
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is he a honk-shoo or a mimimimi, spain - june 23, 2024 📷 philippe nanchino / apimages.com
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uwmspeccoll · 2 months
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Whitewashing Lascaux, 2008. Leake Street Tunnel, Waterloo Station, London. Created for the Cans Festival, a 3-day street art street festival hosted and organized by Banksy in a tunnel under Waterloo Station.
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Happy Choppers, 2002. Hoxton, London. Produced during the "Operation Enduring Freedom" campaign in Afghanistan.
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Kissing Coppers, 2004. Originally in Trafalgar Street, Brighton, UK. In 2011, it was cut out and shipped to New York to be sold by art dealer Stephan Keszler at a 2014 auction in Miami for $575,000. A replica has replaced the original.
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Sweeping it Under the Carpet, 2006. Hoxton, London where it appeared on the side of the White Cube Gallery, but has since been buffed.
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Girl Searching Soldier, 2007. Bethlehem, West Bank, Palestine. "Whilst the image is delightfully absurd, there is also a warning for Israeli occupying forces. One day, Banksy seems to be saying, our children will be investigating you for what you have done."
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Police Sniper with Boy, 2007. Bristol, UK, but in 2012 was painted over with black paint and replaced by another work, the Queen as David Bowie, by a different street artist.
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ATM Girl, 2007. Exmouth Market, Finsbury, London. Created a few months before the biggest financial crash since the 1930s.
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Eavesdropping, 2014. Cheltenham, UK, a sleepy, conservative, quintessentially English market town in Gloucestershire, but just three miles away from the Government Communications Headquarters (GCHQ).
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Park, 2010. Downtown Los Angeles on the side of designer Tarina Tarantino's showroom a few blocks from the Los Angeles Theatre, painted just days before the premiere of Exit Through the Gift Shop at the Theatre.
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Photographer Rat, 2005. Islington, London. "Rats are a good role model . . . they have no respect for the hierarchy of society and the have sex 50 times a day." -- Banksy.
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Decorative Sunday: BANKSY
Decorative art, street art, fine art, political cartoon, all four? Where's B**ksy?, an unauthorized selection of works by the infamous street artist by street art specialist Xavier Tapies published by Gingko Press in Berkeley, California in 2016, is the first survey of Banksy's art career from 2002 to 2016. Arranged chronologically, every period has a double-spread world map showing where each of the stencils was painted, what happened to the work (destroyed/sold/auctioned/still there) as well as a summary of the direction Banksy’s art took in that period.
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There is Always Hope, 2002. East staircase leading up to Waterloo Bridge, Southbank, London.
View more posts featuring Decorative Plates.
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lazzarachan · 7 months
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Various scans from Alternative Press Magazine, 2010 and 2015.
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