#super starter

[sandorcsudai]

Thai-Style Grapefruit and Prawns - Seafood Salad A refreshingly spicy grapefruit and shrimp salad with Thai-inspired flavors.

[biggest-gaudiest-patronuses]

HAPPY SPOOKY SEASON! Have some merch

recently received new stock photos for the Terrible Pink T-Shirts i sell on etsy, and i find them so funny for some reason...

look at the smiling attractive people wearing their (also smiling!) attractive fashion wear!

[retrogamingblog2]

[devileaterjaek]

[sleepsucks]

[lunarharp]

shirahama-sensei reminded me she has a thing for the teacher from pokemon s/v so i randomly went off on an au where qifrey is the professor. etc

[superfam]

THE SUPERMAN STARTER READING LIST

SO – you want to read Superman comics, but you’re intimidated by the near-century of history this character has. Or, you’ve read a few comics with him, but you want to go back to the basics to understand his character and the mythology surrounding him. There are so many continuities, origin stories, and standalones – where do you start? Well…

[Image ID: a cropped edit of the Superman ‘78 #3 variant cover by Lee Weeks, showing Lois Lane sitting on the letters of the Daily Planet globe, and Clark flying above her in his Superman costume, reaching out to take her hand. Hand-written next to them is: "THE SUPERMAN STARTER READING LIST", and hand-written in the bottom right corner is: "by MYTHIC / superfam.tumblr.com". End ID.]

This list isn’t intended to be a full, comprehensive guide to Superman’s decades of history, but a curated taster of Clark Kent in the comics medium. It aims to show you a variety of interpretations from different authors of different contexts, but with the broad goal of helping newcomers understand the heart of the character. Not every comic is able to sum up all aspects of Superman, and some could be argued to miss certain points, but each one has been selected for this list for the goal of conveying the history and breadth of his interpretations.

It’s intended to be accessible to both long-dedicated comics fans and people who are new to the DC universe, or even the medium as a whole. As such, new fans are welcome to enjoy each story as a standalone interpretation.

Please understand that this list is built from my own experience with the character, and I don’t claim it to be better or worse than any other – it’s just one way to approach his history. Essentially, I’m attempting to create the sort of list I wish I had access to when first reading Superman comics. I highly encourage the reader to form their own interpretations of each work.

With all that out of the way, please enjoy!

[Image ID: An edit of Gary Frank's artwork from Superman: Secret Origin. A slightly battered Clark in his Superman outfit embraces Jimmy with his right arm and Lois with his left. All three are smiling. The background, which depicts a disaster scene and a defeated Lex Luthor chained to a building, is covered in a translucent blue overlay. Hand-written next to Clark is: "ORIGINS". End ID.]

SUPERMAN: SECRET ORIGIN #1-6 (2009-2010) Geoff Johns & Gary Frank

Just a couple years before the 2011 reboot of the DC Universe, a new definitive origin story was created for a Superman post-Infinite Crisis (a major event which had changed the status quo of the multiverse).

Secret Origin is only six issues long, and a great, efficient introduction to Clark Kent and Superman. It focuses on telling Clark’s origins from his own perspective, as a hero but also simply as a person. It also does a good job of setting up important supporting characters including Lois, Jimmy, Perry, and Lex.

SUPERMAN: BIRTHRIGHT #1-12 (2003-2004) Mark Waid, Leinil Francis Yu & Gerry Alanguilan

Though replaced by Secret Origin only a few years later, Birthright was written as the definitive origin story to overwrite Byrne’s 1986 reboot of the character. It was intended to bring Superman into the new century, and be more consistent with his modern interpretations. It is also influenced by the popularity of the TV series Smallville.

Birthright is longer and covers aspects of the Superman mythos in further depth, including dynamics between Clark, Lex, and the city of Metropolis, kryptonite, and Krypton in general. Due to its extended length, it also covers more on Clark’s relationship with his powers and heritage.

I highly recommend reading both modern preboot origins to experience different interpretations with different influences and intentions, even only a few years apart.

[Image ID: An edit of Tim Sale's artwork from Superman: For All Seasons. On the right, Clark lies on his bed, looking to the left with a wistful expression and with a hand on his dog curled up next to him. The background, which is his cluttered bedroom in Smallville, is overlaid with translucent grey. Hand-written to the left of Clark is: "INTROSPECTION". End ID.]

SUPERMAN SMASHES THE KLAN #1-3 (2019) Gene Luen Yang & Gurihiru

This standalone story is set in 1946, and primarily draws upon the Golden and Silver Ages as inspiration. It’s an adaptation of an episode of The Adventures of Superman radio series, “The Clan of the Fiery Cross”, which famously dealt a major hit to the KKK’s operations in America by influencing public perceptions.

The story follows Clark as well as siblings Roberta and Tommy, two Chinese-American kids who have recently moved to the Metropolis suburbs, as they uncover and fight a local chapter of the KKK. The story explores themes of immigrant identity and self-acceptance in Clark and the kids’ narratives – it presents important concepts from Superman’s history, straight from the heart of his character, in a really effective way.

SUPERMAN: FOR ALL SEASONS #1-4 (1998) Jeph Loeb & Tim Sale

This miniseries has four issues, each corresponding to a season and narrated by an important person in Clark’s life (in order: Jonathan ‘Pa’ Kent, Lois Lane, Lex Luthor, Lana Lang). Tim Sale’s beautifully detailed and expressive art captures the complex emotions drawn out by having your life touched by Clark Kent, which works really well with the personal, confessional style of the narration. It’s a very intimate work.

It’s a great insight into both the triumphs and very personal struggles of Clark through the inner voices of some of the most important people in his life, and captures what makes his character work really well.

FOR THE MAN WHO HAS EVERYTHING (SUPERMAN (1939) ANNUAL #11) (1985) Alan Moore & Dave Gibbons

This is a single-issue annual from right before the DC universe was rebooted, and (unsurprisingly for Moore) explores some philosophical and ideological questions regarding the Man of Steel. On his ‘birthday’, Superman falls prey to an alien organism called The Black Mercy, which feeds on its victims while keeping them complacent with vivid hallucinations of their greatest desires. Clark hallucinates a still-living Krypton, which he is a part of – but perhaps not everything is perfect.

SUPERMAN: BRAINIAC (ACTION COMICS #866-870) (2008) Geoff Johns & Gary Frank

Before retelling Superman’s beginnings in Secret Origin, Johns and Frank collaborated on this story arc which massively changes the status quo, partially by reintroducing a variety of pre-Crisis concepts including the original Brainiac and the bottled city Kandor. If you liked Secret Origin, you’ll probably like this one.

As this is our first story arc rather than self-contained story, it has more references to the ongoing continuity but is still easy enough to understand without that context. This story also prominently features Kara Zor-El as Supergirl and expands on some cosmic lore and Krypton in general.

SUPERMAN: UP IN THE SKY #1-6 (2019-2020) Tom King & Andy Kubert

This is an accessible, self-contained exploration of the extent of Superman’s moral fibre, following Clark as he attempts to save a single girl who was abducted from Earth and taken into space. It’s quite abstract at points with the questions it asks about themes of compassion and commitment, which I think is conveyed particularly well in the panelling and artwork.

[Image ID: An edit of Frank Quitely's artwork from All Star Superman. Clark in his Superman outfit is flying with his arms outstretched. The top half of his face is cut off. The background is an abstract depiction of the heart of the sun, and has been overlaid with a translucent orange. Handwritten beneath Clark is: "INTERPRETING AND RE-INTERPRETING". End ID.]

THE K-METAL FROM KRYPTON (drafted 1940, restored 2004-2011) Jerry Siegel & Joe Shuster Studio

The K-Metal from Krypton is an unpublished and unfinished comic from 1940, written by Superman creator Jerry Siegel, and drafted by the studio of the other Superman creator, Joe Shuster. After being lost for decades, the story has slowly been recovered and restored by Superman fans.

Though this one is much more unconventional than the other items on the list, I think it’s extremely important to Superman’s history and generally understanding him as a character. It comes from a time when creative control of their character was being taken from Siegel and Shuster, and though it is unknown why this story was unpublished, that’s a major point of context to keep in mind.

This draft sets up the predecessor to kryptonite in the Superman comics – “K-Metal” – and also contains a scene where Clark reveals his identity to Lois, and they agree to be partners in helping others. This is a major departure from the status quo of Clark keeping his secret from Lois as she tries to uncover it, which would continue for the rest of the Golden and Silver Ages.

The restoration effort can be read online: http://theages.superman.nu/k-metal/splash.php

THE MAN OF STEEL #1-6 (1986) John Byrne & Dick Giordano

This limited series is the immediate post-Crisis origin story and reinvention of Superman. It wasn’t put in the Origins section because I think from a modern perspective it shouldn’t be an introduction to Clark, but rather something you read to understand the history of his character.

It originated major changes in the Superman mythology, some of which have become instilled in it (such as Lex Luthor and Lois Lane’s modern characterisations), and others which have been forgotten or discarded.

One major thing is the great effort this origin made to make Clark American over being Kryptonian… Byrne has expressed great distaste of portrayals of Superman which emphasise his immigrant identity, and that should be kept in mind while critically reading this work.

ALL-STAR SUPERMAN #1-12 (2005-2008) Grant Morrison & Frank Quitely

Arguably the most critically acclaimed Superman comic, this has been saved for late in the list as I believe it’s enhanced with more context of and experience with Clark. This is a series which explores the nature of storytelling and legacy, which was created with the aim of creating a timeless Superman story.

When Superman learns he will soon die, what does he reflect on? What does he change? This is heavily inspired by, and is a love letter to, Silver Age Superman.

WHATEVER HAPPENED TO THE MAN OF TOMORROW? (SUPERMAN #423 & ACTION COMICS #583) (1986) Alan Moore, Curt Swan & George Pérez

Written in the wake of Crisis on Infinite Earths, this is another story about Superman ‘dying’, and is essentially a great mediation on and send-off to the Silver Age incarnation of the character. It refers to itself as an “imaginary” story, and can be seen as one concrete ending for this version of Clark Kent and the rest of the Superman characters, in a medium with few.

It can be found in a collection with For the Man Who Has Everything.

SUPERMAN: RED AND BLUE #1-6 (2021) Various

To finish off our starter reading list, let’s move from Superman’s end to his future. This is an anthology of short stories from various authors and artists, exploring a spread of visions of the Man of Tomorrow.

I think it’s an appropriate end for this starter exploration of Clark Kent’s many interpretations! As with all anthologies, it has its ups and downs in quality, but as a whole I truly believe it captures the heart of this character.

Thank you for reading all this way. I really hope this reading list helps you delve into the character of Superman and inspires you to read further beyond what I’ve suggested here.

Most of all, I hope it helps at least some people grow to love Clark Kent as much as I have.

A PDF version of this reading list is available here.

[franollie]

stars and scars

[findafight]

Kinda want to write a one-sided ronance post S4 au (within a fix it obvs) where the older teens start actually hanging out and Stobin (eventually + Vickie)confuse literally everyone. They greet each other with cheek kisses, call each other babe (or "Stevie Baby". Listen. Robin calls him bud or buddy or bub or bubba or babe and it's like why so many B's?? Argyle is vibing with it though and joins the bud train) and one time at two in the morning had a coordinated ramble about the names of the cats they will eventually get. (Sassafras, moonshine, and Garborator)

Nancy and Steve haven't really talked about anything, other than Steve saying "hey. I'm sorry if whatever I said weirded you out. I was definitely a bit delirious and Robin and Eddie AND Dustin were all making comments about winning you back or whatever which is stupid, you made it clear where you stood with me. Which wasn't with me. That's fine. and like. Okay yeah when we were together I'd daydream about you being beside me in the motorhome but thats-- it was a daydream. I was sort of thinking I was gonna die and. I wanted to share a little dream that made me happy. And then got everything confused in my head and made it weird and I'm sorry. what I'm trying to say is I'm sorry for being weird and making things uncomfortable. I'm over you. I loved you then, and you were my first real love, and maybe if things were different I could love you like that again but. But neither of us want that or the same things out of life. And we'd crash and burn again. Plus you and Jonathan are together which is a non-starter. Cannot believe I forgot that when it was happening. Jesus. So. Yeah. Sorry for being not a great friend and hitting on you in the Upside Down." And Nancy had nodded and told him not to worry about it. He had been sort of bleeding out and planning on going back into the upside down. They could both be normal about it.

Sometimes Nancy and Robin try to have "girl time" at Nancy's suggestion because they're the only girls in the older group (sometimes. But Robin is not going to let that slip out) but it's awkward without a buffer. Robin is too nervous and rambles and Nancy is too annoyed by it. But they do get on well in group settings, and Steve and Argyle are actually the keenest to smooth over any awkwardness.

Robin laughs more with the group, and grins at Steve and smirks at Eddie and has a sharp tongue Nancy can admire. She's more comfortable with Steve around, insisting he sit beside her or on the ground in front of her so she can play with his hair. (And Nancy is shocked the first time she sees it, because Steve was notoriously protective of his "best feature", but she'd asked and he'd hummed quietly as she takes her fingers through his hair and put tiny, lopsided braids in it.) It's nice to see Robin less jumpy, and wonders what it would take to see more of the side of her Nancy only sees when Steve's around. She just wants to get closer to Robin. Wants a friend.

And somehow, beyond Nancy's notice, Steve and Robin's friend Vickie slowly joins the group. She wasn't involved at all in the spring, but has been hanging around Family Video and a movie night or two often enough that when she settles more permanently in the group it isn't a very big surprise. Eddie and Argyle welcome her in with open arms, Jonathan is only his normal amount of weary of new people, and obviously Robin and Steve are excited for their friends to be friends.

But it just doesn't sit right with Nancy. She can't pinpoint why, it just doesn't. When she sees Robin and Vickie giggling together, or having some back and forth banter that seems to feed into both of them smiling, or Steve throwing his arm over her shoulder, or Vickie leaning into Robin's space as they talk. She always sits beside Robin, Steve on the other, with Eddie beside him. It's usually a tight fit for whatever couch they're on, but the four seem happy as clams to not have any personal space. Once Argyle decided to lay across all their laps, and they just...let him. Finangled themselves so everyone was mostly comfortable.

Nancy figures she is uncomfortable with it because she hasn't ever had a close friend since Barb, and was possibly hoping she could be close to Robin along those lines. So seeing her so close with the others and mildly uncomfortable around her hurt, and seeing her and Steve incorporate someone unversed in the Upside Down into their little trauma club also hurt. Because what did Vickie have that Nancy didn't? That made Steve and Robin and now Eddie stick to her like glue? That made them want her there when she didn't know anything about what they'd been through and could probably never understand?

What made Vickie Summers so special that she's taken what should have been Nancy's place beside her friends? Because that's what really bothered her. It wasn't that Vickie didn't know, it's that Nancy felt she took her place. That Nancy wanted to be where Vickie was, and she didn't know how to ask for it. Asking, trying to talk about how Steve and Robin had bonded so well after Starcourt while she ignored them and then how they bonded with and absorbed Eddie halfway into their bizarre dynamic after vecna, would feel too much like begging or admitting that she isn't quite sure how to make friends.

Nancy is jealous. Jealous that she isn't friends like Vickie and Eddie and Steve and Robin are. That she isn't the one making Robin smile and giggle so cutely. So. She tries harder. Tries to be the friend that Robin and Eddie and even Steve deserve. She tries not to be annoyed by Robin rambling (it really isn't that bad, just. Not relevant. She likes heading Robin's voice, but thinks she could really work on having a filter.), or the way Steve always asks clarifying questions when he should really have known better, or Eddie talking half in different character voices. She thinks it's getting better, her relationship with them. But, still, Vickie is always there, glued to Robin's side almost as much as Steve is, and that always annoys Nancy. Niggles at her brain, that she doesn't deserve to be there because she didn't know what Robin had lived through and fought. Nancy did.

Eventually, Nancy figures out that she wants more from Robin. Doesn't want to be a friend she smiles at occasionally, wants to be the reason she smiles all the time. And that's terrifying. Because Nancy had never considered liking girls, never thought liking girls was a thing she could do. It was something other women did, not Nancy. She liked boys and always had, but. But maybe she always liked girls...too. maybe it wasn't something she that was one or the other. Being different in a town like Hawkins puts a target on your back, being queer in a town like Hawkins even moreso.

She's leaving Hawkins in the fall. But she thinks she wants someone to come home to. She wants Robin to come home to. Robin and Steve seem to be okay with it, from what she can glean of some veiled comments they've made that she's only caught now she's looking for them. They've made some remarks around the kids that make it seem like they'd be safe to come to, no matter what. And sometimes, some of the comments Robin makes about actresses seem a little...well. admiring.

They probably, hopefully, wouldn't hate her for this. And now Nancy and Robin have a friendship, she thinks she can. It's early July, and Nancy is going to ask Robin out.

She gets her alone, bites her lip, and asks Robin in no uncertain terms to go out on a date with her. Robin stares, mouth agape.

"oh," she says.

Nancy smiles, a little. "Yeah. So. What do you say?"

Robin blinks, and takes a shuddering breath. "Oh my god. I. Nancy I'm really flattered but I'm no-i dont- uhg. I'm dating someone." she groans, rubbing her hands over her face.

And oh. Nancy read the situation wrong "oh. Steve. It's fine! You don't like girls, thats--thats totally fine! Id just, um. That is,-"

Robin waves her hands. "No, no! I'm not dating Steve! You clocked me correctly. Definitely gay! Don't worry about that! Hah."

Something in Nancy twists. "Oh?"

"yeah. Yep. Not only am I a lesbian in a small town, I'm a lesbian in a small town that somehow also has a girlfriend." Robin says the word dreamily. Like she still can't believe it. Nancy's brain fills with static. She was too late. Too caught up with how she missed so many chances in the past, that she missed her chance now.

But Robin keeps talking. "And, like. Even if I didn't, I don't think it would have worked between us anyways. Too different, y'know?"

"what?"

Robin gestures with her hands between them. "Well, like. I like being your friend. But, I mean, I wouldn't date you?"

"why not?"

Blinking, Robin tilts her head. "Because of Steve?"

Something bubbles hot in Nancy. "What the fuck does Steve have to do with wether or not we would date?"

"Nancy. Steve's my best friend." As though that explains anything.

"yes? And?"

Robin looks uncomfortable, shifting sideways. "listen, Nancy. You're a good friend. And I've just rejected you. Maybe we should just. Ah. Leave this? I'm really sorry. I'll give you some space, just find me when you're ready?"

"no. What do you mean that we couldn't date because Steve is your best friend? Why would that have any effect on how you date?"

"it doesn't! Not really! Just. Nancy, you broke his heart. His soft, squishy heart! You kinda sorta cheated on him-details very unclear-and then just. Moved on. Pretended like nothing happened. I couldn't do that to Steve. Dating a friend's ex is a bad move. Dating an ex that broke a friend's heart is just cruel." She sighs. Looks sad. As though she isn't the one rejecting Nancy and tearing her apart for how a relationship ended almost two years ago. What did that matter, now? "You're my friend, Nancy. I like you! But even if Steve has moved on, forgiven and forgotten, and if things were a bit different given his full support for us dating if that's what I wanted, I think I'll always remember how he-- how much it hurt him."

"oh"

"I'm. Nancy I'm really sorry. I know how scary it is to put yourself out there, especially like this. It's not fair. I'm just sorry. But. It was true. Steve's the most important person to me. I couldn't ever hurt him. Not like that. Not even if he said he was fine with it."

Nancy stands and walks away. She doesn't cry until she locks her bedroom door.

[multiandmany]

There's a wolf outside your door. She demands inside its raining let her in! She's soaked, she's far from her ship and she DOESN'T like thunder and doesn't want to be struck by lightning.

Yeah probably scary to see, but...

"I'll pay you just let me in already!"

[why-the-heck-not]

I have a handle on my procrastination

…. I accessorized Elvis (the sourdough starter)

[retrogamingblog2]

[devileaterjaek]

[moeblob]

I forgot how to draw her so practice doodlin' for Camilla.

[wcrpbubble]

holy shit an actual starter call! give this a like and let me know what muse!

[once-delight]

Lestat and Daniel fight fight fight!

Live dog walker reaction:

So my friend Jay @radiocurrency writes this fic where Vamp!Daniel and Lestat gets into a fight in a park near the Golden Gate bridge (Lestat is trying to help Daniel lure out Armand by making him jealous, but oops they try to outbitch each other instead and it ends in a fight where Daniel gets so angry he literally learns to fly just so he can punch Lestat.)

The story is so well written, and the characters are on point, yet I couldn’t help but imagine a poor dog walker pass the scene by and trying to pretend he didn’t just see the rockstar Lestat and Pulitzer Prize winning journalist Daniel Molloy (he’s cultured and reads The Times when not walking his dog) flying through the air, hissing and punching each other. Just another night in San Fransisco.

Full pic under the cut!