Jen Stark’s art is driven by her interest in conceptualizing visual systems to simulate plant growth, evolution, infinity, fractals, mimetic topographies, and sacred geometries. Using available materials—paper, wood, metal, paint—Stark strives to make work that balances on a razor’s edge of optical seduction and perceptual engagement. In recent years, Stark has introduced new technologies into her diverse practice, delving into the digital realm of interactive projections and distinctive NFTs.
The resulting works often resemble organic, molecular, cloud-like structures, and are imbued with kinetic, undulating effects that serve to dislocate the viewer from staid reality into an immersive ecosphere of echoing patterns and the implausible designs found in nature. Even her vivid colors are in direct conversation with the natural world; the attractant/repellent properties of flowers encouraging pollination or insects warning birds of their poisonous traits, and the luminous mystery of phosphorescent sea creatures are among Stark’s concerns.
Via these corporeal abstractions, spectators are led onto the astral plane; there’s a transcendence to Stark’s work where the vibrational phases become a sacrosanct and curative experience for the viewer. Traces of mandalas or nautili reveal themselves as sacred geometric forms in Stark’s spiritual reservoir.
Stark’s ability to create atmospheric, minimal, naturalist configurations that only reveal themselves after deep engagement align her with the artistic legacies of Yayoi Kusama, Sol Lewitt, Tara Donovan, Tom Friedman, Andy Goldsworthy, Ernst Haeckel, and the Finish Fetish artists of 1960s Los Angeles.
Not limited to the confines of museums and galleries, Stark’s diverse practice—a series of sculptural objects that rely on a commitment to process and hypnotic repetition; charismatic wall works; widely seen murals; intricately animated films; NFTs (non-fungible tokens) and interactive projections—has been exhibited throughout the world, permeating both the physical and digital realms. By adopting cutting-edge techniques to showcase her aesthetic, Stark activates her universe through constant adaptation and transformation.
Stark was born in Miami, Florida in 1983, and studied at the Maryland Institute College of Art, graduating in 2005. Since then, Stark has realized exhibitions globally, with major shows in New York, Los Angeles, Miami, Chicago, Thailand, and Canada. Recently included as one of Fortune’s “NFTy 50,” Stark made history as the first female artist to make Foundation’s top 10 highest selling NFT creatives. Her work is in the collections of the Smithsonian American Art Museum, the West Collection, Crystal Bridges Museum of American Art, NSU Art Museum and MOCA Miami, among others.
Stark lives and works in Los Angeles. Part2 Part3
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Soundtrack: I Feel Space by Lindstrøm 🌈
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black sharpie on paper
Calbayog City 2024
Let me show you something cool.
Of all my artwork my 8 year old son likes this style the most. He's also an artist and my biggest critic so in the spirit of playing to the audience I've starting a new one (pictured above) just for him. I'm a few hours into it and it looks pretty good so far. Adding the color takes some time and a lot of thinking so this piece won't be done for a while but in the mean I ike the mosaic just on its own.
Let me show you something cool. Look what happens to this drawing if you inverse the colors and show it next to it's own inverted image. Click to expand.
I wish I could make a big poster of that.
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my first ambigram design, for the name “emjay” (a phonetic spelling of mj)
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The good thing about pulling all dice out for taking stock is, that I can make these symmetric structures, the bad thing is, I have to sort them again afterwards. Just 4 more days and I will start my journey to Dokomi, to show you all these dice!
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Study unveils a spontaneous toroidal polar topology in the helielectric nematic state
(Zoomed toroidals. Credit: Yang et al.)
"Magnetic and electric dipoles, objects with two oppositely charged ends, have a similar symmetrical structure. One might thus assume that they exhibit similar internal structures and physical states.
Researchers at South China University of Technology in China recently showed that this is not always the case, by examining the topology of an emerging ferroelectric liquid-matter state with polarized helices, known as the "helielectric nematic state." Their findings, published in Nature Physics, show that this state has a spontaneous toroidal polar topology generated through a flexoelectric effect that favors a specific form of splay deformation of polarizations."
(Another zoomed image of toridals. Credit: Yang et al.)
"In some of their previous studies, the researchers showed that a complex polar orientational field is an advantageous feature for the realization of systems exhibiting a nonlinear optical amplification known as phase-matching. As part of their future research, they would like to build on their findings to facilitate the potential development of these systems.
"Polarization engineering in crystal-based ferroelectrics is known to be very difficult," Aya added. "Thus, developing previously impossible polarization engineering in polar fluids and therefore enabling the fabrication of highly efficient nonlinear optical devices will be one of our follow-up targets.""
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