#textworks

[velvetwyrme]

Font anon once more to shower you with praise. Thank you!!!

I love your suggestions. You hit it out of the park. I love the idea of making the fell! skeletons specifically have serif font names.

I originally was stuck between Trajan and Roman for fell! Papyrus. They are both sharp and elegant fonts. I finally settled on Roman because it is more well known and also sometimes disliked.

Bradley for swap! Papyrus is perfect! It mimics handwriting which matches Papyrus (the font) so well but a smoother version. (Also kinda matches him speaking in Smooth Papyrus visually.)

I was switching between Courier and Cooper for swap! Sans. I like the roundness of Cooper. I definitely see his font name being more cartoonish/silly.

You nailed fell! Sans as Rockwell. He would absolutely go for a font that torments people.

Swapfell! Papyrus was the hardest for me to decide too. There are so many variations on his personality that no singular one fits best. You make good points for each option.

Thank you so much again for indulging me!!! I love being able to chat about headcanons with someone. You are so insightful. I’ve been puzzling this over more than a year. I finally can settle it.

Yaaaaay! I'm so glad I could help 💛!!!

I loved seeing all the options and ideas you had for them too!! Headcanons are always more fun when shared, and please feel free to come back any time ;D!!

[bunnybeingbetter]

＊*•̩̩͙✩•̩̩͙*˚　59/100 day of productivity 　˚*•̩̩͙✩•̩̩͙*˚＊

WOW. CRIED FOR A LONG TIME THIS EVENING.

HAVENT DONT THAT IN A WHILE.

SHITTY MOOD BUT WORK TO DO SO FUCK THAT

HERES A TODO:

KEY-> due/do tonight : do tmr : finish/do by sunday : due monday : do throughout the weekend

CHEM: rxns lab; online practice tests due; worksheets; textwork; notes/self teach- TEST MONDAY. BITCH.

SOC: notes

GEOMETRY: notes/practice/ref. sheet

ENG: grammar revision; grammar online assessment

WANT IT TO END

[fanfic-thesis]

Day 8 & 9 Fanfic Bachelor's Thesis

I had not much of an interesting progress the last two days. I set up the word document for the thesis, but besides that I mostly did housekeeping stuff.

I hope I can actually start writing this weekend. But theoretically there is still a lot of textwork to do beforehand. I am excited for it, as it actually interests me. But it stresses me that it will take a lot of time.

Further, I still have to figure out how to illustrate some of the data I gathered on AO3 directly. And I need doing that without falling in that rabbit hole called "reading the Merlin fanfics" because if I am on AO3 anyways ...

[leohttbriar]

Underpinning present stories of reading and textuality is a view of the text as a ground simultaneously occupied by presence and absence, a site divided ever and always against itself by conscious and unconscious reflexes. A text is a "weave of knowing and not-knowing" (Spivak 120), a heterogenous signifying field that, because it is constituted only in and through language, is infected with all the investments of desire, resistances, unrepresentables, and repressions of language itself. "A" text is thus a heuristic fiction, since a text is really many texts in the same body and to select among them for significance is to draw attention to the programmatics of choice. Because analysis is invariably partial (that is, both incomplete and discursively inflected), traversed like the textwork it questions (and through which it is questioned) by its own unthought and unsaid (impensé, non-dit), the impossibility of mastery must be acknowledged. What remains is the explicit acknowledgment of the specificities of one's particular reading pact.

Under present conditions of reading it is possible to distinguish a feminine text in Sir Gawain in those regions where the logic of the poem as the stage of the masculine actors founders and fails. There, at the limit of the masculine narrative--in the repeating moments where masculine command slips and misses--appear the sedimentations of feminine desire: a desire always plural in nature, accommodated to a tracery of spaces in the poem coded as feminine, and signaling its presence through a medley of practices, figures, and signs.

"Feminine Knots and the Other: Sir Gawain and the Green Knight," Geraldine Heng

[sebastianbieniek]

Sebastian Bieniek (B1EN1EK) for Textartwork, "Beautiful People" ("All beautiful people look like other beautiful people. All ugly people look like themselves."), 2018. Oil on back of canvas. 90 cm. x 120 cm. From the series “Textworks”. More: www.B1EN1EK.com

[b1en1ek]

Sebastian Bieniek ( B1EN1EK ), “In The Future Everything'll Be The Same”, 2015. Oil on canvas. From the series “Perfect Circles 2015” (#2). Oeuvre: Bieniek-Text. . . . . . www.BieniekText.com 🔵 . . #SebastianBieniek #B1EN1EK #inthefutereeverythingllbethesame #inthefutureeverythingwillbethesame #Bieniek #textartwork #PerfectCircles2015 #PerfectCircles #bieniekperfectcircles #perfectcircle21 #Bienieklike #BieniekText #Textworks #BieniekTextworks #BieniekTextworks #textart #writtenart #wordart #visualpoetry #poetryart #wordplay #poetry #textbasedart #bienieklike https://www.instagram.com/p/B4x0v4PI1Li/?igshid=91c1yt24zbd

[llemaoana]

#Repost @sebastianbieniek (@get_repost) ・・・ @SebastianBieniek for @Textartwork. “Capitalism" (Capitalism is a system that calls its victims losers). 2017. Acryl on paper. 21 cm. x 29,7 cm. (two versions, one on paper and one on back of canvas). From the series “Definitions” (no. 4). New website ➔ ‪www.B1EN1EK.com‬ #SebastianBieniek #B1EN1EK #Bieniek #capitalismisasytemthatcallsitsvictimslosers #bieniekcapitalism #capitalismdefinition #BieniekText #BieniekDefinitions #textartwork #Textworks #BieniekTextworks #BieniekTextworks #textart #writtenart #wordart #visualpoetry #poetryart #wordplay #poetry #textbasedart #bienieklike (at Gauteng)

[antonhart2505]

Strut Plain 2018 Acrylic on canvas with canvas awning. Overall 109 x 113cm (Canvas 30 x 30) Included in the group exhibition: FORMAL Curated by Paul Snell. Mona Foma 2018 Poimena Gallery, Launceston, Tasmania. #contemporaryart #contemporaryartist #adelaideartist #textworks #artinstallations #Southaustralia #southaustralia #minmalism #canvas #acrylic #monafoma #awning #formal #formalism #tasmania (at Poimena Art Gallery) https://www.instagram.com/p/BtYWFgplVJ-/?utm_source=ig_tumblr_share&igshid=inq66eiql9ic

[clarkjf]

In development - Board 1. 

[biizzzare]

A couple of text wallpapers I made

[relicritual]

[bunnybeingbetter]

＊*•̩̩͙✩•̩̩͙*˚　20/100 day of productivity 　˚*•̩̩͙✩•̩̩͙*˚＊

1/5 of my way through this challenge!!

a busy day today...

need to study for chem, compile my notes and practice. if I fail this test I'm done for- curse my rotten teacher....UHFKSJBERGJKQ3M

on the brink of a breakdown....lets see how this day progresses...

{help me pls}

{I AM SO SCREWED}

TODO:

＊CHEM:

＊textwork 01 review/notes: -> terms -> heat curve study -> energy. equations. sig figs -> worksheet reviews for all

THAT LIST MADE A LOT MORE SENSE ON PAPER-

[retoyman]

@retoyman text art. Can We Get Rid Of S K and Q Because C Does All The Hard Work For All Those Letters Anyway 9x12 ink on Bristol Paper. #retoyman #inkonpaper #text #textart #textwork #saying #language #englishlanguage #grammer #phonetics #inspirationalquotes #funnyquotes

[zabrodskymax]

https://www.instagram.com/makduck/

[sebastianbieniek]

“20.000 Probelems” by Sebastian Bieniek (B1EN1EK) 2015.Oil on canvas. 200x200 cm. From the series “Multiplications”. 20.000 times the word "Problems" painted. www.B1EN1EK.com

[koks-kino]

During the last months we have simultaneously worked on a concept-album called ‘Jewels’. It contains 15 pieces; every month we concentrated on one particular ‘jewel’. All of them were based on my ‘dream protocols’ what was relatively easy for me because no additional textwork was necessary. I thought of these text like a modern theatre director: here we have a scene, there a passage, there a word – we make it all double and the text is ready. Only slightly convoluted. Easy. It resembled me the work of a director a lot and it wasn’t a hard task because the dream protocols appeared to me as foreign texts, written by someone else. This is not a lie because one has only a partial control over own dreams – but the protocols have to be a very precise record. Naturally 5 years after writing down a certain dream one can jump around with it according to one’s own will. I am the editor of my dreams, almost without exception cutting out the real persons appearing in my dreams from the protocols, because it’s not relevant to the listener whether I have met Mark Chung in my dream or not. This is like a dramaturge’s work in theatre. For a change, I’ve been free from the burden of writing the lyrics.

Blixa Bargeld