#textwork

[velvetwyrme]

Font anon once more to shower you with praise. Thank you!!!

I love your suggestions. You hit it out of the park. I love the idea of making the fell! skeletons specifically have serif font names.

I originally was stuck between Trajan and Roman for fell! Papyrus. They are both sharp and elegant fonts. I finally settled on Roman because it is more well known and also sometimes disliked.

Bradley for swap! Papyrus is perfect! It mimics handwriting which matches Papyrus (the font) so well but a smoother version. (Also kinda matches him speaking in Smooth Papyrus visually.)

I was switching between Courier and Cooper for swap! Sans. I like the roundness of Cooper. I definitely see his font name being more cartoonish/silly.

You nailed fell! Sans as Rockwell. He would absolutely go for a font that torments people.

Swapfell! Papyrus was the hardest for me to decide too. There are so many variations on his personality that no singular one fits best. You make good points for each option.

Thank you so much again for indulging me!!! I love being able to chat about headcanons with someone. You are so insightful. I’ve been puzzling this over more than a year. I finally can settle it.

Yaaaaay! I'm so glad I could help 💛!!!

I loved seeing all the options and ideas you had for them too!! Headcanons are always more fun when shared, and please feel free to come back any time ;D!!

[aguecheek]

directing troilus and cressida this fall and as i’m doing my textwork i’m definitely falling more and more in love with it. it’s such a weird fucking play and when i was going into my preproduction work on it, troilus and cressida were easily my least favorite characters and their romance was, to me, the least interesting thing about the play. but the way that troilus and cressida express a metatextual awareness of their own fates as poetic iconography in 3.2 is really getting to me, especially with the way that it’s interwoven with their general emotional attitudes. cressida knows she cannot be loyal to troilus, not only because she is poetically destined to become “false cressid” but because she knows her own emotional limits. she knows that she will inevitably harm the man she loves because she cannot guarantee her own commitment, and this sends her into a panic. it’s genuinely one of the better and more emotionally resonant depictions of an avoidant attachment style i’ve seen in any bit of media, and i’m really excited to direct that scene. cressida is slowly working her way into my heart and becoming my favorite character.

[we-are-scribe]

Holy shit this is amazing work. Those details, the textwork...

How did you manage the whitework 'my' in the middle of the page?

on the commission grindset

you know exactly what this is gonna be

[fanfic-thesis]

Day 8 & 9 Fanfic Bachelor's Thesis

I had not much of an interesting progress the last two days. I set up the word document for the thesis, but besides that I mostly did housekeeping stuff.

I hope I can actually start writing this weekend. But theoretically there is still a lot of textwork to do beforehand. I am excited for it, as it actually interests me. But it stresses me that it will take a lot of time.

Further, I still have to figure out how to illustrate some of the data I gathered on AO3 directly. And I need doing that without falling in that rabbit hole called "reading the Merlin fanfics" because if I am on AO3 anyways ...

[clarkjf]

In development - Board 1. 

[retoyman]

@retoyman text art. Can We Get Rid Of S K and Q Because C Does All The Hard Work For All Those Letters Anyway 9x12 ink on Bristol Paper. #retoyman #inkonpaper #text #textart #textwork #saying #language #englishlanguage #grammer #phonetics #inspirationalquotes #funnyquotes

[zabrodskymax]

https://www.instagram.com/makduck/

[sebastianbieniek]

Sebastian Bieniek for Textartwork, "Long Love", 2014. Vanish on canvas. 120 cm. x 90 cm. From the series “Textworks”. More ➔ www.B1EN1EK.com

[viperslang]

Asemic healing.

[emotionalblkthottie]

reminders (no)manifesto x kiki nicole . . . . . . . . . . . . . . . #kikinicolepoetry #qtpoc #qtpocart #queerartist #blackart #blackartist #textwork #bayareaart #oaklandartist #kikinicole #yungnegroartist (at Oakland, California)

[relicritual]

[b1en1ek]

Sebastian Bieniek ( B1EN1EK ), “In The Future Everything'll Be The Same”, 2015. Oil on canvas. From the series “Perfect Circles 2015” (#2). Oeuvre: Bieniek-Text. . . . . . www.BieniekText.com 🔵 . . #SebastianBieniek #B1EN1EK #inthefutereeverythingllbethesame #inthefutureeverythingwillbethesame #Bieniek #textartwork #PerfectCircles2015 #PerfectCircles #bieniekperfectcircles #perfectcircle21 #Bienieklike #BieniekText #Textworks #BieniekTextworks #BieniekTextworks #textart #writtenart #wordart #visualpoetry #poetryart #wordplay #poetry #textbasedart #bienieklike https://www.instagram.com/p/B4x0v4PI1Li/?igshid=91c1yt24zbd

[koks-kino]

During the last months we have simultaneously worked on a concept-album called ‘Jewels’. It contains 15 pieces; every month we concentrated on one particular ‘jewel’. All of them were based on my ‘dream protocols’ what was relatively easy for me because no additional textwork was necessary. I thought of these text like a modern theatre director: here we have a scene, there a passage, there a word – we make it all double and the text is ready. Only slightly convoluted. Easy. It resembled me the work of a director a lot and it wasn’t a hard task because the dream protocols appeared to me as foreign texts, written by someone else. This is not a lie because one has only a partial control over own dreams – but the protocols have to be a very precise record. Naturally 5 years after writing down a certain dream one can jump around with it according to one’s own will. I am the editor of my dreams, almost without exception cutting out the real persons appearing in my dreams from the protocols, because it’s not relevant to the listener whether I have met Mark Chung in my dream or not. This is like a dramaturge’s work in theatre. For a change, I’ve been free from the burden of writing the lyrics.

Blixa Bargeld

[antonhart2505]

Strut Plain 2018 Acrylic on canvas with canvas awning. Overall 109 x 113cm (Canvas 30 x 30) Included in the group exhibition: FORMAL Curated by Paul Snell. Mona Foma 2018 Poimena Gallery, Launceston, Tasmania. #contemporaryart #contemporaryartist #adelaideartist #textworks #artinstallations #Southaustralia #southaustralia #minmalism #canvas #acrylic #monafoma #awning #formal #formalism #tasmania (at Poimena Art Gallery) https://www.instagram.com/p/BtYWFgplVJ-/?utm_source=ig_tumblr_share&igshid=inq66eiql9ic

[retoyman]

@retoyman text art. Last Lest List Lost Lust 11x14 ink on Bristol paper. I realized that is you take L and then add every vowel of the English language then add ST after you can create words with passive and aggressive meanings. #retoyman #list #lust #lest #lost #last #textwork #textart #words #handwritten #handwriting #bkackandwhite #bw #poem

[jamrdesign]

So after the textworks lecture, I’ve decided that I want to try and learn Esperanto. Zamenhof’s ideas really resonate with me, and I’d like to align my values with my love of languages. I truly wonder what the world would be like if the artificial language had taken off. With my previous history with French, I find the beginner level Esperanto quite intuitive. I have downloaded the Duolingo app to utilise their Esperanto lessons. My goal is to get the grammar down, and then proceed to learn verbs and nouns. Today I learned: Past: inf + is Present: inf + as Future: inf + os Conditional tense: inf + us