#that it ended up creating this environment of having to do

[luna-azzurra]

Do you have any advice for writing a fight scene? No weapons or anything, and one is a werewolf?

Thanks! xxx

sure!!!!:)

The environment is a huge part of any fight. Where the battle takes place can affect the mood and pace of the fight. If it's a forest at night, the atmosphere might be thick with tension, the shadows playing tricks on the human’s mind. Every snap of a twig could be nerve-wracking. In contrast, if it’s an abandoned warehouse or alleyway, there could be crumbling debris or walls that the werewolf could crash through with ease. Consider how the space constrains or opens up possibilities. Does the human have room to run, or are they trapped, back against the wall?

One of the most important elements of this fight is the clear imbalance between the human and the werewolf. The werewolf, being a supernatural creature, should feel like a force of nature, faster, and stronger than anything a human can easily contend with. Its movements are instinctive and powerful, maybe even graceful in their brutality. The human, on the other hand, needs to rely on their wits, speed, and survival instincts. They know they can’t overpower the werewolf, so they’re constantly looking for ways to outmaneuver it, maybe trying to use their surroundings to gain some advantage, like ducking behind obstacles or luring the werewolf into a trap.

To make the fight feel visceral, focus on the physical sensations and the toll the fight takes on both characters. For the human, every punch or kick should feel like a gamble, maybe they manage to land a blow, but it’s like striking a wall of muscle. Each missed hit could leave them open to devastating retaliation. The werewolf, meanwhile, is likely much more durable. Its claws tear through the air with deadly precision, and each swipe could mean serious injury for the human. Describe the impact of each hit. Does the werewolf's claw barely miss, ripping through the fabric of the human's shirt, leaving them gasping with adrenaline? Or does the human manage to dodge just in time, but only because they’re running on sheer instinct? Let the reader feel the weight of the werewolf’s power, how the ground shakes when it charges or how its growl reverberates in the air, sending shivers down the human’s spine.

What is the human feeling during this fight? Fear, obviously, but maybe also determination, rage, or despair. Do they think this is the end, or are they fighting for someone or something they care about? Maybe they’re not just trying to survive, maybe they’re protecting someone or trying to escape with crucial information. On the other side, consider the werewolf’s emotional state. Is it in control, methodical and cruel, or has the beast taken over, making it savage and unpredictable? If the werewolf is toying with the human, letting them think they can escape only to pull them back in, that can create an agonizing tension. Or maybe the werewolf is in a blind rage, reckless and wild, which could give the human a small opening, perhaps the only one, to escape or gain the upper hand.

What does the fight feel like? The smell of the werewolf’s fur, matted with dirt and sweat, the metallic tang of blood in the air, the sound of claws scraping across concrete or bark. What does the human hear? The werewolf’s breathing, the snarl rumbling deep in its throat, the snap of bone as it crushes something in its jaws? Describe how the human’s body responds to fear—the pounding heart, the shaking hands, the burn in their muscles as they keep running or dodging. The fight should feel exhausting, both physically and mentally.

Fight scenes need to be fast-paced, but not rushed. Keep the sentences tight and impactful. Short, sharp sentences can reflect the speed and danger of the fight, while longer ones might slow the action down in moments of brief respite, like when the human is catching their breath or assessing their next move. You don’t want to bog the reader down with too much detail at once, but you also don’t want the fight to end too quickly. Build up the tension, let the human get close to being caught, cornered, or even injured, then find a way to narrowly escape, only for the danger to come back twice as strong.

Every punch, kick, dodge, or claw swipe should have consequences. If the human lands a blow, how does the werewolf react? Does it shrug it off, or does it get angry, its aggression intensifying? Similarly, when the werewolf lands a hit, don’t be afraid to let the human suffer. Maybe they get clawed across the arm, and now they’re bleeding, one arm practically useless. Injuries should affect how they fight going forward, slower, more desperate, limping, or gasping for air. Let the reader see the human struggling, on the verge of giving up, but somehow pushing through. End the fight with a definitive moment, a final, brutal blow, a clever escape, or a narrow victory. Maybe the werewolf’s strength falters for just a second, giving the human a chance to escape, or perhaps the human collapses in exhaustion, moments before what they think will be their end.

[novy2sirius]

Heyy! Can you do a post about calculating your address numerology?

THE NUMEROLOGY OF YOUR HOME 🏠

༄ your address in numerology can tell about the main themes you may experience in that specific residence. you must reduce the number to find out! the date in which you move into the house and purchase it is also very important, but that’s not what this post will be about

༄ to calculate it’s very simple. just add together and reduce like your life path. example: if your address number is 123 add 1+2+3

༄ it sounds silly, but if your address isn’t a good number to live in you can literally just write a number next to it in sharpie to make the reduced number a more beneficial one

© novy2sirius

🏘️ one address: although it would be good to move in a 1 universal or personal year as it’s the number of new beginnings, i don’t recommend 1 addresses because it’s the number of conflict and aggression. could cause you to attract conflict such as angry neighbors that are lame

🏘️ two address: this is a great number although uncommon to find in addresses. it’s the number of peace and calm energy, so this shouldn’t bring lots of conflict

🏘️ three address: this is the second best number for your address to reduce to. it can create healthy communication and be a good home to raise a child in as well. 3 is also the number of good luck

🏘️ four address: not recommended because as we know 4 is the number of hard work. could cause the home to need lots of maintenance similar to 7

🏘️ five address: although this isn’t a good number to live at long term it can be good for a short term apartment because it’s the number associated with fun. it’s also the second luckiest number. the only reason i don’t recommend it long term is because with it being the number of travel it could create an energy wanting you to leave the house or residence all the time

🏘️ six address: the best number to live under. 6 is the number of home and family, so this creates a comfortable and safe home environment

🏘️ seven address: this is one of the worst numbers to have your address reduce to since 7 is the number of accidents and injuries. your house is more likely to get damaged and have lots of problems that you’ll have to pay for all the time

🏘️ eight address: you can attract money when your home address adds to 8, so this can be good if you don’t have a lot of negative karma attached to you. if you do have lots of negative karma it may indicate lots of ups and downs occurring when living here

🏘️ nine address: with 9 being an upside down 6 and 6 being the number of homes, 9 isn’t good for home addresses. 9 is the number of endings and death, so this is one i don’t recommend

🏘️ eleven address: this is one of my least favorite numbers for addresses because it creates lots of emotional energy. this includes both sadness and anger

🏘️ twenty-two address: not recommended in my opinion. 22 in numerology is the number of master destruction, so this could end bad

🏘️ thirty-three address: this can create a very high vibrational home and is very good for raising a family

[bi-conbuckley]

On Tommy and the writer’s purpose for him in s2

The thing we all need to remember is that the writers created Tommy for a reason. He was the character chosen to represent the “Boys Club” that the 118 was under Gerrard, he was the character chosen to show that Gerrard enforced a very toxic racist/misogynistic/homophobic work environment. Hen and Chim, and the way they were treated by Gerrard and this by the men under his command, shows what happens when you’re not a straight white man. Tommy was the chosen character to represent the 118 at this point, which means he is also the chosen character to represent how it changed because of Chim and Hen. You watch Tommy grow to respect them, and grow to understand that he was being a really shitty person; you watch him actively then begin to try and mend things between them and become friends.

And they do. They do become friends. This is shown in Bobby Begins. The three of them actively hang out outside of work. They have created their own little group to survive the revolving door of captains, the three of them: Hen, Chim AND Tommy. They don’t even stop here to show the way he grew and changed into a better person, they bring this specific character arc to a close by having him be the hero. Chim calls Tommy for help and he saves the lives of the rest of the 118, even the cinematography is meant to show it as this really big, cool, heroic moment. THAT is the bookend to his character arc; his REDEMPTION arc.

Remember when I said “shows what happens when you’re not a straight white man”? Let’s not forget that Tommy is gay. He was a gay man who grew up with a shitty father who was like Gerrard [as said in the finale], was then in the army [remember don’t ask don’t tell?], and then under the command of Gerrard [we all know how he feels about gay people]. All he EVER knew was to hide who he was to protect himself. Does that excuse how he acted toward Hen and Chim? Absolutely not. But he was doing the only thing he ever knew how to do in order to keep himself safe. It wasn’t until he got to know them that he realized there are other ways to live your life, pushing back against the people like Gerrard when you have the ability to [he was one of the ones who helped oust Gerrard, remember].

These are the things that people tend to ignore in order to justify hating him. You don’t have to forgive him nor like him, but you do have to accept that Hen and Chim did and you do have to acknowledge that the writers PURPOSEFULLY wrote him to have a redemption arc and to be forgiven and befriended by Hen and Chim in the end, and then gave the situation more complicated nuance when he came back and revealed that he is gay and had been scared in the closet the whole time Gerrard was there. It’s in the writing but that requires actually being willing to acknowledge what the writers are trying to show you.

[suashii]

— 𝒸𝑜𝓏𝓎 𝒸𝓊𝒹𝒹𝓁𝑒𝓈 ౨ৎ

🦚 anon request: "making the house as cozy as possible before they come home" with matsukawa. you can request for my event here!

matsukawa issei x reader. 0.8k wc. ﾉ sfw ﾉ fluff ﾉ shirless mattsun. . . heh :3

Today has not been your day. Not by a long shot.

First, coffee splashed on your shirt before you even made it in the door to work—an accident that the owner of the unlidded beverage apologized profusely for. You think you could have brushed that off if it wasn’t followed so closely by an impromptu meeting that dragged on for an unreasonable amount of time. It left you racing to finish all the other tasks you were meant to complete today, tasks that should have been a breeze if your time had been budgeted accordingly—which it had been before that stupid meeting. 

By the time you’re finally able to clock out, the weight of eight stressful hours is heavy on your shoulders and makes your walk to the train feel twice as long as it really is. You find being squished between countless other bodies in the passenger car more unpleasant than you usually would but the upside is that you’re almost home—away from all of the bothersome inconveniences of the day, free to do as you please.

As you unlock the front door, thoughts of collapsing on your bed until you’re either too exhausted to stay awake any longer or your stomach growls in a noisy request for food are the only ones that swirl through your head. You’re quick to kick off your shoes and hastily hang up your bag when you cross the threshold into your apartment.

Your plan to make a beeline to your bed is put on hold after taking only a few steps in the direction of your room. You were so preoccupied with shedding the worst parts of your day at the door that you hadn’t taken notice of the oddities in the apartment—the scent of vanilla that only ever permeates the room when you take the time to light a candle, the unusual darkness you avoid coming home to by opening the curtains before you leave.

Your eyebrows pull together in a confused frown as you slowly approach the living room. The space that’s typically untouched when you return from work is anything but that. There are blankets messily strewn over the cushions of the couch and, despite the room being empty, the tv shines brightly in the otherwise dark area—one of many streaming service home tabs displayed on the large screen.

Before you can question any of the scene, a voice speaks up from beside you.

“Damn, you beat me out here.” You don’t have to look to tell that it’s Matsukawa—who else would it be? Still, you turn to face him anyway and are met with his large figure. There’s a goofy yet endearing smile on his face like he’s been caught in the act. The rest of his appearance contrasts that of his face—curls damp enough that water continues to bead at the ends, sweatpants low enough that you’re allowed a peek of his v-line. He must have just gotten out of the shower.

“You set all this up?” It’s a silly question that you already know the answer to but you can’t help but gesture to the cozy environment he created.

“Surprised?” he asks, and the smile tugging at his lips turns from goofy to proud.

“A little,” you admit with a nod, but you smile too. He did all of this for you. “I honestly thought you’d be asleep when I strolled in.”

Mattsun huffs out a laugh through his nose before putting his hands—still warm from the shower—on your shoulders and leading you to the couch. He sits you down and takes his place next to you, adjusting the fluffy blankets as he speaks. “How could I sleep knowing you had such a shitty day?”

You didn’t expect that your complaining to Issei throughout the day would lead to such a sweet gesture. It almost makes you feel guilty. “It wasn’t that bad…”

“That’s not the impression all of your texts gave.”

If you went through your message log right now, you’d probably find that the man was right.

“Fine, it was pretty bad,” you concede. But you don’t want to dwell on the negatives, not when Mattsun went out of his way to make sure you came home to something that was sure to cheer you up. You lay your head on his shoulder with a content sigh. “It’s better now, though.”

He’s warm, like a human heater—all the comfort you need bundled up in one person. Your person.

“Good.” Issei gives you a squeeze that you’re sure is meant to be a hug and leans down to place a sloppy kiss on your forehead. “Movie pick is up to you. And I can cook you something if you’re hungry.”

While the offer itself is kind, you can’t help but pull away and level the man with a questioning look. You and he both know that his skills in the kitchen are less than average. 

Without you even uttering a word, Issei chuckles in understanding. “Takeout?”

You nod. “Takeout.”

thanks for reading! if u enjoyed, please consider reblogging or commenting ❤︎

[dropsnectar]

Pollen and Potions: Bee-men x afab!reader

PART THREE

This is a longer part than the rest, but its all necessary dialogue so it should be fine. More fluffy and romance than smut, BUT!! Their will be smut in the next section! I know I said this will only be 4 parts, but it may actually be more like 5 or 6. Anyway, hope you like!

So. You were starting to learn that using large batches of magic back to back weren't ideal for a young witch's health. It seemed like you might have overdone it, as when you woke you found you had been asleep for TWO WHOLE DAYS. So. If you were going to do magic, it looked like you were going to have to pace yourself, or perhaps use LESS magic.

You put yourself to learning more about witchcraft. The thing was, your grandmother's books didn't really go into the basics, and as witches were so rare, information was hard to find. Of course, the internet was full of supposed witch spells, or frameworks, but it was like throwing dice. Some spells didn't work. Some spells took up WAY too much energy. Some were just… fine? But not what you needed. 

Next you checked out forum sites. Maybe you could find a community through that way? But all you found were psychics and tarot readers. Nice people, but not what you needed.

Whelp. Maybe you needed to look at the issue differently. The environment used to be a beautiful, thriving area. What had changed between now and then? In order to understand a magic ecosystem, you had to understand ecosystems. So, for the rest of the week you busied yourself with ecology study. It was turning out that this project you had adopted on a whim would need a lot more time and breadth of knowledge then you originally thought.

***

When you met with Rena, under Lyith’s friendly gaze, you found that the magic you had cast hadn't waned at all. The flowers had grown beautifully and continued to give magic nectar that created the best honey. Rena was beside herself. “The elders of the hive say they haven't had honey of this quality since they were children! You are really onto something here, little one.”

Rena had now gotten in the habit of calling you little one. Sure, as a Bee-man she was slightly taller than you, but not by much. Also the constant fluttering and floating didn't help. 

“You've been given permission to test your magic on our other gardens as well. As long as we are careful and continue with caution!” Rena babbled. You gave her a small smile and felt Lyiths arm on your shoulder. He laid his head on your other shoulder, leaning his fuzzy head against yours. 

“Whats wrong?”

You wiggled a little. “I'm just having a hard time brainstorming how to do this. I know I said I'd help you guys, but I might not be able to use as much magic as last time. To be honest, I don't really know much about my mana and my limits…” you explained your situation. Expecting there to be disappointment, you were surprised to find none.

“I can’t help but think… How long will this last? One spell isn’t going to cut it for that long. I want to create something that will last for you guys, but that might take a while… and doing just this took all the mana I had. I want to do better. But I don’t want to hurt myself either, especially when I don’t know how this could affect my health in the long run…” The bee-men seemed to be catching on.

“Of course, little one. We wouldn't want you to harm yourself.”

 Lyith also popped up, his voice almost in your ear.

“Us Bee-men also have something like mana. Our magic is not never ending. We would have fixed this situation ourselves if it was.”

Rena reached forward and grabbed your hand, giving it a reassuring pat. “We don't have to do anything today. We can commence whenever you'd like. Our flowers have spread out beautifully and even this is enough.”

You frowned.

“I may have to do this every spring. Or even redo it in the summer…”

“You don’t owe us anything. You are trying your best to do us a kindness. And our hive knows and sees that. We are beyond grateful to you… Its… We’ve needed…We are truly grateful.” His expression fell at the mention of his hive, his antennas drooping. Rena moved forward and held Lyith, a sad expression on her own face.

There was a pause in conversation that grew somewhat awkward.

How do I make this better? You tried to brainstorm, but only one thing came to mind. 

You went over and gave the both of them a big bear hug. It was a tense one, but you tried to adjust your emotions, instead concentrating on how fond you had grown of the two. You tried to shout it as loud as you could through your brain at them.

This seemed to break the spell, as Rena started to laugh. Lyith looked at you affectionately. 

“I know we haven't known each other long, but I just want to say, you can count on me. If you ever need to talk about anything let me know. I'll listen.”

Rena and Lyith hummed in response, returning your group hug with a long squeeze.

Long hugs. The favorite actions of a Bee-men.

After some quiet reassurances, the two of you decided to idle while the two foraged on the edge of the Wood. You walked with them and asked them as many questions you could think of. How old were they? Were they able to do other magics? You had thought Bee-men to be isolated. How come they knew so much about human culture?

Lyith was the one who answered you most of the time. It seemed that bee-man typically lived double the life of a human, with Rena and Lyith being about 45, and 51, Lyith being the oldest. They were in the same season of life as you though!

Bee-man could do some other magics(they didn't go much into what), but they specialized in making their magical honey, which fortified the health and wellbeing of a Bee-men. 

They didn’t say it outright but it seemed like the dip in magic had affected the nutrition of their food source. They kept their own bees and shared honey, but it still wasn't enough, so they had ventured out into human society to buy fruit when it was necessary. They also did trade with neighboring beast-men, the Wolfmen being happy to share their fruit for their Bee’s wax waste. I 

“What exactly do you guys do for fun though?” You asked, trying to lighten the mood.

Lyith smiled. “Late night flying is fun.”

Rena snorted. “You mean late night spying. Lyith has a habit of looking through people's windows.”

Lyith wrinkled his nose at Rena. “If they did not want to be seen they would have drawn the curtains. It's not strange, I am just curious about human life is all.”

Rena reached forward and pinched Lyiths nose. “Poor thing. So bored he must make mischief.”

You looked at Lyith with surprise. His big eyes grew in concern and he pouted at you.

“You are not going to tease me too are you? I promise, I never see anything scandalous. I'm a good little bee.” He fluttered his eyes at you.

You giggled and pushed his shoulder. 

“As long as you're not spying on me I guess it's harmless.”

Lyiths expression shifted to one of his dopey smiles. It always surprised you how innocent he could look despite his size. Was it maybe…

“So… I may have read that you guys are telepathic right?” 

Renas face changed into a smirk. 

“Yes, and?”

“ Well, have you guys ever… used your powers on me?” 

Rena snorted. Lyith gave you an unreadable expression. “We Bee-man are very particular about sharing our heads outside of our hives. But no. We haven't done anything to you if that's what you meant…”

Oh. He was pouting now.

“No! Thats not what I meant! I just… i feel so comfortable around you guys it's almost supernatural. I just. Idk. Wanted to know. Please I didn't mean anything by it!”

Lyith wrinkled his nose at you and Rena continued to seem amused. You felt helpless and got a bit upset with yourself. You did your best to calm yourself down but you were upset. You had so few friends here and you were afraid you blew it. A wave of loneliness swept through you.

Lyith was watching you the whole time, before sighing. “All will be forgiven if you give us some of those fruit tarts you made yesterday.”

You looked at him, shocked. 

“I thought you said you didn't spy on me!”

“I wasn't spying, I just happened to be foraging by the window, and smelled something amazing. It was all incidental.”

“There's sugar in the crust. Won’t your tummy get upset?”

He just smiled. Rena laughed. “He named his price. For offending us, we must get fruit tarts.”

Finally feeling better, the three of you walked(they let you walk!!!) Back to your home. You served them up your tarts, when finally the questions started coming about you. Why did you move here? Do you have any siblings? What were you like as a child?

This went on until dinner time, at which point you decided to shoo your new friends away. “ I'll be back to do the flowers tomorrow. We… we will see what I can do.” You admitted. The two of them smiled at you, hugging you tight for a good three minutes. They always lingered, nuzzling your face and hair, as if they were getting a whiff of you. You could smell their own perfume and tried not to think too much. Their goodbyes always felt so intimate. 

 Rena decided to pepper your face in kisses before they left. Lyith just rolled his eyes at her. When they drew apart you felt empty, like some piece of you was going with them.

***

As always, Lyith picked you up that morning. This time, you made sure to bring a scarf and hat, alongside emergency snacks in your bag. Where he was taking you next was a little longer of a trip, a whole ten minutes to the usual six. That was a long time when you were hurtling through the air.

You were surprised to drop into a small crowd. There were ten Bee-men present besides Rena, who seemed to be communicating silently with them. The air was full of bee noises; humming, purring, the fluttering of wings. The air smelled amazingly fresh, floral and syrupy. It was an odd smell, but it seemed to put you at ease somehow. And maybe a bit peckish.

A Beeman a whole foot and a half taller then Rena fluttered towards you. They bowed, of which you awkwardly returned before they reached forward and took your hand gently. Lyith started,

“This is Elder Bisou. He is the eldest of our hive. He is showing you respect.”

Elder Bisou smiled at you. “Little Witch, I welcome you to our territory. My human is a bit… unused. Please receive our thanks for your efforts.” He took your hand and leaned down so that it met his temple. You could feel the rush of his magic, like your mind was a fish bowl and he was putting a gentle hand on the glass. You could feel his warmth, his deep gratitude through it. 

Your back straightened and you felt water prick your eyelids. You gave him a slow nod, becoming acutely aware just how serious this whole situation actually was. Rena and Lyith had been dancing around it, but the Bee-men must be slowly starving to death. That was the only explanation for the depths of what you had felt.

“I will do my best.” Was all you could reply. 

Lyith, acting as your translator, took you to each Bee-men he could and introduced you. It seemed that some of the elders, as well as some of those who had free time had come to watch the “little witch” work. Most took your hand gently, and sent you a ghost of what their emotions were. There was a sort of film around the emotions, a barrier of sorts. Whether this was on purpose so you wouldn’t be overwhelmed, or just how their telepathy worked, you couldn't tell. 

You did your best to not let your nerves get to you as you dissected the sections of the field where you would be doing your experiments. You didn’t know how these particular flowers would take to your spell, so it was still best to be cautious. The bee-men looked on with interest.

You did your chants in a loud booming fashion, and channeled in as elegant a fashion as you could. Like always, the magic came, and the spell did its work. These flowers were different, like rainbow colored lavender. Rather than letting the magic gush through you, you let it gently trickle out, pacing yourself. When the deeds were done, you still felt sore, and you still held a headache in your temple, but there was no nausea, so growth! 

Once you were done with your work, there was a large excited buzzing throughout the forest. There was clapping, dancing, stomping of feet, pumping of many hands, whoops from Rena and Lyith. One Bee, a worker named Aidenn held a small wooden instrument in his hands and started to play. This triggered a chorus from the Bee-men. There was a harmonizing among the crowd and they started to circle each other, laughing and dancing. A circle of flying, spinning Bee-men formed.

Rena grabbed you by the waist and hoisted you onto her shoulder before joining in the circle of the dance. You giggled as you spun, feeling the giddiness in the air like it was laughing gas. That same pressure filled your mind and a part of your heart started to soar. It was intimate, but not stifling and you loved feeling so close to everyone.

You lifted your hands and, feeling in the spirit, decided to hum along. At some point Rena had taken you in her arms and held you close as they continued to fly in a circle, spinning and perrying, and switching. It was similar to square dancing, where there was a pattern to it. 

At one point, the tune changed and Lyith swooped down from above and grabbed you out of Rena’s arms. She snorted at him but let it happen, joining hands with another passing Bee-men. When Lyith gathered you in his arms, he cradled you as close as possible, surprising you. One hand was gripping firmly around your waist and the other crushing you to him. He landed on the ground, and the rest of the bee-men followed, causing something of a ballroom dance. 

“You did wonderfully today.” He breathed in your ear, causing them to redden. You pulled yourself back a bit to see his face and he was looking at you with such pride and affection it felt like a weight crushing your chest. You moved your hands from his shoulders to reach his own hands. You were shaky, but you wanted to return his feelings somehow. His palms were soft.

This caused him to laugh, a purring sort of trill coming from his throat. You couldn’t help a silly grin form on your face.

“I’m glad you came to my garden.” Was all you could think to say.

He looked at you, with those big black eyes, then reached forward and kissed you on the lips. It was only a peck, but you could feel his joy through it. 

Something complex within you, a mix of happiness, excitement, hope, all of your feelings rose up into your throat. Unable to find the words to express yourself, you took all of those big heavy emotions, wrapped them all up together and kissed him back, right there, in the middle of your makeshift dance floor.

When you pulled away Lyith looked shocked, his bottom lip hanging open. Adorable as usual. 

Rena hollered from the otherside of the gathering, sending out a big whoop. There was laughter, buzzing and an echoing whoop from some of the younger bee-men. Elder Bisou made some clicking sounds, but the sides of his mouth were slightly upturned.

It occurred to you then that you were in the middle of a group of very telepathic monster people. Your cheeks grew hot in embarrassment and you pulled away from Lyith a bit. Your shoes suddenly became very interesting. 

Lyith eventually turned your chin back up to face him. He held a small peaceful smile, before bumping his forehead to yours. He didn’t share his emotions but the affection was still there.

After you grew too tired to dance, you took a seat under a tree, munching on a granola bar. Another one of the Bee-men, a younger drone named Haven, made his way to sit next to you.

“I don’t know if it was mentioned, but honey production has picked up enormously since you agreed to help us. I haven’t felt this great in… well ever! Thank you little witch!”

“I’m not little, but thank you for saying so.” You were starting to get a bit lightheaded now, and not from the dancing. It was possible that some of the symptoms of mana sickness were surfacing a little late.

“You are strong! That is true! Even elder Bisou has said he hasn’t met a human or beastman with mana like yours!” Haven turned his voice down to a whisper, as if he was sharing a secret, “Your magic smells so much like flowers, really, its a huge blessing! In fact, I would eat you up if I could!” He laughed as if he had made a joke. He sighed and looked up dreamily at the sky. “Alas, I am saving myself for when we find our queen.” He wrapped his arms around himself, as if to fend off imaginary suitors.

You wrinkled your nose. “Queen? You don’t have a queen? Isn’t that super bad for bees, I mean bee-men?” 

Heaven tilted his head at you, reminding you of Lyith. 

“Of course. That's why we are all so small and weak.” You stared at him in shock. He put up his hands. “We are doing well though! It's been 20 years since our queen died but we are still here! Oh! There is a hive up north! Any day now, one of their queens' daughters might descend and bless us! Or.. Or we--”

“Little One! You seem like you're getting sick!” Rena Descended from above and put a hand to your forehead.

“You are far too warm! Haven, mind if I take her out of your wings?”

Heaven looked up at Rena, his face a mask of confusion. He eventually gave in though and stood up.

“I should check on Elder Bisou! He might need something!” His voice was flat, obviously fake, but he ran away- flew away with gusto.

Rena took your face into her hands, tilting your head back and forth. Your lightheadedness turned full on dizzy. Rena’s face screwed up in an annoyed expression.

“You overdid it. And after that whole speech about not knowing your limits too..” She gently put a hand on your back and picked you up princess style. You would have been embarrassed, if your brain was functioning properly. Instead your gaze fixed on Rena’s beautiful iridescent wings. The lights were so lovely and they helped ground you. Honestly, everything about Rena was lovely. Well, maybe lovely wasn’t the right word. She was rough around the edges. A tease and a know it all. But she doted on you so, it made you feel a bit overwhelmed. Your gaze shifted from her wings to her lovely nose, pretty sharp for a bee-men. 

Rena started conversing with Lyith about you, pointing her jaw and humming. Huh. Rena was actually incredibly attractive. You had known that before. Maybe it was something about how dizzy everything was. The last time you had felt this way she had been kissing you, her textured tongue pushing nectar down your thoat-

“Little One”

Your mind immediately focused. She was using a demanding tone. 

“Lyith will take you home. Next time, we will only do one spell at a time.” She leaned forward and placed her cool lips to the side of your mouth. Making you blush. Well your face was already heated so you would have blushed. “I will see you again soon. Rest.” And she was off.

You were in Lyith’s arms again. A place you were starting to get comfortable in. He stared at you for a moment, his lips pursed, then sighed loudly. He held your gaze for a moment.

“I do not like this habit you are forming. You will not get sick again, understand?” 

You nodded at him, mind hazy. Sleepy. You were sleepy. 

You didn’t register the fly home, only that the coolness felt nice. You were carried from the porch, into the living room, up the stairs, and laid on your bed. You were covered in warm, delicious blankets. 

You never saw Lyith leave before you passed out. Probably because he tucked himself in right beside you, the cool air washing over both of you from the open bedroom window.

[bandzboy]

very much this... cr.

[bitchthefuck1]

That one chef saying that the worst thing about a bad boss is how they unlock that behavior in you and seeing Carmy mirror the attitude of the chef that terrorized him and gave him panic attacks and then ending the season with Syd having a panic attack because of the stress of working with Carmy...diabolical.

[stagefoureddiediaz]

Something something about how all of Eddie’s traumas - well, shooting and now campervan have lead to him being out of contact/ unable to talk properly or at all to the 118, but to buck specifically and in increasingly limited degrees. Next to zero contact in the well and none directly with buck except cutting his line ( it’s always bobby or Chim on the radio to him). Then the shooting - he’s in and out of consciousness and can only check buck isn’t hurt. Now he’s on the radio - the line is open but words are laboured and difficult but there are more of them.

Something something about Eddie needing to talk - to use his words and how he didn’t after the well / he changed his will, but didn’t verbalise it. After the shooting he did have some of the words - he told Buck about said will - because he knew he needed to find them. And now in a season where he’s been playing word games against time and we’ve seen him being more verbal - what are we going to get

[ferociouslycreativemystery]

Me: I'm fine about my autism now btw, like I've come to terms with my fixated interests, limited tolerances and social inabilities. The alienation it brings is not ideal but it's just a reality I've gotta deal with now that I know it's just a part of who I am. I mean, it's not like an awkward conversation is gonna ruin anyone's life, is it? We'll both move on from it eventually. This is fine!

Also me: physically unable to watch beyond the first word of the first question of The Assembly because oh my god what if someone says something awkward or controversial or someone can't make themselves understood people are gonna get mad and scream about it online and I will freeze up and be stuck in the backlash forever I don't know how to handle conflict AT ALL let's just hide in the corner behind the sofa instead wait what if I became a hermit actually yeah yeah yeah that sounds good let's do that

[screamingay]

does anyone else think it's bullshit that i keep getting scheduled for 8 hour 11-7 shifts instead of my usual 7 hour 7-2 and i don't even get paid for the full extra hour because the evening shift workers ALWAYS leave like a half hour early?? im never allowed to leave early on 7-2s in fact i usually end up leaving kinda late bc they're always saying we have to finish everything before we leave. but the evening shift never finishes everything before they leave!! every time i come in for a 7-2 i find so much shit unfinished bc the fucking 4 or 5 hour 2/3-7 shift people don't even bother staying until 7 to finish up and apparently management is fine with this?? and whenever i'm there until 7 they pressure everyone to close up by 6:30 so they can go home sooner but i dont fucking care abt that! they automatically take a half hour unpaid lunch out of my timesheet anyway so that plus the leaving early means i don't even get paid much more than i would on my usual shift. and the 11-7 is the worst shift too they keep putting more responsibilities on that one person which somehow also makes it harder for everyone else bc the 11-7 cant help as much. cant fucking wait to hit my one year there so i can finally job hunt again and hopefully find a place that at least gives me time to sit down and eat lunch while im not getting paid. smh

[intersex-support]

Help an intersex family in Gaza!

Hi everyone. I'd like to share about a fundraiser that is very important to me. A good friend of mine is in contact with the organizers.

(Described in alt).

Their story:

"Hello, my name is Abeer. I'm organizing this fundraising campaign from Belgium on behalf of my family, who currently live in Gaza. 

Since October 7, all families in Gaza have been subjected to genocide. My family is one of those families that has had to flee its own home several times because of the threat of regular attacks. 

After two months, my family decided to return home and take the risk of being bombed at any moment rather than stay in the street. Our 4-floor building now contains over 100 people who have fled from different parts of Gaza. We always open our hearts for our own people, but we can't do it without your help and support. 

My parents, Kamal (53) and Moukaram (51), are suffering from the war because of their age and health. My brother Suliman, his wife Rawan Abualnaja and their two-year-old daughter Bisan are trying to stay strong, but it's complicated by their little daughter's enormous needs. My other siblings who are not married are Mohammed 25, Inas 22, Ibrahim 17, Abdallah 15.

My family medical condition during the war:

My father suffers from delusional disorders. He can't work or help my family financially. Mohammed and Ibrahim suffer from a chronic disease, congenital adrenal hyperplasia. It is difficult for them to obtain medication in Gaza. One of their medicines has not been available in Gaza for two years. During the war, they couldn't get their medicines because they simply didn't exist anymore. My family members are still suffering. They don't want to be potential victims. They want to escape death and live like other families on the planet.

 On 01/01/2024, they attacked the local mosque and the missile failed to explode and ended up in front of my family's house. My family is in danger and the missile will explode any second.

Since then, my family has decided to be evacuated from Gaza because of the senseless attack on our city. Please help me evacuate my family to Egypt so that they can rebuild their lives in peace.

I've been in Belgium for over five years. I feel useless because I haven't been able to do much except try to help them with their daily living expenses. That's why we created this campaign. We're raising funds to evacuate my family to Egypt, a place that offers a glimmer of hope and stability. However, the cost of the evacuation is high, hence our call for crowdfunding.

Every contribution makes a difference The funds we raise will be used for :

- Evacuation from Gaza for both families (Rafah border crossing fees for 9 people total)  - Two months of temporary living expenses in Egypt, including food, shelter, and transportation  - Passport fees  - Food expences untill they leave Gaza 

No matter how small your contribution, it can make all the difference in breaking the cycle of violence and uncertainty. By supporting our campaign, you are offering a lifeline to our families so that they can rebuild their lives, heal from their trauma and make a fresh start in a safe and secure environment. Please leave a comment and share our campaign with your friends, so we can reach more people and make a bigger impact. Together, we can make a difference!"

They are using a French platform called Papayoux Solidarite instead of GoFundMe. Abeer also has a Paypal account for non European donors.

They are currently at 33 588,78 €/ 50,000 €.

Let's see if we can get them to 34,000 today. Any donation matters, even $1 or $2 donations can add up.

We need to help them meet their goal. Intersex liberation means intersex liberation everywhere--it is so important that we show up in solidarity. Those of us living with CAH know how dangerous salt wasting crises are without medication, and how important it is to urgently help Mohammed and Ibrahim get access to the medications they need to support their CAH. Intersex solidarity means that we need to show up and support intersex people facing genocide.

If you can't donate, please share. Consider doing an art raffle to raise money. Do whatever you can to help this family because it is urgent, and we need to act in solidarity with them now and make sure that the intersex community is here to support them!

[jakei95]

This will be the last update about the accusations against Nyx and me from last year and recent months.

VERSION EN ESPAÑOL:

I cannot force everyone to forgive or believe us, but I would like to provide a closure from our part on the events following Hopeless Peaches' false accusations last year, and a few more that have been reappearing this year, once more.

In recent months, we resumed communication with CrystalFlame, one of the victims of the Glitchtale server. Crystal acknowledged that the accusations against us for allegedly being sexual towards minors and bribing her to remain silent about our "crimes" were entirely fabricated by these people. It was never our intention to hide our past mistakes with money. The separate donations Nyx and I gave to Crystal were solely intended to help her.

Regarding the conversations on Skype in 2017, neither Nyx nor I ever forced the minors present to engage in sexual behavior for our entertainment, nor did we sexualize them in any way. There were inappropriate conversations between adults, in which they should not have been involved, and we recognize our mistake in being negligent and not caring enough about them. I must admit that Veir also disgusted me, and I reacted foolishly by not confronting him or by saying things he liked just to make him leave me alone. I deeply regret this. Although we have apologized to Crystal for this, I also want to apologize to the minors who were there, even if they don't want to know about this anymore, and to the entire community for this huge mistake. Since Nyx and I stopped using that chat short after our irl meeting that same year, plus our detachment to the members of GT, we have changed our views significantly both in public and in private, creating a healthy community for everyone. I will add more details later regarding my experiences with NSFW material, for which I have also been accused of being a depraved person.

I disagree with how Nyx tried to explain how these behaviors were so normalized, but he never intended to endorse the toxicity and unpunished crimes occurring in Latin culture. Nyx acknowledges this, and we discussed it again privately with Crystal. We apologize once more to our Latin members who might have been offended by this take, which could have been better explained. Nyx and I said a lot of things out of fear and frustration, which caused more harm and distress rather than solutions due to the explosive harassment we faced because of the false accusations by Hopeless Peaches and their group. I won't go into too many details because I have chosen to keep my mental health private, but this wave of harassment severely impacted my mental and physical health, and I am currently undergoing treatment to manage the aftermath.

However, I want to take full responsibility for causing Nyx to act out of emotion rather than with a clear mind in a desperate attempt to protect me, as Crystal ended up in a very complicated situation during the harassment wave created by Peaches, making her believe that our lives were in her hands and dependent on her choices. This was not only inappropriate but also unfair, considering Crystal was going through a lot at that time. Nyx and I poorly worded many things both publicly and privately. We should never have let our emotions take over while trying to defend ourselves. We could have handled the situation more maturely. None of these mistakes will be repeated ever again. Crystal has also admitted her mistakes. Many things would have taken a different path if dialogue had been the first option instead of public statements, but both sides have learned a lot.

With all this, I don't want to hear anything about Glitchtale, its creator, or its still-active members. Nor do I want to hear about Hopeless Peaches or their community, or what's left of it. My purpose on the internet is to entertain people with my art, and on the rare occasions I interact publicly, to maintain a calm and healthy environment, as I have been doing for years. My boundaries with fans are very strict and defined. It may sound ambitious or silly to many, but for a long time, I have wanted to make a difference and show that not all artists with a large audience are people who hide dark secrets and seek to harm others. I just want to tell stories and brighten people's days.

People have become used to seeing random individuals or public figures being exposed daily for horrible acts and behavior, which is very depressing. However, when those accusations are false, it is sometimes too late to undo the damage. No one likes to be pointed at and accused of something they didn't commit, especially when those accusations are serious, like harming another human being.

Some people today are confused and believe that I am actually Camila, and that Nyx is Veir, that my husband has been dating minors despite us being married, and that I defended my "pedophile" partner and protected other groomers. People are not only mistaking us for other individuals, but we also don't have anything to do with that other than the 2017 Skype chats. We have been put in some sort of black list from parts of the fandom due to misinformation or because some people seek an excuse to justify their dislike for us by wishing we had harmed real children. This is sickening, sickeing and frustrating if you actually think about the victims not only in fandoms but everywhere. So, please, I beg you to distinguish between names and what has actually happened. Even if you don't like us, don't seek or wish for us to be monsters just to feel proud of yourselves.

I feel I could regain some peace in my heart by having the opportunity to talk to Crystal about all what happened and ending in good terms. This should be the end of the whole controversy regarding the Skype Chat and the GT Server.

Now I would also like to take the opportunity to talk about other accusations still aimed at me to this day, which I once explained on a Twitter thread that was eventually deleted due to unnecesary arguments between fans. I'm being accused of being a horrible and irredeemable person for drawing a comic in my early years in the fandom that insinuated a non-consensual act between Cross and Dream.

Before any explanation, I want to emphasize that I still feel immense regret and shame for creating that nsfw comic, even if I didn't feel comfortable doing so, I still made the decision as an adult and shouldn't have done it in a space where there were minors and people who might find that material triggering. Even though it happened many years ago, it was not right, and I will apologize as many times as necessary.

I haven't had any contact with the creator of Dreamtale since 2017, so I'm unaware of her current viewpoint about this topic in general, but one thing is certain: both of us don't want to be associated with that ship between our characters and want to move on. We want it as far away from us as possible. I don't want anybody to harass her over this situation.

During that time, I was in an unstable relationship with the creator of Dreamtale, with whom I used to roleplay privately. This, along with being pressured to make the ship "canon", led me to create the comics for that ship. Among them was the infamous scene for which I'm accused of supporting rape. This content and private interactions reached a point where the entire situation made me uncomfortable, along with the toxic attitudes in our relationship, I ended up closing the blog, though not before writing a summary of what would happen next in the story -that didn't have any other sexual moments, to clarify-, simply a closure for those who enjoyed the comic. Not long after, we broke up.

After this experience, I began to realize that any NSFW content, both fictional and real, made me very uncomfortable. This is connected to future members of the fandom, like Veir, who tried to sexualize me, and later, ex-friends whom I wanted to please for their support during my growth as a content creator by drawing them private NSFW commissions. I ignored my discomfort, believing I was doing the right thing and that I could trust them, but what happened later finally made me understand that I personally cannot tolerate any of this content.

This group of people shared these private commissions among themselves. One of these people was someone I considered a close friend and was even my Discord moderator but began abusing their power towards other members, trying to escape the consequences just because of our friendship. They even tried to offer me money to remove a character from another artist who would appear in my animation as a cameo, just because they both had personal issues. I decided to end our friendship because I saw no changes or improvements on their part and I felt i was being used as a power tool for them.

It wasn't long after this that I found an alt account of them, posting these private NSFW drawings, tagging me to attract attention as a form of revenge for cutting ties with them (They also got Nyx's phone number to trying to get in contact with me despite what they were doing). These images spread last year among a few people who, unaware of the background, used them as a reason to question me as an artist. However I explained the rest of the story before it became more public, and I appreciate that they listened to me first, however, the damage was already done.

In March of this year, I made a thread on Twitter explaining this and my reason for not supporting or consuming NSFW content. I want to stay away from this whole debate. I don't want my words to be used to attack others. My reasons for not enjoying this are because I had people around me who caused me a lot of harm with this matter, it triggers me, and I don't like any sexual topics around me, even as an adult reaching my 30s. I simply don't like it, I'm not interested, and I want my feelings to be respected. I'm very aware that more than half of my audience are minors, and I know how to behave and what to show in my art, but there are still others looking for any excuse to call me or my husband horrible things. It has happened before with accusations of transphobia for making Frisk and Chara from Xtale male instead of non-binary as they are in the canon version. I have been called a pedophile for portraying Frisk and Muffet from XTale in an innocent romantic context, even though there is no age difference, just because is not following, again, the canon (which with all honesty, I'm not aware if it has been confirmed she is a child or not). I have been accused of racism because of the characters' skin color, and so on.

Being hated in a fandom as an artist with a big following is supposed to be normal, but, to what extent?

I know I should ignore those comments and move on, but I still don't understand why it hurts so much that people want to discredit my efforts as an artist and as a person by believing they have found some dark secret in me… I really can't understand, I just want to live in peace.

My art is my only escape from negative thoughts. Nyx is my only support in real life. I have been working on how to deal with online criticism and harassment, but it is really hard when people tell lies in order to ruin a life, especially when those lies try to make us look like disgusting human beings. This puts me in a lot of distress, mostly because I hate conflict and prefer to be left alone. I want to be a role model in this community by not getting involved with problematic people and toxic environments. Even if there are people who don't like my work, I want to show that there is still a bit of decency and common sense in the art community.

For this reason, this will be the last time I talk about this because I want to focus on what makes me, my husband, and my audience happy. I want to set an example, and I want people to read this, try to understand our position, and give us a chance.

Once again, we deeply regret the mistakes we made in the past.

[shesnake]

Spider-Verse Artists Say Working on the Sequel Was ‘Death by a Thousand Paper Cuts’

Why don’t more animated movies look this good? According to people who worked on the sequel, Across the Spider-Verse, it’s because the working conditions required to produce such artistry are not sustainable.

Multiple Across the Spider-Verse crew members — ranging from artists to production executives who have worked anywhere from five to a dozen years in the animation business — describe the process of making the the $150 million Sony project as uniquely arduous, involving a relentless kind of revisionism that compelled approximately 100 artists to flee the movie before its completion.

While frequent major overhauls are standard operating procedure in animation (Pixar films can take between four and seven years to plot, animate, and render), those changes typically occur early on during development and storyboarding stages. But these Spider-Verse 2 crew members say they were asked to make alterations to already-approved animated sequences that created a backlog of work across multiple late-stage departments. Across the Spider-Verse was meant to debut in theaters in April of 2022, before it was postponed to October of that year and then June 2023 owing to what Entertainment Weekly reported as “pandemic-related delays.” However, the four crew members say animators who were hired in the spring of 2021 sat idle for anywhere from three to six months that year while Phil Lord tinkered with the movie in the layout stage, when the first 3-D representation of storyboards are created.

As a result, these individuals say, they were pushed to work more than 11 hours a day, seven days a week, for more than a year to make up for time lost and were forced back to the drawing board as many as five times to revise work during the final rendering stage.

"For animated movies, the majority of the trial-and-error process happens during writing and storyboarding. Not with fully completed animation. Phil’s mentality was, This change makes for a better movie, so why aren’t we doing it? It’s obviously been very expensive having to redo the same shot several times over and have every department touch it so many times. The changes in the writing would go through storyboarding. Then it gets to layout, then animation, then final layout, which is adjusting cameras and placements of things in the environment. Then there’s cloth and hair effects, which have to repeatedly be redone anytime there’s an animation change. The effects department also passes over the characters with ink lines and does all the crazy stuff like explosions, smoke, and water. And they work closely with lighting and compositing on all the color and visual treatments in this movie. Every pass is plugged into editing. Smaller changes tend to start with animation, and big story changes can involve more departments like visual development, modeling, rigging, and texture painting. These are a lot of artists affected by one change. Imagine an endless stream of them."

"Over 100 people left the project because they couldn’t take it anymore. But a lot stayed on just so they could make sure their work survived until the end — because if it gets changed, it’s no longer yours. I know people who were on the project for over a year who left, and now they have little to show for it because everything was changed. They went through the hell of the production and then got none of their work coming out the other side."

[fairyysoup]

easy living

pairing: eric (a quiet place: day one) x fem!reader

summary: You ran into Eric on accident. Now you're facing the end of the world together. How do you get to know someone when you can't make a sound?

tags: smut, oral (f receiving), dry humping, piv sex, silent fucking, angst, hurt/comfort, survival, discussions of trauma, slight suicidal ideation by reader, words of affirmation as a love language, stay silent or die (obviously), strangers to lovers, apocalyptic, the cheesiest ending bc it's me writing, billie holiday lyrics bc it's also me writing

a/n: here it is, the silent fucking fic i promised y'all a year ago when this movie was announced. it was supposed to be like 1-2k words of plain smut but then I got too into the theory of what one does when you can't show affection through words and I genuinely discovered a tidbit of trauma I didn't know I had while writing it so I will be talking to a therapist about it, and also I'm literally out here baring my soul lol.

i also want to thank @bigtiddythanos @raraeavesmoriendi and @maximoffwxnda for supporting me throughout this writing process <3 this fic literally would not have been finished or published without y'all

ALL MY WORKS ARE 18+ MINORS DNI

The rain has ended. Morose, you stare up at the ceiling, wondering when you’ll get something close to free reign with your voice again. 

Of course the world had to end while you were at fucking Whole Foods.

You’ll miss certain things. Things you always took for granted, that you never even considered made a lot of noise until now. Typing on the computer. Making stir fry. Microwaving a burrito at 3am. Lighting a match, washing your face. Taking a shower.

And other things, too, that are more obvious, like singing while making cookies. Slurping the bottom of a milkshake. You’ll never be able to have a pet bird. You’ll never be able to see another concert again, and damn it if you didn’t really want those Glastonbury tickets a month ago. But it all just seems trivial, now. You don’t see why you shouldn’t just lay here on the couch forever. 

On the other side of the coffee table there’s a gentle shuffling. Eric rouses as quietly as he can; at the very least, your apartment creates a hospitable enough environment that he isn’t startled awake. It’s so silent in the apartment that you can hear the slight shift in his intake of breath, the rustle of the pillow as he turns his head to look at you. 

You want to look at him, but you fear that you’ll end up wanting to talk. So, you say nothing. You do nothing. You stare at the white paint on the ceiling and you wonder whether it would be better to get on one of the boats headed out into the water, or to move inland, away from people, away from sound. There has to be somewhere far enough away from the city that the… creatures won’t go, right?

Eric waves his hand in your periphery, so that you have no choice but to acknowledge that you know he’s awake. You have no choice but to turn your head and look into the depths of his eyes, and feel all the pain of the last 48 hours return to you. You’d been able to talk last night, just enough, in time with the rain and the thunder– enough to learn that he has family across the world. 

You can’t imagine knowing that somewhere, across an ocean and half a world away, your parents may or may not be dead. No way to contact them, no way to know what’s become of them. You can’t even begin to fathom the fear that he’s feeling, as much as you’re despairing. 

Eric’s big eyes tell you everything. Sadness and fear, and trying to grasp at the smallest hint of normalcy he can get. He blinks at you, and mouths, You okay?

No, you’re definitely not okay. Things are not okay. Things are broken and can’t be fixed. Things will never be the same again. He knows that, as much as you know that. But you nod anyway, even though you feel your heart beat a little bit slower than usual, like it wants to just go ahead and give up already. Tears prick at your eyes, and you have to close them before you let on that you’re lying.

Eric knows you’re lying, of course. How could anyone be okay, in this kind of situation? But he waits until you open your eyes, and then he mouths, Coffee?

You let out a small sigh of relief, and a smile that’s indescribably warm crosses your face. Even though he can’t make a sound, he knows exactly what to say.

You don’t have a coffee maker that doesn’t also make a ton of noise. But through some kind of witchcraft, Eric quietly empties two k-cups into a glass measuring cup and boils a soup pot full of water on the stove, and suddenly you have hot coffee in front of you. 

On a notepad left on the counter, you write, Wish I had some tea for you. 

Eric’s lips turn up at the edges, and he takes the pen from you. You’re able to doctor your coffee for about one second before he slides the notepad back to you.

Bloody American.

Your ensuing huff of a laugh is enough to make him turn pink around the ears, and he turns to place the dirty measuring cup into the sink. He reaches for the faucet, but then thinks better of it. You’ll have to figure out how to wash the dishes later.

You both drink your coffee in silence on the couch. You never considered yourself uncomfortable with silence; you’ve lived alone, you’ve gone for weeks without uttering a word before. But it’s so difficult to be sitting next to someone– someone you feel you could really get to like– and not be able to say a word. To make a sound, laugh or cry or snort or grunt. 

You’ll never be able to know what Eric’s laugh sounds like, or listen to his favorite song with him, or watch some stupid rerun of Friends with him while ignoring your responsibilities. He’s right there next to you, he’s risked his life to save you once already, and yet he’s so far away. You’ll never get to know him in all the ways you want to. Will you ever really know him at all?

He’d created a diversion when one of the fucking things had you trapped in a corner, between a dumpster and a brick wall. He chucked a rock at a car and set off an alarm, and then ran with you down an alleyway, his arm wrapped tight around your waist. Eric looked so sad, following you like a lost puppy. He was fucking drenched, too, so you know he’d probably been through one hell of a morning. And then the rain started, and the creatures were confused and… well, you weren’t just gonna leave him, scared and alone.

You, too, were scared and alone.

Eric’s hand appears to brush away a tear that had begun to fall down your cheek, betraying your internal monologue. You look to him with puffy eyes, and he pulls his hand away, suddenly unsure of whether you’re okay with such an intimate gesture. 

Your coffee cup meets the table with a quiet tap. You’re slow to move, but you scoot towards him, his arm still outstretched towards you, his eyes wide. Eric has the prettiest eyes in the world, you think. You want to tell him so.

But you’re a little too choked up to form words, anyways. Your forehead meets Eric’s shoulder, and his arm comes around you before you can huff the first silent sob that brims up. He coos softly into your hair, so softly that you can barely hear it, but it conveys enough. It does enough. 

The world is fucked. Your life is fucked. You have tunnel vision and you can only see things getting worse from here on; the only good thing you know anymore is holding you and caressing your head so gently that it pushes your tears out for you. 

You’ll never get to see a movie in a theater, and smell the stale popcorn again. You’ll never drive down the highway with the wind in your hair. You’ll never ride a roller coaster or sing karaoke. You’ll never go to a club and have a drunken heart to heart with a stranger in a bathroom.

“Do you think it’s worth it?” You whisper, so faintly that it’s barely above a breath, your lips pressed to the shell of his ear. “To try to exist in a world where you have to pretend like you don’t exist?”

Eric pauses, holding you to him. You can see the wheels turning in his head, while he tries to figure out what to say. Then he turns his face to put his lips against your ear, the same way you’d done to him. 

“I think it’s worth it to try to survive.” His breath tickles your skin when he whispers, “So survive with me, yeah?”

You nod solemnly, your tears threatening to rise up again. “I can’t stand not talking to you.” It’s so hard to keep your voice from cracking, from rising above the merest hint of a whisper, directly to him and no one or nothing else. 

Eric takes it in stride. “You are talking to me.” He pulls back and bats his eyelashes, and you think, he oughta fucking know what that does to me. 

“Not like this,” you breathe to him, because that’s really what it is– it’s a breath. A sigh. A gust of air and nothing else, barely anything that registers on your vocal chords. Your hand on the back of his neck, pulling him close to you. His hand, tightening on the middle of your back, holding you there. “I want to talk– I want to get to know you.” 

“Well, this isn’t so bad, is it?” Eric turns his head. His forehead nudges yours at the temple, and you swear you see a flash of a smile on his face. “What do you want to know?” 

His forefinger traces up and down, up and down, a gentle pattern that keeps you grounded. You bite your lip, trying to keep from letting the sounds come out too loud. You say the first thing that comes to mind. “What’s your favorite song?”

“Easy Living. Billie Holiday.” 

“You’re kidding.” You’re blushing, hot in the cheeks. You’re imagining it; slow dancing in the kitchen with him while oldies plays on the radio. You didn’t think such an innocent question would send you spiraling like this, but it hurts worse to know that it will probably never happen.

“Absolutely not.” 

“Somehow… I can’t picture you listening to jazz.” 

“Picture it all you want,” he whispers. Eric swallows, and continues, “My granddad used to have these records, and we used to play them on Christmas. But when– when he died, the records went missing. I couldn’t find the song until a couple years ago,” he explains, and his voice cracks just slightly into a murmur. 

You both freeze. You wait for the sound of creatures coming down the hallway, busting down the walls… nothing happens. You let out a breath, and you pull his face closer to yours. His eyes flick over your face, and you put your lips against his ear. 

“You have to be so quiet. Can you do that for me?” Eric nods in your hands. “I wish we could do anything but this. I wish that we could have met in better circumstances. I wish… I wish I had known you before all of this. I think we would have had a lot of fun. But if this is the only way I can get to know you, and hear your voice now, I’ll take it.” You’re nodding as well now, like you’re trying to convince yourself of it. “I’m telling you this because I don’t know how long we have. Together, I mean. And I don’t want to waste it passing notes. Okay?” 

“Okay.” He sounds clipped. His hand fidgets on your back, and you pull away to find him misty-eyed, his brows turned up. He fishes for words that don’t come, and then he nods. “Okay.” 

Neither of you move. The atmosphere around you feels heavy, like it’s pressing in on all sides. Eric’s hand slides up your back and to your face, and you remember that you’re still holding his. You’re near sitting in his lap with how close you’ve become, and the realization of that feels like a punch to the gut.

You think you should pull away. You don’t. 

Eric’s thumb traces a gentle arc across your bottom lip. It’s so featherlight it’s barely there– his eyes are honed in on your mouth, clearly lost in thought. You’d let him stay there as long as he wants, but you want every minute you can get. “Eric–”

He closes the gap and kisses you. The way you’d said his name– or not said it, rather, you sort of mouthed it against his thumb– had done the job you wanted it to. It feels like this was the obvious conclusion to the system you’d worked out, the close proximity and your shared fears. He’s scared, he said as much last night. You’re scared, you said so just now. 

Nowhere to go, nothing else to do except be right here, living. Alive, together. Kissing Eric, and him pulling you close by the waist, so that you do swing your leg and seat yourself in his lap. And as much as you love talking, and it breaks your heart that you can’t jabber at him, there are some things you just can’t put into words. Like the way that his hand on the back of your neck lights you up inside, or that you can’t think of anything other than all the areas where his skin is touching yours, and how you suddenly wish there was way more of them.

It’s stupid how much you like him already, really. You can feel your nonexistent friends clucking their tongues and shaking their heads, saying, “One day? That’s all it takes? You find some guy at the end of the world and you fall in love in 24 hours?” And they’d be right– maybe it’s not love. Not yet, anyways. But you could see it easily becoming that. And that fact scares you even more.

Your hands find Eric’s chest and the frantic beating of his heart tells you nearly the same thing. You break the kiss, trying to quietly catch your breath without gasping like you’re half-drowning. It’s harder than you expected. 

“Been wanting to do that all morning,” Eric whispers. And just like that you’re falling again, faster this time, like he’s just melted your wings right off and sent you plummeting.

You struggle to keep from gasping aloud when he kisses your jaw, just beneath your ear. It’s the lightest touch but you swear it burns, sears your skin. 

Your hands find the back of the couch, twitchy fingers digging in to keep you steady. Your mouth finds his again, his tongue tasting of coffee, and Eric kisses you a bit harder now, a bit sloppier. 

Breaking away, you open your eyes to find his wide, starstruck, his mouth hanging open like he’s been shocked beyond belief. You didn’t honestly intend for this to happen– you wanted to talk. But somehow this seems better, more appropriate. 

How do you get your feelings across when talking isn’t really an option? When innocent attraction becomes… whatever this is? 

You press a single finger to his plush lips, signaling exactly what you mean without a word. Quiet. 

Eric purses his lips, kisses your finger without breaking eye contact. His pupils are blown out so far that the barest hint of golden brown surrounds them, glinting in the sunlight from the window. 

You lean forward, until your mouth touches his ear. “Your eyes are so fucking pretty, Eric,” you whisper to him, and your teeth latch onto his earlobe to tug gently. You can’t help it– you grind your hips down into his lap, without even thinking of doing it. “You’re so pretty.”

Eric whimpers. It’s a soft sound, hollow in the back of his throat, but it’s still too loud for the world that you’re in. You clamp your hand down over his mouth, and his breath comes out sharp and hot over your knuckles as he tries to regain composure.

“Do you want me to stop?” You ask him, whispering gently in his ear. Against you, he shakes his head no. “Want me to keep going?” Eric nods his head yes. 

He’s shaking under you, his fingertips digging into your lower back like he can’t hold onto you hard enough. At the thought, your pulse pounds, blood positively humming through your veins. 

You nuzzle his cheek, and give him the sweetest kiss you can while your hand is still clamped over his mouth insistently. “You have to be. Fucking. Silent. Do you understand?” He nods. “We can’t make a sound. Okay?” 

Eric nods again, and keeps nodding until you let him go. If the rain was still pouring like earlier, you could tell him how much you want him, too. How you don’t want to be mean, you just don’t want to get hurt. This is a bad idea, all things considered. But Eric slides his hand down and cups your ass to lift you up a bit, and the words bad and idea suddenly fucking vanish from your vocabulary.

You stand long enough to kick off your sweats, your day old panties going down with them. You hadn’t dressed to be sexy yesterday, you dressed to get groceries. You don’t necessarily want Eric to see your faded cotton underwear with the stretched out elastic and multiple frayed holes. You don’t think it would add to your sex appeal right now. 

He doesn’t notice the lack of a strip tease– he’s already taking you by the hips, not even waiting for you to shuck your t-shirt. He pulls until you’re stood in front of him, and then hooks your leg over his shoulder. 

So. Eric doesn’t need to be asked to go down on you, he just does. The gentleman. His hands are firm on your ass as he nuzzles into the patch of hair between your legs, and the precarious balancing act makes you snatch onto the back of the couch again. 

His tongue glides through the folds of your pussy slowly, methodically. You aren’t sure if he wants to take his time, or if he’s going slow so that he doesn’t make too much noise when doing it, but he latches onto your clit and sucks agonizingly softly, like he knows he should do it harder but won’t risk making you moan. 

It’s so gentle, and it builds. Pretty soon, you’re having a tough time keeping your whimpers in, even when he’s basically just teasing you, flicking his tongue over your clit with even the barest pressure. Your head has fallen back on your shoulders, your hand now clasped over your own mouth to stifle your sighs. 

Then, Eric’s hand glides up to splay across your lower back, and he sucks long and hard at your clit, and your hand squeezes murderously at the back of the couch while you ride out your orgasm on his tongue. 

Knees buckling, you collapse into Eric’s lap. He has a doe-eyed look on his face that’s way too innocent after what he just did to you. With panting breath and shaking hands, you cup his rosy cheeks in your palms, shaking your head in disbelief. 

Eric’s brows tilt in worry, like he did something wrong. He opens his mouth, but you put your fingers against his lips to silence him, and lean forward to breathe, “You’re too sweet for me, Eric.” 

He traces his fingers lightly up your spine, and turns his head. “Maybe one day I won’t have to be sweet. Maybe then I can really fuck you.” 

The sound of his whispering voice in your ear makes you shiver, your lust reaching a boiling point. The idea of him really fucking you– that this isn’t even him as normal, that he’s having to hold so much back– makes you burn hot all at once. That this isn’t something he’s planning on doing once. That there’s a ‘one day’ that he sees in the future with you in it. 

With a nod, your breath catches in your throat. You find your way to his mouth again, kissing him desperately. You can taste yourself lingering on his lips, and your hips rock forward against his again. 

Eric inhales sharply, stifling his own moan. You guess you have to take it just as slowly as he did, ease him into it. You work your hand beneath his unbuttoned fly and palm him, keeping your touch gentle against his hot skin. He shakes, his hands laid out against your spine, his eyes sparkling when he looks up at you. 

You push your forehead against his as you sink onto his cock, letting yourself adjust to his size. His breath stutters as he tries to keep quiet, small puffs of air spilling out and meeting your electrified skin. You curl your fingers into the hair at the nape of his neck, rocking your hips just barely, settling into his lap. 

This is more intimate than you can ever remember being with anyone, but right now it just feels right. Maybe it could be cathartic to fuck like a couple of animals in the face of doom, but Eric pulls your body flush against his, one strong forearm around your waist, and his nose nudges yours, and you think this is better. This is what you both need. Closeness. Sweetness. 

There isn’t a lot of movement– you can’t risk it. You and Eric seem to be in agreement on that, because as soon as you start trying to move in earnest, he just pulls you back to him, his arm around your waist and his hand petting the back of your head. 

Eric rocks his hips up into yours slowly, deeply, and it’s the depth of it and the slow sensuality that keeps you floating. Your clit catches on the patch of hair at the base of his cock each time you roll your hips with him, and you have to kiss him to keep from keening aloud. He doesn’t seem to mind it. 

You know he’s close when he tucks his face against your neck, his arm tightening around you. “Feels so fucking good,” comes his whine in your ear, and you gently shush him, your hand resting on the back of his head to keep him muffled against your shoulder. You want so badly to look at his face when he cums, but there’s that pesky issue of staying alive, and that hinges on whether or not he can keep quiet when he does. 

To his credit, he bites your shoulder and only whimpers a little bit. It’s just a squeak, but really, he could have been much louder about it, and then you would have both been in trouble. Imagine having to run for your life with your pants down. 

Ever the gentleman, he keeps you there even after he’s spent and sensitive, his hand clamped down on your thigh to prevent you from moving. His thumb finds your clit, and he lifts his head to watch you, his hooded eyes trained on your face as he brings you to the edge and over it again. He watches the way your brows tilt up, the way you struggle to keep your own eyes open, and the silent moan that threatens to break past your parted lips.

Eric claps his hand down over your mouth before it can. Your eyes fly open, your cunt clenches down around him, and he bares his teeth as you cum hard. It’s cyclical, comes in waves as he continues to stroke you through it, as he keeps his hand clamped down on your mouth to keep you quiet. 

To keep you quiet. 

Feverish and exhausted, you come down with your chest against his, Eric’s head flopped back onto the backrest of the couch. Your knees fucking hurt and you have yet to get off of him, and you sort of dread the moment when you have to. But this means your mouth is positioned right next to Eric’s ear, and you’re nothing if not a talker.

“Eric?” you whisper, and he turns his head just enough to let you know he heard you. “I’m glad that I met you when I did. Even if it’s terrible timing, I’m glad we met.”

A sweet, tired smile flits across Eric’s beautiful face. He nudges his nose against your temple. “I’m glad, too.” 

You shift off of him, and he squeezes your thigh just at the same time as he scrunches his face. He’s such a trooper about it, you kiss his cheek as you go, leaning over to grab a pair of earphones from the coffee table. 

You hand one ear bud to him, watching as confusion crosses his face. He watches you type on your phone as he tucks the bud into his ear, and you the other. 

On low volume, you listen to the soft piano and saxophone intro to an old jazz standard. Eric grins, his hand finding your cheek before he pulls you in for a kiss. 

And then, Billie Holiday’s voice plays for only you two to hear. 

Living for you is easy living, It’s easy to live when you’re in love And I’m so in love, There’s nothing in life but you.

[ailesswhumptober]

Prompts for AI-less Whumptober 2024

As promised, we're bringing you the official prompt list of AI-less Whumptober 2024 today!

We have 31 days of excellent whump prompts, with three prompts per day to pick from, fun themes, and 10 alt prompts to play around with. We hope you enjoy! Additional info + plain text versions of the prompts can be found under the cut.

FAQ and Rules

What sort of content can I create for this event?

You can create whatever you want (fic, art, edits, etc). Any fandom is allowed, as well as OC stuff. NSFW is allowed, but please tag your content accordingly! The only thing not allowed is AI-generated content.

Do I need to make 31 things to participate?

Oh heavens no! You can make as much or as little content as you like, skip days when desired, or combine prompts (so for example, write something that covers a prompt from day 1, 2, AND 3). You don't have to do the days in order either, go wild! To be considered a 'completionist', you only have to make sure that at the end of the month, you've covered 31 prompts from 31 different days, but whether you do that in 31 works or just 1 is up to you.

What are these alts about?

If none of the three prompts of a particular day are your cup of tea, you can swap them out for an alt prompt of your choice.

What are these themes about?

Just a little bit of extra fun for the mods. Like last year, we'll be handing out various badges for people participating in the event. A full list will be posted later (and linked here once that happens), but perhaps there will be a special badge or two for people who can't be completionists but who do manage to finish every single day of a specific theme ;)

How do I tag and is there an AO3 collection?

It suffices to tag your work with #AIlesswhumptober2024 for us to see and reblog it! Please also tag nsfw, since we'll be using that tag too. Tagging the day is optional but does help the mods along.

There will be an AO3 collection for the writers to share their works in, this will be made available once we're closer to October (and linked here once that happens).

That should be all. If you have any additional questions, check our pinned or hit us up in the ask box. Or join our discord maybe, whumping can be a great group activity!

---

Plain text versions of the prompts:

October 1 - Torture Tuesday

public torture/public use, stress position, “If you cry, we’ll go easy on you.”

October 2 - Whumperless Wednesday

Unfortunate fall, car accident, “Don’t move. You’ll be okay.”

October 3 - Trauma Thursday

Shared trauma, survivor’s guilt, “It’s not your fault.”

October 4 - Fright/Freaky Friday

Painful transformation, non-consensual body modifications, “You’re a monster.”

October 5 - Sensory Saturday

Overstimulation, migraines, “I can’t take this anymore.”

October 6 - Surprise Sunday

Multiple whumpees, self sacrifice, “I’m the only one who can do this.”

October 7 - Medical Monday

Field medicine, running out of supplies, “Hold on, we’re going to have to improvise.”

October 8 - Torture Tuesday

Rope burns, gagged, “You’re so much prettier this way.”

October 9 - Whumperless Wednesday

Hypothermia, heatstroke, “You look pretty pale.”

October 10 - Trauma Thursday

Self worth issues, pushing away a loved one, “You don't need to earn this.”

October 11 - Fright/Freaky Friday

Hallucinations, truth serum, “Why would you even say that?”

October 12 - Sensory Saturday

Isolation, sensory deprivation, “Can you feel me? I’m right here, whumpee.”

October 13 - Surprise Sunday

Whumpee using themself as bait, defiance, “Take me instead.”

October 14 - Medical Monday

Seizures, concussion, “See if you can follow my finger with your eyes.”

October 15 - Torture Tuesday

Waterboarding, removing body parts, “Don’t break down on me yet.”

October 16 - Whumperless Wednesday

Drowning, hostile environment, “I don’t know how anybody could survive that.”

October 17 - Trauma Thursday

Abandonment, misunderstanding, “Why did I even think you cared?”

October 18 - Fright/Freaky Friday

Mind control, possession, “Everybody will end up despising you.”

October 19 - Sensory Saturday

Disassociation, losing a sense, “I wish I could get you back.”

October 20 - Surprise Sunday

Enemy/Stranger to caretaker, accidental de-aging, “I’m absolutely not qualified for this shit.”

October 21 - Medical Monday

Drugged, ambulance ride, “This will make you feel better, okay?”

October 22 - Torture Tuesday

Forced (to kneel/watch/hurt somebody else), whipped, “Do not look away.” October 23 - Whumperless Wednesday

Fever, passing out, “Hey?! Stay with me, okay?!”

October 24 - Trauma Thursday

Deconditioning, relapse, “It’s normal that you need more time.”

October 25 - Fright/Freaky Friday

Humiliation, betrayal, “How could you?!”

October 26 - Sensory Saturday

Electrocution, burning, “This is going to sting.”

October 27 - Surprise Sunday

Before vs after, Alternate universe, “Well, there’s a first for everything.”

October 28 - Medical Monday

Internal bleeding, needles and stitches, “I didn’t think the wound was that bad…”

October 29 - Torture Tuesday

Ownership, branding, “Everybody will know that you’re mine.”

October 30 - Whumperless Wednesday

Poison, delirium, “You’re not making sense.”

October 31 - Trauma Thursday

Panic attack, facing a phobia, “You need to get out of here!”

Alt prompts:

1) Pistol whipped

2) Co-dependency

3) Animal bite

4) Zombies

5) White room torture

6) Shock collar

7) Pulling teeth

8) Kidnapping

9) “You always make everything worse!”

10) “If you weren’t around, I’d be long dead by now...”

[johannestevans]

it's honestly wild talking to like. random liberals about sci fi sometimes because they just don't... think about the ramifications of their random beliefs and what the end points of their ideologies are

"gene roddenberry's vision was that by the time of star trek, earth had moved on from the need for religion!"

and it's like. i get it. you forget that every religion exists except american christianity. or you think that all religion basically is american christianity.

but when you say to me, "hey, in my utopian future, jews and muslims and their cultures have simply been eradicated <3"

that. doesn't strike me as very utopian. it sounds very, funnily enough, christofascist

"it's the 24th century and these lads are literally doing bits from hamlet, but don't worry, jews have ceased to exist"

like there's constant quotes from shakespeare or dickens or conan doyle or countless other authors from the literary canon, and that literary canon is predominantly made up of white male christian authors, most of whom are british or american

and all of the human culture in star trek is predominantly defined by white american christian mores and cultural ideals, slightly modernised, but not by that much

it's a desire to treat an ultra modern culture as inherently homogenous because for a certain kind of xenophobic liberal, they genuinely internalise the idea that multiculturism is the cause of strife and conflict rather than lack of tolerance for other cultures, and frankly, they've never truly been comfortable in any sort of multicultural environment

and it's just. gross. and it's honestly wild to me that people will spend like. days and days thinking of the "ethical ramifications" of their like, transporter clone plot, but won't think for a second, "hey, i've created a world where jews, muslims, sikhs, hindus, buddhists, and countless other religious and ethnic groups No Longer Exist, and that's go-- um. wait a second--"